When a freshman is wondering whether to play sports or focus on academics because of the immense time commitment, it’s usually the parents who have to give a nudge toward one or the other. Except this time, the decision was left to 15-year-old Javier Zarate, and he chose to give up club soccer to try for straight A’s last year at Garfield High.
Last spring, Garfield soccer coach Pablo Serrano, knowing he had a highly regarded goalie on his campus, began a lobbying campaign with emails and text messages inviting him to try out for the Bulldogs’ soccer team.
“He told me if I wanted to give it a shot, I could try out,” Zarate said. “They were very welcoming and nice.”
The rest is going to be part of Garfield sports lore, because Zarate saved three penalty kicks when Garfield won the City Section Division II championship game against Canoga Park and delivered more saves last week in helping the Bulldogs beat Bakersfield Taft 1-0 in the Southern California Division V regional final.
Incredibly, Garfield is headed to Sacramento this week to play in the first CIF state soccer championships, against Branford on Saturday at 10 a.m. at Natomas High.
“I’m super pumped up,” Zarate said.
Who knows how many alumni from Garfield are living in Sacramento or nearby, but they have been known to travel around the country to support their Bulldogs, especially if rival Roosevelt is the opponent. Something tells me there’s going to be a caravan from Boyle Heights headed to Sacramento to provide support.
“I know some will make the drive,” Serrano said.
It’s been a strange season in City Section soccer, with six schools removed from the playoffs for using ineligible players, most of whom played for club teams while also playing tor their high school team, in violation of CIF bylaw 600.
Serrano said there’s always a reminder making sure his players know the rule.
“There’s a lot of soccer going on in this community,” he said. “It’s always a challenge because kids play outside with club. It’s something I do from the beginning of tryouts. We talk to the kids that if they play in a club outside of school, they are not allowed to play high school or vice versa. There’s no excuse,”
In the case of the 5-foot-6 Zarate, he didn’t play any soccer last year while focusing on academics and being part of the school’s ROTC program. His weighted grade-point average is at 4.4. He wants to study to become a firefighter.
“My family motivated me to be academically focused and I found a balance to do both,” he said of his return to soccer.
Goalies are usually much taller than Zarate, but he received lots of lessons on how to overcome the size disadvantage.
“I get that a lot that I’m very short for a goalie,” he said. “As a kid I, got training by a good trainer. He told me, ‘You’re pretty short for a goalie. As long as you can master being able to dive and jump high, you should be as good as them.’”
Garfield finished fourth in the Eastern League behind City Section soccer powers South East and Marquez, both of whom were eliminated after making the semifinals because of ineligible players.
Given the opportunity to get hot in the playoffs, the Bulldogs have done just that. Junior Noe Marmolejo has been the leading goal scorer.
The team is scheduled to take a bus to Sacramento on Friday, stay at a hotel Friday night, rise early for its game on Saturday, then immediately return home. Considering how loyal the Boyle Heights community is, look for lots of fans supporting the team in Sacramento and when that bus returns home.
“It’s an honor,” Serrano said of being the first City team to play for a state soccer title.
Back in the early 2010s, the music industry was at a low point.
Piracy was rampant. Compact disc sales were on a steady decline. And the then-new audio streaming services, like Spotify, were taking hits from creators for paying low royalty rates.
Today, Spotify has grown into the world’s most popular audio streaming subscription service and the highest-paying retailer globally — paying the music industry over $11 billion last year. The Swedish company said in a recent post that the payouts aren’t strictly going to ultra-popular artists, but that “roughly half of royalties were generated by independent artists and labels.”
“A decade ago, a lot of the questions were really fair. Spotify had to be able to prove out if it could scale as an economic engine. People didn’t know if streaming would scale as a model,” said Sam Duboff, Spotify’s global head of marketing and policy of music business.
Duboff said Spotify’s payouts aren’t “plateauing — we’re still growing that royalty pool on Spotify more than 10% per year.” He credits the streaming platform’s growth to “incentivizing people to be willing to pay for music again” by providing personalized experiences and global accessibility.
The company, founded in 2006, serves more than 751 million users, including 290 million subscribers, in 184 markets.
“The average Spotify premium subscriber listens to 200 artists every month, and nearly half of those artists are discovered for the first time,” Duboff said. “When you build an experience where people can explore and fall in love with music, it inspires them to upgrade to premium and keep paying.”
The platform offers a wide variety of playlists, curated by editors like the up-and-comer-driven Fresh Finds or rap’s latest, RapCaviar. There are also personal playlists generated for users, such as the weekly round-up Discover Weekly and the daily mix of tunes called the “daylist.”
The streamer considers itself the first step toward “an enduring career” for today’s indie artists. Last year, more than a third of artists making $10,000 on the platform in royalties started by self-releasing their music through independent distributors.
“Streaming, fundamentally, is about opportunity and access. It’s artists from all over the world releasing music the way they want to and reaching a global audience from Day One,” Duboff said. He adds that when fans have a choice, they will discover new genres and music cultures that may have otherwise languished in obscurity.
In 2025, nearly 14,000 artists earned $100,000 from Spotify alone. The streamer’s data also show that last year the 100,000th highest-earning artist made $7,300 in Spotify royalties, whereas in 2015, an artist in that same spot earned around $350.
The company, with a large presence in L.A.’s Arts District, emphasizes that the roster of artists on its platform who earn significantly more money — well into the millions — is no longer limited to the few. A decade ago, Spotify’s top artist made around $10 million in royalties. Today, the platform’s top 80 artists generate over $10 million annually. Some of 2025’s top artists globally were Bad Bunny, Taylor Swift and the Weeknd.
Spotify claims those who aren’t household names can earn six figures, with more than 1,500 artists earning $1 million last year.
For some musicians, the outlook is not as clear
Damon Krukowski, a musician and the legislative director for United Musicians & Allied Workers, argues that Spotify’s money isn’t necessarily going to artists — it’s going to their labels.
Those without labels usually upload music through distributors such as DistroKid and CD Baby. These platforms charge a small fee or commission. For example, DistroKid’s lowest-level subscription is $24.99 a year, and the site states users “keep 100% of all your earnings.”
”There are zero payments going directly to recording artists from Spotify,” Krukowski asserts. “Recording artists deserve direct payment from the streaming platforms for use of our work.”
