love

Imelda Marcos’ fetish for fiendishly expensive shoes was a running gag in the 1980s. But did you know that she was also something of a disco queen?

The image of a jet-setting Marcos in her Beltrami pumps boogieing with arms dealers at fashionable New York nightspots is one of the inspirations of David Byrne’s musical about the notorious former first lady of the Philippines, who sang on the campaign trail for her husband, Ferdinand E. Marcos, and ruled with an iron fist alongside him after he declared martial law and plunged his nation into a brutal dictatorship.

“Here Lies Love,” which is having its Los Angeles premiere at the Mark Taper Forum, traces the political power couple’s rise and fall through a series of dance cuts that capture the irrational hold charismatic leaders can have on a public — at least while the music is blasting.

Byrne, the ingenious Talking Heads co-founder, conceived the show and wrote the music and lyrics. Fatboy Slim, a Grammy Award-winning DJ, musician and record producer, contributed to the music. The score, a mix of lush disco and synth pop with hints of island breezes and karaoke camp, brings a club-like energy to the stage.

Aura Mayari and the company of “Here Lies Love” at the Mark Taper Forum.

(Jeff Lorch)

I first saw “Here Lies Love” at New York’s Public Theater in 2013, when the production, directed by Alex Timbers, was staged as an immersive dance party. Audience members moved along a shifting dance floor as the love story between Imelda, a beauty queen from the provinces, and Ferdinand, an ambitious senator accustomed to getting what he wants, sourly played out amid the backdrop of a traumatic national story.

This sung-through musical pulled off something of a coup of its own. As Ferdinand, now president and philandering husband, and Imelda, his embittered wife dripping in compensatory luxury, shore up their “conjugal dictatorship,” theatergoers discovered that, while partying to the seductive beat, a political dystopia was solidifying around them.

Imagine if, in “Evita,” audience members were invited to sing back up on the balcony as Eva Perón belts out “Don’t Cry for Me Argentina,” accompanying her in her last manipulative hurrah. “Here Lies Love” seemed to want its audience to leave with an aftertaste of cognitive dissonance.

Audiences don’t usually like being duped. But voters need to be continually reminded that when they go to bed with a strongman, they’ll likely wake up without healthcare or voting rights.

“Here Lies Love” at the Taper doesn’t follow the Public Theater’s staging or the similarly immersive Broadway production by Timbers that followed in 2023. It’s a more straightforward presentation that keeps audience members in their seats, except for a moment when uprising is in the air and a few theatergoers are conscripted to join the ecstatic rebellion.

Jeff Lorenz Garrido, from left, Joshua Dela Cruz, and Garrick Goce Macatangay in “Here Lies Love” at the Mark Taper Forum.

(Jeff Lorch)

Snehal Desai’s direction is politically clear-eyed and scrupulous. Corruption, authoritarianism and censorship, as we’re learning firsthand, scandal after constitutional scandal, are no laughing matter. The question is whether “Here Lies Love” can bear the scrutiny of a more traditional musical.

There’s not a traditional libretto, so the story is transmitted mostly through song lyrics. But stump speeches, rallying cries and the theatrical guidance of Imeldific (Aura Mayari, alum of Season 15 of “RuPaul’s Drag Race”) help flesh out the chronicle.

This emcee figure, a Taper innovation, replaces the DJ role of previous productions and establishes the show’s metatheatrical frame. The opening number, “American Troglodyte,” underscores the American imperial role in the story and provides Imdeldific with a satiric banner that doesn’t let a smiling superpower off the hook.

William Carlos Angulo’s choreography is unfailingly kinetic, but participating in a party is more energizing than watching one at a remove. Yet the political case of Ferdinand and Imelda Marcos, a tale of celebrity and tyranny marching in lockstep, speaks so directly to our own time that I found myself gripped by the object lesson of this public saga, even if it’s not always easy to connect all the fragments, never mind distinguish between hard fact and fictional license.

I was particularly fascinated by the portrayal of Imelda (Reanne Acasio), whose political character seems to be shaped by personal disappointments and run-of-the-mill humiliations. Imelda is wounded not only by the philandering of Ferdinand (Chris Renfro) but by an even more painful injury inflicted by her first love, Ninoy Aquino (Joshua Dela Cruz), a politician determined to become the voice of his people.

Ninoy recognizes an essential incompatibility between them. Imelda lives for love while he has political work to do. He bids her adieu in the song “Opposite Attraction,” though fate will bring them together after Imelda and her husband gain power and Ninoy, as the leading opposition figure, becomes their prisoner and eventual victim of the chaos unleashed by their regime.

Joan Almedilla and the company of “Here Lies Love” at the Mark Taper Forum.

(Jeff Lorch)

Unfolding under the theatrical auspices of Imeldific, “Here Lies Love” retells the history of the Marcos years as a musical pageant. Imelda’s transformation, from shy, lowly country girl to “Iron Butterfly,” covering up her shame with jewelry from Tiffany and revealing a will every bit as hard as the diamonds she flaunts, is presented with music so catchy and compulsive that it has the force of historical inevitability

The grooves supplied by Byrne and Slim take not just the characters but the audience on a ride through a brutal anti-democratic period. Does the disco spectacle aesthetic treat this history too lightly?

The production seems wary of this criticism. A program note from dramaturg Ely Sonny Orquiza, attuned to the sensitivities of the large Filipino diaspora in Los Angeles, notes that the production, “featuring an all-Filipino cast and majority-AAPI creative team, is not intended as a definitive or comprehensive history, but as an entry point for dialogue and inquiry.”

The scale of damage perpetrated by the regime is still being collectively processed. One victim, Estrella Cumpas (Carol Angeli), makes the mistake of confronting Imelda, a childhood friend, and is taken into custody. She will have to stand in for thousands of others.

The design scheme certainly doesn’t want to spoil anyone’s good time. Arnel Sancianco’s sets, Marcella Barbeau’s lighting and the more glittering of Jaymee Ngernwichit’s costumes seem to place us in a retro Euro-style disco world, where fun is typically a function of the strength of the cocktails consumed.

But there’s a countermovement in the show, the People Power Revolution that gains momentum after the assassination of Nimoy. The funeral speech of his mother (Joan Almedilla) is turned into the galvanizing protest song, “Just Ask the Flowers,” in which something as basic as maternal love wakes the country to the madness around them. Desai, whose directorial work at the Taper thus far has brought together rave and rebellion, smoothly merges the Dionysian frenzy of the music with the nonviolent revolution that ended Ferdinand Marcos’ protracted dictatorship in 1986.

Dela Cruz’s stirring Ninoy standing tall against the patriarchal savagery of Renfro’s Ferdinand and the petty vindictiveness of Acasio’s well-drawn Imelda is a powerful call to action. Byrne and Slim’s score insists that not even death can stop the beat of this democratic spirit.

The production points out at the end that another Marcos, Ferdinand “Bongbong” Marcos Jr., Ferdinand and Imelda’s son, is now president. Perhaps the show’s final number can shed light: “God draws straight, but with crooked lines.”

Welcome to Screen Gab, the newsletter for everyone who is feeling mighty nostalgic about the ’90s and early aughts.

On Thursday night, we learned that Eric Dane died at 53 after a battle with ALS, also known as amyotrophic lateral sclerosis or Lou Gehrig’s disease. The actor was known for his mid-2000s role on ABC’s medical drama “Grey’s Anatomy,” where he earned the moniker “McSteamy” as Dr. Mark Sloan, a plastic surgeon. Coincidentally, yesterday marked the 20th anniversary of his first appearance on “Grey’s.” More recently, he appeared in HBO’s teen drama “Euphoria” as Cal Jacobs, a very complex father to Nate (Jacob Elordi), one of the central characters. The actor will appear posthumously in the show’s third season when it returns in April. Dane remained busy in the past couple of years, having also appeared in the one-season action series “Countdown” on Prime Video and in an episode of ABC’s “Brilliant Minds.” If you want to go further on Dane, Netflix announced this morning that an episode of the docuseries “Famous Last Words” featuring the actor was available. The show consists of an interview with a notable subject, and is only released posthumously.

If you want another trip down memory lane, last week saw the arrival of FX’s “Love Story: John F. Kennedy Jr. & Carolyn Bessette,” which takes a closer look at the famous couple who unexpectedly met a tragic end. The show fully immerses you in the culture of New York in the ’90s, complete with Calvin Klein ads, tabloid magazines with zany headlines and partying at the Roxy nightclub. Connor Hines, the creator of “Love Story,” spoke to us about the show, which you can read below.

Also in this week’s Screen Gab, we recommend an Irish series on Netflix from the creator of “Derry Girls” and another nostalgic docuseries about “America’s Next Top Model.”

ICYMI

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Grace Van Patten and Jackson White of “Tell Me Lies” at American Quick Start & Gas Inc. in Brooklyn, N.Y.

(Dutch Doscher / For The Times)

On ‘Tell Me Lies,’ Grace Van Patten and Jackson White’s toxic (onscreen) relationship ends: After three seasons, “Tell Me Lies” comes to an end. Creator Meaghan Oppenheimer unpacks the series finale alongside stars Grace Van Patten and Jackson White.

Missed ‘Scrubs’? They did too, and now they’re back making the rounds: Donald Faison, Zach Braff and Sarah Chalke spoke about reuniting for the revival of the beloved medical comedy created by Bill Lawrence and now helmed by Aseem Batra.

‘Baywatch’ casting call brings back ’90s with in-person auditions, red suits and ripped bods: About 2,000 people flocked to Marina del Rey on Wednesday in hopes of landing a role in the upcoming “Baywatch” reboot, which the production hopes will be a boon for Hollywood.

How ‘The Pitt’ portrayed a rape kit exam sensitively with the help of experts: To portray the exam shown in Episode 7 accurately, the show’s writers and actors consulted with experts from the UCLA Health Rape Treatment Center and Pittsburgh Action Against Rape.

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Recommendations from the film and TV experts at The Times

Bronagh Gallagher, back left, as Booker, Shauna Bray as Midwife, Saoirse-Monica Jackson as Feeney in “How To Get To Heaven From Belfast.”

(Christopher Barr / Netflix)

“How to Get to Heaven From Belfast” (Netflix)

Lisa McGee, whose “Derry Girls” was the toast of 2018, returns with another comedy of Irish women in a mad place. Three friends since school travel to a one-taxi, one-hotel town for the wake of an estranged fourth: Saoirse (Roisin Gallagher), an award-winning television writer who can’t seem to keep her engagement ring on her finger; Robyn (Sinéad Keenan), a busy, bored rich wife and mother; and Dara (Caoilfhionn Dunne), who has been stuck, or has stuck herself, caring for her mother. All share a dark secret they hope to keep buried, but which has begun to poke its head above ground. What, and who, they find, and don’t find, kicks off a manic mystery, served with a side of car trouble, hangovers, a storm, a blackout, oddball supporting characters and a little romance, not necessarily in that order, with sharp, funny dialogue driving it along. And that’s just the beginning. — Robert Lloyd

A still of “America’s Next Top Model” contestants, clockwise from far left, Nicole Panattoni, Adrianne Curry, Elyse Sewell, Kesse Wallace, Robbyne Manning, Giselle Samson, Shannon Stewart and Ebony Haith as featured in “Reality Check: Inside America’s Next Top Model.”

