Luke

AFTER years of “neglecting” Europe and the UK, Aussie duo Empire Of The Sun return for three sold-out nights at London’s Alexandra Palace next week, proof they are making up for lost time. 

“The Empire surges on,” says singer Luke Steele in a quiet moment away from the tour.  

“Empire still feels as intense as ever. It’s like being in a vortex. It’s like Lord Of The Rings when they put the ring on, or when you’re surfing and you’re caught in the wave. Being on this tour is always like that.  

“We’ve changed a few things and added a few new songs, and suddenly it changes the ripples of everything else.” 

Nearly 20 years after track Walking On A Dream first introduced Empire Of The Sun’s fantastical universe, Steele and non-touring band member Nick Littlemore are bigger than ever. 

“It’s incredible because these are our biggest shows and it’s the biggest following we’ve had,” says Steele proudly on a video call. 

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“It’s exploded in a completely different way, to a whole new generation who are my son and my daughter’s age.  

“My daughter Sunny is about to turn 18 and Walking On A Dream came out the week she was born. Nearly 20 years later, it has hit that next generation and it is so reinvigorating. I’m running into kids who are 15 asking, ‘Who’s this new band?’.  

“A lot of people have been asking about the band’s outfits — they’re fascinated by the fashion. 

“But for so many people, they just hear the songs on the radio or at a party and don’t even know what the band looks like. They’re just captivated by the melodies.” 

Steele is in Budapest to perform, and he has just got back from a scooter ride around the city’s sights on a rare day off. 

The pair have survived near burnout and band tensions, but Steele says the music always pulled him back and now he feels the healthiest and sharpest he has ever been. 

“We always had great shows in the UK, but it felt like we’d lost a bit of steam by not touring there frequently. Then the pandemic was tough — five years not being able to tour and stuff — so maybe now we’re making up for lost time.” 

Last summer’s sold-out Labyrinth On The Thames show at Greenwich’s Old Royal Naval College was Empire Of The Sun’s first London performance in more than six years. 

“That was special. It was amazing,” Steele says. “So it’s great we are coming back to the UK — to London and also Cardiff and Halifax — which I am told is right at the top of the UK but not as far as Scotland.” His music is better than his geography. 

Empire’s return has meant more than just filling venues. It is about the band’s influence on the fans, who have found their own lives reflected in the songs. 

“The music is so important. It’s important for us, for our sanity, but it’s amazing what the records have been doing to people,” he says. “I feel a bit more like a conduit now. I’ve been handed these keys, and it’s like, what are you going to do with them? What doors are going to open?” 

“I have to harness that power of influence in a clever, natural way. 

“Coming back with the new show and writing new records post-pandemic, it feels like the songs need to have new revelations and new messages in this crazy world.” 

Steele reckons part of the success of Empire Of The Sun’s performances has been down to his live band, which includes former Gomez guitarist Ian Ball and drummer Olly Peacock.  

“They are the greatest players — really seasoned musicians, which is incredible to have,” says Steele. “People with experience are worth everything in touring. Ian is my right-hand man. The one and only.  

“You rehearse for three months, then you get up in front of 80,000 people and suddenly my in-ear pack goes down, or the pedalboard dies. Ian is so calm. He just mooches over, cool as a cucumber, sorts it out and comes back before I’ve even noticed.”  

Steele says having a great team behind him means he can execute the ideas he has been inspired by. 

“There are quite a few songs from Ask That God in the set.  

“We always play the hits, like We Are The People and Alive, because that’s important for people’s memory, and then there are a couple of throwbacks from the earlier records. 

“It’s about trying to fit it all in without it becoming an exhausting meal for people.  

“The first show probably had too many songs — like eating that last chicken wing at the Chinese buffet, where you walk out thinking you’ve had too much. It’s a fine line. 

“I don’t like those shows where bands play for three-and-a-half hours. I want to see a concert, get blown away, and go and put my pyjamas on. You don’t want to lose people.” 

Almost two years into the Ask That God tour, Steele is still pushing the show forward. 

He says: “It’s so exciting and exhilarating, and then there are the fans who mean so much. 

“It always sounds so cliched to me, to talk about ‘the fans’ but as I’ve got older and seen their dedication they become like your friends. It’s more than someone buying an album. The music seeps into their lives. 

“The other day I met this girl who showed me a video of her three-year-old kid dancing to one of our songs. It’s amazing to be so far away from home and see how much the music touches people.  

“We played Poland recently and this girl had spent months making these elaborate Salvador Dali and Escher-style collage illustrations for each song. She printed them all in a book and had written a personal note at the end. 

“People really go on the journey with us, so I’m pretty thankful.” 

