love

Vogue Williams and Spencer Matthews have been married since 2018 and share three children, but she admits she initially didn’t fancy him and likes to keep a ‘separate life’

Vogue Williams has revealed she prefers to maintain a “separate life” from husband Spencer Matthews. The 40-year-old encountered the former Made in Chelsea star whilst filming The Jump on Channel 4 back in 2017.

The Irish podcast presenter initially admits she “didn’t fancy” Spencer and believed he “wasn’t for her”. Yet she says her mates “really wanted me to sleep with Spencer” and thought he’d fit in with their circle.

Nevertheless, shortly after their first meeting, romance flourished, and in January 2018 Spencer proposed during an outing to see The Lion King in London. The couple wed that June at Glen Affric, the Matthews family’s Scottish estate.

Speaking recently at Meta’s HQ in Dublin, Vogue acknowledged she enjoys maintaining a “separate life” from her spouse. This came as she recounted an incident where he irritated her whilst she was preparing to spend time with My Therapist Ghosted Me co-host Joanne McNally.

Asked who she favours between Joanne and Spencer, Vogue answered: “Well it depends what I need them for. I went for a walk with Joanne on Sunday morning and Spenny was insistent that he wanted to go for lunch and then Joanne was like, ‘I’m not hungry, I want to go home.'”

She continued: “So I was in a huff with Spenny, as I was going on a walk with Joanne and he interrupted it. I try to, I like to have a separate life as well, Spenny he has his friends and I have my friends.”

In her autobiography Big Mouth, Vogue confesses she worried a romance with Spencer wouldn’t “have gone very well” regardless because he “was yet to form a serious bone in his body”. Vogue meanwhile acknowledges she tended to find herself “getting serious quickly”.

The duo nevertheless “got on famously” following Spencer’s arrival at The Jump dressed in tracksuit bottoms, slippers, and “reeking of booze”. Vogue penned: “I had done a lot of work with my therapist up to this point; we had decided that if I continue to fall for guys I felt I needed to fix or help I was just repeating a pattern and that it always ended the same way (disastrously).

“Spencer, being a man made of red flags, was not for me I decided, and I didn’t really fancy him anyway so it was all good. I did, however, love his personality.”

The pair now have three children together – Theodore, Gigi and Otto. Vogue has previously revealed she would have “swiped past” Spencer had they encountered each other on a dating app.

She shared this during an earlier episode of Vogue and Amber, whilst responding to a listener finding it difficult to discover love through digital platforms. Vogue remarked: “You’re just judging someone completely on the way they look.

“And I always say this, Spencer is obviously gorgeous, but he wouldn’t have been my type when we met. And I would have swiped past him on a dating app.

“And then we met, and we were mad about each other because we just loved each other’s personalities. So, I think trying to meet somebody in real life, although it can be hard, can be a really amazing thing.”

March 14 (UPI) — Saturday’s Google Doodle celebrates everyone’s favorite math holiday, Pi Day.

The Doodle features an animated illustration of how the mathematical constant is used in equations dealing with a circle’s circumference and diameter.

“Long before modern technology, the Greek mathematician Archimedes popularized an innovative approach: He approximated the value of pi by sandwiching a circle between two 96-sided polygons to determine its precise upper and lower bounds,” a Google post about the Doodle reads.

“Today, we honor this mathematical legacy as enthusiasts worldwide celebrate with pi-reciting contests and slices of pie.”

The value of pi is roughly 3.14, but since it’s irrational, the number of decimal places beyond .14 go on infinitely. There are contests worldwide in which math lovers memorize and recite as many digits of pi as possible.

Last Pi Day, in 2025, a 10-year-old British boy recited 280 digits of pi from memory in 1 minute, breaking a Guinness World Record.

Pi Day is celebrated March 14 each year because the date is typically expressed as 3/14. Those less interested in math often choose to celebrate the day by eating a slice of their favorite pie.

The 10th season of “Love Is Blind” ventured to Ohio, yielded a record seven engaged couples and made structured cape blazers and the idea of daily Pilates classes feel like rage bait.

With the season over, and just two couples saying “I do,” the cast of the popular Netflix dating series came together for this week’s reunion special to share updates on their lives since the cameras went down — and to unpack the twists, turns and lies that played out over the season. The result was a reunion that finally provided (mostly) satisfying questions and answers about participants’ pasts and presents instead of dancing around topics.

Unable to budget the time for a trip to Cabo — or even Malibu — to process it all, TV editor Maira Garcia and I have brought our running “LIB” thread out of our Slack DMs to unpack our thoughts in this safe place.

Also in this week’s Screen Gab, our streaming recommendations include a spray-tan crime comedy and a Morgan Freeman-narrated mind trip about the rise and fall of dinosaurs. Plus, we tell you where you can stream the slate of best picture nominees ahead of this Sunday’s Academy Awards ceremony.

This is your cue to block off some “couch time” in your calendar this weekend.

— Yvonne Villarreal

Turn on

Recommendations from the film and TV experts at The Times

Will Forte as Martin and D’Arcy Carden as Vicki in a scene from “Sunny Nights.”

(Lisa Tomasetti / Hulu)

“Sunny Nights” (Hulu)

D’Arcy Carden fans, and I can’t imagine anyone who’s ever seen her work isn’t one, will be elated to find her at full force starring in this dark, sometimes violent Australian crime comedy alongside Will Forte, who, yes, has fans of his own. They play brother Martin (cautious) and sister Vicki (impulsive), who have traveled to Sydney to flog a tanning spray at a lifestyle convention, though Martin has an ulterior motive, to win back his wife, Joyce (Ra Chapman). What with one thing and another, they find themselves repeatedly in need of cash and mixed up with a panoply of criminals, some fairly sympathetic (former rugby star Willie Mason, excellent as former rugby star Terry; Jessica De Gouw as Susi), and others not at all (Rachel House as kingpin Mony, just out of the jug). All are trying to change their lives, or at least their business plan, including Joyce, a journalist stuck writing clickbait articles for an editor who doesn’t want to know, and Megan Wilding as Nova, an animal control worker who knows something important about an exploding crocodile. — Robert Lloyd

A still from “The Dinosaurs.”

(Netflix)

“The Dinosaurs” (Netflix)

This four-part series will have you mentioning the Carnian pluvial episode in every conversation. Aptly narrated by Morgan Freeman and executive produced by Steven Spielberg, the sweeping CGI-enhanced nature documentary traces the evolutionary history of dinosaurs, from their origins in the Triassic period to their extinction 66 million years ago. And it’s more proof that attention spans, no matter a person’s age, will always lock in for dinosaurs. Before morning, your Google search history will include terms like “Marasuchus,” “Vulcanodon,” “Heterodontosaurus” and that Carnian pluvial episode (a.k.a. the longest downpour in history, which lasted more than a million years). Prepare to have your perception of time forever altered. Still, it’s a surefire way to give your mental health a break from current events — though, for a certain generation, it may also unlock those “Land Before Time” memories. — Y.V.

Catch up

Everything you need to know about the film or TV series everyone’s talking about

Scenes from “One Battle After Another,” left, “Hamnet” and “Sinners.”

(Warner Bros. Pictures; Focus Features)

The 98th Academy Awards will broadcast Sunday at 4 p.m. Pacific. How many of the best picture nominees have you seen? Is it less than the number of think pieces you’ve read on Timothée Chalamet’s comments on ballet and opera? We’re here to help. If you’re feeling inspired to be a studious viewer ahead of film’s big night, here’s where you can stream the best picture nominees:

• “Bugonia” (Peacock): Directed by Yorgos Lanthimos, the surreal comedy thriller follows a paranoid bee keeper (Jesse Plemons) who kidnaps a pharmaceutical CEO (Emma Stone), convinced she is an alien responsible for destroying humanity. The film received four Oscar nominations.
• “F1” (Apple TV): From “Top Gun: Maverick” director Joseph Kosinski, the sports drama stars Brad Pitt as retired F1 driver Sonny Hayes, who agrees to compete in the globe’s most prestigious racing event to salvage his reputation and the failing team of his buddy. The film received four Oscar nominations.
• “Frankenstein” (Netflix): Guillermo del Toro’s adaptation of the classic horror tale transforms Jacob Elordi into the tragic monster, known here as The Creature, and features Oscar Isaac as its titular mad maker. The film received nine Oscar nominations.
• “Hamnet” (Peacock): Based on Maggie O’Farrell’s novel, Chloé Zhao’s historical drama explores the grief, love and strained marriage of William Shakespeare (Paul Mescal) and his wife, Agnes (Jessie Buckley). The film received eight Oscar nominations.
• “Marty Supreme” (Available to rent or buy on platforms like Prime Video and Apple TV): Directed and co-written by Josh Safdie, the film is loosely based on the life of American table tennis player Marty Reisman, here called Marty Mauser and played by Timothée Chalamet. It is expected to be released on HBO Max later this spring. The film received nine Oscar nominations.
• “One Battle After Another” (HBO Max): Paul Thomas Anderson’s satirical political thriller, a loose adaptation of Thomas Pynchon’s “Vineland,” follows a paranoid ex-revolutionary (Leonardo DiCaprio) trying to save his daughter when an old enemy (Sean Penn) resurfaces. The film received 13 Oscar nominations.
• “Sentimental Value” (Available to rent or buy on platforms like Prime Video and Apple TV): Joachim Trier’s Norwegian drama follows two sisters (played by Renate Reinsve and Inga Ibsdotter Lilleaas) as they reunite with their estranged filmmaker father (Stellan Skarsgard). The film received nine Oscar nominations. It is expected to be released on Hulu later this month.
• “Sinners” (HBO Max): Ryan Coogler’s gothic horror drama is set in 1932 Mississippi and follows twin brothers (played by Michael B. Jordan) who, trying to leave their troubled past behind them, return to their hometown to start anew — only to face new horrors. It became the most-nominated film in Academy Awards history with 16 total nominations.
• “The Secret Agent” (Hulu, Disney+): Directed by Kleber Mendonça Filho, the Brazilian historical political thriller stars Wagner Moura as a former professor fleeing persecution during the 1970s military dictatorship while trying to protect his son. The film received four Oscar nominations.
• “Train Dreams” (Netflix): Based on Denis Johnson’s 2011 novella of the same name, the film is an intimate birth-to-death portrait of a quiet railway laborer (Joel Edgerton) as he watches the world change around him. The film received four Oscar nominations.