(Courtesy of Netflix)

“Reality Check: America’s Next Top Model” (Netflix)

“We were all rooting for you!” was the cry heard ‘round the world from Tyra Banks, the host and creator of the reality TV series that aimed to find the next fresh face of magazine covers and fashion runways. But viewers learn in this docuseries that what we saw on screen didn’t tell the whole story. From allegations of sexual assault to discord among the judges, “America’s Next Top Model” had a lot of problems, many of them relating to the fact that a show like it hadn’t been done and producers were inexperienced in handling serious issues on set. “Reality Check” features candid interviews with former contestants including Shandi Sullivan, Keenyah Hill, Tiffany Richardson (recipient of that famous “rooting” speech) and Banks herself. — Maira Garcia

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Sarah Pidgeon as Carolyn Bessette Kennedy and Paul Kelly as John F. Kennedy Jr. in “Love Story: John F. Kennedy Jr. & Carolyn Bessette.”

(FX)

The latest anthology series produced by Ryan Murphy dramatizes the true-life romance between John F. Kennedy Jr. and Carolyn Bessette that gripped the culture in the ’90s. Nearly three decades after their tragic deaths, FX’s “Love Story” revisits the tumultuous seven-year relationship between the pair. JFK Jr. (Paul Anthony Kelly) spent his life navigating the public spotlight as the son and namesake of an assassinated (and beloved) president, and Bessette (Sarah Pidgeon) was a publicist working at Calvin Klein. Inspired by Elizabeth Beller’s book “One Upon a Time: The Captivating Life of Carolyn Bessette-Kennedy,” the nine-episode series chronicles the couple’s whirlwind romance and their struggle to maintain their relationship under intense media scrutiny before their deaths in a 1999 plane crash. The first four episodes are streaming now on Hulu and Disney+, with new episodes released weekly on Thursdays. Connor Hines, who created the series, stopped by Guest Spot to discuss what intrigued him about the couple’s plight and the early aughts rom-com that he admires. — Yvonne Villarreal

You were a child when the love story of John F. Kennedy Jr. and Carolyn Bessette — as well as that fateful flight — generated intense media attention. What do you remember about their story? What stood out then?

My father commuted into Manhattan every day for work and always brought home the New York Post. I have vivid memories of seeing photos of them splashed across the cover. I knew about the Kennedy family, of course, but I couldn’t fully grasp the choke hold John F. Kennedy Jr. had on the country at the time. The scale of the fascination was something I only truly understood later.

Why does this story feel worth revisiting now? And did any modern couples in the spotlight become reference points as you unpacked questions about public fascination while weaving together this story?

We’re living in an attention economy, so a couple beset by obsession and scrutiny feels especially resonant right now. There are, unfortunately, far too many examples of women who marry high-profile figures only to be harangued for expressing anything other than gratitude and graciousness. That dynamic hasn’t disappeared — it’s simply evolved.

The series grapples with the media invasion that swirled around them. Some critics contend that dramatizing their story for television reignites it. How do you see it? And how did that inform your approach to telling this story?

They’ve been memorialized as these beautiful, one-dimensional fashion figures whose marriage buckled under immense pressure. The series felt like an opportunity to course-correct a dated and misogynistic narrative, especially surrounding Carolyn — and to add dimension to two people who were far more complex than the images and tabloid stories written about them.

You seemingly had a lot of material to draw from and public moments in their relationship timeline to focus on. What was a moment that most fascinated you?

I was personally drawn to Carolyn’s rich life before she became a public figure. She was incredibly sharp, savvy and dynamic — she ascended from folding sweaters at a Calvin Klein store in the mall to becoming a muse and trusted advisor to Calvin Klein himself. I don’t think people fully appreciate how much she gave up to be with John.

What have you watched recently that you are recommending to everyone you know?

“Dying for Sex” [Hulu, Disney+]. “Adolescence” [Netflix].

What’s your go-to “comfort watch,” the movie or TV show you go back to again and again?

“Something’s Gotta Give” [Tubi], or anything by Nora Ephron. I’m also an unapologetic champion of the Bravo network.

Eric Dane said he first shut down emotionally at just 7 years old, when navigating his father’s sudden death from a gunshot wound in a bathroom at his family’s home.

It wasn’t until his diagnosis with ALS decades later that the seasoned actor felt his own spirit return, Dane said in an interview released Friday on Netflix. The actor died Thursday at 53 following a public battle with the disease. The nearly hour-long interview, filmed in November, is part of the docuseries “Famous Last Words,” which features posthumous interviews with notable figures — the first centered on conservationist Jane Goodall and released two days after her death.

The actor spoke candidly about his debilitating disease, saying it “made me a little bit softer, a little bit more open.” The intimate conversation was conducted by television producer Brad Falchuk, who executive produces “Famous Last Words.”

“All I’m left with is me,” Dane said. “It’s kind of a f— up way of realizing that you were enough the whole time, when everything gets taken away and all you have left is this person.”

In the episode, Dane’s speech is noticeably slurred, and he sits in a motorized wheelchair while speaking to Falchuk. He’s thoughtful and responsive throughout as he reflects on his life and career, which spanned more than three decades.

“I didn’t think this was gonna be the end of the road for me. This was never part of the story I created for myself,” Dane said.

The actor described himself as a complainer during the interview, adding that he’s “always historically been the guy that would b— and moan on his way to doing anything, but my spirit has been surprisingly pretty buoyant throughout this journey.”

A final message to his daughters

Dane stared straight into the camera in the last few minutes of the Netflix special, his voice wavering when tears welled up in his eyes. He directed his parting words to his two daughters, Billie, 15, and Georgia, 14, sharing four lessons he’s learned from ALS.

“Billie and Georgia, you are my heart. You are my everything. Good night. I love you. Those are my last words,” Dane said.

Dane married Rebecca Gayheart, the mother of his children, in 2004 and the couple separated in 2017, though the divorce was never finalized. They maintained a friendship after their separation, though, and Dane said he had “never fallen in love with another woman as deeply as I fell in love with Rebecca.”

Dane said he spent most of his life “wallowing and worrying in self-pity, shame and doubt.” But with ALS, he was “forced to stay in the present,” he said, which he encouraged his daughters to do.

Eric Dane, left, in conversation with Brad Falchuk on “Famous Last Words.”

(Courtesy of Netflix)

“I don’t want to be anywhere else. The past contains regrets. The future remains unknown, so you have to live now,” Dane said. “The present is all you have. Treasure it. Cherish every moment.”

Dane also encouraged his daughters to fall in love, not just with people, but with something “that makes you want to get up in the morning,” he said. For Dane, that love was acting, which “eventually got me through my darkest hours, my darkest days, my darkest year,” he said.

The actor, who was open about his struggles with addiction, had been sober for nine years before slipping back into drug and alcohol use during a writer’s strike that halted “Grey’s Anatomy” production in 2007.

Dane told his daughters they inherited his resilience and urged them to “fight with every ounce of your being, and with dignity.”

Dane added: “This disease is slowly taking my body, but it will never take my spirit.”

ALS diagnosis brought peace

Aside from throwing a few punches to people who “deserved it,” Dane said he had no crazy confessions to make as the interview came to a close.

“I’ve never murdered anyone, Brad,” the actor joked to Falchuk.

The actor assured he lived a life full of fun, whether healthy or unhealthy. His fruitful career took off with his role as Dr. Mark “McSteamy” Sloan in “Grey’s Anatomy.” The gig started as a one-time guest role but “ignited a fan hysteria so intense,” Falchuk said, that the show was rewritten to make Dane a leading man.

Dane further cemented his legacy when he portrayed Cal Jacobs in “Euphoria,” a complicated character who leads a double life, which Dane said he related to. “I know what it’s like to not have my inside match my outside,” he said, referencing his long-standing battle with drugs and alcohol addiction.

His ALS diagnosis freed him from a constant state of self-judgment, Dane said, and helped him realize that he was always “absolutely more than enough.”

“I hope I’ve demonstrated that you can face anything. You can face the end of your days, you can face hell, with dignity,” he said.

Actor Eric Dane, best known for wooing “Grey’s Anatomy” audiences as plastic surgeon Dr. Mark “McSteamy” Sloan, has died following a public battle with ALS.

A TV star whose career spanned from “Saved by the Bell” to “Euphoria” and beyond, Dane died Thursday, his publicist announced in a statement. He was 53.

“With heavy hearts, we share that Eric Dane passed on Thursday afternoon following a courageous battle with ALS. He spent his final days surrounded by dear friends, his devoted wife, and his two beautiful daughters, Billie and Georgia, who were the center of his world,” the statement reads. “Throughout his journey with ALS, Eric became a passionate advocate for awareness and research, determined to make a difference for others facing the same fight. He will be deeply missed, and lovingly remembered always. Eric adored his fans and is forever grateful for the outpouring of love and support he’s received. The family has asked for privacy as they navigate this impossible time.”

Dane publicized his ALS diagnosis in April 2025. A former competitive swimmer and water polo player, he said ALS — also known as amyotrophic lateral sclerosis or Lou Gehrig’s disease — initially caused the right side of his body to stop working. Prior to his death, the actor channeled his personal experiences with the condition to portray a firefighter living with ALS on TV and advocated for legislation related to the condition.

In Shonda Rhimes’ “Grey’s Anatomy,” Dane’s Sloan was a welcome addition to Seattle Grace Hospital’s staff of heartthrobs who couldn’t seem to keep their gloved hands off each other amid shifts of wild and dramatic cases. He first appeared in Season 2 of “Grey’s Anatomy” in 2006. Sloan, within minutes of his arrival, takes a punch to the face from Patrick Dempsey’s Dr. Derek Shepherd and introduces himself to Ellen Pompeo’s Meredith Grey as one of the fellow “dirty mistresses” who broke up Shepherd’s marriage to ex-wife Dr. Addison Montgomery (Kate Walsh).

Dane had initially agreed to appear in only one episode of the long-running ABC drama, but remained a fixture — and eye candy for fans — for more than 130 episodes until 2012. Nicknamed “McSteamy” for his looks, Sloan pursued relationships with Drs. Lexie Grey (Chyler Leigh), Callie Torres (Sara Ramirez) and Teddy Altman (Kim Raver) over the course of Dane’s tenure. His character was killed off early in Season 9 after a devastating Season 8 plane crash that also claimed the life of Leigh’s Lexie.

In 2021, Dane returned to “Grey’s Anatomy” for a cameo in Meredith’s COVID-19-induced dreams.

