Love

LOVE Island star Lucie Donlan is shockin’ around the Christmas tree in a saucy low-cut Ann Summers dress.

The model, 27, helped the raunchy retail chain launch its Styles range, including this red All Wrapped Up festive number with a giant bow.

She has also been seen sleighing it in the company’s Sexy Santa Basque set.

In July Lucie enjoyed a spectacular break in Abu Dhabi which she received free of charge in exchange for an advert to her 1.5m Instagram followers.

In her caption, Lucie wrote: “This week I’ve had the pleasure of staying at @erth.uae.

“A breathtaking and unique Hotel located 15 minutes from downtown Abu Dhabi.

JANE ATKINSON

Helen Flanagan is right to call out ex Scott Sinclair – boys need role models

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Michael van Gerwen cheered on by OnlyFans model then says ‘look at my dates’

“When I first arrived it felt like stepping into nature as the whole hotel has been beautifully designed with sandy warm colours inspired by our planet and aspects of rich cultural Emirati heritage.

Lucie has been in a relationship with her former co-star, Luke Mabbott, 29, with the pair going on to become engaged in 2021.

Back in December the loved-up pair got accused of ‘getting engaged for likes on Instagram’ when they celebrated their proposal on holiday.

Luke shared a snap from their special moment with the caption: “2 year’s engaged…”

Some took to the comments section to share how confused they were by their engagement.

One user commented: “I’ve always said that an engagement isn’t real unless they’ve set a date for a wedding.

They continued: “Otherwise, it’s just like my plan to be a millionaire: it’s it’s vague goal without any realistic “when” or “how”.”

The couple shot to fame on different series of Love Island.

Joe Ely, a singer-songwriter and foundational figure in Texas’ progressive country-rock scene, has died. He was 78.

According to a statement from his representatives, Ely died Dec. 15 at home in New Mexico, from complications of Lewy Body Dementia, Parkinson’s disease and pneumonia.

Ely had an expansive vision for country and rock, heard on singles like “All My Love,” “Honky Tonk Masquerade,” “Hard Livin’,” “Dallas” and “Fingernails.” Born in 1947 in Amarillo, Texas, Ely was raised in Lubbock before moving to Austin and kicking off a new era of country music in the region, one that reflected both punk and the heartland rock of the era back into the roughhousing country scenes they came from.

After founding the influential band the Flatlanders with Jimmie Dale Gilmore and Butch Hancock (which dissolved soon after recording its 1972 debut), he began a solo career in 1977. He released several acclaimed albums, including 1978’s ambitiously rambling “Honky Tonk Masquerade,” before finding his popular peak on 1980’s harder-rocking “Live Shots” and 1981’s “Musta Notta Gotta Lotta.”

Ely, beloved for barroom poetry that punctured country music’s mythmaking, was a ready collaborator across genres. He befriended the Clash on a tour of London and sat in on the band’s sessions recording their epochal “London Calling” LP. He later toured extensively with the group, singing backup on “Should I Stay or Should I Go,” and earning a lyrical tribute on “If Music Could Talk” — ”Well there ain’t no better blend than Joe Ely and his Texas men.”

Ely was a favorite opener for veteran rock acts looking to imbue sets with Texas country swagger. He performed with the Rolling Stones, Stevie Nicks, Tom Petty & the Heartbreakers and Bruce Springsteen, who later sang with him on “Odds of the Blues” in 2024. Springsteen once said of Ely: “Thank God he wasn’t born in New Jersey. I would have had a lot more of my work cut out for me.”

In the ‘90, Ely joined a supergroup, the Buzzin Cousins, with John Mellencamp, Dwight Yoakam, John Prine and James McMurtry, to record for Mellencamp’s film “Falling From Grace.” Robert Redford later asked Ely to compose material for his film “The Horse Whisperer,” which led to collaborations with his old Flatlanders bandmates and a reunion in the 2000s. He also acted in in the musical “Chippy: Diaries of a West Texas Hooker” at Lincoln Center in New York City and joined the Tex-Mex collective Los Super Seven — he shared in the band’s Grammy for Mexican-American/Tejano Music Performance in 1999, his only such award.

Ely was inducted into the Austin City Limits Hall of Fame in 2022 and released his last album, “Love and Freedom,” in February.

Actor Sir David Jason, known for playing Del Boy in the hit show Only Fools and Horses will discuss the sitcom and show unseen footage in new series

Sir David Jason has insisted “the love for Only Fools has never faded” after reuniting with cast members from the beloved sitcom for a new documentary series.

Celebrating the show’s 45th anniversary, Only Fools And Horses: The Lost Archive will air behind-the-scenes footage as well as material that the series producer said was “filmed but never broadcast”.

The sitcom, which was a ratings smash hit for the BBC, including at Christmas, first aired on September 8 1981 and proved to be a career-defining role for Sir Jason, who played Del Boy, and Nicholas Lyndhurst, who played his brother Rodney.

Announcing the new UKTV documentary series, Sir David, 85, said: “The love for Only Fools has never faded. It’s incredible to see how many people still hold it close to their hearts. Revisiting these rediscovered moments reminded me just how special the show was – and still is. It’s incredible to be able to share them now.”

The two-part series features interviews with cast and crew and includes archival material from more than 10 classic episodes, including The Jolly Boys’ Outing and Mother Nature’s Son.

In interviews, cast members including Sir David, Tessa Peake-Jones (Raquel), Gwyneth Strong (Cassandra) and Sue Holderness (Marlene) pay tribute to creator John Sullivan, who died in 2011 at the age of 64.