Break down

Times staffers chew on the pop culture of the moment — love it, hate it or somewhere in between

It’s crazy to think that about six years ago, golden goblets, pods and “the experiment” were disparate ideas and objects that were on the precipice of infiltrating the culture. Now, you can’t think of one without the others. “Love Is Blind,” the reality dating show that tests the premise of whether singles can find love sight unseen and marry at the end, marked a milestone this year with its 10th season, filmed in Ohio.

While the series has produced a number of marriages and engagements, some have ended in breakups and divorce, as we saw on Wednesday’s Season 10 reunion. So while the answer to the question “Is love blind?” seems to be no, the series has nonetheless made for entertaining television for viewers who have made dissecting the people, fights and makeups a sport. Why are we so invested? Because it’s a reflection of where we are as a society when it comes to relationships and what we expect from partners emotionally, politically, physically and financially. With that in mind, Yvonne and I sat down with our golden goblets to unpack the Season 10 reunion. Here are five moments that stood out. — M.G.

Jordan and Amber are now divorced

Jordan Faeth and Amber Morrison were one of two couples to say “I do” at the altar. Morrison, a single mom, discussed with Faeth over the course of the show if he was ready to be a stepparent and where they would live, given that Morrison owned a home and her daughter was happy at her school. At the reunion, the couple revealed that they never moved in together and that they divorced after four months. Morrison talked about how her daughter was distraught after the breakup, leading to an emotional moment where Morrison ran offstage in tears. It raised an important question that fans have debated closely: Should parents be on the show? Seasons 6 and 9 also featured single parents, neither of whom made it to the altar. Given the compressed timeline of when people meet, become engaged and head to the altar, deciding whether marriage should include parenthood at the start adds another layer of complexity, not to mention how it could affect a child, who suddenly has a stranger in their life. The outcome wasn’t necessarily surprising, but it was sad.

Vic and Christine: boring but perfect. More, please

The other couple to make it down the aisle was Vic St. John and Christine Hamilton, who hit it off from the get-go and seemed to exist in their own blissful bubble. According to Netflix production, the show only budgets for six couples to go on a trip after the reveal and engagement. But they continued to track them, with St. John and Hamilton spending time in Malibu instead, taping dispatches together and getting to know each other without the rest of the cast in proximity. Throughout the course of the show, you see their connection grow. Their mature and thoughtful conversations about being an interracial couple and potentially raising biracial children were exactly the type of discussions you would hope they’d have before proceeding down the aisle. It may not make for dramatic TV, but it was genuinely thrilling to see a couple so well-suited for each other continuing to thrive. And in an effort to make up for not getting to go to Cabo, Mexico, with everyone else, the show offered them a trip paid by … Turbo Tax? It was an odd product placement, but if they want to foot the bill for their honeymoon, no one’s complaining. As long as it’s somewhere tropical on a beach — and not Lake Erie.

Who took accountability?

Despite not making it to the altar on screen after the blazer cape breakup, Connor Spies and Bri McNees are still together. But the bigger record-scratch moment arrived later, when it was revealed that Devonta Anderson broke up with Brittany Wicker a few days after what he told her was a work trip but was actually a getaway to Austin, Texas, to attend a concert with McNees, Ashley Carpenter and Priyanka Grandhi. Wicker didn’t seem thrilled that she had to find out about the trip from Amber (who found out from Jordan, who can’t remember that he even knew about it). McNees didn’t like the implication that she may have broken “girl code” with the whole fiasco — but if all the women are as close as they say they are, why wouldn’t you check in about such an arrangement regardless of the relationship status? (It was weird, too, that Connor thought it was a girls’ trip.) And the fact that it was the same three women who listened to Chris Fusco talk poorly about his former fiancée Jess Barrett — giant sigh. During the reunion, after Barrett voiced her disappointment in her friends about that incident, Carpenter apologized for not doing more to defend her in the moment.

Meanwhile, Nick unleashed his best attempt to channel Andy Cohen and grilled Fusco about his highly questionable behavior and the backlash over his comments to Barrett about her body, specifically stating he usually dates women who do Pilates or workout daily, and for trying to make the moves on McNees. Fusco, mostly quiet and stone-faced (could it be the shame?), acknowledged he was not proud of the moments he watched back and apologized to Barrett. His seat mate, goalkeeper Alex Henderson, was also on the defense. The self-proclaimed nomad never fully seem to vibe with his fiancée, Carpenter. He admitted she’s not his usual type. She still maintained he wasn’t telling the whole truth about his job or dating history, and overall lifestyle. Throughout his segment, Henderson was noticeably irritated by the insinuation that his stories didn’t add up. But he did seem to enjoy being asked to describe his relationship with Carpenter as if it was a soccer match, prompting him to cite a Liverpool game that ended in a tie. Are you laughing too?

Can this be a TikTok?

To commemorate the milestone season, the audience for the reunion special consisted of 150 former participants of the series. And while the time spent getting life updates with some of them throughout the show felt less forced and time-consuming than reunions past, it still felt like an add-on better suited to live in a separate (shorter) special or as social media content. If we wanted an update on these people’s lives, we can find them on social media. A gender reveal courtesy of someone’s dead grandmother, as sweet and touching and lovely as that may for an expectant couple, is not the sort of jaw-dropping moment a show like this needs. And maybe the money saved — assuming production footed the bill for those flights — could have sent every couple to Cabo.

Did you hear? Nick Lachey is from Ohio, guys.

His constant mention of his hometown roots was unquestionably the biggest declaration of love in the 90-minute special. Sorry, Vanessa.

ICYMI

Must-read stories you might have missed

One upon a time blokes couldn’t wait to cut the apron strings and jet off with their mates, but now mums are right up there as favourites among holiday companions

Travel trends have been dominated by lads’ holiday and girls’ trips for years.

But Brits are increasingly swapping group getaways for time away with the person who took them on their first ever holiday: their mum. New research from Heathrow Express reveals that 30% of adults have been away with their mum, parent or carer in the last three years.

Meanwhile 16% are planning a holiday with their mum in the next year, fuelling the rise of bonding trips based on connection. The research shows a growing desire for spending quality time with the people you love – nearly 60% worry they’re not making enough time for their mum, parent or carer as they get older.

READ MORE: Five last minute Mother’s Day gift experiences mum will love more than flowersREAD MORE: Locals puzzled as strange structures pop up on popular UK beach

Those who do travel with parents believe there are real benefits, with 38% saying it’s a more relaxing experience than going away with friends. There are also long term advantages including creating lasting memories (37%) strengthening relationships (29%) and helping with reconnection (28%).

Aoife Considine, business lead at Heathrow Express, said: “Travel has a wonderful way of pressing pause on everyday life. When you’re away together, there’s space for conversations you don’t normally have and moments you don’t always make time for at home.

“For many adults, a trip with their mum or parent figure isn’t just another holiday – it’s a chance to reconnect, laugh about old stories and create new ones. Those are the kinds of memories people carry with them long after they’ve returned home.”

As families celebrate Mother’s Day, Heathrow Express is giving travellers 20% off from March 14 to 21 by using the discount code HEXMARCH.

Those jetting off over the Mother’s Day weekend itself can also get a complimentary dessert with any main course bought at Gordon Ramsay’s Plane Food Market at Heathrow Terminal 5.

Forget Paris and Venice for an intimate getaway, as there’s another city that has been ranked as the most romantic in Europe, with rooftop bars to catch the sunset and a serene boating lake

Europe’s most romantic city has been named, but it’s not where you might think.

Paris, France, has long been hailed as the ‘city of love’, with proposals in the masses, while Venice, Italy, offers sunset gondola rides along the canals. Yet, according to one new ranking, they’ve both been overshadowed as the most romantic cities in Europe.

Instead, the sun-soaked capital of Spain, Madrid, has taken the crown with its historic charm and intimate settings. There are cosy restaurants, rooftop bars, luxury hotels, along with majestic landmarks, vibrant street art, and passionate flamenco performances, all making for a truly spectacular getaway.

Some of the most notable places to visit include hiring a rowing boat on the serene, picturesque lake at El Retiro Park, or taking a leisurely stroll around the enchanting El Capricho Park or the beautiful Sabatini Gardens at the Royal Palace. The city offers some of the best spots to catch the sunset, including the restaurant Azotea del Círculo, which offers panoramic views from its rooftop terrace, and the gardens in Cerro del Tío Pío, perfect for a sunset stroll.

READ MORE: Easter passport warning for Brits as common mistake could see you turned away at the airportREAD MORE: Underrated island with famous neighbour has 22C March weather and £25 Jet2 flights

However, one popular area that has been hailed as the ‘best sunset spot in Madrid’ is the ancient Egyptian temple, Templo de Debod. Catching the sunset last year, one traveller shared on TripAdvisor: “The magic hour to visit is sunset!.. The temple’s ancient stones turn a rich orange, and the reflective pools surrounding it create a mirror effect that is a photographer’s dream.”

For a break away from exploring the city, there’s the Arab baths at Hammam Al Ándalus for a relaxing soak and a step back in time among its historic buildings, or lively flamenco shows at Corral de la Morería. Couples can enjoy a glass of wine and tapas at the Mercado de San Miguel, a fresh food market, or ride the cable car, the Teleférico de Madrid, which crosses the river.

But a stroll around the city is enough to leave you enchanted, with vibrant graffiti decorating its quaint streets lined with tapas bars and coffee shops, and magnificent architecture. From the iconic Plaza Mayor, Plaza de la Villa, and Puerta del Sol square, to the Royal Palace and the Prado Museum, it’s easy to spend hours exploring this bustling yet charming city.

Madrid was named the most romantic European city following research by Icelandair. The airline analysed data from various European cities, comparing their location, nightlife, single population, inclusivity and happiness, along with Tripadvisor romance ratings and sunset visibility, with Madrid topping the list.

The list proves even more valuable, as Icelandair found that 1 in 10 Brits, in a study of 3,000 people, said travel is the best way to meet a partner. Meanwhile, 1 in 5 Brits said they’ve fallen in love while flying, and further research found that most holiday romances occur while volunteering abroad, during a work trip, or while solo travelling.

