Mexican

Growing up, filmmaker Fernando Eimbcke didn’t get to watch the scene in “The Breakfast Club” where the teenage characters smoke marijuana. That moment was removed from the VHS copy of the 1980s classic he’d rented because of strict censorship in Mexico at the time.

Drug use or not, that John Hughes movie, as well “Ferris Bueller’s Day Off,” impacted him profoundly. “Those were movies that spoke to young people, and in Mexico there wasn’t much cinema aimed at teens,” Eimbcke tells me in Spanish on a video call from Mexico City.

From his indie trench, Eimbcke, 55, has tried to fill that void in Mexican cinema — starting with his 2004 acclaimed debut “Temporada de patos” (Duck Season), about two teen boys spending a day without adult supervision. Since then, in films like “Lake Tahoe” (2008) or “Club Sandwich” (2013), the woes of adolescence have dominated his purview.

With “Olmo,” in theaters Friday, Eimbcke has adapted his career-long interest on the youth’s preoccupations to a story on this side of the Mexico-U.S. border for the first time.

Set and filmed on location in Las Cruces, N.M., his bilingual coming-of-age dramedy follows the titular Olmo (played by Aivan Uttapa), a charismatic Mexican American 14-year-old boy in the 1970s, whose bedridden immigrant father requires around-the-clock care.

The tightly written and humorously bittersweet narrative (co-penned by Eimbcke and Vanesa Garnica) unfolds over the course of a fateful Saturday. Nina Sandoval (Melanie Frometa), Olmo’s crush, invites him and his boot-wearing best friend Miguel (Diego Olmedo) to a party, with the condition that they bring a stereo. But Olmo has also been tasked with looking after dad Nestor (Gustavo Sánchez Parra), while his mother works.

Olmo must decide between fulfilling his duty or pursuing his age-appropriate impulse for fun.

Fernando Eimbcke’s new coming-of-age dramedy “Olmo” follows a charismatic Chicano teen in 1970s New Mexico.

(Andrew Bohn / Olma 2023 LLC)

It was during the six years that Eimbcke lived in Germany that Plan B, the American production company behind titles like “Moonlight,” reached out with an idea for him to write a screenplay about a Mexican American character. That project didn’t come to fruition, but Eimbcke took advantage of their initial interest to create his own story.

Eimbcke had long been interested in stories of migration, and in the dynamics that occur within “bicultural” families. His experience living abroad heightened this curiosity.

“I’m surprised to see the fear that governments and society have regarding migration today. It’s one of the best things that can happen to a culture,” Eimbcke says. “Everyone is talking about Christopher Nolan’s ‘The Odyssey,’ and the story of Odysseus is a story of migration.”

Among the key inspirations that shaped how Eimbcke and Garnica (who have been friends since they were 14 years old) conceived “Olmo” were Dominican American author Junot Díaz’s work, as well as Kevin Bubriski’s photography book “The New Mexicans: 1981-83.”

“He photographed Mexican Americans in the 1980s in New Mexico, and that gave us many ideas,” he says. “He has some incredible, truly beautiful photos of Mexican Americans.”

While scouting locations in New Mexico, the production interacted with local Latino families. In those households, Eimbcke witnessed immigrant parents speaking Spanish to their children who replied to them in English. Similar exchanges happen in “Olmo.”

“If communication is already difficult within a family when everyone speaks the same language, the idea of a family speaking two languages struck me as absolutely fascinating. Rather than an obstacle, I saw it as an opportunity to explore their relationship,” he explains. “Language isn’t always that important. When Olmo and Néstor argue over the stereo, you never really know if they actually understand each other through words or not.”

The complex intricacies of language manifested on Eimbcke’s first bilingual set.

During a scene where Olmo and Miguel finally fix the stereo and begin dancing, Eimbcke wanted a more rambunctious reaction. He started yelling, “More caos. More caos.” The assistant director looked puzzled, thinking the director was asking for “cows.” Eimbcke meant “chaos,” but pronounced it Spanish, which sounds like the farm animal in English.

“It was very difficult for me, because my English is far from perfect, it’s actually quite imperfect,” Eimbcke says sincerely.

For Uttapa, 17, these interactions seemed authentic; he is a second-generation Mexican American whose grandmother came to the U.S. from Mexico, while his mother was born here.

“My grandma speaks fluent Spanish, and she talks to me, my brothers, and my sister in Spanish, and we answer in English,” says Uttapa on Zoom. “That dynamic and that detail in the movie really did make it real to me.”

Fernando Eimbcke’s new coming-of-age dramedy “Olmo” follows a charismatic Chicano teen in 1970s New Mexico.

(Andrew Bohn / Olma 2023 LLC )

Based in Las Vegas, the fresh-faced Uttapa started acting at 12. He shared his interest in performing with his parents, who enrolled him with acting coach Frank Parillo. “I remember telling my mom, ‘I just want to entertain. I just want to be relatable and make an impact on people.’ If you can impact one person, then it pretty much is worth it,” he says.

Eimbcke cast him solely based on his self-tape after a long search for the right actor to become Olmo, primarily in Los Angeles and New York.

Since shooting “Olmo” when he was 14, Uttapa has appeared in the latest season of the hit medical drama “The Pitt,” playing Grady Barnhill, who has an asthma attack, in two episodes. Still, playing Olmo remains the highlight of his short but burgeoning career.

