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THE birthplace of the British seaside resort is celebrating 400 years
this summer – and it’s not where you might expect.

Scarborough is England‘s oldest coastal resort and it’s starting a summer of celebrations marking four centuries since its spa waters were found – so it was only right that I took a trip up to the North Yorkshire Coast.

It’s easy to see why tourists have been flocking to Scarborough for centuries and why it’s been nicknamed Scarbados, in a nod to the Caribbean island known for its lovely beaches and chilled-out vibe.

While the weather might not be quite as tropical as Barbados, there
are two beaches to choose from, a historic castle on the headland
between, popular parks offering lots of attractions and even one
Britain’s best waterparks, all within walking distance.

There’s something for everyone here, no matter what you enjoy about a day at the seaside, and it feels like you can have about five different days
out rolled into one.

I took on a spa-to-spa walk of about an hour, setting off near the
site of the original spring and spa in South Bay.

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This is where it all started for the town as a coastal resort, when Thomasin Farrer spotted a natural spring in 1626 and discovered the waters were packed with minerals.

Soon, people were travelling from across the country to take
the waters and enjoy the sea air.

The spa building is now an entertainment venue where you can enjoy comedy, music and kids’ shows throughout the year.

It’s here that you’ll find the historic cliff lift, which celebrated its 150th anniversary last year.

And there’s also a striking glazed veranda with a black and white floor overlooking the North Sea.

Walking along the front, South Bay is home to many of the chippies
that won Scarborough the title of the fish and chip capital last year,
with almost 100 takeaways to choose from.

With wide golden sands, a big wheel, arcades aplenty and rides at Luna Park, you’ll want to head here if you love a bit of seaside hustle and bustle.

My favourite find was heading up to Scarborough Castle, which is
looked after by English Heritage and offers lovely views out over both
beaches and beyond.

It’s got a very special vibe, somehow managing to be at the heart of the town and feeling like a secluded secret spot at the same time.

Walking down to North Bay, which has a quieter vibe than its sister
sands to the south, and then around to Peasholm Park, this part of
Scarborough feels more like the beaches of my childhood.

If you love an aquarium, Scarborough North Bay Railway runs up to the pyramids that house the town’s Sea Life centre.

There’s lots to do in this green space, with the wooden pagodas at its entrance mirroring the oriental-inspired grounds within.

During the summer months, you can catch model boats recreating a naval battle on the lake at 3pm on Mondays, Thursdays and Saturdays.

Or take a ride on the park’s historic water chute that’s coming up to its centenary and catch a show at the open air theatre, with the likes of Alanis Morissette and Michael Buble performing this year.

I finished my scuttle around Scarbados with a trip to the spa at
Alpamare, the town’s waterpark that opened a decade ago and has
recently gone up for sale after being run by Yorkshire theme park
Flamingo Land for a couple of years.

I loved the sea view from the upstairs sauna and the warm outdoor pool
was a treat in the sunshine.

But a firm favourite was definitely chilling out in the hay bath, a unique stable-inspired sensory room lined with troughs of freshly cut hay and swinging beds hanging from the ceiling.

It’s the perfect place to while away a few hours – kids can take on
the flumes, wave pool and splash pad downstairs, while adults can head
up to the spa to enjoy steam rooms, relaxation spaces and a terrace
with open air showers and sunbeds.

This year is a great time to visit Scarborough as there’s free
festivals, a trail of 10 huge deckchairs at tourist spots across the
town and even some fabulous illuminations when the nights draw in to
mark the end of the year of celebrations.

So scoot over to Scarborough if you’re after a seaside treat of a town
that started the traditional trip to the coast beloved of Brits all
those years ago.

What to do after writing some of this century’s most devastating songs about the torment of breaking up? Write some of this century’s most devastating songs about the ecstasy of getting together.

With her first two albums — 2021’s Grammy-winning “Sour” and 2023’s triple-platinum “Guts” — Olivia Rodrigo proved herself to be perhaps the most gifted of the many chroniclers of Gen Z romance to emerge in Taylor Swift’s wake. She could convey the hot sting of betrayal, as in her smash debut single, “Drivers License”; she could channel the injustice of watching an ex somehow carry on, as in “Good 4 U”; she could deliver a sick burn like somebody handing out Halloween candy, as in “Get Him Back!” (Because it deserves remembering: “He had an ego and a temper and a wandering eye / He said he’s six-foot-two, and I’m like, ‘Dude, nice try.’”)

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Yet on her thrilling third LP, “You Seem Pretty Sad for a Girl So in Love,” Rodrigo, 23, turns to the pleasure that comes before the pain — and, in a feat very few in pop music are ever able to pull off, ends up with a number of first-flush-of-love songs as potent as any breakup tune.

She opens the album with “Drop Dead,” in which she compares a guy in line for the bathroom at a bar to an “angel on the walls of Versailles” — an early sign of how high the emotional ceiling is here. In “Stupid Song” she cycles through a series of metaphors to describe her lovesickness — she’s a car without a brake, she’s a heart made of melting wax — before finding a simpler but infinitely more vivid way of getting her point across: “You should feel how I feel when somebody says your name.” (Chills.)

“Maggots for Brains” is a song about how useless she becomes “when my baby goes away,” and let’s just take a second to savor the fact that Rodrigo is putting that title into the world less than four years after she was still a working Disney kid. The album’s next tune, “U + Me = <3,” is its high point: a euphoric promise of devotion that sounds like Sixpence None the Richer reborn as a Midwestern emo band. It’s got two young lovers carving their names into car seat leather, and it’s got a girl trying to impress her boyfriend’s older sister with her cynical humor and her taste in yacht rock.

More important, it’s got these lines of pure poetry: “They say modern love’s a cruel endeavor / And to that I say, F— it, whatever.” Kurt Cobain would be proud.

Working with her longtime producer, Dan Nigro, Rodrigo has expanded her stylistic palette to accommodate these new emotions; “You Seem Pretty Sad” pulls in chiming folk-rock and synthed-up new wave and even has a gorgeous wine-bar piano ballad, “Less,” that might put the scare in Rodrigo’s pal Laufey.

The cover of Olivia Rodrigo’s new album.

(Geffen Records)

The album is structured to trace the arc of a relationship, which means that the second half dips into the heartbreak we’re used to getting from Rodrigo. But she’s writing about familiar scenarios with new wisdom, drawing sophisticated conclusions about why people in love do the things they do (and don’t do the things they don’t).

In “The Cure,” which rides a strummed acoustic-guitar pattern that strongly recalls Smashing Pumpkins’ “Disarm,” she realizes a boyfriend can’t fix what’s broken inside her; “Begged” examines the limits of one partner’s willingness to look past the failings of the other. After hearing these songs, the happier ones at the beginning of the album reveal bits of shadow that Rodrigo has built into them to presage what’s to come — to presage what always comes.

It’s fitting, then, that Robert Smith of the Cure — perhaps pop’s most jubilant gloommeister — hovers over this LP like a patron saint: nodded to in “The Cure,” of course, but also “Drop Dead,” where Rodrigo name-checks the Cure’s classic “Just Like Heaven.” Smith himself turns up in “What’s Wrong With Me” for a duet with Rodrigo in which the two learn to accept that love, in the end, might be what kills them.

“My head is spinning and my stomach is sick,” they sing, and neither sounds like they’d have it any other way.

Love Island viewers were gripped as tension spread throughout the villa as the bombshells made moves and a fiery challenge divided the group

Love Island viewers were left fuming after an islander branded another a “liar”. Ope suggested his former villa partner, Angelista, was a “liar” as the pair argued over her terrace antics.

Despite moving slowly with Ope, she wasted no time in kissing bombshell Simba. But while Ope was less than impressed, viewers at home were quick to call him out.

One user on X, formerly known as Twitter, said: “So Ope’s calling Angelista a liar and saying she didn’t care about his feelings when HE was the one who lied to her about being ok with the slow place and HE was the one who was rude about her on the dates. She had every right to get with Simba.”

Another added: “Ope said Angelista is a liar, does he not know what he has been doing in the villa?” And a third said: “Ope talks fast and breathes heavily, like a liar.”

Despite online users calling him out, Shakira came to his defence in Love Island: The Debrief. She said the moment was “humiliating” for Ope.

After Ope and Simba came to blows over Angelista, Priya received a text that sent shockwaves through the group. They were told that a challenge was ready to “test the waters” in a game of It’s Not That Deep.

The challenge saw the Islanders take on a slippery mini-slide, and after landing in a pool, they must grab a drink and uncover a juicy secret about one of their fellow Islanders of the opposite sex.

When they made their pick, they must swill the islander they believed the comment was about. With revelations like This boy has slept with 11 girls but can only recall 3 of their names, and ‘This boy’s friends would describe him as having a wandering eye, tension is quick to enter the villa.

And the spicy comments also come back as the boys learn more about the girls in the villa. Some of the boys become frustrated by some of the girls’ commentary around their guesses, with some calling out the “hypocrisy” on show.

