Lindsay

How USC’s Lindsay Gottlieb reinforced a title contender in the transfer portal

Welcome back to the Times of Troy newsletter, where the spring sports calendar is quickly coming to a close at USC. Saturday saw a trio of Trojan teams upended in the NCAA tournament. The women’s beach volleyball team fell in a brutal quarterfinal shutout by No. 5 Florida State. Men’s volleyball faltered in the second round to No. 3 Hawaii, and the men’s tennis team was shut out 4-0 by No. 9 Oklahoma.

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But at USC, there’s a lot of excitement about what’s coming next. The year ahead is a critical one, and not just for Lincoln Riley and the football program. Eric Musselman enters Year 3 with no tournament invites to date, but the most talent he’s had yet as USC’s men’s basketball coach, while the women’s basketball program could be more talented next season than it has ever been.

That abundance of star power has made for a much different offseason for Lindsay Gottlieb this spring. At this time last year, the women’s basketball coach was scrambling to put pieces together in the transfer portal after JuJu Watkins’ knee injury derailed the Trojans’ plans of a title run. The vibes …. were not great. Two promising young guards, Avery Howell and Kayleigh Heckel, left. Some potential transfers who hoped to play with Watkins went elsewhere. All setting up for an up-and-down season.

But with Watkins set to return to full-go this summer and a trio of five-star prospects set to join her, Gottlieb entered this offseason facing polar opposite circumstances. Watkins is set to retake her throne as the most dominant player in women’s college basketball. Jazzy Davidson, already the national freshman of the year, should only get better as a sophomore. And Saniyah Hall, the nation’s top recruit in 2026, would be the best player on most college basketball teams. She may only be the Trojans’ No. 3 next season.

So when Gottlieb set out to survey the transfer portal this spring, she wanted to take a much more selective, intentional approach to building out an already-stacked roster.

“We wanted players that fit,” Gottlieb said. “It takes the person to have the courage to understand that they can really contribute with these really talented players that we have. And also a humility to know that we’re trying to win a national championship, so you’ve got to [be] confident and believe in your abilities. But it can’t necessarily be where they want something crafted around them only, you know? Because we’re trying to win a national championship.”

Pania Davis with Florida State last season.

Pania Davis with Florida State last season.

(Gary McCullough / Associated Press)

She wanted more size, to split time with five-star freshman Sara Okeke at center and found 6-foot-6 center Pania Davis, a towering rim protector who played last season at Florida State.

“We were studying the best bigs that fit us, and 6-6 just jumps out at you,” Gottlieb said. “The way she moves we were really excited about.”

Gottlieb also set out to add an experienced guard in the portal after nearly all of USC’s backcourt depth departed in the offseason and landed on one that she’d known since her first year as the Trojans’ coach.

Gottlieb met Ryann Bennett at a camp during that first season, and when she became available last month after two seasons at UC Davis, her skills just happened to fit USC’s needs perfectly.

“She’s just a really good all-around player,” Gottlieb said. “She can create and pass. She plays some point guard. I don’t think she’s going to be afraid of taking or making a big shot.”

USC could add another player or two in the portal from here, Gottlieb said, but she also doesn’t want to upset the balance that she has right now, on a roster that should already be among the best in the nation.

The question now isn’t so much who USC adds, but how Gottlieb will manage the needs of a roster full of star players. Though, she scoffs at any concern that there’s only one ball to be shared among USC’s star-studded group.

“There’s one ball for South Carolina. There’s one ball for LSU. There’s one for UCLA,” Gottlieb said. “We’ve gotta play in a way that values winning. I don’t think it should take away anyone’s individual skills. But the priority has to be playing the best possible basketball.”

A joyous title run

26 April 2026: Cal plays USC in the championship game of the national collegiate women's water polo championship.

USC women’s water polo players celebrate after defeating California for the NCAA title last month.

(Derrick Tuskan / NCAA)

The first season that Casey Moon took over USC’s water polo program, he freely admits that “I fell on my face.”

