Man

Sabrina Carpenter brought her latest world tour in for a landing Sunday night at Crypto.com Arena, where the pop star will play half a dozen sold-out dates through Nov. 23 to wrap up her year-long road show behind 2024’s “Short n’ Sweet.”

I was at Crypto when Carpenter played the arena last November, just after “Short n’ Sweet” was nominated for six Grammys. (It went on to win prizes for pop vocal album and pop solo performance.) But since then she’s released a speedy follow-up LP, “Man’s Best Friend,” which itself earned another six Grammy nods this month, including album, record and song of the year.

So it seemed worth checking in on the tour again as Carpenter, 26, gets close to stepping offstage. At least for a moment, that is: Come April, she’ll be back in the spotlight to headline Coachella along with Karol G and Justin Bieber. Here are the seven best moments from Sunday’s concert:

1. Turns out that earlier visit to the Lakers’ home wasn’t quite as cheery as it seemed then. “This time last year, when I played this show, I was going through it,” Carpenter told the crowd Sunday night. “I was not in a good headspace, and thankfully because of that I was able to write a whole new album for you guys this year.”

“Man’s Best Friend” follows Carpenter’s breakup with the Irish actor Barry Keoghan, whom she seems to refer to in her song “Go Go Juice” when she threatens to drunk-dial an ex named Larry. “So thank you for Crypto last year,” she added, “’cause you really inspired ‘Man’s Best Friend’ and what was to come after that.”

2. Carpenter didn’t sing “Go Go Juice” on Sunday, though she did throw a few tunes from “Man’s Best Friend” into a set list still dominated by material from “Short n’ Sweet.” (“Short n’ Sweet” is the better of the two albums, so this was fine.)

For the lightly country-fied “Manchild,” the singer and her dancers did a cute little line dance, and Carpenter’s live band powered “Tears” with some appealingly skanky disco-funk energy. The evening’s surprise song — the product of a regular bit in which Carpenter selects a tune via spin the bottle — was the new album’s “Nobody’s Son,” which emulates Ace of Base’s Nordic reggae more precisely than anyone else has in the past 30 years.

3. In one of the show’s other recurring bits, Carpenter pretended to arrest one of her opening acts, Amber Mark, with a pair of fuzzy pink handcuffs before singing the very horny “Juno.” That song features Carpenter simulating a different sexual position every night; here, well, you can look it up on TikTok.

4. Shout out to Carpenter’s guitar player, Caleb Nelson, whose ripping solo in “Juno” made the tune sound just like the theme from “Beverly Hills, 90210.”

5. “I’m gonna give you a little bit of history that you didn’t ask for,” Carpenter said about halfway through the concert, which ended up being a selective rundown of gigs she’s played in L.A. since she was a teenager on the Disney Channel.

“I played the Roxy when I was 16, and then I think played the Wiltern,” she said. “Then I played the Fonda and then the Wiltern again. And then I went to the … the Greek! Went to the Greek, of course — that was the best night ever.”

6. It says something about Carpenter’s commitment to the concept of her show, which takes place in the various rooms of a late-’60s/early-’70s-style bachelorette pad, that after dozens of tour dates she’s still performing one of her most emotionally cutting songs, “Sharpest Tool,” while sitting on a toilet.

7. Carpenter closed, as she always does, with “Espresso,” and if you’d assumed that by now this breezy electro-pop bop would inevitably have lost some of its fizz, think again. “I’m working late ’cause I’m a singer,” she sang as she strutted down a runway jutting onto the arena floor. It’s a task she’s still up to.

Bellamy has recognised it. Wilson started all six games of the Nations League campaign that will guarantee Wales a play-off place, regardless of tonight’s result. His three goals in three matches not done since Bale in 2016.

This campaign, though, has been stop-start. A broken foot seeing him miss the opening two matches, two subsequent yellow cards ruling him out of Saturday’s narrow 1-0 win in Vaduz.

“It’s been frustrating; those first games came a little too soon for me,” said Wilson, who returned with two goals in Wales’ June games against Liechtenstein and Belgium. “The suspension stopped the momentum a little bit.”

It will be interesting whether the armband takes out any of Wilson’s bite that is not too dissimilar to the fire once displayed by his manager on the pitch.

While there have been acts of petulance – his red card as Wales crashed out of Euro 2020 against Denmark springs to mind – there is an edge to his game that is part of the attraction, part of the reason for success.

Streetwise is how Bellamy has put it.

“Harry uses his body in that way and if you get too tight to him, you foul him,” Bellamy has said previously, likening him to Carlos Tevez and Luis Suarez. “His smartness and how he is able to press, his intensity and what he is able to do, really tells me how good a player he is.”

Wales will hope Wilson shows it again against North Macedonia. From the start, of course.

How do you find inspiration? Say you’re doing your holiday shopping and you’re struggling to find the perfect gift for that difficult person on your list — parent, partner, paramour. How do you let your mind drift to a place where the clouds part and you achieve a sort of awakening?

To be honest, I don’t always get there. But caffeine is usually a good place to start.

I’m Glenn Whipp, columnist for the Los Angeles Times and host of The Envelope newsletter, back in your inbox for the next few months as we sail through the atmospheric river of awards season. Climb aboard.

Cover story: The best six minutes in movies this year

(Bexx Francois / For The Times)

You might remember how much I love “Sinners,” Ryan Coogler’s audacious, genre-defying blockbuster that explores the intrinsic power of American blues music and Black life in the Jim Crow South within the context of a vampire horror movie.

So I was thrilled to talk with Coogler and his longtime department heads — a movie family that includes Oscar winners who have been with him since his 2013 debut, “Fruitvale Station” — for The Envelope’s first cover story of the season. There were a dozen different ways I could have gone with the piece, but our conversations kept coming back to the scene in the juke joint when young Sammie (Miles Caton) conjures spirits from the past and future onto the dance floor.

How did Coogler summon this scene? It goes back to that question I asked at the outset: How do you find inspiration?

For Coogler, “Sinners” began on Nov. 17, 2021, a date fixed in his mind because it was the day one of his favorite rappers, Young Dolph, was murdered. Coogler was devastated. And his mind drifted back to Nipsey Hussle, the L.A. rapper gunned down outside his South L.A. clothing store in 2019. Coogler was living in Los Angeles at the time, trying to get a “Space Jam” sequel off the ground.

“I felt like I had my heart ripped out, bro,” Coogler told me. “I have two younger brothers I’m really close with, and I remember reading an article in the L.A. Times about his older brother recounting what happened. It just broke me. And then I get the news that Dolph’s been killed in his hometown, and I just remember feeling, ‘I’m done with rap, man.’”

Later, Coogler spoke with his friend, “Black Panther” producer Nate Moore, lamenting that rappers who talk about their lives, beating the odds and escaping hardship, sometimes end up succumbing to the thing they thought they left behind. Moore isn’t a rap guy, but told Coogler that his favorite music, grunge, was just like that — in this case, artists addressing their struggles with depression and addiction and then, on occasion, overdosing or taking their own lives.