Aidan was quick to pick up on the tension and told the group the atmosphere was frosty. And his thoughts were correct as the rift between the boys and the girls became increasingly apparent.

“The girls have no idea,” Sam said before Aidan said they were simply trying to “brush it off”. The group tried to put a block on the issue, but when Ope referred to some of the girls’ comments during the challenge, he said: “I feel like there’s some things that people said that don’t align with what we thought you aligned with.”

Aidan agreed, calling out the wandering eye comment. With tension rising, Yasmin and Jasmine decide to walk away from the conversation.

Love Island continues tomorrow at 9pm on ITV2 and ITVX

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Viewers of Love Island were left stunned by the latest recoupling news after Sam made his moves with the latest two bombshells to enter the villa

Love Island fans were quick to have their say about the latest recoupling drama. A surprising text sent shockwaves through the villa, with Yasmin telling them all they must gather around the fire pit immediately.

Bombshells Namibia and Victoria were given the option to pick first, with both new arrivals having been flirting with Sam. And Namibia immediately chose Sam, leaving Victoria frowning. And she threw a spanner into the works as she chose Ope, despite him making it known he was all eyes on Angelista.

Ope hugged the bombshell before sulking back into the chair. Angelista looked fuming before the episode ended. But despite Ope’s reaction, fans claimed he would have been ecstatic on the inside.

On X, formerly known as Twitter, one user wrote: “Ope acting like he’s going to the electric chair being picked by Victoria when I know he’s gassed on the inside.”

Another added: “Ope wanted this so why is he huffing and puffing??? fool.” And a third said: “Ope with this bad acting.” Earlier in the episode fans watched at Sam wasted no time exploring his options and try to move on from his friendship couple with Robyn. And it all appeared to be going well.

As he pulled Namibia for a chat, he asked her: “Would you say I’m your favourite in here?” And he was met with a positive response as she teased: “Yeah, you’re up there.”

He picked up on the flirty vibes and admitted he fancied her. He went on to reveal if it was up to him, he would recouple with her.

When Victoria later asked of any bold moves he was planning, he decided to take her on a private tour of their living space. The duo ended up on the famous terrace and locked eyes on each other.

As they reflect on their time in the Villa, Sam confessed that the arrival of the two Bombshells was a welcome surprise.Victoria later asked him which of the bombshell has made him happier.

“When you like something you’ve got to go for it… and I like you,” Sam said. And the pair locked lips, much to Namibia’s dismay. He admitted to the boys that he “kind of f***ed up” with his actions, looking concerned.

But the triangle continued the following afternoon after Sam invited Namibia to the Hideaway away from prying eyes.

While tucked away, he told her: “I still fancy you the most in here, I think you’re beautiful.” But the moment was quickly clocked by Victoria. Away from the group, Sam made his move after telling Victoria he won’t be kissing Namibia again.

LOVE ISLAND CONTINUES TOMORROW AT 9PM ON ITV2 AND ITVX

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LOVE Island viewers have been left baffled after spotting Ellie Chadwick is rarely seen without her iconic £2,000 Prada bag.

Despite engaging in some tense chats in the villa, fans of the hit ITV show have been left distracted by her trusty wicker basket bag never being far from sight.

And it turns out there is a key reason why real estate videographer Ellie, 24, is always carrying her beloved accessory around the villa.

Amy Bannerman, eBay‘s Pre-Loved Style Director, told The Sun that bags were added into the Love Island pad for the first season of Love Island All Stars in January 2025.

She explained: “I wanted a way to add more eBay to the Islanders’ non-swimwear looks and give us an opportunity to talk about eBay’s Authenticity Guarantee (AG) offering. 

“The Love Island All Stars cast all really veer towards premium brands too, so it felt like the perfect place to introduce it.

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“There isn’t more of a focus on bags this season, but they have got more airtime from Ellie’s iconic Prada moment, which is great.”

Viewers have been left in fits of giggles after spotting Ellie’s bag habit and have taken to social media to discuss it further.

One wrote: “Ellie is the first girl I’ve seen carry a bag around the villa, she’s so real go find those designer bags girly show us the villa collection.”

This person replied: “And the only thing in there is probably her phone and some lip gloss.”

This person asked: “Can tell you right now that there’s nothing in Ellie’s bag,” while someone else echoed: “Why is Ellie the only person in love island to ever carry a handbag?”

Someone shared a picture of Teletubbies character Tinky Winky and their famous red handbag, while another posted a picture of Mr Tumble and his yellow spotted bag.

This viewer shared: “Ellie walking around the villa with a handbag, quite possibly is the first time I’ve seen that happen on that show, since I began watching it, all those years ago. Definitely not on my bingo card.”

Another added: “It’s really making me laugh that Ellie carries a handbag, like girl why do you need a handbag in the villa?”

And some fans have even suggested: “If she stays long enough, she’s going to have some bag deals.”

Amy clarified that there is no quota for how many eBay items Islanders have to use, but they have the option to choose from their “incredible choice of brands and styles.”

Amy explained: “They pick pieces from a shared wardrobe that includes everything from Versace and Gucci to vintage Topshop and Marks & Spencer. 

“Last season, unbranded vintage was the most-worn category, which was very exciting for us!”

The eBay staff member said they also added men’s bags as the “boys all seemed keen to join the girls in carrying AG bags.”

She added: “We have also added luxury AG men’s sliders too, so they’re wearing more eBay around the pool during daytime moments.”

The love triangle between Scottish lass Ellie and brothers Aidan and Kavan reared an ugly head on Sunday’s episode of Love Island, with Ellie branding Aidan as a ‘p****’.

Since Kavan entered the villa as a surprise bombshell he caught Ellie’s eye, despite her previously being coupled up with his brother.

The blonde beauty continued to express interest in both of the lads for a while until Sunday when everything came crashing down.

Ellie and Aidan were sitting on a sofa together talking about how Aidan kissed someone else when she was briefly booted from the villa.

Ellie left for around 12 hours alongside Samraj after bombshells Yasmin and George were tasked by host Maya Jama to axe a lad and a lady from the show.

However they weren’t really dumped from the programme, and instead went on secret dates with bombshells Priya and Kavan.

Ellie then returned to the villa and discovered that Aidan hadn’t been faithful.

She brought it up with Aidan tonight saying she can’t get past it and needed to “draw a line” under things.

An unconvinced Aidan didn’t take her seriously, saying he thinks she “still likes him”.

But Ellie then shut the romance down well and good, saying that the difference between Aidan and his brother Kavan is that Kavan “is not a p****”.

Love Island’s George Knight has spoken about his exit from the show after the bombshell’s sudden departure just days into filming was finally aired on the ITV2 show

Love Island star George Knight has spoken about his sudden exit from the ITV2 show for the first time since his departure was aired. The bombshell decided to quit the villa just days after entering.

He said in an Instagram video: “Hello, everyone. Just wanted to take a moment and come on and say a massive, massive thank you to every single person who has reached out over the past two days, wishing me their love, their support, and all their well wishes.

“It has been completely overwhelming, and I am trying to get back to every message, which is pretty, pretty much impossible. But thank you so much.”

He continued: “And I think moments like this give you a massive kind of perspective on the bigger picture, and as fun and as great my six days in the villa were, it’s obviously important for me to be here with my family, so thank you so much.

“It’s, it’s been, as I said, completely overwhelming, and a massive thank you to all of ITV’s welfare team and the execs who have been amazing. Hopefully it’s not the last you see of me, and looking forward to the year ahead, and yeah, thanks again, guys.”

George was a day one bombshell, entering the villa alongside Yasmin Hadlow. But before the week was over, he had chosen to walk away from the show.

His exit was not shown on Love Island. Instead, the show decided to just portray its aftermath. OG Islander Lorenzo Alessi told his fellow contestants that George had decided to leave for “private reasons”. He said: “George has left the Villa for private reasons and won’t be coming back.”

The Islanders seemed shocked, particularly Robyn Langton, who had been getting to know George. The 21-year-old nsaid: “Aww, George, we love you!” The other Islanders clapped and in a VT, Robyn added: “I can’t believe it, I actually can’t believe it. He was the only person I was actually kind of interested in.”

After leaving the villa, George said on social media: “Family comes first, always. Leaving the @loveisland Villa was a decision made in order to be with my family. Out of respect for them, I’d prefer not to go into any further detail. Thank you to everyone who has reached out with kind messages and support! It genuinely means a lot.”

As well as his official Love Island headshot, he shared a picture of himself and his sister in his post. In the pic, he sat on a garden bench with Emma and their dog. In the comments, Emma wrote: “Love you George.”

Despite only being on the show for a small amount of time, George really shook things up in the villa. The 28-year-old footballer was tasked with choosing a boy to send home and opted for Samraj Toor, coupling up with Mica Harris as a result. However, Samraj and Ellie Chadwick, who was chosen to be dumped by Yasmin, were not sent home and instead re-emerged as bombshells, with the chance to confront George and Yasmin.