Most romantic European cities

1. Madrid, Spain
2. Prague, Czech Republic
3. Lisbon, Portugal
4. Barcelona, Spain
5. Zurich, Switzerland
6. Amsterdam, Netherlands
7. Helsinki, Finland
8. Vienna, Austria
9. Copenhagen, Denmark
10. Rome, Italy
11. Athens, Greece
12. Geneva, Switzerland
13. Oslo, Norway
14. Berlin, Germany
15. Reykjavik, Iceland

Do you have a travel story to share? Email webtravel@reachplc.com

Tommy DeCarlo, a longtime fan of Boston who became the classic rock band’s lead singer in the late 2000s, has died. He was 60.

DeCarlo died Monday following a battle with brain cancer, his family announced on Facebook.

“[H]e fought with incredible strength and courage right up until the very end,” the family’s statement said. “During this difficult time, we kindly ask that friends and fans respect our family’s privacy as we grieve and support one another.”

Born April 23, 1965, in Utica, N.Y., DeCarlo said he first started listening to Boston — the 1970s rock band known for its instrumental overtures and hits including “More Than a Feeling,” “Don’t Look Back” and “Peace of Mind” — as a young teenager, according to the group’s website. The vocalist credited his love for Boston’s original frontman Brad Delp and his desire to sing along with him on the radio for helping to develop his own singing voice.

After Delp’s death in 2007, DeCarlo, then a manager at a Home Depot, sent a link to his MySpace page filled with Boston covers as well as an original song in tribute to Delp to the Boston camp, hoping for a chance to participate in a tribute show for the singer. They kindly turned down his offer.

But eventually, Boston founder and lead songwriter Tom Scholz heard DeCarlo’s cover of “Don’t Look Back” and invited the singer to perform a few songs with the band at the tribute. That tribute show would be DeCarlo’s first time ever performing with any band in front of a crowd, but it wouldn’t be his last. He continued to perform with the band at live shows for years, and even joined them on some tracks for their 2013 album, “Life, Love & Hope.”

DeCarlo also formed the band Decarlo with his son, guitarist Tommy DeCarlo Jr. In October, the singer announced he was stepping away from performing due to “unexpected health issues.”

“[P]erforming and sharing music with all of you around the world has been one of the greatest joys of my life,” DeCarlo wrote in his Facebook post. “I can’t thank you all enough for the incredible love, support, and understanding you’ve shown me and my family during this time. It truly means the world to us.”

Daryl Hannah is no fan of FX’s “Love Story: John F. Kennedy Jr. & Carolyn Bessette.” She made that abundantly clear in an op-ed for the New York Times that also criticized the series for what she claims is a misogynistic portrayal of her younger self.

“It’s appalling to me that I even have to defend myself against a television show,” Hannah, 65, wrote in the op-ed published Friday. “These are not creative embellishments of personality. They are assertions about conduct — and they are false.”

A representative for FX did not immediately respond to a request for comment Friday.

“Splash” and “Kill Bill” star Hannah, whose romance with Kennedy in the 1990s made for tabloid fodder before his marriage to Bessette, wrote that the Ryan Murphy-produced project depicted her as “irritating, self-absorbed, whiny and inappropriate.” She wrote that the show also depicted her as a cocaine-loving, selfish obstacle in the way of the series’ late lovers. Kennedy and Bessette Kennedy died in a plane crash in 1999.

These creative choices, she claimed, were “no accident.”

Hannah decried her story being used as a “narrative device” to drive tension in the series and as a result, the series fell into “textbook misogyny” by pitting two women — in this case, actor Dree Hemingway’s Daryl Hannah and Sarah Pidgeon’s Carolyn Bessette — against each other.

The actor, also a filmmaker and advocate for environmental and senior health causes, also distanced herself from the series’ “untrue” depictions of her life, behavior, actions and relationship with Kennedy.

“I have never desecrated any family heirloom or intruded upon anyone’s private memorial,” she wrote. “I have never planted any story in the press. I never compared Jacqueline Onassis’ death to a dog’s.”

“Love Story,” created by Connor Hines, premiered in February with Paul Anthony Kelly starring as Kennedy. Hannah wrote that since the show’s debut, she received many “hostile and even threatening” messages from viewers who believe the series’ depictions.

Before Hannah’s op-ed, Murphy received criticism from Jack Schlossberg, the grandson of John F. Kennedy and nephew of John F. Kennedy Jr. In an interview with “CBS News Sunday Morning,” the 33-year-old political commentator said Murphy “knows nothing” about his family and that the prolific TV creator is making a “ton of money on a grotesque display of someone else’s life.”

While she has often chosen not to address “outrageous lies, crappy stories and unflattering characterizations,” Hannah wrote her “silence should not be mistaken for agreement with lies.” She said she felt compelled to speak out against the series’ depiction of her because continuing her “good work,” including her philanthropic efforts, “requires an intact reputation.”

Hannah said she has respected the Kennedy family’s privacy and, like Schlossberg, condemned “self-serving sensationalists trading in gossip, innuendo and speculation.”

“In a digital era, entertainment often becomes collective memory,” she wrote. “Real names are not fictional tools. They belong to real lives.”

As a child in Newark, N.J., Narciso Rodriguez was often transported back to Cuba by the stories from his family and their friends. He walked the halls of El Encanto, a Havana department store and fashion mecca on the island — one that drew in celebrity clientele and featured haute-couture designs and fragrances from the far-flung fashion capitals of Paris and Milan.

“I don’t know that they could have afforded any of those things when they were in Cuba,” he tells De Los. “But they certainly filled my imagination with beautiful stories and laid the foundation for my work.”

It was the women in his life — the “amazing, powerful, loud, colorful dynamos,” as he describes them — who inspired him to pursue a career in fashion.

“Their stories, their lives, their power, their curves, it all influenced me,” he says. “They’re the reason I wanted to create things.”

Over the last three decades, the renowned designer has earned a reputation for sleek, flattering lines and effortless shapes, most famously seen on the career-launching dress he designed for his friend Carolyn Bessette-Kennedy to wear on her wedding day. The bias-cut silk slip has remained a source of inspiration for generations of brides since, and has been making waves again thanks to the FX series “Love Story: John F. Kennedy Jr. and Carolyn Bessette.”

Omari K. Chancellor as Gordon Henderson, from left, Sarah Pidgeon as Carolyn Bessette, Tonatiuh as Narciso Rodriguez in FX’s “Love Story: John F. Kennedy Jr. & Carolyn Bessette”

(Eric Liebowitz / FX)

“Love Story” will follow the couple’s wedding in the latest episode, out March 5. (Rodriguez is portrayed by Tonatiuh on the show.)

After designing Bessette-Kennedy’s dress, Rodriguez launched his own label and a fragrance line, and has continued to create designs that are woven into the fabric of American history — Michelle Obama wore his dress on election night in 2008.

De Los spoke with Rodriguez about his career, upbringing and memories of designing Bessette-Kennedy’s dress.

You’ve spoken about how inspired you were by the women in your life growing up. Are there any “fashion icons” from your family or neighborhood that you could point to from your childhood?

You know, I’m so lucky because I was raised in a very Cuban household in a very culturally rich community in Newark. I mean, it was Italian, Spanish, Cuban, Puerto Rican, Black. It was everything. But I always think back to when I was very, very young, there was a kind of matriarch here in the neighborhood. Her name was Concha and she was kind of this lightning rod. My dad’s sister was married to her son, so when my parents came to the U.S., she gave them a place to stay. She would teach all of the young women how to cook and gave everyone a place to stay until they got on their feet. She was larger than life, she was like “Auntie Mame.” She had these great ‘60s beehive wigs in amazing wig boxes, she made these beautiful Chanel suits for herself, and had all these gold bangles, great lipstick and stilettos. When she came into the room, she just radiated power, joy and style. I always think of her as being my first signpost on the road.

They were all beautiful, you know? My aunts and my mom were the most beautiful, glamorous women. None of them were wearing designer clothes, but they took great pride and great care in how they looked, and that really made an impression on me.

How did that impression translate into a concrete passion? How did you go about actually pursuing a career in fashion?

I loved architecture. I loved building things, so I was always drawing, sketching and sculpting. Then I would see my mom take a piece of fabric and the way she could take something flat and shapeless and turn it into a garment was fascinating. By the time I was 13, I was doing fashion illustration, and I got a job in a tailor shop. Later, I enrolled myself in Saturday courses at Parsons [School of Design], and I kind of had to hide it from my parents at first. I felt like I couldn’t be a fashion designer, you know, because of the whole “macho” idea, but I just kept going. I was lucky that I was someone who always knew what they wanted to do, and that Parsons recognized I had talent for it at a young age.

I was exposed to really great people there, too. Donna Karan was a critic, Calvin Klein was a critic, Oscar de la Renta too. I got to do projects with all of them, and then I was hired after school by Donna Karan while she was still at Anne Klein. It was an amazing experience, and then I got poached by Calvin Klein, which was a very different experience.

How so?

It was incredible, but just very different. Whereas Anne Klein was this melting pot of creativity, Calvin was much more image-driven and precision-driven. He brought in great talents to collaborate with, so on any given day, you’d be working with the most amazing photographers, stylists and art directors. It was a really great finishing school as a young person.

You arrived at Calvin Klein during a period of reinvention for the brand. This was in the era of Kate Moss, and the famous “Marky Mark” print ads. We see a version of it in “Love Story,” but what was it like to actually be there?

When I got there, I think around 1989, it hadn’t really started to change yet. And I thought, “Wow, I made a really big mistake. This is not my aesthetic, not my thing.” But it changed very quickly, and it was very exciting. [Calvin] worked very hard. He was very focused, and he appreciated that I could keep up. Like everybody, there was a rough initiation period, but afterward, he gave me the opportunity to work on some tailored pieces that sold really well at retail, so I was rewarded with more opportunities.

But it was the ‘90s, and it was New York, and it was brilliant. It felt like the whole city was reinventing itself, and Calvin was a leader in that. All the best photographers, the most brilliant artists were there. Jacky Marshall, Zack Carr, Carolyn — the talent was endless. I was really fortunate to experience it and build friendships that were lifelong.

I’m curious if you remember your first impressions of Carolyn. How did you two connect?

We were quite friendly immediately, and then we became the best of friends. We lived in the same building, so the rest was history. You know, she’s an incredible person, and she had great style. She was bigger than life.