Toward the end of that day, Coogler was driving back from the set of “Black Panther: Wakanda Forever.” Passing through Byron, Ga., the Oakland native looked out his window and saw, for the first time in his life, a cotton field. During our interview, Coogler pulls out his phone and finds a video his sister-in-law shot of him taking it all in and picking a sprig of cotton. Coogler kept it, eventually putting it on his work desk at home.

“That was a part of finding ‘Sinners,’” Coogler says. “The other thing that happened was I started listening to grunge music, taking a break from rap. And as soon as I put the music on, I was like, ‘Yo, this feels like my uncle’s. It led me right back to his record collection.”

That uncle, James Edmonson, loved the blues. Coogler’s cousin, Edmonson’s youngest daughter, told the filmmaker about a Bill Withers’ song, “I Can’t Write Left-Handed,” written from the perspective of a Vietnam veteran. Coogler listened to it, and it reminded him of “Rooster,” the Alice in Chains song written by guitarist Jerry Cantrell for his father, who served in Vietnam.

“So I’m playing these two songs one after another, and I’m like, ‘These genres that you wouldn’t find next to each other at a Tower Records back in the day, they’re so close,’” Coogler says. “And studying the history of it, it’s people playing it different, but it’s the same idea.”

“And that’s when I realized I had to make ‘Sinners.’”

Coogler scrolls through his phone and shows a picture of the cotton sprig on his desk. He dedicated “Sinners” to his uncle, who died about a decade before it arrived in theaters.

“So many cosmic moments came together for this movie,” Coogler says. “I was always like, ‘All right. I just gotta make sure I don’t f— it up.’”

Entity called Al-Majd Europe taking families on buses out of Gaza to Israel’s Ramon Airport – and then to unknown destinations.

A Palestinian man who says he left Gaza through a shadowy organisation that has landed 153 people in South Africa without documentation describes the process set up to encourage more Palestinians to leave the devastated enclave.

The man, whose identity remains anonymous due to security concerns, told Al Jazeera there was “strong coordination” between the Al-Majd Europe group and the Israeli army on such displacements.

He said the process seemed “routine” and included a thorough search of personal belongings before he was put on a bus that moved through southern Gaza’s Israeli-controlled Karem Abu Salem crossing (which Israelis call Kerem Shalom) into southern Israel and the Ramon Airport.

At Ramon, “since there is no recognition by [Israel] of a Palestinian state, they did not stamp our passports,” the Palestinian man said.

A Romanian aircraft took the group to Kenya, a transit country. He said there appeared to be some coordination between Al-Majd Europe and the Kenyan authorities.

None of the passengers knew which country they would end up in, he said, adding that there were at least three people coordinating from inside Gaza while several Palestinian citizens of Israel carried out the rest of the network communication from outside the enclave.

Initially, there was an online registration, followed by a screening process. The man said he paid $6,000 to get himself and two family members out of Gaza.

“The payments are made through bank applications to the accounts of individual persons, not to an institution,” he said.

The first group he knew about left Gaza for Indonesia in June while the transfer of a second group to an unknown location was delayed before it received a call to leave in August.

The Palestinians on board Friday’s flight to South Africa were made to pay $1,500 to $5,000 per person to leave Gaza. They were allowed to bring only a phone, some money and a backpack.

Mysterious operation

Al-Majd Europe has been moving people using unofficial channels facilitated by the Israeli military. It has been demanding payments from Palestinians to leave Gaza. But it is unclear who is behind its operations.

The group claims it was founded in 2010 in Germany, but its website was registered only this year. The website shows images generated by artificial intelligence of its executives with no credible contact details. The website provides no office location, which is in the Sheikh Jarrah neighbourhood of occupied East Jerusalem.

Al Jazeera spoke to another Palestinian man who identified himself only as Omar in WhatsApp text messages. He said an Al-Majd Europe representative told him a passport and a birth certificate would be required to be accepted for a flight and there would be an initial charge of $2,500 per person as a down payment.

Omar, however, said his request for a transfer out of Gaza was rejected by the representative because the group did not accept solo travellers.

Speaking from az-Zawayda in central Gaza, Al Jazeera’s Hind Khoudary said Palestinians in Gaza have been hearing more about the operation and some are driven to consider it due to the “unbearable living situation” after two years of Israeli bombardments and ground operations.

“The education system in Gaza has also collapsed, so some Palestinians feel there is no future for them and their children,” she said.

The Israeli military acknowledged “facilitating” transfers of Palestinians out of Gaza, which is part of the “voluntary departure” policy for Palestinians that is backed by Israel and the United States.

The Israeli army established a unit in March to further encourage and facilitate this policy after obtaining approval from Prime Minister Benjamin Netanyahu’s security cabinet.

If you’ve seen some of Glen Powell’s movies, including “Top Gun: Maverick,” “Hit Man,” “Anyone But You” or “Twisters,” you probably already know that a large part of the actor’s appeal is that he goes down smooth and easy.

With good looks and lots of charm, he’s certainly leading man material. But there’s also a streak, particularly in his Richard Linklater film “Hit Man,” of a goofball comedy nerd dying to break out from that handsome shell (see also: Jon Hamm), even if he was there to promote a new action film, “The Running Man.”

It sure feels like that sensibility is what helped make for a remarkable episode of “Saturday Night Live” with Powell hosting for the first time. It was the silliest episode so far this season, and by some miracle, just about every sketch in the episode worked, at least on a basic comedic level.

Powell wore wigs, most notably in a military sketch about bobs versus bangs; yes, the hairstyles. He did Norwegian and Irish accents in respective sketches about overenthusiastic actors in a Nordic film and one modeled after Liam Neeson’s “Taken” films. He even wore a long ponytail and sang in a pre-recorded musical number about men who miss their ex-girlfriend’s dad (Powell was one of the dads). But he was also a great supporting player to Marcello Hernández in a sketch about comedian Sebatian Maniscalco at a bachelor party and one about a woman (Ashley Padilla) who joins friends at a restaurant after a disastrous hair salon visit. And he did some good silent acting in a visual gag-driven sketch in which AI technology brings old photos to life badly.

It was a week where even the return of former cast member Will Forte, who appeared in three new MacGruber sketches where the character finds out he’s in the Epstein files (explosions follow), didn’t fully overshadow a lot of other very good pieces.

Two quick notes about this week’s episode: Padilla continues to help anchor the show with excellent sketch performances, this time as the hair styling victim, a shocked grandmother in a nursing home and as White House Press Secretary Karoline Leavitt in the cold open. As each episode goes by with Padilla billed as a featured player instead of a full cast member, it feels like a mistake that’s growing.

Second, this was the first time in years that “Weekend Update” had no guest segments. We’ll get to that in a bit.

Musical guest Olivia Dean performed “Man I Need” and “Let Alone the One You Love.”