Prior to breaking out with “Grey’s,” Dane played minor roles in series including “Saved by the Bell, “Roseanne,” “Gideon’s Crossing” and “Charmed.” Dane followed up his “Grey’s Anatomy” tenure with appearances on the ABC spinoff “Private Practice,” a leading role in TNT’s “The Last Ship” and a stint as a secretive real estate developer and dad in HBO’s teen drama “Euphoria.”

He also appeared in several movies following “Grey’s Anatomy,” including “X-Men: The Last Stand,” “Marley & Me,” “Burlesque” and Garry Marshall’s “Valentine’s Day,” which reunited him with co-star Dempsey.

Dane did not plan to be an actor until he unexpectedly landed a role in his high school’s production of Arthur Miller’s “All My Sons,” but he “fell in love with it,” he told the Gulf Times in 2014.

“I was like this is the greatest feeling ever,” he added.

Eric William Dane was born Nov. 9, 1972, in San Francisco. His father, a Navy man-turned-architect, died of a gunshot wound when the actor was 7, leaving his mother to raise her two children with assistance from her parents.

Dane attended Sequoia High School and San Mateo High School but dropped out prior to graduation to pursue acting in Los Angeles.

He partied often in his 20s and first entered rehab at age 26. Amid his “Grey’s Anatomy” fame, Dane struggled with addition to painkillers and prescription medicine. He relapsed in 2007 during the Writer’s Guild of America strike, he recalled in 2024.

Eric Dane and Rebecca Gayheart bring their daughters to the March 2015 world premiere of “Cinderella” in L.A.

(Richard Shotwell / Invision / Associated Press)

“If you take the whole eight years I was on ‘Grey’s Anatomy,’ I was f— up longer than I was sober and that was when things started going sideways for me,” he said at the time. Notably, he entered rehab again in 2011 to address issues with prescription drugs he had been prescribed for a sports injury.

Dane also spoke openly about his struggles with depression, which reached a head in 2017 amid production on his series “The Last Ship.” During a 2017 “Today” appearance, Dane explained that he was taking medication to manage the disorder, which he said hit him “like a truck.”

“I had to take some time off,” he said at the time. “I went away, I took care of it, and I’m feeling great.”

Dane married “Loving” actor and model Rebecca Gayheart in 2004 in Las Vegas the same day he proposed to her. Infamously, their relationship was subject to scrutiny when in 2009 leaked video showed the spouses in the nude and intoxicated lounging in a bathtub with actor Kari Ann Peniche. Marty Singer, attorney for the spouses at the time, dismissed the controversy.

However, the couple separated in 2017 and Gayheart filed to divorce Dane in 2018, but the split was never finalized. Then in March 2025, right before he went public with his ALS, she filed a request to dismiss the original petition.

In Dane’s role after revealing his diagnosis, he appeared in an episode of the NBC medical drama “Brilliant Minds” as a heroic firefighter struggling to tell his family he has ALS. The episode aired in late November; Gayheart revealed in a late December New York magazine essay that the actor was receiving 24/7 nursing care and she was covering most of the caregivers’ missed shifts.

“We haven’t lived in the same home for eight years; he’s dated other people, I’ve dated someone,” Gayheart wrote in the essay, which discussed Dane’s diagnosis and how it had affected the family. “It’s a very complicated relationship, one that’s confusing for people. Our love may not be romantic, but it’s a familial love. Eric knows that I am always going to want the best for him. That I’m going to do my best to do right by him. And I know he would do the same for me.

“So whatever I can do or however I can show up to make this journey better for him or easier for him, I want to do that,” she continued. “And I want to model that for my girls: That’s what you do. That’s the right thing to do.”

Dane is survived by daughters Billie, 15, and Georgia, 14, whom he shares with Gayheart.

All nine seasons now have a new streaming home making it easier for fans to rediscover

An underrated sitcom that some claim is even ‘better than Malcolm in the Middle’ was just added to Netflix.

All seasons of The Middle are now available to stream on the platform from today (February 18). It actually shares a very similar premise and set up to the comedy series it is compared to but some find it superior if not as well recognised.

There’s no better time for fans to find out for themselves as The Middle finds a new streaming home, as we all wait for the upcoming revival of Malcom in the Middle coming later in the year.

According to the synopsis of The Middle, the series follows the Heck family. At the head of the clan is middle-age, middle-class, middle-America mom Frankie Heck who uses a sense of humour to try to steer her family through life’s ups and downs as she tackles her career goals.

Her unflappable husband, Mike, is a manager at the local quarry. Oldest son Axl is an obstinate young man; awkward daughter Sue cannot seem to find her niche, despite much enthusiasm in her attempts and youngest son Brick is an unusual child whose best friend is his backpack.

The cast is lead by sitcom legends including Patricia Heaton, who won two Emmys during her time as Debra Barone on Everybody Loves Raymond. She is joined by Neil Flynn, who plays her on screen husband and is recognisable as the Janitor on Scrubs.

A debate on Reddit discusses whether The Middle was a better show than Malcolm in the Middle with opinion fairly split. One replied simply: “I love both shows but The Middle is my favourite show.”

While someone else claimed: “Malcom In The Middle fell off around season 4, while The Middle had consistent, solid quality for the entirety of the show. They are also nothing alike, they are only similar in the fact they are both about a middle class family.”

Either way, most fans agree that The Middle is worth streaming on its own merit. With some critics even agreeing that it is ‘one of TV’s most underrated comedies’.

As one fan agreed: “An underrated show of brilliance. The Middle is a superb show that has sadly never really gained the wider acclaim it deserves, though it has a very loyal fan base, and that’s just as important. This show wouldn’t have lasted half as long if it wasn’t for the casting of the kids, who steal episodes with their portrayals. We have seen them grow up, and it’s been a joy.”

While one fan added: “What I love about this show is that it’s not just any easy shallow cheap written comedy show. There are a lot of gags and ‘inside’ jokes that return throughout the series, which I like because it shows the writers put effort into it, and make the show funnier watching it as a regular, it’s great!

“Also, they are not a picture perfect family what a lot of shows are about, but at the heart of it all they do love each other, this feels more ‘real’. From my point of view this show is very underrated, I highly recommend it!”

Someone else actually claimed another sitcom was the reason it was so overlooked. They said: “This show should have been much bigger than it was. It was definitely overshadowed by Modern Family.”

The Middle is streaming on Netflix and ITVX. For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website.

Love Island All Stars viewers were left baffled during the latest episode on Monday

Love Island fans fumed over a “wild” All Stars twist on Monday (February 16), as they asked, “What’s going on?”

The third series of the popular spin-off returned to ITV2 last month, with a group of ex-islanders returning to the South African villa for another shot at romance.

Audiences have already seen lots of heated clashes, numerous bombshell entrances, and surprise dumpings over the past few weeks. Belle Hassan has found herself embroiled in several dramatic scenarios, after Lucinda Strafford formed a bond with her partner Sean Stone whilst she was in villa USA.

Belle’s exchanges with Lucinda and Sean have remained frosty in recent episodes. More drama unfolded when Belle began getting to know Scott van-der-Sluis, much to the annoyance of his partner Leanne Amaning, reports OK!.

The surprises continued when Sher Suarez and Jack Keating became the latest pair to exit the villa last week, after receiving the most votes in a nail-biting game of To Be Honest.

Sunday’s (February 15) episode saw the girls receive heartfelt phone calls from home, with the stars resolved to leave the drama behind them. The confrontations appeared to be put on hold during tonight’s episode, with Belle declaring that she was “retiring” from the drama.

As they prepared for the day, Sean attempted to reconcile with Belle, stating: “We had a night off Belle. No drama.”

Belle responded: “I’m retiring now,” prompting Sean to enquire: “Can we retire together?” Belle confirmed: “Yeah, the storms clearing. No more hurricane.”

Sean then questioned whether they could be “best friends”, with the former partners subsequently sharing a hug. Belle also resolved matters with Scott at the firepit, whilst Leanne and Lucinda observed from the daybeds.

Love Island viewers were baffled by the sudden shift in atmosphere, with many taking to X (formerly Twitter) to voice their opinions. “The switch up is wild today, what’s going on?” one viewer questioned.

Another commented: “I’m so tired of this storyline,” whilst a third remarked: “The switch up is crazy. Surely the producers have got involved to sort all the drama?”

A fourth fan expressed similar frustration, stating: “Belle couldn’t make it any more obvious she was pulled my producers. Every second it’s, ‘Hurricane Belle is over,’ or, ‘I’m so glad the drama is over’. I’m so tired,” with another equally puzzled viewer sharing: “I’m confused how Belle can make amends with Scott AND Sean but not Lucinda or Leanne? Why is she always 10x angrier at the girl and not the boy?”

Elsewhere during tonight’s instalment, the couples tested their connections in a game of Knowing Me, Knowing You. Following their defeat in the challenge, Whitney Adebayo and Yemen Sanders deepened their bond over a date, whilst Sean asked Lucinda to become his girlfriend.

Love Island All Stars airs Sunday to Friday on ITV2 and ITVX at 9pm

For the latest showbiz, TV, movie and streaming news, go to the new Everything Gossip website

This BBC Three drama based on Sally Rooney’s bestselling novel is coming to Netflix soon

A beloved BBC drama adapted from a bestselling novel that readers have described as “perfect” is arriving on Netflix by the end of this week.

Boasting a stellar cast of familiar faces from the UK, Ireland and the USA, the eight-part series originally debuted in 2022.

Adapted from Sally Rooney’s debut novel, Conversations With Friends didn’t quite achieve the cultural phenomenon status of its BBC predecessor, Normal People, which captivated audiences during the Covid-19 lockdown of 2020.

Nevertheless, despite garnering mixed reviews upon release, there are numerous fans who believe the drama about two young best friends who become entangled with an older, successful couple has aged remarkably well and merits viewing.

Alison Oliver (Wuthering Heights) and Sasha Lane (Loki) portray Frances and Bobbi, alongside Sex Education’s Jemima Kirke and Hamnet’s Joe Alwyn as Melissa and Nick, whose lives grow increasingly intertwined, reports the Express.

One five-star review on Goodreads praised the novel as “stupidly good” and “perfect from start to finish”.

Another user concurred, describing the novel as a “perfect representation of life: it’s messy and unpredictable, and we are all just trying to find our footing”.

The live-action adaptation for BBC Three and Hulu is praised as a faithful portrayal of the novel’s events and themes, meaning Normal People fans are certainly in for a treat if they choose to dive in or revisit the series several years after its release. It will be landing on Netflix in its entirety this Sunday, 22nd February.

Watch Bridgerton on Netflix for free with Sky

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Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan.

This lets members watch live and on-demand TV content without a satellite dish or aerial and includes hit shows like Bridgerton.

One viewer remarked upon its release: “Conversations With Friends the TV adaptation is a phenomenal success and I loved every moment of it. I may even re-watch.”

Meanwhile, an IMDb user described the series as “perfect”, hinting the television adaptation might even eclipse the original novel: “These are the kind of shows I love that don’t come around often. The actors were so interesting, different, and artistic. The backdrop of Dublin with its slightly melancholic and gritty feel captured me straight away.

