media

Paramount Skydance has completed its takeover of Warner Bros Discovery, bringing CNN and CBS News under the same corporate ownership, in a deal that has raised concerns about editorial independence and freedom of speech.

The acquisition, worth about $110bn including debt, combines two of Hollywood’s biggest studios after months of legal challenges lodged by state attorneys general and unions.

The new company, Skydance Corporation, brings together HBO, CBS, Nickelodeon, Showtime, Comedy Central, DC Studios and Food Network, alongside streaming services Paramount plus and HBO Max.

But its control of two major US news organisations has drawn particular scrutiny. David Ellison, Skydance’s chairman and chief executive, has promised to preserve their editorial independence, but his father, Oracle cofounder Larry Ellison is a major financial backer of the deal, and has previously donated funds to US President Donald Trump and Israel.

Asked about the takeover on Tuesday, Trump welcomed it. “They’re terrific people, and it’s going to be a great company,” he said.

Why was the merger challenged?

The takeover faced initial opposition from Hollywood workers, politicians and state prosecutors concerned about the mounting concentration of power in an industry already dominated by a handful of companies.

Netflix initially reached an agreement to buy part of Warner Bros Discovery. Paramount then launched a competing bid, prompting a bidding war before Netflix walked away.

A California-led coalition of 12 state attorneys general sued to block the deal, saying that it would reduce competition and raise prices. The Writers Guild of America brought a separate challenge.

Both cases were settled in September when Paramount agreed to commitments relating to film production, support for displaced workers and protections for the news networks, including the creation of a new editorial independence board.

But the settlement did not end opposition to the deal. “This merger will stifle creativity, weaken free speech and cost people their jobs,” actor and activist Mark Ruffalo has said.

Democratic Senator Elizabeth Warren linked the takeover to Trump’s efforts to restrict media access. “As Trump tries to ban CNN from the White House, it would be a massive mistake to cave on the Paramount merger,” she said, referring to the US president’s so-far thwarted attempt last month to bar reporters from several news organisations, including CNN, from accessing the White House.

Can an editorial independence board protect CNN and CBS?

One condition of the settlement requires Skydance to establish a “News Editorial Independence Board” within 180 days of completing the takeover.

The five-member body is to include active or retired journalists with at least 10 years of experience. It is intended to establish editorial principles and address disputes involving the news networks and corporate management.

However, its members will be appointed by, and will report to, Skydance’s board of directors, which Ellison chairs. Two members can belong to the same political party, and there is no requirement to publish its findings.

The condition has left critics with a multitude of questions, including: How can a member of an independent editorial board be a member of a political party? How can there be scrutiny if its findings are not public? How can it be independent if it is appointed by a board of directors, themselves appointed by the CEO of the company?

Seth Stern, chief of advocacy at the Freedom of the Press Foundation, said, “A Paramount-appointed editorial independence board for CNN and CBS is worthless. The fish rots from the head, and this particular fish is headed by a compromised oligarch with a history of throwing journalists under the bus to advance his business interests.”

Stern also questioned whether government enforcement of the settlement could itself threaten press freedom. “The editorial board creates the same First Amendment problems it’s supposed to solve – the government meddling in the news.”

The First Amendment provides constitutional protection for freedom of speech and the press.

Ellison argues that the two networks will continue to operate independently. “We’re going to make sure that CNN and CBS News are completely editorially independent,” he said on Tuesday.

On Monday, Skydance announced that Mark Thompson would remain CNN’s chairman and editor-in-chief, while Bari Weiss will continue as CBS News’s editor-in-chief, easing previous fears that Weiss would immediately take charge of both networks.

Why are there fears for editorial independence?

The takeover gives the Ellison family control of CNN less than a month before the November 3 US midterm elections, and follows Trump’s repeated attacks on the network as it seeks to hold the US president to account.

Shortly after Paramount launched its bid in December, Trump accused CNN of spreading “poison and lies” and said it was “imperative” that it be sold, while the Trump administration has moved to bar CNN from reporting in certain areas of the White House.

Ellison donated roughly $45m to a political nonprofit group supporting Trump’s election efforts in 2024, while he donated $16.6m to Friends of the Israel Defense Forces, a charity supporting Israeli soldiers – its largest single donation at the time.

Earlier this year, the White House criticised CNN’s coverage of the US-Israeli war on Iran, while Defence Secretary Pete Hegseth told reporters that “the sooner David Ellison takes over that network, the better.”

Sovereign wealth funds from Saudi Arabia, Qatar and the United Arab Emirates also hold indirect financial interests in the combined company. They have no voting stakes, although their involvement adds another layer of scrutiny over its funding.

Concerns about the future for editorial integrity, however, intensified after Skydance acquired Paramount in 2025, and layoffs followed, alongside the closure of CBS News Radio and changes to CBS News flagship investigative programme 60 Minutes.

High-profile firings enacted under CBS News Editor-in-Chief Bari Weiss and Skydance Media CEO David Ellison included correspondents Sharyn Alfonsi and Cecilia Vega, as well as 60 Minutes executive producer Tanya Simon.

The programme’s September season premiere attracted about 21 percent fewer viewers than a year earlier.

In 2025, Paramount also agreed to pay Trump $16m to settle a lawsuit over the editing of a 60 Minutes interview with then-presidential candidate Kamala Harris.

In a June 2 letter, nine advocacy groups, including Reporters Without Borders, the Freedom of the Press Foundation and the Committee for the First Amendment, warned that CNN could face similar upheaval and firings.

“Bari Weiss’ shameless actions fulfil the Ellisons’ commitment to President Trump to remake CBS to his liking,” they alleged, referring to the firings and changes at 60 Minutes.