“I’ve gotten some auditions here and there about Mexican American or Latino characters, but if I’m being honest, none of them really clicked to me as much as it did with Olmo. I really felt a connection with the character,” Uttapa notes.

That Eimbcke set “Olmo” in the ’70s — based on his memories of watching “Saturday Night Fever” as a child and being enamored by disco music — helped Uttapa connect with the character. At several points in their adventure, Olmo and Miguel break out their best dance moves.

His mother, Uttapa says, thinks of him as an “old soul,” given his eclectic taste in music, from Elvis Presley and Del Shannon to AC/DC and Led Zeppelin.

“I was already familiar with cumbia, because my mom would always teach me,” Uttapa says. “The disco dancing wasn’t really that hard for me because I grew up loving ’70s music, so I’d always dance in my room to it. And being able to show it on screen was really special.”

Eimbcke says he has no secret technique to obtain wonderful performances from his teen stars; the only strategy that works is to lean into fun. “Teenagers are very willing to play. They are willing to take risks,” the director adds. “And I always love combining two schools of acting: the professional and the nonprofessional.” The actors who play Olmo’s parents, Gustavo Sánchez Parra and Andrea Suárez Paz, are seasoned Mexican thespians.

And while Eimbcke may very well be the Mexican John Hughes, there are certainly uniquely Mexican, and perhaps unexpected, references that were foundational for him as an artist.

“I also grew up watching a lot of telenovelas. They were really formative for me, specifically, the telenovelas on the local Channel 2,” Eimbcke confesses. “I remember there was one I followed religiously called ‘Quinceañera,’ starring Thalia. I loved it.”

The Galaxy announced on Friday Hirving “Chucky” Lozano is joining its roster, making one of the most significant moves of the MLS transfer window in an attempt to turn around a disappointing season while the team still has a chance to make the playoffs.

The Mexican forward arrives on loan from San Diego FC through December with an option to buy. Lozano will occupy a designated player spot, becoming the new offensive leader of the team coached by Greg Vanney for the final stretch of the season.

Although his time with San Diego FC began in June 2024 with high expectations as the first designated player signed in the club’s history, the relationship between Lozano and the club deteriorated.

The Mexican forward suffered several muscle injuries that limited his playing time last season and toward the end of Lozano’s tenure, coach Mikey Varas opted not to feature Lozano because he didn’t fit with the club’s sporting vision.

The combination of physical problems and internal disagreements ultimately paved the way for his departure even though he made a strong offensive impact.

“Hirving is a player whom we tried to acquire three years ago, so this feels like something of a full-circle moment. He is a fierce competitor with an excellent track record of performing on teams that have competed for titles in multiple leagues, including his debut season in MLS,” Galaxy general manager Will Kuntz said.

Kuntz said after evaluating various options to strengthen the roster, the club concluded that Lozano was the ideal fit to help them tackle the final 15 games of the season.

“We have a talented group, a strong locker room, and a clear objective over these final 15 games of the season, and we are thrilled that Hirving and his family are joining the Galaxy,” Kuntz said.

In 33 matches with San Diego FC, Lozano recorded 20 goal contributions, including goals and assists.

Before arriving in MLS, Lozano made his professional debut with Pachuca, where he won the 2016 Clausura and the 2016–17 CONCACAF Champions League, a tournament in which he finished as the top scorer.

He later moved to PSV Eindhoven, where he won the Eredivisie title in the 2017–18 season before signing with Napoli in Italy. With the Neapolitan club, he played in 155 matches, scored 30 goals and was part of the historic squad that won the Scudetto in the 2022–23 season, ending a wait of more than three decades for the club.

He returned to PSV in 2023 and added two more consecutive Dutch league titles before embarking on his MLS adventure.

With the Mexican national team, he has accumulated more than 70 international appearances, 18 goals, and 12 assists.

He etched his name into Mexican soccer history by scoring the goal that gave El Tri a 1-0 victory over Germany at the 2018 World Cup in Russia — one of the national team’s most important World Cup victories.

He also represented Mexico at the 2018 and 2022 World Cups, in addition to competing in the Copa América, the Confederations Cup, the Gold Cup and the CONCACAF Nations League. In 2018, he was named CONCACAF Player of the Year.

At 31, Lozano joins the Galaxy —which no longer has Gabriel Pec — as the team seeks to strengthen its attack to stay in the hunt for a playoff spot.

The Galaxy hope to capitalize on his speed, ability to play on both wings and experience in high-pressure situations.

24-year-old TikToker Cesar Gastelum, was shot dead while livestreaming with friends outside a fast-food restaurant in Culiacan, Mexico. The city is at the centre of a gang turf war between two factions of the Sinaloa Cartel.

The Trump administration wants to make sure that the Mexican train crews who haul freight over the border can understand key safety information in English and that the common practice of using foreign crews to cross into America doesn’t threaten U.S. jobs.

Two major rail unions praised the proposed rule announced Friday that would also strengthen the standards for certifying that crews can safely operate a train.