President Trump (James Austin Johnson) cold opens are getting to be a mixed blessing; the impression is still solid, and the president is certainly in the news enough to warrant addressing every week. But the format of the sketch, beginning with the premise of the news of the week and then being interrupted by a meta Trump monologue, feels reflexive at this point, the easy answer for wrapping up increasingly disjointed and weird news cycles. At the White House, Leavitt downplays news of the release of Jeffery Epstein’s emails, defending the president as, “loving too much and possibly too young.” When a reporter asks about millions of dollars being sent to Argentina, she tries to turn attention back to the files, which leads to Trump appearing and asking questions such as, “If there were something incriminating in the files, why would I cover them up?” and “If I were innocent, wouldn’t I just release the files?” The president offers to sell framed copies of the Epstein emails at $800 a pop. The rambling defense leads to a Trump Multiverse Theory, which posits that Trump exists across many timelines and we happen to live in the worst one.

In Powell’s monologue, the actor admits he’s been so publicized that even he’s tired of seeing his own face. “You know who is not tired of seeing my face?” he asked. “Your mom.” Powell pushed back against the narrative that he was an overnight success; he’s been acting since he was 10, starting with commercials and safety videos, while growing up in Austin, Texas. Powell revealed that he was supposed to host “SNL” four years ago as part of the publicity tour for “Top Gun: Maverick.” But when the movie was delayed because of the COVID-19 pandemic, the offer was put on hold. A UPS driver who showed up when Powell was celebrating the initial news about hosting “SNL” ended up in a selfie with the actor and his family. Powell said his sisters tracked down the driver and Powell invited him to come see the show. Thus, Mitch the UPS Driver appeared in the monologue and again at the end of the show for the goodnights. Glen ended the monologue saying, “The best things in life don’t happen overnight. No one knows that better than UPS.”

Best sketch of the night: AI has not advanced enough to get crotches right

A family is visiting their grandmother for Thanksgiving at an assisted-living facility and as a treat, they’ve used an app to animate some of her old black-and-white photos using artificial intelligence. But the AI can only imagine so much; it brings to life a dog with tails on both ends instead of a head, an old family friend who takes off his pants to reveal a Ken doll-like crotch (Mikey Day) and a horrifying baby that folds like an accordion as an atom bomb goes off in the background. Padilla’s reactions and the silent comedy from Day and Powell take this sketch over the top.

Also good: Of course MacGruber is in the Epstein files, how could he not be?

It’s always nice to see Will Forte back on “SNL,” and this time he brought back his most popular character for three short video segments continuing the story of MacGruber, the tech wiz who always ends up failing to disarm a ticking time bomb. This time, the clock is ticking as MacGruber’s companions (Powell and Chloe Fineman) figure out that MacGruber is in the Epstein files. Their first clue? Just after thumbing through a copy, he immediately tries to shred the entire document. Over three sketches, MacGruber stalls, deflects, then eventually decides to testify against those who actually engaged in behavior worse than his on Epstein’s island — until he finds out he could get paid lots of money to keep quiet. Cut to the sketch-ending explosion.

‘Weekend Update’ winner: No guest segment, but two very funny bits

Usually on “Weekend Update,” cast members such as Bowen Yang or guests come on to do a few minutes as a character or as themselves. This week, there apparently wasn’t time for that, so “Update” was nothing but Colin Jost and Michael Che jokes. There were two that stood out, however. One was about a salacious rumor involving Trump and former President Bill Clinton that’s very difficult to discuss in detail in this space. A video that ended up with a very obviously spliced piece of audio as a punchline went over so well Jost had to stop to collect himself from laughing so hard. The other was a great, simple joke about the U.S. Mint ending production of pennies. “Makes no cents!” Che exclaimed. Nice one, Che.

NEWARK, N.J. — A man has been arrested after federal officials alleged that he destroyed property while trying to confront President Trump ally and New Jersey’s top federal prosecutor, Alina Habba.

The FBI arrested Keith Michael Lisa, 51, agency spokesperson Emily Molinari confirmed Saturday.

Molinari did not say when or where Lisa was arrested, what charges he might face, whether he was in jail or when he might go before a judge. It’s unclear whether Lisa is represented by a lawyer. The federal public defender in Newark, N.J., didn’t immediately respond to an electronic message Saturday asking whether it was representing Lisa.

The FBI on Friday had offered a reward of up to $25,000 for information about Lisa, saying he was wanted on charges of destroying government property and possession of a dangerous weapon inside a U.S. court facility. That bulletin said he tried to enter a federal office building in downtown Newark on Wednesday with a bat and was turned away. Lisa returned without the bat, the bulletin said, and was admitted. He then went to the U.S. Attorney’s office, where Habba works, and destroyed property, the bulletin said.

Atty. Gen. Pam Bondi wrote in a post on X on Saturday that the FBI, U.S. Marshals Service and Homeland Security Investigations had worked together to arrest Lisa.

“No one will get away with threatening or intimidating our great U.S. attorneys or the destruction of their offices,” Bondi wrote.

Habba was previously Trump’s personal lawyer, representing him in various cases and acting as his spokesperson on legal matters. She served as a White House advisor briefly before the president named her interim U.S. attorney in March.

“We got him,” Habba wrote on X on Saturday. “This Justice Department under Attorney General Pam Bondi and our federal partners will not tolerate any acts of intimidation or violence toward law enforcement. So grateful to the FBI, U.S. Marshals Service and U.S. Homeland Security Investigations for their tireless work to capture him. Now justice will handle him.”

Bondi had vowed that federal officials would find and prosecute the perpetrator, writing earlier that “any violence or threats of violence against any federal officer will not be tolerated. Period.”

Trump formally nominated Habba as New Jersey’s permanent U.S. attorney on July 1, but the state’s two Democratic U.S. senators, Cory Booker and Andy Kim, opposed it, stalling the confirmation process.

A few weeks later, as Habba’s 120-day interim appointment was expiring, New Jersey federal judges moved to replace her with her second in command. Bondi then fired that prosecutor and renamed Habba as acting U.S. attorney.

Last month, the U.S. 3rd Circuit Court of Appeals heard arguments in a case challenging Habba’s appointment. It hasn’t ruled.

A man asked ‘what would you do’ if you were faced with this situation, and many admitted they would be thrilled to find themselves sitting in this seat…

It’s always nice to have pleasant seatmates when travelling by plane. You’re in a tight space at 35,000 feet in the air, so someone polite, perhaps even sweet, is the ideal situation – especially if you’ve drawn the short straw and you’re sitting in the middle seat.

But one man asked, “What would you do” if you were flying and your seatmates were his three adorable cats.

“Sponge Cake, Donut, and Buttercream all love chin scratches!” he wrote as the caption to the adorable video, which had people desperately wanting to meet the threesome. “What would you do if you were stuck with three furbabies on a flight to Paris?” he penned over the top of the clip, which amassed almost 20,000 likes.

Then, the camera panned to Sponge Cake, Donut, and Buttercream, who were all wearing the most adorable French costumes, complete with berets and striped shirts.

One of the cats was gazing out of the window, probably wondering when their next meal was, and then the next shot saw two of the cats grooming each other, politely sitting in their seat.

In the comments, the cats were showered with praise. One woman wrote: “These sweet guys on planes are always so cute. People who get to ride with them are blessed. What fun that would be. I love them”.

Another wrote: “They are so beautiful and well-behaved. They need their own private jet”.

“I’d pay extra to sit next to them,” a cat lover admitted, and many others likely feel the same.

