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Even Fox News, one of President Trump’s preferred media outlets, isn’t exempt from his go-to term for any woman he dislikes.

“She can be so nasty,” was how Trump recently described the conservative-leaning network’s senior White House correspondent Jacqui Heinrich.

Never one to hold back, the president has also had harsh words for her spouse, Rep. Brian Fitzpatrick of Pennsylvania, a moderate Republican congressman. “Her husband votes against me all the time,” Trump once said. “Can you imagine?”

The double-barreled attacks don’t bother Heinrich, who as president of the White House Correspondents Assn. is leading the fight against Trump’s ban on CNN, MS NOW and Politico. When Trump delivered his insult at the WHCA’s dinner in July, Heinrich just shrugged and smiled.

“You don’t get into journalism to be well liked by the subject that you’re covering,” Heinrich said in a recent phone interview. “As long as I’m doing my job, which is to get the story and tell it fairly and fully, the rest of it is not really my business to care about. It’s probably not the last time I’ll upset him. The president still takes my calls.”

Heinrich’s durability is being put to the test as she delivers the public and private messaging on the latest battle with the White House over press freedom. Trump banned the three outlets from the White House grounds due to what he believes is their constant negative coverage.

A federal judge issued a temporary restraining order to block the move, calling it viewpoint discrimination and a violation of the outlets’ 1st Amendment rights. But the administration continues to prevent CNN from serving in
the press pool that follows the president at all times. More court hearings are ahead.

Over the last 10 days, Heinrich has issued public statements condemning the ban, monitored the legal proceedings and held back channel conversations with the White House in an effort to get Trump’s decision reversed. It’s a second job on top of covering the president and co-hosting a weekend program “The Sunday Briefing.”

Executives and journalists say privately that it’s helpful to have someone from a Trump-friendly outlet lead the organization to restore the press credentials of outlets the president views as hostile. The WHCA exists to maintain and facilitate access to the White House for its 900 members across 250 news organizations.

But for Heinrich, it’s logical that 1st Amendment arguments transcend any political leanings of any media outlet. If Trump’s ban stands, conservative news organizations could find themselves facing similar restrictions the next time a Democrat is in the Oval Office.

“When you empower the president to select who is allowed to ask them questions, it shrinks the room,” Heinrich said. “It shrinks the perspective and it hands over that same authority to the next administration, who will surround themselves with only voices that approve of or are supportive or friendly toward what they’re doing.”

Eugene Daniels, a co-host at the progressive-leaning MS NOW and a former White House Correspondents Assn. president, said the organization’s members from Fox News and the further right-leaning Newsmax were always supportive of 1st Amendment and press access issues during his tenure.

“A lot of our news organizations understand intrinsically that at some point the shoe could be on the other foot,” Daniels said. “The solidarity matters.”

Daniels has also known Heinrich since the two worked together years ago at a TV station in Colorado Springs, Colo., and believes she is well-equipped to push the WHCA’s cause.

“She’s clear eyed about the role of White House correspondents in covering any president,” he said. “She is very tough and always has been since we’ve met. She stands 10 toes down when it comes to what’s right.”

Heinrich’s respect for journalistic principles has even extended to her personal life. When Fitzpatrick first asked her out on a date five years ago, he had to wait several weeks for an answer. Heinrich checked with her Fox News bosses to see if dating an elected official was a conflict even though she was no longer assigned to covering congress.

“He was very patient,” Heinrich said. The couple was married at New York’s St. Patrick’s Cathedral in June.

Heinrich is among the correspondents at Fox News — which this week will mark 30 years on the air — whose reporting doesn’t adhere to the leanings of its opinion hosts and commentators.

In 2020, Heinrich reported on Trump’s false claims of voter fraud in the election he lost to Joe Biden, while commentators, hosts and guests on the network continued to raise doubts about the results. Her reporting angered hosts such as Tucker Carlson and Sean Hannity, who were concerned that her work was alienating viewers loyal to the president.

Carlson called on Fox News Media Chief Executive Suzanne Scott to fire Heinrich in a text that came to light three years later when Dominion Voting System filed its defamation suit against the network. Dominion claimed Fox News deliberately aired false statements about the company’s role in the 2020 election, settling the suit for $787 million.

But Heinrich said she was unaware of the conversations before they were revealed in a legal brief in February 2023. (Carlson was fired from Fox News two months later.) She has been promoted twice since 2020.

“My bosses never interfered with my reporting,” she said.

Heinrich, 37, studied international affairs at George Washington University and wanted to pursue a career in the State Department before internships at MSNBC and WRC-TV in Washington led her to journalism. After working at several local TV stations she became a Fox News correspondent in New York in 2018. She covered Congress and the 2020 presidential campaign before moving to the White House beat in 2021.

Heinrich was raised in New England in what she describes as a politically diverse family. Her parents divorced when she was young, and she split her time between a conservative father in New Hampshire, a politically moderate mother in Maine and a Bernie Sanders-supporting stepfather from Vermont. She believes her upbringing was excellent training for her profession.

“It was ‘Live Free or Die’ and socialism all under two roofs but one family,” she said. “We have developed a really keen ability to listen. I think that’s one of the most important parts of journalism, is hearing and understanding someone’s perspective enough that you can describe it to someone else in a way that is fair and complete.”

Once Heinrich gets past the current conflict with the White House, she’ll have to plan the association’s annual dinner. (The event was cut short and rescheduled this year after a gunman attempted to enter the ballroom at the Washington Hilton.)

Heinrich said even with the president’s open hostility toward the press, he will be welcomed to the event in 2027.

“We have invited the president every single year for the last 115 years and that’s not going to change just because of President Trump,” Heinrich said. “We uphold laws, norms, and traditions around here and we intend to keep it that way.”

Families staying in Center Parcs in the run-up to Christmas can book an “unforgettable” experience in the comfort of their own lodge, but the price tag has led to criticisms from fans of the holiday park

Center Parcs has always had a premium image, which comes with premium prices. However, fans of the lakeside holiday parks have taken to social media to complain about one of its new activities on offer for the festive season.