The Trojans lost in the NCAA tournament quarterfinals of the 2024 season, their worst finish in decades. And in the weeks that followed, Moon tried to step back and reevaluate what he wanted to be as a head coach. He had no choice but to be away from the pool, which was under construction all summer.

“The thing that kept coming up,” Moon says, “is this aspect of joy.”

Two years later, Moon has USC water polo back on top again, winners of their seventh national title. He and his players say “joy” is the reason why.

“We’re really unserious, and I think it helped us a lot this year,” said goalkeeper Anna King, who had a career-high 14 saves in the national title win. “We’re trying jokes the whole time. 
We’re just, like, making fun of each other. We keep it light.”

Maggie Johnson, a senior attacker, points to a moment between the third and fourth quarters of USC’s narrow title win over California.

“We are up by one, and they zoom in on our huddle, and we’re all just dancing,” Johnson said. “And I think that just encapsulates, like, what our team is.”

The NCAA is primed to change its eligibility rules in a big way. The new rules would eliminate the notion of “redshirts” or eligibility waivers — and hopefully stop the cascade of legal challenges — by giving athletes five years to play, with only few exceptions. Eligibility issues have been a disaster as of late for the NCAA, and president Charlie Baker said last week that he’s “pretty optimistic” that the changes will pass when a vote happens later this month. Lincoln Riley has said in the past that he favors the five-year rule, though it’s been a while since we asked.

The Big Ten distributed a record $1.7 billion in 2024-25, USC’s first year in the league. That was a 55% increase from the previous year, before USC, UCLA, Washington and Oregon joined and the most money ever distributed by a college football conference. And from that pile of conference cash, USC should bring in somewhere between $76 million and $80 million. That’s nearly three times as much as the school got in its last year of the Pac-12. In case you needed reminding why USC left.

USC lost a key member of its football front office. Zaire Turner came with general manager Chad Bowden in 2025 to be the Trojans’ new director of recruiting operations and played a key part in putting together the nation’s No. 1 class in 2026. Now, after a year, Turner, a Dallas native, is off to Southern Methodist where she’ll be senior director of recruiting.

—USC baseball notched its second straight Big Ten sweep. That brings the Trojans to 37-12 on the season, which still leaves them within striking distance of second place in the Big Ten with one conference series — and two overall — remaining in the regular season. With five more wins out of their seven remaining games, the Trojans would lock up their best regular season in a quarter century.

—A shout-out to USC women’s golf, who I unfortunately overlooked in last week’s newsletter, even after they’d won the school’s first Big Ten title and 10th conference title overall. And not just that, sophomore Jasmine Koo won the individual Big Ten title. She was already the winningest player in USC women’s golf history, but added her most distinguished honor yet by becoming the school’s eighth individual conference champion.

What I’m watching this week

Oscar Isaac as Josh Martin, Carey Mulligan as Lindsay Crane-Martin in "Beef."

Oscar Isaac as Josh Martin, Carey Mulligan as Lindsay Crane-Martin in “Beef.”

(COURTESY OF NETFLIX)

When its first season debuted on Netflix in 2023, there weren’t many shows out there that could build anxiety-inducing tension quite like “Beef.” And I’m happy to report that it’s still got it.

Season 1, which starred Ali Wong and Steven Yeun, centered on a road-rage dispute that escalated out of control. Season 2 has a totally new story, even better actors — Oscar Isaac and Carey Mulligan are the couple at the center of the beef — and even higher stakes. This time, a younger couple played by Charles Melton and Cailee Spaeny witness Isaac and Mulligan, who run the country club they work at, get into a raging fight, the optics of which don’t look so great.

This problem maybe could’ve been solved with a little communication. But judging by the name of the show, you can probably guess which direction it went.

In case you missed it

More March Madness: NCAA basketball tournaments reportedly set to expand to 76 teams

Until next time …

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at ryan.kartje@latimes.com, and follow me on X at @Ryan_Kartje. To get this newsletter in your inbox, click here.

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Prep Rally: Carlos Acuna and Jordan Lindsay help Birmingham baseball excel

Hi, and welcome to another edition of Prep Rally. I’m Eric Sondheimer. One week to go in the high school baseball regular season. Birmingham made a big move in the City Section.