“Larry Ellison has reportedly promised to do the same at CNN if allowed to take control through the pending Paramount-Warner Bros. Discovery merger. Not because it makes any business sense, but because they seek to control the public discourse.”

The groups described the proposed takeover as an “existential threat to the free press, independent media, and free speech in this country and beyond”.

Coco Gauff says she suffered racial abuse on social media following an incident in her win over 16-year-old Sun Xinran at the China Open.

The American had been serving at 4-5 in the first set her Chinese opponent thought she had hit a winner.

However, Gauff raised her hand to halt play because of a flickering light in the side panels surrounding the court.

Gauff won the next three points to hold for 5-5 before she closed out the set, and then dropped just one game in the remainder of the contest as she claimed a 7-5 6-1 victory to reach the last 16 in Beijing.

The world number four gave a lengthy explanation of why she stopped the point in a post on X and said it was “an unfortunate situation” but “out of my control”, adding that Sun had understood and accepted her apology.

Gauff then responded to a reply to her original post which included racist language.

“You can dislike me or disagree about what happened without being racist,” Gauff wrote.

“The amount of racist comments/direct messages I’ve received in the last few hours is insane. Lastly, I’m not a cheater or a thief.”

Gauff is far from the first player in the women’s game to suffer social media abuse.

A report in July said female players were subjected to more than 12,000 abusive posts and messages on social media in 2025.

The WTA and World Tennis said “collective action” was required to make “significant progress” in tackling abuse.

Rabat, Morocco – “I was surveilled not because of a specific article. I was investigating land dispossession in Morocco. I then learned I was a Pegasus target,” Omar Radi, a journalist and human rights defender, told Al Jazeera, referring to the mobile surveillance tool developed by Israeli company NSO Group.

The findings emerged in June 2020, when Amnesty International Security Lab examined his phone. Radi, now based in Germany, said he had spent two years, from 2018 to 2020, noticing signs including his phone’s battery draining quickly, its temperature rising and the network slowing down.

The physical surveillance, he said, was barely discreet.

“They came every day to get a daily report from the parking attendants in my street, the shops I used to go to, and my friends,” he said. “I would sometimes turn around and walk towards the people following me to take photographs, but they ran quickly and hid their faces.”

His case is among four detailed in a new Amnesty International report, We Start With the Verdict: Inside Morocco’s Surveillance Machine, produced with 14 media organisations and coordinated by the international network of journalists Forbidden Stories.

The other three are Fouad Abdelmoumni, a veteran activist; Abdessadak El Bouchattaoui, a human rights lawyer; and Hicham Mansouri, a journalist in exile who had been imprisoned in 2015 on charges of adultery and sexual exploitation, which Amnesty describes as trumped-up.

The report draws on interviews with a whistleblower using the pseudonym Safir, a former employee of Morocco’s General Directorate for Territorial Surveillance (DGST). Amnesty said it corroborated key parts of Safir’s testimony with independent sources, technical evidence and interviews with 10 people identified as surveillance targets, including Radi.

“The Amnesty report connected many dots as to what I was living and feeling while I was under tight surveillance,” Radi said.

“It explains the extraordinary aspect of my police interrogations and my trial, where many of my rights weren’t respected, because even the judicial police and the judges were under monitoring,” he added.

Amnesty identifies the DGST as the agency behind the deployment of Pegasus spyware in Morocco and documents what it describes as abuses of the spyware against activists and journalists between 2017 and 2021.

Morocco denies surveillance

Morocco has previously rejected Amnesty’s allegations that its authorities used Pegasus to target journalists, activists and other critics.

In statements issued in 2020 and 2022, Moroccan authorities challenged Amnesty to provide material evidence supporting its claims.

Amnesty said it wrote to Moroccan authorities four weeks before publishing its latest report and invited them to respond, but received no response.

Al Jazeera also sought comment from Moroccan officials but had not received a response at the time of publication.

Moroccan media have also challenged the latest report. Le360 cited arguments that the presence of a phone number in Pegasus targeting records does not, by itself, prove that a device was infected or establish who ordered an alleged attack.

The outlet also argued that Amnesty had not provided the conclusive technical and material evidence Moroccan authorities had demanded.

The report says Morocco’s Pegasus operations were fully active by October 2017, pointing to the case of human rights lawyer El Bouchattaoui, whose number was entered into the system in September 2017 and selected for targeting weeks before he received an infection link by text message.

Amnesty said its analysis of Pegasus records matched 103 Moroccan phone numbers to individuals identified as potential targets between September and December 2017. Of those, 65 were identifiable as civil society members, including 34 human rights defenders, 22 journalists and media workers, five lawyers and four academics.

According to Amnesty, Safir described a surveillance apparatus that combined digital and physical methods. Targeted individuals were secretly filmed and recorded in detention, offices, cars, cafes and even bedrooms, he said.

Phone shops, he added, were coopted to sell targets devices infected with spyware. Neighbours of human rights defenders, he said, were recruited as informants to file daily reports on their movements.

Safir also described the use of remote control systems (RCS) at internet cafes. Field agents would identify which cafe a target was visiting, he said, giving the DGST access to activity on machines it had already infected and allowing an operator to track calls, read messages, access photographs and record audio.

The report says similar tactics were used against activist Abdelmoumni, who was secretly filmed at home with his fiancee in 2021. Abdelmoumni said he believed the footage was captured through a hidden camera in an air-conditioning unit, based on the recording’s angle.

Safir described the episode as a “textbook case” of a DGST surveillance and cleanup operation designed to leave no trace.

Journalists describe pressure and intimidation

Taoufik Bouachrine, one of Morocco’s best-known journalists and host of the Talk on Politics podcast, was not named in Amnesty’s report but described a similar pattern.