The advocacy group, which has mobilized more than 70,000 musicians and music workers, recently helped draft the Living Wage for Musicians Act to address the streaming industry. The bill, introduced to the U.S. House of Representatives last fall, calls for a new streaming royalty that would directly pay artists a minimum of one penny per stream.
In the Q&A section of Spotify’s Loud and Clear website, the streamer confirms that it “doesn’t pay artists or songwriters directly. We pay rights holders selected by the artist or songwriter, whether that’s a record label, publisher, independent distributor, performance rights organization, or collecting society.”
Instead of following a penny-per-stream model, Spotify pays based on the artist’s share of total streams, called a “streamshare.”
“Streaming doesn’t work like buying songs. Fans pay for unlimited access, not per track they listen to,” wrote the company online. “So a ‘per stream’ rate isn’t actually how anyone gets paid — not on Spotify, or on any major streaming service.”
WASHINGTON — President Trump promised that 2026 would be a bumper year for economic growth, but instead it has kicked off with job losses, rising gasoline prices and more uncertainty about America’s future.
In his State of the Union address less than two weeks ago, the Republican president confidently told the country: “The roaring economy is roaring like never before.” The latest batch of data on jobs, pump prices and the stock market suggests that Trump’s roar has started to sound far more like a whimper.
There is a gap between the boom that Trump has predicted and the volatile results he has produced — one that could set the tone in this year’s midterm elections as he tries to defend his party’s majorities in the House and Senate. With Trump’s tariffs uncertainty ongoing, the war in Iran has suddenly created inflationary concerns regarding oil and natural gas.
The White House says it is still early in the year and stronger growth is coming.
No signs of a jobs boom
“WOW! The Golden Age of America is upon us!!!” Trump posted on social media Feb. 11 after the monthly jobs report showed gains of 130,000 jobs in January.
Since then, the job market has evaporated in worrisome ways.
Friday’s employment report showed job losses of 92,000 in February. The January and December figures were revised downward, with December swinging to a loss of 17,000 jobs. Monthly data can be rocky, but a trend has emerged that shows an enduring weakness. Without the healthcare sector, the economy would have shed roughly 202,000 jobs since Trump became president in January 2025. His administration notes construction job gains outside of the housing sector, which it says point to future hiring growth.
Trump often claims that jobs are going to people born in the United States, rather than to immigrants. But the latest report punctured some of that argument.
The unemployment rate for people born in the U.S. has climbed over the last 12 months to 4.7% from 4.4%. This means a greater share of the people who Trump said would get jobs because of his immigration crackdown are, in fact, searching for work.
Prices at the pump are going up
“Slashing energy costs is among the most important actions we can take to bring down prices for American consumers,” Trump said in a February speech in Texas just before the U.S. and Israel attacked Iran. “Because when you cut the cost of energy, you really cut — you just cut the cost of everything.”
The president has repeatedly told Americans that keeping gas costs low would be key to defeating inflation. He has talked up the decline, citing figures that were far below the national average to persuade the public that driving was getting cheaper.
But the strikes against Iran that began Feb. 28 have, for the moment, crushed that narrative. Prices at the pump have jumped 19% over the last month to a national average of $3.45, according to AAA. The investment bank Goldman Sachs warned in an analyst note that, if higher oil prices persist, inflation could rise from its 2.4% reading in January to 3% by the end of the year.
The administration is banking on plans to contain any energy price increases, essentially betting that either the conflict will end shortly or the administration can succeed in getting more tankers through the Strait of Hormuz. Trump advisors on Sunday sought to assure anxious Americans that surging fuel prices are a short-term problem.
“We never know exactly the timeframe of this,” Energy Secretary Chris Wright said on CNN’s “State of the Union. “But in the worst case, this is a weeks, this is not a months thing.”
Stocks are off their highs
“You know, we set the all-time record in history with the Dow going to 50,000,” Trump said Thursday at the White House.
This frequently repeated talking point has grown stale. The Dow Jones industrial average, one of Trump’s preferred measures of success, has dropped 5% over the last month. Stocks are up during his presidency, just as they were when Democrat Joe Biden was president. The recent decline could be reversed if the war with Iran ends and companies see solid profits over the next year and beyond. The recent dip, however, should be a warning sign as the administration has stressed the importance of more people investing in the stock market through vehicles such as “Trump accounts” for children.
The stock market has become a barometer of how people feel about the economy, with stock investors tending to have more confidence and those without money in the markets being more pessimistic.
Joanna Hsu, the director of the University of Michigan’s surveys of consumers, noted that in February a “sizable” increase in sentiment among people owning stocks “was fully offset by a decline among consumers without stock holdings.”
Productivity is up, but workers aren’t benefiting
Trump can point to a win in that the economy has become more productive — generating more value for each hour of work. That is a positive sign for long-term growth in the U.S. and a reflection of its strong tech sector.
Business sector labor productivity climbed 2.8% in the fourth quarter of last year, the Labor Department reported Thursday. But the challenge is that the gains might not be spread to workers in the form of higher pay as labor’s share of income last year fell to the lowest level on record, noted Mike Konczal, senior director of policy and research at the Economic Security Project, a nonprofit aligned with liberal economic issues.
Economy grew at a faster pace under Biden
“Under the Biden administration, America was plagued by the nightmare of stagflation, meaning low growth and high inflation — a recipe for misery, failure and decline,” Trump said at the World Economic Forum in Davos, Switzerland, in January.
The scoreboard tells a far different story, one that makes Biden’s track record in 2024 look better than Trump’s performance last year. The U.S. economy grew at a 2.8% pace during Biden’s last year, compared with 2.2% under Trump in 2025.
As for inflation, the primary measure used by the Federal Reserve is the personal consumption expenditures price index. It was 2.6% in both 2024 and 2025.
Trump has staked his economic argument on doing better than Biden. But while he has avoided the inflation spikes that haunted Biden’s presidency — amid the height of the COVID-19 pandemic — Trump has not delivered stronger growth or more hiring.
The 7-foot Swiss center was injured Wednesday night in a 130-107 win against the Indiana Pacers. Niederhauser was diagnosed with a Lisfranc injury in his right foot and will require surgery, the team said. The injury involves damage to the ligaments or bones in the middle of the foot.
Niederhauser averaged 4.3 points and 2.9 rebounds in 41 games. After being selected 30th in last year’s NBA draft, he began the season in the G League, but after the Clippers traded Ivica Zubac last month, he was earning more minutes.
