legend

St Helens legend Jonny Lomax has announced he is to retire at the end of the Super League season.

The 35-year-old, who has not featured since fracturing his jaw in the defeat by Warrington Wolves in June, has made 388 appearances for Saints, winning five Grand Finals, one Challenge Cup and a World Club Challenge.

He won four caps for Great Britain and 11 for England, including a World Cup final appearance against Australia in 2017.

“Over the last 20 years, I have been able to live out a boyhood dream. Achieving far more than I could ever have imagined. Representing and captaining my hometown club and, of course, the pinnacle, representing England and Great Britain,” he told the club website., external

“I have been fortunate enough to meet some incredible people along the way, experiencing some incredible highs with them. As well as some testing times too.”

He added: “I will retire at the age of 36, grateful for the life the game has given me, knowing I have given it everything I could, with the scars to prove it (19 operations, including 12 knee operations by the age of 26). Despite this, I still feel lucky.

“For those that have supported me throughout it all… I hope I have been able to do you proud.”

Saints chairman Eamonn McManus called Lomax, who made his debut in March 2009 aged 18, “the bravest of brave in the bravest of sports”.

St Helens are seventh in Super League with three games of the campaign to go.

They are two points behind reigning champions Hull KR, who they play in the final game of the regular season, as they look to secure a place in the top six and avoid missing out on the Super League play-offs for the first time.

Dolly Parton, the singer and songwriter from Locust Ridge, Tenn., who willed herself into being the very symbol of country music stardom, has died in Nashville.

Parton died peacefully Tuesday, her nephew Bryan Seaver announced in a press release shared with The Times. Seaver also announced her death in a video shared to the singer’s Instagram page. She was 80.

The fabled entertainer died after a series of health issues that led her to postpone several performing commitments. In September 2025, she missed the announcement of a Dollywood attraction to recover from a kidney stone. Later that month she delayed her residency at Caesars Palace — her first residency on the Las Vegas Strip in more than 30 years — due to unspecified “health challenges.”

Over the course of a flamboyant 50-plus-year career as a songwriter, recording artist, actor and businesswoman, Parton reinvented the American success story through a combination of grit and wit, faith and sex appeal, virtuosity and plainspokenness, empathy for the human condition and plastic surgery.

She seized on the roles that American culture allowed for women in the spotlight — waif, trollop, fallen woman, country girl in over her head — and played them to the hilt, achieving artistic and financial heights few female performers have ever reached. By the time of her death, she was said to be one of the few things that Americans of most every persuasion could agree on.

One of the most honored musicians in modern history, Parton earned 10 Grammy Awards, two Academy Award nominations, a Primetime Emmy, 10 Country Music Assn. awards, and in 1999 she was enshrined in the Country Music Hall of Fame.

In 2005 President George W. Bush presented Parton with the National Medal of the Arts, and a year later she was given a Kennedy Center for the Arts Award for her lifetime contribution to the arts. Parton logged some 25 gold or platinum records and 25 No. 1 songs on the country chart. Parton also won a Liseberg Applause Award, the biggest prize in the theme park industry, for her fabled tourist attraction Dollywood.

Parton’s rags-to-riches tale reads like a classic country music story-song. But before it became mythical, it was only incredibly hard.

Dolly Rebecca Parton was born in Locust Ridge, Tenn., in the Great Smoky Mountains, on Jan. 19, 1946. Her father was a tobacco sharecropper and she was the fourth of 12 children. In her autobiography, “Dolly: My Life and Other Unfinished Business,” Parton related how her parents were so poor they paid the doctor who delivered her with a sack of cornmeal.

Raised in a one-room cabin with no electricity, she listened to the Grand Ole Opry on a battery-powered radio. When she was 7 she started writing songs; a year later she picked up the guitar. At 10 she was singing on a Knoxville radio and TV program, “Cas Walker Farm & Home Hour.”

The Parton family was musical, and there were always banjos, fiddles, mandolins and guitars around the cabin. Her voice, a birdlike soprano with an animated trill, hadn’t changed much from her youth: “I sound like a little girl singing all these Lord-awful songs,” she told “Fresh Air’s” Terry Gross in 2001.

On a Friday night in 1964, Parton became the first in her family to graduate from high school. The next afternoon she was on a bus heading for Nashville, targeting a career in country music.

Bob Hope gets an adjustment to his reindeer costume as he and Dolly Parton prepare to tape a 1988 Christmas special on a cruise ship docked in Miami.

(Kathy Willens / Associated Press)

Women had little real power in Nashville at the time, and though rural women were a growing part of the country music audience, they were marginalized as artists. Parton signed to the Monument label, but felt that they wanted a pop singer more than they wanted her. An early breakthrough came when singer Bill Phillips heard a demo version of her “Put It Off Until Tomorrow”; not only did he want to record the song, but he recorded it with Parton singing harmony on it. The song went to No. 6 on the country chart in 1966.

In 1967 she recorded Curly Putman’s “Dumb Blonde,” her first charting song as a singer and a savvy choice that spoke to her as both an image and as flesh and blood, as she sang:

Just because I’m blond
Don’t think I’m dumb
‘Cause this dumb blond ain’t nobody’s fool

Nashville noticed. That year, country music star Porter Wagoner was looking for a new “girl singer” for his popular TV show, after Norma Jean left. Parton got the gig, and for weeks, legend has it, was greeted by the studio audience shouting “Norma Jean” when Parton opened her mouth. It was the kind of challenge she lived for. Carefully deferential to the star, Parton carved out a foothold for herself.

They were a complicated team. Tall, gaunt and calculating, Wagoner’s angles had angles, but somehow standing next to her, his pompadour dwarfing her considerable bouffant, it worked. At their peak, they had a weekly TV viewership of over 3.5 million, and recorded numerous hit duets, “Holding on to Nothin” (1968), “If Teardrops Were Pennies” (1973) and “Please Don’t Stop Loving Me” (1974) among them.

On her solo recordings at the time, Parton included a raft of songs about poor children in trouble. These gothic, occasionally autobiographical compositions, including “Coat of Many Colors,” “My Blue Ridge Mountain Boy,” “Evening Shade,” “Daddy Come and Get Me” and “Down From Dover,” would have been more than enough to make her, if not a star, at least a country music legend. But the kind of attention even her lesser work with Wagoner enjoyed continued to elude her own material.

Dolly Parton and Kenny Rogers laugh together backstage at an April 2010 show honoring her “Islands in the Stream” singing partner.

(Rick Diamond / Getty Images)

By 1973, Parton realized that if she was going to be her own star she would have to be on her own. Wagoner fought and threatened, and finally, Parton wrote a song as a way to help him understand both her gratitude and her need for independence, “I Will Always Love You.” He liked the song, but it didn’t convince him. Wagoner sued her for $20 million over breach of contract and settled for $1 million.

But Parton had won her freedom, and she made the most of it. Her album from that year, “My Tennessee Mountain Home,” was a reintroduction to her audience, an autobiographical cycle of songs telling the story of a singer leaving home to make it on Music Row. And in 1974, “Jolene” became her chart-topping breakthrough.

The title was the name of a red-haired, green-eyed young fan Parton met signing autographs, and the story of a woman begging a rival to leave her man alone. Parton said she made it up after discovering a bank teller had a crush on her husband. With a beveled chord progression and a haunting repetition of the name, it became perhaps her most requested song, and was covered by many, including the White Stripes, Candi Staton, Reba McEntire and Olivia Newton-John.

“I wanted to be seen, I wanted to be recognized, I wanted to be a star,” she explained. The last part was now coming into focus.

In 1976 she hosted a short-lived variety TV series, “Dolly!” Her name was her brand, and so, too, was her profile: the full bosom and tiny waist, platinum wig and baubles like sprinkles on an ice cream cone, 5 feet tall standing in five-inch heels. She was a disarming contradiction: manufactured and utterly sincere.

“A country girl’s idea of what glamour was,” she explained.