The Twilight Elf Visit is billed as “New and exclusive, an unforgettable Christmas experience awaits” on Center Parc’s website. It goes on to describe the experience: “As dusk begins to settle over the forest, gather in the comfort of your lodge for a surprise visit from two magical elves. Bringing an enchanting tale to tell, they’ll lead your family on a truly personal Christmas adventure filled with storytelling, festive surprises and magical moments.”

One Center Parcs guest, who was considering booking the experience, took to a Facebook page to question the price. They asked: “Has anyone seen on the website the new Twilight Elf visit to your lodge…. Surely no one is paying that sort of price £300+ for just one child!?!” She went on to post a screenshot of the prices she’d been quoted for the elf visit on Thursday, December 22. For one child, the activity costs £310, £360 for two, £410 for three, and £460 for four kids.

Do you have a travel story to share? Email webtravel@reachplc.com

When contacted about the cost of the activity, a spokesperson for Center Parcs said: “This is a private, personalised Christmas experience, with two elves visiting the family’s own lodge for 45 minutes. The visit brings a festive adventure into the place where families are spending their holiday together, with stories inspired by and tailored to the guests themselves and opportunities for children to become part of the magic.

“Throughout the experience, the elves reveal the special connection between the forest and the North Pole through storytelling, interactive moments and festive surprises. Children also create a Christmas wish to send to Santa, and families have the opportunity to capture photos with the elves.

“What makes Twilight Elf Visit special is the combination of time dedicated exclusively to the family, personal touches woven into the storytelling, and the intimacy of having the experience brought to their own lodge, so each experience for our guests is unique to them. It goes beyond a traditional festive meet and greet, giving children an active role in a story that feels personal to them, with the whole family sharing the experience in our unique forest setting.

“It’s a new, optional addition to our wider Winter Wonderland programme, which also includes favourites such as Santa’s Parade and the Enchanted Light Garden. We want families to have a choice of ways to enjoy the season together, with Twilight Elf Visit offering something particularly personal for those who choose it.”

The cost of the experience also includes a “beautifully engraved wooden family keepsake box filled with exclusive mementos to treasure long after your adventure ends. From a cuddly toy carrying each child’s Christmas wish to magical keepsakes inspired by your visit, each item is thoughtfully chosen to help your family relive the wonder of the season for years to come.”

But not everyone was convinced the activity would be worth the money. One poster noted: “This has to be the most expensive activity I have ever seen at [Center Parcs] …and I’ve been going years.” Another wrote: “This has to be a wind up?”. While a third commented: “That’s disgusting.”

However, many posters defended the cost of the experience. One said: “Yes, It’s a lot of money but I don’t see why everyone is so outraged about it, it’s obviously a very luxury thing they are offering, like the treehouses, If someone can afford them then they can afford the cost for the private elf visit.”

Others pointed out that other premium Christmas activities with kids can be just as expensive. “To be honest, people who go to Lapland UK are paying £300 sometimes more. So yes, there are people who will pay it.”

Have a story you want to share? Email us at webtravel@reachplc.com

Leeds come into the fixture following two losses against Wigan and Hull FC at home.

Looking further back, they closed out their regular campaign with three defeats in five matches.

Asked what it would take to reach the Grand Final, Leeds boss Brad Arthur said he is not worried about his side’s inconsistent run of form.

“[We have to be] the best version of us. We’ve seen that plenty of times this year and we’ve played a lot of good footy,” he told BBC Radio Leeds.

“Our past couple of weeks haven’t been ideal but it doesn’t really count for much right now. It doesn’t mean anything. All those past two games showed was a couple of things that we need to tidy up which we’ve done during the week around execution.

“But like the first 27 rounds, all that’s done is put us in a position where we’re 80 minutes away from Old Trafford so that’s all we got to focus on.”

Leeds last reached a Grand Final in 2022, however that achievement came off the back of Richard Agar’s departure in March of that season, when Leeds had won just once in their opening six games of the campaign.

In stepped Rohan Smith, who eventually strung together 11 wins from 13 matches to take them to Old Trafford where they were defeated by St Helens – however it was an even more impressive achievement given their fifth-placed finish at the end of the season.

This year, Arthur thinks his side are prepared for the rigours of a post-season campaign.

“We’re ready to go. We’re nice and fresh and the best version of us, we know, is good enough,” he added.

“We’ve got to find that and we’ve got to do it for 80 minutes.”

Trump has also been meeting Ukrainian President Volodymyr Zelensky, British Prime Minister Andy Burnham and leaders from Saudi Arabia, the United Arab Emirates, Qatar, Kuwait, Bahrain and Oman.

Earlier, Guterres gave his farewell speech as UN secretary general, urging unnamed superpowers to recognise “that their power isn’t so super”.

“The fault lines in our world are widening,” Guterres said, citing geopolitical rivalries, wars, climate change and artificial intelligence.

By contrast, Trump criticised international institutions, accusing the UN of a “far-left agenda of globalist bureaucrats who nobody ever elected”.

The US president instead emphasised national sovereignty and “unmatched” American military power.

“There is no global government,” he said.

He also warned that the US would not allow threats to establish themselves anywhere in the Western hemisphere.

“If necessary, we will use our unmatched military might to secure the vital national interests of the United States,” he said.

Trump accused Cuba’s communist government of cultivating ties to left-wing groups in the US, including the Communist Party USA, Antifa and the Democratic Socialists of America.

The Cuban delegation also appeared to walk out of the assembly chamber as Trump turned his sights on them, referring to the island as a “failed state”.

Washington, DC – Palestinian Americans have held a day of advocacy at the United States Capitol under the spectre of a new $2.8bn arms transfer to Israel reportedly approved by the administration of US President Donald Trump.

The Americans for Justice in Palestine Action (AJP Action) group, which organised Tuesday’s event, said more than 300 constituents from across the country met with the offices of more than 100 US lawmakers. They advocated on behalf of a slate of legislative initiatives related to Israel’s genocidal war in Gaza, surging Israeli settler violence in the occupied West Bank, and efforts to use immigration law to stifle Palestinian advocacy in the US.

Jenna Escheik, a 19-year-old meeting with lawmakers and staffers from Virginia, including Democratic Senator Tim Kaine and Republican Representative Rob Wittman, said she was planning to speak with “some very challenging and interesting people”.