Somebody pointed out that they’re all “dressed beautifully,” with one Instagram user saying: “That’s the best thing ever! I’d be happy to sit next to them!”

There are different rules for different airlines as to whether you’re allowed to travel with dogs or cats in the cabin.

On the Flight Centre UK website, they explain that cats and dogs are usually the only types of animals allowed to travel on airlines, and most others are required to be shipped or freighted by road.

Usually, they warn that your pet will be placed in the cargo hold under the main cabin seating or sometimes in the front or rear of the plane, depending on the aircraft.

However, if you have a small pet, you may be able to take it on board as carry-on.

They write: “While there are currently no airlines from the UK that offer this service, it is possible on some flights in the United States and Europe, depending on the airline”.

They also note that pets are supposed to stay in their carrier at all times, but it’s important that you speak to a travel consultant beforehand so you can figure out the best course of action for you and your pets.

Sometimes a person needs to find a new hobby — one that doesn’t involve terrifying celebrities.

An Australian man who threw his arms around Ariana Grande after charging at her Thursday during arrivals at the Singapore premiere of “Wicked: For Good” has been charged with being a public nuisance, the BBC reported.

In various videos capturing the incident, as Grande greeted hundreds of fans lined up behind a barricade along a yellow carpet at the premiere, the man can be seen jumping a barricade on the other side of the carpet, running toward her with his arms and legs flailing, then grabbing her roughly around the neck and shoulders before turning and smiling happily for the cameras. Cynthia Erivo, who was walking with her co-star as well as Jeff Goldblum and Michelle Yeoh, immediately got between Grande and the man and appeared to shout at him.

Security then escorted the man away from the very shaken star, who plays Glinda in the “Wicked” movies. He was arrested, charged and later released, according to the BBC, which identified him as Johnson Wen, 26. If convicted, he could be fined more than $1,500 in U.S. dollars.

Wen, who goes by the name Pyjama Man on Instagram, considers himself a “stage invader” who has surprised major stars including Katy Perry and the Weeknd. He has been carted off by security at a Paris Olympics track and field event and more than once ran onto soccer pitches during high-profile matches. Wen seems to post media coverage of his bad behavior as a badge of honor on his Instagram account, where he refers to himself as a “Troll Most Hated.”

One video of the event, incidentally, can be seen on Wen’s Instagram grid, where he had the nerve to write as his caption, “Dear Ariana Grande Thank You for letting me Jump on the Yellow Carpet with You.”

“you literally assaulted her and you’re posting it? bro you deserve to be in jail there is something severely wrong with you,” one commenter wrote below the video.

Another went into it in more detail, writing, “Congratulations. You managed to turn what should’ve been a magical premiere into a global showcase of your complete inability to behave like a functioning adult. … Rushing a woman — any woman, let alone someone who has survived unimaginable trauma — is not ‘a prank’. It’s not ‘a stunt’. It’s not ‘funny’. It’s pathetic, dangerous, and shows a total lack of respect for boundaries, safety, and basic human decency.”

After giving Erivo props for her quick response, the second commenter closed by saying, “You didn’t get attention. You got exposed — as reckless, inconsiderate, and utterly unaware of the impact of your actions on a woman who has already lived through real horror.

“If your goal was to be remembered, congratulations again: You’re remembered for all the wrong reasons. And trust me — no one is impressed.”

A third person addressed their comment to Instagram, writing, “why is this person allowed to continually post videos of himself assaulting/harassing people? It’s distressing and disgusting and unlawful. @instagram Please make him go away.”

Grande has not commented publicly on the incident.

The New York City premiere of “Wicked: For Good” is scheduled for Monday. The second half of the two-part big-screen adaptation of the Broadway musical “Wicked” opens wide in U.S. theaters Nov. 21.

The British street artist has created several versions of the iconic painting across London, as well as in Palestine.

A man has been sentenced to 13 months in prison by a British court for stealing a print of street artist Banksy’s iconic Girl with Balloon from a London gallery in September last year.

Larry Fraser, 49, was jailed on Friday by a judge in southwest London after he pleaded guilty to the smash-and-grab burglary of the elusive artist’s painting, valued at 270,000 pounds ($355,200).

Despite trying to conceal his identity with a mask, Fraser was caught on camera, and police tracked him down two days after the theft. The artwork was recovered shortly afterwards, according to London’s Metropolitan Police.

“This is a brazen and serious non-domestic burglary,” said Judge Anne Brown, passing the sentence at Kingston Crown Court.

The Girl with Balloon first appeared on the streets of London’s Shoreditch neighbourhood in 2002, with Banksy creating versions of the painting on London’s South Bank in 2004 and in the occupied West Bank in 2005.

One version of the painting shredded itself into pieces the moment after it was sold for more than one million British pounds ($1.3m) by London auction house Sotheby’s in 2018.

Detective Chief Inspector Scott Mather said: “Banksy’s ‘Girl with Balloon’ is known across the world – and we reacted immediately to not just bring Fraser to justice but also reunite the artwork with the gallery.”

Banksy’s paintings in Palestine

The secretive British street artist has returned to Palestine on multiple occasions to create artworks, including a version of the girl with the red balloon.

In 2005, he sprayed nine stencilled images at different locations along the illegal, eight-metre-high (26-foot) separation wall that Israel has constructed in the occupied West Bank.

They included a ladder reaching over the wall, a young girl being carried over it by balloons and a window on the grey concrete showing beautiful mountains in the background.

In 2007, he painted a number of artworks in Bethlehem, including a young girl frisking an Israeli soldier pinned up against a wall.

In February 2015, he allegedly sneaked into the Gaza Strip through a smuggling tunnel and painted three works on the walls of Gaza homes destroyed in Israeli air strikes during the previous year’s conflict.

In 2017, he opened the Walled Off Hotel in Bethlehem, just four metres from Israel’s separation wall.

Earlier this year, authorities attempted to scrub a Banksy painting on a London court wall that depicted a judge hitting a protester and was believed to refer to the country’s crackdown on the Palestine Action protest group.

Banksy rose to fame for sharply ironic outdoor graffiti with political themes. Once a small-time graffiti artist from the English city of Bristol, his artwork has become hugely popular worldwide and valuable.

Look around lately and 20th century science fiction has become 21st century fact. Real life in the year 2025 — the date in which Stephen King set his 1982 novel “The Running Man” — involves technological surveillance, corporate feudalism, infotainment propaganda and extreme inequality, all things that his story about a grisly game show predicted. King, like the great sci-fi authors Philip K. Dick and George Orwell before him, was writing a cautionary tale. But the decades since have seen people take their bleak ideas as a blueprint, like when Elon Musk bragged on X that the Tesla Cybertruck is “what Bladerunner would have driven,” missing the point that we don’t want to live in a dystopia (and that Bladerunner isn’t even Harrison Ford’s name in “Blade Runner”).

The timing couldn’t be better — and worse — for Edgar Wright to remake “The Running Man,” only to put no fire into it. He and his co-writer Michael Bacall have adapted a fairly faithful version of the book, unlike the 1987 Arnold Schwarzenegger meathead extravaganza. (The only way to suffer through that one is if you imagine it’s a parody of pun-driven testosterone flicks.) Tellingly, they’ve left off the year 2025 and only lightly innovated the production design with spherical drones. But there’s little urgency or outrage. Instead of a funhouse mirror of what could be, it’s merely a smudged reflection of what is.