Further discoveries, which didn’t make it into the original episodes due to timing or structural constraints include new material from the episodes He Ain’t Heavy, He’s My Uncle, Mother Nature’s Son, Time On Our Hands. There is also an unseen opening scene of Del and Rodney in a nightclub from The Class Of ’62.

Clips have been digitally scanned and restored from 16mm negatives, meaning the cast appear in high definition. Sean Doherty, director and series producer, said: “Few shows have the kind of enduring popularity that Only Fools enjoys.

“The archive has uncovered some extraordinary material – 66 unseen clips and scenes so far that were filmed but never broadcast because they didn’t fit the timing or structure of the original episodes, plus nearly 100 assets from rushes and location filming. We’ve truly been spoilt for choice.”

Helen Nightingale, UKTV’s head of factual and factual entertainment, commissioning, said: “Only Fools And Horses is part of the national DNA.

“With its humour, heart and unforgettable characters, it’s British comedy at its very best. This series is a celebration of its legacy and a chance to share new discoveries with the fans who’ve loved it for decades.”

In 2019 a musical adaptation of Only Fools And Horses starring Paul Whitehouse opened at the Theatre Royal Haymarket and it toured across the UK and Ireland in 2024 and 2025.

In 2022 on Only Fools and Horses actor Michael Fenton Stevens told how many jokes were lost from the sitcom over time due to time constraints.

Speaking on the Only Fools and Horses podcast he recalled his own episode and said: “It was a very big programme by then. I was in Series 6 and it had just gone to 40 minutes so they had the extra time to do things. That was the point by which they had turned into mini plays, they were just beautiful.

“They did that because John Sullivan would always write 10 minutes more than was needed. So every half hour script has 10 minutes of material which was cut. If you can find the original scripts from before they were printed to be used in the studio, if you can get them from when he was writing – and they must be somewhere, his family must have them on record, I think – it would be brilliant to read through all those bits that were cut.” The extra scenes and gags from Del Boy and Rodney were filmed, only to be omitted in the final edit.

The sitcom featured the colourful escapades of market trader Del Boy and his less streetwise younger brother Rodney as they went through the highs and lows of life trying to become rich.

The characters lived in Peckham with Grandad, played by Leonard “Lennard” Pearce, and their friends included Trigger, played by Roger Lloyd Pack, and Boycie, played by John Challis.

* Two part series Only Fools and Horses: The Lost Archive will be airing on U&GOLD in 2026.

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George Clooney plays the title character in Netflix’s “Jay Kelly,” a Clooney-esque movie star who is seemingly on top of the world — but is, in fact, at a crossroads. He’s finished his latest movie and is at a point in his career where he’s begun to worry that every project could be his last. His hope to spend the summer with his youngest daughter, Daisy, is squashed when he realizes she’s set to travel in Europe before heading off to college in the fall. (Jessica, Jay’s eldest daughter, barely speaks to him.) His mentor, a British director who cast him in his first movie, has recently died; on top of the looming sense of mortality is the guilt Jay feels for not attaching his name to the director’s final project in order to get the financing. And after the funeral, Jay runs into the former friend who brought him to that fateful audition as emotional support — and who remains bitter that Jay got the role and “stole his life.”

Instead of sitting down to process these conflicts, Jay decides to run away from them, dropping out of his next movie to follow Daisy to Europe. His professional entourage — a group that includes his longtime manager and friend Ron (Adam Sandler) and his no-nonsense publicist Liz (Laura Dern) — immediately springs into action, accompanying Jay on a chaotic trip abroad, with the final stop being an Italian film festival where Jay is set to receive a career achievement award.

“I did have an idea of an actor having a crisis of some sort, and it would be a journey forward and backward at the same time,” says writer-director Noah Baumbach of the spark that eventually became “Jay Kelly.” As Jay flees Hollywood, the city and its people continue to haunt him. Visions of himself as a young actor float in and out of his mind as he recognizes the mistakes he made by screwing over his friend and neglecting his older daughter. But no matter where he goes — even on board a crowded train from Paris to Tuscany — he’s instantly recognized as the A-list star that he is. Jay Kelly cannot escape himself no matter how hard he tries.

Laura Dern, George Clooney and Adam Sandler in “Jay Kelly.”

(Peter Mountain / Netflix)

Baumbach wrote “Jay Kelly” with British actor and screenwriter Emily Mortimer, who also appears in the film as Jay’s go-to makeup artist: “It really wasn’t until I brought Emily into it that it started to shape itself more into the movie you see,” Baumbach says.

One might assume that the pair’s years in the business (now in their 50s, Baumbach and Mortimer both got their start in the mid-1990s) informed their depiction of fame and stardom, but Baumbach is adamant that he didn’t set out to write a satire of their industry. “As Emily and I were focusing on the characters and the story, meaning started to reveal itself,” he explains. “Part of our job is to be open and aware of that.”

It tracks that a megastar like Jay would be surrounded by a close-knit circle of people managing his life, which led to Baumbach and Mortimer exploring those complicated relationships. One central storyline is the friendship between Jay and Ron, who have worked together for decades. Despite his devotion to his wife and kids, Ron’s top professional priority is Jay, and the inherently transactional nature of their relationship is a conflict that slowly bubbles up to the surface. There’s simply no getting around the fact that the person Jay is the closest to is also someone who takes 15% of his earnings.

Filmmaker Noah Baumbach.