“I think the main point that we’re trying to get across to every single office is that we’re all proud to be American, and we all have our taxpayer dollars that we just don’t want to see going to wars,” said Eschiek, who is originally from outside of Ramallah in the West Bank.

Yaseen Shaikh, a 22-year-old who travelled with a delegation from Cleveland, Ohio, said he will be meeting with the offices of Republican Senator Jon Husted, who faces a competitive midterm race against former Democratic Senator Sherrod Brown, as well as the state’s other Republican Senator, Bernie Moreno.

Both Republican senators have consistently voted against legislative efforts to limit arms sales to Israel.

“As I stand among my peers here, among people who I stand on their shoulders, I can only feel hopeful and optimistic that we will make a difference and that change will come,” Shaikh told Al Jazeera.

“We just have to be vehicles for that,” he said.

Palestinian rights ‘catching up’ with lawmakers

Successive presidential administrations, as well as Congress, have for decades resisted calls to condition US military aid to Israel, including throughout Israel’s latest war in Gaza, which will reach its three-year mark early next month.

To date, nearly 74,000 Palestinians have been killed in Gaza since October 7, 2023, with nearly 1,400 killed since a “ceasefire” agreement went into effect in October 2025.

Last week, US media widely reported the Trump administration approved a US taxpayer-funded $2.8bn military package to Israel, which included 907kg (2,000-pound) MK-84 bombs known to have already caused widespread civilian devastation in the Palestinian enclave.

The package reportedly included 20,000 of those munitions, as well as 20,000 BLU-117s, a close variant.

Several Democrats have vowed to block the transfer, with the ranking member of the House Foreign Affairs Committee, Gregory Meeks, using his leverage last week to at least slow congressional clearance.

Osama Abu Irshaid, AJP Action’s executive director, said the new weapons package runs counter to public opinion polls, which have regularly found majority support for conditioning at least some weapons to Israel, as well as surging support for Palestinian rights.

Abu Irshaid said the polls underscore a new political reality for lawmakers.

“I think now we are functioning within this context, where what happens in Palestine, the genocide that took place and continues to take place, what the terrorist settlers are doing in the West Bank, what the US and Israel are doing in the Middle East is catching up with us here,” Irshaid said, “and we’re paying a price”.

While entrenched support for arming Israel has persisted among some segments of the Democratic Party, advocates have hailed what they see as a historic shift in recent months.

In July of last year, 26 Democrats in the Senate voted to block some arms transfers to Israel, the first time in history a majority of Democratic lawmakers in the chamber did so. In April, similar resolutions gained a record 40 votes in the Senate, all Democrats, but ultimately failed to pass in the 100-member chamber.

The so-called Block the Bombs Act in the House, which calls for a partial arms embargo against Israel, reached 81 co-sponsors as of August.

Twenty-two Democratic senators also introduced a resolution last week to force the US Department of State to conduct an investigation into the violence committed by Israeli forces and settlers in the West Bank, in which at least nine US citizens have been killed in recent years.

Abu Irshaid was optimistic that headway could also be made among Republicans, who have been reckoning with an internal divide over US support for Israel, with exceedingly few members of the party currently willing to vote to limit aid.

A December poll by the IMEU Policy Project found a majority of Republicans under 45 said they would prefer to support a presidential candidate in 2028 who “supports reducing taxpayer-funded weapons to Israel”.

“I think what we’re seeing now is that the dam within the Republican Party is cracking,” Abu Irshaid said.

“But the question is, ‘What is after Donald Trump when Donald Trump no longer owns the Republican Party, owns the MAGA movement?’ I think that’s when you will see more cracks taking place.”

‘The same system’

Advocates on Tuesday also focused on what they called the Trump administration’s practice of using immigration law to stifle pro-Palestine advocacy.

Among their policy priorities, those meeting with lawmakers sought to reform language in the Immigration and Nationality Act of 1952, which the Trump administration has cited in efforts to deport individuals whose presence in the US the administration deems to have “adverse foreign policy consequences”.

Among those speaking at the US Capitol on Tuesday was Salah Sarsour, the president of the Islamic Society of Milwaukee, who was detained by ICE in April and released in June. His legal team has charged that the three-decade US resident was targeted based on a coerced confession when Sarsour was detained by Israeli forces as a young man.

Sarsour, who continues to face deportation proceedings, said the ICE detention reminded him of being held in Israeli detention.

“Those criminals that [detained me], they still exist,” he said. “The same criminals that destroy Gaza, they killed tens of [thousands] of children and women, and men and family members.”

Leqaa Kordia, who was among those targeted by immigration enforcement agents following a wave of pro-Palestine protests that swept US campuses in 2024, also recounted the “dehumanisation” of her 368 days in ICE detention.

“And then it hit me that…the same system that threw me in an ICE jail is the same system that funds and arms the military prisons in Israel,” said Kordia, who, like Sarsour, still faces deportation proceedings.

“The same dehumanisation logic that allowed a guard to humiliate me allows the Israeli soldier to kidnap Palestinians and throw them into the shadows,” she told those gathered.

“The same power that keeps my case in limbo is the same power that sends billions of US tax dollars in bombs and weapons to fuel the Palestinian genocide.”

In this episode of On the Record, Al Jazeera’s James Bays sits down with United Nations Secretary-General Antonio Guterres, ahead of his final UN General Assembly before stepping down in December 2026. They discuss the situation in the Middle East and its global consequences, whether the UN is still relevant in addressing today’s challenges and why Guterres believes the UN Security Council must be reformed.

Tens of thousands of people walk in and out of Dodger Stadium on any given night, paying scant attention to the trees, plants, and other foliage surrounding it on all sides. Chaz Perea made his peace with that a long time ago.

“Getting to Dodger Stadium is not a small thing,” said Perea, 41, the stadium’s landscape manager. “You’ve got to park in this monster,” he said, motioning to the acres of asphalt around him, “and then go find your seat in that monster.”

