life

Gil Gerard, the actor who became a childhood hero to many for his lead performances in the 1979 movie “Buck Rogers in the 25th Century” and its subsequent TV incarnation, died early Tuesday, his wife announced on social media. He was 82.

“Early this morning Gil — my soulmate — lost his fight with a rare and viciously aggressive form of cancer,” Janet Gerard wrote Tuesday evening on Facebook. “From the moment when we knew something was wrong to his death this morning was only days.”

She was by Gerard’s side when he died in hospice care, she added as she placed another post — a pre-written message from the actor to his family, friends and fans — on her husband’s Facebook page.

“If you are reading this, then Janet has posted it as I asked her to,” the actor wrote. “My life has been an amazing journey. The opportunities I’ve had, the people I’ve met and the love I have given and received have made my 82 years on the planet deeply satisfying.”

The post was followed by myriad comments in which fans spontaneously recalled Gerard’s work as Buck Rogers and shared the influence he had on their lives.

“Your time as Buck Rogers was way too short but it has stayed with me in my childhood memories for 45+ years,” one man wrote. “Your hero was brave, macho, but also kind, compassionate, and fair. I feel as if that was representative of the man you truly were. Thank you for being the kind of ‘make believe’ hero that we should all want to be in real life.”

Another fan replied, “[H]aving met him, I can say he was all that. On and off the screen.”

Wrote another, “Like many here, I grew up watching Gil as Buck Rogers. He was cool… and he was funny… and he was nice. I was happy to find him here after all these years… still cool… still funny… still nice. It was a highlight when he ‘liked’ one of my comments. We’ll keep an eye out for you… 500 years into the future!”

Gerard discussed the allure of “Buck Rogers” with The Times in 2010.

“With our show, the reason people liked it was the humor and the fact that it was colorful and upbeat and it had heroes in it,” he said, chatting at a comic convention in Anaheim. “It was family entertainment. I think it’s great to deal with more serious issues, but you can do it with humor — look at what ‘All in the Family’ dealt with. You can be serious without being relentlessly dark and heavy.”

He also had wishes for the future direction of sci-fi projects, which at the time he observed were “very dark, almost hopeless.” And, he said, “wet.”

“Have you noticed how much rain they get in the future now? Everything is rainy and muddy. I don’t understand, either, how come everybody is so dirty when there’s so much water around everywhere,” Gerard observed with what seemed to be a healthy sense of humor. “Look at ‘Waterworld’ — they live in a place with no land and everyone’s covered in dirt. I don’t get it. You think they’d fall overboard and get clean once in a while.”

Gilbert Cyril Gerard was born Jan. 23, 1943, in Little Rock, Ark., and trekked to New York City in 1969 to give acting a shot, studying at the American Musical and Dramatic Academy.

He drove a taxi to pay the bills and, according to his website, one day a fare told him to show up on the set of the movie “Love Story.” Ten weeks of work on the film followed and his career took off. At first Gerard appeared primarily in commercials, representing companies including Ford, Coca-Cola and Proctor & Gamble until he landed the role of former POW Dr. Alan Stewart on NBC’s “The Doctors.” He put on the white coat and stethoscope for more than 300 episodes of that daytime drama from 1973 to 1976.

Then an agent lured him to the West Coast, where auditions got him noticed by NBC. NBC’s interest led to his casting in the title role in Universal Pictures’ “Buck Rogers in the 25th Century,” starring alongside Erin Gray as Col. Wilma Deering and Pamela Hensley as Princess Ardala.

As William “Buck” Rogers, Gerard played a 20th century astronaut who had come out of suspended animation 500 years in the future, only to discover a planet in ruins. In 1979 dollars, the film earned more than $21 million worldwide, or about $100 million when adjusted for inflation.

His career outside of “Buck Rogers” included appearances on mainstream shows abundant in that era — “Baretta,” “Hawaii 5-0,” “CHiPs” and “Little House on the Prairie” among them — as well as more obscure TV movies with delightful titles: “Reptisaurus,” “Nuclear Hurricane” and “Bone Eater.” “Sidekicks” in the mid-1980s, a couple of years after the release of the Oscar-nominated 1984 movie “The Karate Kid,” saw him playing a cop who becomes the guardian of a pre-teen martial-arts expert. A stint on the short-lived 1990 series “E.A.R.T.H Force” earned him some light snark from The Times’ then-critic Howard Rosenberg.

But Gerard also appeared in successful mainstream films including “The Nice Guys” starring Russell Crowe and Ryan Gosling and “The Big Easy” with Dennis Quaid and Ellen Barkin.

Gerard was married and divorced four times before exchanging vows with Janet Gerard in the 2010s. Among his wives was model and actor Connie Sellecca, whom he was married to from 1979 until their divorce was finalized in 1987. They had one child, a son.