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Birmingham rises

Sophomore catcher Jordan Lindsay is all smiles for Birmingham after RBI double in the fourth inning.

Sophomore catcher Jordan Lindsay is all smiles for Birmingham after RBI double in the fourth inning.

(Craig Weston)

Two sophomores, pitcher Carlos Acuna and catcher Jordan Lindsay, rose up last week to push Birmingham to within one win of clinching the West Valley League baseball championship and earning a rare No. 1 seed for the City Section Open Division playoffs.

Birmingham was able to sweep El Camino Real. In the first game, the hitters started going to right field and knocked off the Royals 10-2. In the second game, the hitters came through again in a 9-1 victory.

Acuna is set to start on the mound Monday against Cleveland, and that would wrap up the first league title for coach Matt Mowry since he took over the program in 2007. He’s won five City titles.

The big series this week in the City Section involves South Gate and Garfield. They are tied for first place in the Eastern League. Along with Bell, the league could have a record three teams chosen for the Open Division playoffs if South Gate comes through.

In the Southern Section, the final week is all about trying to lock up an automatic playoff berth so as not to have to rely on computer rankings for an at-large berth when playoff pairings are announced on Saturday at 1 p.m.

Norco (Big VIII), St. John Bosco (Trinity), Ayala (Palomares), Huntington Beach (Sunset), Cypress (Crestview) have clinched high seeds in the Division 1 playoffs. Harvard-Westlake (Mission) is closing in on the Mission League title. Orange Lutheran is No. 2 in the Trinity, but who gets No. 3? Mater Dei needs a win over Orange Lutheran in a three-game series this week to help its chances.

According to last week’s Southern Section power rankings, these are the 16 teams that would make up the Division 1 playoffs with one week to go: 1. Norco, 2. Harvard-Westlake, 3. Orange Lutheran, 4. Corona, 5. Ayala, 6. Sierra Canyon, 7. St. John Bosco, 8. Sherman Oaks Notre Dame, 9. Temecula Valley, 10. Cypress, 11. Huntington Beach, 12. Oaks Christian, 13. Etiwanda, 14. La Mirada, 15. Corona Santaigo, 16. Maranatha.

Here’s this week’s top 25 rankings by The Times.

Baseball

Norco won two of three games from Corona in a terrific three-game series to win the Big VIII League title. Both teams should be in the 16-team Division 1 field.

Here’s a story on Huntington Beach winning the Sunset League title behind Jared Grindlinger.

Servite pulled off a 1-0 win over Orange Lutheran even though the Lancers’ Gary Morse threw a no-hitter.

Brentwood 6-foot-5 junior pitcher Jack Kaplan has been having a terrific season, including a perfect game. He has 77 strikeouts in 44 innings. His pitching coach is former UCLA and MLB pitcher Tim Leary.

Blake Bowen of JSerra ended his high school career this week with nine home runs this season, including one in each victory of a three-game series with Santa Margarita. Here’s the report.

Trevor Brown won a share of the Foothill League title in his first year coach West Ranch.

Castaic shared the title with West Ranch in the final season for coach Darrell Davis. Sophomore Orion Gonzalez is hitting .390 with 30 hits.

Mattias DiMaggio of Dos Puebos is a freshman baseball player hitting above .500.

Mattias DiMaggio of Dos Puebos is a freshman baseball player hitting above .500.

(Dos Pueblos)

Few are having a better season than Dos Pueblos freshman Mattias Di Maggio. And yes, he’s a distant relative to Joe DiMaggio. Here’s the report.

Softball

The Trinity League softball race has gotten tight, with Orange Lutheran and JSerra both entering this week tied for first place at 5-3. Pitcher Liliana Escobar of JSerra has been leading the Lions’ surge. Orange Lutheran closes league play with a game at Santa Margarita on Tuesday. JSerra is at Mater Dei, with Escobar ready to deliver.

Granada Hills and Carson are looking like the top two teams in City Section softball. Granada Hills has a two-game lead in the West Valley League with three games to play. Carson has clinched at least a share of the Marine League title.