Carolyn has been regarded as a fashion icon, and especially now, everyone is trying to re–create her look. There was something more subtle and interesting going on than just “minimalist” fashion, so how would you describe what made her style so special?

Carolyn was so authentic in so many ways, and I think that she was very pragmatic about her choices. She had a great eye. She knew what worked for her, and she knew how to present herself. She never wanted to be uncomfortable. She was very connected to herself. I think so many people have this relationship to fashion and what they think they should look like based on the ideas they see in a magazine or being sold to you by the industry, and Carolyn never fell into that trap.

I have this conversation often with young designers, with people, with journalists. Today, everything that we see is inauthentic. Celebrities are paid to wear designer clothes. They’re styled by a stylist, and nothing is innate. That is the opposite of Carolyn. She was 100% real.

Narciso Rodriguez in 1997.

(Paolo Roversi)

We have to talk about her wedding dress. If you’re a bride, it’s impossible to look for inspiration without coming across her dress. What was it like to have a friend ask you to create something for such a special, important moment?

You know, until my children were born, Carolyn was the love of my life. We were very close, and she asked me, as you said, to make the dress that she would marry the love of her life in. It was very personal for me. It wasn’t a press event, it was a conversation between two people who were very close. I knew what looked good on her, she knew what looked good on her. I knew that she would never want to be bogged down with trains and lace. It wouldn’t be her.

What was the actual design process like?

It was an effortless collaboration. She came to fittings in Paris, we pulled the neckline down a bit lower, and the dress was born. I added the gloves, the veil and the shoe. It was just magical, and exactly the way it should be. It really made her the focus. You know, she was the one who pointed that out to me about my work. She always said, “You create a frame for a woman’s beauty and personality to shine through.” I’ve always thought that was a really beautiful thing that she gave me, because it’s true. I never want my work to be what you see first. I think the success of that dress is that you see her and her happiness and the purity of it all.

Everything about the wedding, including the dress, had to be kept a secret. Was it a challenge to make sure that no one knew what you were working on?

I was working in Paris, and I got approval from the owner of [Cerruti]. He was discreet about it. I worked with one pattern maker. I had a fit model who was lovely. Nobody knew who it was for. They always asked. But because I was working in Paris, they didn’t really connect me to her. I was also quite cautious when the dress was in work, I remember I had become quite friendly with Azzedine Alaïa. I asked, “Can I take this dress over to you and have you check it out to see what I’m doing?” I went over and he looked at the prototype, and said, “Why don’t you move this seam over the bum by a centimeter. I think it’ll be more flattering.” And I did, because he was the master, and he tortured me to know who it was for, but I never told him. Later, when it was all over the press, he would call and pretend he was a fancy lady looking for a wedding dress for her daughter. [Laughs] He tricked me a few times into believing some of his gags, but he was an amazing person.

It was just a magical time in all of our lives. And then I flew to America with the dress and went to the wedding, and it was that simple. You know, I’ve heard all these amazing stories about how the dress didn’t fit, and I had to sew her into it, and that she was hours late because of it, and none of this is true. But I love that people have made up all these stories.

Maybe the dress on her seems so effortless that people want to invent a way to complicate it.

[Laughs] I really have heard so many crazy stories, but when you look at the pictures, it certainly doesn’t look like it didn’t fit. That’s for sure.

As you mentioned, the dress was all over the press later. How did that moment impact your career?

Well, I went from Paris to my best friend’s wedding, and then I flew home to New York to do a pit stop at my apartment. When I arrived, there was a huge crowd outside the building with news trucks. I kind of walked through the crowd and into the building, and I said to the doorman, “What’s all that about?” And he looked at me, and he said, “They’re here to see you.”

Oh, wow.

It was a very big, kind of scary, unexpected change in my life. I remember going up to my apartment and trying to navigate that when Anna Wintour’s office called and said, “Anna would like for you to come to the Princess [Diana] benefit in Washington.” And I said I couldn’t go, I needed to be back in Paris, I didn’t even have a white shirt. And they said, “It’s Princess Di and Anna Wintour. You’re going. We’ll send you a shirt.” So I went, and I met Princess Diana, and it was really strange to be at such a big event and have so many eyes on me, because I didn’t expect that, and everyone was curious. I remember they were shady journalists trying to sit next to me and get information about where [John and Carolyn] went on their honeymoon. Life changed dramatically, but it brought great attention to the work that I was doing in Paris, and I was able to then go off and start my own business and do my own thing.

I’m sure you had an understanding through Carolyn about what it felt like to be hounded or followed by photographers and press, but did that firsthand experience in New York give you another layer of understanding for what she was going through?

It’s so funny because society today will do anything for that. But it was a very different time, and she was a very private person. I was a very private person. It’s very invasive, and I was kind of stuck in the middle, because while I needed to promote my work and my shows, and sort of be in the press, it wasn’t something that I was very comfortable with. I mean, I love doing the work more than I like the things attached to it. It can be debilitating, and it was difficult for me, but I adjusted, because I could hide behind my work, but as a private citizen, it was more difficult for her.

Narciso Rodriguez.

(Sølve Sundsbø)

You’ve been a part of fashion history on numerous occasions. Michelle Obama frequently wore your designs, but most famously, on election night in 2008, and then during her final appearance as first lady. How does it feel to have been a part of those moments?

It’s hard to put into words. You know, you spend so much time in it, and you have these amazing moments, like designing a dress that became legendary for brides, or getting to dress the first lady, and it wasn’t until COVID that I took a step back. I think about my mother and father coming here to give their son a chance to live out his dreams. And to have been able to sit with my friends on election night and watch her appear in my dress on such a historic moment — the first African American elected president of the United States — words fail. [Michelle Obama] is such an incredible human being who I admire so much, and to have been a part of that night, I feel so lucky.

I don’t talk about my work with my children, but the other day, when they were on the bus headed to school, they told one of their friends, “My dad went to the Obama White House.” They were proud of me. My parents’ dreams came true, and now I get to share that with my children. It’s very special.

It’s really powerful to hear you frame it that way — that these moments mean so much because of your experience being the child of immigrants. How does it feel to be in the midst of a revival right now?

It makes me want to create more. It means a lot to me that people remember these pieces, and that they’re still part of the conversation. But it also means a really great deal to me because I think it’s an important story to tell today. I think it’s important that young people hear that this kind of thing can happen to the children of immigrants, especially as I’m watching all of the horrible things happening to immigrants now.

I could never do what my parents did. When I think about it now, my parents were so much more successful than I could ever be, because they left behind their home for a cold climate, in a place where they couldn’t speak the language, and they really struggled for a long time before I was born. And now, the idea that we’re trying to take that opportunity away from people? It just blows my mind.

My parents faced so many hardships, their life wasn’t easy, but I can’t imagine if they had been put through what immigrants are put through today. I am the “American Dream,” right? I got the chance I got to do the work that I love and succeed because of them. I want that for everyone. I want that to be the world we live in.

“I’m enjoying the role across all formats and I’d love to carry that on,” added McCullum.

“It’s been an absolute privilege to be in this position over the past three and a half years. I feel like we’ve made some significant improvements across the various formats.

“Yes, we’ve missed some opportunities, but I think this team has a real opportunity over the coming years to continue to improve and hopefully finish what we started. I’d love to be a part of that.”

Key backed McCullum during the Ashes, but neither ECB chief executive Richard Gould nor chair Richard Thompson have publicly spoken on his future.

At the end of the Ashes, McCullum also received support from Test skipper Ben Stokes, while the relationship between McCullum and Brook has blossomed during the T20 World Cup.

Asked after the semi-final defeat if McCullum should stay in charge, Brook said: “125%. I’ve said plenty of times he’s the best coach I’ve ever had.

“The way he speaks to everybody, he’s got an aura in the dressing room, and everybody looks up to him. The things he’s done over the four years since he took over has changed English cricket for hopefully the best.

“Our partnership has been good throughout the competition and since I’ve taken over. Long may it continue.”

Failures in away Ashes tours have often signalled change in the management of England teams.

Speaking on Sky Sports, former England captain Nasser Hussain said the ECB has to guard against repeating the mistakes of the past, while not ignoring the failures of this latest defeat in Australia.

“What you have to get away from is going to the Ashes, you lose, you get rid of the coach and captain, and you start all over again. I’m never a fan of that,” said Hussain.

“But I’m also not keen on, a couple of months later, forgetting what happened in the Ashes, and how poor England were on and off the field – all the mistakes that were made.

“There is a feeling Brook and McCullum are aligned, but there is a suggestion there was a divergence during the Ashes and that is a concern.

“They’ve made good decisions in the white-ball game that they didn’t in the Ashes. They missed an opportunity there and you can’t just brush over that.”

SPRING is blooming and what better way to celebrate Mother’s Day than heading out in the sunshine and making use of some ‘mums go free’ deals to top attractions.

I love heading out with my boys, but sometimes it can cost a lot by the time I pay for myself and them.

But when it comes to Mother’s Day, my secret weapon is heading to spots that have a ‘mums go free’ offer.

The offers celebrate Mother’s Day but is a great opportunity for having a fun family day out whilst saving a bit of cash.

One of our favourites as a family is Audley End miniature railway near Saffron Walden in Essex, which is about to launch a new play village in time for its reopening.

Now known as Audley End Enchanted Railway, it’s a must-visit for fans of all things fairy, as the train ride is full of magical moments winding through the woodlands.

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There’s an adventure playground and an elf and fairy walk as well as the new wooden play houses.

And this Mother’s Day weekend, both mums and grandmothers go free.

Just across the road is one of the historic houses looked after by English Heritage.

This year, Mothering Sunday falls during the National Lottery Week, which means free entry to English Heritage sites between March 7 and 15 with a lottery ticket.

At Audley End House and Gardens, one adult and two children can get free entry with each lottery ticket, so you could easily combine the English Heritage deal with the mums go free offer at the miniature railway for a full day of family fun.

While National Trust properties in England and Wales are also taking part in the National Lottery Open Week, many don’t offer free entry on Mothering Sunday, so that’s something to bear in mind.

But there are a number of other big names participating in National Lottery Open Week, such as several RSPB destinations around the UK.

What’s great about lottery week is that it’s not specific to mums – so if you’ve got an important person who you want to celebrate on Mothering Sunday, you can treat them, whoever they are.