(Sela Shiloni / For The Times)

It’s an awkward situation that many who work in the entertainment industry will recognize — but it’s also a humorous truth, the kind that underscores all of Baumbach’s films. “Jay Kelly” isn’t his first film set, at least in part, in Los Angeles. In “Greenberg,” Ben Stiller’s title character is a cantankerous and neurotic New Yorker who has fled west after a nervous breakdown. In the autobiographical “Marriage Story,” Adam Driver’s Charlie, a New York-based theater director, finds himself trapped in L.A. during his divorce from his actor wife, Nicole (Scarlett Johansson).

Baumbach, a Brooklyn native, calls his relationship with Los Angeles complex. “It’s a place I don’t always love being in,” he says — a bit of an understatement. But he’s more fascinated than repulsed by the city. “I was never drawn to be satirical about it. I think it’s such an interesting, strange place. [My films that] take place here do so for a reason. With ‘Greenberg,’ L.A. is a metaphor for loneliness. In ‘Marriage Story,’ Charlie is forced to fight for a home outside of where he feels his home is.” And at the end of the day, where else could a star like Jay reside? “I mean, Jay Kelly couldn’t have lived in New York, right?”

There is, of course, show business, an industry that values make-believe and vanity and couldn’t possibly exist anywhere else. “Ron has the line, ‘Death is so surprising, particularly in L.A.,’” Baumbach says, reciting Sandler’s dialogue from early in the film. “[These characters are] living in a place that, for the most part, doesn’t change — and that helps support the collective illusion that we’re all going to live forever.”

Jay Kelly might not, but the movies will.

Love Island star Hayley Hughes has announced her engagement to a mystery partner, sharing photos of her huge ring as well as her adorable son Cody

A former Love Island star has announced her engagement.

Hayley Hughes has shared a collection of glamorous proposal photographs from Dubai on Instagram, showcasing her stunning engagement ring.

The blonde bombshell appeared on the fourth series of the ITV2 reality programme in 2018, which saw Dani Dyer and Jack Fincham crowned winners.

She captioned the post: “12/12 – my forever love. I love you so much.”

Hayley has chosen to maintain her partner’s privacy by cleverly cropping his face from photographs and avoiding any social media tags, reports the Liverpool Echo.

Her son Cody, born in 2023, features in the images, with one touching moment showing Hayley’s fiancé cradling the youngster.

Unsurprisingly, Hayley’s announcement has sparked an avalanche of congratulatory messages from her supporters.

Rosie Williams, who starred alongside Hayley in the same Love Island series, commented: “Congratulations my girl! So happy for you.”

Fellow Islander Liberty Poole, from series seven, simply added: “Congratulations”.

One fan gushed: “Omg huge congratulationsssss. The ringgg. The flowerssssss.”

Another enthused: “Ahhh best news ever! ! So happy for you, wifey era pending.”

Hayley entered Love Island as an original islander in 2018, but following unsuccessful romantic pursuits with Eyal Brooker – who memorably declared “I’m not your hun, hun” – and Charlie Brake, she departed the villa.

Following her Love Island exit, she embarked on a relationship with DJ Tom Zanetti, even appearing in one of his music videos, though their romance concluded after seven months. As 2023 kicked off, Hayley penned a post about spending “another year” with her enigmatic beau.

In a chat with RadioTimes.com following her villa exit, Hayley reflected: “I did really think that Eyal was a bit full on with Megan [Barton Hanson] so soon and he wouldn’t really let Alex [George] have a chance to get to know and speak to her.”

She added: “Obviously I feel like I genuinely am Team Alex in every way because I genuinely want him to meet someone that he has a connection with, because he does have low confidence and things.”

Love Island is available to stream on ITVX

We should be grateful for filmmakers who have a special artistic relationship with an actor: Akira Kurosawa with Toshiro Mifune, Martin Scorsese with Robert De Niro and, by all indications, Yorgos Lanthimos and Emma Stone. Count the Italian duo of Paolo Sorrentino and star Toni Servillo among them, a fertile partnership that began nearly 25 years ago with the director’s first film (“One Man Up”) and continues with their seventh together, the political drama “La Grazia” (“Grace”).

The wielding of power seems to be a frequent backdrop for these two, with “La Grazia” — about an Italian president facing tough decisions as he ends his term of office — marking the third time Sorrentino has asked his favorite leading man to be a head of state, following their breakthrough 2008 collaboration “Il Divo” (about Prime Minister Giulio Andreotti) and 2018’s romp about Silvio Berlusconi, “Loro.”

The difference this time is that, while the other two films centered controversial real-life figures, Servillo’s character in “La Grazia” is fictional, yet pressured to deal with contentious issues. The result is a much more somber, ruminative exploration of morality in governmental authority than the stylish violence of “Il Divo” and exploitative raunch of “Loro.”

A decade after his lush Oscar-winning bacchanal “The Great Beauty” (starring an especially great you-know-who), Sorrentino is no less drawn to pictorial beauty or arresting visuals. But there’s a grayer, graver tone to the long shadows of “La Grazia,” as if the natural, appealing gravitas of Servillo playing an important man fighting a planned obsolescence was the only palette Sorrentino and cinematographer Daria D’Antonio needed.

Servillo’s Mariano De Santis has mere months left — as a leader, that is. But besides being pushed to eat healthier and stop smoking cigarettes by his daughter Dorotea (a wonderful Anna Ferzetti), the idea of ending things isn’t entirely figurative as this austere jurist-turned-president wanders the halls of his official Roman residence, the grand Palazzo del Quirinale, wryly contemplating retirement.