The government had concerns after inspecting two Texas rail yards near the border last fall on the two railroads directly affected by these restrictions on Mexican crews — Union Pacific and Canadian Pacific Kansas City, or CPKC. Union Pacific didn’t immediately respond but CPKC and the Assn. of American Railroads trade group declined to comment while they study the rule.

The Federal Railroad Administration sent letters to both CPKC and Union Pacific in December after inspections found that train crews often had trouble understanding English during focused inspections. The government urged those railroads to reexamine their practices and make sure that Mexican crews can speak English and don’t operate a train more than 10 miles inside the United States.

Last fall, federal inspectors found numerous problems in Union Pacific’s Eagle Pass rail yard and CPKC’s facility in Laredo where train crews were having a hard time understanding English-language operating bulletins and U.S. regulations. Information about hazardous materials and emergency responses are required to be in English.

Both Union Pacific and CPKC have pledged to make sure they were following the existing rules, including that the Mexican crews do not travel more than 10 miles into the United States. But now the federal government wants to strengthen the rules “because railroad crews must be able to communicate fully and accurately when crossing into the United States, most notably with dispatchers and emergency responders during a crisis, as a safety-critical function.”

This rail safety effort aligns closely with the Transportation Department’s efforts to ensure that truck drivers can understand English, so they can read road signs and warnings and communicate with first responders after an accident or during an inspection. The government has tried to withhold millions of dollars in highway funding from New York and California because it isn’t satisfied with the steps those states have taken to make sure the commercial driver’s licenses they issue are valid.

Mark Wallace, the national president of the Brotherhood of Locomotive Engineers and Trainmen union, has been raising concerns about this practice of using Mexican train crews for several years because of safety, security and job concerns.

The union has said that the handoffs used to happen right at the border, but now Union Pacific and CPKC routinely ask Mexican crews to bring trains several miles over the border to one of their rail yards where the crew switches can be done more safely. But the firm 10-mile restriction in this rule will prevent the railroads from expanding this practice to rail yards farther into the United States. The union said Union Pacific was considering this type of expansion in New Mexico.

Wallace said the language barrier would pose a hazard in the event of issues such as a derailment.

But the railroads have said that this practice of using Mexican train crews to bring the trains into rail yards in America was developed in 2018 with the approval of the first Trump administration to address smuggling concerns. When trains are stopped at the border, smugglers often try to conceal drugs or other contraband aboard them and immigrants might jump aboard to get into the United States.

It is also routine for Canadian crews to bring trains a few miles over the northern border with the United States before handing off to American crews.

The SMART-TD union that represents conductors and other rail workers also said the provisions of the rule that will prohibit train crews from using a system that’s similar to cruise control when they take their certification tests will help ensure they can operate a train safely.

“Railroad certifications should represent proven ability, not simply possession of a certificate,” said Jared Cassity, who is SMART-TD’s top safety expert. “When lives are on the line, the FRA must know that an engineer can safely operate a train, not just supervise a computer doing it.”

Funk writes for the Associated Press.

Over the weekend, the Academy Museum announced that it will honor Mexican and Mexican American film history in an upcoming exhibition titled “Cinelandia: Celebrating Mexican American Cinema.”

Currently scheduled to open in September 2027 — likely to coincide with the onset of Hispanic Heritage Month — the showcase will span from the silent film era to the present day and examine movies from both sides of the border.

The idea for the exhibition was first discussed back in 2019 and work on it officially began in late 2022, Academy Museum associate curator Sophia Serrano told The Times.

“It grew from a previous research and programming project we did as part of the Getty Foundation’s Pacific Standard Time: Los Angeles x Latin America initiative, before we opened the Academy Museum in 2021,” Serrano said.

The display will focus mostly on Mexican American cinema, but examines those films in conversation with Mexican features and other Spanish-language movies, made both in Hollywood and internationally.

Films included in the exhibit will be Day of the Dead flicks like “The Book of Life” and Disney’s “Coco” — as well as the Spanish-language version of the 1931 horror classic “Dracula,” plus director Luis Valdez’s “La Bamba” and “Zoot Suit.” Three groundbreaking works by Gregory Nava will also be honored: the Oscar-nominated “El Norte,” “My Family/Mi Familia” and the Jennifer Lopez-led biopic “Selena.”

Among the classic Mexican films included are the 1932 film “Santa,” which was the first Mexican narrative sound movie, as well as 1946’s “Enamorada.” Features from Mexico’s Oscar-winning “three amigos” of cinema — Guillermo del Toro, Alfonso Cuarón and Alejandro Iñárritu — will also be highlighted.

Along with curator Serrano, “Cinelandia” is guided by a 12-person advisory panel: cartoonist  Lalo Alcaraz; UC Santa Cruz professor emeritus Rosa-Linda Fregoso; LACMA curator and head of contemporary art Rita Gonzalez; animator-director Jorge R. Gutiérrez; writer-director Cristina Ibarra; Pitzer College professor Jesse Lerner; director-writer Carlos López Estrada; University of Arizona assistant professor Orquidea Morales; director Gregory Nava; UCLA professor Chon Noriega; University of Texas at Austin professor Charles Ramirez Berg; and USC professor Laura Isabel Serna. 

Given that L.A. County’s population is almost 50% Latino, Serrano noted that part of the exhibition’s aim is to connect to the millions of Latinos in the county and show how they’ve been critical in informing the cultural landscape of L.A.