“In Morocco, as in all Arab countries, inventive methods are used to silence journalists and deter them from investigative journalism, particularly when it concerns the unlawful exercise of power, financial corruption, and the intertwining of political authority and money,” he told Al Jazeera.

The first method, he said, is fabricating criminal cases against journalists, “often involving allegations of sexual misconduct in a conservative society that amount to a journalist’s moral execution”.

The second, he said, is a smear campaign run through armies of online trolls and operatives who target journalists and their families.

Bouachrine, 57, was arrested in 2018 on charges of rape and human trafficking and sentenced to 15 years in prison. He has denied the charges, saying his prosecution was tied to his journalism.

The United Nations Working Group on Arbitrary Detention found Bouachrine’s detention arbitrary and said he had been subjected to judicial harassment. The European Parliament adopted a resolution calling for his release, along with other journalists tried on similar charges.

He served more than six years before being released under a royal pardon. By then, Akhbar Al-Youm, the newspaper he founded, had already closed. Bouachrine said authorities had cut off its advertising revenue.

“This is another method of destroying investigative journalism,” he added, “turning off the advertising tap and leaving a newspaper to die slowly.”

Mammoth deal has raised questions about corporate consolidation and editorial independence in media.

A United States judge has entered an order giving the green light for the media giant Paramount to complete its $110bn acquisition of entertainment company Warner Bros., despite fears about the long-term impacts of media consolidation.

On Wednesday, US District Court Judge Araceli Martinez-Olguin approved a settlement between Paramount, Warner Bros, and a group of 12 states that had sued to block the merger.

In her ruling, Martinez-Olguin described the proposed deal as a “fair, reasonable, and good faith approach to address the competitive harms”.

Analysts have long raised concerns about the acquisition, one of the largest media mergers in history.

The coalition of states that sued to block the deal, led by California, had argued that combining Paramount with Warner Bros would effectively stifle media competition. They estimated that nearly one-third of all theatrical releases and basic cable programming would be consolidated under the merger.

But the states abandoned their lawsuit in favour of a settlement on September 21.

The five-year agreement requires Paramount to abide by theatrical film release quotas, committing to 30 releases per year in the US.

It also mandates that the combined company must keep negotiations with cable providers for Warner-owned channels separate from its deals for Paramount-owned channels.

The settlement approved on Wednesday also includes the creation of a five-member panel meant to safeguard the editorial independence of CNN and CBS, two major news networks.

But sceptics have pointed out that the merger puts a large swath of US media under the control of David Ellison, who leads Paramount.

Under Wednesday’s agreement, Ellison is in charge of appointments to the board that would oversee news independence.

The Paramount CEO is the son of billionaire Oracle founder Larry Ellison, a strong backer of pro-Israel causes who has close ties to the administration of President Donald Trump.

The founder of the film production company Skydance, David Ellison acquired Paramount last year as part of another controversial merger.

The 2025 Paramount-Skydance deal brought CBS under Ellison’s control. Ahead of the merger, sceptics questioned the abrupt cancellation of the CBS comedy show The Late Show with Stephen Colbert, which had been critical of Trump.

Ellison later installed Bari Weiss, a pro-Israel media figure, as the head of CBS News in a move that also raised questions about diminished independence within major journalism outlets.

Some critics depicted Wednesday’s settlement as a further capitulation to powerful corporate interests.

“Allowing one Trump-aligned, foreign-owned conglomerate to dominate American news and entertainment is a disastrous outcome,” Senator Elizabeth Warren of Massachusetts said in the wake of the settlement’s announcement.

But public officials like California Governor Gavin Newsom had called on his state’s Attorney General Rob Bonta to scrap the 12-state effort to block the deal and to pursue a settlement instead.

Paramount emerged victorious from a bidding war with the streaming giant Netflix in February to win control of Warner Bros’s holdings.

That includes a series of media and entertainment services, including the film studio Warner Bros Pictures, CNN and HBO Max. The Trump administration approved the deal without alterations in June.

Seven Minnesota judges face ethics complaint after speaking publicly about the US president’s immigration crackdown.

The United States Justice Department has filed a misconduct complaint against seven federal judges in Minnesota who spoke publicly about the pressure their courts came under during President Donald Trump’s immigration crackdown.

The judges spoke to The New York Times this month about dealing with a flood of cases during Operation Metro Surge, an immigration crackdown that led to thousands of arrests in the Minneapolis-St Paul area from December to February.

The Justice Department says it crossed an ethical line by talking publicly about the cases.

Attorney General Todd Blanche accused the judges of showing “obvious bias” against the Trump administration and called on them to step aside from any cases involving the Department of Homeland Security (DHS).

“When we have a situation like we have now, where you have a judge, a couple of judges, just not only violating the canons in our view but also showing bias in what they’re saying, we have no choice but to act,” Blanche told reporters.

The judges say they did nothing wrong. A spokesperson for Minnesota’s federal court system said legal experts had found that the judges were “well within the ethical rules” when they spoke to the newspaper.

The complaint is the latest in a series of clashes between the Trump administration and the judiciary, which has blocked some of the president’s policies and, in several cases, accused government lawyers of failing to follow court orders.

One of the judges named in the complaint, Patrick Schiltz, alleged that the government did not comply with nearly 100 court orders related to immigration enforcement in January alone.

In one ruling, he wrote that US Immigration and Customs Enforcement (ICE) “is not a law unto itself”.

Schiltz was nominated by Republican President George W Bush and previously clerked for conservative Supreme Court Justice Antonin Scalia.

He later told The New York Times that what happened in Minnesota’s federal courts during the crackdown “created a grave threat to the rule of law”.