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“I read the book some while ago, which I really enjoyed but the storyline didn’t overly stay with me. The show brought the story to life with its intelligent conversation, character flaws and nuances.

“I found the filming to be sparing and gorgeous- it created this nostalgic feeling. Such a simple storyline with no in-your-face twist or shocking reveal. It’s more human, subtle and visceral. I haven’t watched Normal People yet but this has made me look forward to watching it.”

Conversations With Friends is available to stream on Netflix from Sunday, 22nd February.

Ardal O’Hanlon is famed for Father Ted, My Hero, and, of course, Death in Paradise as DI Jack Mooney

Netflix fans have been “hooked” by this “hilarious” new series which quietly stars a Death in Paradise icon.

Since leaving his days at Saint Marie behind as the lovable DI Jack Mooney, Irish star Ardal O’Hanlon has featured in Derry Girls, The Woman in the Wall, Extraordinary and Sherlock and Daughter, just to name a few.

Now, BBC Death in Paradise fans have stumbled upon his latest venture with Netflix’s newly released Irish comedy-drama How to Get to Heaven from Belfast.

Released last week, the eight-part comedy revolves around friends Saoirse (played by Roisin Gallagher), Robyn (Sinead Keenan) and Dara (Caoilfhionn Dunne) who learn that their troubled friend Greta (Natasha O’Keefe) has mysteriously died.

O’Hanlon is behind the wacky and upbeat Seamus, the manager of the local seaside hotel where the three women stay as they investigate their friend’s death.

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‘Dearest gentle reader’, as the fourth season of Bridgerton follows second son Benedict love story, there’s a way to watch this fairytale-like season for less.

Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan. This lets customers watch live and on-demand TV content without a satellite dish or aerial and includes the new season of Bridgerton.

Netflix fans haven’t been able to stop singing O’Hanlon’s praises with one fan describing him as an “absolute icon” in How to Get to Heaven from Belfast.

Another said: “Loved him on Death in Paradise. He was my favourite”, while a third labelled the star as “absolutely superb”.

O’Hanlon headed up Death in Paradise for three years as DI Jack Mooney before he chose to leave Saint Marie and return to London with his daughter Siobhan Mooney (Grace Stone).

He finally came to the realisation that he had been running away from grief after losing his wife so Jack chose to finally face up to reality and start over again.

Death in Paradise went on to replace O’Hanlon with Ralf Little as DI Neville Parker, followed by the latest detective Mervin Wilson, portrayed by actor Don Gilet.

**For the latest showbiz, TV, movie and streaming news, go to the new **Everything Gossip** website**

How to Get to Heaven from Belfast is currently the number one watch on Netflix with the comedic thriller brought to life by the creative team behind the hit series Derry Girls.

Creator Lisa McGee told Tudum: “This is the show I’ve always wanted to make; a mash‑up of my two favourite genres, mystery and comedy.

“We want to keep you guessing and keep you laughing. I can’t wait for you to meet Saoirse, Robyn and Dara, and go on this wild, weird adventure with them – an Irish odyssey – full of twists, turns, and arguments about eyelash extensions.”

How to Get to Heaven from Belfast is available to watch on Netflix.

Pasadena Playhouse’s take on Peter Shaffer’s “Amadeus” may be the Tony Award-winning regional theater’s most lavish production to date.

The show, which opens Sunday, features a scrim that has been hand-painted with the notes of Mozart’s “Phantasie für eine Orgelwalze.” The entire process, done by a team of three, took eight days from start to finish. When the scrim is illuminated, the golden notes appear to be suspended like stars in the sky.

Mozart’s sister, Maria Anna “Nannerl,” handwrote many of the genius composer’s compositions, and Playhouse head painter Johnny LeBlanc said the group worked to create an exact replica of her strokes. That attention to detail at every level is emblematic of this elaborate show.

Director Darko Tresnjak (center) during “Amadeus” rehearsal at Pasadena Playhouse. Tresnjak is known for exploring the intellectual and emotional foibles of each character in a play.

(Ariana Drehsler / For The Times)

The play is as rich in talent as it is in design. It stars Broadway veteran and Tony winner Jefferson Mays as Salieri, Sam Clemmett as Mozart and Lauren Worsham as Constanze, and is directed by Darko Tresnjak, who won a Tony in 2014 for “A Gentleman’s Guide to Love and Murder.”

The red-and-gold, Baroque and Rococo aesthetics of the show, including the forced perspective of scenic designer Alexander Dodge’s set, which makes a royal room seem to disappear into the distance, were meticulously constructed to reflect the twisted interiority of Salieri as he grapples with his seething hatred for the scatological young upstart as it crashes against his cascading awe of Mozart’s divine music.

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“The entire play really takes place in a mental space,” Tresnjak said during a recent rehearsal. “That location is Salieri’s increasingly addled brain and what happens within that brain strikes me as eminently contemporary.”

Mays called “Amadeus” a “memory play,” noting that “every aspect of this production is exploring that — it’s all filtered through the warped, distorted memories and imaginings of its unreliable narrator.”

The Pasadena Playhouse has one of the few remaining on-site scene shops in the industry, and its staff of designers, carpenters and painters created elaborate wall sconces and candle holders that become smaller and smaller as they move to the back of the stage, toward two tiny doors in the center. At one point in the show, actor Matthew Patrick Davis, who plays Emperor Joseph II, steps through the doors.

“Amadeus” director Tresnjak says the key to his lavish productions is a strong community of artists, rather than a big budget. “It’s all smoke and mirrors,” he said.

(Ariana Drehsler / For The Times )

Mays describes the moment as “delicious” because Davis is quite tall and thin — even more so in his 2-inch, 18th century heels — and when he unfurls his body into the room and proceeds down the stage, the audience realizes what a gigantic figure he is in Salieri’s mind.

“It’s all shot through with these ‘Alice in Wonderland’ moments of surrealism,” Mays said. “It feels like a fever dream.”

Music is key to Salieri’s world, and the sound design by Jane Shaw strives to access the otherworldly power of Mozart’s music through layered backing tracks. An electric keyboard programmed to sound like a fortepiano is also embedded in a handcrafted instrument, which actors with musical training can play.

A fortepiano is being built for “Amadeus” at Pasadena Playhouse. A small electronic keyboard will be embedded within so actors with musical training can actually play it.

(Ariana Drehsler / For The Times)

Tresnjak has a long history directing with L.A. Opera and its departing music director, James Conlon, worked with Clemmett on conducting. He also gave the actor a history lesson about what the art form would have been like in Mozart’s time. Jeffrey Bernstein, the founding artistic and executive director of the Pasadena Chorale, drilled the cast on their chorale passages.

The key to creating such a richly textured theatrical environment is not a bloated budget, said Tresnjak, it’s engaging a whole community of artists — onstage and backstage — and giving them free reign to set their creativity loose. Pasadena Playhouse, which is known for being a resourceful company, made that easy, he added.

The show is buoyed by its classic stagecraft, with flats, escape stairs and rolling platforms. There is no computer automation and anything that moves is moved manually, said associate artistic director Jenny Slattery, pointing out the theater’s antiquated hand winches that control a mobile throne.

“There is something magical that comes from a resonance between the subject matter and the aesthetic and the behind-the-scenes techniques,” said Slattery.

A sketch and fabric swatch for Venticelli’s costume in “Amadeus” at Pasadena Playhouse. The costume is the same red as the set walls, so the character will seem to fade in and out of Salieri’s consciousness.

(Ariana Drehsler / For The Times)

Linda Cho designed the costumes and L.A. Opera fabricated the extravagant 18th century garments, which Slattery said have become a “staff tourist attraction.” The fabric was sourced in New York and shipped to L.A.; the ribbons were made by hand. Mays said he got giddy and breathless when he first stepped into his costume.

L.A. Opera fabricated the costumes for “Amadeus” with fabric sourced from New York.

(Ariana Drehsler / For The Times)

“It makes all the difference when you know that your sleeves are cut in a bias and your arms have to do certain things,” he explained. “I find a costume, particularly the costumes of this late 18th century period, to be so informative about physicality and how you move.”

In rehearsal, Mays fully inhabits his role — and his costume — moving with a lithe formality as he strives to eavesdrop on Mozart and Constanze. His revulsion and deep attraction are on full display. The actor said it is not his intention to play Salieri as a mustache-twirling villain, but rather as human, recognizable and understandable.

Details on the sleeve of a jacket made by L.A. Opera.

(Ariana Drehsler / For The Times)

“We are all Salieri to varying degrees,” Mays said. “What interests me are everyman aspects of him. The banality of his evil and the way that evil actions seem to always rise out of fear and insecurity.”

The lighting design by Pablo Santiago helps manifest Salieri’s uncomfortable emotions onstage.

“Darko is someone who likes to work in more of the intellectual, emotional space rather than realism. So a lot of it is about using the set in a more abstract way,” said Santiago. “It’s about shapes and color and creating full stage pictures that are interesting.”

The story of Salieri and Amadeus, said Mays, is one of twisted love. Salieri gets up every morning and tries to destroy that which he loves most. Playing the troubled antihero is “not altogether pleasant,” Mays said, “because you’re marinating in this cesspool of thwarted ambitions and inadequacy, but then you’re surrounded by this beauty that is a constant reminder of your own failings.”

When the curtain finally rises, the cast and crew hope the stage will be its own thing of beauty — its ambition fully realized.

People are witnessing the demise of Wales, a country that have enjoyed Six Nations success and Grand Slam victories over the past two decades.

The dedicated fans will try to stick by their beloved side through thick and thin but it has proved a turbulent time since the 2023 World Cup.

Wales have lost 22 of the past 24 internationals, which included an 18-match losing sequence, with the only two victories coming against Japan.

There have been 12 straight Six Nations defeats, a record now stretching back 1,072 days to when Wales beat Italy in Rome in March 2023.

And there are very few home comforts, with Wales having not won a match in Cardiff in the tournament for four years since defeating Scotland in February 2022. That was 1,464 days ago.

It has also been the manner of humbling home defeats in recent times, with heavy record losses to England (68-14), Argentina (52-28) and South Africa (73-0).

Even the loss to New Zealand in November, which has been held up as Wales showing some green shoots of recovery, was a 52-26 loss.

Despite the results, captain Dewi Lake has extolled the Principality Stadium surroundings.

“It is our ground, the best stadium in the world and we are excited to be back home,” said Lake.

“Our goal with our game on the pitch is to get the fans involved, to give them life and energy because that feeds back onto us.”

Wales need to back up those rousing words with actions.

LOVE Island host Maya Jama uses all the experience under her belt to ensure that the show’s contestants stay happy.

The 31-year-old was pictured in a revealing black dress with a belt for Love Island All Stars Games Night episode.

Contestant Lucinda Strafford, 26, stormed off the set in tears following a row.

In an unusual move, Maya paused the game to comfort her.

Love Island fans are convinced that Maya secretly hates one girl after they spotted a huge clue during last night’s challenge.