He’s a widower, for one thing, whose love for his deceased wife is still deep enough to keep him jealous regarding her early infidelity with a mystery man he’s eager to identify, even as his old friend, art curator Coco (a vibrant Milvia Marigliano), stays tight-lipped about what she knows. He’s also being pushed by Dorotea, a treasured advisor who is herself a legal scholar, to consider two cases of clemency for convicted spousal killers, both with circumstances that would test any arbiter of sound legal judgment. And finally, though De Santis is a devoted Catholic, on good terms with the pope (Rufin Doh Zeyenouin), he’s grappling with signing right-to-euthanasia legislation.

You wouldn’t think a movie with such heavy topics would count as escapism. But when you consider current headlines, a thoughtful leader engaging with thorny issues from a place of psychological honesty, social integrity and fatherly love could almost count as fantasy. And Sorrentino, a dedicated sensualist, does allow himself some lighter touches, including, toward the end, a fanciful visual metaphor for a burdened man’s spirit that maybe only he could get away with.

Most assuredly, though, this is a duo of director and star once more moving in concert together, maybe not as confidently as with some previous efforts, but with a knowing intelligence. Servillo is no less than magnificent, conveying a buttoned-up statesman’s management of earned wisdom and inconvenient emotion (and, at one point, an interest in rap lyrics) with enough lessons in actorly craft to fill one of his character’s treasured law tomes. The title doesn’t just describe what’s sometimes elusive in governance. “La Grazia” is Servillo in every scene.

A Christmas market in a seaside city features unique gifts, delicious food stalls and live music with traders from across the UK and Ireland. It’s a great place to find presents

A festive market is buzzing just a short stroll from where I am. I’ve already made a few visits to this Christmas spectacle and the atmosphere is truly enchanting. There’s an extensive array of stocking fillers, unique clothing at fantastic prices, and a delicious assortment of food and drink.

The city of Plymouth is aglow with twinkling lights and brimming with festive cheer. Live music fills the Piazza, featuring Christmas carols as well as rock, pop, soul and more — and traders have travelled from all corners to showcase their specialities here this December.

Market vendors have expressed their love for the “vibrant” locale, with many sellers making their first trip to the coastal city. Having frequented the Plymouth Christmas Market for a decade, I can confidently say that this December, it’s radiating a particularly sparkling energy.

Nestled between the breathtaking scenery of Dartmoor National Park, which also offers a stunning winter backdrop, and the beautiful county of Cornwall to its west, Plymouth is ideally situated, reports the Express.

Local traders Adam and Nicola Webb, who run Nicky’s Glow Beads & Gifts in the nearby Cornish town of Saltash, have set up a fantastic stall at this year’s Plymouth Christmas Market, offering top-quality Italian jumpers for sale.

I snagged a cosy red jumper for £18 from this market stall, and I’m smitten with it. But it’s not just about jumpers in every colour of the rainbow, they also offer glow bead bracelets — a charming gift that comes in various hues and glows in the dark.

Sparkling festive brooches are up for grabs at this stall for a mere £5, along with some rather unique and appealing aroma diffusers. I reckon most shoppers could unearth a thrilling gift here.

The business has been flourishing since 2014 under the care of the husband-and-wife team of Adam and Nicky, who claim that quitting their jobs to start the venture was the “best thing” they’ve ever done.

Adam and Nicky craft all the beadware, including the glow bracelets, and also peddle clothing, accessories and gifts. I’ll certainly be making a return visit to this stall before the market wraps up on December 21.

But the next stall I dropped by was equally enchanting — and the gin on offer really caught my eye. Stall holder Hamish Thoburn of Garden Libations, a Plymouth first-timer, described the city as “very vibrant” and said he’d met “lots of lovely people” at the Christmas market while trading.

He journeyed down from Wales to sell his distinctive beverages. Speaking about his gin, Hamish revealed: “Stinging nettle gin is our biggest seller, a little tart at the beginning and it goes well with sparkling water, a slice of lime and a sprig of mint to make a nettle mojito.”

Naturally, I had to sample the nettle gin. It was remarkable and unique — it would make a fantastic gift, making this stall a must-visit.

Also trading at Plymouth’s festive market for the first time is Karl Toyne, who journeyed down from Lincolnshire. His business, Aunt Annie’s Fudge, has been around since 1966, offering intriguing flavours like lemon meringue, banana swirl and Ferrero Rocher — and it’s “award winning”.

Karl revealed: “I like the city, I’ve never been this far south before, it’s my first time ever in Plymouth and it’s a nice place. I’ve been running this family business for 15 years, but Aunt Annie’s Fudge has been going for a long time.”

I also had a chat with Damien Morgan from Tam Events. He travelled from Ireland to serve hungry customers delicious bratwurst, adding a continental flair to the Christmas market.

Damien shared: “I’ve been doing this since I was 18 years old. I’m now 33, travelling around the UK doing the markets and doing these Christmas markets.

“This is our first year in Plymouth, the crowds here are exciting, we’ve seen good reviews on it and the people are just lovely — it’s a lovely seaside city too, very beautiful.”

Local lady Mary Freeman has been a trader at Plymouth Christmas Market for 12 years. Her business, M & N Freemans, serves up a scrumptious festive feast encased in a massive Yorkshire pudding, which I’ve sampled and can attest that it’s utterly heavenly, plus it’s very Christmassy.

Mary shared why she loves to trade here: “I’m local, I was born and bred in Plymouth, every year we come in and get a unit, it’s my hometown. I love the atmosphere, especially when it’s lively. This year, there’s a lot of new traders, different food and different things, so hopefully it’s the busiest yet.”