Norco (24-2) and Murrieta Mesa (23-1) continue on a collision course for the Southern Section playoffs. Pairings will be announced next Monday.

Here’s last week’s power rankings.

Track

Loyola's Ejam Johannes offers the "shoosh" sign after anchoring the winning 4x100 relay team.

Loyola’s Ejam Johannes offers the “shoosh” sign after anchoring the winning 4×100 relay team. He also won the Mission League 400 and 200 titles.

(Craig Weston)

The Southern Section track and field prelims are set for Saturday. It’s all about qualifying and advancing and making sure batons are not dropped and violations don’t occur during relays.

The sites: Trabuco Hills (Division 1), Ontario (Division 2), Yorba Linda (Division 3) and Carpinteria (Division 4).

The Mission League finals last week featured two top Loyola athletes, Ejam Johannes and Zion Phelps. Here’s the report.

There’s lots of speed in the 100 meters. The Southern Section championships will take place in two weeks at Moorpark High.

The City Section will hold league finals this week.

Volleyball

Mira Costa’s Ruby Cochrane (facing) tries to block a tip attempt by JSerra’s Emma Champagne.

Mira Costa’s Ruby Cochrane (facing) tries to block a tip attempt by JSerra’s Emma Champagne in the Southern Section Division 1 girls’ beach volleyball final. Cochrane and partner Olga Nikolaeva won, 21-19, 17-21, 15-13.

Mira Costa swept JSerra to win the Southern Section girls beach volleyball championship. Here’s the report.

Venice won the City Section team title.

Granada Hills is seeded No. 1 in the City Section boys volleyball playoffs. Here’s the pairings.

Grant Chang of Chatsworth delivers a kill against Granada Hills. He learned he was accepted to MIT.

Grant Chang of Chatsworth delivers a kill against Granada Hills. He learned he was accepted to MIT.

(Craig Weston)

Grant Chang from Chatsworth has become the fourth volleyball player this year to be accepted to MIT. Here’s the story of a teenager who has gotten all A’s on his report card.

Lacrosse

Birmingham ended Palisades’ reign as City Section boys lacrosse champions. Here’s the report.

NFL star offers lessons

Indianapolis Colts safety Camryn Bynum (0) gestures toward the stands. He played at Corona Centennial.

Indianapolis Colts safety Camryn Bynum (0) gestures toward the stands. He played at Corona Centennial.

(Kyusung Gong / Associated Press)

There are so many lessons to be learned from former Corona Centennial defensive back Camryn Bynum, who is returning this month to hold a camp at his alma mater.

He was once fifth string on Centennial’s JV team as a sophomore. He decided to work harder and look where his path has taken him.

Here’s his suggestions for young athletes dreaming of playing in the NFL.

Notes . . .

David Schuster is moving from Mission College Prep to head football coach at Ontario Christian….

JV coach Miguel Mayorga has been promoted to varsity basketball coach at Golden Valley….

Former Chatsworth star Alijah Arenas announced he is returning to USC next season….

Caleb Martin, a former assistant basketball coach at Oaks Christian, Harvard-Westlake and Vanguard, is the new head coach at St. Margaret’s….

Former Sherman Oaks Notre Dame basketball player Tyran Stokes has committed to Kansas….

Muir has received a $2-million donation from Mamba and Mambacita Sports Foundation to build a synthetic softball diamond. The field will be named, “Kobe and Gianna Bryant Field.” …

Matt LemMon has resigned as football coach at Garden Grove….

Former St. John Bosco and Notre Dame linebacker DJ Morgan is the new football coach at Leuzinger. He was the defensive coordinator….

Anaheim Canyon and Fullerton are changing their mascots next season because of a new state law requiring public schools to remove Native American team names that could be considered derogatory. Canyon will go from being the Comanches to the Cobras this fall. Fullerton will change from Indians to RedHawks….

Senior pitcher Alex Martinez of Sylmar has committed to the University of Redlands. His uncle was the late Glenn Martinez, a former assistant commissioner with the Southern Section and longtime baseball coach….