Schiltz also pointed to guidance issued by a federal judicial ethics panel in February, saying that judges can speak publicly about issues such as the rule of law and judicial independence.

“That is exactly what I did,” he said.

Hot mics have embarrassed many a media professional.

Cincinnati Reds longtime broadcaster Thom Brennaman was suspended indefinitely in 2020 after his microphone accidentally picked up him using a three-letter anti-gay slur.

Charles Barkley dropped an uncensored F-bomb during an Inside the NBA on TNT broadcast in 2025 while venting about NBA award voters.

And just two months ago, San Francisco Giants executive Buster Posey trolled radio station KNBR on-air after a behind-the-scenes employee was caught on a hot mic talking trash about him.

Add reporters covering Sacramento Kings media day Monday to the list. At least three were heard in an unvarnished conversation about Kings players Ben Simmons and Zach LaVine that took a personal turn.

A handful of local outlets livestreamed media day interviews. But the mics also picked up reporters chatting, and embarrassing comments went beyond their frequent use of the hyper-localized and outdated NorCal modifier “hella.”

Comments begin about Simmons, a guard on a one-year, non-guaranteed contract after missing last season with injuries. A female says “That’s what comes with being Ben Simmons. He is cringe, cringe,” and another jumps in to say he is “lucky he’s so fine.”

The first media member agrees, saying “He’s a good-looking dude. His skin is, like, so smooth, I was like, damn, no tattoos?”

A male voice joins the conversation, asking, “I thought Jordan Poole was your type.”

A female voice replies, “Allegedly, I like light-skinned, I guess.”

The male voice continues: “What about Zach LaVine, then?”

“Hella fine,” the female voice replies.

“I think his personality annoys the [expletive] out of me, so that’s what makes him less fine,” the first person says. “Zach’s cute but his personality [expletive] annoys me. He just seems like hella like a prick. But he is beautiful.”

“He’s a [expletive] UCLA guy,” replies the third person. “Just all of them are.”

Another voice jumps in, offering that LaVine is “hella fine, too.”

Someone asks how the others would rank Kings players by hotness. One voice votes for Simmons because of “his skincare routine.”

Apparently referring to the team’s woeful 22-60 record last season, the male voice responds by cracking, “Well, Ben wasn’t a King for the last year and a half either,” to which a female voice concedes, “That’s true.”

The reporters involved have not been publicly identified, and none of the players have responded. LaVine’s wife, Hunter, did offer a low-key comment to the Kings Muse recording, writing on X, “a great start to the season!”

The episode called to mind the hot mic that marred the Toronto Raptors’ postseason news conference last April. Two unidentified media members were heard making disparaging comments about players Scottie Barnes and Jonathan Mogbo.

“It’s not just his enunciation, which, like, was super bad, especially last year,” one person said about Barnes. “But even the attitude. Just the attitude — like he’s having fun up there. First year or even before, he just kept getting worse and worse every year.”

Rookie forward Mogbo was the next target. “When I first interviewed Mogbo when he was drafted, I was shocked ’cause he was so dumb,” the person said.

Raptors fans were appalled by the comments, but Barnes responded with humor on social media. It remains to be seen how Simmons and LaVine react.

Saracens are set to receive a series of fines from Prem Rugby due to director of rugby Brendan Venter’s failure to fulfil media commitments.

It is understood the club have already been handed a £5,000 sanction after Venter was not present at the Prem’s pre-season launch day.

The South African also did not speak to the media before, during or after the opening-weekend victory at Leicester.

The Daily Telegraph reported earlier on Tuesday, external that Venter “resigned” as director of rugby last month and took up a new role of “head of rugby culture and wine consultant”, with head coach Joe Shaw assuming responsibility for media commitments.

The report also claims Saracens asked permission in July for Shaw to front the club’s media commitments.

However, none of this has been confirmed by the club nor Prem Rugby.

It is also thought a change of job title would not preclude Venter from his contractual responsibilities.

Saracens announced in January that Venter would be returning to the club as director of rugby and have yet to confirm any change to his day-to-day responsibilities.

He succeeded Mark McCall, who stepped down at the end of last season after 15 trophy-laden years in the job.

Venter’s first spell as Sarries’ director of rugby, which began in 2009, also included clashes with authorities over media commitments.

In September 2010, the club apologised to European Rugby Cup (ERC) officials for then-captain Steve Borthwick’s failure to attend the Heineken Cup launch at Cardiff’s Millennium Stadium.

Borthwick, now England head coach, was the only missing representative from the coaches and captains of 12 English, Welsh and Scottish clubs attending the event.

He had been told by Saracens to instead attend a team bonding session at a beer festival in Munich.

In December 2010, Venter himself was warned by European Rugby Cup officials for a post-match interview after his side’s 24-21 Heineken Cup loss to Racing Metro, in which he repeatedly gave short answers, agreeing with whatever was being asked.

He later said it was inspired by a scene in the football mockumentary film, Mike Bassett: England Manager.

Venter left his full-time role at Saracens halfway through the 2010–11 season, to be replaced by McCall.

WASHINGTON — Under a light rain on Sunday at the Australian ambassador’s residence in Washington, CNN hosted its third annual tennis tournament, the Kangaroo Cup, pitting Beltway journalists against administration officials. The event aims to inject some levity into an historically adversarial relationship, reminding both sides of the spirit of the game. Themed drinks and tennis whites set the tone.

White House officials played with grace. But the mood this year was altogether different down Pennsylvania Avenue. Despite a federal judge demanding the administration reverse course on President Trump’s punitive actions toward his disfavored news outlets — CNN, MS NOW and Politico — he has refused to resume full access to the storied cable news channel, dismissing its reporters as “fake news.”