Plymouth Christmas Market is on for several more days, with the final day being Sunday, December 21, when the Armed Forces Choir from Theatre Royal Plymouth will perform from 12.30pm to 1.30pm.

If you pop by, don’t forget to check out the Snow Globe, surrounded by “swirling snow and sparkling lights”. It’s an absolutely perfect spot to snap a festive photo with your family or mates.

An exciting Sunday for Aparna Nancherla is a Sunday without much excitement. “My cortisol runs high without anything happening, so I’m trying to get it down,” she says.

Eliminating stress was part of the reason the comedian moved back to Los Angeles in 2023, after over a decade in New York City, where she wrote for “Late Night With Seth Meyers” and “Totally Biased With W. Kamau Bell,” appeared in TV series like “Search Party” and burnished her stand-up comedy career.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

“I’m a little bit of a hermit, and just wanted some more trees and a little more space,” Nancherla says.

Nancherla’s book of essays, “Unreliable Narrator: Me, Myself and Impostor Syndrome” was also released in 2023. In it, she examined her emotionally fraught relationship with stand-up. After a break, she recently brought her understated approach back to the form and her new special, “Hopeful Potato,” is available on the comedy streaming service Dropout starting Dec. 15.

She likes to spend her Sundays mostly engaging in familiar routines, though she’ll pursue a little bit of discovery around town.

This interview has been lightly edited for length and clarity.

10 a.m.: Late riser

I would like to be someone who wakes up around 7 to 8 a.m., but I am waking up probably in the 9 to 10 a.m. vicinity. I would wake earlier, but I think in a past life I was a two-toed sloth or something because I’m nocturnal and I move very slowly. It takes me a lot of time to ease into a different state of being — sleep to wake, wake to sleep. Pretty much any transition I’m bad with.

Being a stand-up doesn’t help. A lot of my job is oriented toward night, but even before comedy, something about the night called to me. It’s not necessarily the healthiest behavior, but thus far I haven’t been able to change my ways.

10:15 a.m.: Morning rituals

I’m someone who falls into doing rituals for a while, almost obsessively, until I replace them with different ones. Lately my ritual is as soon as I get up and brush my teeth and wash my face, I will put on a song and dance to it and do some stretching. I tend toward depression and anxiety, so dancing is an easy way to immediately get your endorphins and it doesn’t feel like as much of a demand as going for a jog.

It’s literally three minutes of a song and then I will try to meditate. My mom recommended doing 20 minutes of meditation, but I feel like 10 is where I’m landing. My attention span is so bad lately that it really is just me closing my eyes and composing emails that I’ll forget to send rather than attuning to some higher power.

11 a.m.: Chasing waterfalls

I’m lucky in that I live near three botanic gardens, so I really have my pick, but I got a membership to the Arboretum because I like that they have peacocks.

They also have a giant waterfall. I’m trying to form a walk where I will eventually end up there. They have a few really nice spots where you can chill out near the waterfall, so I’m probably just sitting, maybe journaling, kind of enjoying the ambience.

I don’t know if there’s a word for someone who’s in love with waterfalls, but I really like them. Apparently there is among [the cable channel] TLC’s vast array of offerings, a program where people are in love with inanimate objects, like cars and bridges, and they want a romantic, sexual relationship with these things. I just want to say that that’s not how I approach a waterfall, but I do deeply care for them as a friend.

1 p.m.: Aspiring regular

I really like Lemon Poppy Kitchen in Glassell Park. Every time I’ve been there, I’ve seen the same people, so I don’t know how many times it takes for you to become a regular, but I guess I’m an aspiring regular there. They have a scramble I really like. It’s not too crazy, it’s a Cali scramble. They also have some Eastern European-y things. They have some kind of polenta dish with eggs. It has a little bit of sauerkraut. I like what they’re doing with their brunch direction.

3 p.m.: Reading is fundamental

I’m a big books person. There are so many independent bookstores I want to mention. I really like North Figueroa Bookshop in Highland Park. They feature a bunch of independent presses.

I love Sierra Madre. It’s such a walkable neighborhood. They have a bookstore called Fables and Fancies. They have a tree inside — who doesn’t like that?

There’s also one called DYM Books & Boba in North Pasadena. The owner, Desiree [Sayarath], is so sweet. It’s not a huge bookshop, but they feature a lot of authors of color and queer authors. Then it’s got a full coffee menu, and you can add boba to pretty much anything. They have gulab jamun-flavored matcha, which I have never seen anywhere else. Gulab jamun is this Indian dessert. It’s like a rose water and cardamom flavor.

4 p.m.: Gifts for the unknown

I would love to go to a craft fair. There’s one in Pasadena called the Jackalope Art Fair that’s there periodically. I already buy things that I maybe don’t need, but I do like a craft fair because you’re making eye contact with the creator as you’re buying their thing and it feels like you’re getting extra dopamine from that.

The worst thing is that I’m like, “This will be a great gift for someone later.” I have bags of gifts for people, and I don’t know who these people are, but someday they’re going to be getting a bag of buttons.

6 p.m.: Feeding schedule

At 6, I have to feed my cats. They’re very strict about their mealtime. They eat at 6 and 6. My partner feeds them at 6 in the morning, but I feed them at 6 p.m.

They’re sisters. They’re 5 years old. They’re pretty demanding in general. They’re pretty vocal about what they want and when they need it.