Alex Koers is the new girls basketball coach at Brea Olinda….

Harvard-Westlake has announced the appointment of Asha Prithviraj as its inaugural girls’ football coach. She previously worked at Mater Dei. 2026 will be the first season for flag football at Harvard-Westlake….

Pasadena Marshall Fundamental has dropped 11-man football for the 2026 season….

CJ Cooper is the new boys basketball coach at Capistrano Valley Christian….

Receiver Braylen Ross of Crean Lutheran has committed to Arizona…

Defensive back JuJu Johnson from Long Beach Poly has committed to UCLA….

Defensive lineman Alifeleti Tolo Tuihalamaka of Oaks Christian has committed to USC….

Uriel Villa is the new boys water polo coach at Orange Lutheran….

Palisades won its 17th consecutive City boys tennis title. Here’s the report.

From the archives: Isaiah Magdaleno

Isaiah Magdaleno from Crespi High has become one of the top pitchers for Hawaii and a pro prospect.

Isaiah Magdaleno from Crespi High has become one of the top pitchers for Hawaii and a pro prospect.

(Crespi)

Former Crespi pitcher Isaiah Magdaleno thrilled Hawaii baseball fans Friday night by striking out 16 and throwing a one-hitter in a win over UC Riverside.

He was primarily a relief pitcher starting out at Hawaii but has now become a pro prospect with his starting pitching. He’s 5-4 this season with a 2.75 ERA and 88 strikeouts in 72 innings.

He was the pitcher of the year in the Mission League in 2022.

He helped Crespi win the Southern Section Division 2 title in 2023. He also played catcher.

Recommendations

From West Virginia, a story on adding flexibility to transfer rule.

From The562.org, a story on a $100,000 donation for Long Beach sports teams.

From The Athletic, a story on former Sherman Oaks Notre Dame basketball player Tyran Stokes.

Tweets you might have missed

Until next time….

Have a question, comment or something you’d like to see in a future Prep Rally newsletter? Email me at eric.sondheimer@latimes.com, and follow me on Twitter at @latsondheimer.

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‘Beef’ creator breaks down Season 2’s story about couples, class and revenge

There’s a couple somewhere in Los Angeles who unknowingly inspired the second season of “Beef.”

Lee Sung Jin, the creator of Netflix’s anthology drama that swirls in the consequences of class struggles, resentment and the absurdity of life’s curveballs, once again found himself inspired by a tense interaction playing out before him. A road rage incident at a stoplight in Hollywood a few years ago, triggered by Lee’s delayed response to a green light, became the catalyst for the first season. An early idea to write about a men’s doubles partnership gone awry lost its luster after “Challengers,” Luca Guadagnino’s drama about a love triangle between tennis pros, came out. But a heated argument coming from a house in Lee’s neighborhood became the next spark that lit a narrative fuse.

“I told the story to people — it caused a little stir in the neighborhood,” he says. “And what I found fascinating was the different reactions. When I told younger folks, I’d get, ‘Did you call the police? Should you go check on them again?’ Very concerned, having an ideological view on relationships. When I told the story to older friends and couples, they were just kind of like, ‘Who among us hasn’t?’ I thought the idea of juxtaposing these couples at different stages felt like ripe ground.”

The overheard in L.A. moment inspired the eight-episode season,

A man and woman on a couch look at a man and woman sitting in chairs in front of them

Carey Mulligan and Oscar Isaac square off with Charles Melton and Cailee Spaeny in Season 2 of “Beef.”

(Netflix)

The twist-filled, darkly comic thriller kicks off when a young couple, Ashley and Austin (Cailee Spaeny and Charles Melton), who work at a Montecito country club, witness the explosive altercation between their boss Josh (Oscar Isaac) and his wife, Lindsay (Carey Mulligan), an interior designer, the night before the club’s new Korean billionaire owner, Chairwoman Park (Youn Yuh-jung), takes over. She has her own mess to tend to involving her husband (Song Kang-ho), a doctor whose health is affecting his work on patients. The calamities each couple faces spin out into a web of favors and coercion in this tale of broken systems and characters going to great lengths to get what they want.