Being away for long periods from his own family in Australia is what hits Steele the hardest. 

“I’m not really going home until Christmas. We go from here to the American tour and it just keeps going, but they’re all coming out to the UK shows. 

“I find it hard. I go through different stages of exhaustion and depression, excitement and exhilaration. It’s like a wave.  

“I feel quite fragile because I’m so emotional. Being on the road is a real vortex. And when you get home it’s not easy — this pipe burst in the front bathroom of my new house I bought in Perth, and 700,000 litres of water flooded the whole house.  

“When I came back from tour in January from Miami, it was just like a swimming pool, so everything’s been gutted now. It’s just all concrete, so we’re in a rental for a while — we’re pretty much homeless now.” 

After living in the US then New Zealand, Steele moved back to Perth to be closer to his family. 

Steele, who was living in America during Donald Trump’s first presidency, says the country’s extremes fed into his songwriting. 

“I had to go because I was writing so many aggressive songs. Now I’m back where I grew up and it’s been awesome,” he says.  

“I haven’t lived there for 20 years, so it’s a perfect amount of time to get over the regret, you know? 

“And it’s been good to be the hometown hero.  

“Walking On A Dream became the soundtrack for Tourism Western Australia’s global campaign and it is even named after that song.  

“There’s also a music room at my school named after the family. It feels kind of cool to be given the keys to the city, where it all started.” 

Steele lost his dad, blues musician Rick Steele, last year and he recently paid tribute to him with a night of blues. 

“It was the one-year memorial and it was awesome to come back together, remember him and play the blues. The blues club he belonged to is stronger than ever, which is great. 

“I didn’t want him to pass away and then the club to fall over. His legacy moves on, and we’re about to do a grant the Steele family has started — the Rick Steele Music Grant. 

“We’ve also got a plaque on a park bench just down the road from his house, where he lived his whole life. He used to go there most mornings, get a coffee and sit on that bench. I think he’d think that was pretty cool. He’s got his own bench there.” 

For Steele, that sense of legacy, home and survival has fed back into the music. 

“It’s a good spot to be, because I feel the sharpest I’ve ever been and the healthiest. I got rid of all of that garbage, all the drugs and alcohol, years ago.  

“It was music that helped me to heal by writing every song and playing, recording and mixing it myself.  

“Music is still such a powerful phenomenon and medium. It’s a healer. It brings renewal, hope and vision.  

“Music was always the vessel, even after I said the band was done and went off to write a solo record.” 

That sense of purpose also seems to have softened the creative tension between Steele and Littlemore.  

They have not always seen eye to eye, but time, distance and their separate lives have made the partnership easier to understand. It’s like a marriage that works because both know when to step away. 

“I think Nick and I have been good at that,” he says.  

“We probably spend more time apart than together and, when we come together, it’s quite focused on the job at hand.” 

After side projects — Littlemore is the frontman of electronic trio PNAU — and an eight-year gap between third album, Two Vines, and the release of 2024’s Ask That God, time apart now seems to be part of how Empire Of The Sun have survived.

Steele says: “When we came back, it was like, OK, we’re older now — what are we actually talking about? What’s the real meaning? So we’re trying to bring more of that into the show and the theatrics.  

“But I think now we can sit back and soak in the fruits of our labour a bit.  

“For a while, you’re just trying to hold on to it, because you spend your whole life trying to get to a point where people are actually listening. 

“Now we have people’s attention, we have to treat that with respect and not take it for granted. 

“I haven’t spoken to Nick for a while, but we’ll probably start talking more now we are about 45 songs into the new record and trying to finish a huge batch of songs. It’s definitely going to be a little bit more edgy.  

“We’ve been working with different producers and in Hawaii, LA and Sweden. Each territory brings different colours.  

“Working with these different people, from different places gives you beautiful ingredients.” 

But before new music arrives, there is the small matter of shows in Halifax, Cardiff and three sold-out nights at Alexandra Palace. 

It is surely a pinnacle moment, which Empire Of The Sun have been building towards for nearly 20 years. 

“We’re going all out on that,” he insists.  

“They’re going to be massive shows.” 

England won the World Cup of Darts for a record-extending sixth time as Luke Littler and Luke Humphries overcame the Netherlands 10-5 in Frankfurt.

The top seeds defeated Wales and Scotland earlier on Sunday to set up a tantalising best-of-19-legs final against second seeds Michael van Gerwen and Gian van Veen.

Littler and Humphries’ shock second-round exit to hosts Germany last year cast doubt over the partnership, but they averaged more than 104 and hit 15 finishes over 140+ to overpower the Dutch.