“Mexican American cinema is … a big part of Los Angeles’ history,” Serrano said. “We want this exhibition to connect with the broader Los Angeles community, as well as illuminate the history behind many of the beloved films from Mexican American and Mexican filmmakers. The exhibition is designed to offer something for everyone and bring people of all ages and backgrounds together to celebrate this important cultural heritage.”

As with previous exhibitions centered on minority populations, the Academy Museum won’t be shying away from the uncomfortable truths around Latinos in Hollywood — from the demographic’s stereotypical portrayals in film to its underrepresentation in the industry that continues to this day.

“Many of the films and artists featured in the exhibition draw attention to or push against these challenges in a variety of ways,” Serrano said. “A guiding principle of the exhibition is foregrounding the voices of film artists themselves via interviews, written quotes, and guest curations and collaborations alongside the hundreds of original objects that will go on display, and this aims to tell an earnest and engaging story about this history.”

“We are also aiming to show how vast the contributions of Mexican American artists are, and these histories are often unknown or underrecognized. It’s essential that the exhibition celebrates these moments of impact and influence in a dynamic and educational manner.” 

“Cinelandia” isn’t the museum’s first foray into identity-based exhibitions centered on underrepresented populations. In 2022, the museum opened the “Regeneration: Black Cinema 1898-1971” exhibition which highlighted the work of Black creatives from filmmaking’s early days through the civil rights movement. The showcase — which closed in April 2023 — tackled such themes as the representation of Black people in early cinema (1897-1915), the era of “race films” made by Black filmmakers for Black audiences (1910s-1940s), musical films and stories born of the civil rights movement.

The museum’s ongoing showcase titled “Hollywoodland: Jewish Founders and the Making of a Movie Capital,” explores the stories of the Jewish filmmakers and studio founders who helped cement the L.A. area as the world capital of entertainment.

Mexican drug kingpin Ismael ‘El Mayo’ Zambada has been sentenced to life in prison in the US, following a plea deal last year when he admitted to trafficking millions ⁠of kilograms of cocaine. El Mayo led one of Mexico’s most violent drug cartels, the Sinaloa Cartel, for about four decades.

MILWAUKEE — Former Wisconsin Judge Hannah Dugan was spared from prison Wednesday for ushering a Mexican defendant out of her courtroom to evade U.S. Immigration and Customs Enforcement agents. A federal judge fined her $5,000 and cited her otherwise law-abiding life in issuing the sentence.

“I think this is a situation where an otherwise good person, upset by immigration policies in this country, made a bad decision in the moment,” U.S. District Judge Lynn Adelman said.

Dugan, 67, was convicted of felony obstruction in December. Her lawyers argued during her trial that President Trump’s administration sought to “crush” Dugan in an effort to ensure judicial compliance with the ICE strategy of targeting immigrants as they showed up for court hearings.

Dugan resigned the Milwaukee County circuit judgeship she had held for nine years in January amid threats of impeachment from Republican state lawmakers who labeled her an activist judge. In her resignation letter, she said her prosecution threatened “the independence of our judiciary.” Republican U.S. Rep. Tom Tiffany, a fierce Trump loyalist running for Wisconsin governor, urged authorities to “lock her up” in a social media post following her conviction.

Two Marquette University law professors spoke on her behalf, including a former state Supreme Court justice and a Jesuit priest who read a statement describing Dugan as a defender of oppressed people and saying he didn’t believe there was a need for punishment. “Hannah models what it means to be a Christian,” Gregory O’Meara said.

Dugan says she was just trying to do her job

Dugan then rose to address the court, saying she’s tried to do her best as a judge, and that her actions that day in April 2025 were not done maliciously but rather to maintain the “decorum and safety of the courtroom.”

“I have been cast as both a scofflaw and a hero. I am neither. I am a public servant who’s just trying to do my job,” Dugan said, adding that she has had to retire from public life due to threats against her and her family.

A prosecutor then acknowledged that “she has experienced collateral damage because of her conduct,” but said “judges can’t choose to disregard the law.”

Adelman then spoke, saying he doesn’t believe prison is necessary. He noted that Dugan lost her job, now has a felony conviction and experienced threats that forced her to move and stop attending community events.

“This is a few minutes of conduct for someone who has dedicated her life to public service,” the judge said. “It’s a marked deviation from an otherwise law-abiding life.”

He also noted that Dugan’s actions didn’t stop the ICE agents from arresting the defendant outside the courthouse.

Prosecutors pushed for a ‘serious sentence’

While jurors found her guilty of felony obstruction, they acquitted her of concealing an individual to prevent arrest, a misdemeanor.

Prosecutors argued in a sentencing memo filed last week that Dugan violated her oath as a judge and put both law enforcement and the public at risk.

“Judges are entrusted with tremendous discretion, but there is a line they cannot cross,” Executive Assistant U.S. Attorney Richard Frohling wrote. “The defendant crossed that line.”

Dugan’s attorneys argued she has been “punished enough,” including resigning as a judge and facing threats of violence. They argued in her sentencing memo that she should not be sentenced to any jail time besides the part of one day she already spent in federal custody.

Under federal sentencing guidelines, the presentence report calls for 15 to 21 months behind bars. The judge is not bound by those guidelines.