In his last five games, Niederhauser was shooting 52% from the field and averaging 8.2 points and 6.2 rebounds while playing 18 minutes a game.
Four hours before Sienna Spiro is due to launch her first U.S. headlining tour, the 20-year-old singer and songwriter from London sits upstairs in the Troubadour’s empty balcony, peering down as several crew members wheel a grand piano onstage.
“The fact that I’m 11-and-a-half hours from home and that this room is gonna be filled with people that have never met me and that I’ve never seen before — that’s just crazy,” she says. “I’m kind of scared.”
The song that brought Spiro to West Hollywood this past Tuesday is “Die on This Hill,” a showstopping pop-soul ballad about staying in a toxic relationship — “I’ll take my pride, stand here for you,” she sings, “I’m not blind, just seeing it through” — that’s been streamed more than 300 million times on YouTube and Spotify since it came out in October. Built around tolling piano chords and Spiro’s titanic vocal, the song hit No. 9 in the U.K. and broke into the Top 20 of Billboard’s Hot 100; last month, Spiro — whose famous admirers include SZA, Mark Ronson and Alex Warren — was nominated for the Critics’ Choice prize at England’s annual BRIT Awards.
With its unabashed emotion and its throwback feel, “Die on This Hill” can be heard as the latest in a long line of melodramatic ballads by young Brits such as Amy Winehouse, Duffy, Lewis Capaldi and Olivia Dean, the last of whom was just named best new artist at the Grammys. Yet Spiro’s voice stands out: Rich and pulpy, with a crack she knows how to deploy for maximum heartbreak, it might be the most impressive instrument to come out of England since Adele emerged nearly two decades ago.
“Sienna is a true artist with the voice of a generation,” says Sam Smith, one more English singer (and former best new artist winner) with a flair for ugly-cry theatrics. Late last year, Smith, who identifies as nonbinary, invited Spiro to join them onstage in New York for a performance of Smith’s song “Lay Me Down.” Spiro, Smith recalls, “blew the room away” — one reason they brought her out again Wednesday night at San Francisco’s Castro Theatre, this time to sing “Die on This Hill” together.
Says Smith of the younger artist: “The world is at her feet.”
At the Troubadour, where she’ll follow Tuesday’s sold-out concert with an encore appearance Friday night, Spiro describes singing as a life calling. “I’ve known what I wanted to do since — honestly, since I’ve been a conscious human being,” she says. Dressed in a black-and-white-striped turtleneck, she has her legs folded beneath her on a wooden bench; her dark hair hangs loose around her face, yet to be styled into the ’60s-inspired do she’ll wear come showtime.
“I always felt a bit invisible,” she adds, whether at school with friends or at home as a middle child. “Not in a victimized way. But I always struggled with that existentialism. Music is the only thing that’s made me feel real.”
Are we to believe that one of pop’s bright new stars was once … kind of a bummer?
“In my own way, yeah,” she says with a laugh. “It’s OK. It happened. Character building.”
Spiro grew up privileged in London, one of four children of Glenn Spiro, a prominent jeweler who counts Jay-Z as a client and pal. Her dad turned her onto Frank Sinatra and Nina Simone and the Italian film “Profumo di donna” when she was little; by age 10 she’d written her first song (“Lady in the Mirror,” it was called) and played her first gig (at a pub not far from Heathrow Airport).
At 16 she enrolled at East London Arts and Music, a performing arts academy she describes as “the up-and-coming version” of London’s prestigious BRIT School, whose alumni include Adele and Winehouse. Her academic career didn’t last long, though: On her first day of classes she posted a TikTok of herself covering Finneas’ song “Break My Heart Again” that triggered a wave of interest from various record-industry types; soon she dropped out and began regularly traveling to Los Angeles to work on music.
Today Spiro says she has a “love-hate relationship” with the town where she estimates she spends half her time. “I’m very English, and I think something about English people is our honesty — you don’t really have to guess what people are saying. What was shocking to me when I came here was that people didn’t say what they meant.
“I was very, very lonely, and it was hard to make music when you feel that,” she adds. “I make sad music, but it’s hard to be a teenager and be away from your family and your friends and be in a place where you kind of have to play pretend being an adult.”
Did suffering among the two-faced liars of L.A. ever lead her to question her commitment to music?
“No. It just made me question how I was doing it. And not everyone’s a two-faced liar. There are some good ones out there.”
Was she ever at risk of becoming a two-faced liar herself?
“Oh, I’m too English for that,” she says. “If I did that, I’d get a slap.”
Sienna Spiro performs this week at the Troubadour in West Hollywood.
(Ariana Drehsler / For The Times)
Spiro started releasing singles in 2024 and quickly signed a deal with Capitol Records; last year she opened for Teddy Swims on the road and turned heads with “You Stole the Show,” a luxuriously gloomy slow jam with echoes of Adele’s “Skyfall.”
For “Die on This Hill,” which she wrote with Michael Pollack and Omer Fedi (both of whom went on to produce the song with Blake Slatkin), Spiro wanted to capture the feeling of “when you go above and beyond just to feel something reciprocated back from someone,” she says. But if the writing came quickly, the recording didn’t: Spiro jokes that she cut “900 different versions” of the song, including one she says sounded like Silk Sonic and another that sounded like Lauryn Hill.
“I was desperate for something up-tempo,” she says, given that virtually everything she’d dropped so far had been a ballad. Yet Fedi pushed her to cut the tune live with just her on vocals and Pollack on piano. They did four takes, according to the producer, one of which forms the basis of the record that eventually came out.
“Very old-school, very human,” Fedi says of the process. “Maybe I’m corny but with Sienna, less is really more. Her voice is so special, so big and upfront, that you just want to put a giant flashlight on it and let it shine.”
In early January, Spiro gave a bravura performance of “Die on This Hill” on Jimmy Fallon’s late-night show; one clip on TikTok has been viewed more than 70 million times. For that appearance, she wore a retro mini dress printed with an old photo of Johnny Carson behind his desk; for a recent performance in the BBC’s Live Lounge, she wore a different dress showing the faces of the four Beatles.
On stage at the Troubadour, her dress features images of the Chateau Marmont and the Capitol Records tower — a bit of setup, she says, for her next single, “The Visitor,” which is due March 13. Spiro has been slowly assembling her debut album for the past two years, but with headlining concerts to play, she’s reaching back for some of her oldies from 2024.