It is only the latest attack on press freedom by a president whose drive to punish critics and exert influence over the media appears to be growing.

During last week’s lavish state visit for Xi Jinping, Trump praised China for having “the friendliest press corps” and dismissed their repression of speech, despite the World Press Freedom Index ranking China among the world’s worst offenders — at the bottom of the list, alongside North Korea and Eritrea — for restrictions on journalists.

Five times in the last two months, the president has sneered at and insulted female reporters, mocking their appearance or dismissing their credentials.

He has declined to name a successor for his former press secretary, Karoline Leavitt, whose final news conference, on Aug. 27, was one of only a handful of briefings held throughout the summer. His administration launched its own streaming service last week, called Trump TV, in an attempt to circumvent traditional cable news. And on Monday, he posted renderings of the White House briefing room reconverted to its former use as a presidential pool and spa.

Trump’s escalating attacks on the press come just weeks before the midterm elections, as former officials and election experts warn the administration could seek to undermine confidence in the results. They also come at a precarious moment for public trust in the media, with more Americans saying limits on the press can be justified to combat misinformation.

A Pew Research Center survey released earlier this month found that 73% of Americans regard a free press as “very” or “extremely” important to society. Yet the country remains deeply divided over whether journalists should be barred from reporting “inaccurate” information, with a majority, 53%, supporting limits in some circumstances — even if it means the government itself would have the final say in determining what is true.

Trump’s attempt to bar three outlets from the White House grounds came just three days after the Pew poll was released.

“Plenty of presidents have complained about the press before. And presidents have restricted certain forms of press access or press action during wartime,” said Peter Kastor, chair of the History Department at Washington University in St. Louis. “In the moment — and especially afterward — Americans condemned this as antithetical to the constitutional protections for press freedom and the national commitment to an open democracy.

“What I find most striking about Trump’s press action is that he has made it unabashedly personal,” Kastor added. “He doesn’t like the way media outlets are covering him, so he is going to punish them.”

President Nixon famously limited White House access for the Washington Post over its coverage of the Watergate scandal. But he never attempted to bar press credentials completely — and ultimately authorized the conversion of the pool facility into the briefing room that exists today.

Other presidents have jostled with the press. President Obama was accused of limiting access to independent photojournalists, and famously favored nontraditional media outlets at the advent of the social media age. President George W. Bush limited his personal interactions with the press and curtailed access to government records.

Thomas Jefferson, the nation’s third president, once stated he “deplored” the “putrid state into which our newspapers have passed, and the malignity, the vulgarity, and mendacious spirit of those who write for them.”

Yet, “it is however an evil for which there is no remedy,” he also said. “Our liberty depends on the freedom of the press, and that cannot be limited without being lost.”

Trump’s particular style — as a showman and his own spokesman — makes his relationship with the media innately personal, said Andrew Rudalevige, a professor of government at Bowdoin College and author of “The New Imperial Presidency.”

“Presidents almost always feel that bad press is a feature of their staff’s poor communication of their policies — not that the policies themselves are unpopular or ill-advised,” Rudalevige said.

“Since President Trump does so much of his communication, though, this deflection is less available,” he added, and “thus the problem is with the press itself, not the policy or its purveyor.”

CNN’s legal fight continues, even after securing temporary reprieve from a judicial restraining order. So does the Associated Press’ lawsuit over the administration’s effort last year to punish the wire service for refusing to adopt Trump’s preferred name, “Gulf of America,” for the internationally recognized Gulf of Mexico.

While he keeps losing in court on 1st Amendment grounds, the president keeps testing new limits, looking for what will stick.

On the tennis court Sunday, at least, his administration won.

A new age of Clippers basketball started on Monday.

It’s about moving on, or attempting to, after the franchise endured a nightmare offseason.

“My entire summer’s been basketball,” guard Darius Garland nonchalantly said during media day at Intuit Dome. “My main thing is to come in here and win games. So, that’s my main focus.”

The Clippers’ offseason was engulfed by the NBA’s salary-cap circumvention investigation into the team’s endorsement deals with Kawhi Leonard. The NBA fined the Clippers $30 million, stripped them of five first-round picks, dealt suspensions to owner Steve Ballmer and president of basketball operations Lawrence Frank — and the Clippers ultimately traded Leonard, who was fined merely $700,000, back to Toronto.

Garland represented his teammates in prioritizing hoops.

But for Trent Redden, the Clippers’ interim president of basketball operations, things weren’t that simple. The admittedly nervous executive started Monday’s news conferences by apologizing to the Clippers’ faithful for the aftermath of the Leonard situation.

“Our fans deserve to hear from us before this, and for that we’re sorry,” Redden said. “We’ve been listening to the thoughts, the concerns, and feeling the emotions of our fan base. They mean everything to us. … We hope to fulfill our promises to them, to build their trust and move forward through this time.

“This franchise often has done its best work with its back against the wall … We hope to represent our fans the same way we always have in dark times, by coming out fighting.”

Fighting is all the new-look Clippers can do as they enter the 2026-27 season.

Leonard is back north of the border. Other stars, such as Paul George, James Harden and the recently retired Russell Westbrook, are distant memories in L.A. For the first time in years, the Clippers aren’t entering a season with championship aspirations.

“It’s been difficult,” said Ty Lue, who enters his seventh season as the Clippers’ coach. “But I give our players a lot of credit … the leadership is great [and] the morale is great, even in these tough situations. That’s good to see, when you have your players coming in every day, giving everything they have; a lot of teams don’t have that.”

The Clippers’ league-record streak of 15 consecutive winning seasons is in jeopardy. Nonetheless, the team will still feature plenty of intrigue roster-wise, with a mix of youngsters “doing TikToks” and “old heads” trying to keep up, as Garland described it.