6:30 p.m.: Fitness to fight depression

Lately, I’ve been doing a lot of workouts at home. I’ll do a kickboxing thing or yoga Pilates. I tried to get into the gym and, I don’t know, something about the gym environment really bums me out.

I’m not like a Peloton girlie. I’m joining some of your more avant-garde platforms. I don’t think they think of themselves as avant-garde, but there’s this platform of African dance called Kukuwa these women in Africa started and I love their workouts. Then there’s free stuff. There’s Move With Nicole, which is a Pilates account on YouTube that I do a lot. I’m looking for your smaller businesses.

As I’ve gotten older, my mental health has plummeted for various reasons. I feel like exercise is one of the only things that helps regulate it to some extent, which I hate saying because when you say you’re depressed, people are like, “Just go for a walk.” And it’s not like the walk cures depression, but it does help to get some vitamin D or just be like, “Oh yeah, I have these muscles, I should probably sometimes use them.”

7 p.m.: A new dish

I don’t mind a dinner in, but I feel like given the chance, it’s always nice to eat at the restaurant. I discovered this vegan place in Highland Park that does vegan sushi that’s pretty new called Tane Vegan Izakaya. I’ve also been meaning to check out this vegetarian place in Echo Park called Men & Beasts that I keep hearing about.

I like trying a new place, but then once it works for me, I’m probably hitting that up a bunch of times. If a restaurant clicks where the food is great, the service is great, the atmosphere is great, then I’m happy to support them as much as possible.

9 p.m.: Puttering toward bed (eventually)

I’ll come home and watch something. I’m trying to scroll less on my phone, so maybe I’ll watch “The Great British Bake Off” or something that’s not too taxing on the brain.

I usually make myself a big cup of ginger tea at night because my stomach has been more temperamental as I’ve gotten older, but what usually happens is I make the big cup of tea and then I forget about it, and it kind of watches me while I scroll on my phone.

Every day, I want to be in bed by 12:30, and then it ends up being 2 a.m. and I cannot account for how that happened. I think I’m just a serial putterer, in that I putter around and I don’t know what I’m doing a lot of the time.

A UNESCO panel backed Italy’s bid, recognising Italian cuisine as a social ritual that binds families, communities.

Italian cuisine, long cherished for its deep regional traditions, has been officially recognised by UNESCO as an “intangible cultural heritage” – a designation the country hopes will elevate its global prestige and draw more visitors.

“We are the first in the world to receive this recognition, which honours who we are and our identity,” Italy’s Prime Minister Giorgia Meloni said in a statement on Instagram on Wednesday.

“For us Italians, cuisine is not just food, not just a collection of recipes. It is much more, it is culture, tradition, work, and wealth,” Meloni said.

The vote by a cultural panel of UNESCO – the United Nations Educational, Scientific and Cultural Organization – meeting in New Delhi capped a process Italy launched in 2023, with the government portraying the country’s culinary tradition as a social ritual that binds families and communities.

🔴 BREAKING

New inscription on the #IntangibleHeritage List: Italian cooking, between sustainability and biocultural diversity, #Italy🇮🇹.

Congratulations!https://t.co/xoL14QjPPR #LivingHeritage pic.twitter.com/2iY86Obn3n

— UNESCO 🏛️ #Education #Sciences #Culture 🇺🇳 (@UNESCO) December 10, 2025

‘Cooking is a gesture of love’

UNESCO did not single out any famous dishes or regional specialities. Instead, the citation focused on how much Italians value the everyday rituals around food: the big Sunday lunch, the tradition of nonnas teaching kids how to fold tortellini just right, and simply sitting down together to enjoy a meal.

“Cooking is a gesture of love; it’s how we share who we are and how we look after each other,” said Pier Luigi Petrillo, part of Italy’s UNESCO campaign and a professor at Rome’s La Sapienza University.

In its announcement, UNESCO described Italian cuisine as a “cultural and social blend of culinary traditions”.

“Beyond cooking, practitioners view the element as a way of caring for oneself and others, expressing love and rediscovering one’s cultural roots. It gives communities an outlet to share their history and describe the world around them,” it added.

The UNESCO listing could deliver further economic benefits to a country already renowned for its cooking and where the agri-food supply chain accounts for about 15 percent of the national gross domestic product (GDP).

It could also bring some relief to traditional family-run restaurants, long the backbone of Italian dining, which are facing a harsh economic climate in a market increasingly polarised between premium and budget options.

Honouring cultural expressions

Italy is not the first country to see its cuisine honoured as a cultural expression.

In 2010, UNESCO inscribed the “gastronomic meal of the French” on its intangible heritage list, calling out France’s tradition of marking life’s important moments around the table.

Other food traditions have been added in recent years, too, including the cider culture of Spain’s Asturian region, Senegal’s Ceebu Jen dish, and the traditional cheese-making of Minas Gerais in Brazil.

UNESCO reviews new candidates for its intangible-heritage lists every year under three categories: a representative list; a list for practices considered in “urgent” need of safeguarding; and a register of effective safeguarding practices.

At this year’s meeting in New Delhi, the committee evaluated 53 proposals for the representative list, which already includes 788 entries. Other nominees included Swiss yodelling, the handloom weaving technique used to make Bangladesh’s Tangail sarees, and Chile’s family circuses.

Many Americans think badly of the government because of “gridlock” in Washington. Supreme Court Justice Antonin Scalia is not one of them.