Some, not all.
“To be real with you, some of my early stuff wasn’t the most authentic,” she says as her drummer starts thwacking a snare during sound check . “I was trying to be someone else because I really wasn’t comfortable with myself.”
Can she point to an example?
“‘Back to Blonde,’” she says, referring to a vaguely Lana Del Rey-ish number about a woman who dyes her hair after killing a no-good lover. “I put it out for all the wrong reasons. It was a mistake — an inauthentic move that I regret making.”
What were the wrong reasons?
“It’s a long story, and it’s not very interesting. I didn’t do it because I loved the song — that’s what I’ll say. But at the end of the day it’s my name and I have to stand by it.”
Which is why she’s taking her time on the LP. Some artists her age don’t care much about the album format but Spiro is a true believer. Among her faves: Sinatra’s “In the Wee Small Hours,” Stevie Wonder’s “Songs in the Key of Life,” Adele’s “21” — “a perfect album,” she says — and Billie Eilish’s “Hit Me Hard and Soft.”
“I love an album where you don’t ever question why a song’s on there,” she says. “Where everything feels intentional.”
She doesn’t want to divulge too much about the work in progress. “The problem with me is I have a huge mouth and I give everything away,” she says, which — hey, great.
“No, I know it is for you,” she adds with a laugh. “But not for me, because then when I actually want to do the big reveal, I’ve got nothing because I’ve said it all.”
She will allow one detail: “It won’t be 12 ballads, I’ll tell you that.” She looks toward the ceiling, jiggling her head slightly, as though she’s doing some mental math regarding the track list.
“I mean, there’s a lot of ballads,” she says. “I just love a ballad — I can’t help it.”
SACRAMENTO — Gov. Gavin Newsom plans to spend $19 million promoting California and dispelling “myths driven by misinformation and political rhetoric” in a marketing campaign that would run through the final months of his administration as he weighs a potential run for president.
The new contract, which is in the bidding process, comes as Newsom’s political future and national standing are closely tied to how voters view California’s economy, crime and quality of life — issues that have become central to attacks from President Trump and conservative media outlets.
The Governor’s Office of Business and Economic Development is seeking a contractor to design a statewide taxpayer-funded “California Brand Campaign,” with two-thirds of spending under the proposal to be used for paid advertising and media placements. Bidding on the contract opened Feb. 24 and is expected to end March 13.
The solicitation frames the campaign as an effort to push back on what Newsom has often described as misleading narratives about California. The campaign would launch during a period of financial uncertainty for the state, with Newsom’s January budget projecting a $3-billion deficit next fiscal year.
“California and its business climate have been falsely and maliciously maligned for years, and the state has a right to tell the true story — California is a great place to do live, work, invest and visit,” said Newsom spokesperson Tara Gallegos. “Setting the record straight will benefit every business, worker and resident of this state.”
Newsom is contemplating a run for president in 2028 and says he remains undecided about whether he will pursue the Oval Office.
State Sen. Roger Niello (R-Fair Oaks), who is vice chair of the Senate budget committee, said the language of the proposal request is concerning. He said it would make it easier to stifle criticisms of policies that he says make it difficult to do business in California.
“This is clearly part of the Gavin Newsom for President campaign, but what is most troubling to me is that this is a program to be developed by some private-sector contractor to define what is acceptable speech in the state of California,” Niello said. “That scares the stuffing out of me.”
The negative image of California — homeless encampments lining the streets, smash-and-grab robberies at malls and an exodus of residents and businesses fleeing high taxes and nanny-state governance — could be a liability for Newsom if he runs for president.
Newsom has seen his popularity surge in the last year after his fight-fire-with-fire approach to countering Trump’s rhetoric. The two-term governor has used his expanding platform, including a podcast and nationwide book tour for his recently released memoir, to repeatedly push back on Trump’s criticisms of California. He argues that California remains one of the world’s largest and most dynamic economies and the envy of other states.
The tone of the marketing campaign bid request itself echoes that message, with its introductory paragraph pulled directly from Newsom’s State of the State speech in January.
“California has never been about perfection,” it reads. “It’s about persistence. The courage of our convictions and the strength to embody them. That’s the California Way.”
Mike Madrid, a Republican strategist who runs the research nonprofit Latino Working Class Project, said scrutiny of the campaign will depend on whether the ads veer into politics or overtly promote Newsom in the way federal border security ads showcased the now ousted Homeland Security Secretary Kristi Noem.
“You have to ask why now?” Madrid said of Newsom’s timing for the California ad campaign. “He’s in the eighth inning of a nine-inning baseball game. Timing and tone are everything when considering the appropriateness.”
The use of taxpayer dollars to combat negative publicity about the state and the governor isn’t new under the Newsom administration.
Newsom tapped an employee in his communications office to serve as his “deputy director of rapid response” in 2024. Staff member Brandon Richards, who made $136,000 last year, is tasked with quickly dispatching responses to information the governor’s team deems inaccurate or misleading that is spread on social media and in the media.
Newsom’s frustration reached a boiling point over claims about the state’s response to the Los Angeles wildfires last year. President Trump publicly blamed Newsom and “his Los Angeles crew” for the disaster, though the Republican’s claims that a lack of water in Southern California led to a shortage for firefighters were widely debunked.
Newsom’s political team launched a website in January 2025 to fight misinformation about the L.A. fires, which he said at the time would “ensure the public has access to fact-based data.” The site, www.californiafirefacts.com, no longer appears to exist.
At one point, however, it redirected viewers to the redistricting campaign website for Proposition 50, according to internet archives. Newsom championed the successful redistricting ballot measure to add more Democrats to California’s congressional delegation, a direct response to Trump urging Texas and other Republican states to reconfigure their congressional boundaries to elect more Republicans to Congress.
Newsom adopted an even more aggressive social media strategy last summer after Trump deployed the National Guard and U.S. Marines to California during federal immigration sweeps. The governor directed his team to match the brash communication tactics emanating from the White House. His aides continue to shoot down criticism and launch their own snarky assaults on Trump and his allies.
The new ad campaign appears to be an extension of his work to refute the anti-California narrative.
The request for bids says “some look at this state and try to tear down our progress. They attack our values and caricature our culture. They distort the data to diminish our accomplishments.”