“I think we can surprise a lot of people,” he said.

Garland himself, 26, enters his first full season in L.A. as the team’s go-to scorer. A two-time All-Star, he’s primed to lead a promising backcourt alongside 19-year-old rookie Keaton Wagler, the Clippers’ No. 5 pick in the 2026 draft.

Wagler is one of the team’s promising young players, alongside fellow rookie Baba Miller, Kobe Sanders and the rehabbing Jordan Miller and Yanic Konan Niederhauser.

“I’m just going to do my best to stay mentally focused,” Wagler said when asked about the pressure of being the team’s first top-five pick since Blake Griffin in 2009. “Not worry about all the outside noise.”

The Clippers return key role players like Derrick Jones Jr., Kris Dunn, Bradley Beal and Brook Lopez, and sport new ones like Max Strus and Gradey Dick via trades.

However, the team’s ceiling will rest on the influence of new forwards Brandon Ingram and Rui Hachimura. Hachimura is coming off a strong playoff run and four-year stint with the Lakers.

“One thing about here … everybody talks about how they take really good care of their players,” Hachimura said of signing a two-year, $28-million contract with the Clippers this offseason.

Ingram, the centerpiece of the Leonard trade, is a solid three-level scorer and will shoulder much of the offensive load alongside Garland — when healthy.

Redden shockingly shared that Ingram is recovering from a partially torn Achilles tendon in addition to heel surgery.

“I had been dealing with some pain throughout the year with the Raptors, especially coming down crunch time with the Raptors,” Ingram said. “I didn’t quite know what it was. Near the end of the season, we figured out what it was, and surgery was the best thing to do.”

The 29-year-old Ingram, though, should make a full recovery and claims his best days are still ahead of him.

He feels the same way about his new Clippers team.

“I know [there are] little to no expectations for us this year,” Ingram said. “We have enough in the building to compete. This is what we love to do. So, we’ll go out and compete every single night, learn, go on to the next game and get better and better.”

As Brazilians head into national elections, there’s a familiar name on the ballot: Bolsonaro. Not former President Jair Bolsonaro. It’s his son Flavio, who is presenting himself to the electorate as a more moderate version of his father.

Election coverage has been dominated by a major corruption scandal – the biggest banking fraud case in the country’s history. Brazilians are accustomed to corruption scandals involving political figures. The coverage tends to be framed as: they’re all equally corrupt.

Contributors:
Andrew Fishman – President & co-founder, Intercept Brasil
David Nemer – Professor, University of Virginia
Andre Pagliarini – Professor, Louisiana State University
Natalia Portinari – Reporter, O Globo

On our radar: Donald Trump’s decision to bar three news outlets from the White House appears to have backfired after journalists organised a media boycott and a judge overturned the ban. Tariq Nafi has been tracking the latest duel between the US president and the media.

Spain’s neo-Nazis: spectacle vs reality

A fringe neo-Nazi movement in Spain, Nucleo Nacional, has attracted a growing online following by packaging incendiary and slickly produced content. The mainstream media attention the group has received has made a marginal organisation appear far larger and more influential than it is. The Listening Post’s Elettra Scrivo travels to Madrid – where she comes face-to-face with Nucleo Nacional’s members – to look at the reality that lies behind the spectacle.

Featuring:
Miquel Ramos – Author, ‘Antifascistas’
Urszula Mrozowska – Digital researcher in hate speech and extremism

ABOARD THE PAPAL PLANE — Pope Leo XIV told journalists they were welcome to report on him, as he responded to the Trump administration’s attempt to bar U.S. media from the White House and affirmed the importance of journalists covering public figures.

Leo spoke to reporters Friday on his way to France for a four-day visit. Asked by a CNN reporter about the Trump administration’s attempt to bar CNN and other reporters, Leo said the media was welcome on his plane.

“I am very happy that here, you are all welcome,” he said. Good media coverage is important, he said, and equally important “that we have it all the way around, for everyone”

CNN, MS NOW and Politico were back at the White House on Thursday after a judge handed them a reprieve from President Trump’s ban, but the extraordinary showdown between him and outlets whose coverage he dislikes continued.

On a high-profile day when Chinese leader Xi Jinping was visiting Washington and attending a state dinner, no major American network was airing live coverage, and both CNN and MS NOW said their journalists were denied access to Xi’s state dinner arrival.

The American pope has long affirmed the need for free and independent press, a point he made in one of his first audiences as pope. Speaking to journalists who covered the 2025 conclave that elected him, Leo called for the release of imprisoned journalists and affirmed the “precious gift of free speech and the press.”

That said, since the COVID-19 pandemic, independent media have been prevented from covering photo opportunities inside the pope’s private studio when heads of state visit. Additionally, many of the pope’s private audiences with other groups and individuals are closed to non-Vatican press.

Leo had opposed Trump on the war

Leo’s airborne comments about Trump followed his April back-and-forth over the American president’s criticism of his opposition to the Iran war. Leo’s position won him points with some Parisans opposed to Trump’s policies who came out in droves to celebrate the first official state visit by a pope in 18 years.

“He dared, at his level, to oppose the American president,” said retiree Thierry Marien, who lined up hours early to grab a spot on the popemobile route to Notre Dame cathedral, where Leo was to celebrate vespers later Friday. “Not because he is opposed to the American president but because he’s opposed to countries where we can see there’s a risk of their political systems becoming a bit more dictatorial and there are already enough of those in the world.”

“I appreciated that he did that. He could quite easily have said to himself, ‘In my situation, I won’t criticize any heads of state,’” he said.

Leo took further distance from the Trump administration policies later Friday by making a lengthy visit to UNESCO, the U.N. cultural and educational agency, from which the U.S. has withdrawn as part of its retreat from the international organization.