“I’m absolutely delighted – that’s the best we have played all tournament,” Littler told Sky Sports.

“That’s what we needed to do. We can’t do it every game, its hard. There have been challenges but we got the job done.

“We didn’t do anything wrong last year, we just came up against a better team. This year we had to win together, not on our own.

“I’m proud of us – we won together.”

The world’s top four players produced a tight contest early on that stayed with throw until Littler found double 10 to break just before the first interval.

England held after the break before Humphries took out 87 to break once more and establish a three-leg lead.

From that point on the Premier League champion and runner-up did not look like surrendering their lead – Littler hit tops to extend the advantage to 6-2 as England’s average crept up to 114, though Van Veen hit back with a timely maximum as the Dutch held with a 14-dart leg.

Humphries recovered from a slight wobble – his failed set-up left Littler needing and missing a bullseye to break – to hit double four to put the duo 7-3 up going into the second break.

The Dutch were handed a lifeline when Littler failed to take out 78, affording Van Veen a 64 checkout to cut the deficit before Van Gerwen showed similar composure to stick with throw.

But they knew the game was up when after hitting a remarkable 174, Van Gerwen bust on an attempted eight checkout and England broke.

That led to England needing 41 to win, and Humphries secured the world title – his second and the first of Littler’s career – with nine, 16 and double eight.

“Michael [van Gerwen] was unbelievable tonight – he is back and playing unbelievable darts,” Humphries told Sky Sports.

“We knew we needed to take our chances. You give Holland any hope and they’ll take it away from you.

“We were a bit poor against Wales but we ran with the luck we had in that game.”

LUKE Evans caused the Tony Awards audience to blush and sent social media spiraling after performing in a scandalously skimpy Frank-N-Furter costume live on CBS.

The Beauty and the Beast actor left little to the imagination, wearing just a tiny black jockstrap, a leather corset and sky-high heels for Sunday night’s Rocky Horror Show performance. 

During the 79th Tony Awards held at Radio City Music Hall in New York City, the ceremony paid tribute to the hit Broadway revival of The Rocky Horror Show. 

Luke, 47, emerged through a cloud of smoke to perform his starring role as the iconic Dr. Frank-N-Furter with glam-rock chaos in full force.

He completed the sexy look with fishnet stockings, elbow-length gloves, dramatic stage makeup and the crystal-covered corset before launching into a raunchy rendition of the track Sweet Transvestite alongside the cast.

At one point during the performance, the Welsh actor spun around to flash the crowd in the barely-there costume while grinding across the stage and dramatically whipping off a velvet cape to reveal the jockstrap underneath.

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The raunchy performance instantly sent social media into a meltdown as viewers praised Luke for fully committing to the campy cult-classic character.

“Luke Evans shaking his d**k and a** on stage at the Tony Awards while wearing his slutty Rocky Horror Frank-N-Furter costume…this is what Pride Month is all about!” one fan wrote on X.

Another viewer joked: “I did NOT expect Luke Evans in six-inch heels and a corset at the Tonys but now I never want him to take it off.”

A third person posted: “Broadway Luke Evans might be his most powerful form yet.”

Luke has been starring as Frank-N-Furter in the Broadway revival of The Rocky Horror Show since previews began earlier this spring, with the production officially having its opening back in April at the Hudson Theatre.

The actor previously admitted he spent months preparing physically for the demanding role, which includes elaborate choreography, live vocals and multiple quick-change costume moments throughout the show.

Frank-N-Furter, the provocative alien scientist at the center of Rocky Horror, was originally made famous by Tim Curry in the 1975 cult-classic film adaptation.

Now, Luke has made it his own, putting a darker and more seductive spin on the iconic role.

While Luke may be stirring up conversation on Broadway these days, the actor has spent years building an impressive resume across film, television and theater.

Many fans recognize the star as the villainous Gaston in Disney’s 2017 live-action Beauty and the Beast opposite Emma Watson, where his booming musical vocals and cocky swagger made him a standout.

He also starred as Bard the Bowman in The Hobbit trilogy and played the sinister Owen Shaw in Fast & Furious 6 before later reprising the role in the franchise’s spinoff projects.

On television, Luke has taken on darker dramatic roles in projects including The Alienist, Nine Perfect Strangers and Hulu’s true-crime miniseries Nine Bodies in a Mexican Morgue.

Broadway audiences, meanwhile, have long known Luke for his powerhouse stage vocals. 

Before his Hollywood breakthrough, he starred in major London West End productions including Rent, Miss Saigon, Avenue Q and Piaf.

His turn as Frank-N-Furter in The Rocky Horror Show marks Luke’s splashiest return to the stage in years – and judging by the positive Tony Awards reaction, audiences are fully embracing his comeback.