WASHINGTON — A year into the Trump administration’s ratcheted-up mass deportation effort, approval rates for asylum seekers have plummeted as immigrants are too afraid to show up for court hearings.
Fewer than 3% of asylum cases decided in January were approved — a record low, according to Mobile Pathways, a San Francisco nonprofit that analyzes federal immigration data. That’s compared with an 18% approval rate in January 2025.
Nationally, 20% of immigrants seeking asylum missed their hearings in January, compared with half that rate a year earlier. Asylum seekers with pending applications are in the country legally, but under federal law, failing to appear for a hearing can result in a deportation order.
In Los Angeles County immigration courts — among the largest in the country — the trend is substantially starker: no-shows made up 56% of the asylum hearings in January, compared with 14% a year earlier.
“That’s not fluctuation,” said Bartlomiej Skorupa, chief operating officer of Mobile Pathways. “That’s collapse.”
A Justice Department spokesperson said the Trump administration is restoring integrity to immigration courts.
As of December, nearly 3.4 million cases were pending in immigration courts, with more than 2.3 million of them asylum cases, according to TRAC, a data research organization.
The rise in the number of people avoiding asylum hearings helps explain another trend in the immigration court system. Over the last year, the number of asylum cases marked “abandoned” has doubled.
Immigration attorneys say cases can be classified as abandoned for various reasons: An applicant missed a deadline, filled out a form incorrectly, or just decided to leave the U.S.
But the Executive Office for Immigration Review, the agency that administers immigration courts, can label a case abandoned if the applicant fails to show up for a hearing. Nationwide, the number of cases considered abandoned doubled over the last year to make up about 41% of those decided in January.
It takes an average of four years for immigrants to receive an asylum hearing, though a final decision can take longer with appeals, according to the Migration Policy Institute, a nonpartisan think tank.
During the Biden administration, most asylum claims were not issued decisions by an immigration judge; instead, many were administratively closed, or paused and taken off judges’ dockets. While the case is inactive, the person can remain in the U.S., work legally and pursue other avenues of relief.
But such a policy is vulnerable to being reversed by a subsequent administration, Migration Policy Institute experts wrote in a November report.
Lindsay Toczylowski, co-founder of the Immigrant Defenders Law Center in Los Angeles, said the increase in no-shows is in part because the Trump administration began reopening asylum cases that had been administratively closed for many years.
Many of those people are no longer in contact with their attorney, if they had one, and would be difficult to notify of a new hearing.
A decade ago, a significant portion of asylum seekers came from El Salvador, Guatemala or Honduras, many of whom settled in Southern California.
Since President Trump returned to the White House, Los Angeles was one of the earliest cities where federal agents began arresting immigrants at courthouses. Immigrants have become afraid to engage with any law enforcement authorities, Toczylowski said.
The government’s goal, she said, “is not due process or pursuing justice for people in immigration courts — it’s deportation orders. If people don’t show up in court, that’s a way for them to meet their metrics.”
Immigration courts are housed within the Department of Justice and judges have long complained that they lack full independence from executive branch overreach. The department disputes that, saying judges are independent adjudicators who decide cases individually.
More than 100 immigration judges have been fired since Trump took office and about the same number have resigned or retired, according to the union representing immigration judges. That’s down from 735 judges in last fiscal year.
Last summer, the Pentagon authorized up to 600 military lawyers to work for the Department of Justice after removing the requirement for temporary immigration judges to have immigration law experience.
Jeremiah Johnson, a former immigration judge who was fired last year from the San Francisco Immigration Court, said the 3% asylum grant rate in January is shockingly low.
Johnson, who was vice president of the National Assn. of Immigration Judges, said decisions by the Board of Immigration Appeals throughout the last several months have limited asylum law. Immigration judges must abide by the precedent set in those cases.
One such case, for example, reverses prior interpretations to now limit gender-based asylum, finding that persecution claims based solely on gender, or gender combined with nationality, don’t generally don’t meet the definition of a “particular social group” — one of the five categories under U.S. asylum law.
Another factor contributing to lowered asylum approvals, he said, is that the federal government has started seeking to dismiss asylum cases by forcing migrants to start over in a “safe third country.”
These requests stem from the increasing number of so-called asylum cooperative agreements, which allow federal officials to send certain migrants to other countries — including less stable places such as Honduras, Uganda and Ecuador — instead of continuing to seek asylum in the U.S.
“It has really been a restriction in the availability for asylum and other related protection,” he said.
Kathleen Bush-Joseph, one of the authors of the Migration Policy Institute report, pointed to a post last month on X by White House Deputy Chief of Staff Stephen Miller, who said that asylum “is limited to individuals fleeing extremely narrow categories of state persecution.”
“None of the groups illegally crossing the border fit that criteria,” Miller wrote. “No one in Mexico or Ecuador or Honduras etc live in nations where there is any state persecution of any protected class.”
But Bush-Joseph cautioned that it’s not yet clear whether the Trump administration’s asylum changes are legal.
“Even though there are executive actions in place that are restricting access to asylum, those are being challenged in court and I don’t think that we know how all of this will turn out,” she said. “A lot of people are being deported in the meantime and they may not get the chance to come back.”
This story contains spoilers for the pilot of “Marshals.”
When the curtain came down on “Yellowstone” last year, Kayce Dutton had finally found his happily-ever-after.
The youngest son of wealthy rancher John Dutton (Kevin Costner) had secured a modest cabin in a mountainous region where he could reside in secluded peace with his beloved wife, Monica (Kelsey Asbille), and son, Tate (Brecken Merrill), far from the turbulent dysfunction of his family.
“Kayce found his little peace of heaven, getting everything he ever wanted and fought for,” said Luke Grimes, who plays the soft-spoken Dutton in “Yellowstone.”
Grimes reprises the role in CBS’ “Marshals,” which premiered Sunday. But in the new series, Kayce’s serenity has been brutally shattered, forcing him to find a new path forward after an unimaginable tragedy.
The drama is the first of several planned spinoffs of “Yellowstone,” which became TV’s hottest scripted series during its five-season run. And while some familiar faces return and events unfold against the magnificent backdrop of towering mountains and lush greenery, “Marshals” is definitely not “Yellowstone” 2.0.
Luke Grimes as Kayce Dutton in “Marshals,” which combines the gritty Western flavor of “Yellowstone” with the procedural genre.