The drama got so bad that host Maya was forced to step in and comfort Lucinda after she stormed off and broke down in tears.

TIMES UP

Love Island’s axed couple revealed as Maya returns for most brutal dumping yet

SHE’S BACK

Love Island villa in chaos as Maya Jama arrives and new row explodes

Maya made a return to the villa for the Honesty game, where islanders were asked to answer brutal questions in front of all of the other couples.

With the Islanders in their couples, they had to decide between themselves which other couple fits the bill. 

But eager eyed viewers noted that Maya seemed to secretly dislike Belle after spotting how she pulled up Belle.

Maya asked: “Which couple has the least sexual chemistry?”

Belle said it was Leanne and Scott due to him previously being in a love triangle with her.

This led to Belle shouting at Scott for saying that she was the one doing the chasing.

A stern Maya interrupted and said: “Belle, if it wasn’t 70-30 what was it?”

Belle replied that Scott was fully invested and that he had a good way of dancing around things to make things look right.

Fans took to social media and one wrote: “MAYA CALLING BELLE OUT FOR TALKING BS.”

Another said: “The fact Maya could’ve stayed where she was but went after Lucinda shows that even Maya knew Jessy, Belle and Samie were doing too much.”

A third added: “Maya having to step in to comfort Lucinda bc of the bullying. Belle, Jessy & Samie COUNT YOUR DAYS.”

WHEN people ask me about city breaks, the question they ask has changed over the years.

It used to be about nightlife, food scenes or ticking off landmarks.

Now, more often than not, it’s parents asking a much more practical version of the same thing. Where is a good place to go with kids?

I’m Rob. I work in travel, I look at holiday pricing and trends every day, and I’ve stayed in more hotels than I can count.

I’m also 32, with a two-year-old and an eight-month-old. That combination has completely reshaped how I think about city breaks.

For me, the right family city break is about timing as much as place.

Sensible weather. Walkable centres. Enough going on without it feeling overwhelming. Somewhere forgiving if the day doesn’t go to plan.

This is my month-by-month guide to where I’d go on a city break with kids, based on value, weather, popularity and what’s actually on.

They’re all places I’d genuinely feel comfortable taking my own family.

January – Budapest, Hungary

January is a month where calm matters. After Christmas, families tend to want somewhere affordable, predictable and easy to manage, and Budapest fits that bill perfectly.

It is cold, usually around 3 to 5C, but that brings real advantages.

The city is quiet, hotel prices drop significantly, and the city moves at a slower pace. That makes it far less stressful with buggies and tired legs.

Budapest is compact, flat and well-connected by trams, which makes getting around simple.

Indoor attractions like cafés and historic bathhouses give you plenty of warm places to dip into throughout the day.

I’ve found January breaks from around £114pp for a family of four, which is exceptional value for a European capital.

February – Venice, Italy

February works for families because it offers spectacle without the chaos you get later in the year.

Venice Carnival brings colour, parades and street performers, particularly during the daytime when it feels surprisingly family-friendly.

Children get the magic of masks and costumes, while parents avoid the summer (and summer prices).

Temperatures hover around 7 to 9C, which keeps days comfortable for walking.

Vaporetto boats also turn everyday transport into part of the experience, which is always a win with younger travellers.

I’ve found February stays from around £130pp for a family of four, especially when staying just outside the historic centre.

March – Amsterdam, Netherlands

March is one of the most reliable months for a family city break, and Amsterdam is one of the easiest cities to do with children.

The weather sits around 10 to 12C, the city starts to feel brighter, and peak tourism is still a few weeks away.

It is flat, organised and designed for everyday life, which makes navigating it with kids feel intuitive rather than stressful.

March is also when parks, canal walks and museums like NEMO Science Museum really come into their own, giving you options that work whether the day is high energy or low key.

I’ve found March breaks from around £140pp for a family of four, before spring demand pushes prices up.

April – Athens, Greece

April is a sweet spot for Athens, especially for families who want warmth without exhaustion.

Temperatures typically range between 18 and 22C, which makes sightseeing genuinely enjoyable.

You can explore historic sites without battling summer heat or shoulder-to-shoulder crowds, and there is more space to take things at a slower pace.

Easter often falls in April, bringing local celebrations, food and atmosphere that make the city feel lived in rather than purely touristic.

It is a good month for mixing big sights with relaxed neighbourhood wandering.

I’ve found April city breaks from around £140pp for a family of four, which is strong value for such a bucket list destination.

May – Istanbul, Turkey

May works brilliantly for families because Istanbul becomes warm and lively without tipping into intense heat.

Temperatures sit around 22C to 25C, which is comfortable for walking, ferry rides and outdoor meals.

The city naturally breaks days into short, varied experiences, which is ideal with children. A boat ride, a park stop, some street food, then a rest.

Public transport is efficient, parks like Gülhane provide breathing space, and the sheer variety of sights keeps everyone engaged without needing a rigid plan.

I’ve found May breaks from around £130pp for a family of four, making it one of the best-value big cities in Europe at that time of year.

June – Stockholm, Sweden

June is when Stockholm really makes sense for families.

Long daylight hours, mild temperatures around 18 to 22C, and a strong outdoor culture mean days feel relaxed rather than rushed.

Parks, islands and waterfront walks are everywhere, and ferries turn getting around into part of the fun.

The city feels calm, clean and safe, with lots of space to pause when needed. Museums are interactive, and many attractions are designed with families in mind.

I’ve found June breaks from around £147pp for a family of four, which is good value considering how expensive Stockholm can be later in the summer.

July – Krakow, Poland

July is peak summer, but Krakow works for families because it combines warmth with value and a very manageable city layout.

Temperatures can reach 25 to 30°C, but the city centre is compact and full of shaded squares where you can slow things down when needed.

Summer festivals and outdoor cafés give the city energy without it feeling overwhelming, and everything is close enough that you are never committing to long days out.

Food prices are low, accommodation is good value, and it is an easy city to dip in and out of at your own pace.

I’ve found July breaks from around £144pp for a family of four, which is strong value for a European city in the heart of the school holidays.

August – Edinburgh, UK

August is Edinburgh at full tilt, but it is one of the rare cities where busyness actually works for families.

The Fringe Festival fills the city with daytime street performers, pop-up shows and family-friendly entertainment that you can stumble across without planning ahead.

That makes it ideal if you want flexibility rather than rigid itineraries.

Temperatures usually sit between 18 and 21C, which is perfect for walking without fatigue, and green spaces are never far away if you need a break.

I’ve found August flight and hotel breaks from around £217pp for a family of four. You could do it cheaper with hotel-only and driving or getting the train, but flights are often so reasonably priced that it still makes sense to fly.

September – Munich, Germany

September is a great time to visit Munich with kids.

Early autumn brings warm but comfortable days around 18 to 22C, and the city feels open and easy to navigate.

Oktoberfest adds colour and atmosphere during the day, with fairground rides and music that children enjoy, while the rest of the city remains calm and spacious.

It is easy to sample the buzz without being consumed by it, which is exactly what families need.

I’ve found September breaks from around £180pp for a family of four, particularly when travelling outside the busiest Oktoberfest weekends.

October – Seville

October is the month Seville really starts to shine for families.

The extreme summer heat has gone, leaving warm, comfortable days that suit walking and exploring.

Crowds thin out significantly, which makes the city feel calmer and easier to enjoy with children.

Public squares, parks and shaded streets give you natural places to pause, and the pace of life slows after peak season.

I’ve found October breaks from around £204pp for a family of four, which is good value for southern Spain at its most comfortable.

November – Naples, Italy

November is ideal for families who want a more relaxed, authentic city break.

Temperatures stay mild, usually between 15 and 18C, and tourist numbers drop sharply. That brings better prices and a much more local feel, with everyday life taking centre stage.

Naples is lively and unapologetically real, which many children find fascinating.

Simple pleasures like waterfront walks and excellent, inexpensive food carry the experience.

I’ve found November breaks from around £140pp for a family of four, making it one of the best-value Italian city breaks of the year.

December – Cologne, Germany

December works for families because everything is concentrated and atmospheric.

Christmas markets cluster around the cathedral and surrounding squares, making the city easy to explore on foot.

Lights, music, hot chocolate and gentle fairground rides deliver festive payoff without long days or complicated planning.

Short days actually suit the experience, as you do not need to do much to feel like you have seen plenty.

I’ve found December breaks from around £180pp for a family of four, outside the busiest Christmas market weekends.

City breaks with kids are not about doing more – they’re about choosing the right place at the right time.

Get the month right, and suddenly the weather cooperates, prices feel fair, crowds ease off, and cities become enjoyable rather than exhausting.

These are the places I would confidently take my own family. Thought-through, well-timed choices that work in real life.

Single on Valentine’s Day? Skip the predictable romance films and celebrate with these nostalgic, feel-good movies to lift your spirits

Valentine’s Day has come round once more, and if you’re not getting caught up in all the soppy, romantic nonsense, there’s loads of other ways you can spend your evening. If you’re staying in and swerving all the loved-up couples out there, telly is an excellent means of escape.

Valentine’s Day needn’t revolve around romance, after all. If you’ve had your fill of formulaic, predictable romantic flicks, here are some brilliant alternatives that’ll rekindle your appreciation for those nearest and dearest.

So whether you fancy a giggle on your own or with mates, ditch those rom-coms for some feel-good nostalgia this Valentine’s Day.

Angus, Thongs & Perfect Snogging (2008)

For anyone wanting to grasp what life was like as a British teenage girl in the late noughties, Angus, Thongs & Perfect Snogging hits frighteningly close to home. At some stage, we’ve all caught ourselves relating to Georgia’s worldview, however misguided it might be, reports the Express.

Adapted from Louise Rennison’s bestselling book series, we follow 14-year-old Georgia Nicholson (Georgia Groome) as she tries to navigate adolescence whilst pining after the new lad in town – a breakthrough performance from Aaron Taylor-Johnson. Throughout her mission to bag a boyfriend and organise a spectacular 15th birthday bash at a nightclub, we witness the inner workings of the teenage brain manifesting in reality through some absolutely hilarious and toe-curling antics.

Shaving off an eyebrow? Absolutely. Faking the disappearance of a beloved moggy for sympathy? Naturally. A massive pair of granny pants? Without question.

Whilst this flick might centre on Georgia’s romantic pursuits, beneath the surface lies a tender coming-of-age tale exploring insecurity, platonic bonds, and that distinctly teenage sensation that everything is utterly catastrophic. Plus, it boasts what’s arguably one of cinema’s finest original songs, guaranteed to transport you straight back to those nostalgic days.

Planning to mark Valentine’s Day with your mates this year? Nobody’s turning down this gem. Angus, Thongs & Perfect Snogging proved a defining British picture for younger audiences back then, and continues to supply countless cultural touchstones we reference today.

In fact, Georgia Groome recently resurrected that legendary olive outfit for a cameo appearance in the reveal video for Maisie Peters’ latest album ‘Florescence’. Nearly two decades on and that immortal line still echoes: “Boys don’t like girls for funniness”.