Despite being coupled with Mica, George and Robyn kissed. The day before he walked away from the villa, George and Robyn fought, as she felt he was mischaracterising the situation to the rest of the villa. Mica was also hurt and told George she was stepping back from getting to know him because she thought he was better suited to Robyn.

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Love Island fans were left fuming after the latest episode and took aim at two islanders they called ‘shady’ after their sneaky move

Love Island fans were fuming at a “shady” duo. Viewers were less than impressed after Lorenzo and Priya snuck away to the hideaway for a flirt and a kiss.

But, while the name of the game is to find your perfect match, many viewers criticised the pair for their sneaky moves. On X (formerly Twitter), one user complained: “Priya and Lorenzo are both shady af.”

Another wrote: “Lorenzo is actually finished. Jasmine is gonna COOK him.” And a third said: “Very embarrassing fumble by Priya and Lorenzo, they will be evicted from my villa.”

It follows the introduction of the two new bombshells to the group. They were quick at work, selecting the two boys they wanted to share an intimate date with.

But as per Love Island’s unwritten rules, there was a twist. The girls in the villa sat back and watched as events unfolded.

Ope, whose comments to the boys raised eyebrows among the girls, sat down to enjoy a date with Victoria and quickly made his move by kissing her hand.

Despite appearing to be building on things with Angelista, his comments about coupling up in the villa didn’t go down well. Explaining that things have been progressing at a slower pace than he’s used to.

“So you still haven’t had your first kiss?” Victoria asks. “No, are you going to be my first kiss?” Ope responds cheekily.

It left the girls fuming, with Angelista ending up in tears in the bedroom. Sam’s date went much better, though, as he appeared respectful toward the girls in the villa.

But the reaction from the girls watching on the big screen left a lot to be desired. With Cocktail Night drawing to a close, the boys made their way back to the Villa with Namibia and Victoria, but they were met with a frosty welcome back.

They seemed unsure why until Aidan spotted the big screen and realised what had happened. He told the boys, “Oh no, they watched it.”

And that left Ope very nervous. As he attempted to pull Angelista for a conversation, she abruptly shut down his request. Providing a frank assessment of what she saw, Jasmine tells one Islander: “A bunch of you acted like boys, and a bunch of you acted like men.”

Just before the episode aired, George Knight spoke about his sudden exit from the ITV2 show for the first time since his departure. The bombshell decided to quit the villa just days after entering.

He said in an Instagram video: “Hello, everyone. Just wanted to take a moment and come on and say a massive, massive thank you to every single person who has reached out over the past two days, wishing me their love, their support, and all their well wishes.

“It has been completely overwhelming, and I am trying to get back to every message, which is pretty, pretty much impossible. But thank you so much.”

He continued: “And I think moments like this give you a massive kind of perspective on the bigger picture, and as fun and as great my six days in the villa were, it’s obviously important for me to be here with my family, so thank you so much.

“It’s been, as I said, completely overwhelming, and a massive thank you to all of ITV’s welfare team and the execs who have been amazing. Hopefully it’s not the last you see of me, and looking forward to the year ahead, and yeah, thanks again, guys.”

Love Island continues tomorrow at 9pm on ITV2 and ITVX

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The show that has had everyone clamoring for tickets this spring, Joe Mantello’s cobweb-clearing production of Arthur Miller’s “Death of a Salesman,” won, as expected, for best revival.

Mantello, who received a Tony for his direction (his third such award), swept away the cliches that have accumulated around this American classic to reveal a “Salesman” like none we’ve experienced before. The Loman family home isn’t depicted in a literal fashion but instead fluidly suggested in a warehouse space that allows the actors to move unfetteredly between past and present. (The physical production was honored with awards for Mikaal Sulaiman’s sound design, Jack Knowles’ lighting and Chloe Lamford’s scenic design.)

Laurie Metcalf, confirming her standing as the First Lady of the American Theater, won for her portrayal of Linda Loman, a more formidable than usual interpretation of Willy’s stalwart wife. Metcalf, who endowed her characterization with a sharp-edged autonomy and transfixing gravitas, added another Tony to her two previous acting wins (“Three Tall Women,” “A Doll’s House, Part II”).

Joe Mantello wins the Tony for his direction of “Death of a Salesman.”

(Evelyn Freja / For The Times)

Nathan Lane was in a tight race with John Lithgow, who won for his ruthlessly uncompromising portrayal of a wrathful and dyspeptic Roald Dahl in Mark Rosenblatt’s “Giant.” Lane’s Willy leaves a lasting memory in “Salesman,” but it would be hard to imagine “Giant” having the same impact without Lithgow, who provides a terrifying human foundation to this explosive play about a writer’s political commitments tipping over into toxic antisemitism. (The performance slips into a sinkhole of animus in the uncanny way of one of Dahl’s recognizably terrifying, psychologically plausible stories.) In his almost but not quite valedictory acceptance speech, the 80-year-old Lithgow acknowledged that this Tony win, his third, comes 53 years after his first — and feels every bit as satisfying.

Aya Cash and John Lithgow in “Giant.”

(Joan Marcus)

Rather than a slight to Lane, Lithgow’s win is a sign of the dramatic depth that characterized this otherwise squirrely season. Indeed, Lithgow’s performance was as thrilling to experience as that of British powerhouse Lesley Manville, who won for her portrayal of Jocasta in Robert Icke’s modern reworking of “Oedipus.” The play was categorized by the Tony committee as a revival, but it’s really an original drama — one that gave rise to one of the most enthralling productions of the year.

In a season lifted up by Bess Wohl’s magnificent “Liberation” and capacious enough to include a first-rate “Salesman,” a searing “Oedipus” and a smartly contentious “Giant,” it should be no surprise that there were more great performances than statuettes to dole out.

Ali Louis Bourzgui scored an upset win for performance by an actor in a featured role in a musical for originating the role of David in the musical adaptation of the cult vampire horror film, “The Lost Boys.”

As viewers scrambled to keep their score cards straight — André De Shields was favored to take the trophy for his work in “Cats: The Jellicle Ball” — the 26-year-old Bourzgui went on to deliver the night’s most impassioned, and pointedly political speech.

He began by noting that, “Vampires represent those who have shunned their own humanity in order to achieve a non-existent sense of superiority. The billionaires will never find happiness from their money. The colonizers will never find fulfillment from the land and lives they steal. The fascists will never find meaning from their conformity, not in this lifetime or eternity.”

Through the cheers of an invigorated audience, Bourzgui went on to talk about how “theater is one of the last places people can come to worship the power of true collective human presence.”

At its best, he said, theater helps us see ourselves in a stranger’s story.

“This is dedicated to the beautiful tapestry of immigrant families who make this country really special. May you one day not have to audition for the empathy that should be freely given by this country that benefits from your beauty, for the queer and trans communities who will exist, no matter what people in power try to take away from them.”

Bourzgui, whose father immigrated to America from Morocco, went on to pay tribute to Palestine and his own Arab heritage.

“For the people of Palestine, who deserve a free life, a full life without occupation, for Arabs and their makers and artists, may we continue to tell our stories and show our faces. Our humanity becomes undeniable, and our families can no longer be written off as merely collateral damage, may they know the beauty of our kisses upon his cheek and the romance of a language rooted in passion for love and life itself.”

He wrapped up this speech with a plea for love and empathy.

“If there’s one thing we can learn from vampires, it’s that life is short, but that’s it’s a gift. Find beauty in the ephemeral and gratitude in what is not promised, and always invest in the people that want to see you blossom into your truest self, and hold that space for them in return.”

In this week’s episode of The Envelope podcast, “Love Story” stars Paul Anthony Kelly and Sarah Pidgeon open up about inhabiting John F. Kennedy Jr. and Carolyn Bessette — and creating a cultural moment of their own.

Kelvin Washington: Welcome to the next episode of The Envelope, Kelvin Washington alongside Yvonne Villarreal; we got Mark Olsen as usual. And so you, my friend, had a chance to speak with stars of “Love Story” — Ryan Murphy, of course, tackling love with this. So it got me thinking, give me some real-life love stories that you’d like to see portrayed, maybe next season. Some love stories you always found interesting.

Villarreal: This one doesn’t have a tragic ending, and that’s why I want it. And that is Ina and Jeffrey Garten. “Barefoot Contessa”!

Olsen: I didn’t know that there was a great romance in her life.

Villarreal: Mark. You’ve never heard of Jeffrey? You don’t know Ina and Jeffrey. OK, this is why we need it. That man adores Ina and anything that she makes. Chicken, anything. This is a love story I need to see get the full display. I’ve read it in her book, but I need —

Olsen: So like “Julie & Julia.” Julia Child and her husband.

Villarreal: But cuter, sweeter, more adoring.

Washington: Loving the food theme here.

Villarreal: She’ll make anything and he thinks it’s delicious, and she laughs at everything he says, and I just want more of it, and I’m very curious what a Ryan Murphy take on Ina and Jeffrey would be.