“I didn’t have any money to have stuff and I’ve often joked about it, but it’s the real truth that I patterned myself after what they considered the trash in our hometown.” She took shame and made it a flag, one big enough for all sorts of Americans to settle beneath.

Dolly Parton checks out an exhibit honoring her life and career at the Country Music Hall of Fame and Museum in May 2025.

(Jason Kempin / Getty Images)

Building on her fame, in the mid-’70s Parton decided to reinvent herself by reaching beyond the confines of country music. She signed with L.A.-based talent manager Sandy Gallin, who had made Mac Davis a country crossover star and would soon work with Cher and Michael Jackson.

Parton laid off her longtime Traveling Family Band and sought out musicians and songs that were more purely pop. Hits that followed included “Here You Come Again” (No. 20 on the pop chart, 1977), “Heartbreaker” (No. 37, 1978) and duets with Kenny Rogers like “Islands in the Stream” (No. 1, 1983).

The pop move was muttered over and seen by gatekeepers as a rejection of Southern-based authenticity. It was the era of “Urban Cowboy” and purity was being policed. “I love country music. It’s my first love,” she told the SoHo News. “But it was confining. You can only go so far in a circle.”

The movie “9 to 5” from 1980 settled her broadening stardom; acting alongside Jane Fonda and Lily Tomlin in a comedy about three office workers who get even with an abusive boss, Parton charmed viewers. It was her first acting role, and Roger Ebert called her “a natural born movie star.” She wrote and sang the movie’s theme song, which topped Billboard’s pop and country charts.

Dolly Parton and her “9 to 5” castmates Jane Fonda, left, and Lily Tomlin assemble at a 1980 news conference to promote the movie.

(Wally Fong / Associated Press)

Parton would go on to act in “The Best Little Whorehouse in Texas” (1982), “Rhinestone” (1984), “Steel Magnolias” (1989), the “Hannah Montana” TV series (she was Miley Cyrus’ godmother in real life too), and in many more films and TV shows. But her biggest cinematic moment came with a song she’d written years before; “I Will Always Love You” was sung by Whitney Houston in the 1992 film “The Bodyguard,” turning her air kiss to Porter Wagoner into a No. 1 hit for 14 weeks.

In the mid-1980s, Parton suffered a number of setbacks. She experienced depression. “I was just broken down,” she said later. In 1982, abdominal pain and bleeding forced her to cancel a tour, and in 1984 she had a partial hysterectomy. There were bouts of binge eating, and when she hit bottom she considered suicide. A series of conversations with God were instrumental in her recovery, Parton said.

Underscoring her connection to her origins while also illustrating how far she had gone, in 1986 she bought an old amusement park in Pigeon Forge, Tenn., and reinvented it as Dollywood, a booming theme park, resort and theater. Other businesses included Sandollar Productions, a film and TV company. In the 1990s Parton formed her own label, Blue Eye Records.

Success meant she could settle into being Dolly. A trio of beloved bluegrass albums, “The Grass Is Blue,” “Little Sparrow” and “Halos & Horns,” around the turn of the millennium reestablished her as a performer with extensive roots in rural America. She recorded with everyone from Linda Ronstadt and Emmylou Harris to Ladysmith Black Mambazo. Her 2019 cover of John Hiatt’s “Faith,” made with Swedish duo Galantis, topped the EDM charts.

She embraced her Christian and LGBTQ+ fans, and perhaps no American artist had more of each. Inclusivity mattered to Parton. She was an icon to the LGBTQ+ community. In 2002 at the House of Blues in Los Angeles, Parton replaced the name Jolene with “drag queen” and sang her famous song as a roster of drag performers looked on.

Dolly Parton at the 57th Academy of Country Music Awards in 2022.

(John Locher / Associated Press)

Just two years later, in 2004, the Library of Congress presented Parton with the since-retired “Living Legend Medal,” which sought to recognize those that made significant creative contributions to American life.

Singer and songwriter Brandi Carlile called Parton “an angel on my shoulder and also the devil on my other shoulder.”

“When I was 15 years old I read the back of Dolly Parton’s book when she became the first country artist ever to speak out in support of LGBTQ people. And I can tell you that as a queer kid from a small town, getting love from Dolly is second only to God.”

Parton has been honored in musical tributes by Carrie Underwood, Alison Krauss and Shania Twain. “Jolene” became the subject of the short story “Jolene: A Life,” by E.L. Doctorow. In 2019 WNYC and Jad Abumrad presented “Dolly Parton’s America,” a nine-segment podcast devoted to, and with the cooperation of, Parton; it examined her persona and impact on American life.

That same year Netflix presented “Dolly Parton’s Heartstrings,” an anthology series in which each episode presents a fictional narrative built around a Parton song; the series features appearances by Kathleen Turner, Delta Burke and Melissa Leo.

Dolly Parton and President Carter embrace as First Lady Rosalynn Carter looks on before a White House luncheon in October 1979.

(Georges / Associated Press)

Her influence was so vast she has even been proposed as a field of academic study, and scrutinized in the 2018 academic study from Leigh H. Edwards, “Dolly Parton, Gender, and Country Music.”

She was married to the same man, Carl Thomas Dean, for over 50 years. They met on the day she arrived in Nashville in 1964, as she stood outside a laundromat. Parton and Dean were rarely seen in public together, and renewed vows in 2016. Dean died at age 82 in March 2025.

“Carl and I spent many wonderful years together,” Parton said in a statement at the time. “Words can’t do justice to the love we shared for over 60 years. Thank you for your prayers and sympathy.”

Parton remained a source of interest and fascination, and though few if anyone could really claim to know her, many thought they did. As she once put it: “I look one way and am another. It makes for a good combination.”

EXCLUSIVE: Vanessa Feltz has a career spanning over four decades but the talk show legend has confirmed she will not be heading into the I’m A Celebrity… Get Me Out of Here! camp whatever the fee

ITV bosses have reportedly been asking one talk show legend to sign up for I’m A Celebrity for years.

Despite the gruelling ITV reality show being one of the biggest shows of television, Vanessa Feltz has revealed that she won’t be heading Down Under anytime soon.

With a career spanning over four decades, it’s no wonder producers are keen to sign up the 64-year-old presenter but she won’t be swapping her life of luxury like Caitlyn Jenner, Coleen Rooney and Noel Edmonds – no matter how much they offer her.

When asked if ITV have been knocking on her door this year, Vanessa confirmed: “Not yet, but they usually are in touch but I have not changed my mind. I would be so appalling at it.”

“Every single thing they would ask me to do, I would be terrible. I think I’d be so terrible, it wouldn’t even be funny. I don’t think people would like it.

“I’d be bored, I’d be fed up, I wouldn’t like being hungry, I wouldn’t like being eaten by mosquitoes, I wouldn’t like the rats, the snakes and I wouldn’t like some horrible rat scuttling over my face.”

Vanessa continued on behalf of BetWright Casino: “I don’t care about seeing Australia or the jungle, I couldn’t care less and I like being where my family are in North West London or in East Cork. So, no, I’m not going to say yes but the funny thing is, every time I say no, they think I’m doing it for the money.

“Every time I say no, they offer me more money but I really mean no. I’m not bargaining. I do not want to go and that’s it. I think it would be absolutely terrible. I think I’d just look like an absolute cretinous idiot.”

Vanessa may not be tempted to take on the dreadful Bushtucker Trials but she is keen to face the roundtables on Celebrity Traitors but she says there’s one problem.

“I wouldn’t mind having a bash at The Traitors but I’m not sure I’d be any good at that because I think I’m so fluent and so many words come tumbling out of my mouth at all times, she explained.

“I never seem to stop for breath and I’m never fishing around for the next word. The vocabulary just runs and runs and I think people never believe a word I say.

“Years ago I did a show called Call My Bluff, where they had to guess are you lying or are you telling the truth?. They kept thinking I was lying when I wasn’t at all.

“So I think if I was on Traitors, people would just think I was a Traitor straight away and I’d be the first person, like Paloma Faith, on the bus going home within ten and a half seconds.