“The idea of cycles felt interesting,” he says. “A lot of shows and movies cover marriage through the lens of one couple, you don’t really see that multigenerational juxtaposition.”

Speaking from his office on the Raleigh Studios lot in Hollywood, Lee discussed the season’s Montecito setting, the financial anxiety that drives the story and the four-legged breakout star of the show. These are edited excerpts from the conversation, which includes many spoilers.

Why did you want to set this season in Montecito?

Just writing what I know. My goddaughters — their parents are my best friends. They live in Montecito. The dad is my oldest friend in LA. He has a membership to Montecito Club, which is where we shot the exterior of our show. I was house-sitting for him during the writing of all this. He let me use his membership. I remember when he told me about the membership, I was like, “You pay how much? That’s insane, dude.” But then you start using the membership. This idea of hedonic adaptation — how humans so quickly adapt to this new comfort, this new stimulus — it felt like an interesting thing. I was observing how all the members seemed to be mostly boomers and Silent Gen; then all the workers were Gen Z and millennial. I thought: What a perfect metaphor for society right now. No matter how hard the Gen Z and millennials work, they’re never going to get to be members of this club because, as Austin says, “everyone grabbed the bag before they could.” That’s what made me want to set it at a Montecito country club.

A man, gripping a gold club in the air, and a woman have startled expressions while looking out a window
Inside a car, a man grips a steering wheel while he and a female passenger look out the driver's window.

Oscar Isaac as Josh Martin and Carey Mulligan as Lindsay Crane-Martin. Cailee Spaeny as Ashley Miller and Charles Melton as Austin Davis. The second season of “Beef,” follows the two California couples from different socioeconomic backgrounds — though both are struggling — as they spiral into a high-stakes feud. (Netflix)

That feeling of survival and resentment and entitlement really looms over this season. There’s speeches about love, but also capitalism. The anxiety about finances is so prevalent right now.

We certainly didn’t set out to make a season about capitalism. But if you’re constantly trying to chase truth as writers, I don’t know how you say anything in the modern era, in 2026, and not have capitalism be a huge variable because it permeates every aspect of life. It’s like going to get gas. Gas is almost $7 right now. You have to fill your tank and there goes $140? That’s crazy. And relationships face so much stress — everyone is being hit by all these curveballs and trying to keep your head above water — how can you enjoy each other?

It became very obvious to us that if you’re going to write a season about marriage and love to these two couples, financial implications have to be a big factor. There’s a lot of talk about the disappearance of the American dream right now. Birth rates are declining. No one’s owning homes anymore. But then you also see headlines about everyone’s scamming. CVS has everything locked down. You’re like, “Yeah, no wonder.” Everything’s connected. We wanted to really show how that survival instinct, the desperation, is starting to come for everyone. I don’t think it’s going to get easier, especially with AI moving on the horizon, and with leaders who refuse to put checks and balances in place.

Part of Ashley’s story is using the video of the fight between Josh and Lindsay as blackmail to get health insurance so she can afford treatment for her endometriosis. And that moment where she’s waiting in the ER for hours and it’s not until she collapses that they realize she needs emergency surgery — her big concern is whether she has to pay the deductible.

I wrote that episode in a literal day because it was based on an experience I had in an ER with my daughter’s mother. She had this illness fall upon her. We spent 12 hours at the ER and, the whole time, I had my Notes app out and was just writing down everything I saw. Almost everything in that scene is stuff that happened in real life. Our healthcare system is absolutely insane. It’s, again, unhinged capitalism and … felt like it really unlocked so much of the season.

There’s a moment where Josh has to sell some of his prized possessions to pay a gambling debt. Have you been there, needing to sell things to cover your financial obligations?