As for other offers, you can head to Gulliver’s theme parks and get one adult entry for free with each paying child on March 14 and 15.

We always have a great time when we visit Gulliver’s Land in Milton Keynes, which is perfect for a first theme park visit if you’ve got little ones who haven’t been on rides before.

We especially love the JCB zone near the entrance, which has a covered picnic area where mums can have a coffee while the kids keep themselves occupied with diggers galore.

There are also Gulliver’s sites in Matlock Bath in Derbyshire and in Warrington, so you’re spoilt for choice if you want a fun day out.

These aren’t the only theme parks with offers for Mother’s Day either.

Other attractions include Drayton Manor near Tamworth and Flamingo Land in Yorkshire, both of which let mums go free on Mother’s Day with a full paying child.

Loads of farm parks around the country get in on the act of offering mums free entry and March is the perfect time of year for a visit, with lots of baby animals being born.

Bluebell Dairy near Derby is one example, where my little boy particularly enjoyed the huge jumping pillow and watching the cows in the milking parlour before sampling the ice cream that the farm is famous for.

Some farms are even giving mums a little gift as well as free entry.

Rand Farm Park near Lincoln, lets mums take home a potted plant to mark their special day, while at Thornton Hall Country Park near Skipton, mother figures will be offered a free glass of prosecco or orange juice.

The best way to find somewhere near you is to simply Google search ‘mums go free offer near me’, and you should discover a number of spots where you can save some money this Mother’s Day.

For more places to explore this Mother’s Day weekend, there are hundreds of paid-for attractions with free entry when you have this one item.

Plus, the family-friendly spas perfect for a Mother’s Day treat from country house hotel to hot-tub heaven in Lake District.

SCREAMING matches, tears and table mutiny is what you expect from Christmas Day with your in-laws – not at the Brit Awards.

But this year’s swanky ceremony in Manchester’s Co-op arena was a hotbed of misbehaving drunk stars, disgruntled execs who weren’t dished up their puddings and desperate agents who, on the night, were still begging organisers to get their A-listers into the label after-parties – with one Hollywood actor being repeatedly turned away because “they’re known for being a nightmare”.

On Saturday night, over 1,000 of the biggest names in music and entertainment descended on Manchester’s Co-op Live Arena floor to enjoy a swanky three-course meal before Harry Styles opened the Brits.

The experience, which is usually luxurious to say the least, got off to a shaky start when guests, who’d forked out over £25,000 for a table, were hastily ushered out because Robbie Williams still needed time to rehearse.

The delay in proceedings ended up causing chaos before the show had even begun, and later, angry guests were overheard moaning about the meagre portion sizes and a Manchester tart pudding, which, for hundreds of guests, failed to materialise.

One top celebrity agent moaned to me: “A table costs £25,000, but four bits of celeriac, a tiny bit of venison and no pudding is outrageous.

“Everyone on my table wanted tequila shots, but when we went to order them, the staff said they couldn’t serve them straight.

“Then, because Robbie’s rehearsal messed with timings, there wasn’t time for the puddings to come out before the show started.

“Some tables got their tarts, others got absolutely nothing – and there was no apology. We were all starving.

“The service felt like we were at a badly organised wedding.”

On the floor, music and acting royalty, including Jeff Goldblum and Oasis legend Noel Gallagher, mingled amid discontent – before acts including Harry Styles, Olivia Dean and Mark Ronson put on epic performances.

As the ceremony got started, not everyone was having fun.

Love Islander’s Toni Laites and Cach Mercer had a screaming match mid-way through the show – leaving them on the brink of a split.

Meanwhile, Maya Jama, Olivia Attwood and Lola Young broke the strict “no vaping rule” and irked their nearby table neighbours by puffing out fumes.

One well-respected publicist told me during the night: “It was like sitting next to the Flying Scotsman sitting near Lola Young.

“She was exhaling these huge plumes of vapour. It was ignorant and arrogant.

“And don’t get me started on Bez – he’d had so much to drink he looked like he was struggling to stand.

“He was dressed like a court jester, and he tried to introduce himself to Alex Warren, who looked totally baffled by the entire interaction.

“Alex was totally polite, but he didn’t have a clue who this seemingly mad man was who was trying to shake his hand.

“Eventually, someone he was with got Bez away from him so he could carry on watching the show.”

Censoring was a big point of contention on the night too, with Jack Whitehall’s funniest quips – including a gag about Peter Mandelson – and Geese drummer Max Bassin’s shout of: “I just want to say: free Palestine and f*** I.C.E,” all edited out by ITV.

“It was bizarre,” another publicist quipped to me the following day.

“Noel Gallagher shouted ‘Up the f***ing blues,’ and rather than just beeping out the swear word, they decided to lose the entire sentence – meaning anyone watching at home just suddenly heard him being booed by Manchester United fans in the arena.

“The BBC totally botched up the Baftas, so maybe ITV were scared of getting it wrong.

“But it meant that some of the editing didn’t make a whole lot of sense.

“Why are you letting one of the night’s biggest stars get loudly booed with zero context?”

It was like sitting next to the Flying Scotsman sitting near Lola Young.

As the clock ticked closer to 11pm, stars keen to get out of the arena and to after parties thrown by major labels including Warner and Sony, found themselves being blocked by security.

“People just wanted out towards the end,” one of the on-site crew explained.

“The floor usually is chaotic towards the end of the ceremony because people are drunk, but you can’t have half the tables suddenly going missing.

“Vernon Kay and Sharon Osbourne managed to evade capture, but security were trying to turn most people back to their tables.”

The rush to the after-parties made sense, given how tight the guest lists were.

I’m told one major Hollywood acting agent was ringing around organisers on the day to try and get their client, who is a household name and has been in massive films, into a bash.

“The guest list is full, that’s the party line,” one insider told me.

“But basically, if your client is a nuisance, they aren’t getting in.

“This actor is known to party hard and can be a nuisance. His agent was begging him to be allowed into the parties, but everyone kept saying no.

“In the end, he didn’t bother coming, which was a relief. But there was no way this agent would have let their Hollywood client slum it on the pavement outside.”

Out in the cold

As stars and execs jostled to get into the parties, Selling Sunset star Breana Tiesi was left shivering on the pavement outside of Warner Music’s bash after briefly stepping outside the event and being told she wasn’t allowed back in.

“Bre was furious,” one onlooker told me. “She was an invited guest and had been inside.

“But she stepped out and wasn’t allowed to get back inside again.

“They kicked up a massive stink, and it eventually got sorted. But it wasn’t a good look.

“Amber Gill then ended up in tears and was sobbing in the foyer – all while you’ve got mega A-list stars like Dua Lipa singing a cocktail just a few feet away.

“It’s scenes you just can’t make up.”

The lovely, funny “American Classic,” premiering Sunday on MGM+, is a love letter to theater, community and community theater. Kevin Kline plays Richard Bean, a narcissistic stage actor. He’s famous enough to be opening on Broadway in “King Lear,” but he has to be pushed onstage and is forgetting lines. After he drunkenly assails a hostile New York Times critic — caught on video, of course — he’s suspended from the play, and his agent (Tony Shalhoub) advises him to get out of town and lay low until the heat’s off, as they used to say in the gangster movies.

Learning that his mother (Jane Alexander, acting royalty, in film clips) has died, Richard heads back to his small Pennsylvania hometown, where his family — all actors, like the Barrymores, but no longer acting — owns a once-celebrated theater. To Richard’s horror, it has, for want of income, become a dinner theater, hosting touring productions of “Nunsense” and “Forever Plaid” instead of the great stage works on which he cut his teeth.

Brother Jon (Jon Tenney), running the kitchen at the theater, is married to Kristen (Laura Linney), Richard’s onetime acting partner, who dated him before her marriage; now she’s the mayor. Their teenage daughter, Miranda (Nell Verlaque) — a name from Shakespeare — does want to act and move to New York, as her mother had before her, but is afraid to tell her parents. Richard’s father, Linus (Len Cariou), is suffering from dementia, though not to the point he won’t actively contribute to the action; every day he comes out again as gay.

Across the eight-episode series, things move from the ridiculous to the sublime. Richard’s attempt to stage his mother’s funeral, with her coffin being lowered from the ceiling, while “Also sprach Zarathustra” plays and smoke billows toward the audience, fortunately comes to naught; but he announces at the ceremony that he’ll direct a production of Thornton Wilder’s 1938 play “Our Town” at the theater, to “restore the soul of this town.” (His big idea is to ignore Wilder’s stage directions, which ask for no curtain, no set and few props, with a “realistic version,” featuring a working soda fountain, rain effects and a horse.) Fate will have other plans for this, and not to give away what in any case should be obvious, the title of the play will also become its ethos, with a cast of amateurs, including Miranda’s jealous boyfriend, Randall (Ajay Friese), and ordinary people standing in for the ordinary people of Wilder’s Grover’s Corners.

The series has a comfortable, cushiony feeling; it’s the sort of show that could have been made as a film in the 1990s, and in which Kline could have starred as easily in his 40s as in his 70s; it has the same relation to reality as “Dave,” in which he played a good-hearted ordinary Joe who takes the place of a lookalike U.S. president. The town is essentially a sunny place, full of mostly sunny people, to all appearances, a typical comedy hamlet. But we’re told it’s distressed, and Mayor Kristen is in transactional cahoots with developer Connor Boyle (Billy Carter), who wants clearance to build a casino on the site of a landmark hotel. (Much of the plot is driven by money — needing it, trading for it, leaving it, losing it.) He also wants his heavily accented, bombshell Russian girlfriend, Nadia (Elise Kibler), to have a part in “Our Town.”

As in the great Canadian comedy “Slings & Arrows,” set at a Shakespeare Festival outside of Toronto, themes and moments and speeches from the play being performed are echoed in the lives of the performers, while the viewer experiences the double magic of watching a fine actor playing an actor playing a part. Kline, of course, is himself an American classic, with a long stage and screen career that encompasses classical drama, romantic and musical comedy and cartoon voiceovers; the series makes room for Richard to perform soliloquies from “Hamlet” and “Henry V,” parts Klein has played onstage. He brings out the sweetness latent in Richard. Linney, who played against her sweetheart image in “Ozark,” is happily back on less deadly ground (though she’s tense and drinks a little). Tenney, who was sweet and funny on “The Closer,” and who we don’t see enough of these days, is sweeter and funnier here, and gets to sing. (All the Beans will sing, except for Linus.)