(Sonja Flemming / CBS )
In “Marshals,” Kayce joins an elite squad of U.S. Marshals headed by his Navy SEAL teammate Pete Calvin (Logan Marshall-Green). The drama combines two distinct brands — the gritty Western flavor of “Yellowstone” with the procedural genre, a flagship of CBS’ prime-time slate.
During an interview at an exclusive club in downtown Los Angeles, Grimes expressed excitement about dusting off his cowboy hat and boots, though he admitted to having initial concerns about whether the project was a fit.
“I had never watched a procedural before, so I had to do some homework on what that was,” Grimes said hours before the gala premiere of “Marshals” at the Autry Museum of the American West in Griffith Park. “And I just couldn’t wrap my head around it at first. In the finale, Kayce had ridden off into the sunset. So I thought, ‘Let him be, let him go.’ ”
Those doubts eventually ebbed away.
“To be honest, there was a part of me that didn’t want to let Kayce go just yet,” Grimes said. “Saying goodbye to him was really hard, so the opportunity to keep this going was something I couldn’t pass up. We get to show his backstory and also this other side of him that we didn’t see in ‘Yellowstone.’ ”
But this Kayce is a man in crisis. “Yellowstone” devotees will likely be shocked by the “elephant in the room” — the revelation in the pilot episode that Monica has died of cancer. The couple’s sexy and loving chemistry was a key element in the series while also establishing Grimes as a heartthrob.
“I think fans will be upset — and they should be,” Grimes said as he looked downward. “Kayce is very upset. It’s the worst thing that could have happened to him. But as much as I’m really upset not to work with Kelsey, it’s a good idea for the show.”
He added, “His dream life is no longer available to him. Now the only thing he has is his son, who is not so sure he wants the same life as Kayce. A big part of the season is Kayce learning how to manage all these new things — new job, being a single father.”
“His dream life is no longer available to him. Now the only thing he has is his son, who is not so sure he wants the same life as Kayce,” said Luke Grimes about his character Kayce.
(Jay L. Clendenin / For The Times)
Executive producer and showrunner Spencer Hudnut (CBS’ “SEAL Team”) acknowledged in a separate interview that viewers may be stunned by the tragedy. “Real life intervenes for Kayce. Unfortunately it happens to so many of us.”
But he stressed that although Monica is physically gone, her presence will be heavily felt this season.
“She is guiding Kayce, and their relationship is moving forward,” Hudnut said. “His dealing with his inability to confront his grief is a big part of the season. It became clear that something horrible had to happen to put Kayce on a different path.”
As the development evolved, Grimes embraced the procedural concept: “This is a very different show and structure. This is an action show, very fast paced. I meet a lot of fans who say they really want to see Kayce go full Navy SEAL.”
Alumni from “Yellowstone” returning in “Marshals” include Gil Birmingham as tribal Chairman Thomas Rainwater and Mo Brings Plenty as his confidante Mo.
“Yellowstone” co-creator Taylor Sheridan, who had already spearheaded the prequels “1883” and “1923,” will further expand the “Yellowstone” universe later this month with “The Madison,” starring Michelle Pfeiffer and Kurt Russell, about a New York City family living in Montana’s Madison River territory. Later this year, Kelly Reilly and Cole Hauser will star in “Dutton Ranch,” reprising their respective “Yellowstone” roles as John Dutton’s volcanic daughter Beth Dutton and her husband, boss ranch hand Rip Wheeler.
Hudnut said fans of “Yellowstone” will recognize themes that were central to that series: “The cost and consequences of violence, man versus nature, man versus man.”
“We’re trying to tap into what people loved about ‘Yellowstone’ but to tell the story in a different framework,” he said. “The procedural brand is obviously very successful for CBS. And nothing has been bigger than ‘Yellowstone.’ So the challenge is, how do you marry those things?”
Taking on the lead role prompted Grimes to reflect on how “Yellowstone” transformed his life after co-starring roles in films like “American Sniper” and “Fifty Shades of Grey” and playing a vampire in the TV series “True Blood.”
“‘Yellowstone’ changed my life in many, many ways,” he said. “The biggest change is that I now live where we shot the show in Montana. The first time I went there, I would have never thought I would ever live there.
“I would come back to the city after shooting. But a little bit more each year, I felt more out of place here, and more peace and at home there. I’m a big nature person — I never was a big city person, but I had to be here to do what I wanted. But after the third season, my wife and I decided to move there. We wanted to start a family.”
The topic of a Kayce spinoff kept coming up during the filming of the finale, but “meanwhile we were having a baby, so that was the biggest thing on my plate.”
“‘Yellowstone’ changed my life in many, many ways,” said Luke Grimes.
(Jay L. Clendenin/For The Times)
Grimes was also dealing with the off-screen drama that impacted production due to logistical and creative differences between Costner and Sheridan. Costner, who was the show’s biggest attraction, exited after filming the first part of the final season. His character was killed off.
Asked about the backstage tension, Grimes said, “I just tried to do my job to the best of my ability, and not get caught up in all that. It was sort of frustrating, but I felt lucky to have a job.”
He recalled getting a call from Sheridan about the plans for a spinoff: “He said, ‘I think you should talk to the guy who is going to be the showrunner. I’m not telling you to do it, and I’m not telling you not to do it. But Spencer is great and he has some good ideas.’ ”
Hudnut said Kayce “was always my favorite character. Also, Luke is not Kayce. Kayce is an amazing character, but Luke is really thoughtful and smart. He is a true artist and has an artist’s soul, while Kayce is kicking down doors and terrorizing people. And Luke has such a great presence. He can do so much with just a look to the camera. He is a true leading man.”
In addition to starring in “Marshals,” Grimes is also an executive producer. He pitched the opening sequence — a flashback showing Kayce in the battlefield. He also performs the song that plays over the final scene, in which he visits his wife’s grave. The ballad is from Grimes’ self-titled country album which was released last year.
“Luke’s creative fingerprints are all over the pilot,” Hudnut said.
Grimes said he does not feel pressure about being the first follow-up from “Yellowstone” to premiere.
“We’re not trying to make the same show, so no matter what happens, its a win-win,” he said. “I had a blast doing it.”