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1. The agave garden sits outside Lot B at Dodger Stadium on Friday. (Gina Ferazzi/Los Angeles Times) 2. Dodgers fans walk past vibrant plants behind photos of former Dodgerss outside center field at Dodger Stadium on Friday. (Gina Ferazzi/Los Angeles Times) 3. A group visits agave island during a tour of Dodger Stadium’s botanic garden on Tuesday. (Christina House/Los Angeles Times)

For the past 17 years, Perea and his four-person crew have been responsible for every bit of stadium landscaping that isn’t the field itself. That’s roughly 300 acres, encompassing the parking lots, the hillsides meeting the 110 Freeway, and 149 concrete planters nicknamed “martinis” for their glass-like shape. The planters are original to the stadium’s 1962 construction, and many had crumbled badly enough over the decades to need painstaking repair.

The landscaping isn’t just about plants and planters. Behind a fence beyond the iconic orange 76 ball in the parking lot once sat a hidden garden. Its centerpiece was an eight-foot-tall stone lantern given to then-Dodgers owner Walter O’Malley by Japanese sports columnist Sotaro Suzuki and his wife, Toku, who had attended the stadium’s grand opening in 1962. Suzuki commissioned the 3,921-pound Kasuga-style lantern, which arrived in five pieces in late 1965 and became the centerpiece of a garden that also featured a small wooden bridge and a collection of rocks.

“For years, it was maintained by our gardener with great pride,” said former Dodgers owner Peter O’Malley, Walter’s son. “But it was remote, and fans couldn’t really get up there easily to see it or sit in the garden. And it got neglected for a few years. Some years later, I forget how many, we had to fence in the whole property.”

In 2024, shortly after the Dodgers signed two-way sensation Shohei Ohtani, the club moved the lantern to a place of prominence outside the top-deck gates, overlooking the downtown skyline. The move was an elaborate, delicate production. Bundled and boarded up, the lantern inched across the parking lot on the back of a flatbed truck that climbed a ring road steep enough to cause concern.

“It was like they were moving the Ark of the Covenant,” Perea said.

No one exhaled until the cargo was unloaded, unswaddled, and confirmed to be in one piece.

An 8-foot-tall stone Kasuga-style lantern is displayed at Dodger Stadium on Tuesday.

(Christina House/Los Angeles Times)

Perea’s crew works out of a large metal shed at the far end of a parking lot, a shop they affectionately call “the Oasis.” Much of what’s inside was retrieved from a dumpster, or scavenged before it landed in one. Perea, who describes himself as a bargain shopper, is passionate about repurposing whatever he can; many of the succulents at the stadium came from his own clippings.

“My general philosophy is I don’t treat the Dodgers like I’m salaried management,” he said. “I treat them like I’m a contractor that they don’t want to get rid of. So I manage the expenses and the labor as such.”

He doesn’t have much interaction with players and executives, though he’s occasionally been called to their homes to help with landscaping problems. One visit stands out.

“Vin Scully is the coolest one I’d stake a claim to,” he said of the legendary play-by-play man. “He was an unbelievable class act. He had a tree issue. He had us out, and was so attentive and appreciative, it was just stunning to me.”

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1. Landscape manager Chaz Perea gives a tour of Dodger Stadium’s botanic garden. (Christina House/Los Angeles Times) 2. A ceramic dog and monkey sit on a golf cart inside the Dodger Stadium landscape team’s shed on Tuesday. (Christina House/Los Angeles Times) 3. A photo of Jim Lefebvre, Dodger player from 1965-1972, is surrounded by plants at Dodger Stadium on Tuesday. (Christina House/Los Angeles Times) 4. Adolfo Hinojosa checks on the planters near center field at Dodger Stadium on Tuesday. (Christina House/Los Angeles Times)

On the hillside above the shop is an open-air lunch area, its seating made from wooden bleachers salvaged from the old right-field pavilion. Peek through the bushes and the stadium is visible in the distance. Inside the shop, the walls are lined with neatly organized shovels, pickaxes, and ladders. Above them hang paintings, art being another of Perea’s passions, most of them made by his friends.

Perea freely admits he’s an odd fit for the job. He’s not a baseball fan; he prefers beach volleyball and mixed martial arts. He had a rough upbringing in Arizona, dropped out of high school, and got by on $6.75 an hour doing golf-course maintenance, supplementing it with landscaping gigs he ran out of his pickup truck before eventually returning to school.

He came back to the classroom with a purpose, not only finishing high school but going on to earn multiple advanced degrees and, ultimately, a Ph.D. He’s now a professor of horticultural science and co-chair of agricultural science at Mt. San Antonio College.

But it’s his day job that draws clusters of Dodger fans willing to pay $52.25 each for his 90-minute botanic garden tour of the grounds. They explore “Agave Island” near the main entrance, a wedge of land planted with nine palm trees to match the number of players on a baseball field, and the planters outside the club-level entrance, where the crew grows chilies (jalapeños, serranos, habaneros), along with basil, mint, tomatoes, onions, and garlic. That garden spawned an annual salsa competition, in which club employees harvest their own ingredients from the planters, make salsa at home, and bring it back to be judged. Perea and his crew make handmade tortillas and quesadillas for the event.

Landscape manager Chaz Perea gives a tour of Dodger Stadium’s botanic gardens on Tuesday.

(Christina House/Los Angeles Times)

Two more planted islands are devoted entirely to tequila agave. It takes nearly a decade for the plant to mature, and about 110 pounds of its core to yield a single liter of tequila through processing. Perea and his crew hope to eventually try making some themselves, as an in-house project rather than a commercial one.

The landscape looked very different before Perea arrived. He describes the old look as Disneyland-esque: heavy on lawns and flowers, constantly in need of replacement, and thirsty for water. About two years into the job, he began swapping annual flower beds for drought-tolerant succulents. When one executive noticed and ordered the flowers put back in a particular spot, Perea complied there, then made the same swap a little farther down the hillside, out of view.

Turnover among executives and ownership gave him repeated openings to make wholesale changes, a shift that coincided with California’s drought crisis. Within a few years, he had planted 10,000 cuttings and stripped every flower bed from the property.

“A lot of people look at this as the last unpainted canvas in Los Angeles,” Perea said.

Chaz of Chavez Ravine, perpetually painting the corners.