The film is available to stream on Netflix, Amazon Prime and Apple TV.

Wild Child (2008)

The year 2008 was evidently peak teen cinema. On one side sits Angus, Thongs & Perfect Snogging, offering a relatively authentic portrayal of adolescent life for girls during the noughties, whilst on the other stands Emma Roberts ‘ Wild Child.

What do you do with a spoilt, glamorous Malibu Barbie teenager who leaps off cliffs into the ocean? Simple – pack them off to an all-girls boarding school deep in the English countryside.

A genuine fish out of water, Emma Roberts’ Poppy Moore couldn’t be more different from the seemingly prudish, eccentric pupils she encounters at Abbey Mount. It’s quite the exaggerated portrayal of boarding school life, but that’s rather the point – to knock the protagonist down a peg or two.

Gradually, the crisp English climate begins breaking down Poppy’s defences as she develops authentic bonds with her roommates – Kate (Kimberley Nixon), Josie (Linzey Cocker), Kiki (Sophie Wu), and Jennifer “Drippy” Logan (Juno Temple). Naturally there’s a love interest (Alex Pettyfer) and a sworn enemy (Georgia King) determined to see her fail, though that’s really beside the point when there’s such entertaining mischief afoot.

Beneath the rebellious and entitled façade lies genuine warmth, drawn out through the connections she forges. Ultimately, Poppy emerges transformed – having discovered a missing piece of herself through real mates who embrace her for who she truly is, whilst wreaking havoc around campus. Whilst Wild Child might not be the most universally relatable picture, there’s something in all of us that yearns for that kind of school adventure.

The film also marks one of Natasha Richardson’s final performances (as headmistress Mrs Kingsley) prior to her tragic passing in 2009.

Wild Child is available to stream on Netflix.

The Breakfast Club (1985)

This film boasts what’s arguably one of cinema’s most iconic closing sequences and exit tracks. The Breakfast Club, a coming-of-age comedy-drama, follows a group of outsiders whiling away the hours together during an all-day Saturday detention.

Each teenager belongs to a different social circle within the school, and their paths would ordinarily never cross in daily life. They’re set the task of penning a thousand-word essay on “who you think you are” by their notoriously harsh vice principal (Paul Gleason).

Alongside the usual rebellious teenage shenanigans and storylines, the film explores the realities lurking beneath the stereotypes presented on screen. It tackles themes including peer pressure, abuse, neglect, troubled relationships, and suicide in a manner that resonates with its audience, rendering the characters relatable to viewers.

Despite their contrasts, the group discover they’re all grappling with comparable struggles and form connections with one another. It serves as a reminder that surface appearances can be deceiving.

Whilst the group suspect their newly-formed bonds will dissolve once detention wraps up, they acknowledge they’ll view their classmates through fresh eyes going forward. As the film reaches its conclusion, we hear their moving message to their vice principal, declaring: “Each one of us is a brain, an athlete, a basket case, a princess, and a criminal.

“Does that answer your question? Sincerely yours, the Breakfast Club.”

Cue Judd Nelson’s fist raise and Simple Minds’ ‘Don’t You Forget About Me’.

The Breakfast Club can be watched via Netflix, Amazon Prime and NOW TV.

Romy and Michele’s High School Reunion (1997)

There’s something about a 90s comedy that hits all of the right spots, something the 2020s can learn from. The film follows underachieving best friends Romy (Mira Sorvino) and Michele ( Lisa Kudrow ) who decide to reinvent themselves with fake careers to impress their former classmates at their ten-year high school reunion.

The film kicks off with the drama of the girls’ prom in 1987, where they find themselves targeted by bullying from the high school cheerleader clique. Some stroppy behaviour leads the girls to do the classic slow dance together.

Fast forward, the duo don’t appear to have achieved much success since leaving school, stuck in dead-end jobs – or jobless – living a life lacking in some sort of purpose. They’re fine, totally fine.

It’s the invitation from one of their high school tormentors to their high school reunion that makes them pull their socks up, but only in the pretence sense. It’s your typical American movie that takes you on a journey, both literally and figuratively.

Following a catastrophic falling out over their friendship, the pair go their separate ways after their drive cross-country to the reunion. Or do they?

The film is madcap, light-hearted, and chock-full of clichés, but sometimes that’s just the ticket. Let’s face it, we all need a good giggle now and then, and anything featuring Lisa Kudrow is guaranteed to leave you in fits of laughter.

You can catch this film on Disney+.

Frances Ha (2012)

Whilst we’re accustomed to seeing Greta Gerwig behind the lens, she’s equally at home in front of it. The film stars Gerwig as a struggling dancer in New York, grappling with the rollercoaster ride of her twenties alongside her best mate, Sophie (Mickey Sumner).

They say your twenties are meant to be the time of your life, but in truth, you’re still figuring out who you are and where you fit into the world. We can all identify with the unpredictability of existence; flitting from one flat to another, settling for jobs you don’t really fancy, and witnessing friendships fade as they form new relationships.

Life in the Big Apple can be complex and unsettling, regardless of which side of the Atlantic you hail from. The trials and tribulations of everyday life can weigh heavily, with Frances battling to make her mark on New York.

The film masterfully blends comedy, drama and emotion to paint an authentic picture of struggling twenty-somethings.

In 2025, Frances Ha secured the 90th spot on The New York Times’ list of “The 100 Best Movies of the 21st Century”. Writing for Harper’s Bazaar, Yasmin Omar noted: “Frances Ha has become a cult classic thanks to its relatable portrait of the bewildering life stage that is young adulthood.”

Frances Ha is available on Netflix, Amazon Prime and Apple TV.

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Vanessa Gordon, from New York, was not expecting to find love when she took a post-divorce trip to Tuscany – the home of Leonardo da Vinci, Michelangelo, Sandro Botticelli, Donatello and Giotto

Vanessa Gordon was just 18 when she got married, and 37 when she got divorced.

After 13 years of marriage, the mum was understandably unsure about her next move. Fortunately, her friends were not.

“My friends had a WhatsApp group entitled Vanessa 2.0, where they would encourage me to get out there and enjoy myself. That was the kind of headspace I was in when I went out to Tuscany, a little bit delicate and fragile and in need of some encouragement to start the next phase of my life,” she told the Mirror.

The event planner and producer, from the Hamptons in New York, travelled to the Italian region, which as the home of Leonardo da Vinci, Michelangelo, Sandro Botticelli, Donatello and Giotto is synonymous with beauty.

It was there that she had a chance encounter with a stranger who would change her life.

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Vanessa was staying in a hotel when a man in his early 20s walked past her, smiled, winked and disappeared. “He was absolutely gorgeous. My hair was in a messy bun, and I was in a bathrobe, but I knew there was something between us,” she explained.

She relayed the encounter to her friends, who joked that Italian men were just like that and suggested she should not dwell on it. Maybe it was the romantic setting, or maybe there was something about this mysterious man. Vanessa was convinced there was something there. “I had a gut feeling about him. It took me back to being sweet 16,” she said.

Later that same day, Vanessa was having dinner in the hotel with her friends when she spotted the same young man. After her friends’ insistence, she approached him. She asked him about the drinks menu, and he asked her her name.

“Vanessa. Beautiful,” he said, before winking and walking away.

The response bowled the American over. “I’ll never forget it,” she said. Later that evening, after hours of dining and chatting, the mysterious staff member reappeared and asked if he could place a blanket over her shoulders to keep out the chill of the night. She said yes.

Although their interactions had been fleeting and communication across languages difficult, by the end of dinner Vanessa was sad to discover that he had finished work. She had meant to give him her number but did not get the chance before he slipped away.

Luckily, his name was printed on the meal’s bill. Vanessa found him on social media, added him and hoped. Within moments, he accepted and messaged her, asking when she was leaving. “Tomorrow,” Vanessa replied, regretfully informing the Italian waiter that she would be heading to Florence in the morning.

“He said he would come to Florence to see me, and I thought, ‘yeah right’, but that’s what he did.”

The waiter did not just make the two-and-a-half-hour train ride to Florence. He spent two days by Vanessa’s side, walking around the city, chatting constantly and taking it all in.

“What I found so fascinating was that my nerves instantly melted away when we met and started talking. I felt totally at ease with him, and I still can’t believe looking back that he was only the second man I had ever been with, even into my mid-30s. I think that’s very special and very rare,” she explained.

“I was very impressed by how mature he is and how hard he tried to speak English, while I spoke the best Italian I could. We used a translator every now and then. I didn’t mind that he smoked, which surprised me. He was very confident, but not in an arrogant way.

“We didn’t do too many touristy things. We went to dinner at a local sushi spot, visited Piazzale Michelangelo and spent a lot of time walking and talking. We ended the last evening watching one of his favourite films in Italian with English subtitles.

“I trusted him as well. We were completely alone together and I felt fine.”

At the end of the two days, Vanessa told the former stranger she had to return to New York, while he needed to go back to work. They kissed and went their separate ways.

“I can’t believe it happened. It was so special at that time in my life. My friends went from cheering me on to living vicariously through me. They said I lived a moment most people could only dream of. It set me up for everything else I’ve done since then. It was perfect,” she said.

It is not clear what lies ahead for Vanessa and the Italian waiter, who did meet again when she returned to Europe. Regardless, she looks back on the chance encounter with love and as the beginning of a new chapter.

“He helped me get my belief back in myself and build my confidence. It made me realise everyone is in this together, everyone gets nervous or uncertain. We’re all just people. My confidence has reignited now. I’m a totally new woman, and he was the start of that,” she said.

“And no matter what happens in the future, he will always hold a special place in my heart.”

Do you have a story to share? Email webtravel@reachplc.com

Gillian Philip met Henry during a solo trip and it changed her life

A teacher who met her now-husband on a solo trip in China and moved more than 5,500 miles – 9,000 kilometres – across the world after only meeting him four times in person has said “you will find love when you least expect it”. Gillian Philip, a teacher from Scotland, decided to “give up on dating” when she turned 30 and moved to South Korea to start a new chapter, where she could focus on herself and “enjoy (her) life”.

In October 2019, however, Gillian, now 39, found herself on a Flash Pack trip to China after her original holiday plans fell through – and this is when she met Henry Philip, 42, a software developer, also from Scotland. They soon formed a bond while exploring Beijing, riding motorbikes and watching the sunrise at the Great Wall, describing the trip as “unforgettable”, but they both “didn’t expect to meet anyone” romantically.

Despite living in different countries, they kept in contact via messaging and video calls, and Gillian decided to move across the world to be with him in July 2021 after only seeing him in person four times. Now living in Edinburgh together, they have since married and welcomed their first child, and Gillian wants to encourage others to travel the world and “dream big”.

Speaking about an amusing anecdote, Gillian said: “I remember talking to one of Henry’s best friends, and he said to me, ‘So what’s going on with you two?’. I said, ‘Well, it’s probably just a holiday fling that’s overrun’, and he went, ‘Why do you say that?’.