MEDLEY, Fla. — Rhyne Howard scored 30 points to lead Vinyl past Laces and into the Unrivaled semifinals on Saturday, while Paige Bueckers’ 29 points led Breeze past Rose to secure its semifinal berth.
The Sparks’ Dearica Hamby hit the game-winning shot against No. 3 Laces in Game 1 of the first round of Unrivaled’s playoffs. Once they secured the 82-69 win, players from the sixth-ranked Vinyl club — the last Unrivaled team to clinch a spot in the playoffs — jumped into Hamby’s arms in celebration.
Dominique Malonga had 17 rebounds and the game-winning free throw to help Breeze rout Rose, last year’s Unrivaled champion, 69-50 and advance to the next round, which will be played at Barclays Center in Brooklyn on Monday night.
Top-seeded Phantom and No. 2 seed Mist earned automatic berths to Monday’s semifinals.
The title game will be March 4 at Unrivaled’s home arena in Miami, with a prize pool of $600,000 to be split among players from the championship-winning club.
Unrivaled announces end-of-season award winners
Phantom forward Aliyah Boston, who is entering her fourth season with the WNBA’s Indiana Fever, was named Unrivaled’s defensive player of the year on Saturday after emerging as one of the league’s biggest defensive standouts.
Boston, who was also named to the league’s second-team All-Unrivaled list, led the league with 29 blocks in 14 regular season games and finished second in total defensive rebounds (111). She also led Phantom in rebounds (136) and points off turnovers (39). She averaged 18.9 points, 9.7 rebounds and 2.1 blocked shots per game — a significant leap from her first Unrivaled season, when she averaged 5.9 points, 5.4 rebounds and 0.4 blocks.
Boston’s Phantom teammate Kelsey Plum, of the Sparks, was named first-team All-Unrivaled along with Bueckers and Rose guard Chelsea Gray.
Bueckers led her Breeze club in points (22.1) and assists (5.5) per game and shot 38% from three-point range this season. Gray, who won Unrivaled’s one-on-one tournament earlier this month, had four game-winning baskets and became the first Unrivaled player to surpass 600 points, 200 field goals, and 100 assists.
Phantom’s Roneeka Hodges was named coach of the year after leading her team to a league-best 11-3 record in her first season at Unrivaled.
Up next
Phantom will face Vinyl Monday in the first of two semifinal games in Brooklyn. Mist will go against Breeze in the second matchup.
The Dodgers shored up the bullpen over the winter, signing three-time all-star Edwin Díaz to a three-year, $69-million contract. With the closer role firmly defined for the first time since Kenley Jansen was on the team in 2021, how the rest of the bullpen falls into place remains a work in progress during spring training.
“Obviously, adding Díaz to the back end is huge for us and getting Alex Vesia [back] is going to be good, and also Blake [Treinen],” Dodgers manager Dave Roberts said. “Blake wasn’t right last year, clearly. He’s throwing the baseball really well. Having guys that you trust is everything for the pen. … You’ve got to count on those veteran guys for sure.”
Now included in that veteran group is left-hander Tanner Scott, who joined the Dodgers before last season on a four-year, $72-million deal. Scott struggled to find his footing, primarily as a closer, before a left elbow injury placed him on injured list in mid-July, causing him to miss a month of action. He returned the final week of August, and never looked quite right. Scott posted a 4.74 ERA across 61 appearances and 57.0 IP in his first year with the Dodgers.
On Saturday against the Chicago Cubs in a split-squad game at Camelback Ranch, Scott made his Cactus League debut and pitched a scoreless inning, recording a strikeout and giving up one hit on 17 pitches. With the ninth inning spoken for, Roberts believes this will allow for Scott to bounce back this season.
“I think being able to use Tanner in any inning of leverage, is going to be good for him,” Roberts said. “And it’s going to be good for us.”
Díaz, for his part, has settled in, making his second appearance of the spring on Saturday. He worked around two walks to pitch a scoreless inning, striking out one. Vesia, who missed the World Series due to the death of his newborn daughter, has pitched two scoreless innings while Treinen pitched a perfect inning on Thursday against the Chicago White Sox in his first Cactus League outing.
The 37-year-old Treinen, who’s been on all three of the Dodgers’ recent World Series teams and was a stalwart in the 2024 postseason, struggled last season, going 1-5 with a 9.64 ERA in September.
“You never know what the body throttles back,” Treinen said earlier in camp. “I had a UCL injury, so I don’t know if that’s part of the problem, but something was different. I mean, velocity was there, movements were there, execution wasn’t, and when pitches were in the zone, it was a harder-hit rate. So, that tells me something was different, how to handle hitters. So, just trying to go back and cleaning things up to where the ball does more of what it has done most of my career.”
On the flip side, right-hander Brusdar Graterol — who has not pitched since the 2024 World Series — remains in a holding pattern during spring training as he works his way back from right labrum surgery. And right-hander Evan Phillips is not expected back for several months after Tommy John surgery ended his season last June. But for the most part, the relievers who are healthy have shown glimpses of what it could look like this season.
“I don’t think that there’s one way to manage a pen,” Roberts said. “But when you have a guy like Edwin Díaz as your closer, I do think it frees up other guys. … I think that’s freeing for me and allows for getting the matchups we need in the prior innings.”
WASHINGTON — The Department of Justice appears to have withheld from disclosure files on disgraced financier Jeffrey Epstein related to a claim that President Trump sexually abused a minor, a top Democratic lawmaker said Tuesday.
“Oversight Democrats can confirm that the DOJ appears to have illegally withheld FBI interviews with this survivor who accused President Trump of heinous crimes.” U.S. Rep. Robert Garcia of Long Beach said in a statement. “Oversight Democrats will open a parallel investigation into this.”
Garcia is the top-ranking Democrat on the House committee probing Epstein and how federal law enforcement handled its investigation into sex trafficking accusations against the financier.
Trump has repeatedly said he cut ties with Epstein two decades ago and was not aware of the late financier’s activities. The president has also said he didn’t engage in wrongdoing. Last year, Trump strenuously opposed releasing the Epstein files but then signed legislation forcing their release after it was passed by Congress.
A Justice Department spokeswoman said the file that listed all FBI interviews with the victim was temporarily removed in order to do redactions and put back online on Thursday. The spokeswoman said the department has not deleted any of the files and all documents responsive to the law have been produced unless they fall within a category that justifies being withheld.