Strictly Come Dancing has finally confirmed which professional dancer each celebrity will be taking to the dancefloor each week, following weeks of speculation

It was all cha-cha changes at Strictly Come Dancing as the celebrity and pro dancer partnerships were finally revealed amid a big show shake-up.

The launch of the 24th series BBC juggernaut kicked off with a new presenting team – former Big Brother host Emma Willis, comedian Josh Widdecombe and professional dancer Johannes Radebe – and announced who will be dancing with whom as the hotly-anticipated refreshed series finally began.

This year, though, there was a twist. While the celebrities often find out who their professional partner is ahead of the series, they actually found out while recording the launch episode. They each rehearsed with a dancer in the lead-up, but this didn’t mean they were paired with the professional for the rest of the series. Instead, they rotated partners throughout the day.

What do you think of the pairings? Let us know in the comments below by clicking here.

Dani Dyer said the twist had “thrown a spanner in the works” after she danced with Nikita Kuzmin during their training day, before the pros rotated once again.

EastEnders favourite Lacey Turner has former champ Vito Coppola as her teacher. Lacey said she felt “amazing” after being paired with Vito, and the Italian dancer added that he was “very, very happy” before saying he would cook for Lacey.

Dame Sarah Storey has been paired with Julian Caillon. She told Josh and Johannes that she was excited to be working with Julian. Meanwhile, returning star Dani Dyer, who had to leave the 2025 series early following an injury to her ankle before the live shows began, is back dancing with Nikita Kuzmin.

“I’m so happy, I can sleep now, I’m over the moon,” Dani said about making history. Nikita said he had “tears of joy” hearing the audience react to the news that he had been paired with Dani again. The reality star said she was hoping to make it to week one of the live shows after having to withdraw last year.

Gavin and Stacey actress Melanie Walters has teamed up with show veteran Aljaž Škorjanec. “I’m absolutely thrilled, on the very first day when we had to dance with everyone, you put me in a practise hold, I said it’s like steering a tractor,” Melanie said of dancing with Aljaž. The dancer said that the twist was one of the “funnest” experiences on the dancefloor.

Actress Jaime Winstone has been partnered with Carlos Gu. Speaking of working with reigning champ Carlos, Jaime said: “I’m so excited, I feel like we match energies. I’m super ecstatic.”

Former Manchester City midfielder Shaun Wright-Phillips is with American dancer Alexis Warr. Shaun said of wanting to excel on the show: “I like to enter things and be as good as possible, the pros are the margin, and that’s what I’m aiming for.” Alexis thinks that Shaun is already at a professional level.

House of the Dragon star Bethany Antonia is part of this year’s same-sex pairing with Nancy Xu. The actress credited Nicola Adams and Katya Jones, who danced as a same-sex couple on the show, with playing a huge part in her coming-out journey. She said she was incredibly excited to follow and lead with a woman.

Reflecting on working with Nancy, Bethany said that the pair instantly bonded when they first met. Bethany later explained that she was a “perfectionist” and Nancy had been “amazing” at reassuring her. “My nanny’s name was Nancy, and she passed away at the start of the year,” Bethany said, adding that it was “special” to be dancing with the star.

Olympic gold medallist Tabby Stoecker will be working with one of the show’s five newbies, Mark Karmalita. “I’m so happy, and I get to be your first partner on Strictly,” the Olympian told Mark.

She added: “That’s sort of amazing.” Mark said: “I’m going to try and be fun, caring and supportive,” he said of his teaching skills. The sports star went on to reveal she’s keen to learn the rumba – and score a perfect 40 for the dance!

Songstress Delta Goodrem is dancing with Kai Widdington. The singer said she was “honoured” to dance with “incredible dancer” Kai.

Emmerdale’s Lawrence Robb and Jowita Pryzstal will dance together. Speaking of dancing with Jowita, Lawrence said that fans will have to “stand by” to see more excitement from him. “Now we’re into hard work mode, what a feeling, what a rush,” he joked. Jowita said she was “so nervous” before being paired with Lawrence.

Kim Kardashian’s hairdresser, Chris Appleton, is dancing alongside show legend Amy Dowden. Chris said he was overjoyed to dance with Amy. “Over excited, I’m that little kid that used to watch this show on a Saturday night,” he said. Amy, however, said that her hair would get bigger every week if Chris were her partner.

Love Island winner Cach Mercer with Maddie Ingoldsby. The reality star said he was “pleased” to have Maddie, adding that she was “strict but cheeky” and that she’s able to cut the “banter”.

But Maddie said she was a “little bit strict” depending on the day. Cach’s family have also vowed to provide honest feedback, which is making him “doubt himself even more”. “This is a whole different playing field,” he said.

Football interviewer and former air traffic controller John Nellis is partnered with Katya Jones. The pro star revealed that John “messed up” in the lead-up to being partnered with the social media star. John later explained that he had “worked out” that he was dancing with Katya.

The ‘Dogfather’ Graeme Hall has been partnered with Lauren Oakley. “Tonight, I got four tens getting you, I’ve always wanted Lauren,” he told his professional star. He explained that his pals told him he would be “really lucky” to get Lauren as a partner. And the dancer believes that Graeme is a “dark horse” and will put his “all” into the show. However, she will have to “put a lead on him.”

Big Brother and Hits Radio presenter Will Best is dancing alongside show regular Dianne Buswell. Speaking about getting Dianne as a partner, Will said that when he “gets down it’s difficult to get back up again”.

He added: “I’m already a winner, I feel like a champion already just getting her. We’ve been having so much fun training. We finish each other’s sentences.” Dianne added that they were the “perfect pairing”.

Ahead of the first episode, Emma Willis revealed her nerves over the new show starting. Speaking on her BBC Radio 2 show, she said: “It feels like a very long lead-up to this, but also very quick.”

Talking about being a part of the Strictly experience, Emma added: “It’s very strange having that peek behind the curtain – I mean this in a positive way – it’s a beast of a show. It’s just fantastic. It is so exciting, me and Josh and Jojo are looking forward to it so much…

“I’m excited but nervous. I’m going to turn my phone off and disappear for a few days.” Joining her on the radio show – her last for a while as Ellie Taylor will be manning the fort until Strictly is finished – was one of the show’s judges Anton Du Beke. He told her: “I love it as much now as I did when I first walked in.