“I just said, ‘We live 9,000 kilometres apart, there’s a nine-hour time difference in our relationship. In reality, it’s going to go nowhere’. What’s funny is I said that to the person who ended up being the best man at our wedding.”

Gillian explained that she had a long-term relationship while at university but, otherwise, she tried the usual avenues for dating in her 20s. She downloaded various dating apps, including Tinder, signed up for online platforms such as Plenty of Fish, and her friends tried to set her up with potential partners – but without success.

“I’d go on a date and I’d be thinking, ‘I could genuinely be doing anything else with my time right now’,” Gillian said. “I could be getting my marking done, I could be sorting out my emails instead of sitting in this pub.”

When she turned 30, Gillian decided to move to South Korea to teach at an international school. Although “terrifying” at first, she said she wanted to focus on herself and enjoy activities such as walking, swimming and travelling.

“I just thought, I’m going to stop trying to do this stereotypical route – you work hard in your profession, you work up the ladder, then you buy a house, you meet a partner, you get married etc.,” she said. “I just wanted to go and enjoy my life.”

While in South Korea, Gillian said she ventured on her first solo Flash Pack trip to Vietnam and Cambodia in 2018. Flash Pack is a social adventure travel company which specialises in creating bucket-list experiences for like-minded solo travellers, and Gillian thoroughly enjoyed the trip. Then in 2019, she decided to go on another Flash Pack holiday after other plans fell through – this time, to China.

“In 2019, I was originally meant to be going to the Rugby World Cup in Japan with my sister and her husband, but they couldn’t go in the end,” Gillian said. “I didn’t know if I wanted to do that by myself, so I just thought, ‘Actually, while I’m here, I’m not far from Beijing and I know Flash Pack’s a great company, so let’s just go and do that trip’.”

Gillian booked her spot in September and Henry booked his in August, and they both flew out separately to China in October that year with no expectations to meet anyone. The 12-day adventure included seeing the Great Wall at sunrise, exploring Beijing and being invited into the homes of locals to make dumplings by hand, along with seeing the Terracotta Warriors in Xi’an.

The group practised tai chi, explored lantern-lit streets, visited various food markets, travelled on high-speed trains, rode motorbikes, saw pandas and journeyed by boat in Shanghai. It was on this trip that she met fellow adventurer Henry, but she admits it was not love at first sight.

“The first time I met him, it was in a group in the evening, when everyone is introducing themselves,” Gillian explained. “It wasn’t like, ‘Oh, wow, he’s amazing’, it was more, ‘He seems like a nice person’.”

Gillian remembers spending time with Henry one afternoon when they had time to do some shopping, and he helped her pick out a jumper as she had only brought 6kg of hand luggage for the trip. They then ended up “sitting and chatting” on various train journeys and visiting food markets, allowing them to form a closer bond, and Gillian said he was “really kind and really easy to talk to”.

“I thought by fluke we just ended up sitting next to each other on every train journey, but I found out later he planned some of that,” Gillian said. “It was nice to just sit and chat and, as we chatted, we realised we had a few mutual friends in common.”

In Shanghai, they ended up “staying up all night talking to each other”, and they shared their first kiss there before flying home. However, Gillian did not think they would see each other again and even considered setting Henry up with one of her friends in Edinburgh.

“I knew he was a great guy, but we lived so far apart,” Gillian said. “We did say that we travel really well together, so it would be great to travel again, but it was one of those things where you say that and don’t know if it will ever happen.”

Despite living 9,000 kilometres apart, they maintained contact and managed to meet up a few times in December 2019, where they visited the Christmas markets in Edinburgh and spent New Year together. Then, after months of not seeing each other because of Covid-19, countless messages and an “I love you” moment over a video call, Gillian decided to quit her job and move across the world in July 2021.

“If any of my female friends said they’re moving halfway around the world for a guy they’d met four times, I’d say, ‘What are you doing?’,” Gillian said. “Surprisingly, only two people turned around to me and said, ‘I don’t think that’s a wise idea’… but a part of me thought, if I don’t give this a go, I’ll always regret it.”

After moving in together in Edinburgh, Henry proposed in May 2022, they got married in July 2023 and they have since welcomed their first child, who is now 17 months old. They have continued to travel together, visiting Alaska for their honeymoon and other places such as Toronto, Vancouver and Croatia, and they love “spending time as a family”.

Reflecting on how they met and her advice to others, Gillian said: “Henry and I say to each other, if we saw each other in a bar, I don’t think either of us would have had the confidence to go up to each other. Our paths were meant to cross, we just took the long way round to get there. It’s the old cliche which people used to say to me and I hated them saying it, but you will find love when you least expect it.”

Love Island All Stars bombshell Jessy Potts has addressed her split from Joey Essex after making a dramatic entrance into the ITV2 villa

Love Island All Stars bombshell Jessy Potts has lifted the lid on her romance with reality television personality Joey Essex following her explosive villa debut.

The 27-year-old caused quite a stir when she strutted into the ITV2 villa during last night’s heart rate challenge (February 9), planting kisses on Tommy and Scott’s lips whilst giving the remaining boys neck kisses. Tonight’s episode revealed her sultry black lace outfit had sent several boys’ heart rates soaring, much to the annoyance of some of the female contestants.

As the new arrival began mingling with her fellow Islanders, Love Island USA’s Zac was first on her agenda for a private conversation. She whisked the reality star away to the terrace whilst his partner Millie looked on, confessing: “I love an American.”

During their chat, she discussed her past romance with The Only Way Is Essex favourite Joey, who became Love Island’s inaugural celebrity bombshell when he joined the show’s eleventh series.

Jessy arrived in the villa later that season with the power to couple up with any boy she fancied. She chose Joey and the duo remained together until their fellow Islanders voted them both off the programme, reports OK!

However, just two months after their stint on the 2024 summer series, the pair decided to go their separate ways. At the time, they each released a statement, with Jessy saying: “I appreciate the Love Island experience I had with Joey, we tried to make it work but it wasn’t to be. I’m so grateful to everyone who supported us and look forward to all of the exciting opportunities ahead.”

Joey, on the other hand, stated: “Unfortunately, we have decided to call an end to the relationship but I hope we can continue to be friends. I truly wish Jessy the very best with whatever she does in the future.”

Now, Jessy has shed more light on what led to their break-up, revealing to Zac that they were simply “different people”.

After Zac apologised for not having watched her season, Jessy clarified: “Mine was a couple of years ago but I had quite an easy journey. I basically got in there, got in one couple and stayed in it the whole time.”

When Zac asked: “Why did it end?”, Jessy confessed: “It only lasted about a couple of months afterwards. It was just we’re definitely different people. So then you leave here and it’s like ‘Oh s***’. It’s a lot.”

She added: “He’d done TV before so he already had a lot of people that had opinions about him anyway. It just wasn’t for me but that’s ok.”

Love Island All Stars airs Sunday to Fridays at 9pm on ITV2 and ITVX. For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

Love Island stars will come to blows as tensions explode over the latest drama in South Africa villa

ITV has revealed that sparks will fly as chaos erupts amongst the Love Island contestants in the villa.

Emotions have been running high in the ITV dating show’s spin-off series, with bombshell arrivals and complicated love triangles developing in South Africa. Last night’s episode featured the much-anticipated heart rate challenge, whilst two fresh bombshells made quite the impression upon their entrance.

Tonight’s instalment (February 10) will showcase the challenge results and the drama that follows. This includes Belle continuing to express her attraction to Scott after discovering they elevated each other’s heart rates the most.

Elsewhere, Leanne drops hints that she’s keen to reignite things with her ex-partner. Scott confesses his bewilderment as bombshell Jessy appears to fancy him as well.

When Scott acknowledges he still harbours feelings for Leanne, she responds: “Not gonna lie, after that performance I was like the door is open.”, reports OK!.

Yet he’s then whisked away by Belle for intimate chats in the Secret Garden and on the Terrace the following day, where she reveals her own emotions.

Their deliberate retreat for a private discussion hasn’t escaped the attention of their fellow Islanders. Particularly Lucinda, who believes she was unfairly criticised for swooping in on Sean, taking him away from Belle to couple up with him.

In a tantalising preview clip aired at the close of the latest episode, viewers caught a fleeting glimpse of the explosive scenes awaiting them in tomorrow’s instalment. It appears that tensions will boil over between at least two Islanders, with others being drawn into the fray.

Lucinda is seen confronting Belle head-on about the unfolding drama, stating: “You’ve done the exact same to Leanne” before Belle fires back: “This ain’t about you.”

The action then shifts to the dressing room, where heated exchanges continue to unfold. Newcomer Jessy challenges Lucinda, saying: “You feel vindicated because you feel like Belle did what you did.”

Amid the pandemonium, one Islander attempts to intervene and restore order, though their voice is barely audible over the commotion. Belle is later heard muttering to Scott: “Welcome to the f****** hurricane.”

Viewers wasted no time sharing their reactions on social media. One fan posted: “Tomorrow night’s clip: That was bold of Lucinda and I rate it! Pay back!” whilst another declared: “This is TV! Give whoever casted these lot a raise!”

A third viewer predicted: “Tomorrow is going be hell.” as someone else enthused: “This villa drama never misses.”

Love Island All Stars continues tomorrow at 9pm on ITV2 and ITVX.

For the latest showbiz, TV, movie and streaming news, go to the new ** Everything Gossip ** website.

SHE once had a love affair with Britain – and now it seems Madonna is back in Blighty with a vengeance.

Over the past week, the 67-year-old superstar has taken to the stands at Tottenham Hotspur Stadium in North London for two days running.

Before that, she was visiting — and waxing lyrical — about the seaside town of Margate in Kent.

So is the Queen of Pop, who has changed her image more in the last four decades than most of us change our bed sheets, back to rule Britannia and play the English lady again?

On Saturday, the self-declared “soccer mom” was at the Spurs ground to cheer on her 13-year-old twins Stella and Estere, who were playing in a Tottenham under-14s academy match.

Taking to Instagram, she told her 20.3million followers: “I will pay G*D for some sunshine! Go Estella and Estere, Hotspurs win!!! 5-0.”

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Complaining about the weather and yelling about footie . . . what could be more British than that?

The following day, she was back for more, telling fans she was taking her “second Uber ever” to watch the Tottenham Hotspur women’s team play Chelsea in the Women’s Super League.

Her boyfriend, Akeem Morris, 29, is also throwing himself into the UK way of life, VIP style, of course.

The Chelsea fan is regularly spotted at men’s home games with Madge in the directors’ box.

The couple turn up together with no security in tow.

Madonna last month visited close pal Tracey Emin and the artist’s latest exhibition in her hometown of Margate.

I will pay G*D for some sunshine! Go Estella and Estere, Hotspurs win!!! 5-0

Madonna

While there, she wrote on Instagram: “Tracey Emin is a Pearl.