In addition to addictions to alcohol and drugs, the actor battled his weight starting in the 1980s, with the once-trim leading man eventually seeing his health suffer as he topped 300 pounds, according to a 1990 interview with People. He later chronicled his 2005 mini gastric-bypass surgery in the 2007 Discovery Health special “Action Hero Makeover.”

“Gil likely saved my life. I was badly in need of weightloss surgery. I was resistant…then i saw a documentary on Gils weight loss journey. It was the impetus I needed as Gil was a hero of mine growing up,” a fan wrote Tuesday on Gerard’s posthumous Facebook post. “I thanked him via email several years ago and he was gracious and kind. I will miss him.”

Gerard appeared to be quite grateful and gracious at the end of his life.

“It’s been a great ride, but inevitably one that comes to a close as mine has,” he wrote in that final prepared post. “Don’t waste your time on anything that doesn’t thrill you or bring you love. See you out somewhere in the cosmos.”

“No matter how many years I got to spend with him it would have never been enough,” Janet Gerard said in closing in her own message on Facebook. “Hold the ones you have tightly and love them fiercely.”

In addition to his wife, Gerard is survived by actor Gilbert Vincent “Gib” Gerard, 44, his son with Sellecca.

This lesser-known village features in All Creatures Great and Small, which is set in the 1930s Yorkshire Dales, and offers a ‘true taste of rural England’ with cobbled market squares and beautiful walks

All Creatures Great and Small captivated viewers when it debuted on our screens in 2020, with its delightful period Northern England backdrop – and it transpires the historic town is nearer than you might imagine.

Envision cobblestone market squares, quaint cottage-style shops, and panoramic vistas of the Yorkshire Dales. This perfectly describes Grassington, both in reality and on television. The village provides a charming shopping experience featuring handicrafts, art exhibitions and regional products all curated by independent artisans, plus welcoming establishments for refreshments. Among these establishments is The Hutch Handmade Gift Shop, adored by residents and highly rated amongst Grassington’s attractions.

A visitor described the shop as a “gorgeous spot”, noting on TripAdvisor: “A treasure trove of handmade gifts. Lots of colourful, unique, one-off gifts made by small independent artists, designers and crafters…mostly from Yorkshire.” Another popular attraction that attracts numerous visitors is Grassington Folk Museum. It showcases a fascinating collection of historical artefacts unearthed locally, transporting visitors through time via medical equipment, vintage garments, household objects, geological samples and agricultural keepsakes.

Many regard it as a “lovely museum”, with one recent visitor saying: “We stopped by on a whim and were so glad we did! Lovely collection of items, and the delightful volunteer in the museum was so friendly and knowledgeable! I wish I had gotten her name. Well worth a visit.”

The settlement provides a “true taste of rural England”, which is precisely why it served as the perfect backdrop for a popular television programme. The plot centres around three veterinarians operating in the Yorkshire Dales during the 1930s and draws inspiration from novels penned by writer Alf Wight.

The village serves as an excellent base for outdoor enthusiasts eager to discover the surrounding countryside. Numerous walking and cycling trails await exploration, including a brief circular route connecting Grassington with neighbouring Dales settlement Hebden. Another pathway offers a seven-mile return journey from Kettewell to Grassington.

Home to approximately 1,000 residents, this peaceful location provides genuine serenity. Nowhere captures this tranquil atmosphere better than the town’s Linton Falls, where the River Wharfe tumbles dramatically over spectacular limestone formations. The area’s natural splendour attracts countless visitors. One recent reviewer said: “This place is magnificent! Standing on the bridge as the water thunders beneath is breathtaking. We were even able to have a little paddle upstream.” For those yearning for more natural beauty, Widdop Reservoir is equally stunning and provides a tranquil atmosphere throughout the year. The secluded moorland presents a delightful walk that spans approximately three miles around the reservoir.

Carl Carlton, the funk and R&B singer known for upbeat, era-embodying singles like “Everlasting Love” and “She’s a Bad Mama Jama (She’s Built, She’s Stacked)” has died. He was 72.

Carlton’s son, Carlton Hudgens II, posted to social media confirming the death on Sunday. “RIP Dad, Legend Carl Carlton singer of She’s a Bad Mama Jama. Long hard fight in life and you will be missed.” The post did not cite a cause of death.

Born Carlton Hudgens in Detroit in 1953, he debuted as “Little Carl” Carlton, but changed his stage name and moved to Houston after he was signed to the local label Back Beat Records. He had a minor soul-scene hit in 1971 with “I Can Feel It,” and broke through nationally in 1974 when his regal cover of Robert Knight’s “Everlasting Love” hit No. 6 on Billboard’s Hot 100 and spent 15 weeks on that chart.