Prosecutors said the average sentence for obstruction cases is 16 months, but they did not recommend a sentence.

“This was a serious offense, and it warrants a correspondingly serious sentence,” Frohling wrote.

Attorney Jason Luczak said after the sentencing that they would still appeal Dugan’s conviction.

Dugan’s case was a first for Wisconsin

Dugan’s case marked the first time that a state judge in Wisconsin went to trial on charges of obstructing immigration agents.

On April 18, 2025, immigration officers went to the Milwaukee County courthouse after learning Eduardo Flores-Ruiz, 31, had reentered the country illegally and was scheduled to appear before Dugan for a hearing in a state battery case.

Dugan confronted agents outside her courtroom and directed them to the chief judge’s office, saying their administrative warrant wasn’t sufficient to arrest Flores-Ruiz.

After the agents left, she led Flores-Ruiz and his attorney out a private jury door. Agents spotted Flores-Ruiz in the corridor, followed him outside and arrested him after a foot chase. A week later, FBI agents arrested Dugan in the courthouse, leading her outside in handcuffs.

Flores-Ruiz was deported in November.

Savage and Bauer write for the Associated Press. Bauer reported from Madison, Wisc. AP contributors include Hannah Fingerhut in Des Moines, Iowa.

Mexico’s World Cup dream ended with a thrilling 3-2 loss to England in the Round of 16, but many of the host nation’s fans celebrated their team despite the loss.

Mexican fans gathered outside Ecuador’s team hotel using loudspeakers, horns and motorcycles to disturb their rest, ahead of their round of 32 knockout match. The Ecuadorian soccer federation said it has filed a formal complaint with organizers.

I rose from my living room couch before Mexico’s World Cup match against Czechia when the Telemundo announcer stated it was time for the Mexican national anthem.

The public address system at Azteca Stadium in Mexico City played a short string intro. My back straightened. I pressed my right hand against my chest horizontally in the traditional gesture that accompanies the tune. And then I recited the opening lyrics to a song I’ve heard all my life but that I only began committing to memory this month:

Mexicanos al grito de guerra/El acero aprestad y bridón/Y retiemble en sus centros la tierra/Al sonoro rugir del cañon

Those florid 19th century words — “Mexicans, at the cry of war/Ready the steel and the bridle/and may the Earth tremble to its core/at the cannon’s resounding roar” — make “The Star-Spangled Banner” seem as anti-war as “Give Peace a Chance.” My kumbaya heart nevertheless jumped as the anthem continued.

Goosebumps blossomed on my skin as Mexico’s head coach Javier Aguirre, he of a stern face and gray haircut worthy of a drill sergeant, beamed while singing. My eyes watered as the camera panned over his arm-in-arm players as they shouted the line, “Think, o beloved homeland! That heaven/gave you a soldier in each son.”

Millions of Mexican Americans like myself have stumbled through the himno nacional during this World Cup, whereas in previous years, we might have just hummed some bars or stayed silent. It’s a boisterous way to connect with one half of our hyphenated lives and get in the right mindset to root for El Tri, but otherwise something we don’t really have to know all the way through given we’re in the U.S.

Yet seeing stadiums and bars packed with Latinos wearing the jerseys of their ancestral homes and warbling their national anthems during this World Cup has been a jolt of inspiration I wasn’t expecting. Those few minutes before each match have become a reminder of what we’re up against at this moment in the Western Hemisphere, as President Trump thirsts to smash Latin America into submission while persecuting too many of us stateside.

In downtown Santa Ana earlier this week, Alicia Rojas quietly recited Colombia’s national anthem word for word before a game against the Democratic Republic of the Congo, even though she was just one of a handful of Colombian fans at Chapter One: The Modern Bistro.

“It reconnects me to my roots, my family and the memories of home,” said Rojas, who was born in Bogotá and moved to the U.S. at age 12. The artist has helped to organize against federal immigration raids in Orange County and volunteers for local political races. “Those few minutes remind me that beyond our differences, we share a history, a culture and a love for the land that made us who we are.”

Latinos are a famously divided bunch, to the point that we don’t even like a catch-all label for “us.” A 2024 Pew Research Center survey found that 52% of Latinos prefer to refer to themselves by their family’s country of origin, while only 30% identify as Hispanic or Latino and just 17% use plain ol’ American.

One thing that can unite us all — and all lovers of liberty, for that matter — is those Latin American national anthems. Many were written in the aftermath of wars for independence. Most are bright, rousing listens, even if you don’t understand Spanish, because their chords reflect the Romantic classical music popular at the time of their composition in the 19th century. All call for their countrymen to fight against tyranny.

Fans cheer after Lionel Messi scores a goal against Algeria during a World Cup watch party at Mercado Buenos Aires on Tuesday, June 16 in Van Nuys.

(Ronaldo Bolaños/Los Angeles Times)

Cue up this soundtrack for your summer:

Paraguay’s national anthem starts by stating that the people of the Americas were “oppressed for three centuries” until they rebelled. Ecuador’s recalls how its founding fathers “cried out a holy voice to the heavens/that noble voice of a unbreakable pledge/to defeat that [Spanish] monster of blood.” Colombia’s similarly doesn’t shy away from how violent its fight for independence was, but takes solace that “in furrows of pain/good now germinates.”