I’m A Celebrity… Get Me Out of Here! is due to return to ITV1 and ITVX later this year

A TOWIE legend, 62, left fans stunned after she stripped down to a bikini on holiday in Italy.

She looked beautiful in a black and beige striped two-piece as she posed for snaps on a sandy white beach.

The TV star styled her bikini with a pair of black aviator sunglasses and had her white-blonde hair tousled around her shoulders.

The icon in question is, of course, Debbie Bright, who made her debut on series two of The Only Way Is Essex back in 2011.

Debbie is a mum-of-four, and is best known for being mum to 35-year-old Lydia Bright, who left TOWIE in 2017.

Debbie is currently away on holiday, soaking up the sun as she admitted her body was “craving rest” and “recharge”

HEAVENLY BIRTHDAY

Jake Hall’s loved ones pay tribute to late Towie star on his birthday

DESPERATE PLEA

Towie’s Bobby Norris reveals shock health diagnosis

Taking to Instagram, she shared a trio of snaps of her enjoying some time with the “sand between her toes.”

She captioned the post: “I think my mind and body have an Italian timer. As we reach the final weeks of school runs, endless reports, housework, cooking and all the everyday chaos, I can feel something inside me beginning to shut down.

“My body is craving rest. My mind is begging me to unplug, recharge and simply breathe. And all I want is sunshine on my face, sand between my toes and the sea surrounding my body.”

Debbie continued: “If I believed in reincarnation, I’m quite sure I was a mermaid in a previous life… or perhaps a dolphin, swimming freely through open waters.

“There is something about the sea that makes me feel completely and utterly myself.

“Since the day I was born, summers have been spent in Italy, near the little village where my beloved Dad was born. It is more than a place to me. It is sanctuary. It is freedom. It is home.

“It is where I feel deeply connected to my Dad, to my roots, and to a part of myself that gets lost amongst the noise of everyday life.”

“And perhaps the greatest gift of all these years of sharing this place, this feeling and this freedom with my children is watching them fall in love with it too,” she added.

“My greatest dream is that they carry this love in their hearts forever. That they always remember the feeling of these summers, the sea, the sunshine, the laughter, the family and the freedom. Because roots run deep.

“And I hope ours never die.”

Kate Ferdinand penned in the comments: “You look incredible,” followed by a red love heart emoji.

One fan wrote: “Wow, how hot is she?” Another fan said: “You look fabulous, beauty inside and out.”

“Absolutely stunning,” added a third fan.

DAMON ALBARN has found the woman to drag him off his very own melancholy hill.

The Blur frontman’s 25-year relationship with Suzi Winstanley ended four years ago, but now I’m told he has been secretly dating long-time Gorillaz collaborator Rebecca Freckleton for almost a year.

And now, things have got more serious, as pals say the couple are shacked up in his London pad.

My exclusive photos show that Damon and Rebecca are absolutely smitten, and I’m told they’ve been inseparable for months.

I first heard whispers about their relationship late last year, with friends telling me Rebecca and Damon’s friendship was moving to the next level.

Over the past few months, the pair have been seen together in public on a handful of occasions.

BAND BACKLASH

Damon Albarn branded ‘diva’ for ‘forcing festival bosses to end band’s set’

‘LEARN TO ACCEPT IT’

Gorillaz’ Damon Albarn & Jamie Hewlett on how grief inspired new album

“Damon and Rebecca are in love and their friends couldn’t be happier for them,” one insider told me.

“After his split from Suzi in 2022, Damon took some time to find himself again. It was a few years later he started to grow closer to Rebecca.

“They’ve been seeing each other for almost a year now.

“He’s got a place in London and she’s there all the time with him.

“She’s been seen out walking his dog, too. They make a lovely couple and it’s been great to see Damon so happy again.”

I first revealed Damon and Suzi, the mother of his daughter, Missy, had split three years ago.

The pair ended their relationship in 2022, with friends revealing the news early the following year.

Damon, who wrote On Melancholy Hill for Gorillaz album Plastic Beach in 2010, poured his heartbreak into Blur’s comeback album, The Ballad Of Darren, which came out in 2023 and went straight to No1.

And he had the same success with Gorillaz’s latest record, The Mountain, which hit the top spot in the album chart back in March.

Rebecca was on board for that project and sang backing vocals on their track, The Empty Dream.

Damon certainly won’t have any of those with Rebecca by his side.

Ayda now inactive

WHEN one door closes, another opens – and that’s exactly what’s happened to Robbie Williams and his wife Ayda Field.

After he launched new clothing line Hopeium last week, hers, Ayda Activewear, was put on ice.

Former Loose Women panellist Ayda debuted her range of cool athleisure clobber back in 2022 and it was initially a big success – but things became more tricky.

A source said: “The market is fiercely competitive and while Ayda Activewear did take off, business has been tough recently.

“The way the markets are, it’s becoming increasingly difficult for brands like this to operate.

“Naturally she hopes one day she could open it back up, but only time will tell.”

Shoppers visiting Ayda’s website are now greeted with a message blaming “sizeable tariffs and overall economic uncertainty” for a “pause” in trading.

In a personal note, she wrote: “I envisioned clothes that were ready to reflect and tackle the chaos of my life and make me feel f***ing fantastic while doing it. Thanks to you all, I got to do just that.

“It’s been an absolute pleasure and I thank you so much for the enduring support. For now we’re hitting the pause button but don’t worry – we’re still stretching and dreaming . . .  and wearing leggings every damn day.”

Amen to that, Ayda.

SAM SMITH says they have never been as proud of an album as new record, Hazel Eyes.

The LP came out yesterday and is reminiscent of their 2014 debut, In The Lonely Hour. It is all about falling in love with fashion designer Christian Cowan.

Sam, who confirmed their engagement last month, said: “I don’t think I’ve ever been as proud of myself or an album.

“This album will always mark one of the most magical, confronting, happiest and challenging times of my life as a person and an artist.”

Sam will play two nights at Manchester’s Albert Hall on September 3 and 4 before kicking off an eight-night residency at the London Coliseum on September 8.

NETFLIX has snapped up the rights to a documentary all about US singer and actress Jessica Simpson.

The project will be headed up by Joe Pearlman, who directed Robbie Williams’ 2023 series on the platform.

Jessica found fame as a pop star in the early noughties alongside Britney Spears and Christina Aguilera, with hits like I Wanna Love You Forever, With You, and a cover of These Boots Are Made For Walkin’.

She’s since sold 20 million records and had a high profile marriage, and divorce, to American singer-songwriter Nick Lachey.

CELEBRITY Big Brother star Danny Beard may wear wigs in his drag shows, but he wants everyone to know the importance of hair care.

The performer is the new face of the Method haircare brand – creating a full dance video to show off his not-so-natural locks.

Apparently, 71 per cent of us say freshly washed hair has a positive effect on our mood.

To be fair to Danny, I also perform a full choreographed dance routine in the shower.

Pixie: I’ll do Marilyn proud

PIXIE LOTT arrived in style for the press night of her new West End show, Who Killed Marilyn?, in a white Cadillac.

She wore a slinky pink, white and gold dress for the event at London’s Emerald Theatre and told how she hopes to show the real person behind Marilyn’s Hollywood alter-ego.

Pixie, who posed for pics with husband Oliver Cheshire, said of the play: “Marilyn was the character she created, but this is more from her Norma Jeane side. It’s her telling her own story, right from the beginning, right up until the end.

“ I was always aware of obviously the very glamorous Hollywood icon side and maybe more of her vulnerable side and fragile side, but not this strength and the intelligence – that side of her that hasn’t really been spoken about.”

Shaggy’s 007 heaven

SHAGGY lived up to his name when he got hitched at the GoldenEye resort in Jamaica – where Ian Fleming wrote James Bond – by intimating he got frisky on the author’s desk.

The It Wasn’t Me singer, who married wife Rebecca in 2014, admitted: “It’s a magical desk. I did a different kind of magic on the desk – but we’re not going to talk about that.”