Carlton is perhaps best known for his 1981 single, “She’s a Bad Mama Jama (She’s Built, She’s Stacked),” a grooving and awestruck ode to the female form that hit No. 22 on the Hot 100 and helped his self-titled album that year reach gold status.

The song has enjoyed a long life in popular culture — it’s been sampled by rappers like Foxy Brown, BigXThaPlug and Flo Milli, and frequently appeared on soundtracks for TV shows and films like “Friends.”

He continued releasing records into the ‘80s, and appeared several times on “American Bandstand” and “Soul Train,“ though his output slowed in the ‘90s. In 2003, he performed for Barry Glazer’s TV special, “American Soundtrack: Rhythm, Love, and Soul,” which featured Aretha Franklin and other marquee R&B and soul acts. His last album was 2010’s gospel LP “God Is Good.”

Hours after Rob Reiner and his wife, Michele, were found dead in their home in what is shaping up to be a heartbreaking family tragedy, our president blamed Reiner for his own death.

“A very sad thing happened last night in Hollywood. Rob Reiner, a tortured and struggling, but once very talented movie director and comedy star, has passed away, together with his wife, Michele, reportedly due to the anger he caused others through his massive, unyielding, and incurable affliction with a mind crippling disease known as TRUMP DERANGEMENT SYNDROME, sometimes referred to as TDS,” President Trump wrote on his social media platform. “He was known to have driven people CRAZY by his raging obsession of President Donald J. Trump, with his obvious paranoia reaching new heights as the Trump Administration surpassed all goals and expectations of greatness, and with the Golden Age of America upon us, perhaps like never before. May Rob and Michele rest in peace!”

Rest in peace, indeed.

It’s a message steeped in cruelty and delusion, unbelievable and despicable even by the low, buried-in-the-dirt bar by which we have collectively come to judge Trump. In a town — and a time — of selfishness and self-serving, Reiner was one of the good guys, always fighting, both through his films and his politics, to make the world kinder and closer. And yes, that meant fighting against Trump and his increasingly erratic and authoritarian rule.

For years, Reiner made the politics of inclusion and decency central to his life. He was a key player in overturning California’s ban on same-sex marriage and fought to expand early childhood education.

For the last few months, he was laser-focused on the upcoming midterms as the last and best chance of protecting American democracy — which clearly enraged Trump.

“Make no mistake, we have a year before this country becomes a full on autocracy,” Reiner told MSNBC host Ali Velshi in October. “People care about their pocketbook issues, the price of eggs. They care about their healthcare, and they should. Those are the things that directly affect them. But if they lose their democracy, all of these rights, the freedom of speech, the freedom to pray the way you want, the freedom to protest and not go to jail, not be sent out of the country with no due process, all these things will be taken away from them.”

The Reiners’ son, Nick Reiner, has been arrested on suspicion of murder. Nick Reiner has struggled with addiction, and been in and out of rehab. But Trump seems to be saying that if Nick is indeed the perpetrator, he acted for pro-Trump political reasons — which obviously is highly unlikely and, well, just a weird and unhinged thing to claim.

But also, deeply hypocritical.

It was only a few months ago, in September, that Charlie Kirk was killed and Trump and his MAGA regime went nuts over anyone who dared whisper a critical word about Kirk. Trump called it “sick” and “deranged” that anyone could celebrate Kirk’s death, and blamed the “radical left” for violence-inciting rhetoric.

Vice President JD Vance, channeling his inner Scarlett O’Hara, vowed “with God as my witness,” he would use the full power of the state to crack down on political “networks” deemed terrorist. In reality, he’s largely just using the state to target people who oppose Trump out loud.

And just in case you thought maybe, maybe our president somehow really does have the good of all Americans at heart, recall that in speaking of Kirk, Trump said that he had one point of disagreement. Kirk, he claimed, forgave him enemies.

“That’s where I disagreed with Charlie,” Trump said. “I hate my opponent and I don’t want the best for them.”

There’s a malevolence so deep in Trump’s post about Reiner that even Marjorie Taylor Greene objected. She was once Trump’s staunchest supporter before he called her a traitor, empowering his goon squad to terrorize her with death threats.

“This is a family tragedy, not about politics or political enemies,” Greene wrote on social media. “Many families deal with a family member with drug addiction and mental health issues. It’s incredibly difficult and should be met with empathy especially when it ends in murder.”

But Trump has made cruelty the point. His need to dehumanize everyone who opposes him, including Reiner and even Greene, is exactly what Reiner was warning us about.

Because when you allow people to be dehumanized, you stop caring about them — and Reiner was not about to let us stop caring.

He saw the world with an artist’s eye and awarrior’s heart, a mighty combination reflected in his films. He challenged us to believe in true love, to set aside our cynicism, to be both silly and brave, knowing both were crucial to a successful life.