As a comedy, it is often predicable — you know that things will work out, and some major plot points are as good as inevitable — but it’s the good sort of predictability, where you get what you came for, where you hear the words you want to hear, ones you could never have written yourself. “American Classic” is not out to challenge your world view in any way but wants only to confirm your feelings and in doing so amplify them. Shock effects are fine in their place — and to be sure there are major twists in the plot — but there is a certain release when the thing you’re ready to have happen, happens, whether it brings laughter or tears. Either is welcome.

LOVE Island beauty Ella Barnes has revealed she was evacuated from Dubai airport amid Iran missile strikes.

The influencer, 25, who starred on the ITV show in 2023, took to Instagram to explain her flight had been cancelled.

Ella posted an image of the empty airport to her social media account and captioned it: “Got evacuated out of Dubai airport and my flight home cancelled.

“Guess, I’ll be staying here a little longer.”

A scared Ella, later posted snaps of missiles in the air and wrote: “Missiles in the sky.

“No this is so scary. Listen to how loud the explosion is at the end. WTF.”

thaw-blimey

Love Island’s Ella Barnes strips off to lace lingerie in the snow

glam girl

Love Island’s Ella Barnes leaves nothing to the imagination in see-through dress

However, earlier today, Ella posted a snap of her driving along a deserted highway and wrote: “We are out of here. Thanks for all the messages. Had so many”

Ella found fame in Love Island 2023, and stole Sheffield lad Mitch Taylor, 28, from his partner Abi Moores, 25, after entering the matchmaking series as a bombshell.

Ella and Love Island alum Mitch announced their split at the end of August 2023, with two separate statements on social media.

Since then, Ella has seen her screen career go from strength to strength.

She bagged a role on TOWIE as the love interest of Roman Hackett prior to their split.

She then became loved-up with her wealthy entrepreneur man Neil Farrugia after the pair made their relationship official  in 2024.

But, she split from the hunk last year as the pair struggled to find time to see each other after a year of dating.

Ella is based in Kent in the UK, while fitness fanatic Neil who previously dated fellow Love Islander Gemma Owen, lives in Malta.

On Saturday, black smoke was seen billowing across the skyline in Dubai after debris from Iran’s missile blitz across the city.

Iran launched a barrage of rockets at nations across the Middle East after vowing revenge for Trump and Israel’s huge blitz on the rogue nation today.

The United Arab Emirate’s top holiday hot spot Dubai is usually a sought after travel destination for celebrities and influencers.

In more recent-times, celebrities from the United Kingdom have been emigrating there, with many Brit celebs choosing Dubai as the place they want to bring up their families.

Sam Gowland from Geordie Shore shared how a “rocket” flew over his home.

“Right above us on the Palm in Dubai today, bloody scary, I tell you that. Never heard a noise like it before,” he penned.

He then later shared a photo of a rocket near his home, writing: “Rocket above my house wtf this is crazy.”

Love Island star Arabella Chi, who relocated from the UK to Dubai with her partner, Billy Henty, and their daughter, Gigi, in 2025, has also shared posts about the scary time she is enduring.

“Dubai friends. Scary times. Stay safe,” she penned on her Instagram stories.

Just hours before the missile strikes, Arabella and her partner were playing with their daughter in the sand.

That the “The Napa Boys” won’t be everyone’s cup of tea — or in this case, goblet of wine — almost feels like this meta comedy’s raison d’être. And to say its fusillade of jokes is hit-and-miss would also be a charitable take. They’re mostly miss, even if that, too, can seem like kind of the point.

Co-writers and co-stars Nick Corirossi and Armen Weitzman (Corirossi also directed) have assembled a series of scenes in search of a story, sending up pivotal moments from a hodgepodge of movies, some real (“Sideways,” “American Pie,” “The Lord of the Rings”), some invented. I’ll admit, it took a minute to understand what the filmmakers were doing (their grandiose statement in the movie’s press kit is purposely unenlightening) and, thus, for this grab bag of nonsense to sink in.

Still, once you realize what the heck it is you’re watching, you might just settle in for a more diverting — or less terrible — time than first expected. But the lower your entertainment bar, the better.

The barely-there plot finds a group of pals and wine aficionados, a.k.a. the Napa Boys, gathering in the California valley (Malibu subbed) for a screwball adventure that, among much else, will involve a coveted wine competition at something called the Great Grape Festival.

The hapless group includes its leader, the crassly horny Jack Jr. (Corirossi), sad-sack widower Miles Jr. (Weitzman), conflicted family man Kevin (Nelson Franklin), underdog vintner Mitch (Mike Mitchell) and a kinder, newer member known only — in an all-caps nod to “American Pie” — as Stifler’s Brother (Jamar Neighbors). Meanwhile, a devotee and “investigative podcaster,” Puck (Sarah Ramos), also joins the guys on their wayward journey.

The film’s goofy conceit is that this is the fourth installment of a Napa Boys movie series (based on nonexistent graphic novels), with the official on-screen title of “The Napa Boys 4: The Sommelier’s Amulet” (Dig that “Indiana Jones”-style font.) As a result, it unfolds as if the viewer is already intimate with a franchise’s culture and lore, dropping us smack into the thick of things with little, if any, context. Confused yet?

This ploy hands Corirossi (a former head creative at Funny or Die) and Weitzman a license to be as slapdash and surface as possible, which, it would seem, is also part of the picture’s wobbly in-joke. Because this alt comedy makes no bones about its characters or situations being even remotely logical or realistic, anything goes — and does. You sometimes wish it didn’t.

Case in point: After a meds mix-up, unruly Jack Jr. (he and Miles Jr. are always addressed with the suffix) unleashes his explosive diarrhea into a barrel of contest-qualifying wine, after which he “spontaneously” ejaculates into it. And then, natch, the judges must sample the concoction. It’s an awful, protracted sequence that begs the question, satire or not, is this truly the funniest bit they could hatch? (To be fair, it’s likely some viewers will, uh, eat it up.)

That aside, the film’s barrage of scenes, sketches, shout-outs and absurdist scenarios leading up to the climactic wine-making championship are largely harmless flights of farce. These involve sex, love, death, near-death, maybe incest, lots of wine tasting (why is the vino here iced-tea brown?) and a moose on the loose.

There are also rides in Jack Jr.’s showy “Wine Wagon” SUV (license plate: IH8MERLOT), beatific montages backed by swelling strings celebrating the “joys” of Napa Boys life (“To be a Napa Boy is to be free!”) and a surprise — and rather pointless — cameo by those other movie “brainiacs,” Jay (Jason Mewes) and Silent Bob (Kevin Smith). There’s also an anxious visit to Jack Jr.’s onetime hookup, the now-elderly sexpert called the Milfonator (Eve Sigall). Oh, and is that really iconic filmmaker and vintner Francis Ford Coppola as the wine competition’s “super-secret celebrity guest judge”? (Two guesses.)

All this inanity takes place over the course of a handful of days, during which no one ever seems to change clothes. Couldn’t Jack Jr. have packed at least two Hawaiian shirts?

And what of the title’s elusive sommelier (DJ Qualls of “Road Trip” fame) and his mystical green amulet? He makes an almost tacked-on, Yoda-like appearance, but it’s too little, too late.

The game if uneven cast includes Paul Rust (channeling Paul Reubens, with whom he co-wrote 2016’s “Pee-wee’s Big Holiday”) as Squirm, Mitch’s insufferably cruel wine-making rival; David Wain (who directed and co-wrote “Wet Hot American Summer,” another spoofy touchstone here) as the wine contest’s even-handed host; and playing the guys’ various love interests: Chloe Cherry, Vanessa Chester, Riki Lindhome and Beth Dover.

Reportedly shot in under 10 days, the film features such fun needle drops as the Supremes’ “You Can’t Hurry Love,” Gerry Rafferty’s “Family Tree” and, of all things to accompany a seduction scene, “The Girls of Rock ‘n’ Roll” sung by Alvin and the Chipmunks and the Chipettes. How this proudly low-budget effort managed to license those tunes is as curious as so much else in this ragtag oddity.

DENVER — Renee Good loved sparkles and laughter and any excuse for a celebration. She loved pretty much everyone she met, and was late for pretty much everything.

“She had this way of making you feel special and loved that I didn’t even understand … until we lost her,” Donna Ganger said Friday of her daughter, who was shot and killed by an immigration officer during the federal crackdown in Minneapolis.

She was “slow to anger, quick to love, quick to care,” said her father, Tim Ganger. “That’s the essence of who she was.”

Good, a 37-year-old mother of three, was killed Jan. 7 as immigration agents surged through the Minneapolis area, sparking waves of protests. Her death and that of another U.S. citizen, Alex Pretti, weeks later in Minneapolis sparked outrage across the country and calls to rein in immigration enforcement.

In a wide-ranging interview in Colorado, where some of the family lives, Good’s parents and two of her brothers, Brent and Luke Ganger, talked to the AP about the joy Good found in life, their grief and their hopes that her death can bring about change in a deeply polarized nation.

“It’s going to be hard in the future,” Donna Ganger said. “It’s going to be kind of a constant pain.”

Settling in Minneapolis

Good, who graduated from college later in life, was volunteering in a local school district and working as a substitute teacher when she was killed, her parents said.

“She was working so hard to get her education, and then she was finally able to use it, and I could just tell how happy she was and how fulfilled,” Donna Ganger said.

Good, her 6-year-old son and her partner, Becca Good — the women were not legally married, according to a family lawyer, but referred to each other as wives — had only recently relocated to Minneapolis from Kansas City, Mo., settling on a quiet residential street in a tight-knit neighborhood known for its progressive activism.

In social media accounts, Renee Good described herself as a “poet and writer and wife and mom.” On Pinterest, a profile picture shows her smiling and holding a young child, alongside posts about tattoos, hairstyles and home decorating.

The family “settled very quickly into the community in Minneapolis,” said Donna Ganger, describing how the neighborhood had also welcomed the rest of the family when they came after the shooting. They see that as the result of the love that Good had showed her new neighbors.

“It was incredible to receive that back,” Luke Ganger said.

Donna Ganger held a stuffed toy owl as she spoke, a gift from her daughter, who knew how much she loved the birds. It had sparkles on its feet, a reminder of Good’s love for glitter.