Olsen: But see, that’s the thing. A Ryan Murphy take on that would ruin it for you.

Washington: That would be dramatic and spicy. Salacious.

Villarreal: Nothing could ruin it for me.

Washington: You got one?

Villarreal: Yeah, what’s yours?

Olsen: Well, I have two. One is because the sort of the ’90s vibes of “Love Story.” So you would obviously do Kurt Cobain and Courtney Love. And that one would be very exciting and dramatic and very ’90s-ish. But I think for more of a torn-from-the-headlines [version], Taylor Swift and Travis Kelce.

Villarreal: It’s too current.

Olsen: That’s why though.

Villarreal: How about you?

Washington: So I’m gonna stay with your ’90s. Instead of the pop grunge. I’m going to go R&B pop. I’m going to go Bobby and Whitney.

Olsen: I mean, that’s gold right there.

Washington: I’m just saying. You got love, you got fame, you got tragedy. You’ve got stuff that we didn’t know about behind the scenes.

Villarreal: Maybe he could hire us as head writers for each of these seasons and we can all have our say.

Washington: We can all have our own season. So as I mentioned, Yvonne, you had a chance to sit down with Paul Anthony Kelly and Sarah Pidgeon of “Love Story.” How’d that chat go?

Villarreal: They play John F. Kennedy Jr. and Carolyn Bessette, respectively, and it sort of looks at this seven-year tumultuous relationship and what they both endured navigating the spotlight and what that did to them, how they each felt about it. So it was interesting to get the take from Paul and Sarah about how they’re also navigating the spotlight, because I feel like social media fame is quite different than what John and Carolyn were navigating back then. And I was curious to see what it was like for them. So yeah, it was an interesting conversation.

Washington: All right, let’s get into that conversation now.

Sarah Pidgeon and Paul Anthony Kelly, the breakout stars of FX’s “Love Story.”

(Jason Armond / Los Angeles Times)

Villarreal: I imagine doing this series has been a sort of singular experience. What do you want to remember about this moment that you’re in?

Kelly: All of it’s so fun, it’s exciting. It’s definitely, for me, a new muscle that I’m learning to use and explore and stretch and flex. And I get to hang out with her a little bit more. It was wonderful.

Pidgeon: I think it’s just really hard to contextualize what this [is] — [to Kelly] I don’t know if you feel this way too — because there hasn’t been a ton of space from even the show having all the episodes come out. I don’t think I totally understand how this fits into the story of my life. I recognize that we’re experiencing something very exciting. And I think I speak for both of us that we feel really grateful and so honored to have taken on these roles and that it’s resonated and has excited people. But being out and about in New York and someone stops you and says, like, “Are you that girl from that show?” … When you’re making something, it can feel so insular. I remember when I started, I had a freak out sort of midway through like, “Oh, this is actually going to come out. It’s not just about the making of it. People will see it.” I had a huge heat rash. [To Kelly] Remember when we were in Hyannis Port? I just haven’t totally had that perspective. It’s just been very full-on in the most exciting, lovely, happy way.

Kelly: It’s all unfolded in succession. There’s been no period of time to really process. I can’t believe I did it, still. It’s out and it’s exactly the same thing … people are like, “Hey, you’re the guy in that thing, right?” I’m like, “Yeah.”

Villarreal: Has it happened in an awkward way?

Kelly: No, no, it’s all been overwhelmingly positive. I guess that’s best-case scenario, but I still try to walk around with a mustache and glasses and a hat and they’re still like, “Hey …!”

Villarreal: You didn’t try to go to the [JFK Jr.] look-alike contest in New York?

Kelly: Oh, my gosh, no.

Pidgeon: He would have won. That wouldn’t have been fair.

Kelly: It’s too many people. I got the show, so I think I already won.

Villarreal: A big theme of the series is exploring the heavy ramifications of fame on privacy. And aside from the great opportunities that come with doing the press or other things that come along with this, what has it been like adjusting your life to this experience?

Pidgeon: That idea was on both of our minds when we were filming. And we were filming in New York, so apart from the scenes and subject material we were exploring, we actually experienced it in real life as well. You have even more characters in a scene when you’re shooting on the streets of Tribeca and people stop and watch. And there was a lot of interest from the public while we were filming. I’ve been marinating on that idea. Maybe not marinating, but meditating. [Or] a little bit of both. Through our characterization of Carolyn and John, I think we felt those extremes. I haven’t felt anywhere close to that. But I don’t know about you [Kelly], but I feel like I’ve been quite busy going different places, coming on podcasts and things like that where my downtime hasn’t really been spent walking the streets so much. It’s been kind of going home and taking a shower and going to sleep.

Kelly: Same. I haven’t really had much time to go out and just be in the public, which I think has been kind of a gift. I recently had a child, so I have no time between the show and being dad. It’s been really great to live within that little privacy bubble I have at the moment. I’m going to New York for the first time in a little while tomorrow.

Villarreal: Has living in their story made you more conscious of what types of boundaries you do want to set?

Kelly: Absolutely. That was a really great gift of the show. And exploring the exponential setting of what privacy means to people, certainly those two individuals. But now I’ve adopted that within my own life, and it’s like, “OK, yeah, I like to be a private person.”

Villarreal: What about you, Sarah?

Pidgeon: So much, at least for Carolyn, was she was constantly battling this sense of how she was being perceived. And I really admire her ability, whether or not she felt the pressure [to do so] — she never spoke on the record and never had to correct the record despite, in my mind, a lot of those allegations being false in the stories about her. That sense of sort of self-possession is quite admirable and, again, this is so new for the both of us. Being able to embody her, that approach and attitude towards it, is something that’s quite interesting to me. And I mean, it definitely has a lot of self-restraint attached to it, so who knows if I possess that as well.

Villarreal: The love story between John and Carolyn, as well as their fateful flight, generated a lot of media attention. And I know you, Sarah, were a toddler, at the time of their deaths; and you, Paul, were a young boy — and you’re a Canadian. What was your image of them in terms of the lore that surrounded them before making the series?

Kelly: Growing up in Canada, I was familiar with who he was. I became even more familiar with them after living in the States for a while. I was a model before, and I had been told I looked like him, so after being told that, you kind of do a little bit of research. Who is this guy? And I was like, “I don’t look anything like JFK.” But then I realized [they meant] JFK Jr. “OK, maybe; yeah, I do look like him a little bit.” So I became more aware of them after that. But growing up, it definitely wasn’t in my cultural zeitgeist, whatever you want to call it.

Pidgeon: I knew that Carolyn worked at Calvin Klein. I knew they were married. I knew their story. I was such a young child when they passed, but they remained so in the cultural conversation because, especially in 1999, they represented such hope in politics. And they’re such a modern couple, sort of breaking the rules of what those norms are, especially coming from such a storied family that has such legacy in the States.

Villarreal: There’s an overwhelming amount of source material from the Kennedy side, but less so on Carolyn. What proved to be most useful to you? What were the things that you turned to to study or figure out who she was?

Pidgeon: That was such a mystery. [I was] taking these still photographs, mainly paparazzi images — and now that I’ve had a few photos taken of myself, you hold yourself differently when you know someone’s taking a photo of you that you also don’t know. That plus videos of her, very few in which she was speaking. And some of the candid photos, mainly from when she was younger. I sort of laid those on top of each other and then used as many books that I could find and interviews that people would give who knew her. But there’s scarcity in terms of that information. That at times felt arresting, but at other times … there’s a lot of freedom in that. And I think that’s what was so interesting about playing this character that is so well known and yet very enigmatic. Finding her walk and thinking about how that changes over the course of nine episodes and six-and-a-half, seven years. How this woman with so much freedom and anonymity — 26 years old, living in New York City, barreling down these streets in the East Village — then changes when she’s the most photographed woman in America. How that perception changes you physically.

Villarreal: Her walk was very striking for me, because I’m like, I can’t move that way.

Pidgeon: Yes you can. You can get a pair of Manolos.

Villarreal: It won’t look as elegant as you, Sarah, but talk to me about finding that walk because, like you said, it shifts from when the onslaught happens. Did you work with a movement coach? Was that all you?

Pidgeon: Julia Crockett is so incredible. There’s not enough hours in the day to sing her praises. We started with a lot of what I just mentioned, the quotes that people said of how she moved. She spoke with her hands. She could be a fast walker — most people who live in New York are. If there was a video of what I was doing in these hotel rooms, they’d think I was absolutely crazy. Rolling around on the floor, isolating different parts of my body, making it as dramatic as possible, and working it into a circle of attention that felt real. And understanding we were both 5-10, which helps. I think tall women carry themselves in a certain way. But understanding that my body is still my body, and our production I don’t think was particularly interested in doing huge physical transformations in terms of prosthetics or things like that. But getting the shoes, walking around in my spare time in New York in heels, which Carolyn does in the show and Sarah Pidgeon does not. That really changes you and it changes how you feel. And just always having that through line of, “What were the touchstones of Carolyn as a young woman, and where did I want her to end up physically?” You can see it through so many different versions in these different photographs — her hair changes, how she dresses changes, the red lip. I [was] always remembering that there was a journey that I was going on: “How can the world close in on her? What does that feel like?” Also, not only putting it into my body first, but feeling it in my body, imagining that. And what are the images that come up? We thought about [her as a] mossy ball; very tactile, just rolling down these hallways in the Roosevelt Hotel in Hollywood.