Americans “should learn to love gridlock,” he told the Senate Judiciary Committee on Wednesday. “The framers (of the Constitution) would say, yes, ‘That’s exactly the way we set it up. We wanted power contradicting power (to prevent) an excess of legislation.’ ”

And that was in 1787, he added. They “didn’t know what an excess of legislation was.”

Scalia, the longest-serving justice, contrasted the American system to those of governments in Europe, and he said this country’s Constitution is better because it provides for an independent president, an independent judiciary and two independent branches of Congress.

“I hear Americans nowadays … talk about dysfunctional government because there’s disagreement,” he said. If they understood the Constitution, he continued, they can “learn to love the separation of powers, which means learning to love gridlock, which the framers believed would be the main protection of minorities.”

Scalia discounted the importance of the Bill of Rights and its protection for freedom of speech and the press. “Every banana republic has a Bill of Rights,” he said. Those are “just words on paper.” It depends on the “structure of government,” including independent courts, to enforce the rights of individuals.

The Senate committee invited Scalia and Justice Stephen G. Breyer to talk about the role of judges, and the two carried on a two-hour conversation about their views of the Constitution and the law.

In recent years, they have conducted their own debate over whether the justices should rely on the original meaning of the Constitution in deciding cases. Breyer said judges needed to start with the “values” set in the Constitution, but need to update them to take account of modern times.

Scalia said he wanted no part of it. “I’m hoping the living Constitution will die,” he said.

The idea of the sea that I grew up with was associated with sundowners and souped-up cars and skipping classes to sunbathe with the models who took over Cape Town’s beaches each summer. As a student, long nights would end, not infrequently, with a swim at sunrise (until, one morning, the police arrived to remind us that sharks feed at dawn). So it’s hardly surprising that, after moving to Norwich to study in my 20s, the British seaside trips I made felt tepid. Cromer, with its swathe of beige sand sloping into water an almost identical colour, seemed to suggest that over here, land and sea were really not that different from one another. That the sea as I’d known it – with all its ecstatic, annihilating energy – was an unruly part of the Earth whose existence was best disavowed.

It was only several years later, burnt out from a soul-destroying job, that I took a week off and boarded a train to Cornwall. I was 25, poor and suffering from the kind of gastric complaints that often accompany misery. With a pair of shorts, two T-shirts and a raincoat in my backpack, I arrived in St Ives and set off to walk the Cornish coastal path.

On my second day, to my surprise, I was joined by an Iranian philosophy student I’d met at my local cafe – perhaps he was lonely and ill at ease too – and we skirted the cliffs in single file talking Hegel and subsisting almost entirely on the blackberries which burst from the verges demanding to be eaten. Beneath us, the sea shifted between being darkly rageful and a blue so pure that, if you squinted, could be the Mediterranean. By day three, we were sleeping together, and by day five, having suddenly become allergic to each other, I carried on alone.

I didn’t discover Portscatho on that trip, but I did discover the pleasures of tracing the Cornish coastline on foot. Which is how, a decade later, coming round the headland of the Roseland peninsula while hulkingly pregnant, I laid eyes – in the next bay – on a group of oddly gentle-looking Georgian houses surrounding a small harbour.

The feeling I had, coming into that village, reminds me of a passage in a Nabokov story, Cloud, Castle, Lake. A bachelor, who’s been forced to go on a communal holiday by the “Bureau of Pleasantrips”, unexpectedly comes upon a configuration of elements – a dark castle overlooking a lake on which a cloud is reflected in its entirety – whose particular arrangement simultaneously reveals and fulfils a longing so deeply buried in himself that, until then, he hadn’t known it existed.

It was late autumn. As the narrow path dropped from the cliffs, the landscape became almost tropical: dry grasses turned into passionflowers. Crepey pink rhododendrons peered from the front gardens of the houses on the outskirts of the village. I remember the clouds that had brooded over the landscape for days suddenly clearing, giving way not to a half-hearted sunshine, but to the kind that makes you want to strip off your clothes and inhibitions and become your true self. In the village square, above a pier, off which a group of children were throwing themselves into the sea, was a pub that spilled on to the pavement, where a group of men sang sea shanties watched by people leaning against the low walls of houses over the road, sipping pints.

Writers, in my experience, prefer disillusionment to transcendence. I, for one, suspected – even as it occurred – that my Cloud, Castle, Lake experience would, on repeat visits, turn out to be false: the product of novelty or pregnancy hormones. And yet, in the decade since – and not a year has passed when I’ve not gone back to Portscatho at least once – it hasn’t lost its sheen.

What does one picturesque seaside village, with its two pubs and its fish and chip shop, its Harbour Club hosting cover bands on Saturday nights, give that another does not? Sometimes, my love for it seems embarrassing. An indictment on my heart. As though, if I were less naive, less needing of tenderness or comfort, I’d give myself over to wilder, more difficult beaches – like Towan Beach, a mile or so further along the coast, whose crescent of empty sand resembles the beaches in New Yorker cartoons where a bearded man washes up to spend eternity eating coconuts.

I should be able to enjoy a wild sea surrounded by nothing but wilderness, rather than a sea, like Portscatho’s, in which one is always a few steps from humanity and the comforts of the low-ceilinged Plume of Feathers, or a chowder cooked by local celebrity chef Simon Stallard (whose latest venture, the Standard Inn, is up the road in Gerrans). Or a grocery shop selling artisanal cheeses and New World wines. Or a gallery with paintings in the style of Georges Braque, instead of the bits of driftwood bric-a-brac and watercolour paintings of boats that wash up in most coastal towns. I ought to join the local wild swimming group for its daily 8am dip without needing the comforts of an espresso from a beachfront coffee bar to warm me afterwards. But, just as ghost stories are best enjoyed from a cosy chair by the fire …

What redeems me, in my own eyes, is my preference for the winter months over the summer ones. I love being in Portscatho when the clocks change, and we’re meant to stay indoors watching whatever’s done well at the Emmys, but are often still on the beach at 5pm when the clear night sky brings out its wares. I love New Year, too, when Stallard cooks up a meal on the slipway – one year it was paella – and everyone gathers for the annual firework display.