On and on, these songs stir the soul. Argentina: “Hear the sound of broken chains/See noble equality enthroned.” Uruguay: “Tyrants: Tremble!/We shall cry out ‘Liberty’ in battle!” — a boast backed by flutes and violins that make it sound like a Rossini overture. I especially like how Panama’s national anthem concludes by urging “shovel and pick/to work without delay” — a reminder that the job of creating a better society is never done.

Conservatives have, unsurprisingly, long railed at the very idea of singing the national anthems of other countries on American soil. But that just reinforces Samuel Johnson’s adage that patriotism is the last refuge of a scoundrel.

There’s nothing wrong with taking inspiration from the clarion calls of other countries. “O Canada” is as soaring as “God Save the King,” while revolutionaries across the world have chanted “La Marseillaise” for centuries. And yes: I sing “The Star-Spangled Banner” with all my heart as well — and I definitely know the words to it.

But the message of the U.S. national anthem isn’t enough for Latinos right now. Hailing survival against an invading force is important, but it’s a mindset too many of us have resigned ourselves to under Trump.

The theme of Latin America’s national anthems is the demand that we stand against despotism and push for a better world through sacrifice and valor. They should be a wake-up call, especially for Latinos, to lead the electoral charge against Trump this November. We helped put him in the Oval Office in 2024, and we have the power to take Congress away from his GOP vassals.

Alas, all those paeans to freedom have played out better in song than in real life. Latin America is swinging rightward again, electing presidents who promise to channel the strongmen of yore and rule the region through might, not right.

On the same night that Rojas was cheering on Colombia, she was bemoaning that her homeland had elected Abelardo de la Espriella, a millionaire criminal defense lawyer and political novice who earned Trump’s endorsement for his “tremendous accomplishments in life” — which include claiming that female voters would pick him because of the supposed size of his genitals.

We must channel the hopes and dreams of Simón Bolívar, Emiliano, Zapata, José Martí and other heroes of the Americas who fought for freedom for their countrymen, sought to cast off the long reach of colonialism and imperialism and urged pan-American alliances over forever wars.

Nothing like the World Cup’s unofficial pre-game soundtrack to reinforce this eternal, universal message.

Mexico dominated Czechia 3-0 and finished first in its group. When El Tri plays again on Tuesday in the first round of the knockout stage, I will stand at a packed Chapter One with other fans and so many more across the U.S. and sing again Mexico’s national anthem.

I will hope to have it all memorized by then instead of reading off my smartphone — the thing is hard! The Spanish is archaic, the intonations are complicated, and the words tumble over themselves like a hard charge toward the goal posts.

But I will do it — a little victory in the long battle for freedom that never ends.

Mexican journalist Roxana Guzman’s disappearance for more than two weeks has renewed concerns over escalating violence against journalists in Mexico, where attacks on the press continue with near-total impunity.

Johannesburg, South Africa – In the quiet mining town of Swartruggens, a small courthouse is preparing to decide whether five Mexicans accused of a major illegal drug operation will be granted bail or remain in custody.

Their arrests followed a raid on a remote farm in North West province, where police said they uncovered a large methamphetamine laboratory worth about one billion rand ($60m).

The case is one of several pointing to a pattern taking shape in South Africa’s rural interior.

The Swartruggens laboratory was not an isolated discovery.

It was one of four major meth sites linked to Mexican criminals uncovered in South Africa in just two years, a pattern that has unsettled investigators and organised crime experts.

In 2024, police dismantled a large meth facility worth about $105–110 million on a farm near Groblersdal in Limpopo. Later that year, another laboratory worth roughly $5–6 million was discovered near Tshwane, followed by arrests last year in Mpumalanga.

Then came Swartruggens.

When police moved in on the North West farm in May, they found 481 kilos of methamphetamine, containers of chemicals and firearms. Among those arrested were Mexican nationals Fabian Astorga, Jesus Alonso Medina Astorga, Luis Alberto Ramirez Rios, Jose Andres Medina and Jacquelin Lopez Madrid, alongside co-accused South Africans.

All the sites followed the same pattern: remote farmland, long distances from towns and enough isolation for criminal activity to go undetected.

For investigators, the pattern is becoming harder to ignore.

Mexicans are increasingly being found working alongside local collaborators in rural production sites, suggesting a shift from trafficking meth into Africa to producing it there.

Organised crime researcher Julian Rademeyer told Al Jazeera the model reflects a deliberate strategy.

“It’s quite a unique development where you have members of Mexican drug cartels franchising, moving chemists into remote rural areas and farms,” he said.

The approach has been building for more than a decade, he added.

The logic is straightforward: produce closer to consumers, cut transport costs and reduce exposure to border and maritime enforcement.

How it spread

Mexican-linked networks in Africa did not begin in South Africa.

Researchers trace early activity back to Nigeria, where local groups were producing meth with Mexican involvement by around 2016.

From there, the networks spread through East Africa, then south through Mozambique and Botswana, before reaching South Africa more recently.

For years, users on the streets spoke of “Mexican meth”, often assumed to be imported. That supply chain has now shifted inward.

“Now, basically, the cartel chemists are being sent here,” Rademeyer told Al Jazeera.