Villarreal: Paul, you had about three weeks from when you got cast and when production started. And there’s ample stuff to sift through. How did you figure your way out through the noise? What was the thing that really helped you lock in to who he was?

Kelly: He narrates his father’s book, “Profiles in Courage,” and that for me was a great asset. I had to learn how to use my tongue in a different way than I’ve ever spoken before. His speech patterns are different. I worked with a dialect coach. I would listen to that all day, every day — amongst ’90s alt music, some Nine Inch Nails and stuff because that’s what John would do.

Villarreal: Was that what he was into?

Kelly: I think so. One of my favorite photos of him is a candid photo, and he’s wearing a Nine Inch Nails shirt. I’m like, “My guy! Here we go. I can relate.” I watched a lot of his interviews just to see how he kept his cool and composure. He was a very relaxed individual under extreme stress situations. The Larry King interview was a great one; I relied on [it] a lot. I also looked at a lot of images and saw how he moved through the world. I was a model before so I’m pretty good at understanding how my body moves and how to move it; I also worked with Julia pretty briefly, but she gave me some really great tips and I took those throughout the entire duration of filming and just ran with it.

Villarreal: Are you someone that takes bike as your transportation often?

Kelly: Oh yeah. Four wheels moves the body, two wheels moves the soul.

Villarreal: How is it doing it with the suit on?

Kelly: It’s hot.

Pidgeon: Yeah, you did a lot of that in July during a heat wave.

Kelly: Oh, my gosh, when we started filming, the first scene where John is introduced on the bicycle, we shot that on a Sunday and it was like 103 degrees outside and I’m in a ’90s wool suit. It was great … And a hat. And a backpack. There’s a photo where there’s several hands coming at me with fans and spritzer.

Villarreal: How about finding John and Carolyn together? What did that look like for the two of you, figuring out who they were as a couple?

Kelly: I feel like it happened organically. We had like this unspoken bond and trust with each other from the moment we met and it was just like, “OK, we both understand the assignment.” Then we get to step into these shoes and we understand what that was like, I guess, but just going through it together [helped]. It’s also so well written and it is easy to fall into that. It’s very easy to fall in love with this one every day and then fight.

Pidgeon: Oh, you flatter me.

Villarreal: Because you both were so young at the time that they were a couple, were there modern-day couples of your generation that you looked to in terms of how they dealt with the spotlight? Was there someone you were looking to, to help you understand it?

Pidgeon: I think they were pretty singular, especially considering so much of how we view them as a couple was the time in which they existed. I don’t think I can really point to a couple … obviously there’s a comparison with [Princess] Diana, but I can’t really I put my finger on a couple that had the same essence of John and Carolyn, or the same challenges and obstacles of being a couple in public life. [To Kelly] Can you think of anyone?

Kelly: Not really, no.

Pidgeon: It was also that we were coming in on this advent of paparazzi. Obviously coming from such an important family, there was — and I want to speak for you [Kelly] in terms of how you felt about your characterization of JFK Jr. — but there was so much investment in them as a couple because America, and really the world, had watched him grow up. So of course there is this heightened interest in who America’s son marries. And again, that hope that they were this modern couple, one that we’ve never seen before, and what will they become in this new millennium? In terms of finding them together, what was so wonderful about the writing of the show was they were — granted, it happened in about three or four episodes [for the show’s purposes] — but as we were getting to know each other, so were Carolyn and John. They were falling in love with each other and figuring out what that dynamic was and having those misfirings and miscommunications and moments of intensity and questioning. The amount of times I’ve used the word “meta” while talking about the experience of making this show, that sort of mirrored life in a way. I was able to just absolutely give over to Paul and trust him and be excited working with him every single day and be so curious about who John and Carolyn were that day on set. No one better than Paul Anthony Kelly.

Kelly: Oh, you flatter me.

Villarreal: There are a lot of scenes that are stuff that we’ll never know whether they actually happened. But then there are the moments that were played out in tabloids — one of them is the Bryant Park episode. What can you tell me about what that was like shooting on the streets of New York? What do you remember about that experience?

Kelly: What was it, the Nextdoor app called?

Pidgeon: Citizen.

Kelly: The Citizen app. They called it [a] “domestic dispute” … so we were obviously doing our job correctly. It was interesting. Shooting in New York is a very interesting experience because you have all these outliers just watching and gawking. Everyone’s got phones and cameras and what have you. And we’re so in it and doing it and then to have like this blowup argument over and over and again, take after take, angle after angle.

Pidgeon: I wonder if someone reported us just to be like, “Make it stop!”

Kelly: Yeah, exactly. Nobody tried to save you in the moment. Maybe that was them trying to save you [by posting it in the app].

Pidgeon: That was always something to contend with or accept, really, at a certain point. This is an expectation of working in the city. And what I really liked about that scene was that — considering there was such little videography of her, especially because that was a private moment that was unfortunately caught on tape — they both had less inhibitions. I found it [to be] a really amazing exercise as an actor to finally be able to really take something and mimic it exactly and find how the words that Connor [Hines] had written [aligned with it]; it felt like such a great sign when it felt the writing really matched what I physically knew to be true. Because our interest in the story is what happens behind closed doors, as you said. But in those few moments that we did re-create, the real-life [moments], it felt very reassuring as an actor to feel like the words that we were speaking matched the physical footage. I just found it such an exciting way to go about it, to have it really be this outside-in approach. You take this physicality and vocal pattern that I had developed as Carolyn, but then really have some proof for that to be the jumping-off point. I love that we had that scene; we had when they take their first photo after their wedding; we had, in Episode 9, the [Newman’s Own/George Awards] event. Remember that clip that we watched? We’re in the exact same outfits, and I think it’s the Newman’s Own event. I always appreciated those moments. It felt like a different way in to a character that I had really started to get to know at that point.

Villarreal: Whenever I watch something based on a true story or people that were like historical figures, I can’t help but Google to see if something really happened. Is there something you Googled in the process of making the show where you were like, “Did this really happen?”

Pidgeon: There’s a bit of speculation as to how they met. There’s a couple of different stories. Considering this couple was so well known, the fact that there’s still a mystery into how they even met for the first time I think is quite interesting.

Villarreal: I Googled — and I will say I clearly am not the only one that thought this because there was a whole story of it — “Did they really eat KFC chicken?”

Pidgeon: They did.

Kelly: Fine dining.

Pidgeon: You didn’t eat any chicken.

Kelly: Noooo. I got secondhand chicken. That chicken, oh my gosh.

Pidgeon: They did warm it up a bit, but it was pretty cold, you know.

Villarreal: We can’t talk about this show without talking about the wardrobe, the costumes. It’s such a key piece to the storytelling here. Tell me about that collaboration and what the clothes said to you about who Carolyn is and then who John is.

Pidgeon: Yes, clothes are incredibly important to the story and to how most of the public knows and remembers Carolyn. Working with Rudy Mance was so incredible. What he was able to source, while we’re not necessarily sure if they were pieces that Carolyn herself wore, they were the exact pieces of the exact same collection. The very few pieces we weren’t able to source, they were impeccably re-created. Just the attention to detail, I had never really experienced something like that. It was just really watching a master at work, and the rest of our crew as well; not a detail was ever overlooked. The mystery that we really tried to solve in the beginning was: Wow, there’s so many photos of her [from] ’95, ’96 and beyond; there are far fewer photos of what she looked like when she was working at Calvin Klein. And we’re in that space and that time for quite a while. From the photos that we do have of her living in this time in her life, and then how we know she will dress, what are the through lines? What are the pieces she repeats? I don’t think I wore much Prada in the first two, three episodes, which makes sense, because she was just starting out at Calvin Klein. We [had her wear] a lot of Calvin pieces. What was so insightful to playing her was her sartorial choices and her understanding of how, especially since she never spoke on the record, [and] what she can communicate through fashion and how in those initial fittings, even before I really spoke the words of those episodes, how it immediately changed how I held myself as Carolyn was growing and getting older. I keep referencing this quote about Yohji Yamamoto, a designer whom she wore frequently. He liked making the association with his clothing to armor. I just thought that was such a great way into her sort of mental state and how she approached clothing. It was very her, she wore the clothes. That was something that I had to remember, that if I was going to try and embody her, I had [to] feel like I was wearing the clothes because that’s what really stuck out. You always saw her first, despite her wearing some incredibly beautiful clothing. Carolyn was No. 1.