The actor’s Tony Awards appearance quickly became one of the night’s most viral moments alongside Megan Thee Stallion’s Moulin Rouge-inspired twerking performance and host Pink’s over-the-top opening number.

The 79th Annual Tony Awards aired live Sunday night from Radio City Music Hall in New York City.

For the third year in a row, Littler finished top of the Premier League standings.

He went on to reach the final for the third consecutive year and has won the title in two of them.

He set a new record for night wins in the league phase in 2025 and matched that tally of six in 2026.

Despite that, Littler said he felt like he did not want to “go to the next Premier League night”.

He added: “Tonight was one of those wins where I had to get it done. Even sat at home, I didn’t want to go out. I didn’t want to go to the next Premier League night but we’ve done it.

“We’ve all got feelings, not just as dart players, we’re humans. I can’t believe I’ve won.”

The current Premier League format lasts 17 weeks if you reach finals night and sees players travel across the UK, Republic of Ireland and Europe to play every Thursday during the league phase.

The event only features eight players – the world’s four top-ranked players and four players who are invited by the Professional Darts Corporation – and runs alongside ProTour events.

Sky Sports pundit Wayne Mardle highlighted how former world champions Gerwyn Price and Phil Taylor have felt a similar strain to Littler in the past.

He said: “It is not a rarity for the Premier League to become too much. Week after week, it is an endurance test.

“Sometimes you can feel down and if you feel down, you become mentally weaker.

“We know how strong Luke Littler is mentally but when you are feeling like you’re public enemy number one, you can feel like you don’t want to turn up, but he did turn up and this is now the by-product of turning up.”

Despite coming close to leaving the competition, Littler’s dominance in the sport continues to grow.

His victory means he has added the Premier League to his World Championship title, World Masters and UK Open successes this year.

Littler holds seven of the eight ranking titles that the Professional Darts Corporation have, plus the Premier League.

“There is a point in everyone’s career when they are at their peak – we don’t know if this is his peak but we know this is peak level because Michael van Gerwen and Phil Taylor’s peak was this kind of standard,” added Mardle.

“We’re assuming he must be near his peak and it is good enough time and time again. There are no weaknesses really.”

Among the next things for Littler to tick off is glory alongside Luke Humphries for England in June’s World Cup of Darts.

If the pair play anything like they did in London on Thursday night, you wouldn’t bet against them.

Today I watched as Shohei Ohtani, the day after pitching seven innings, go 0 for 5 with two strikeouts while grounding into a double play. The sample size, at this point, has to be large enough for Dave Roberts and the Dodgers’ management to discuss the elephant in the room with their lead-off batter. He should not bat when he pitches, and he should have a day off after he pitches.

It could also be argued that he should not be the lead-off batter — his average and on-base percentage are lower than, say, Hyeseong Kim, who is also faster and would be a distraction for an opposing pitcher as a threat to steal. It would also give someone for Shohei to drive in if he dropped down the order a spot or two. If baseball is a numbers exercise, then the Dodgers need to do the math.

Peter Maradudin
Burlingame

I have seen enough of Kyle Tucker to know the Dodgers lineup of Shohei Ohtani, Mookie Betts, Freddie Freeman, Will Smith, Tucker, Teo Hernández, Max Muncy, Andy Pages and Hyeseong Kim needs to be changed. Kim has better defense and is a base-stealer. Freeman is not a switch hitter since he can’t hit from the right side. Also, no lefty in the bullpen knows how to throw a screwball?

Ed Villanueva
Chino Hills

Luke Littler overcame a chorus of boos in Liverpool to strengthen his grip on a Premier League play-off place with an impressive 6-1 win over Jonny Clayton.

Manchester United fan Littler, 19, was booed throughout the night on Merseyside, but he kept his cool to claim his fourth nightly win in week 12.

The world champion saw off Luke Humphries 6-2 in the quarter-finals, but was pushed to the limit by Michael van Gerwen in the last four.

With the top four in the Premier League table going through to the finals night, Clayton leads the way overall, three points clear of second-placed Littler, who is 15 ahead of Gian van Veen in fifth.

Clayton and Littler are clear of the rest with four league-phase nights to go before finals night at London’s O2 Arena on 28 May.

When comparing his reception in Rotterdam last Thursday to the one he got in Liverpool, Littler said: “Rotterdam was way louder than this tonight.

“There was a little bit [of booing] but this week was nothing compared to last week.

“I’ve just got to forget about it. I was definitely focused and wanted to win tonight, and that’s what I’ve done.”