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Glen Powell stars as Ben Richards, a cash-strapped, employer-blacklisted father who begrudgingly agrees to be a contestant on a television hit that no one has survived. There’s only one network, FreeVee, and its goals overlap enough with those of the government that the distinction between them isn’t worth parsing. Every day Ben dodges a death squad, he’ll earn money for his wife, Sheila (Jayme Lawson), and sick baby, up to a billion “new” dollars if he can last a month. (The updated bills have the Governator’s face printed on them.)

But as ever, the game is rigged. The network’s boss, Dan Killian (Josh Brolin), and smarmy host Bobby T (Colman Domingo) rally viewers to turn Ben in for a cash prize, fibbing that he’s a freeloader who refuses to get a job, the typical tax-leeching scapegoat trotted out to turn the middle class against the poor and the poor against themselves. One enraged FreeVee-addicted granny (Sandra Dickinson) genuinely believes Ben eats puppies. “She used to be a kind, clever woman,” her son says with resignation.

Clearly, Wright wants to make a political satire that echoes the drivel of our own actual news. The politics are there in the armored vehicles rolling down city streets and the masked militias out to nab Ben for the bounty money. Yet we don’t feel the paranoia of eyeballs over the streets, even though it turns out that there’s no way to disguise Powell’s foxlike features under a silly stick-on mustache. A hustler named Molie (William H. Macy) warns that the TVs themselves are watching people. It doesn’t really feel like they are. I’ve felt more uneasy in a house with an Alexa.

As for the satire, this faintly cruder version of right now doesn’t have much bite. Little we see is surprising, stimulating or even that futuristic. Screens blare commercials for a drink called Liquid Death (real) and a Kardashian-esque reality show called “The Americanos” (essentially real). The film’s sole representative of upper-middle-class normality — a hostage named Amelia (Emilia Jones) — could trade places with any Pilates instructor.

When an underground rebel, Bradley (Daniel Ezra), breaks down how the network chases ratings by flattening people into archetypes, he’s not telling today’s audience anything it doesn’t already know. King wrote the character as an environmental activist; here, he’s more of a TV critic. Likewise, Bradley’s crony Elton (Michael Cera) has mutated from a pathetic idealist to a Monster-chugging chaos agent — as if “Home Alone’s” Kevin McCallister grew up to join Antifa. Elton’s motivations don’t make sense, but at least Cera barges into the movie with so much energy that his sequence is a hoot. Chuckling that he likes his “bacon extra crispy” as he takes aim at a police squad, he also breaks the seal on this remake’s use of bad puns. From his scenes on, the script crams in as many groaners as it can.

Wright has talent for casting actors that pop. Domingo’s fatuous celebrity host is fantastic, even doing the retro running man dance with Kid ‘n Play aplomb. We see just enough of Ben’s fellow competitors, played by Katy O’Brian and Martin Herlihy, to wish we had more time with them. One of the hunters, Karl Glusman, has so much intensity that I’ll be looking out for what he does next. Pity that the charismatic Lee Pace’s main villain has to spend most of the film covered by a shroud.

Meanwhile, Powell is being put through his own test of Hollywood survival. Everyone seems to agree that he’s the next movie star, but he hasn’t yet landed the right star-making vehicle. Here, as ever, he’s being treated like a Swiss Army knife on a construction site: Handy at a lot of things from humor to action to drama to romance, but his character lacks the oomph to truly showcase his skills. We’re told over and over that Ben is the angriest man in the world, but Powell’s innate likability, that cocky-charming heroic twinkle in his eye, makes him come across peevish at worst. His best moments are all comedy, like when Ben slaps on a thick brogue to hide out as an Irish priest, or his snappy back-and-forth with a psychologist who puts him through a word-association test. (Anarchy? “Win.” Justice? “Hilarious.”)

Still, I missed the truly misanthropic lead of King’s novella, a sour bigot radicalized to see himself not just as a cog in a machine but as a spoke in a revolution. There’s lip service to that idea here, but the film doesn’t take itself seriously enough to give us the chills. It’s not fair to judge “The Running Man” by how closely it hews to the book — and if you remember King’s ending, then you know there’s no way Wright could have pulled that off, although his fix is pretty clever. But tonally, there’s just not enough rage, gore or fun.

Maybe Wright feels the same way too. He’s been wanting to make this movie since 2017 and had the lousy luck to do it for Paramount in the year that the studio embraced the government and sacrificed its employees for its own billion-dollar reward. There’s no bleaker satire than making it through “The Running Man’s” end credits, past images of a raised fist that reads “Together Against the Network,” to see the last words on screen: A Skydance Corporation. Or maybe there is, if someone makes a documentary about what Edgar Wright may have had to cut.

A man who jumped the barricade and grabbed actress Ariana Grande at a Wicked: For Good premiere has been charged with being a public nuisance.

A now viral video shows the Australian man, Johnson Wen, pushing past photographers and charging at Grande while the cast made its way down a yellow carpet surrounded by fans. Co-star Cynthia Erivo could be seen wresting the stunned actress away from Mr Wen.

The 26-year-old had posted on Instagram late on Thursday that he was “free after being arrested”.

However, on Friday afternoon he was charged with being a public nuisance by a Singapore court. Local media reports say Mr Wen, who was unrepresented, intends to plead guilty.

This is not the first time Mr Wen, who describes himself as a “Troll Most Hated”, has invaded a concert or event.

His Instagram feed includes clips of him disrupting other celebrity events, including jumping on stage at Katy Perry’s Sydney concert in June this year and in a similar way during The Chainsmokers performance in the city last December.

If found guilty, he may be fined up to S$2000 ($1540; £1170).

Fans had earlier called for him to be arrested or deported.

“There needs to be action [taken] against him as this is clearly a criminal offence,” wrote an Instagram user, in a comment a video Mr Wen posted of his act.

“Oh wow so you do this a lot… how aren’t you in jail?” one Instagram user wrote.

Several accused Mr Wen for “re-traumatising” Grande, who had spoken of experiencing post-traumatic stress disorder after a suicide bomb attack at the end of her May 2017 concert in Manchester, killing 22 people and injuring hundreds.

“Ariana has been through so many scary things… and at her Manchester concert and you thought it would be fun to jump the barricade?” said another comment on Instagram.

Some fans also criticised security officers at the Thursday event for not being vigilant enough; while others called for social media platforms to ban Mr Wen’s videos.

In clips circulating online, Grande appeared shocked when she was grabbed by the intruder. Her co-stars Michelle Yeoh and Erivo can be seen comforting her while Mr Wen was escorted away by security.

Grande has not commented on the incident, and the rest of the event proceeded as normal.

The BBC has reached out to Singapore’s police and immigration authority for comment.

Hundreds of fans had gathered in a sea of green and pink at the Wicked: For Good Asia-Pacific premiere in a Singapore mall, including some who had stood in line for as long as eight hours before it began.