I’ve been there multiple times. I obviously struggled to find my way for a long time, even after becoming a writer. If you’re in a writing partnership, in a staff job on a show — first of all, this is what the guild has been fighting, trying to get these longer-term employment windows because these jobs sometimes are only … maybe eight to 12 weeks. You’re splitting a staff salary in two [if you’re in a partnership], and you probably haven’t qualified for health insurance by the end of that run. Sure, you’re a working writer, but I remember [by the time I landed at] “Always Sunny in Philadelphia,” my first real writing job, I had amassed so much debt, half of which were from parking tickets. I just didn’t have the money to pay these tickets, and so I just let them run rampant. So, yeah, I’ve been there. There’s this one guitar that I loved; it was the first guitar I bought with my own money after college — it was a Fender Telecaster. I think I bought it for $1,200. I ended up selling it for $300. I’ve sold collectibles. I’ve sold anything that had gold in it. I’ve scrapped to just find anything because you’re desperate.

A man and a woman sit facing each other in front of a large window

Song Kang-ho as Dr. Kim, Youn Yuh-jung as Chairwoman Park in “Beef.” Recalling the opportunity to direct the pair, Lee says: “It just makes me feel like a little kid again. It stops feeling like work and starts feeling like play.”

(Netflix)

You directed this season. Is there a moment that stands out with this cast?

A peak of my career that I think about daily is the moment in Korea where we were shooting at Amorepacific. It’s one of the most beautiful buildings in Seoul. I’m shooting the scene between the great Youn Yuh-jung and the great Song Kang-ho — two of not only my favorite Korean actors, but favorite actors period. They have never been in a scene together in any Korean film ever. They’ve been in a movie together, but never acted together. And here we are making Korean history by having them shoot that breakfast scene and, while I’m in the middle of shooting that scene, director Bong Joon Ho surprises us on set. He comes over laughing, pulls up to me, looks at my monitor, gives me stage fright, then elbows me and says, “You sure you want to frame it like that?” He was teasing. Then we started shooting the scene, it’s all in Korean, and I look back at video village and Bong’s just doubled over in laughter. He is just cracking up. Younger me, and present me, is looking around like: Here I am in Korea, in this building I’ve always wanted to shoot in, two of the greatest living actors and the greatest living director — what is happening? What a crazy sentence to say. It just makes me feel like a little kid again. It stops feeling like work and starts feeling like play.

How did you want race and identity to figure into this season, particularly through Austin?

Charles was the first piece of the whole thing. After Season 1, I got to go to Korea multiple times. I shot a music video for one of the members of BTS. I was experiencing Austin’s journey of being courted by this level of Korea that I’d never been exposed to before and feeling warm and allured by it — I’m having dinners with K-pop idols, like what is happening? So, I knew I wanted to have that element of elite Korea involved. The writers and I discussed a lot whether it should be a Korean American that’s being pulled. We had covered a lot of Korean American ground in Season 1, [but] one of the things we didn’t get to cover is the half-Korean experience. Several of the writers on staff are either half-Asian or half-Korean. We don’t want to repeat things, but let’s do explore a half-Korean character who is about to have a child suddenly get this pull toward Korea.

A blond woman raises her right index finger at a weiner dog dressed in a sweater

Carey Mulligan as Lindsay acting alongside Jones, the dog who plays Burberry, in “Beef.” “Jones is the best dog actor I’ve ever worked with,” Lee says. “A24 is making Burberry merch. There’s going to be a Burberry shirt.”

(Netflix)

There are some pretty gross, petty and violent acts of revenge. One is Ashley swirling her period blood in Josh and Lindsay’s pitcher of orange juice. The other takes place during a flight — Lindsay wiping gunk from the toilet seat and transferring it to the rim of the cup Ashley drinks from. Please explain how you arrived at these acts. Were there any left on the cutting room floor?

Episode 4 was pouring out of me. And I remember I got to the point where Ashley snooping through the house [where Lindsay and Josh live]. Initially, I had her scratching up the trophy. She opened Josh’s pomade and blew a snot booger into it. I was thinking of juvenile things. But I had the thought of her going to the kitchen and having the thing that happened to her being the expression of her revenge. I remember I was so nervous to show the [writers’] room. The way I wrote it, I had her crouching over the pitcher and Anna Moench, as the main female writer on the show, was like, “Sonny, I don’t think you know this works.” So, we revised it. That’s how the OJ one happened. With Episode 7 [and the toilet seat], we wanted to have a bodily episode on a plane, and there’s just such limited ways to get revenge on a plane. But given the OJ drink — there’s so many mirrors between the two couples, we thought it’d be fun to mirror that with a drink from Lindsay to Ashley. The only place to do that on a plane is bathroom. We shot it on stage with a fake toilet and Carey was almost vomiting. She came to me after that scene, and she goes, “Sonny, in all my years in this business, that is the most vile, disgusting thing I’ve ever had to do.”