Leo, who has championed multilateral diplomacy, toured the UNESCO grounds inside and out, greeted its employees and received a guided tour of some of its art collections. He then delivered a speech on the values UNESCO espouses to promote peace through culture and education.

Leo apologizes to reporters

Also on the flight Friday, Leo also apologized for missing an opportunity to speak with the press the last time he traveled internationally, when his Iberia charter broke down in Spain’s Canary Islands and he returned home solo on the king’s private jet, skipping his traditional airborne press conference.

More than 70 reporters and the Vatican delegation waited for several hours at the airport for a replacement plane to arrive. Leo addressed the media’s disappointment when he came to the back of the plane to greet reporters.

“A special mention I would like to make for those of you who were traveling with me when we returned to Rome from Spain,” he said. “I want to apologize personally for an incident, that I had nothing to do with, but which I know left a number of you unhappy with the fact that we couldn’t have the flight back together back to Rome.”

In other comments to reporters, Leo said he believed his alma mater Villanova would be the fan favorite when the Augustinian university plays the Catholic University of Notre Dame’s basketball team in Rome on Nov. 1.

“They tell me that the people coming to the match, 90% are Villanova and 10% Notre Dame, so the voice of the people of God will be very strong on the Villanova side,” Leo said.

Winfield writes for the Associated Press.

Billy Bush, the veteran on-air host whose career was derailed by a crude off-camera conversation he had with President Trump in 2005, has signed on as a contributor to Fox News.

Bush will comment on cultural issues across Fox News Media platforms. He made his first appearance Tuesday on Fox News Channel’s “Jesse Watters Primetime.”

“I’m excited to join Fox News Media and its loyal audience to share my perspective on the people, ideas and moments shaping today’s culture as well as the ones trying to undo it!” Bush, 54, said Tuesday in a statement.

The longtime media personality is the nephew of former President George H.W. Bush and cousin to the 43rd president George W. Bush. He made his own mark on political history when audio of a 2005 conversation he had with Trump, then host of the NBC reality series “The Apprentice,” surfaced during the 2016 presidential campaign.

In the tape, made while Bush was co-host of NBC’s syndicated entertainment news show “Access Hollywood,” Trump boasted about his ability to kiss women and grope their genitals with impunity because he is a celebrity. Bush is heard chuckling and encouraging Trump’s coarse chatter as the future president crudely talked about how he tried to have sex with Nancy O’Dell, then a co-host on “Access.”

Bush is also seen on camera telling “Days of Our Lives” soap opera actress Arianne Zucker to embrace Trump just after the exchange.

Trump’s presidential campaign survived the scandal as he went on to defeat Hillary Clinton that November. Bush did not fare as well.

Bush’s career was on the ascent at the time that the tape made news, having been named co-host of the third hour of NBC’s “Today” in August 2016. He was part of the network’s coverage of the 2016 Summer Olympics coverage in Rio and Prince William’s wedding to Kate Middleton.

But the tape drew outrage from Bush’s female colleagues at NBC News. He apologized for his role in the conversation, saying he “was younger, less mature, and acted foolishly in playing along.” He was suspended from “Today” in October 2016 and did not return to the program as the network chose to pay out his contract.

Bush landed at the syndicated show “Extra” in 2019 and hosted for five seasons. He currently hosts a digital show, “Hot Mics with Billy Bush,” that covers sports, politics, entertainment, tech and pop culture.

Israel’s bitter political divisions are particularly sharp before the country’s October elections. But the furious response to a new documentary about the military’s actions in the genocidal war on Gaza has revealed an issue that much of Israel’s political and media establishment appears united on.

Few of the central allegations in NAZA, made by Israeli filmmakers Yuval Abraham and Rachel Szor, are new. Reports that the Israeli military was relying on artificial intelligence systems to generate targets in Gaza, often killing the inhabitants of entire buildings to kill just one individual identified by the system, were reported in April 2024.

Other accusations against Israel, such as committing genocide, deliberately causing a famine, and unlawfully killing children, have also not received much attention in Israel.

In contrast, NAZA has unleashed a litany of abuse from across Israel, and brought the allegations to the centre of Israel’s political debate.

Culture Minister Miki Zohar reacted to the film’s premiere at the Venice Film Festival – where it received a 25-minute standing ovation – by calling for the directors to be stripped of their citizenship and to be investigated by the internal intelligence service for treason.

Army chief Eyal Zamir has dismissed the film as being built on blood libel and ordered a legal probe to hunt down its military and intelligence sources.

Prime Minister Benjamin Netanyahu also cited the film when advancing legislation to revoke citizenship from anyone deemed to be smearing the country’s soldiers, while in the coastal city of Ashdod, graffiti branding the directors “traitors” has appeared on the walls.

“You can’t really understand the extent of the madness from outside of the country,” Orly Noy, an editor at Local Call, which first carried many of the accusations contained in the film, said. “They’re attacking the friends and families of [the filmmakers] Yuval Abraham and Rachel Szor. They’re talking about revoking their citizenship. They’re asking the Shin Bet to investigate them – for making a film, and it isn’t just the politicians. Journalists, who you might expect to show some kind of solidarity with them, are competing to attack them. It’s scary.”

Denial

In late 2025, the Committee to Protect Journalists reported escalating censorship and harassment in Israel, with Israeli journalists telling the organisation that the media’s approach had become “part of the war effort” and, by extension, significantly shaped Israeli view of their war on Gaza.

In October 2025, a study by the Israeli think tank Molad found that only 3 percent of Channel 12’s coverage of the first six months of the war mentioned Gaza’s humanitarian crisis. Of 206 war-related images and video clips broadcast by the network, Israel’s most-watched channel, only two showed Palestinian civilian casualties.