Kelly: John had such great style. Sometimes it was pretty kooky. I also loved that too because it just is such a sense of him. Working with Rudy was a dream. He and his team were incredible. They were able to source so many things. And if they couldn’t find it, it was a direct re-creation, like exact copy of what it was. I remember even just like those shorts with the Knicks logo that he wears playing football. I remember seeing a comment, “John would never wear those.” [Sighs.] “OK, sure.” There’s something about getting into those outfits that it just was this whole other transporting layer of becoming. You hold yourself differently in these things and it just made it feel more real and you’re like, “OK, cool,” and you just live in it and it feels good and you get slouchy and whatever. It was really nice.

Villarreal: How does your style compare? Did they influence your style now?

Kelly: Honestly, it’s a little different, but it’s not that far off. I feel pretty good in a suit. I like to wear suits a lot. I’m the suited heavy metal guy.

Pidgeon: You also have that cool factor about you too. I think there’s something in that with John. He looked great in a suit, he looked great in a tux, but then there was a bit of an edge to him. There was bit of a realness, I think, that you guys share.

Villarreal: Everyone’s trying to emulate it. So many TikToks of people trying to re-create it. Sarah, do you feel like you can never go back to brunette now? Like this is your thing now? You have to stick with it?

Pidgeon: The blond seems to be working. I like being a different hair color. I don’t think I’ll be blond forever. Simply too much time [involved]. It’s so much work. My colorist is amazing — Kari Hill. Cannot sing her praises enough. And Alex Pardoe, who does extensions. It’s been really interesting to find how I [am as a blond] — so much of my time being blond was embodying Carolyn. [Paul and I] would both sleep on the weekends. We wouldn’t do anything while we were shooting. So I didn’t really get a chance to take a walk in this new hair. And when I started dressing again, to go out, I would put on my favorite clothes from when I was brunette. It’s like, “Oh, it just doesn’t hit.” It’s been cool to see how I present and how color theory is crazy. But we’ll see, I guess it depends on how much time I have on my hands.

Villarreal: The series really grapples with the media invasion that swirled around them. What do you say to the critics that feel that a show like this either reignites that craze or contributes to it? What do you want the takeaway of a show like this to be?

Pidgeon: Thinking about one of the first questions you asked — how are we now dealing with with being potentially recognized — I think the intensity of interest in famous people, famous couples, celebrity, actors, musicians, you name it, artists, it’s changed shape, but it has never gone away. Our intention in making this show was, again, what we know about their lived reality, but what can we infer might have happened behind those closed doors. To the general public, [they were] sort of two-dimensional … I knew very little about Carolyn, but I ingested so many photos of her far before this project was ever on my radar. While I recognize this may have contributed to reigniting interest in them, I hope that that interest feels like there’s a more intimate understanding of these people; that they weren’t just figures, that they were people with very full lives, feelings, a profound sense of privacy, intense relation to each other, very, very human. I guess that would be my answer to that. I hope that this is also a bit of a lens or a mirror that, again, if that intensity hasn’t changed, how might we [change it] in the future?

Coronation Street legend Amanda Barrie, who starred as Alma Baldwin on the ITV soap, is convinced bosses would’ve sacked her had her sexuality been made public at the time

Amanda Barrie is convinced she would have been axed from Coronation Street had producers found out about her sexuality. The actress, 90, starred as Alma Halliwell on the ITV soap from 1988 until 2001 and the character became known for her marriage to Mike Baldwin (Johnny Briggs) and ran the local café with Gail Tilsey (Helen Worth) before it was taken over by Roy Cropper.

In real life, Amanda was married to actor Robin Hunter from 1967 until the mid-1980s and she went on to tie the knot with crime novelist and former Mirror journalist Hilary Bonner in 2014, having chosen to come out as bisexual in her 2002 memoir It’s Not A Rehearsal, which she released shortly after quitting the soap.

Now, Amanda, has insisted that whilst the programme now has an influx of gay and lesbian characters, she had to keep her sexuality a secret and is now sure that, had she been open and honest about it, she would have been written out thanks to the attitudes that were in place in society at that time.

She said: “Not thought, I KNOW I would have been [fired], taking into account the climate at the time. Things are so different now. Corrie’s like Canal Street in Manchester these days.

“The people I was close to always knew about me and the relationships throughout my life. Being at the age I am, I still remember when gay men were absolutely crucified for being the way they were. “

Amanda, whose Corrie alter-ego Alma was memorably killed off following a battle with cancer, noted that these days it is “so much easier” for people like Christine McGuinness, who was rumoured to have been dating Nicola Adams after splitting from Paddy McGuinness, to discuss their sexuality publicly.

Now, the former Bad Girls star is just hopeful that eventually, society will arrive at a place where the announcement of one’s sexuality is not even necessary and it ends up being an “unimportant” factor in one’s personality.

Speaking to The Sun, she added: “I believe in the freedom to do and be exactly as you wish in life. To live in your own way. I dream of a day when people’s sexuality is regarded as so unimportant that no one even bothers to remark on whether somebody is gay or straight. “It’s probably a pipedream, but I still like to dream it.”

Amanda, whose stellar showbiz career also includes appearances in other TV favourites like Casualty, Amandaland, and Benidorm and has also seen her become a pantomime favourite, previously spoke of the surprise reaction she got from the public when she did eventually decide to go public about her sexuality.

During an appearance on Good Morning Britain towards the end of last year, she explained: “I expected to be stoned in the street, I got a lot of hugs. What was I in such a state about? Because it was just ‘Oh, I see, oh…'” before adding:

“You automatically revert to the way you’d always behave, lurking about with your head down editing your life is what you do. You change they, he, she, all that editing…”

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

FORMER Love Island star Ronnie Vint has hit out at Pete Wicks following his relationship with Olivia Attwood.

The ITV2 star – who has been friends with Olivia for over ten years – lashed out at former Towie star Pete.

Appearing on fellow Love Island star Tyrique Hyde‘s livestream Latta World, the 29-year-old footballer took aim at the Essex star and defended Olivia’s ex Bradley Dack.

Ronnie – whose ex is reality star Harriett Blackmore – made no bones about his feelings when talking to Ty and fellow islander Mitch Taylor.

During the live chat, he was asked a question from a viewer about Pete.

The video caption read: “Awkward moment chat brought up Pete Wicks situation to Ronnie on Tyrique’s livestream.”

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Love Island’s Ronnie Vint looks wildly different after hair transplant

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Ronnie Vint jumps into bed with ex on his first night in Celeb Ex On The Beach

The star – who is undergoing a hair transplant – said bluntly: “We’re not talking about Pete Wicks,” then laughed wickedly.

Sidekick Tyrique asked: “What’s going on with Pete Wicks?”

An angry Ronnie vented: “F**k him.”

The star continued: “Brad’s my boy, man. My brother, and that’s all I’m saying.”

The 2024 villa star’s friendship with presenter Olivia has gone down the drain following her split with ex husband Bradley Dack.

The Sun previously told of a rift between the pair who met through Olivia’s estranged husband Bradley and considered themselves like “brother and sister”.

As revealed by The Sun, Olivia severed ties with the Love Islander earlier this year – with Ronnie telling friends there’s no going back after Olivia moved on with Pete.

Olivia first found fame on Love Island in 2017 when she reached the final with Chris Hughes.

She encouraged ex pal Ronnie to follow in her footsteps seven years later when he signed up to the ITV2 show.

Fans are still in the dark about what made ended Olivia’s relationship with her on/off partner of 11 years.

However, claims of a “breach of trust” on Bradley’s side were first reported as news of the split broke.

It’s thought Olivia later turned on Ronnie, who was Brad’s best man at their wedding, after discovering “he knew more than he let on”.

Ronnie made it clear he’s taken Bradley’s side by unfollowing her on Instagram after she was pictured kissing Pete in a packed hotel bar.

Olivia had already unfriended Ronnie online at the same time as she unfollowed Bradley.

Pete has known Olivia for around nine years and they both starred in Towie in 2019.

Last August they were pictured cosying up together as they partied with friends on a yacht off Ibiza, leaving Olivia “in the doghouse” with Bradley.

Since her marriage separation, speculation has mounted that Olivia has moved on with lothario Pete.

Ted Lasso star Brett Goldstein has denied he is dating his Office Romance co-star Jennifer Lopez, but what do we know about his love life?

The Office Romance leads have quashed speculation following their chemistry-filled promotional appearances.

Brett Goldstein has dismissed talk of a romance with Office Romance co-star Jennifer Lopez, leaving admirers wondering about his actual relationship status.

The Sutton-born Ted Lasso actor plays Daniel, a bumbling solicitor alongside JLo’s formidable airline boss Jackie in Netflix’s latest rom-com destined for success.

When the corporation becomes embroiled in legal action from a fearsome competitor, Daniel and Jackie are thrust into close proximity, though the firm’s strict no-dating policy throws a spanner in the works as their attraction intensifies.

Speculation about an off-screen relationship between the leads gained momentum throughout the film’s publicity campaign, fuelled by their undeniable on-screen rapport, reports the Express.