At Good’s memorial service, a table of glitter had been set out for guests. Donna Ganger had put a piece on a lens of her glasses and it’s remained there.

“She just kind of sparkled all the way through,” said Donna Ganger. “I think of her and I look down and see my little sparkle.”

‘A very American blend’

The family is “a very American blend,” Luke Ganger said recently in testimony to Congress. “We vote differently, and we rarely completely agree on the finer details of what it means to be a citizen of this country.”

Yet “we have always treated each other with love and respect,” he said.

On Friday, the family didn’t want to discuss the specifics of their differences, but Donna Ganger said she’d long prayed for guidance: “Before all this happened, I said, ‘Make me a wise woman.’”

In the hours after Good’s death, Trump administration officials said she had been shot as she tried to drive her car into an immigration officer. Homeland Security Secretary Kristi Noem said Good had committed “an act of domestic terrorism.”

But as video evidence and other details of the confrontation emerged, and criticism of the crackdown began growing, administration comments softened.

President Trump said he’d been told that Tim Ganger had supported him.

“He was all for Trump, loved Trump. And, you know, it’s terrible,” he told reporters. “I hope he still feels that way.”

Tim Ganger declined to talk about his political affiliation or whether it had changed with his daughter’s killing.

“I think I’m just going to leave that go,” he said. “There’s so many other important things” to deal with now, he added.

But family members said they hoped their ability to get along would be an inspiration.

“Our purpose through this whole tragic, difficult, unbelievable time, is to have something good come out of this,” Tim Ganger said. “Otherwise the senselessness of this is overwhelming.”

Sadness echoed in Donna Ganger’s voice as she talked about navigating family differences.

“Sometimes I’m just silly, you know, and I joke with them and I’m goofy,” she said. “But I want to be able to talk about hard things — and that’s hard sometimes with your own family to talk about hard things that maybe you don’t agree on. And I don’t want there to be any hardships between us or hurt.

“But it’s important that we learn to be careful with our words, but share them in a deep way,” she said. “It’s really important.”

Family members spoke only in general ways about the change they’d like to see come from Good’s death.

“I think it’s evident that something is broken, right?” said Brent Ganger. “And when something is broken, you have to take a deep look to see what it is that can be changed and fixed in order for it to not happen again.”

The morning of the shooting

On the morning of the shooting, as immigration raids and protests were flaring across the city, Becca Good has said she and Renee stopped their car in the street to support neighbors during an immigration operation.

Video shows Renee Good in a maroon SUV blocking part of the road and repeatedly honking her horn.

Two immigration officers get out of a truck and one orders Good to open her door. She reverses briefly, then turns the steering wheel as the officer says again, “Get out of the car.” Almost simultaneously, Becca Good, standing in the street shouts, “Drive, baby, drive!”

When Good begins pulling forward, an ICE officer standing in front of the vehicle — later identified as Jonathan Ross — pulls his weapon and fires at least two shots into the car, through the driver’s-side corner of the windshield and the driver’s window, killing Good.

Weeks later, Tim Ganger said he hoped the family’s tragedy would lead to change, though “I’m not even sure what that will look like.”

“But for something good, for people to stop and take a breath and take a look and have a dialog,” he said. “That’s the broader mission of what we want, for people to come together and take care of each other.”

The Justice Department has said it sees no basis to open a federal civil rights investigation into Good’s death, but the family has hired a law firm that is conducting its own investigation and exploring potential legal action.

Family members said no one from the federal government has contacted them about Good’s killing, and they are unsure whether anyone will be held accountable.

“All we can do is speak out and hope that our sincere words are enough to enact some kind of change,” Brent Ganger said.

Slevin and Sullivan write for the Associated Press and reported from Denver and Minneapolis, respectively.

Today it’s an Italianate apartment building wedged between an Indian restaurant and a Target. But what stood half a century ago at 1454 5th Street in downtown Santa Monica was the Beach Boys’ Brother Studio, a former porn theater turned recording complex where the preeminent American rock band of the 1960s sought to coax its resident genius, Brian Wilson, back into the fold after a long stretch in the wilderness.

Nobody would consider the albums the Beach Boys made at Brother in the mid-70s — among them “15 Big Ones,” “The Beach Boys Love You” and the long-shelved “Adult/Child” — the band’s most successful. (Well, nobody except for Wilson, who frequently cited the synthed-up “Love You” as his fave.) A decade after 1966’s “Pet Sounds,” which so blew the Beatles away that they had to answer with “Sgt. Pepper’s Lonely Hearts Club Band,” the burly, bearded Beach Boys were far from the center of pop music; Wilson, in particular, had largely withdrawn from public life as he struggled with the effects of drugs and his fragile mental health.

Yet Brother offered the setting for a creative reflowering — arguably the band’s final moment of unity before the start of years of more serious infighting.

“It was like we all got back together and became Beach Boys again,” says Al Jardine, who founded the group in suburban Hawthorne in 1961 with Wilson, Wilson’s brothers Dennis and Carl and the Wilsons’ cousin Mike Love. Now, eight months after Brian Wilson’s death in June at age 82, a new box set looks back at the era as an expressive outpouring led by the band’s rejuvenated visionary.

“We Gotta Groove: The Brother Studio Years” collects 73 tracks from 1976 and ’77, including outtakes, demos, a remastered version of the “Love You” LP and the first official release of the widely bootlegged “Adult/Child,” which puts Wilson’s touchingly emotive singing amid orchestral arrangements in a glossy big-band style. Among the set’s highlights are a voice-and-piano rendition of “Still I Dream of It,” which, according to legend, Wilson wrote in the hopes that Frank Sinatra would perform it, and a majestic take on “You’ve Lost That Lovin’ Feeling” that shows how brilliant a record-maker Wilson remained despite all the well-documented turmoil.

“Brian was healing from his personal life, and he was ready to go in the studio again,” says Jardine, 83, whose latest tour with the members of Wilson’s road band will stop Friday night at L.A.’s United Theater on Broadway for a complete performance of “The Beach Boys Love You.” With quirky but heartfelt tunes about Wilson’s daughter Carnie (“I Wanna Pick You Up”) and Johnny Carson (uh, “Johnny Carson”) — not to mention the propulsive “Honkin’ Down the Highway,” on which Jardine sang lead — “Love You” has become something of a cult classic among Wilsonologists.

Says Jardine of the LP: “Brian’s spirit — his songwriting soul — is really strong on that one.”

The Beach Boys opened Brother Studio around 1974 near the corner of 5th Street and Broadway, just a few blocks from the beach. They’d traveled to the Netherlands to record their most recent album, “Holland”; before that, they cut several records at Wilson’s home on Bellagio Road in Bel-Air, though the group’s erstwhile mastermind spent as much time upstairs in his bedroom as he did recording music with his bandmates.

Wilson’s retreat after the flameout of his notoriously ambitious “Smile” project made space for the other Beach Boys to shape the band’s music, as on 1970’s fondly remembered “Sunflower.” But the lack of hits eventually took its toll: With a laugh, Love, 84, says one reason they started up Brother was that Wilson’s wife, Marilyn, eventually “threw in the towel after years of having her house flooded with people” to less-than-spectacular returns. “It was sort of like a self-preservation thing,” he adds.

The Beach Boys backstage at New York’s Central Park in 1977.

(Richard E. Aaron / Redferns)

In “We Gotta Groove’s” liner notes, engineer Stephen Moffitt, who designed Brother after working earlier at L.A.’s Village Recorders, recalls clearing out “all the porn crap” from the building and installing a circular stained-glass window to establish the right vibe. A vintage magazine ad boasts of the studio’s high-end gear as well as its “large screen video lounge” and “a playroom with pong, pinball and bumper pool.”

“It was a respite,” Love says. “A place to go and be creative.”

Just as the band was getting Brother up and running, the Beach Boys scored an unexpected smash with 1974’s “Endless Summer,” a double-LP compilation of the group’s early material — “Surfin’ Safari,” “Don’t Worry Baby,” “California Girls” — that topped the Billboard album chart on its way to sales of more than 3 million copies. A similar hits collection issued in the U.K., “20 Golden Greats,” did just as well there. “An enormous success,” says Love. “One in every five families had it.”

Suddenly, having more or less ignored group-minded efforts like “Holland” and “Carl and the Passions — ‘So Tough,’ ” the world remembered what it loved about the Beach Boys, and that was songs written and produced by Brian Wilson.

The band got to work at Brother recording “15 Big Ones,” which featured a mix of Wilson originals and covers of oldies like “Chapel of Love” and “Blueberry Hill.” The first Beach Boys album since “Pet Sounds” to carry a solo production credit for Wilson, it came accompanied by an aggressive marketing campaign known as “Brian Is Back!”; Wilson appeared on the cover of Rolling Stone — “The Healing of Brother Brian,” the cover line read — and took part in a Beach Boys television special that showed his return to the concert stage at Anaheim Stadium.

Earle Mankey, an engineer at Brother in the mid-70s, says “15 Big Ones” was less Wilson’s attempt to relight the flame than it was “everyone else’s attempt to relight the flame.” He recalls Wilson looking like a “scared rabbit” when he walked into the studio to find some of the session musicians who’d worked with the Beach Boys back in the old days. (This was the time of Wilson’s first dalliance with the psychologist Eugene Landy, who would reenter Wilson’s life to much controversy in the early ’80s.)

Fans watch the Beach Boys perform at Anaheim Stadium on July 3, 1976.

(Tony Korody / Sygma via Getty Images)

Even Love admits that “Brian Is Back!” was a little overblown. “Brian was back to some degree,” Love says now. “One hundred percent? Perhaps not.”

Yet the campaign worked: “15 Big Ones” went to No. 8 on the Billboard 200 — the highest for a Beach Boys studio album in more than a decade — while the LP spun off the band’s first Top 5 single since “Good Vibrations” with a rendition of Chuck Berry’s “Roll and Roll Music.”

More important, the commercial success set up Wilson for a true artistic comeback with “The Beach Boys Love You,” which can still startle you with the purity of its emotion and the strange textures of Wilson’s production. Check out the beautifully lopsided groove of “Mona,” which Dennis sings with a bleary smoker’s rasp, or the lonely-sounding electric-guitar lick floating over the Wilson brothers’ harmonies in “The Night Was So Young”; listen to Brian and Marilyn trading marital assurances in their almost painfully guileless duet, “Let’s Put Our Hearts Together.”