“It’s only Craig [Revel Horwood] and I left from the very first show – and that fills me with great pride.” Speaking about the five new professional dancers, Aleksandra, Cristian, Lethabo, Maddie and Mark, he said: “What I love though, there’s no place I’d rather be is in the rehearsal studio with dancers, it’s the most brilliant place.

“These five are as giddy – they can’t believe their fortune.” Giving his verdict on the celebrity line-up, Anton and Emma were discussing British cycler and swimmer Dame Sarah Storey, before he began pitching for his own knighthood.

“Love it when we have a Dame or a Sir,” Anton said. “We don’t have enough of them – we need more of them. If they make me a Sir, then we can just cover that base every year, straight away. I’ve been around long enough to be a Sir. Surely a knighthood should come my way at some stage? Can we start a petition?”

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Paramount Skydance will meet with California Atty. Gen. Rob Bonta’s representatives next month for court-ordered settlement talks that could clear a path for David Ellison’s $111-billion takeover of Warner Bros. Discovery.

The two sides will convene for two days, Oct. 14 and Oct. 15, according to court documents filed this week.

The talks come as both sides look for ways to resolve the pitched battle over Hollywood’s industry-reshaping deal, which would put HBO, CBS, CNN, TBS, Food Network, Comedy Central and the Paramount and Warner Bros. studios under one roof. Bonta and 11 other Democratic state attorneys general sued in July to block it, and Ellison’s team has been stoking political pressure on Bonta to retreat.

Bonta canceled preliminary last month after details of a session on ground rules leaked, accusing Paramount of “playing games” by violating a confidentiality agreement and spreading misinformation.

Bonta’s Paramount case appears to have ruffled the Trump administration. He sued one month after the U.S. Justice Department blessed the merger without demanding concessions — a decision he said showed federal officials were not doing their jobs to enforce antitrust law. This week the department weighed in on Paramount’s side.

“The United States enforces the federal antitrust laws and has a strong interest in their correct application,” the Justice Department said in a Tuesday filing, describing its unique position to bring antitrust actions. Its “statement of interest” argued that the plaintiffs had sued as “private persons,” who must clear higher hurdles than the federal government.

The department also asked the judge to force California, the other states and the Writers Guild of America to post a $1.88-billion bond, covering fees Paramount would owe Warner Bros. Discovery shareholders if the deal isn’t finalized by Oct. 1. Paramount agreed to the so-called ticking fees earlier this year, confident the deal would sail through regulatory review. Bonta’s office said Wednesday it stands by its earlier filings arguing it should not have to post the bond. A hearing is set for Sept. 24.

Paramount’s chief legal officer, Makan Delrahim, has been quarterbacking the campaign for Warner Bros. Discovery. He served as Trump’s antitrust chief in his first administration, when he led an unsuccessful effort to block AT&T’s takeover of the company, then known as Time Warner Inc. That 2018 deal was the first of two acquisitions that saddled Warner Bros. with instability, strategic misfires and a mountain of debt, paving the way for the Paramount bid — which would mark the third time in a decade the storied studio has changed hands.

Trump has been eager for Ellison to shake up CNN, a Warner property, following his reboot of CBS News, which has coincided with diminished ratings at “60 Minutes”.

Ellison’s company has won approvals from more than 65 international regulators, and Paramount expects the Trump-appointed Federal Communications Commission leadership to sign off on a foreign ownership arrangement that would give Middle Eastern royal families a nearly 50% equity stake in the merged company. Bonta’s lawsuit is the remaining obstacle to closing.

CAIRO: Egyptian President Abdel Fattah El-Sisi will meet Saudi Crown Prince and Prime Minister Mohammed bin Salman on Tuesday in Cairo to discuss a range of issues of mutual interest, Al Arabiya News Channel reported, citing the Egyptian presidency.

The two leaders will exchange views on regional developments amid the latest tensions and changes in the region, while also discussing ways to strengthen Egyptian-Saudi relations and expand bilateral cooperation.

After Brian Koppelman and David Levien wrapped their hit Showtime series “Billions,” the co-creators were undecided about where they would go next. A more than hourlong visit from a Netflix executive settled it.

Netflix had been developing a Las Vegas drama with Martin Scorsese, who is executive producing through his Sikelia Productions. The streamer brought in Koppelman and Levien, and the pair pitched a present-day casino story. Jinny Howe, Netflix’s head of U.S. and Canada scripted series, went to their office to make the case.

“When she left our office, we looked at each other and said, ‘Well, whatever we do, we want to do it with her,’” said Koppelman, recalling their meeting from two years ago. Their new Las Vegas series, “The Roman” starring Oscar Issac as a casino president, is expected to be released year. Netflix ordered it in December.

Howe has one of the hardest jobs in Hollywood — finding must-see scripted programs that keep Netflix’s subscribers watching. The company said it had over 325 million paid subscribers worldwide at the end of 2025. Her instincts for creators, combined with years as an entertainment executive and a lifelong viewer have given her a track record of championing hits, including thriller “The Night Agent,” drama “The Diplomat” and Regency-era romance “Bridgerton.”

That led to her promotion last year as head of U.S. and Canada scripted series — her fourth advancement in four years. She succeeded Peter Friedlander, who left after nearly 14 years, and reports to Chief Content Officer Bela Bajaria.

“In my role, I feel I am really ear to the ground, really listening to what audiences are asking for, and really trying to understand where the culture is, where the conversation is, to really make sure we’re giving these audiences what it is that they want and they crave,” said Howe, 48.

The pressure is on. Key franchises are in their final seasons. “Stranger Things” ended in December, “Outer Banks” concluded with its fifth season last month and “Emily in Paris” finishes with its sixth season in December. Netflix has confirmed that the fifth season of legal drama “The Lincoln Lawyer” will be its last.

Wall Street has soured. Netflix shares, which closed Thursday $76.01, are down 39% over the past 12 months, a slide that began with its $83-billion bid for Warner Bros. Discovery in December — a deal it later walked away from — and continued through 2026 when the company lowered its growth projections.

Analysts have also flagged sluggish engagement growth. View hours rose about 2% in the first half of 2026 compared with a year earlier, even as content spending climbed.