Analysts say multiple supply routes now feed the South African market, but the most significant change is the rise of local production.

Who looks the other way

Methamphetamine dominates parts of South Africa’s illicit drug market because cheaper drugs such as cocaine and heroin remain out of reach for many users, creating steady demand for a cheaper, highly addictive stimulant.

Crime expert Willem Els says demand is only part of the story.

“The main reason why manufacturing locally is lucrative to cartels is the local conditions that exist, where there is protection from corrupt police and politicians,” he told Al Jazeera.

“It is very lucrative. The cartels can make a lot of money because South African conditions result in undetected and protected operations.”

A separate commission of inquiry into law enforcement has heard testimony alleging deep corruption within policing structures, including missing drug consignments and suspected inside involvement in major cases.

One case under scrutiny involves 541 kilos of cocaine seized in 2021 and later stolen from a police facility, in what investigators believe was an inside job.

Former Interpol ambassador Andy Mashiale told Al Jazeera the problem is visible on the ground.

“There is no way in which police don’t know those labs,” he said. “So corruption plays a role.”

He said officers deployed to rural areas were often aware of suspicious activity but failed to act.

“What inspires the drug manufacturers or the drug cartels is the willingness of the police to enable the drug trade from happening,” he said.

South Africa’s elite Hawks unit says recent raids show progress in disrupting networks, while international partners, including the US Drug Enforcement Administration, have provided intelligence linking some suspects to the Sinaloa Cartel.

But investigators warn that the system behind the labs is resilient.

A frontier that keeps moving

US Africa Command officials have warned that Mexican cartels are now not only moving drugs through Africa, but also producing them on the continent.

For South Africa, the challenge is no longer just border control, it is institutional capacity, intelligence and corruption within the system meant to contain it.

Without deeper reform, analysts warn, the pattern is likely to continue: new farms, new labs, new chemists arriving quietly in rural provinces.

For the five men in Swartruggens, the question is immediate, whether they will be released.

For South Africa, the question is larger and more difficult: how to contain a trade that is no longer arriving at its borders, but taking root in the country.

Rademeyer says the structure is built to absorb disruption.

“It’s a game of whack-a-mole,” he told Al Jazeera. “You seize a meth lab here, you seize a meth lab there. They’ll spring up elsewhere.”

Teachers marched in Mexico City demanding better pay and pensions, warning of further protests ahead of the 2026 FIFA World Cup. Al Jazeera’s Julia Galiano reports police fired tear gas after some demonstrators pushed through barricades near a FIFA fan zone.

Mexico’s consulate in Los Angeles helps thousands of citizens each week, assisting them with registering births, obtaining passports and, increasingly since President Trump’s second term began, accessing legal help for loved ones who have fallen afoul of his administration’s immigration policies.

Although it serves the country’s biggest Mexican community, all 53 Mexican consulates in the U.S. provide services that make Mexican people’s lives easier — just like the nine U.S. consulates in Mexico improve the lives of Americans south of the border.

The U.S. State Department has launched a review that might lead to the closure of an unknown number of Mexican consulates. Although it hasn’t said why, the review is happening against the backdrop of the immigration crackdown, some thorny bilateral issues and far-right theories that the consulates have been interfering in U.S. politics and encouraging Mexicans to migrate northward.

Azucena Aviles, a 33-year-old mother who drove more than an hour to the L.A. consulate this month to renew her Mexican passport and get one for her daughter, said consular services are invaluable — especially in California, which is home to nearly 13 million people of Mexican descent, including an estimated 1.7 million who are in the U.S. illegally.

“It wouldn’t be fair if they messed with the Mexican people, especially with our support systems, which come from the Mexican consulate and which, in some way, help or protect our fellow Mexicans,” she said.

Trump has been exerting growing pressure on Mexico, with questions looming over issues including human rights, national sovereignty and regional diplomacy.

His administration has given only the broadest of explanations for launching its review.

“Department of State is constantly reviewing all aspects of American foreign relations to ensure they are in line with the President’s America First foreign policy agenda and advance American interests,” Dylan Johnson, assistant secretary of State for global public affairs, wrote in an email.

Among the possible reasons for the review is that it could somehow fit into the Trump administration’s immigration efforts to deport people in the U.S. illegally. The largest contingent of such people — an estimated 4.3 million, according to the Pew Research Center — are Mexican.

Relations between the two countries could also play a role, with Trump increasing pressure on Mexico in the run-up to free trade negotiations important to both nations’ economies, taking a more aggressive approach toward the U.S.’ southern neighbor and even threatening to take military action against Mexican cartels.

Mexican President Claudia Sheinbaum has avoided head-on conflicts with Trump and instead relied on diplomacy, including sending top officials to Washington and seeking to maintain a strong relationship with the Trump administration by cracking down on Mexican cartels. Sheinbaum and her predecessor have also been key allies in slowing migration to the U.S. and speeding up the deportation of other Latin American migrants.

But Sheinbaum has taken a firmer stance in regards to the deaths of Mexicans in U.S. immigration detention centers, calling them unacceptable and saying the conditions in such lockups were “incompatible with human rights standards and the protection of life.” She instructed Mexican consulates to visit detention centers daily to help ensure detained citizens are being held in safe conditions.