On Alan Carr’s travel podcast Life’s A Beach, Shaggy also said one of the best things about being a celeb is never complaining.

“I just have someone complain for me,” he said. “I’m famous. I can do that.”

Some claim new MJ biopic is a cover-up

MICHAEL JACKSON’s biopic sequel will explore the sexual abuse allegations made against the late King of Pop, but won’t tell it from the victims’ side.

The Smooth Criminal singer’s nephew Jafaar Jackson, played him in the first film, Michael, which came out this year and made more than $1billion at the box office.

He has said the follow-up will be from MJ’s point of view. But that has already ruffled feathers among people who believe it will skate over the serious allegations.

Jafaar told GQ Middle East: “The second film will give more insight from his point of view, because [the allegations] are always from someone else’s.

“It’s someone else’s story . . .  and it’s mainly driven by an agenda. That’s the issue we have as a family – not having Michael’s voice heard. That is very important.”

There are high hopes for the sequel, after the first movie became the highest-grossing biopic and has sent Jacko’s greatest hits album back up the charts.

Dubbed an ‘excellent movie all round’, the edge-of-your-seat war drama thriller has completely captivated audiences, with some fans declaring it’s ‘the best movie’ they’ve ‘ever seen’.

If war films and talented actors are your genre of entertainment, we’ve got a movie recommendation that’ll be right up your alley.

Dubbed an ‘excellent movie all round’, the edge-of-your-seat war drama thriller has completely captivated audiences, with some fans declaring it’s ‘the best movie’ they’ve ‘ever seen’.

Eye in the Sky is a 2016 war drama starring British acting royalty — and it’s currently available to stream for free on BBC iPlayer. The modern warfare thriller stars the late great British icon and acting legend Alan Rickman, and is considered his last live-action feature film — having released posthumously on April 15, 2016, just months after Rickman died on January 14 that same year. His last film overall though, is Alice Through the Looking Glass, which features him in a voice acting role only.

Eye in the Sky has been dedicated to the Harry Potter star, and while Rickman is definitely one of the highlights of the war drama, he’s far from being the only scene-stealer.

Directed by Gavin Hood with a screenplay penned by Guy Hibbert, Eye in the Sky stars the legendary Helen Mirren in the lead alongside Rickman. The pair are joined by Aaron Paul, Barkhad Abdi, Jeremy Northam, Michael O’Keefe, Phoebe Fox and Iain Glen in supporting roles to round out a talented cast.

Speaking to Collider about her co-star Rickman, Mirren shared: “I think that Alan would have been incredibly proud that this was his last movie. It is what I love about it, which is that the Alan you see up on screen is much closer to the real Alan Rickman that we all knew and loved. You see his intelligence, you see his wit, and you see his authority. I think that that was very much the Alan that we knew.”

With an almost perfect 95% approval rating on Rotten Tomatoes, Eye in the Sky seems to be loved by one and all.

One viewer was clear the film belonged to Rickman as they wrote on IMDB: “This is Alan Rickman’s movie. He is the star, the cast person who carries the movie. The movie itself is excellent. It tells a compelling story and succeeds in building dramatic tension without becoming contrived.

“The conflict is presented plainly. Every character plays an important role. Yet, Rickman drives this movie. His performance as the general in charge of the operation should earn him at least consideration for the highest official accolades.”

While another fan of the film said: “Excellent movie all around! I rarely give very high ratings, so take this 10 as solid approval. This is a very well-made movie. It’s dramatic (fitting the occasion), compelling, exciting, interesting, intriguing, well-paced, informative, insightful, well scripted, well acted, evocative, relevant, just, intuitive, comprehensive, and so on.

“All of these. I found it very enjoyable to watch, and I followed along and fully understood the situation presented and all of its challenges. It’s difficult to imagine any ways it could be improved.”

An audience review on Rotten Tomatoes states: “Genuinely one of the best films I have ever seen – could be a fantastic debating resource for schools, colleges and universities. Brilliantly communicated from every angle.”

While one viewer said in a glowing review: “I have to say: This film blows my mind. The combination of the suspense, the back-and-forth, and the frustration exceeds any out-of-the-world action sequences; not to mention Mirren and Rickman being superb as always.”

Critics were left equally impressed, with one writing: “It’s a tight thriller played out smoothly but tying the viewer in moral knots. A film to think about for days, with little hope of finding a comfortable answer.”

While another reviewer said: “Eye in the Sky is a disturbing, intelligent and very well crafted contemporary thriller with a solid screenplay by Guy Hibbert and seamless direction.”

A third critic added: “This is the kind of intelligent, thought-provoking mainstream film that’s in danger of becoming extinct. Eye in the Sky is miles above the average multiplex flick.”

Eye in the Sky is available to watch free of cost on BBC iPlayer.

Skins star Mike Bailey has left fans stunned with his dramatically different appearance

The actor recently made a rare public appearance.

Former Skins star Mike Bailey has left fans gobsmacked after appearing virtually unrecognisable during a rare public appearance, and it’s not just his looks that have changed dramatically.

Gone is Sid Jenkins’ trademark floppy brunette hairstyle, replaced by a cropped blonde look on the now 38-year-old actor.

Fans of the show were left astonished by how different Bailey appeared during an appearance on the NSN podcast in March.

One fan remarked: “Took me some time to figure out this was Sid, ahahah,” while another concurred: “I can hear Sid but I can’t see him.”

A third person observed: “bro that is NOT the same person,” with another commenting: “So odd seeing him w blonde hair and not swoopy brown bangs a beanie and glasses lol.”

A final viewer remarked: “Can’t tell if I cant recognise him because it’s been nearly 20 years, or because he doesn’t have his hat on.”

Bailey first captured audiences’ attention back in 2007 when he portrayed the much-loved Sid in the cult teen drama. Mike, then just a teenager himself, featured in the opening two series of the show’s seven-season run.

His co-stars included Nicholas Hoult, Dev Patel and Daniel Kaluuya, who have all since carved out stellar Hollywood careers. Yet Mike opted for a completely different path, stepping away from the entertainment industry entirely.

The Bristol native traded acting for teaching, discussing his career change during a 2017 Radio Times chat.

“I kind of thought ‘what the f**k am I doing with my life?’ and ended up getting in a conversation with the wife a couple of years ago and decided that those who can’t act teach,” he revealed, reports OK!.

“10 years ago I never thought I’d still be talking about it, but [Sid] still does pop up every now and again.”

While his acting stint was relatively brief, Mike did appear in several productions, including the documentary 1066: The Battle for Middle Earth and the film We Are the Freaks. He now looks back fondly on his Skins experience as “a collective positive memory”.

But it’s his teaching role that truly resonates with him. During his appearance on the NSN podcast, he enthused: “I love it, it’s the best job I’ve ever had.”

Mike reflected on his varied career, saying: “It’s one of those things, you know those cliché things, I go into work each day and it’s completely different. It literally is.”

Skins is available to stream on Disney+

ZZ Top legend Frank Beard has died at 77, the band confirmed on Tuesday.

The drummer had been forced to pull out of the band’s tour earlier this month due to health issues.

“Today, Elwood and I lost a great friend and collaborator, and the world lost one of the most naturally innovative drummers and a great and true son of Texas,” said ZZ Top guitarist Billy Gibbons.

“His signature backbeat was key to keeping ZZ on top.”

A representative for the Texas-formed band confirmed to USA Today that Frank died on Monday while in hospice.

The drummer was “with family members at his side” at his ranch in Richmond.

Frank dropped out of The Big One! Tour in early August due to health issues and had previously dropped out from touring with the band in March as he was undergoing a “health procedure.”

The band announced that their upcoming shows in Colorado Springs and Salt Lake City would be canceled.

However, the band plans to resume its current tour The Big One! this weekend, with the two shows at Austin City Limits music festival held at The Moody Theater.

The band, which formed in 1969, said the venue was “one of Frank’s favorite venues and in a city that had been something of a second home for him.”