After graduating from UCLA, Jinny Howe worked at Brillstein Entertainment Partners and John Wells Productions before joining Netflix in 2018.

(Jason Armond/Los Angeles Times)

Nonetheless, Howe is confident that Netflix continues to outshine its competitors, noting that the streamer is still in a “growth mindset” that bets on original ideas. The streamer also has franchises that continue to pull in large audiences, such as the fourth season of “Bridgerton,” she said.

“We’re not slowing down at all,” Howe said.

This year her department has a slate of 44 new and returning scripted series from the U.S. and Canada, excluding stand-up, comedy formats and adult animation. They span genres and mix seasoned showrunners and bets on emerging talent. Six are run by first-time female showrunners, a notable number at a time when the industry has cut back and women have historically had fewer chances to lead series. Those programs include “East of Eden,” a series based on the popular John Steinbeck novel; YA drama “The Body” and “A Different World,” a sequel series based on the NBC sitcom about Black students at a fictional college.

Howe leads a team of people spanning the U.S. and Canada, with hubs in Los Angeles and Toronto. While she is accountable for the U.S. and Canada scripted slate, the decisions are made in partnership with her team.

Scripted series out of the U.S. and Canada remain central to the business. Many of Netflix’s most-watched shows of all time come from the region, which accounts for about 40% of global revenue — the streamer’s largest market. Netflix reported 89.6 million memberships in the U.S. and Canada at the end of 2024, the last time it broke out regional numbers.

“There’s so many amazing creators and stories to be told from the U.S. and Canada and historically, English language scripted television for many, many years has traveled to lots of different countries around the world,” Bajaria said.

The region also drives Netflix’s awards profile. The streamer collected 111 Emmy nominations in July, second to HBO Max’s 122. Netflix says 83 of them came from scripted series and variety specials under Howe’s slate. “Beef” season 2 led Netflix’s titles receiving Emmy recognition with 16 nominations.

Competition for attention is fierce. Rival streamers are investing in live sports, and YouTube continues to take a significant share of TV viewing time in the U.S. Netflix has responded by adding video podcasts, sports and games to its lineup. It also lacks the deep historic library some competitors hold — the gap its failed Warner Bros. bid would have closed.

So finding new gems matters. In 2015 the streamer bet on Matt and Ross Duffer, then first-time showrunners, for “Stranger Things.” It became one of the biggest hits in the company’s history.

Then the Duffers agreed to produce a show created by Haley Z. Boston, the horror series “Something Very Bad Is Going to Happen,” about a woman who is cursed and could die if she doesn’t marry her soulmate. Other studios didn’t see Boston as the showrunner, but Howe and Netflix did.

“We need people to take chances on us,” 31-year-old Boston said. “There is still a glass ceiling … I’m excited about new future where you don’t have to have done the job already to do it. All you need is the right support.”

The series debuted at No. 2 on the streamer’s global top 10 English language shows and reached 20.3 million views on Netflix in the first half of this year, according to the streamer.

“Netflix had the confidence that we can find the right audience for this,” she said.

Connecting with a range of storytellers early is part of the strategy. Howe’s relationship with creator Molly Smith Metzler goes back about a decade, to when Metzler submitted her play “Elemeno Pea” while Howe was working at John Wells Productions. Howe was impressed and recommended her for the “Shameless” writers room. Metzler went on to lead the critically acclaimed 2021 limited series “Maid” for Netflix, her first job as a showrunner, and signed an overall deal with the streamer in early 2022.

One of Howe’s ideas was to build a series out of “Elemeno Pea.” That became the drama “Sirens,” starring Meghann Fahy, Milly Alcock and Julianne Moore. Released in 2025, it debuted at No. 1 on Netflix’s global top 10 and earned four Emmy nominations, including a surprise lead actress nod for Fahy.

“We spent so many cups of coffee and walks talking about what that could be and what it could look like, and we really built it from the ground up,” Metzler said. “She is very hardworking, and she’s extremely committed to the projects she does. That commitment and that rigor is contagious.”

Jinny Howe, who grew up in the San Gabriel Valley, is one of the few prominent Asian American content leaders in Hollywood.

(Jason Armond/Los Angeles Times)

In her soul, Howe said, she’s a producer first. Koppelman and Levien said she was instrumental in the casting “The Roman,” including speaking with some of the leading actors. Alongside Isaac, the series stars Betty Gilpin, Alec Baldwin, Jimmy O. Yang and Jason Schwartzman.

“This would not have come together had Ginny not rolled up her sleeves,” Koppelman said. “When we look at this cast, sometimes we can’t really believe what got put together.”

Howe and Netflix also supported showrunner Rebecca Sonnenshine’s push to make a version of “Little House on the Prairie” that includes more of the Osage perspective.

“She was very open to a vision that explored all the things that we wanted to explore in this show,” Sonnenshine said.

Howe grew up in Walnut, in the San Gabriel Valley, a self-described latchkey kid and the daughter of a residential real estate agent and a women’s clothing store owner. She was born in Seoul and immigrated to California when she was 15 months old.

“So I really am a California girl, I grew up just adjacent to the glittering lights of Hollywood, but close enough to know that there was a real business there,” Howe said.

While her parents worked, she and her brother watched a lot of TV, sitcoms like “Diff’rent Strokes” and “Small Wonder” and soaps like “Dynasty” and “Dallas.” That turned into a career. She graduated from UCLA with a bachelor of arts degree in theater, film and television, worked in the talent division at Brillstein Entertainment Partners and rose to executive vice president of television at John Wells Productions before joining Netflix in 2018.

She is one of the few prominent Asian American content leaders in Hollywood, in a position that helps shape what the world watches.

“I definitely do feel it’s not something I take for granted to be in these rooms and to know that my voice matters,” Howe said. “I get to be a decision-maker in a lot of these conversations. It’s really gratifying, and it’s something that I think is not lost on me at all.”

‌Gulf foreign ministers plan to meet their Iranian counterpart in a push by Oman and Iran ‌to ‌secure buy-in for ‌a temporary deal to manage shipping through the Strait of Hormuz, the Financial Times reported on ‌Friday. The ‌gathering is ‌scheduled to ‌be held on Monday in the Omani coastal ‌city of Salalah, the report said, citing two people briefed on the matter.