Nevertheless, before the film’s release, polls found that most Israelis believed the coverage they were receiving of the military’s conduct in Gaza was balanced.

“I guess it was because the mainstream media outlets in Israel did not investigate the conduct of the army during the war in Gaza, and hardly covered the war from the Palestinian point of view,” Anat Saragusti, the Israeli jurist and journalist responsible for press freedom at the Union of Journalists in Israel, said of the shock that had accompanied the release of the film. “[The Israeli media] hardly reported on the human toll and the scale of the humanitarian crisis in Gaza.”

Compounding the gap, Saragusti said, was a deep-seated national narrative: that the war had been imposed on Israel, that Hamas had carried out a massacre on October 7, 2023, and that Hamas’s use of civilians as human shields made mass casualties in Gaza all but unavoidable.

Palestinian deaths, in this telling, were framed less as the product of Israeli conduct than as collateral damage forced on Israel by its enemy’s tactics, she said.

Lynch mobs

“Even journalists that usually support the anti-Netanyahu bloc have criticised the filmmakers,” Israeli political sociologist Daniel Bar-Tal said.

“Israeli Jews deny the genocide,” he continued, “Even all the opposition parties joined the vicious criticism of the filmmakers.”

The language used against the filmmakers has been echoed by some of Netanyahu’s most prominent political rivals.

On Monday, former military chief and one of Netanyahu’s principal rivals Gadi Eisenkot denounced the film for “moral blindness, a detachment from reality, and harm to the State of Israel in a difficult hour”.

Former Prime Minister Naftali Bennett, who is also running in October’s election, called the film a “horrific blood libel against our sons and daughters”.

“Everything gets heightened the closer to the election we get,” Noy said. “But I think only now, for those of us who live here, is the extent of the fascism becoming clear. Journalists, politicians and the media are forming some kind of incitement machine.”

“I’ve had anxieties over where Israel had been going for a long time,” she said, “but right now I’m genuinely worried for my friends and colleagues.”

The US president insists media outlets report ‘fiction and lies’ as he enforces new bans on White House access.

United States President Donald Trump has announced that, effective immediately, CNN, MS NOW and Politico are banned from the White House.

On Friday, Trump posted on social media his displeasure with the media outlets’ coverage of his administration.

“I am proud to announce that, effective immediately, I am banning Fake News CNN, MSNOW … from the White House as a result of their constant “reporting” FAKE NEWS!” Trump wrote.

“Media Outlets shouldn’t be able to constantly write or report FICTION and LIES when they’re covering the President of the United States, the Trump Administration, or the United States of America. Other Fake News Media Outlets to follow.”

Speaking to reporters later on Friday at the White House, Trump said the outlets “purposely write negative news.”

“You get so tired of reading and seeing fake news,” he told reporters in the Oval Office. “They purposely write negative news, and they do that because they want to try and diminish the Republicans and a Republican administration. And honestly, we’ve done a fantastic job.”

Asked why he is taking the action now, Trump said it is because of the news organizations’ “cumulative” coverage.

Al Jazeera’s Alan Fisher reported from Washington that Trump’s ban will likely be challenged soon.

“The United States has the First Amendment [of its Constitution] that says the government cannot restrict access to this sort of thing,” he said.

“Other presidents have been angry at press coverage before. Lyndon B Johnson used to rail about it. Richard Nixon wondered whether or not he could ban certain people from the White House as well,” he said. “At every point, they were told it’s not a good look.”

While in office, Trump has repeatedly criticised the press for what he says is unfair coverage and has even verbally targeted reporters for their reporting.

Acclaimed Russian film director who won 2026 Grand Prix award at Cannes, ⁠has been critical of the war in Ukraine.

The winner of a prestigious Cannes Film Festival award has been declared a foreign agent by Russian authorities for his criticism of Moscow’s war in Ukraine.

Acclaimed Russian film director ⁠Andrey Zvyagintsev was designated a “foreign agent” by the Kremlin on Friday, according to state news agency ⁠TASS.

Zvyagintsev won the 2026 Grand Prix at the Cannes Film Festival for, Minotaur, a film depicting a Russian businessman who is forced to ‌decide which of his employees should be mobilised to go and fight in Ukraine.

“Millions of people on both sides of the front line dream of only one thing: for the massacres to stop,” Zvyagintsev said in his acceptance speech, adding that Russian President Vladimir Putin was the ⁠only person capable of ending the ⁠war.

Moscow has kept casualty numbers from the fighting in Ukraine heavily restricted and has not provided timely or complete public updates, but estimates of Russian soldiers killed in the four-year war range from anywhere from 200,000 to half a million.

Russia’s Ministry of Justice on Friday accused Zvyagintsev of disseminating “false information about decisions taken by the public authorities of the Russian Federation and the policies they pursue”.

“He interacted with foreign agents and resides outside the Russian Federation,” it said.

The 62-year-old director, who has lived outside Russia since the COVID pandemic, ⁠is known for a series of other films including, The Return, The Banishment, and, Leviathan, a bleak ⁠portrayal of life in rural Russia.

People listed ⁠as foreign agents are subjected to onerous bureaucratic requirements and restrictions on their income in Russia.

They are barred from holding public office and forced to register their activities with the authorities.

They also have to add warnings on everything they publish, including ‌on social media, that the content was produced by a foreign agent.

The label adds connotations of espionage to numerous people, including public figures, whom it deems ⁠to be engaging in anti-Russian activity with support from abroad.

Previously, writer Boris Akunin and rock musician Boris Grebenshchikov have been labelled as foreign agents by Moscow.