Beard was born on June 11, 1949, in Frankston, Texas, and began playing in bands while still in high school.

He later became part of the Dallas music scene, where he met Dusty Hill, and the pair performed together in several 1960s groups including the Warlocks and American Blues.

In one of the stranger chapters of their early careers, Beard and Hill also played in a fake version of British rock band The Zombies that toured the US after the original group had broken up, Rolling Stone reported.

Beard has been part of ZZ Top for more than five decades and played on all 15 of the band’s studio albums.

He joined Billy Gibbons in 1969 and helped create the group’s classic lineup by introducing the guitarist to his former American Blues bandmate Dusty Hill.

The trio went on to become one of rock’s most recognizable acts, with Beard providing the beat behind hits including “La Grange,” “Tush,” “Gimme All Your Lovin’,” “Sharp Dressed Man,” and “Legs.”

Beard, Gibbons and Hill remained together for more than 50 years until Hill’s death in July 2021 at the age of 72.

At the time, Gibbons and Beard announced that their longtime bandmate had died in his sleep at his Houston home.

“We are saddened by the news today that our Compadre, Dusty Hill, has passed away in his sleep at home in Houston, TX,” they said.

They added, “You will be missed greatly, amigo.”

Hill’s longtime guitar tech Elwood Francis then took over bass duties and continued touring alongside Gibbons and Beard.

The Texas rockers found major success in the 1970s before exploding into the MTV era with their 1983 album Eliminator, which included “Sharp Dressed Man,” “Legs,” and “Gimme All Your Lovin’.”

Beard was famously the only member of the classic ZZ Top lineup who did not sport the huge beard that became part of the band’s signature look.

ZZ Top was inducted into the Rock and Roll Hall of Fame in 2004 after decades of success.

Beard had suffered previous health setbacks over the years, including pneumonia in 2019 and another unspecified health issue that forced him off the road in 2025.

His latest absence came after ZZ Top abruptly canceled its August 5 Hollywood Bowl show because of what the band called “unforeseen personnel matters.”

Michael Monahan was brought in to play drums while Beard stepped away, with Gibbons and Francis continuing the tour.

The cause of Beard’s death has not been publicly disclosed.

The ITV crime series is returning with a familiar face leading the expos command

Trigger Point will soon return to television screens with a much-loved actress joining the bomb disposal experts.

The fourth season of the ITV crime drama sees Vicky McClure’s Lana Washington and her bomb defusal unit take on an explosive new case as they seek to keep the people of London safe from explosive devices and terrorist threats.

McClure has shared her excitement about the new episodes ahead of the release: “I love working with the team, we have a great time making the show, and I cannot wait to continue Lana’s journey on Trigger Point.”

The first look trailer confirms the team’s new challenge is “unprecedented”, with Lana noting that they seem to know how her team works. The scale of the attacks is made even clearer when Lana confirms, “The threats feel bigger, the bombs are closer.”

Returning on-screen alongside Lana is Eric Shango as Danny, Nabil Elouahabi as Hassan “Hass” Rahim, Natalie Simpson as DS Helen Morgan, and Maanuv Thiara as DCI Amar Batra.

Shetland star Julie Graham has also joined the star-studded cast as Commander Nia Quentin.

In the trailer, viewers see Nia confirm that this could be “the biggest terror attack this country has seen,” as the expo team battles to save the capital.

Away from Trigger Point, fans of crime dramas will know Julie as Rhona Kelly in the BBC series Shetland between 2014 and 2022.

The show is based on the bestselling crime novels by award-winning author Ann Cleeves and follows a dedicated police team as they investigate grisly murders and long-buried secrets within the tight-knit, remote island community of Scotland’s Isles.

Scottish actress Julie, 61, has been a seemingly near-permanent fixture on our screens since a Taggart appearance in the mid-1980s.

Her other long-running series commitments include portraying Megan Hartnoll in At Home With The Braithwaites, Abby Grant in Survivors, and playing Sheron Dawson in the adored sitcom, Benidorm.

Most recently, period drama fans saw Julie transform into Ma Hardacre in the Channel 5 show The Hardacres, which follows the sweeping rags-to-riches journey of a working-class family in 1890s Yorkshire.

She also played Annie Marling in Ridley and Elain Phelan in This City is Ours.

Trigger Point series 1-3 is available to stream on ITVX

ROCK legend Rod Stewart has undergone heart surgery and cancelled all upcoming tour dates.

The Maggie May singer had recently pulled out of two gigs in a week as fears grew over his health.

Stewart, 81, has undergone a coronary stent procedure that was a success, his representative has said.

They added: “Doctors are pleased with his recovery, and Rod is doing very well and has returned to his normal daily activities.

“On the advice of his doctors, he will take the next four weeks to recuperate and regain full fitness before returning to the stage.

“Unfortunately, this means he will be unable to continue his current tour dates.”

HEALTH FEARS

Rod Stewart sparks concern as he pulls out of second concert in a week

GRANDPA ROD

Rod Stewart, 81, is a grandfather for sixth time as daughter welcomes 2nd child

Stewart canceled his Tuesday night performance at Rocket Arena in Cleveland shortly after postponing his Sunday concert in Cincinnati at Riverbend Music Center.

He also cancelled a few dates earlier this year, including two in Las Vegas and one in San Diego.

Rod was scheduled to appear through September 3 in North America, including his six-night residency at The Colosseum at Caesars Palace in Las Vegas and a few dates in Mexico.

In the statement the singer said: “I’m already feeling better and very much on the mend. I want to thank the doctors, nurses and everyone who has taken such wonderful care of me.

“I’m deeply disappointed to miss these shows and sorry to let my fans down, but I look forward to getting back on stage and having a good time with you all again soon.”

Back in June the hitmaker was forced to pull out of a gig in California, due to a respiratory infection that later triggered a bout of laryngitis.

Just a week later, Rod stopped midway through his Utah concert and was seen using an oxygen tank onstage after nearly passing out.

The surgery comes just days after he became a grandfather for the sixth time – with his daughter Ruby welcoming her second child with fiance Jake Kalick.

Ruby posted adorable pictures of her older son Otis meeting his sibling for the very first time to social media.

Rod has eight children in total with five different women.

More to follow… For the latest news on this story keep checking back at The Sun Online

Thesun.co.uk is your go-to destination for the best celebrity news, real-life stories, jaw-dropping pictures and must-see video.

Like us on Facebook at www.facebook.com/thesun and follow us on TikTok @TheSun.

A HIGHLANDER legend was rushed to hospital in an ambulance after collapsing at an event in America.

The actor and producer, 69, was also forced to scrap photo opportunities with fans as his health issue took centre stage.

Actor Christopher Lambert, who played Highlander’s main character Connor MacLeod in the 1986 movie, reportedly fell ill at the Steel City Con in Pennsylvania on Saturday.

According to TMZ, he had been signing autographs with fans before he collapsed and was whisked away.

The event organisers then took to their Facebook page to confirm: “Christopher Lambert had to leave the event due to a personal issue.

“Return time TBD. Photo op cancelled”.

MEDICAL EMERGENCY

Film legend Ann-Margret, 84, rushed to hospital after scary fall

ACTION MAN

Martin Compston reveals film legend that inspired his Red Eye performance

The Sun has gone to the Mortal Kombat actor’s rep for comment.

They did tell TMZ the screen star is “perfectly OK” – and his fall was due to low blood sugar after a lack of food.

In news that will delight fans – and suggest he is on the mend – event organisers also confirmed he will appear at the convention today [Sunday] as planned.

In a message posted to Facebook they wrote: “Christopher Lambert will be attending Sunday. He will be there at 11:30 AM. Lisa & Louise Burns will do 12 PM Panel. Also, Karen Gillan will be doing Solos and Duos on Sunday (with Arthur) as well”.

One fan was quick to comment: “Glad he’s okay. That was scary!”

A second put: “Very happy to hear this”.