“A precious necklace that has been draped around a seaside town in England called Margate.”

She added: “Whenever I go there, I feel like I’ve entered a dream.

“On top of all that, I get to eat at my favourite Italian restaurant which I’m not giving anyone the name of because then everyone’s going to go there and it only has one table!”

Margate might be a long way from the singer’s own hometown of Michigan, but she clearly felt very at home there.

And presumably the locals were delighted to have her.

Meanwhile, it is not just the singer’s social calendar that is packed with British outings.

She also seems to be making professional moves here, too.

Tracey Emin is a Pearl. A precious necklace that has been draped around a seaside town in England called Margate

Madonna

It was revealed last year that she had been secretly working with British music producer Stuart Price, who she collaborated with for 2005 album Confessions On A Dance Floor.

It is believed the pair are working on a new album, following Stuart’s role as musical director on her 2023 Celebration Tour.

Confessions On A Dance Floor might have been all disco glitter and electro pop, but it was a time when Madonna was at her most British.

Having married director Guy Ritchie in 2000 at Skibo Castle in the Scottish Highlands, the Material Girl had fully clothed herself in the trappings of a plummy country life.

Gone were the risqué red carpet outfits, replaced with a Home Counties wardrobe of tweed, riding jackets and tea dresses.

Fully embodying her Mrs Ritchie persona, Madonna went riding, took walks in the rolling fields of Wiltshire and hobnobbed around Marylebone.

She then doubled down on the act with her 2003 children’s book The English Roses.

And then, of course, there was the accent.

Having seemingly forgotten she was an Italian-American who had her first taste of adult life on the mean streets of New York City, the singer hit the headlines when she started speaking with the lilt of a posh (but slightly inebriated) Englishwoman.

It was Michigan meets Mayfair, with the added confusion of someone who thought Austin Powers was a real person.

Fans scratched their heads, but also could not help but love the campy creation of a world-class chameleon.

The singer had gone full method acting with her transatlantic marriage, becoming Madonn-rah in the process.

Whenever I go there, I feel like I’ve entered a dream. On top of all that, I get to eat at my favourite Italian restaurant which I’m not giving anyone the name of because then everyone’s going to go there and it only has one table

Madonna

Madonna kept the pretence up until she and Guy split in 2008 and she moved back to the US.

Years later, in 2020, she demonstrated some very British self-mockery when she joked about her adopted accent — and the reaction to it — while performing on her Madame X tour in London.

“I didn’t know what anyone was talking about until I heard old interviews of myself,” she told the crowd.

‘Lucky to be alive’

“And then I was horrified and flabbergasted. Why did you let me do that to myself? I’m from Michigan!”

She added: “It’s all Guy Ritchie’s fault. He made me do it.”

Meanwhile, having continued to grow her property portfolio across the world, Madonna relocated to Portugal in 2017.

That year she adopted twins Estere and Stella from Malawi (she was already mum to Lourdes, now 29, Rocco, 25, David Banda, 20, and Mercy James, 20).

The move to a £6million 18th-century mansion just outside Portuguese capital Lisbon was to help David pursue a career in football after he joined Benfica’s youth team.

Once again, the queen of reinvention did what she does best and embraced the local culture, soon debuting her Madame X persona to the world.

Her new image — and accompanying album — were heavily influenced by Portuguese life.

She later said she had been inspired by the local Fado and samba music.

The family moved back to the US in 2020, but since then Madonna has continued to prove herself a citizen of the world.

Lucky to be alive

Madonna

She splits her time between her palatial pads in New York, Los Angeles, Portugal and London, where she kept her Georgian townhouse in Marylebone after splitting from Guy.

She has also had several more reinventions along the way — which gave her plenty of material for her Celebration Tour three years ago, which took fans on a nostalgic trip over her 40-year pop career.

It was a poignant time for the singer, who had been forced to re­schedule early dates after a bacterial infection in June 2023 left her in intensive care.

She later said she felt “lucky to be alive”.

When she did finally take to the stage, she clearly relished the chance to time-hop through the years to resurrect some of her biggest songs and look back at her former personas.

After so much self-reflection, why does she now seem to be laying her hat down once again in the UK? The answer, first and foremost, seems to be her kids.

So the fact that Stella and Estere seem to be following in older brother David’s footsteps as football prodigies might just keep their proud mum back on British turf for a while.

Aga-loving lady

Added to that, eldest son Rocco is permanently based in London, where he owns his own art studio in Chelsea.

In December, Madonna played proud mum again as she attended one of his art shows in the capital.

She even posed alongside her ex-husband and Rocco’s dad Guy, suggesting the pair’s many years of animosity are now water under the bridge.

Posting the family picture, Rocco wrote: “It’s obvious why some people might hold judgment against me. I don’t blame them.

“However, I am proud to be who I am, but I’m even prouder to have both of my parents together in one room supporting me.”

She might not be sitting down for a Sunday roast with Guy and his new wife Jacqui any time soon, but the family snap was a pivotal moment.

It suggests Madonna is not fully ready to wash her hands of the years she spent winking at the world as Mrs Ritchie.

As she recently said, family means everything, describing her role as a mum of six as her­ ­“biggest medal”.

So, what is next for the woman who never stands still?

With new music in store — which is believed to be a follow-up to her British era Confessions On A Dance Floor output — there is every possibility we will see the Queen of Pop reclaim her crown as a cosplaying Brit.

Whether that will come with the lilt and wardrobe of an Aga-loving country lady remains to be seen, but one thing we do know is that she does not do things by halves.

So keep your eyes peeled, because you never know if a certain international megastar is sitting beside you at that football match, or walking just behind you on your weekend break at the seaside.

Then again, considering her former plummy accent, you will be sure to know when you hear her.

A cabin crew member met the love of her life on a flight to Tenerife after he helped her in an awkward moment – the couple are now happily married and about to celebrate their 25th Valentine’s Day together

Back in June 2001, flight attendant Alexis Milford-White went to work as usual, expecting nothing out of the ordinary as she boarded the TUI flight to the Canary Islands. Ready, as always, to assist her passengers.

Little did she know she was about to meet her future husband Stuart at 30,000 feet in the sky while he was heading off on holiday with his friends.

One simple act of kindness on his part “broke the ice” and the pair began meeting up regularly. Just two months into their fledgling relationship, Alexis was struck down with a debilitating illness, which is when Stuart really proved their love was the real deal.

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It was during a routine Boeing 757 flight from Manchester airport – where 32-year-old Alexis was based – to Tenerife that the lovebirds first encountered each other. Stuart, 24, was sitting in the emergency exit row and travelling on holiday with friends. He’d already struck up a conversation with the cabin crew member who had caught his eye when an unfortunate, clumsy moment saw him step in to save her blushes.

“We got chatting throughout the flight, and at one point he even helped me when I dropped the money from duty-free sales all over the cabin floor,” Alexis said. “It was one of those moments that just broke the ice”.

Thankfully, Stuart acted on his feelings and asked for Alexis’ phone number, messaging her shortly after, even though he was soaking up the sun with his pals. “Three days later, I got a text from Stuart, and that was it,” she said. “We stayed in touch throughout his holiday and would talk on the phone for hours, sometimes up to 12 hours at a time.”

Alexis, who had dreamed of being a flight attendant since she was a little girl, landed her role after taking a leap of faith and quitting her bank job. She believed her career path was “meant to be,” just as when she managed to work on Stuart’s return flight home from Tenerife, which she said “felt like fate.”

During the journey, the pair had the chance to make plans to meet when they got back in the UK. Although there was some distance between their homes, with Stuart living in Birmingham and Alexis in Preston, they made sure they hooked up weekly.

However, it was after just two months into their new and exciting relationship that Alexis became seriously ill with a spinal bacterial infection, which meant she could no longer walk. Such a debilitating health battle, with the challenges it brought, may have signalled the end for many new couples. But it only cemented their commitment.

Alexis was forced to give up work for a long time as she learnt to walk again using water rehabilitation, but Stuart was right there by her side. “Without hesitation, Stuart left his training in Birmingham to come and be with me,” she said. “He was an amazing support and it became clear very quickly we were meant to be together.”

After six months, he moved in with Alexis, and the huge Disney fans married in 2004 at Disney in Florida. They’ve been inseparable ever since and are about to celebrate their 25th Valentine’s Day together.

Alexis is now back working for TUI and thinks her travelling means they make the most of their time together. “We’ve had our ups and downs like any couple,” she said. “But if it wasn’t for that flight, we wouldn’t be together. I went to work that day thinking it was just another shift, and instead, I met my husband, and he’s my rock. Even after all these years, it still amazes me that love found us in the sky.”

MONTANA Brown is facing the wrath of the internet after her comments that food pouches for kids are ‘c**p’ left viewers feeling patronised.

The series three Love Islander, 30, posted a TikTok discussing what supermarkets brand as “healthy snack pouches” for children and how she feels sickened that people would ever actually purchase them.

Speaking candidly to the camera from her car, Montana said: “All the soon-to-be mothers… don’t get into the trap of buying ‘kids’ food.

“Like going to the kids aisle in a shop and seeing all these like ‘kiddylicious wafers’ and ooh a chicken casserole in a little squirty thing.

“I hate them. I really hate them. I think they [shops and brands] want it to be so easy for us.

“They want it to be so convenient for us that we buy them every day and feed them to our kids because it’s healthy and it’s an easy…

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Montana Brown sparks debate after she got moaned at for talking on loudspeaker

“[You think to yourself] you don’t have to MAKE them a chicken casserole.

” But it’s full of c**p.”

The star continued to say that it can be hard to not fall into the trap of feeding ultra-processed food to your family, but parents could instead give their children “a piece of carrot or cucumber”.

She said: “I used to give Jude [her son] pouches back in the day, he used to have pouches very rarely, and when I looked at the ingredients I was like ”oh my gosh I do not want to give him this stuff ever’.

“Miley [her daughter] I would never give her a pouch, and it just annoys me because I think we need to give kids real food. 

“And actually there doesn’t need to be a kids section necessarily, we can just give them a carrot or we can give them cucumber, we can give them an apple, we can give them a pear.

“It just takes a couple more minutes to prepare. It’s just really frustrating.”

Viewers rushed to let Montana know they thought she crossed the line between being informative and rude, leaving parents feeling guilt-tripped for doing their best as well as patronised.

One user said: “Try being a busy mum with a full time job, being out the house 8am-6pm every day (bills to pay).

“We need a bit of convenience at times. Don’t guilt trip those of us who don’t have time to scratch cook nutritiously balance meals 21 times a week.”

A second responded sarcastically with: “Don’t give up breastfeeding until they go to high school, give them avocados and salmon everyday for breakfast otherwise they’ll never survive the real world x”

A third added: “This isn’t it babe. Mum shaming as a Mum herself is crazy.”

Montana and her fiancé professional rugby player Mark O’Connor met in 2021.

They share two children, who were born in 2023 and 2025.

Montana has been open about her difficult journey to motherhood, having experienced a breech as well as a home birth.