Yet during an appearance with Savannah Guthrie on The Today Show, the duo cleared up the confusion by confirming they’re not an item.

“There’s never a time when I’m seen with somebody or working with somebody where they don’t try to put me with the person,” Jennifer quipped.

Brett added with a laugh: “If you stand near her, that’s what happens.”

Jennifer’s marital history includes four marriages, with her most recent being a rekindled relationship with Hollywood A-lister Ben Affleck. The couple wed in 2022 before divorcing last year.

Regarding Brett’s romantic situation, inquisitive supporters will find little satisfaction as, similar to his Office Romance alter-ego Daniel, he maintains strict privacy around his personal affairs. Details about his love life remain largely under wraps, though he previously had a relationship with fellow comic Beth Rylance.

During his Emmy acceptance speech for Ted Lasso, he gave her a shout-out, quipping: “I was very, very specifically told I’m not allowed to swear, so this speech is going to be f****** short. Beth, I love you.”

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Sky is giving away a free Netflix subscription with its new Sky Stream TV bundles, including the £15 Essential TV plan. This lets customers watch live and on-demand TV content without a satellite dish or aerial and includes the new season of Beef.

Beth herself responded in a since-deleted tweet: “Today is the day that my boyfriend goes to the Emmy’s as a Best Supporting Actor nominee and I am at home on my second load of laundry. Just to confirm, my boyfriend is Kenan Thompson off of SNL.”

The timeline of Brett and Beth’s romance remains unclear, as does when they parted ways. Currently, Brett is thought to be unattached. He is almost certainly unmarried as he has not been spotted wearing a wedding ring.

He’s recently been contemplating the notion of soulmates, particularly after starring in his 2025 Apple TV sci-fi romance All of You, which delves into the concept.

Speaking to InStyle, he pondered: “Do I believe in soulmates? I change my mind,” adding: “I honestly don’t know. Sometimes yes, sometimes no. I’m not sure there’s one person for everyone. I think there’s 50 people for everyone.”

He elaborated: “I think in your lifetime there are probably 50 people that you should have met. That doesn’t mean you’ll have sex with, but there’s some karmic connection, over millennia. You know what I mean?”

Office Romance is now available on Netflix

THE heartbroken girlfriend of James Handy has spoken out in anguish after her own son was accused of brutally stabbing the veteran actor to death.

Wendy Gledhill, 76, fought back tears as she broke her silence outside her home, reeling from the horror of losing her partner and the devastating allegations against her son.

“I’m just trying to make it through one day at a time, a minute at a time,” she said.

“I loved James and my son. I still can’t believe it….I can’t believe my son did it. I’m just trying to …,” she added, before retreating inside, overcome with emotion.

Her son, Michael Gledhill, 44, stands accused of fatally stabbing the 81-year-old actor multiple times in the chest  in a shocking attack at the family home in Tarzana, Los Angeles.

Authorities say the horror unfolded on Wednesday morning when police were called to the property on the 19200 block of Erwin Street following a disturbing 911 call.

A voice reportedly told dispatchers: “I am the son of man, I just killed the man of sin.”

When officers arrived at around 9:30am, they found Handy unconscious and bleeding out in the front yard, suffering from multiple stab wounds.

“We also need [a rescue ambulance] for a male, not conscious, not breathing, suffering from a stab wound,” a responding officer said in chilling dispatch audio.

The beloved actor was rushed to hospital but was later pronounced dead.

In a dramatic twist, Gledhill himself allegedly waved down officers as they approached, telling them he was the suspect they were looking for.

He was arrested at the scene and charged with murder. He is currently being held on a $2,000,000 bond.

Disturbing Ring doorbell footage later emerged showing a man believed to be Gledhill pacing near the home.

He was dressed in a purple or pink shirt and blue trousers, at times touching his face before returning to the property and flagging down police.

Another clip showed him walking back towards the house where Handy’s body was later found, with footage also appearing to capture him leading officers across the lawn.

Neighbours described Gledhill as acting erratically in the past, with one claiming his behaviour raised alarm.

“He looked really rugged … he looks like he doesn’t really change his clothes,” said neighbor Joheina Quibol.

She also recalled a bizarre encounter in which he allegedly questioned her father about cameras inside their home, describing him as “paranoid” and suggesting he may have struggled with mental health issues.

Other neighbours claimed the suspect and Handy had been overheard arguing overnight before the fatal attack.

Despite the brutal nature of the killing, the Los Angeles Police Department said they believe it to be an isolated incident, adding there is no ongoing danger to the public.

A motive for the attack has not yet been established.

Handy’s death has sent shockwaves through Hollywood, with his talent agent Pam Ellis-Evenas confirming the tragedy in a statement.

“With great sadness I can confirm that the gentleman who was attacked and killed on Wednesday in Tarzana was the actor James Handy.”

The New York City-born star enjoyed a glittering career spanning nearly five decades, racking up close to 150 screen credits across film and television.

He was most recently seen as bartender Jimmy in Top Gun: Maverick alongside Tom Cruise.

Handy also appeared in the 2017 superhero film Logan, starring Hugh Jackman, playing a doctor treating an ageing Wolverine.

One of his most memorable roles came in the 1995 classic Jumanji, where he starred alongside Robin Williams, Bonnie Hunt and Kirsten Dunst.

His extensive television career included appearances in hit series such as The West Wing, 9-1-1, NCIS: Los Angeles, CSI: NY, The Young and the Restless, Castle, Criminal Minds, Cold Case, Without a Trace, ER and The X-Files.

He also had notable roles in Alias as Arthur Devlin, and recurring appearances in Melrose Place and NYPD Blue.

Handy’s brutal killing comes less than a year after another shocking Hollywood tragedy involving Rob Reiner, 78, who was found with his throat slit inside his Los Angeles home.

His son, Nick Reiner, 32, has been accused of killing both him and his mother Michelle, 68, while they were in bed on December 14, 2025. He has pleaded not guilty and is awaiting trial.

Glaciers aren’t stationary. Immense and imposing, formed through the downward trajectory of water from mountains as it collects and freezes, they have always moved. Now, however, they’re leaving. The demise of glaciers is a fact inherent in all the bad news about the effects of climate change on what once seemed permanent. But for Icelanders, whose connection to glaciers is ancient and mythic, our human epoch has become an extended hospice for the landscape of their lives.

Somehow, though, Sara Dosa’s documentary on this matter, “Time and Water,” avoids playing like a funeral in waiting. Built around Icelandic writer Andri Snær Magnason’s voiced lamentations on a vanishing frozen world, along with archival footage of his family, it’s no simple howl of grief, even when it takes us to a publicly held memorial in 2019 for Iceland’s Ok glacier, the first such “death” diagnosis in the country’s history. Rather, Dosa’s film is a meditation on change — both the kind that we accept with a heavy heart and something more general. “Time and Water” is a curiously vibrant elegy, teeming with appreciation for the intimate majesty that is all life, generational and geologic.

Dosa has finessed this emotional-meets-elemental space before in her Academy Award-nominated 2022 documentary “Fire of Love,” about married volcanologists Katia and Maurice Krafft. That was a wonderfully eccentric romance forged in molten lava. Here, she’s in a collaboration of sorts with her subjects, both human and elemental. Magnason’s opening narration over spectacular footage of glaciers — up close and from far away — gently informs us that we’re watching a time capsule, one where the bonds of family and environment are intertwined.

We learn how Iceland’s glaciers, essentially rivers of varying pace, begat their unique ecosystems, but also how they provided the breathtaking terrain upon which Magnason’s grandparents Hulda and Árni fell in love. (Grandma Hulda was the first woman to fly in Iceland, itself a very cool fact.) The onset of dementia in Árni spurs his grandson to consider what’s lost when the markers of memory depart. “Time and Water” touches on the epic verse called rimurs, passed down via chanted song by Icelandic women, their descriptive, sorrowful tales like dispatches from previous ages.

“Tone poem” is an overused term in cinema, but the humbling “Time and Water,” graced with a playful, atmospheric Dan Deacon score, earns that distinction. Naturally, it helps that you can never tire of all the air-crisped glacier imagery, captured digitally and in 16mm. Folded into the cozy slide-show vibe of Magnason’s home videos and the carefully chosen archival footage, the movie plays like a scrapbook portrait in which home just happens to boast the grandest of backyards.

How much longer will Icelanders enjoy it? The glaciers are predicted to be gone within 200 years. That’s an eternity or a drip, depending on whose survival we’re talking about. Still, “Time and Water” collapses the notion that we are somehow separate from these ancient, essential formations: an encouraging hello to the future from inside a sobering goodbye.

EXCLUSIVE: Love Island fans were shocked to hear that George Knight had quit the show just hours after arriving in the villa as a bombshell and now they reckon someone else has left

Love Island fans reckon another contestant has secretly quit the show. Just days into the new series, viewers were shocked to hear that George Knight had left the villa after arriving as a bombshell in Spain due to “personal reasons”.