The movie, to be released on 21 November, is the second of a two-part adaptation of the popular Broadway and West End musical Wicked, which centres on the unlikely friendship between two very different witches.

The musical itself is a spin-off of the 1900 children’s novel The Wonderful Wizard of Oz.

Grande, who plays the good witch Glinda, was decked out in a champagne pink sequin dress at the premiere while Erivo, who plays the wicked witch, wore a black tube grown embroidered with roses.

They were joined by co-star Jeff Goldblum.

The first movie, Wicked, was the highest-grossing movie of 2024 in the UK, and scored 10 Oscar nominations, winning two for best costume and production design.

No arguments were settled about the Rogers-Bellingham conundrum on this night, other than to confirm the childhood friends from the Midlands are giving Tuchel the most pleasant of selection headaches.

The betting would still be on Bellingham starting the World Cup, but Rogers has made his mark. Bellingham is likely to start against Albania in Tirana, so it is now over to him.

Manchester City’s Foden is an outsider to force his way into that discussion, but there is no doubt he made a big impression on Tuchel with a lively 25-minute cameo, forcing his way through dangerous central areas, where the head coach wants him, creating several moments of danger as well as setting up Eze’s goal.

Kane is, understandably, an immovable object as England’s spearhead, but Foden is clearly in Tuchel’s thinking as he said: “He was excellent. You can see he is full of confidence. He showed it.

“I like to have him in centre of pitch in close connection with other players. He did well. It is a big ask to challenge Harry at the moment. He is in the shape of his life. But to be an accomplice and share some minutes, then he is an option.

“You can see he is full of confidence. You can see it in the first minutes when you meet him. You feel he is light and he is smiling. His movements are a joy to watch, you can see he is competitive.”

England goalkeeper Jordan Pickford, yet to concede a goal in World Cup qualifying and with a record 10th successive clean sheet, also echoed the benefits of Tuchel’s squad strength.

He said: “It just gives us variety, and everyone knows how great Harry is at coming down low to get the ball and start spraying balls. Phil Foden comes on and nearly gets two goals. It’s great to have those options going forward.

“We have got the depth as team England. You have to be playing well and Jude is playing well at his club. It’s his first camp since the summer. He has come on tonight and made a massive impact.

“You have to give that credit to Morgan, he has come in the last few games and stepped up. The manager has put the trust in him even though we have someone like Jude and Phil on the bench. We have a lot of options. It’s about being team England sticking together moving forward.”

Foden’s Manchester City team-mate Nico O’Reilly made an accomplished senior debut at left-back, a position still up for grabs, while Aston Villa’s Ezri Konsa grows in stature with every game, a genuine contender for a place in central defence with John Stones and Marc Guehi.

Rashford faces competition on the left flank, especially from Newcastle United’s Anthony Gordon, missing here with a hip injury, as well as Arsenal’s Noni Madueke when he is fit again, but his renaissance at Barcelona has put him back in the frame.

He had moments at Wembley, especially with some superb sleight of foot, but both he and Tuchel would have wished for better end product. He still has work to do to keep rivals at bay.

The scenery for England’s World Cup auditions now shifts to Tirana against Albania on Sunday – with it all still to play for in the battle for places.

Behind the scenes the changes have been seismic.

The motivation was twofold.

As they assessed the inner workings of the club, senior figures around the ownership concluded it was “over-dimensioned”, according to one observer close to the process.

In other words, there were too many people and too many jobs.

They found a structure which they felt required United to be playing in the Champions League every season and competing to win the Premier League. Failure put a strain on finances.

Having reached such a view and with losses so high, slashing staff numbers was a harsh but inevitable reality.

An initial cull of 250 staff within months of Ratcliffe’s arrival was carried out to get the numbers down.

It is accepted internally that the pain created was extensive, the shock huge.

It was the second round of 200 redundancies this year that allowed the hierarchy to pursue a different staffing model, so finance could be used in what was felt to be a more efficient way.

Nowhere is the impact of that more evident than in United’s data operation.

In an interview with the popular United We Stand fanzine in December 2024, Ratcliffe described the club’s approach to data analysis as being in the “last century”.

It was felt that Formula 1 was the sport at the cutting edge of data and AI use. The performance of every single component is monitored in fine detail, and success and failure can be measured in hundredths of a second.

As a result, Michael Sansoni’s arrival from the Mercedes F1 team as director of data in April was one of the least surprising moves.

Sansoni has completely revamped United’s data capabilities, which are now being used extensively across performance, recruitment and training.

Precise details of the work Sansoni has implemented are a closely guarded secret, but one source said the work of United’s data and analytics team has accelerated to such a degree it is now “among the top four teams”.

Following the second set of job cuts there was a strategic focus to bring in what have been described as “versatile people who are multi-faceted and multi-skilled to help in multiple areas”.

It is the senior appointments that really catch the eye, though.

A quick list of new arrivals among senior staff at the Old Trafford club unearths 19 names.

Not all the exits were forced and, as at any big organisation, a change in ownership can lead to movement further down – but the scale of change has been significant.

Two notable figures remain: Collette Roche and Martin Mosley.

Chief operating officer Roche is leading United’s representation around their proposed 100,000-capacity new stadium and the wider Old Trafford regeneration.

Mosley joined United in 2007 and took over as general counsel in the summer of 2024 following the departure of Patrick Stewart, who is now chief executive at Rangers.

Roche and Mosley’s presence is regarded as a crucial link to the pre-Ratcliffe era while those running the club get a full understanding of the scale of United, which can come as a shock, even for those – like chief executive Omar Berrada (Barcelona/Manchester City), chief business officer Marc Armstrong (Paris St Germain), performance director Sam Erith (Manchester City/Tottenham/FA) and director of recruitment Christopher Vivell (Chelsea/Red Bull) – with experience of working at big clubs.

Trusted Ineos figure Roger Bell has become United’s chief finance officer and Kirstin Furber has arrived from Channel 4 as people director.

But it goes much further. A head of sports medicine and, for the first team, a new doctor, a new physio and a new performance chef. Experts in nutrition and soft tissue treatment. Academy director. Media director. All part of the nuts and bolts at a leading Premier League club in 2025.

So many significant figures from the previous era, who negotiated key deals, treated players and presented the public face of the club, have gone.

No-one can be sure if the future will be better.

As with every other club, external judgement of the success or failure of off-field change can be swift and it is almost always connected to results of the first team, which by their nature can hinge on arbitrary moments.

There is an acceptance internally at United of an unquantifiable lag time between inception of new processes and their outcome.

Sometimes, though, it becomes obvious a certain move has failed.

Dan Ashworth clearly falls into that category. Highly respected in the game, Ashworth’s willingness to leave Newcastle to take up the job of sporting director is still felt at Old Trafford to be a positive and reflected well on the changes being made and future direction anticipated.

However, after United paid Newcastle £3m in compensation, within five months he was gone.

Sources deny that a split occurred around the choice of Ten Hag’s replacement.

But there was a difference of opinion, the respective views of how Ashworth’s job should work did not fit and a parting of the ways – with another compensation payment, in the region of £4m – was viewed as the inevitable outcome.

While Middleton-Patel stole the show by the end of the night, it was Earps who was the focus before kick-off.