A Facebook user then added: “Hope he’s going to be all right. Highlander is my favourite movie of all time, and I wish he didn’t have to go through that scare today”.

Previously, Christopher – who has also produced and penned scripts as well as acting them out – opened up on filming Highlander in Scotland.

The French actor, who starred alongside Sean Connery and Clancy Brown in the film, reminisced on shooting scenes as the immortal warrior in Scotland.

He previously said: “It was my first time in Scotland.

“Insurance people completely forbid drinking on set, but try that up there and you’ll get shot.

“I’m not saying Scottish people drink all the time, but if they drink, they drink.

“It’s not a sip of wine, it’s a quarter of a bottle of scotch.

“There were 1,000 extras for the battle scenes and they went at it for real.

“After each shot, the cries went up: ‘Doctor!’ ‘Nurse!’”

Highlander follows Connor MacLeod of the Clan MacLeod, an immortal Scotsman born in the 16th century in Glenfinnan on the shores of Loch Shiel.

The film has garnered an enormous cult following over the years which spawned a TV series.

This month’s LA Jazz Festival was slated to be one of the largest concerts in Los Angeles history.

With dozens of performances spread throughout every City Council district, organizers hoped the shows would draw 250,000 attendees and inaugurate the city as a home for jazz events on par with New Orleans and Montreal.

Those hopes will have to wait, as organizers announced the cancellation and postponement of the festival on Friday, including its main show Aug. 22-23 on Dockweiler Beach.

“Due to significant, unanticipated last-minute public safety and municipal costs associated with the final permitting of the On The Beach Festival, we have reached the decision to unfortunately postpone this year’s inaugural LA Jazz Festival,” organizer Martin Ludlow said in a statement to the Times. “Although this decision was an extremely difficult one to reach, our commitment to the audiences and artists participating in the festival is to have a first-class experience worthy of the great legacy of Jazz and our great city. We were encouraged by the enthusiastic support of the artists on the bill, the fans and our sponsors for this inaugural event, and we look forward to presenting all of the components of this incredible cultural opportunity for Los Angeles and the world in 2027 and beyond.”

John Legend, Janelle Monáe, Charlie Wilson, Parliament Funkadelic and Raphael Saadiq were booked to headline the main show.

“We are so grateful to all the artists–from our headliners to our musicians in the parks, many of whom went above and beyond to make this affordable to the community,” Ludlow added. “All current ticket holders for LA Jazz Festival events will be refunded in full within 30 days. We apologize deeply for this situation and vow to make this right over time.”

LA Jazz Festival was a major project for Ludlow, a former Los Angeles City Council member turned music promoter and community activist after pleading guilty to misappropriating funds in 2006.

Ludlow announced the show in a splashy speech on the steps of City Hall in February, flanked by Mayor Karen Bass and other civic leaders. “During this journey, you can only imagine there’s a lot of highs and a lot of lows,” Ludlow said then. “When you have those lows, you want a friend that really can lift you up.”

Back in February, Ludlow described the mission of LA Jazz Festival with a civil rights-inspired fervor, saying that “This festival is intended to lift up our ancestors that came to this country in bondage, terrorized, brutalized. It’s also about celebrating the end to those last bastions of Jim Crow racism, the days we were denied access to public drinking fountains, public swimming pools and public beaches. From the beginning of this journey, we’ve been very intentional about telling the narrative of that human rights struggle called Jazz.”

Bravado, insecurity, deceit. These are the bitter ingredients that seasoned the chef Anthony Bourdain inside the pressure cooker of the restaurant industry. Set over one formative summer in 1975, Matt Johnson’s affectionately sleazy biopic “Tony” is a portrait of the culinary adventurer (who died by suicide in 2018 at the age of 61) as a snotty 19-year-old Vassar student who doesn’t know an oyster knife from his ego. “I was — to be frank — a spoiled, miserable, narcissistic, self-destructive and thoughtless young lout, badly in need of a good ass-kicking,” Bourdain confessed in his 2000 bestseller “Kitchen Confidential,” a scorching memoir that elevated him from obscurity to damaged saint. “Tony” opens with that quote and proves it with scenes of boozing, puking and petty crime. Miraculously, it’s the most heartwarming comedy of the year.

Teenage Tony (a feral Dominic Sessa of “The Holdovers”) claims he’s already writing the next great American book, a navel-gazing bildungsroman — his word, not mine — in the key of Kerouac. Really, he’s just a middle-class kid from New Jersey who doesn’t expect to work for a living. Stalking his high school crush Nancy (a grounded Emilia Jones) to Provincetown, Mass., he begrudgingly supports himself with a dishwashing gig at the Flagship, a humble seafood joint. The kid is ashamed of blue-collar labor. That his rowdy co-workers think he sucks at it is worse. This taste of humiliation would change his destiny.

Under the tutelage of the Flagship’s idiosyncratic unnamed chef (Antonio Banderas), Tony will discover the importance of punctuality. A devilish shellfish-shucker (Leo Woodall, an intoxicating scamp) will also introduce him to cocaine. That first bump hits Tony with such a rush that the soundtrack explodes with boogielicious disco.

Sessa was born to prowl around wild-eyed in retro polyester. He relishes the fast and funny dialogue, flinging around fancy words that don’t mean a thing. At low emotional tide, Sessa’s Tony can also be watchful and quiet. He makes us hear the character’s silent inner schemes as loudly as when he’s actually blabbering.

Director Johnson (“BlackBerry” and the maniacally brilliant “Nirvanna the Band the Show the Movie”) and his co-screenwriters Matthew Miller, Todd Bartels and Lou Howe have blended every hard-knock lesson that Bourdain learned across decades of job-hopping into one month of blood and sweat. Spiritually, it’s fantastic. Factually, it’s baloney, although “Tony” does restore the restaurant’s actual name — the Flagship — from Bourdain’s Dreadnaught, the pseudonym he gave it before he ever imagined future fans following him around the world. Mild spoiler alert: Readers of “Kitchen Confidential” will also know it’s dedicated to Nancy, who became his first wife.

The kitchen scenes are a combo platter of boot camp, frat house hazing ritual and kung fu movie. As Bourdain would later explain, he thrived in a setting where actions have instant consequences: a sore back, a sliced hand, a good meal. Burn the sandwich, toast it again; scrub every plate and punch out with pride. You can’t help but grin at Sessa’s hoot when his scrawny Tony finally manages to muscle a raw potato through a french-fry slicer. And at the end of a shift, he and his dysfunctional workplace family gather to share bowls of squid stew and taste the results of their work. Back in New Jersey, dinnertime with his biological family feels as cold and stale as their meal of frozen peas and store-bought white bread.

Banderas’ chef is the kind of mentor you’d expect to find on a mountaintop mediation retreat, starting over a half-dozen scenes coldly waking up the sleeping whippersnapper with a cold bucket of morning seawater to the face. As Banderas plays him, he’s a bearish marvel of a man with the kind of earthy soul that would have had Ernest Hemingway chugging salty dogs on his barstool all night. There’s a shot of Banderas biting into a tomato that’s pure bliss for him and us.

Whereas Tony talks a big game, squeezing Japanese words like boketto — the art of doing nothing — into conversation, Banderas shows us how to simply do it. (Likewise, a centerpiece montage makes penning a coming-of-age book look way lamer than than just living a full life.) Watching Banderas’ chef stare at the Atlantic, it may occur to you that a cook can no longer afford a waterfront shack on the sand. The film is too breezy to say so directly, but its emphasis on the value of honest work wants you to think it.

Watching Banderas spend a day simmering his own handcrafted ketchup simply to store it in repurposed Heinz bottles says everything about the guy’s devotion to food and his indifference toward marketing. It’s a little grating to see boorish Tony offer him business tips. It helps that some of his advice isn’t great.

“Tony” stays planted in its own immediate present, rarely hinting at the veers Bourdain’s biography will take. “Kitchen Confidential” won’t be published for another 25 years; his globe-trotting celebrity comes after that. Johnson keeps the tone so zingy and loose that you don’t have to know Bourdain at all to enjoy the movie. The ending even tacks on a let’s-save-our-hangout rally that could be Velcroed onto any ’80s comedy.