Littler has finished top of the table in the previous two years and is determined to do so again, saying: “I’m very close to Jonny now and I’m going to go chasing.

“I want to finish top once again and if it’s not to be then it’s not to be, but there are still four weeks left to play for.”

Littler, who was booed in Rotterdam last week following his exchange with Dutch number one Gian van Veen in Manchester three weeks ago, showed his resilience to secure another five points.

He quickly raced into a 4-0 lead over Clayton in the final after capitalising on missed doubles from the 2021 Premier League champion.

While Clayton was only able to land one out of his six double attempts, Littler averaged more than 104 and had a 60% checkout rate to secure victory.

Luke-ah?

With star guard Luka Doncic back on the Lakers sideline but still out indefinitely, Luke Kennard did his best impression of the NBA’s leading scorer Saturday, catapulting the Lakers to a 107-98 win over the Houston Rockets to give the Lakers a 1-0 lead in the best-of-seven first-round playoff series.

Kennard drained all five of his three-point attempts, including three in the fourth quarter. Threes while curling off screens or taking hand-offs from teammates are routine for the NBA’s leading three-point shooter. But Kennard may have surprised even himself when he drove against Houston’s Jabari Smith, U-turned, scampered back outside the three-point line and drained a three from the wing.

The Crypto.com Arena crowd that was buzzing from the opening tip to the final horn erupted. Kennard screamed.

“My word is speechless, to be honest,” center Deandre Ayton said of Kennard’s performance. “Seeing him five-for-five in a playoff game as a Laker. Yeah, it hits different.”

The Lakers sent Gabe Vincent and a 2032 second-round draft pick to Atlanta for Kennard in February. The midseason trade felt relatively marginal compared to league-wide blockbusters that shuffled James Harden, Darius Garland and Anthony Davis.

Kennard has now authored several headlining performances in the purple and gold. He drained a game-winning three-pointer against Orlando. He notched the first triple-double of his career.

Saturday’s season high eclipsed them all.

Lakers center Deandre Ayton, left, celebrates with guard Luke Kennard after hit a three-pointer against the Rockets during Game 1 of their first-round playoff series on Saturday at Crypto.com Arena.

(Allen J. Schaben/Los Angeles Times)

“To do it especially at a place like this, playing for the Lakers on the biggest stage in basketball, it means a lot to me,” Kennard said, “and what I’ve done and just credit to the work I’ve put in and how I prepared leading up to this.”

Since Doncic (hamstring) and Austin Reaves (oblique) were injured on April 2, Kennard has had to adjust his role to include more ball handling. He typified the Lakers’ adaptability with 32 assists in the last five games of the regular season after averaging 1.7 assists per game since joining the team. But he lamented that he wasn’t shooting to his standard.

Compared to his league-best 47.8%, his 30.8% shooting from three during the past five games felt like a slump.

Each shot, whether a make or miss, still helped Kennard develop a rhythm entering the playoffs, he said. Now if he sees even a sliver of daylight, he’ll be ready to shoot. It’s exactly what the Lakers want to see.

“I just liked that he was aggressive shooting threes,” Lakers coach JJ Redick said. “I mean, he played a fantastic basketball game.”

Kennard, who also had three assists and four rebounds, was nine for 13 from the field as the Lakers, who shot 60.6% as a team, shot 60% or better in a playoff game for the first time since the first round of the 2009 playoffs. Led by Kobe Bryant and Pau Gasol, the Lakers won their first of back-to-back titles that year.

All five of the Lakers starters scored in double figures. LeBron James had 19 points and 13 assists, and Ayton had 19 points and 11 rebounds while helping keep two-time All-Star Alperen Sengun to 19 points on inefficient six-for-19 shooting. The Rockets, who were without Kevin Durant because of a minor knee injury, shot 37.6% from the floor.

“Everybody played a big role tonight and I feel that just speaks to what we’ve been the last few weeks with guys out,” Kennard said. “It’s going to take everybody. We know that. We got to continue to elevate each other and push each other and continue to be a team.”

Doncic reunited with the team Saturday after he spent the past two weeks in Europe getting specialized treatment on his Grade 2 left hamstring strain. Dressed in a crisp white button up shirt and khaki pants, Doncic sat next to Reaves on the bench. They rose to their feet every time Kennard set up for a three. They handed out high fives at every time out.

The injuries to Doncic and Reaves turned the Lakers into the perceived sitting duck of the competitive Western Conference playoffs. Critics felt the team couldn’t survive one playoff round with the 41-year-old James as its sole offensive catalyst.

A welcoming cheer from Lakers fans during starting lineups serves as a reminder that James still has backup.

“Luuuuuke!”