The mural of Earps, painted outside Old Trafford following her heroics with England at Euro 2022, bore a ‘Welcome to Manchester’ message which felt riddled with irony as she stepped out in the pouring northern rain in the opponent’s colours.

She was a heroine to many during her time at United and played a key role in the club’s first FA Cup victory, and their rise up the Women’s Super League table.

This time she was a football enemy, arriving in a cloud of controversy, and received boos when her name was read out by the stadium announcer.

More boos followed when she touched the ball, mixed in with some cheers from loyal followers, until she eventually received the adulation of the Old Trafford crowd when she walked along the stands applauding them at full-time, and was warmly received in return.

“A lot of the public has great interest in seeing Mary play. I’m very happy to have a player like her in our team,” said PSG boss Paulo Cesar afterwards.

“The fans here were clearly behind her. At the beginning, perhaps not, but by the end of the game her quality shone through.

“She put in a great performance today and she gives confidence to the team. I’m very happy with her.”

Skinner said in his pre-match media conference he expected the United fans to make life difficult for Earps as an opponent, but hoped she would receive the respect she earned during her five-year spell at the club before leaving in 2024.

When she left the pitch to cheers from the home fans and hugs from former team-mates, the controversy of the past two weeks surrounding her book felt a distant memory.

“It was nice. I said to her at the end to look after herself. Mary is a really intelligent woman and she has been the world’s best so she understands it,” said Skinner.

“It was a lovely atmosphere and she got a cheer when she walked down at the end of the game, and hopefully that helps her in the situation and how she feels.

“After the game it was always going to be friendly with Mary, because she was a big part of what we have done – and we should never forget that.”

LILY Allen was spotted looking rather cosy on a date night with a mystery man in London.

The smile singer, 40, was snapped stepping out of Michelin-starred Dorian in Notting Hill on Tuesday evening with a handsome fella called Jonah Freud.

Jonah is a writer but is best known as the son of PR executive Matthew Freud and Caroline Hutton.

Matthew is the nephew of the celebrated late artist, Lucian Freud.

The pair seemed enamoured in one another’s company, smiling and making eye contact in a seated leather booth.

Lily dressed for the dropping November temperatures, wearing a grey sweater, a long dark coat and a leopard print scarf.

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She finished off the outfit with a messy bun and a pair of opaque tights and chunky platform boots for a cute, casual look.

Meanwhile Jonah opted for a classic white T-shirt and dark trousers.

After they finished their meal, the possible couple-to-be stepped out into the night, clutching a brown paper bag filled with leftovers.

This is the first time Lily has been seen out on a date since her fling with actor James Norton earlier in the year.

The former flames were first pictured cosying up at a Charli XCX concert at Lido Festival in London after reportedly meeting on Raya.

At the time it had only been a month since James had split from his model girlfriend, Charlotte Rose Smith.

A source told The Sun: “James and Lily looked very into each other and they were snogging backstage. 

“We were all quite surprised to see them there together, let alone kissing.

“I don’t think they’ve even known each other that long, but it was a fun hang-out backstage and they got taken away by the vibe.”

Prior to Lily’s fling with James, she was in a long-term relationship with Stranger Things‘ David Harbour that notoriously ended with a cheating scandal.

The pair tied the knot five years ago in Vegas after only a year of dating, but their love wasn’t meant to be.

Lily’s latest album, West End Girl, hints at David’s infidelity, as she caught him with a profile of his own on the celebrity dating app Raya.

She also detailed how she was pressured into an unwanted open relationship in the track “Madeline”.

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Lyrics crooned: “We had an arrangement / Be discreet and don’t be blatant / There had to be payment / It had to be with strangers / But you’re not a stranger, Madeline.”

David hasn’t let the aftermath of Lily’s album drop deter him from the spotlight, as he continuing to make red carpet appearances to promote the final season of Stranger Things.

ZOE Ball has moved a new man into her home – a mystery “lodger” who has “won more awards” than she has.

The Radio 2 presenter hinted at a new romance on her Dig It podcast, two years after her split from construction worker Michael Reed.

Zoe, 53, revealed her new living arrangements to co-host Jo Whiley when discussing Christmas gifts.

She said: “I’ve got this thing that I bought online, which is sort of like you hold the handle and it’s loads and loads of different bits of wood and you whack your legs and your underarms with it.

“It really helps circulation. I think it’s quite good for lymphatic drainage.

“I bought loads of them for people for Christmas …”

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Zoe continued: “I remember the first time the lodger walked in and saw me doing it, and just sort of turned on his heels.”

When Jo asked if the lodger was “still around,” Zoe replied: “He’s still here at the moment. He’s still lodging.”

Zoe did not reveal the man’s identity, but said he has “won loads of awards.”

Speaking about her own accolades, she said: “I did get a Sony and it was given to me by Marianne Faithfull. I was well chuffed.

“And I think Caner of the Year for something I can’t remember. 

“We won a BAFTA for the last ever Live and Kicking, which was amazing. But I don’t even have a copy of it …

“Yeah, the lodger has won loads of awards…”

The Sun has reached out to Zoe’s reps for clarification on whether the relationship is romantic or platonic.

Zoe’s ex-husband, DJ Norman Cook – better known as Fatboy Slim – recently spoke about their continued close friendship. 

The pair were married for 18 years before splitting in 2016 and share two children, Woody, 24, and Nelly, 15.

The DJ, 62, recently described Zoe as his “soulmate” while promoting his new photo book reflecting on his music career. 

“Zoe is a very kind, thoughtful person and she just had this way of checking my ego, like ‘We are still human beings. 

“We are still nice to people,’” he told The Sun.

He said Zoe helped him navigate fame in the 1990s: “In the 90s, I was having too much fun to think about the next day. 

“It became a whirlwind, but Zoe helped me through it as she knew that level of fame before. 

“It was nice to have a soulmate in there with you.”

Zoe’s last public relationship was with construction worker Michael Reed. 

The pair dated for five years before splitting in 2023. 

At the time, The Sun reported she had asked him to move out of her £2 million Sussex home after the relationship began to break down.

A source said: “Zoe is gutted but she’s better off without Michael. This is a relief to many of her friends, who think she has done the right thing.”

Before Michael, Zoe dated cameraman Billy Yates, who tragically died by suicide in 2017 after a battle with depression.

BALLSY MOVE

Zoe sold her countryside pile and moved closer to her ex Fatboy Slim last year.

The fan-favourite broadcaster previously lived there with her ex Michael yet it appeared she was eager for a fresh start.

Zoe called time on her relationship with the model in May 2023 after five and a half years together – with pals at the time saying they had “run their course”.

A source revealed she then traded in life in her rural Sussex home – complete with a swimming pool and tennis courts – for the more “lively” surroundings of Brighton and Hove.

Zoe sold up after the sad death of her beloved mum.

Also in her podcast with fellow BBC Radio 2 anchor Jo, Zoe revealed the heartbreaking impact of her loss.

She told her pal on the podcast last month: “I couldn’t work.

“I was on the floor in the kitchen. I couldn’t, I couldn’t move

“I had a proper emotional breakdown, you know, I haven’t really talked about it actually.