The script allows itself just two beats to squeeze out a knowing tear. The first comes when Tony describes his approach to writing: “I try to imagine interesting places I’ll probably never go, people I’ll never get to meet,” he says, unaware how much his horizons will one day expand. The second trickier and clumsier aside happens when Banderas’ chef tells Tony the tragedy of 17th century French cook François Vatel, who literally fell on his sword before serving a banquet to Louis XIV. Lore has it that Vatel didn’t have enough fish. The teenager doesn’t understand. “He killed himself? Why?” Tony repeatedly asks. That question will never have a satisfying answer.

Like a lazy Susan, today’s youth seem to be coming full circle to young Tony’s dilemma. He’s got one foot on the so-called safe path — college, white-collar isolation — and the other on a career that’s already covering him in well-earned scars. As employees are feeling insecure and replaceable, there are rumblings that the current crop of kids is gravitating back toward physical jobs and finding, as Tony did, that one can find fulfillment working with your hands. The stress of the kitchen didn’t make Tony a better man overnight. But it was the grit that grew a pearl.

Rescuers are still looking for other missing climbers swept away in an avalanche on the world’s 12th largest peak.

Rescuers continue the search for six climbers still missing after an avalanche hit Pakistan’s Broad Peak, as officials identified one of the four recovered bodies as Nadhira Al Harthy, the first Omani woman to summit Mount Everest.

Pakistani authorities recovered three of the bodies on Friday in harsh weather that hampered flights by search and rescue helicopters, officials said, and identified them as Nepalese climber Pur Bahadur Gurung and American climber Sarah Mallory Geis, as well as Harthy.

The officials did not immediately identify the fourth body that was found.

The expedition comprised five Nepali climbers, the Omani and American climbers, Pakistani climber Sohail Sakhi, a Chinese climber identified only as Wang, and one other foreign climber, according to the Alpine Club of Pakistan.

The expedition leader was the renowned mountaineer Nirmal Purja, a Nepal-born former soldier in the British army widely known as Nims Dai. He climbed the world’s 14 highest peaks in a record 189 days in 2019, an achievement featured in the Netflix documentary, 14 Peaks: Nothing is Impossible. His record was surpassed in 2023.

The climbers were swept away in an avalanche on the 8,051-metre (26,414ft) peak, the world’s 12th-highest mountain, about midday on Thursday. The area in which the search is taking place is “remote and difficult”, said Sajid Hussain, deputy director of the tourism department in Gilgit-Baltistan.

Of the world’s 14 highest peaks, eight are in Nepal, five in Pakistan and one in Tibet. Climbing experts say barely more than three dozen mountaineers have climbed all 14 peaks to date. Broad Peak is considered one of Pakistan’s most challenging climbs.

Nepal’s Gurung, known to his friends as Yukta, climbed Everest more times than anyone else from the Gurung community, with 10 successful ascents to his name, Nepal’s Online Khabar noted. He also successfully climbed 12 of the world’s 8,000-metre (26,246ft) peaks.

Yukta had also set a record by summiting Pakistan’s K2, the world’s second-highest peak, within 24 hours. He was regularly involved in rescue operations for tourists stranded in the mountains.

Oman’s Al Harthy held a master’s degree in geography and previously served as director of the Citizenship Department at Oman’s Ministry of Education, Gulf News reported. In 2019, she became the first Omani woman to reach the summit of Mount Everest, and then the first Omani to climb K2, the world’s second-highest mountain.

For the US’s Geis, it was her first try at an 8,000-metre peak in Pakistan.

Geis, 39, lived in San Antonio. She announced on social media earlier this year that she was closing her Pilates studio to take “a giant leap of faith into the unknown to see where life goes. I have a sneaking suspicion there will be lots of helmets, harnesses, and crampons involved.”

Sakhi was a guide for the company, as well as a geographer and high-altitude photographer who had climbed several of the world’s major peaks.

BLACK Sabbath’s Tony Iommi last released a solo album more than two decades ago.

And now, as he finally announces a new record, From The Dark, he reckons it might take just as long to get presented with his MBE.

The legendary axeman was in the Actress & Bishop boozer in his native Birmingham to celebrate the album’s release when asked when he’d be going to Buckingham Palace.

Tony was made an MBE in the King’s birthday honours last month, for his services to music and charity. But he joked: “I’d forgotten about that. They have probably changed their minds now.”

From The Dark, out on October 23, is Tony’s first album since 2005’s Fused, when he teamed with former Deep Purple, Sabbath and Trapeze singer and bassist Glenn Hughes.

Queen’s Brian May plays a guest solo on Death Wake, and the blistering lead single, the upbeat but punchy World Alone, confirms why he earned the nickname The Master Of The Riffs.

‘ALARMS GOING OFF’

Jared Leto forced me to touch him after luring me to motel when I was 17

SHEER DELIGHT

Bianca Censori stuns in almost invisible sheer bodysuit to party in Ibiza

That moniker’s all the more impressive when Tony reminds us that he lost the tips of the middle and ring fingers of his fret hand as a teen, while working in a sheet metal factory in the city.

He recalled: “I went to different doctors and they said, ‘You might as well give up and find another profession’.”

So he made replacement fingertips. He said: “I got a Fairy Liquid bottle, melted it down into a ball and then got a soldering iron and made a hole in it, so it fit on my finger.

“I tried to play and it slipped off. I had to find a material that would grip the strings like skin, so I cut one of my old rocker leather jackets up, and it worked.”

Iommi fans are in for a treat with From The Dark — which has eight tracks, with two additional songs, Scent Of Dark and Deified on the deluxe version.

It was two years in the making, with Tony enlisting Jorn Lande on vocals, bassist Becky Baldwin and Robbie Williams’ longtime drummer Karl Brazil.

The process was slowed by the loss of Tony’s Black Sabbath bandmate Ozzy Osbourne last July, with Tony stepping back from recording for a while.

The pair exchanged text messages the night before Ozzy died. He said: “I didn’t expect him to go overnight. It was a hell of a shock.”

On returning to work on the record, Tony added: “We’ve done it casually really, because there was no pressure.

The album is steeped in his home city’s history. He said: “The whole record is designed around Birmingham. The T-shirts have been made in Birmingham, the merchandise has been made in Birmingham.”

In front of a small group of guests, with Frank Skinner taking on the interviewing duties, Tony unveiled the dystopian video for World Alone, which was filmed in Cornwall.

“I hate doing videos, I’ve never liked them,” he said.

“This one is more like a film and I am in it but not wanting to be.”

Despite his reticence at getting in front of the cameras, it sounds likely Tony will return to the stage.

Asked whether fans will hear him play the record live, he smiled and said: “You may do.

“Anything’s a possibility.”

Tate shapes up for comeback

TATE McRAE gets fighting fit for her comeback as she prepares to release new music.

The Canadian pulled on her skintight workout clobber and pumped iron for an Adidas Originals Sport campaign.

It comes ahead of a return to the stage this weekend, almost nine months after her last concert.

Tate will headline the Osheaga Festival in Montreal on Saturday, and Lollapalooza in Chicago the following night, as teasers on social media suggest she might debut new songs.

Previous album So Close To What became her most successful yet when it peaked at No2 in the charts last year.

But with her star power continuing to rise, I’m sure she’s got her sights set on turning the next record into a chart-topper.

It’s Olivia RodLego

OLIVIA RODRIGO has recreated her latest album cover in Lego form – and will hide versions of the record around the world.

She posed in this plaid mini-dress at a pop-up event in Los Angeles, where it was revealed 333 toy-brick vinyl versions of You Seem Pretty Sad For A Girl So In Love will be available.

The album is in the UK Top Three for a sixth week.

Olivia and Lego will drop clues on social media, hinting at record shops where fans might be able to get the special versions.

I expect to see them popping up on eBay for astronomical sums any day now.