The final moments of the finale jumps eight years. Did you always know you wanted a time jump? And did you always know Ashley and Austin were going to repeat the cycle?

The Ashley and Austin side, I knew the inverse graph for both characters would be very satisfying — to me, at least. I didn’t know whether that happened in a time jump or not. That’s something we discovered later. There was great debate in the room. I had a couple writers plead with me, “Why aren’t you ending with the kiss? It’s so sweet. It’s so good. I feel so good at the kiss. Can we just end it at the kiss?” I took it very seriously, but then it felt very similar to Season 1’s ending. Taking two people who start apart and they finally discover that connection but too late. I didn’t want to leave with the same feeling. How we can make it different is the “what happens next?” Life comes at you fast. He’s [Josh] still in prison. She’s [Lindsay] got to move on. Once I started heading down that thought experiment, I’m like, “Whoa, you could do a whole coda showing the literal theme of the show, the cycles, that’s where we can show Ashley and Austin becoming Josh and Lindsay.” That’s where we show, even though they found a connection, it’s lost between Josh and Lindsay — even if they’re still hanging on to the past a little bit. You show Troy and Ava still together [laughs] — they have it all figured out. Then you show the billionaire who, even with all the money in the world, is crying at the graveside of her first love, filled with regret.

We didn’t see where Eunice (Seoyeon Jang) ends up.

I wanted to leave it open. I’m very curious what people think. She really put her neck out there. Austin burned her bad. I don’t know where Eunice is at but it’s probably not good.

A shirtless young man lounges on a couch while scrolling on a cellphone

Charles Melton as Austin Davis in “Beef.”

(Netflix)

We can’t talk about “Beef” without discussing the needle drops. When you have Austin listening to Billie Eilish’s “What Was I Made For?” it was over for me.

The needle drops are usually pre-picked even before we shoot. The source music that’s playing diegetically, usually we discover in the edit. Before, as scripted, it had him scrolling Instagram and it was [the song playing on] his Instagram feed — you know how those Reels have music overlayed on a POV? It just wasn’t that funny to me in the edit. He’s so down and out and I wanted to find different source music in there. One day, I told my editor, “Can you rip ‘What Was I Made For?’ And can you just temporarily do it where, as she opens the door, he’s like, pressing the volume up, being like ‘sh— … sh— …’ [intending to make the volume go down]?” Our AE [assistant editor] did the ADR temporarily of the “sh—, sh—,” filmed it on my phone and I texted it to Finneas [O’Connell, the show’s composer, who is Eilish’s brother and collaborator] being like, “Hey, is it cool if we do this?” And he was dying laughing. [O’Connell also makes a cameo in the season.]

Ahead of Season 1, you gifted the writers “The Sopranos Sessions” and also assembled a Letterboxd list of films that served as reference points. What guidance did you provide for Season 2?

I sent another Letterboxd playlist. For inspo, we got “Handmaiden,” “Phantom Thread,” “Force Majeure,” “Eyes Wide Shut,” “The Informant.” For some reason, I have “Margaret” on there, the [Kenneth] Lonergan film. I also had “Michael Clayton,” “Who’s Afraid of Virginia Woolf?” “Burn After Reading,” and lastly, it’s a deep cut, there’s this movie called “Like Crazy,” starring Felicity Jones and Anton Yelchin.

Also, can we take a moment for Burberry’s acting?

Oh my god, Jones! Jones is the best dog actor I’ve ever worked with. He would hit his mark. He would listen. He would look at people when he’s supposed to be looking. It was his first time acting. Crushed it. A24 is making Burberry merch. There’s going to be a Burberry shirt.

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