Relations rapidly deteriorated in recent weeks after the U.S. indicted several Mexican officials on drug trafficking charges, and two CIA officers died following an anti-narcotics operation in northern Mexico — American involvement that Sheinbaum said her government had not authorized. That drug raid raised uncomfortable questions in Mexico about the extent of U.S. involvement in domestic security operations.

Years of tit-for-tat tariffs between the two countries have also added strain.

A review of foreign consulates is “usually a sign that a bilateral relationship is in a very, very rocky moment,” said Arturo Sarukhan, a former Mexican ambassador to the U.S. In Mexico’s case, it comes at “the worst moment of the U.S.-Mexico relations” in decades, given all the current points of contention, he said.

Further straining relations is a theory being amplified by Peter Schweizer, a writer with a following among Trump loyalist who has claimed that Mexican consulates interfere in U.S. politics and encourage migration to the U.S. Experts say that although a few Mexican consulate officials may have sought to influence politics back home, there is no evidence of them interfering in U.S. elections.

In response to the State Department review, Sheinbaum said the idea that Mexican consulates are “playing politics in the United States is completely false.” She said the job of consulates anywhere is to “always protect” citizens.

Sarukhan too said that although consulates defend the rights of Mexican citizens, there is no evidence that they are interfering in U.S. elections.

Whatever the reasons for the consulate review, it has stoked worries.

During a weekly public forum at the L.A. consulate, a woman who didn’t give her name and whose husband had been in U.S. immigration detention asked for help finding him a lawyer, highlighting one crucial service consulates provide for their citizens.

An older man said he had heard about the review and asked about possible closures.

Carlos González Gutiérrez, Mexico’s top diplomat in Los Angeles, responded that, as Sheinbaum said, there would be “no reason whatsoever” for the U.S. to close a Mexican consulate.

Indeed, consulates would have significant, devastating effects for Mexican immigrants,” especially in isolated areas, said Ariel Ruiz Soto, a senior policy analyst for the Migration Policy Institute.

Every day, consular officials go to the Immigration and Customs Enforcement holding center in downtown Los Angeles to identify and interview as many detained Mexican nationals as they can.

González Gutiérrez, 62, begins every weekly public forum by noting how many detained Mexicans consular officials have interviewed since the immigration crackdown began in Los Angeles last June.

At that May 11 meeting, the figure stood at 1,940. Nearly half had deep roots in the U.S., he said. About 46% have been deported, 35% have children born in the U.S., 69% entered the country through a port of entry, 6% overstayed a visa and 2.5% requested asylum. Most were men, and many worked in construction, agriculture, gardening and the service industry.

He also disputed the claim that Mexican consulates are interfering in U.S. politics.

“We are guests of this country’s government, just as U.S. consuls are guests of the Mexican government. In that sense, we are neither activists nor spies,” said González Gutiérrez. “We carry out our work openly, within a pluralistic and democratic society.”

Pineda and Janetsky write for the Associated Press. Janetsky reported from Mexico City.

May 18 (UPI) — A shipment of humanitarian aid sent by Mexico and Uruguay arrived in Cuba on Monday as the island faces a severe energy and economic crisis amid the tightening of the U.S. economic, trade and financial embargo.

The merchant vessel Asian Katra docked at the Port of Havana carrying powdered milk, rice, beans and other basic necessities.

The Panama-flagged ship delivered more than 1,600 tons of humanitarian assistance. Mexico’s contribution included food and hygiene products, while Uruguay’s shipment consisted exclusively of staple food items, according to Uruguayan digital outlet La Prensa.

Speaking to reporters, Cuban Deputy Prime Minister and Foreign Trade Minister Óscar Pérez-Oliva Fraga said the aid would be distributed directly to those most in need, particularly children, older adults and vulnerable populations, according to Cuba’s state-run newspaper Granma.

Mexico’s ambassador to Cuba, Miguel Díaz Reynoso, said the shipment marked the eighth humanitarian vessel sent by the Mexican government in support of the Cuban people. He added that Mexican donations have now surpassed 6,000 tons of aid.

Díaz Reynoso also highlighted the participation of Mexican civil society groups, which have organized donation drives through various organizations and community initiatives.

On May 11, Mexican President Claudia Sheinbaum announced another humanitarian aid shipment would be sent to help “ease the suffering” of the Cuban people.

“We will continue sending humanitarian aid to people that need it,” Sheinbaum said.

Asked whether Mexico could send oil to the island, Sheinbaum said Cuba was already receiving petroleum supplies from Russia and that her government was instead focused on “other humanitarian support.”

However, the last successful Russian oil delivery to Cuba occurred March 31, when the Russian-flagged tanker Anatoly Kolodkin arrived at the port of Matanzas.

The vessel carried what Cuban authorities described as a humanitarian shipment of 100,000 tons of crude oil, ending a three-month interruption in energy imports following tighter U.S. naval enforcement measures earlier this year.

Although the shipment temporarily eased pressure on Cuba’s electrical grid, the reserves were depleted within about two weeks.

A second Russian tanker carrying diesel fuel, the Universal, has reportedly remained adrift in the Atlantic Ocean for nearly a month because of difficulties bypassing financial sanctions imposed by the Trump administration..