left foot

Irish actor Brenda Fricker, who won an Oscar for her role in “My Left Foot” and whose Pigeon Lady befriended Macaulay Culkin‘s Kevin McCallister in “Home Alone 2: Lost in New York,” has died. She was 81.

Her talent agent Phil Belfield confirmed Fricker’s death in a statement shared with The Times on Friday. The actor died peacefully Thursday evening in Dublin after a “period of ill health,” he said.

“We will never see her like again and the world is lesser for the lack of her,” Belfield said in the statement. “I was honored to know, love and work with her and she will always have a place in my heart and in the heart of so many film and TV fans the world over.”

Fricker, who was born Feb. 17, 1945, in Dublin, appeared in nearly 100 TV, film and short projects since the mid-1960s. She reached international acclaim for her work in Jim Sheridan’s 1989 comedy-drama “My Left Foot,” based on the life of Dublin-born painter Christy Brown, who only had control over the titular limb due to cerebral palsy. Daniel Day-Lewis starred as Brown and Fricker played his supportive mother. She earned the Academy Award for supporting actress, becoming the first Irish female actor to win an Oscar, and Day-Lewis took home the prize for lead actor.

“My Left Foot” was also nominated for best picture, director and adapted screenplay.

In her review of the film for The Times in 1990, film critic Sheila Benson praised a “magnificent” Fricker for her portrayal of motherly love. “She plays [Mrs. Brown] like the rock she must have been, without a jot of martyrdom or a flicker of complaint and without an actressy moment,” Benson wrote.

The ‘90s brought Fricker additional roles in productions including “The Field,” “Home Alone 2: Lost in New York,” “Angels in the Outfield,” “A Time to Kill” and “Veronica Guerin.” She counted Cate Blanchett, Joe Pesci, Tim Curry, James McAvoy, Fiona Shaw, Sean Bean, Richard Harris, Christopher Lloyd and Tony Danza as co-stars, to name a few.

For generations of movie audiences, however, Fricker will most likely be remembered as the Pigeon Lady from “Home Alone 2.”

A sequel to the hit “Home Alone,” Fricker’s Pigeon Lady was a source of unexpected tenderness for Culkin’s Kevin, now stranded during the holidays in New York. He first encounters Fricker’s odd character in Central Park, dressed in oversized, dirty clothing with city birds resting on her head and shoulders. Though a terrifying sight at first, the film later reveals Fricker’s character has a heartbreaking past.

“The man I loved fell out of love with me,” she tells Kevin one evening, adding, “whenever the chance to be loved came along again, I ran away from it. I stopped trusting people.”

Kevin later gifts his new friend a turtledove ornament after learning the animal represents friendship and love.

Fricker continued acting through 2015 — with roles in numerous TV movies, miniseries, more than 70 episodes of the show “Casualty” and films such as “Conspiracy of Silence” and “Rory O’Shea Was Here” — but her career tapered off. She was last credited for the 2024 film “The Shallow.”

Fricker attended Catholic school but drifted away from religion in her late teens. She suffered injuries from a car crash at age 14, prompting her parents to spend their life savings on plastic surgery as part of her recovery. She also suffered other health issues during childhood and spent two years in a sanatorium.

“The positive side is, it taught me about self-sufficiency,” she told The Times in 1993.

She was a journalist for the Irish Times, where her father had also worked, before she started acting. She graced the stage at Dublin’s Abbey Theatre and the Royal Shakespeare Company in London, and never looked back.

Amid her mounting fame in the 1990s and early aughts, Fricker did not heed the call to move Stateside and lived in the U.K. before ultimately returning to Dublin. “I didn’t like Los Angeles,” she recalled in 1993. “I don’t like the heat and I found it uninteresting. I wasn’t comfortable there.”

Before her death, Fricker penned a memoir, “She Died Young: A Life in Fragments,” about her upbringing and experiences with sexual violence and mental illness. In February, Fricker was awarded Honorary Freedom of the City of Dublin.

Lord Mayor of Dublin Daryl Barron honored Fricker in a statement shared Friday.

“She was a proud Dub with a sharp wit and warmth that exuded to all who knew her and experienced her work,” Barron said. “She will be sorely missed.”

Justin Herbert is starting from the ground up in Mike McDaniel’s new-look Chargers offense.

The 28-year-old quarterback has dedicated much of the offseason to tweaking his footwork — putting his left foot in front of his right from the shotgun, against traditional NFL form — to fit Los Angeles’ new offensive coordinator’s scheme.

McDaniel prioritizes getting the ball to playmakers in space as efficiently as possible, as he did for four seasons as the Miami Dolphins head coach with speedy wideouts Tyreek Hill and Jaylen Waddle, and envisions Herbert’s flip in footing accelerating and syncing the timing of passes with receivers’ route breaks.

“If guys train it so that they don’t have to think about it and they can be comfortable, you can do a couple things that put the defense in a bind with how you do your footwork,” McDaniel said at Chargers minicamp in El Segundo. “I don’t mandate it. With Justin, I really just showed him where I thought it would be advantageous, and he didn’t blink for a second and was excited to attack it.”

“The patternization in Mike McDaniel’s system has required some footwork changes,” added head coach Jim Harbaugh. “[Herbert’s] been working very hard, very hard at those. And as you would expect, Justin has picked it up.”

McDaniel said he got the idea as an up-and-comer on staffs in Houston and Washington alongside current 49ers head coach Kyle Shanahan and pointed to Matt Ryan and Tua Tagovailoa as recent quarterbacks with whom he has implemented the stance change and reaped positive results.

Herbert, who has been one of those traditional right-handed quarterbacks to have their right foot forward from the shotgun, has embraced his new coordinator’s methodology.

“It’s about playing the way that [McDaniel] sees the quarterback position being played,” Herbert said, “and talking about how we can get the ball to the receivers in a position where they can run with it and allow them to do the things that they’re so good at: making plays.”

To accelerate his adaptation, Herbert has thrown less in practice sessions and done plenty of drills without a football — two markers that are simply unlike the seven-season veteran, who is known to sling the rock plenty at practice and in games.

McDaniel and Harbaugh added that, besides helping Herbert adjust his feet, keeping the ball out of their quarterback’s hands during the offseason will help him stay fresh later in the regular season.

Herbert is on board, but made it clear he does not require any maintenance.

“I’ve thrown a lot of footballs, and it’s May and June and I didn’t think it was as necessary to throw as much now,” Herbert said. “And do everything I can to get the footwork ready and get the offense down. The throws, they’ll be there. We’ve got plenty of time in camp and throughout [organized team activities] to get timing. I think it’s been smart by everyone, taking it easy.”

Herbert added that it’s better to focus on where his feet are now rather than in a live, meaningful game. However, Harbaugh and McDaniel said Herbert is ramping up his throwing in practice with training camp looming.

The Chargers expect big things out of McDaniel’s offense after they averaged a subpar 21.6 points per game in 2025.

Harbaugh and McDaniel are hopeful for career years from Quentin Johnston, Ladd McConkey and Tre’ Harris — exactly what the wideouts want to hear.

“As you all know … the timing, that’s a different aspect for us than we’re used to, but I think it’s great,” McConkey said. “It just gets the ball in the playmakers’ hands and lets us go to work.”

Before any dreams of the Chargers winning a Super Bowl on their home SoFi Stadium turf can come true next season, Herbert must simply get his footing, with his feet and new playbook.

“I’m sure you guys are eager to see him execute in a high regard in the stuff that we’re doing,” McDaniel said. “You got to be patient … that’s been part of the very calculated, very deliberate, intentional process that we take into the offseason.”