Lifting the lid on his sudden exit, a Love Island spokesperson said: “For private reasons, George has left the Love Island villa. Duty of care for the Islanders is paramount so at this stage any further comment will come from George. Bosses and viewers alike had been loving his contribution.”

Viewers were left reeling by the news, however they are now convinced that another Islander has left after claiming he had gone ‘missing’ from the show.

Electrician, Sam Workman from Dudley, says he came on the show because he feels “genuinely ready to settle down.” However, he wasn’t featured once in last night’s episode, promoting some fans to speculate he’d followed George back to Blighty.

Taking to social media, one viewer said: “Wait… where was Sam in this episode? Is he still around? A second asked: “Did we even hear Sam speak once in this episode?” Meanwhile, a third mused: “Is Sam still here?”

However, the Mirror understands that Sam is still very much part of the show and will be featured in tonight’s episode. Sam also features on today’s First Look from Love Island on the show’s Instagram page.

The electrician’s ‘disappearance’ comes after it was confirmed that footballer George had left after shortly after sending Samraj and Ellie home.

George made his mark upon arrival at the villa and wasted no time in getting to know Robyn and Mica. Robyn, who quickly friend-zoned Sam, appeared keen to forge a pairing with George, after they shared a snog on the terrace.

Before leaving, George and fellow bombshell Yasmin were given the tough task of choosing one guy and girl to dump from the villa for any reason they chose.

They had only 24 hours to make the decision while everyone in the villa was completely oblivious to what was going to unfold.

The pressure left Yasmin reduced to tears, but in the end the duo sent Ellie Chadwick and Samraj Toor packing. But while tears were shed and gutted Samraj and Ellie headed for the exit, they were told that all may not be as it seemed. It left fans confused over what’s to come next in the series that has already thrown up a number of twists in the first week.

Straight off the bat, Islanders had to choose their own couples. This moved away from the public who normally picked who they thought was best matched.

Love Island All Stars winner, Gaby Allen, told us of the bold move: “The producers are doing a great job at changing things up. This has never been done before.

“A recoupling done by themselves is crazy! I would panic in this situation and hope somebody whisked me off my feet so I didn’t have the decision.”

The Mirror has contacted ITV for comment.

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Love Island bosses had yet another twist up their sleeve with the latest bombshell and fans have been left stunned

Love Island viewers were treated to another huge twist in the latest bombshell action. Following hot on the heels of a double eviction – sort of – the villa was getting ready to welcome two new islanders.

And it turns out one already knows a fellow love hopeful very well. In fact, he is his brother! Aidan’s sibling, Kavan, has made a big impression – both with Ellie and online.

Electrician Kavan, 21, is the younger brother of 23-year-old property broker Aidan. One user on X, formerly known as Twitter, said: “Bringing in a brother Love Island are you mad?!” Another added: “Love Island are seriously running out of ideas LOOOOL tf you mean Aidan’s BROTHER? #LoveIsland.”

A third wasn’t keen on the idea, either, saying: “Eww imagine being on Love Island with a sibling. Could not be me. #loveisland.”

A fourth enjoyed the twist, though, writing: “Two brothers in one villa is brazy. Fairs, Love Island, fairs #loveisland.”

And a fourth agreed: “imagine going onto love island and fumbling the hottest girl in there and then ur brother comes in and dates her. sunday dinners gonna be awkward when they get back #loveislanduk

Ellie having a date with Kavan left her stunned and she gasped “f*** off” when he revealed Aidan is his brother.

It comes after Yasmin and Aidan caught up in the Snug to discuss Yasmin’s decision to dump Ellie. She told him: ““I’m sorry it’s put you in a sh*t situation.”

Comforting her, Aidan said: “I’m just shocked, that’s all. I didn’t expect it.” He pulled her in for a hug as the pair got closer.

The pair continued to share a closer bond the next day. On the terrace, Aidan told her: “My attention is of course with you. I think I made a bold statement yesterday and I stick by it… But I feel like you also made a bold decision which was nice.”

Yasmin questioned if her choice was bad and Aidan flirted by saying: “Nah, it was sexy…” As Yasmin joked she did it “all for you” the pair leant in for a kiss, with Ellie appearing to be the last thing on his mind.

But despite their early exit, Ellie and Samraj were in for a twist. Following a shock text informing them that their Love Island journey isn’t over, they were snuck off to somewhere much closer to home than the airport. The duo headed to The Hideaway.

Samraj joked to Ellie: “I didn’t think I’d be spending my first night in the Hideaway with you Ellie, as much as I love you!”

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A Love Island star has made a surprise exit from the competition just days into the latest series and after a shock double eviction

Love Island fans are set to be stunned as one islander has left the show just days into their time on the villa. After a double bombshell eviction, a third member of the villa has now cut their time short.

George Knight has sensationally quit the villa shortly after sending Samraj and Ellie home. The footballer had only arrived as a bombshell, but is now said to have left due to “private reasons”.

He is still set to feature on Thursday evening’s show, but is thought to already have said his goodbyes. His exit is reportedly not going to be aired.

A Love Island spokesperson said: “For private reasons, George has left the Love Island villa. Duty of care for the Islanders is paramount so at this stage any further comment will come from George. Bosses and viewers alike had been loving his contribution.”

The contestant had made a big entrance and was getting to know Robyn and Mica. Robyn, who quickly friend zoned Sam appeared keen to forge a pairing with George, so it remains to be seen how she will take the news. The pair had already shared a kiss on the terrace.

On Wednesday’s show, Yasmin was in tears as the time for the bombshells to make their decision approached. And their decision wasn’t well received by viewers at home. One labelled it a “sinister” move, while others were shocked.

But while tears ran down the villa and gutted Samraj and Ellie heading for the exit, they were told that all may not be as it seemed. It left fans confused as to what might come next in a series that has already thrown up a number of twists in the first week.

Straight off the bat, islanders had to choose their own couples. This moved away from the public who normally picked who they thought was best matched.

Love Island All Stars winner Gabby Allen told us of the bold move at the time: “The producers are doing a great job at changing things up. This has never been done before.

“A recoupling done by themselves is crazy! I would panic in this situation and hope somebody whisked me off my feet so I didn’t have the decision.”

After the first episode, Gabby also predicted high energy between some of the cast – and Gabby knows vibes when she sees them! “OMG!!! The vibes between Lola & Ope already,” she said.

“These two coming in I feel like is already spicing things up. BOTH of them have very good energy. You heard it here first, Ope is going to do well. Player of not. People are going to like him.”

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LOVE Island’s Millie Court has stepped into her “hot girl summer” era with a series of sizzling new bikini snaps after her split from All Star boyfriend Zac Woodworth.

The Essex girl and the American hunk shocked fans when they called time on their romance last month, having been one of the villa’s big success stories earlier in the year.

Millie hasn’t resigned herself to the sofa eating ice cream since the split, instead she’s looking better than ever.

Just days after wowing on the catwalk in Miami, she showcased her toned body in white swimwear beside a pool.

Unsurprisingly, the comments were packed full of compliments, with pals like Sophie Piper and Chloe Burrows championing her.

Another follower said the pics gave them “goosebumps”, while another urged a man out there to “wife her up”.

DUMPED & DONE?

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Just days ago, Millie and Zac came face-to-face for the first time since ending their relationship, supposedly due to the transatlantic distance keeping them apart.

They crossed paths during a group gathering with fellow Islanders, and fans believe their body language was telling.

Love Island‘s Yamen Sanders captured the moment the former couple reunited and shared a hug, joking that they were “back together” and his girlfriend Whitney Adebayo agreed with the tease.

However, Millie looked far from impressed by the joke, appearing awkward as she briefly hugged Zac before turning to her friends and asking them to “stop”.

Her reaction caught fans’ attention, with many claiming it suggested Millie was the one who dumped Zac.

One wrote: “Millie’s like no thanks”.

A second said: “Millie said hell nah ahahahahaha.”

A third shared: “Millie looks less than impressed”.

Love Island fans were left seething with the decision by bombshells George and Yasmin as two islanders were forced to leave the show already

Love Island is now into day three of the new series, and with the sun heating up, so is the drama. Viewers were left less than impressed as the bombshells made their eviction decision on Wednesday, calling it a ‘sinister’ move.

Yasmin was in tears as the time for the bombshells to make their decision approached. And their call stunned the viewers as Ellie and Samraj were sent home. But while tears ran down the villa, with gutted Samraj and Ellie needing to exit, they were told that all may not be as it seemed.

And the decision – and announcement – left fans stunned. On X, formerly known as Twitter, after Yasmin and George’s decision, one user wrote: “That was sinister #loveisland.”

Another said: “ELLIE & SAMRAJ ????? WOTTTTTTT #LoveIsland.” And a third agreed, calling the decision to dump Samraj “crazy”. With twists and bombshells already flowing, bosses would have expected the drama to unfold. And it appears that is exactly what is happening. Viewers questioned the cliffhanger as the show came to a close.