Reuters could not immediately verify the report.

VENICE, Italy — “My actual personality is not very friendly, I’m afraid,” claims Korean actor Jeon Do-yeon. “Myself and actor Sul Kyung-gu, we can be a little bit brusque. We don’t really have the talent to make the set fun.”

As she says it, though, Jeon and co-star Cho Yeo-jeong are laughing — making the assertion rather harder to believe when it arrives in English from Korean via an interpreter. Throughout our conversation, in fact, the pair chuckles, nods along to each other’s answers, interjects sounds of assent. Enough for me to understand that their chemistry comes naturally, whatever Jeon’s protestations.

“In the film I play a character that chases [Jeon’s character] and it really suited me, almost to the point where I didn’t really need to try and act this role,” as Cho puts it. “I was almost like a sunflower, constantly facing and chasing actor Jeon.”

The actors needed every ounce of the sublime chemistry they forged to portray the magnetic but fatally flawed relationship at the heart of auteur Lee Chang-dong’s first film in eight years, “Possible Love,” which premiered Sunday at the Venice Film Festival. South Korea’s international feature submission for the 2027 Oscars, the Netflix film sees Ye-ji (Cho), a documentarian married to a wealthy businessman (Zo In-sung), cozy up to Mi-ok (Jeon), whose husband (Sul) has been seriously injured in a brutal crackdown on striking factory workers, in order to secure an interview with him — only for divisions of class and professional ambition to expose the fault lines in their relationship, and in turn their marriages.

“It seems like they want to be friends with each other, but then there seems to be a line that just cannot be crossed between them,” says Lee, also through an interpreter, of the actors’ accomplished double act, referring to a scene in which Ye-ji bristles at Mi-ok’s suggestion that her high-end clothes are out of place interviewing unemployed laborers. “[Jeon and Cho] knew of that and they went into shooting that scene knowing that it was quite challenging to express. There were, of course, some things that were up to the camera in bringing that about, but I think that was a scene where the two were able to express just how nuanced and quite strange the relationship can be.”

The film itself is just as slippery and multi-layered, down to Lee’s heady admixture of documentary and dramatic aesthetics. Inspired by real-life labor conflict in South Korea, “Possible Love” uses Ye-ji’s nonfiction study of laid-off workers as a window into the lives of ordinary people swept up in large-scale social change, against the backdrop of which the two women’s competing priorities are thrown into stark relief. Can a filmmaker who totes a $4,000 Lora Piana backpack, however well-intentioned, truly understand the plight of the working class? Is a subject eager to publicize a political struggle prepared for the risk that her personal privacy will be invaded in the process?

To choreograph the film within the film — so compelling that I almost missed seeing its conclusion when “Possible Love” shifts the focus to interpersonal fireworks in the third hour — Lee cast a real-life documentary director and cinematographer as Ye-ji’s crew, lending what Cho calls their “natural energy” to the movements of the camera. Cho herself prepared by consulting the late master of the form, Frederick Wiseman, who was unabashed about the tension between documentary filmaking’s often radical politics and the privilege required to turn it into a profession.

“[Wiseman] was posed the question by some students studying film and documentary: ‘How can I pursue this work in reality?’” she recalls. “And he replied with the immortal words, ‘Marry a rich man.’ And you know, I was preparing for the role of Ye-ji, so it was such an apt response for her situation.”

Jeon, left, and Cho in “Possible Love.”

(Joo Jae-bum/Netflix)

The potential for conflict bursts into the open at a seaside home that has been in Ye-ji’s husband’s family for years, where the group has decamped for a supposedly restorative holiday. Reminded of the setting by the location of our conversation — a set of green-curtained, pink-carpeted suites at the Hotel Excelsior, overlooking the northern shores of the Adriatic — I ask the actors what’s going through their characters’ minds when Mi-ok and Ye-ji’s promising connection ultimately severs.

Mi-ok “doesn’t really want to reveal to anyone else what’s going on in the family … She only wants to show the good side that they are trying to live their best life and trying to improve and move forward with hopefulness,” Jeon says, citing an early scene in which Mi-ok asks the crew not to film her son’s awkward taekwondo at a school field day. When the camera’s prying eye becomes more intrusive, though, she “feels a great sense of betrayal, that her family is being used and exploited.”

For Cho, who says Ye-ji is “constantly balancing the ethical dilemma” between documenting the truth and treating her subjects with care, the break was always inevitable, and no amount of Ye-ji’s remorse or guilt can repair the damage.

Against this microcosm of the class war Lee sets the emergence of artificial intelligence, which threatens to further destabilize labor across a range of industries — including his own. Although he’s uncertain if, when or how AI will “intrude” on the “entirely creative” filmmaking process, the “Poetry” and “Burning” director is already using it for everyday tasks.

“Before going to see the doctor, I like to ask AI all the symptoms that I have, ask what’s wrong with me. Or I would ask, you know, ‘What’s the weather like in Venice?’” he says. “AI gives us instant answers, and it goes even beyond that to where it gives you advice these days. And in that sense, AI has indeed really gotten deeply intertwined in my daily life.”

Similarly, Jeon is open to using AI for more “trivial” matters, such as simultaneous translation from English to Korean and vice versa. But she admits to more “extreme thoughts” than Lee about the technology’s role in the future of screen acting.

“I’m going to be starring in a [Korean-language adaptation] of Anton Chekov’s “The Cherry Orchard” upcoming in New York. And I was wondering, actually, is the stage the last place that cannot be conquered by AI, and will not be replaced by AI?”

Perhaps. But the scene in “Possible Love” that best captures the finely honed chemistry of its female leads, in which Mi-ok and Ye-ji drunkenly bond over soju and Korean barbecue as their bemused husbands look on, seems to me beyond the capabilities of AI — it’s too warm, too meticulously rendered to be anything other than fully human, the sort of acting one hopes the Venice jury will remember when it hands out the Volpi Cup for best actress on Saturday.

“It is quite difficult technically and practically — it was a scene that we shot all night long,” Cho says. “But I remember shooting it with a lot of pleasure.”

No protest there.