I love, best of all, the moment when, turning down the steep road into the village at the end of the long drive from London, I see the Plume, and the two roads extending from either side of it like outstretched arms towards the bay. How the sea, every time I arrive, seems to say: “Here you are, at the edge of the world, you’ve arrived at the end of the place where you’ve carried out your labours, so you can finally relax.”

Katharine Kilalea is the author of OK, Mr Field, published by Faber at £8.99. To support the Guardian, order your copy at guardianbookshop.com. Delivery charges may apply.

STRICTLY’s Tyler West and Love Island star Chloe Burrows are set to be the new hosts of the KISS FM Breakfast Show in a surprising shake up.

The show has been hosted by Jordan Banjo and Perri Kiely since 2020, but the duo sensationally quit just last week.

And now, their surprising reality star replacements have been confirmed.

Tyler, who currently presents afternoons on Kiss, is moving to the early bird slot with Chloe from the end of January.

He said of the new opportunity: “‘KISS FAM! The mornings are gonna be unreal! Taking over from my boys Jordan and Perri is huge… but trust me I’m ready to bring it!

“It’s time for big laughs and bigger tunes. KISS is where home is – this is your new breakfast show where the door is always open. It’s gonna be carnage!”

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While Chloe, who hasn’t previously hosted radio before but has her own podcast, described the opportunity as her “dream job”,

She said: “I can’t believe I’m saying this – I’m joining KISS! While I know I’ve got big shoes to fill, stepping into the station that I’ve been a HUGE fan of growing up will feel like being launched into my dream job at 100 miles an hour.

“Being the newbie, I know that working alongside Tyler and a world-class team of producers will give me the perfect introduction.

She rounded off: “I’m more than ready to bring the laughs and every ounce of energy I’ve got for the KISS Breakfast listeners. I’m buzzing!”

Chloe rose to fame after appearing on Love Island back in 2021, while Tyler is a presenter and starred on Strictly Come Dancing in 2022, during which he met fiancée Molly Rainford.

The show rivals the likes of Capital Breakfast Show with Jordan North, Sian Welby and Chris Stark, Radio 1’s Breakfast with Greg James, and Hits Radio Breakfast with Fleur East, James & Matt.

It is not yet confirmed who will take over Tyler’s afternoon show, with the news set to be revealed early next year.

Jordan and Perri revealed they have stepped down from the show last week during an on-air announcement.

The duo, who joined the station in 2020, said: “We have some very big news… there’s no easy way to say this, we are moving on from KISS Breakfast.

“It’s been quite the journey for the last five and a half years and we’ve spent every single morning with you guys.

“It’s been an absolute pleasure, a privilege to wake up with you guys and have a laugh.

They continued: “It’s been the most special years of our lives, genuinely, and we’ve enjoyed every single moment.

“We’re going to get some lie ins back which is going to be a little bit weird to adjust too, but we do get to focus on all the other things that we get to do.”

Father Christmas has found a new way to soar above the rooftops, with the London Eye launching its Santa in the Sky experience which is full of dramatic twists and turns

The London Eye fell victim to an April Fool’s earlier this year when it was claimed that it was to be dismantled and shipped to Scotland.

Originally called the Millennium Wheel, the 135 metre tall observation structure is still very much in place and currently holds the title of the UK’s most popular tourist attraction with more than 3million visitors a year.

It is the focal point for London’s famous New Year’s Eve fireworks and has played host to thousands of marriage proposals since it opened its pods in 2000.

The revolving pods give visitors a birds-eye view across London and its historic monuments from the towering Shard to Buckingham Palace, Big Ben, Hyde Park and Nelson’s Column.

And this year, there is something new to see. Father Christmas has traded his sleigh for the big wheel, setting up shop to meet visitors young and old.

The unique Santa in the Sky experience sees guests depart for the North Pole from the VIP lounge, where they are met by the affable elf, Crumbly Bakewell.

Kids first visit Mrs Clause, who helps them write and post a letter to her husband before making them promise not to leave him any gingerbread on account of his seasonal weight gain.

After a highly entertaining performance of Rudolph the Red Nose Reindeer that kids and adults will both love, it’s on to the wheel.

The middle bench in the Santa pod has been removed and replaced with a cosy fireplace and reading nook, along with a comfy chair for the man himself.

The experience is interactive from the start. While ascending, kids are asked to help Santa and Crumbly Bakewell build a map by spotting some of the key landmarks across the skyline.

Then they draw their preferred gift on a picture that Santa signs, before he reads T’was the Night Before Christmas to his rapt audience. But the smartest part that floored my four year old was when Santa whipped out the letter that he’d previously written on the ground.

After that, children receive a present, which in our case was a generously sized lego set. Back on solid ground, it was time to say a regretful goodbye to Crumbly Bakewell, my son was bereft!

His verdict would be a solid 10, and I found it to be one of the most authentic and entertaining Santa experiences out there and we will definitely be back.

Tickets are available until Christmas Eve and start at £79 for an adult and child. For more information, visit the London Eye website.