This clarity from a man who commanded not just our attention and our respect, but our hearts, is what drove Trump crazy — and what made Reiner such a powerful threat to him. Republican or Democrat, his movies reminded us of what we hold in common.

But it might be Michael Douglas’ speech in 1995’s “The American President” that is most relevant in this moment. Douglas’ character, President Andrew Shepherd, says that “America is advanced citizenship. You’ve got to want it bad, because it’s going to put up a fight.”

Shepard’s rival, a man pursuing power over purpose, “is interested in two things and two things only — making you afraid of ‘it’ and telling you who’s to blame for ‘it.’ ”

Sound familiar?

That our president felt the need to trash Reiner before his body is even buried would be a badge of honor to Reiner, an acknowledgment that Reiner’s warnings carried weight, and that Reiner was a messenger to be reckoned with.

Reiner knew what advanced citizenship meant, and he wanted badly for democracy to survive.

If Trump’s eulogy sickens you the way it sickens me, then here’s what you can do about it: Vote in November in Reiner’s memory.

Your ballot is the rebuke Trump fears most.

And your vote is the most powerful way to honor a man who dedicated his life to reminding us that bravery is having the audacity to care.

Michele Singer Reiner, who was killed along with her husband, filmmaker Rob Reiner, on Sunday at their home in Los Angeles, was a photographer who moved from still images into filmmaking and later into producing, with work that blended performance, politics and persuasion. She was 70.

Singer Reiner was gigging as a photographer in the late 1980s, visiting film sets as part of her income. One of those sets was “When Harry Met Sally …,” the romantic comedy Rob Reiner was directing in New York, a film that would go on to become one of the era’s defining hits. Having divorced actor and director Penny Marshall eight years earlier, Reiner said he noticed his future wife across the set and was immediately drawn to her.

Scripted by Nora Ephron, the film was originally written to leave its central couple, played by Meg Ryan and Billy Crystal, separate, crossing paths over the years without ending up together. But after meeting Singer Reiner, Reiner reconsidered. He rewrote the final scene so the characters reunite and marry, an ending that helped make the film a beloved classic.

The two married in 1989, months after the film’s release. They went on to have three children: Jake, born in 1991; Nick, born in 1993; and Romy, born in 1997.

Hours after the couple were found dead at their Brentwood home, Nick Reiner — who had struggled for years with substance-abuse issues — was taken into custody and booked into Los Angeles County jail on suspicion of murder, according to jail records. He had spoken publicly about getting sober by 2015, when he worked with his father on “Being Charlie,” a semi-autobiographical film about addiction and recovery that Rob Reiner directed and Nick co-wrote.

After their marriage, Singer Reiner worked on several of Reiner’s films, as a special photographer on “Misery,” his 1990 adaptation of the Stephen King novel, among others. Their marriage also became a working partnership. As Reiner’s career expanded beyond studio films into documentaries and political projects, Singer Reiner — who earlier in her career had photographed the cover of Donald Trump on the photo of his 1987 bestseller “The Art of the Deal” — was closely associated with those efforts, collaborating on films and advocacy campaigns that increasingly overlapped.

Their civic strand emerged early. In the 1990s, she and Reiner started the I Am Your Child project, an effort aimed at raising awareness about early childhood development and expanding access to support services for parents.

The initiative coincided with Reiner’s emergence as one of Hollywood’s most prominent political voices. He was a founding board member of the American Foundation for Equal Rights, which led the legal fight to overturn Proposition 8, the California ballot measure that banned same-sex marriage. He was also a central figure behind Proposition 10, the California Children and Families Initiative, a landmark policy that created an ambitious statewide early childhood development program.

In the last decade, Singer Reiner moved more fully into producing. Her credits included such Reiner-directed projects as “Shock and Awe” (2017), “Albert Brooks: Defending My Life” (2023) and this year’s “Spinal Tap II: The End Continues,” as well as “God & Country,” a 2024 documentary examining Christian nationalism in the United States.

As news of their deaths spread, tributes emphasized the Reiners’ shared public life. Laurie David, an environmental activist and documentary filmmaker who was a close friend of the couple, wrote on Threads that “Rob & Michele — always referred to as Rob & Michele — were an extraordinary couple who worked side by side to make the world a safer, fairer and more just society.”

Former President Bill Clinton and former Secretary of State Hillary Clinton also issued a joint statement calling the couple’s deaths “heartbreaking” and pointing to what they described as the Reiners’ “active citizenship” in defense of “inclusive” democracy. “They were good, generous people who made everyone who knew them better,” the statement said.

Former House Speaker Nancy Pelosi called the loss “devastating,” writing that while Reiner was creative, funny and beloved, Singer Reiner was his “indispensable partner, intellectual resource and loving wife” in all of their endeavors.