“Of all Brian’s stuff, I’d say it’s his most personal album after ‘Pet Sounds,’ ” says Darian Sahanaja, who played with Wilson for the last couple of decades of his life. “Maybe even more than ‘Pet Sounds,’ because Tony Asher wrote most of the lyrics on ‘Pet Sounds’ and Brian wrote most of the lyrics on ‘Love You.’ The Brian that I knew is very much living and breathing in these songs.”

Unlike “15 Big Ones,” “Love You” was not a hit, peaking at No. 53 — even lower than “Holland.” As much as he adores the album, Sahanaja finds it amusing that anyone in the Beach Boys’ camp might have expected Wilson to try to give rock fans what they wanted.

“He wasn’t listening to the Top 40 at the time,” he says. “He just wrote whatever came out of him. There was no, ‘I wonder what Fleetwood Mac’s up to…’ ”

Indeed, Wilson went even further out with “Adult/Child,” for which he commissioned orchestral arrangements by Dick Reynolds, who’d worked in the ’50s with Wilson’s beloved Four Freshmen. Both Love and Jardine say they can’t quite remember why the album didn’t come out; Love says “it may not have suited the record company at the time” and points out that even “Pet Sounds” got the group’s A&R rep wondering “if maybe we could do something more like ‘I Get Around.’ ”

Whatever the case, “Adult/Child’s” mothballing led to another withdrawal by Wilson, who had far less to do with the band’s next few records and who eventually turned to a solo career. In 2012, Wilson produced a so-so Beach Boys reunion record — minus Dennis, who died in 1983, and Carl, who died in 1998 — but for much of the ’00s he and Jardine toured under Wilson’s name while Love toured as the Beach Boys. (Love’s band will play three shows at the Hollywood Bowl in July.)

Asked what it’s been like performing with Wilson’s band since his death, Jardine says, “I just feel like he’s still around.” Sahanaja says he’s seen Jardine tear up as they’ve been working up songs from “Love You” on the road ahead of Friday’s show. But he’s also been gratified to see the excitement among younger fans regarding what he views as the Beach Boys’ last great album.

“The reaction has been more insane than I’ve ever seen for any of the shows we ever did with Brian,” he says. “It’s like they feel they found this secret thing that they really identify with.” He laughs. “I’m telling you, these kids are freaking out — jumping up and down, singing along to all the words. They’re, like, pogo-ing.”

It’s a foodie hotspot in Cumbria, with Michelin-starred restaurants boasting a ‘farm to table’ philosophy and famous sticky toffee pudding, ideal for a UK holiday

Despite its modest size, this Cumbrian gem wields considerable sway over travellers heading to the Lake District in need of excellent food and somewhere to lay their heads.

Cartmel has earned quite a name for itself amongst walkers, cyclists and visitors to the region as a culinary hotspot. Whilst the village boasts a rich heritage centred around Cartmel Priory and its agricultural roots, it has since carved out an entirely fresh identity.

Situated less than 20 minutes’ drive from the Lake District National Park, there’s no shortage of attractions on the village’s doorstep.

With Greendale National Forest nearby and the River Eea within easy reach, it’s an idyllic spot for outdoor enthusiasts seeking a base from which to venture forth.

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Michelin Restaurants

For those demanding nothing less than exceptional cuisine following a day’s rambling or sightseeing, the village boasts a prestigious Michelin-starred establishment, L’Enclume.

Led by chef Simon Rogan, the restaurant features a constantly evolving menu that shifts with the seasons – embodying the chef’s ‘farm to table’ ethos.

Also holding Michelin star status is Rogan and Co, a neighbourhood eatery situated in the village centre, likewise operated by the celebrated chef.

They provide a set lunch menu priced at £49 for three courses, offered Wednesday through Saturday, alongside evening dining options.

After dining at L’Enclume, which specialises in French and European fare, one visitor hailed it as the “best dining experience ever” in a TripAdvisor review.

They said: “We went for our wedding anniversary for a special experience. It delivered. Every one of the many dishes was made with the best quality ingredients and put together with great imagination and cooked perfectly.”

Similarly, diners are unanimous in their praise for the food and service at its sister establishment, Rogan and Co. One review states: “Rogan and Co gives you a more traditional à la carte (choose your meal) three-course deal.

“But that isn’t to say this is basic dining. You are still getting snacks, interludes, great drink pairings and, much like L’Enclume, absolutely top-drawer service.”

Pubs

Beyond the Michelin-starred offerings, the culinary delights continue. True to form for a quintessentially English village, Cartmel boasts several traditional, welcoming pubs.

Indeed, several feature amongst the village’s TripAdvisor top 10 dining destinations – quite an achievement given the stiff competition. All within easy walking distance, visitors can devise their own pub crawl following a day of exploration, or simply settle into one favourite spot.

The Pig and Whistle proves particularly appealing during summer months, thanks to its expansive beer garden offering picturesque vistas across the village and the surrounding Cumbrian fells.

Inside, the establishment has been given something of a revamp, including its menu which offers pub classics with a distinctive ‘twist’.

Numerous patrons sing the praises of their Sunday roast, with some describing it as “divine” and others deeming it “excellent”.

Alongside it are The Royal Oak, The Kings Arms and the Cavendish Arms, which prides itself on making considerable efforts to source exclusively from local producers and suppliers. This commitment shines through in its glowing reviews, with one declaring: “This place is truly on top of its game.

“Amazing varied exquisite food from all over the word but definitely with a French twist. Lovely cosy setting with candles on each table and quality wines. Could not ask for more.”

Shops

The village boasts numerous shops selling local produce, with the Cartmel Village Shop standing out as one of the most notable – renowned for its sticky toffee pudding. The family-run shop sells homemade toffee and the beloved Cartmel Sticky Toffee Pudding.

Cartmel’s “superb little shop” draws food fans from far and wide, all seeking a treat to satisfy their sweet cravings. One satisfied customer said: “Famous as the home of sticky toffee pudding, this delightful little shop is in the centre of this lovely village.

“As well as foodstuffs, they stock a good selection of deli produce and gifts. They also prepare a good selection of hot and cold sandwiches to take away, and we enjoyed some excellent, generously filled baps. The prices were most reasonable, and the service was charming.”

Another local gem is the Cartmel Food Shed, offering a delightful array of homemade soups, sandwiches, sausage rolls and sweet treats for takeaway or to enjoy in their welcoming dining space. Like many establishments dotted around the village, it’s very much a family-run operation with homemade produce at its core.

One thrilled customer raved in a review: “Delicious sandwiches, delicious cakes, scotch eggs. Possibly the best steak and ale pie I’ve ever had.”

They added: “Sandwiches are packed to the brim with quality produce. Everything is made with care and love. You can tell the owner takes pride in everything she makes.”

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MAYA Jama has signed up for another series of Love Island — putting an end to speculation.

The host, 31, last night wrapped on the All Stars’ spin-off and will officially be back this summer.

A source said: “Love Island wouldn’t be the same without Maya so bosses are thrilled to confirm she’ll be in Majorca this summer.

“She remains one of the most-loved things about the show.”

Maya has been hosting Love Island UK since January 2023, beginning with the show’s ninth series.

She replaced former host Laura Whitmore and has since continued to host All Stars and Love Island games.

FURIOUS FANS

Love Island fans left ‘raging’ as ITV show ends on nail-biting cliffhanger

BUCKLE UP, MAYA!

Maya Jama shows off sensational curves in plunging dress for Love Island

Last month Maya cleared up confusion with fans over where she currently lives.

Penned over a screenshotted DM of a fan saying, “Have I missed a chapter?? You’ve moved from London?” in response to one of her past Instagram stories, Maya explained how she’s bought multiple houses.

“To answer my dms right now lol I also bought a house in the Cotswolds last year so I’ll be there sometimes, maybe I need to do a lil catch up life update vid or something soon.”

Maya followed up the post with a quick video where she’s utterly beaming about the news.

Switching out her usual glam for a maroon hoodie with a yellow graphic, she addressed the camera candidly saying: “Writing it like that just makes you sound like a braggy f**k but I’m very proud of myself.

“Council house Queen to multiple property owner.

“Honey, thank you!!!” 

Maya was born and raised in Brisol and has Somali descent as well as Swedish.

She moved to London at the age of 16 to pursue a career as an actress, even auditioning for Skins.

The latest episode of Ryan Murphy’s JFK Jr and Carolyn Bessette show features a mysterious warning letter

*Warning – this article contains minor spoilers for Love Story.*

Ryan Murphy’s newest series has thrust the turbulent romance of John F. Kennedy Jr and Carolyn Bessette back into public consciousness.

The fourth instalment of Love Story: John F. Kennedy Jr and Carolyn Bessette arrived this Friday (February 20) and explored a troubling chapter in the pair’s relationship.

During a casual American football match, John (portrayed by Paul Anthony Kelly) discovers a letter in his gym bag containing damning claims about his new partner, Carolyn (Sarah Pidgeon).

Whilst the programme takes creative freedom with particular aspects of the celebrated couple’s narrative, the letter reportedly existed and apparently caused JFK Jr. and Bessette to separate, reports the Daily Record.

Did JFK Jr receive a letter about Carolyn Bessette?

As viewers will be aware, Love Story draws inspiration from Elizabeth Beller’s biography entitled Once Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy.

In the book, Beller alleges that JFK Jr. was given a scathing letter about Bessette in 1992, precisely when their romance was flourishing.

Whilst the programme depicts John challenging Carolyn about the accusations at his apartment, the biography suggests they actually engaged in a public row during an evening meal at iconic eatery El Teddy’s.

Based on Beller’s account, the couple separated for a year following the devastating letter, before reuniting in 1993.

For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

Who wrote the letter?

Beller doesn’t disclose the writer’s name. Nevertheless, she explains that they “came from a milieu of boarding schools, Ivy League universities, and ‘old money’ families of New York”.

She continued that it supposedly took Bessette several years to uncover who penned the note, but upon learning the identity, she proceeded to “freeze them out”.

Bessette and JFK Jr wed in an intimate ceremony in September 1996. The pair tragically perished together in an aircraft accident in July 1999.

Love Story: John F. Kennedy Jr and Carolyn Bessette is streaming on Disney+

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