Ruben’s hol alone

RUBEN Dias has made sure everyone knows he’s one of football’s most eligible bachelors, following his split from Maya Jama.

The Manchester City defender broke up with the Love Island host at the end of April.

Three months on, and following his appearance at this summer’s World Cup with Portugal, he has jetted off on a lads’ holiday to Ibiza.

Judging by the photos of his rippling six-pack he shared on Instagram, Ruben got his mates to take thirst trap pictures for him while they were there.

But hinting that he’s still not totally over the split with Maya, he captioned the post: “Feelings on silent.”

With pictures like this, there will be plenty of people offering him a shoulder to cry on.

lMILEY CYRUS’ rocker fiancé Maxx Morando popped the question on holiday in Japan last autumn.

He told Wonderland mag it happened in “this little outer garden”.

Maxx added: “She was taking videos, and was turned away. I got on one knee and tapped her on the shoulder.”

Casualty fans are heartbroken as they are convinced the show is killing off a beloved character for the 40th anniversary

Casualty could be killing off a show legend after more than 10 years, and fans are not best pleased about it.

The beloved BAFTA-winning BBC show has been a staple on screens for 40 years. As the world’s longest-running medical drama, Casualty has captivated audiences thanks to its powerful storytelling and characters.

And to celebrate its 40th anniversary later this year, a special double-bill episode will air on Saturday 5th. And as expected, it’s going to be seriously dramatic.

In a trailer that was aired at the end of Saturday’s (July 25) episode, viewers were shown a sneak peek at the episode, in which a high-stakes explosion throws Holby into chaos.

Lives are left hanging in the balance, and the ED team are pushed to their limits in a tense and emotionally charged story. And now, after watching the trailer, fans are convinced that the show is going to kill off Dylan Keogh (William Beck).

“I think the building will explode to kill Dylan! I think that’s his final episode,” mused one person on Casualty’s Facebook page. Someone else agreed: “I thought this as well.” A third chimed in: “Dylan better not go. He’s the best – I just love his character.”

Viewers will know Dylan made his debut on the show back in 2011 when he was introduced as a replacement for fellow emergency medicine doctor Ruth Winters (Georgia Taylor).

And over the years, he has played a part in several big TV moments. What’s more, since the departure of Charlie Fairhead (Derek Thompson) in 2024, Dylan has been the longest-serving character on the show.

Meanwhile in 2024, Dylan actor William spoke about the handful of cast exits at the time including Charlie. He told Digital Spy: “When Derek [Thompson] left, it was surreal. For me, it was just an absolute privilege to be there.

“I said a few words on Derek’s last day, and it was only in saying it, that I really appreciated that for everybody that was there at that time.

“Without Derek, Casualty would never have been the show that it has become and the opportunity to mark that and to celebrate it and to celebrate a unique achievement of being the lead in a continuing drama for that length of time, is a one off. To be there and to be present, and to acknowledge that, was such a privilege that in a sense that I haven’t even had time to miss it yet.

Watch Casualty on BBC One and iPlayer

There are many dedicated figures devoted to Chicano empowerment in America. But in the arts, playwright-director-impresario Luis Valdez — the migrant farmworkers’ son behind the defiantly consciousness-raising El Teatro Campesino and the historic hits “Zoot Suit” and “La Bamba” — holds a singular place, achieved with remarkable perseverance. It’s a trajectory that the immensely appealing, rollicking documentary “American Pachuco: The Legend of Luis Valdez” tracks with a vitality and purpose befitting its subject.

Anchored by Valdez himself, now in his 80s and filling the camera frame like a grandfatherly lion, the film supplements his vivid biographical details with rich archival footage and testimonials from family members, collaborators and peers. There’s also the bold but sneakily effective narrator choice in Edward James Olmos, reviving his snarling, star-making El Pachuco growl from “Zoot Suit” to remind us of one of Valdez’s essential contributions to the theatrical canon. (Olmos is also an interviewee, as is Cheech Marin, Taylor Hackford, Lou Diamond Philips and labor leader Dolores Huerta.)

Born in Delano, Calif., and drawn to literature and language as a way to combat racist assumptions about a Mexican American’s destiny, Valdez found his gifts sharpened by puppet shows, school plays and finally, the union movement in his hometown. Valdez saw that pointed, raw satire was not only necessary but a recruitment tool for the fight. We hear the underdog aesthetic term rasquachismo used to describe these early impromptu performances: essentially a colorful funkiness, “so funky that nothing can undermine you,” Valdez says. As if something earthier and stronger had been harvested in the fields with all those valuable grapes.

After the labor battles of the Vietnam War era, Valdez took El Teatro Campesino’s mission nationwide. Excerpts from a televised adaptation of his play “Los Vendidos (The Sellouts)” — about a shop selling automatons representing Chicano stereotypes — underscore the continuing tensions of assimilation, a trap disguised as acceptance. But the piece also reflected feelings Valdez had about his long-estranged brother Frank, an engineer whose alienating efforts to deny his own background and fit in formed a heavy undercurrent in Valdez’s life.

“Zoot Suit,” an ambitious, musicalized, slang-flavored staging of the violent injustice behind L.A.’s notorious 1943 Zoot Suit riots, became a smash in 1978 (its narrow-minded New York reception notwithstanding). The story of how the Ritchie Valens biopic “La Bamba” came to be — a delicate mix of legacy tending and savvy casting — is similarly rousing and illuminating, even if it seems like an omission not to dig into why, after such a big hit, more movies didn’t follow. (Although, since this is Hollywood, we can guess the reasons.)

There’s so much to chew on in David Alvarado’s portrait of life, art and activism that “American Pachuco” plays like a joyful challenge to those searching for their own voice or meaning. As engaging a chronicler of his own life as Valdez is, his lessons in how to be seen and heard — and how to stay that way — feel especially timely. In our demonizing present, the story of such a pioneering truth-teller speaks powerfully to the needs of our blended American future.

The Hairdresser Mysteries made its debut last week and today will air the BBC show’s second episode

Coronation Street fans will be delighted to see a very familiar face on The Hairdresser Mysteries today.

The new Jim Cartwright BBC detective series started last week with episode available to watch in full on BBC iPlayer and they will also air weekly on Fridays at 2pm.

Today, Friday 24 July, sees the second episode of The Hairdresser Mysteries air where a synopsis teases: “When a celebrity weather reporter is found dead, Lily investigates if his zero-star reviews of all the local businesses have driven one of their own to murder.”

Sally Phillips plays main character, Lily Petal, who is forced to turn from hairdresser to amateur detective when crimes keep happening on her doorstep in the sleepy village.

She is helped in her investigations by brilliant analytical hair salon assistant Clary Coombs, played by Charlotte Jordan, and eager PC Adam Watson, played by Ben Castle-Gibb.

On Friday’s episode, viewers were introduced to Gloria Crudd, who is another newcomer to the village hoping to make a fresh start with her ice cream parlour but soon finds her old life catching up with her.

Coronation Street legend Wendi Peters plays Gloria Crudd in the series. Wendi, 58, is best known for playing Cilla Battersby-Brown in Coronation Street from 2003 to 2007, she returned to the cobbles once again in 2014.

On the show, Wendi looks worlds away from Cilla as her character Gloria has a pastel pink copper coloured curly beehive hairdo adorned with jewellery pieces.

However, Wendi isn’t the only Coronation Street star in the new series as she is joined by fellow Weatherfield favourite Charlotte Jordan who is playing Clary Coombs – Lily’s ‘bright and analytical assistant and the Watson to her Shear-lock Holmes’.

Charlotte, 32, is best known for playing Daisy Midgeley on the cobbles from 2020 to 2025, where her character was involved in several huge storylines including the hard-hitting acid attack plot.

Viewers have already shared their praise for the new series as one person said on Twitter, now X: “Watching the first episode of #TheHairdresserMysteries and I absolutely love it! So many talented actors I recognise, such a cosy atmosphere too. And it’s filmed in the beautiful West Midlands! More plans!”