“But it was, yeah, it was brutal.

“I had an amazing doctor who turned up at my door with coffee and bagels and said, ‘so, we need to get you some help’, and he was wonderful.”

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She admitted the process of grief was ongoing.

Zoe told how she struggled particularly on the anniversary of her mum’s death and said there was “a lot of crying and pain” that “still has to come out.”

There are few high school football players in Southern California who have made a greater impact for their team than junior Jaden Walk-Green of Corona Centennial.

Playing strong safety, he has eight interceptions, with four returned for touchdowns. He returned a fumble for a touchdown. He’s also the kicker, punter and return man for kickoffs and punts. He has returned one punt for a touchdown. He can play receiver, running back and quarterback if needed. He’s also the starting center fielder for the baseball team.

Growing up, he played ice hockey, lacrosse, basketball, soccer, golf, football and baseball, plus he can ski.

“Why not?” he said. “Try everything. It’s good to get away from your main sport.”

He has so much sports equipment and so many shoes in his closet from all the sports he’s tried that he could put on a garage sale.

Centennial coach Matt Logan was nice enough to show World Series games on the school’s videoboard during football practices so Walk-Green could keep track of the Dodgers.

“You intentionally walk Shohei Ohtani four times in one game. That’s respect,” he said.

After finishing his regular-season finale football game against Chaparral, he was up Saturday morning to play in a fall baseball game and went two for three. He’s improved his speed and strength, so look for more steals as Centennial’s leadoff man this spring.

He’s 5 feet 11, 185 pounds and got to face first-round draft pick Seth Hernandez of Corona last season. The thing is Hernandez refused to show him his 101-mph fastball.

“He went curve and slider,” Walk-Green said of his first at-bat. “The next at-bat, he hit me. They knew not to throw me a fastball.”

Walk-Green’s focus on versatility can be traced to his father, Keith, who played two sports at St. Monica and wanted his son to enjoy many sports while not specializing until he learned what he was best at. His mother, Dorshay, was a dancer at St. Monica and also endorsed the multiple-sports experiment.

Now that Walk-Green has become so good in football and baseball, he’s going to have many options for college. He’s only 17 and enjoying his life as someone who can play any position and any sport. You want to play pingpong, ask him. You want to see him skate on ice or blacktop, ask him.

Corona Centennial opens the Southern Section Division 1 playoffs on Friday as the No. 2 seed, hosting No. 7 Servite. The Huskies are the last team other than Mater Dei or St. John Bosco to win a Division 1 title in 2015.

“We have a good team to make a run,” Walk-Green said.

Logan trusts Walk-Green, putting him in the middle of the field on defense so he can observe and use his instincts to intervene, just like he does as a center fielder for the baseball team.

“He can play any position on offense,” Logan said.

Well, except on the offensive line, but don’t think he couldn’t adapt.

“Never fear anything,” Walk-Green said.

State Man has been ruled out for the season and will not bid to reclaim the Champion Hurdle title at Cheltenham in March.

Trainer Willie Mullins said the horse had suffered an injury on the gallops on Wednesday morning.

The eight-year-old was second to Constitution Hill in the 2023 Champion Hurdle and won the race the following year.

State Man was leading when falling at the final flight in last year’s contest but went on to win the Champion Hurdle at Punchestown.

He is a two-time Cheltenham Festival winner, having landed the County Hurdle in 2022.

Mullins told the Sporting Life: “Sadly State Man has suffered a tendon injury on the gallops here. He’ll definitely be out for the rest of the season.”

Webb, speaking on the Match Officials Mic’d Up show, said that while he accepted there would be a difference of opinion, there were valid reasons for the goal to be ruled out.

“Interfering with an opponent where the offside position player doesn’t play the ball and the officials have to make a judgment whether the actions of that player impact an opponent, are some of the most subjective decisions that we have to make,” said Webb.

“Therefore, it’s no surprise that some people believe this goal should have stood, so I think it’s important that we look at the facts of what actually happened in this situation.

“We know the corner comes in and the ball reaches Van Dijk. As the ball’s coming across the penalty area, the Manchester City players move out, they leave Robertson in that offside position in the heart of the six-yard box.

“When Van Dijk heads the ball forward, that’s the moment when we have to make an offside judgment about Robertson and about what he’s doing there.

“We know he doesn’t touch the ball but what does he do? Well, as the ball moves towards him, three yards out from goal, right in the middle of the six-yard box, he makes that clear action to duck below the ball.

“The ball goes just over his head, and the ball finds the goal in the half of the six-yard box where he is. Then, the officials have to make a judgment – did that clear action impact on Donnarumma, the goalkeeper, and his ability to save the ball? And that’s where the subjectivity comes into play.

“Obviously that’s the conclusion they drew on that. They looked at that position, they looked at that action, so close to the goalkeeper, and they formed that opinion.

“I know that’s not a view held by everybody but I think it’s not unreasonable to understand why they would form that conclusion.

“The player is so close to the goalkeeper, the ball’s coming right towards him and he has to duck to get out of the way of the ball – and they form the conclusion that that impacts Donnarumma’s ability just to dive towards the ball and make that save.

“And then, of course, once they’ve made that on-field decision, the job of the VAR is to look at that and decide, was the outcome of offside clearly and obviously wrong?

“Only Donnarumma truly knows if he was impacted by this and, of course, we have to look at the factual evidence, and when we see that factual evidence of that position of the player ducking below the ball, so close to the goalkeeper, the VAR determines that the outcome of offside is not clearly and obviously wrong, and they stay out of it.”

Charlie Rome has won an all-expenses paid five-night trip for two

A man has won an all-expenses-paid holiday to Las Vegas after beating Johnny Vegas at poker. Visitors to London’s King’s Cross Station were treated to a unique showdown as the comedian took over for gambling firm GGPoker’s live stunt.

The All in or Fold event saw a virtual Vegas displayed on a giant screen inviting passers-by to take him on in a single hand of poker. Hundreds of players of all abilities stepped up to the challenge, with those who dared to go ‘all in’ and beat Vegas entered into a random draw to win an all-expenses-paid trip to Las Vegas

The winner, Charlie Rome, was crowned at the end of the day and Charlie, 27, will be heading to Sin City with his girlfriend for five nights and their hotel and flights will be covered by GGPoker.

The pair were visiting London for a long weekend and had a train to catch back to Darlington when they decided to test their mettle against the virtual Vegas. Charlie said: “I wasn’t even going to play this afternoon as I’ve not played poker for years but it just looked like a laugh going up against a giant Johnny Vegas so I thought I would give it a go.

“This is the last thing I expected when I turned up to King’s Cross this evening. I literally cannot believe I’ve won. I’m going to take my girlfriend next year to Vegas. She had played a hand before me and lost so I’ve got bragging rights there as well.”

Angela Martin, Director of Ace360 representing GGPoker, s aid: “We wanted to take poker beyond the tables and into real life, giving everyone a chance to experience that all-or-nothing moment that makes the game so thrilling. Fans can expect to see more high-profile face-offs and even bigger challenges from GGPoker in the months ahead. This is just the start.”