The White House pointed to a Justice Department social media post saying “ALL responsive documents have been produced” unless there is a legitimate legal reason for withholding them. Democrats on the House Oversight Committee “should stop misleading the public while manufacturing outrage from their radical anti-Trump base,” the statement added.
A White House spokesperson previously cited the release of documents as evidence of its transparency and support for helping Epstein’s victims.
Sara Guerrero, a spokesperson for Garcia, said the department “has yet to respond as to why these documents are missing, despite the active subpoena from the Oversight Committee that does not allow for withholding these documents. They are not addressing the missing files about the survivor and her allegations.”
Legislation Congress passed last year to force disclosure of the Epstein files permits limited redactions for reasons such as to protect victims or classified information and to avoid jeopardizing ongoing criminal investigations.
“Under the Oversight Committee’s subpoena and the Epstein Files Transparency Act, these records must immediately be shared with Congress and the American public,” Garcia said. “Covering up direct evidence of a potential assault by the President of the United States is the most serious possible crime in this White House cover up.”
Tarabay and Strohm write for Bloomberg News. Steven T. Dennis and Hadriana Lowenkron of Bloomberg contributed to this report.
President Trump headed into Tuesday night’s State of the Union speech projecting confidence in his personal power to “Make America Great Again,” despite the woes he says he’s been saddled with by his Democratic predecessors.
He also stood in a uniquely precarious position — facing some of his lowest approval ratings ever, plummeting support on his signature issue of immigration, unrelenting pressure from the slow rollout of the Epstein files, a sluggish economy, mounting international tensions and looming midterm elections in which Democrats appear poised to make gains, possibly even retaking control in Congress.
Trump remains popular among his base and remarkably infallible in the eyes of his loyalist administration and still commands extraordinary deference from many leaders in his party. Many of his supporters share his confidence and suggest polls showing slipping support are bogus.
“This is what ‘America first’ looks like,” said Paul Dans, former head of the conservative Project 2025 playbook, which Trump has largely adopted. “The last year has been phenomenal. He has done more in one year than most presidents would accomplish in a whole term.”
Nonetheless, political observers see a landscape of vulnerabilities for the second-term president heading into the 2026 elections.
“He stands at a moment of rapidly declining political capital,” said Rob Stutzman, a Republican consultant in California. “From a historical perspective, a president in year six, heading into what looks like a rough midterm, is probably not going to rise any higher again, in terms of their political equity — so he’s probably past his peak of power.”
Trump is in “about as weak a position” as any president heading into a State of the Union address in recent memory, agreed Bob Shrum, a longtime Democratic strategist and director of the Dornsife Center for the Political Future at USC. “I don’t think the country sees Trump as the solution to anything at this point.”
At the same time, however, Trump is not acting like other weakened presidents, Shrum noted.
Instead of taking stock and turning away from unpopular policies, including on immigration and the economy, he is signaling that he simply won’t accept major midterm losses for his party — which leaves the nation in “completely uncharted waters,” Shrum said.
“We have a president who by all traditional standards has been weakened seriously, but who acts as though he had maximum strength,” he said. “We have a president who is deeply unpopular, who by every measure should see his party do very poorly in the midterms, but who seems determined to interfere in the midterm elections in any possible way that he can.”
In the polls
A Washington Post-ABC News-Ipsos poll released Sunday showed 60% of Americans disapprove of Trump’s job performance, with 39% saying they approve. The last time Trump fared so poorly in that poll was shortly after the Jan. 6, 2021, attack on the U.S. Capitol.
A CNN poll by SSRS released Monday found that Trump’s job approval rating stood at 36%, with a 19-point drop in approval among Latinos in the last year, an 18-point drop among Americans younger than 45, and a 15-point drop to just 26% approval among political independents — the lowest it has ever been during either of his terms.
Shrum said such sharp declines in support among Latino and independent voters do not bode well for Trump or for other Republicans on the ballot in November — especially given that the president, who often dismisses polling not in his favor, does not appear inclined to alter his policies.
Dans, who is running for Senate in South Carolina against Republican incumbent Sen. Lindsey Graham, dismissed Trump’s slumping polling numbers as “fake or engineered,” and said if anything, the president should “go full Trump” — doubling down on his agenda.
On immigration
Trump has polled well on immigration in the past. But his heavy-handed crackdown — with Immigration and Customs Enforcement and other federal agents arresting people without criminal records, detaining U.S. citizens and legal immigrants and killing U.S. citizens in Minneapolis — has shifted that. The Washington Post-ABC News-Ipsos poll found 58% of adults disapprove of his handling of immigration.
Stutzman said Trump and his team obviously realize their approach has rubbed voters the wrong way, which is why they recently shuffled the leadership team in Minneapolis. But the broader policy has remained in place and “the numbers are still cratering on them,” he said.
Shrum said that if Trump “were intent on improving his situation, he would change the way ICE behaves, and might put some different faces on the effort that he’s making, and might focus on people who are actually convicted criminals,” but instead, he and other administration officials “seem determined to plow ahead.”
Dans said Trump received “a clear mandate in 2024 with respect to the mass migration, and it was to reverse and end that flow,” and that’s what he’s doing. “Everyone is going back home.”
On Epstein
Trump has repeatedly denied any wrongdoing involving the late disgraced financier and convicted sexual abuser Jeffrey Epstein, a onetime acquaintance. However, questions about Epstein’s ties to Trump and other powerful men have persisted as evidence from multiple investigations into Epstein’s abuses continue to be released.
Republicans in Congress broke with the president and joined Democrats to pass a bill requiring the records’ release last year. Justice Department officials have slow-walked the release by redacting and withholding records, further dragging it out.
The records contained unproven accusations of wrongdoing by Trump, which he has denied. Democrats and Republicans alike have argued more records need to be released.
On the economy
Trump was dealt a blow last week when the U.S. Supreme Court blocked a sweeping set of tariffs he’d imposed on international trading partners.
Trump has said his administration will use other legal authorities to impose similar or even stiffer tariffs, despite polls showing his tariffs are unpopular.
The Washington Post-ABC News-Ipsos poll, which was taken before the court ruling, found that 57% of respondents disapproved of Trump’s managing of the economy, and 64% disapproved of his handling of tariffs.
Dans said that Trump has already tempered inflation and that “the economy is ready to take off like a rocket ship,” especially if Congress gives the president the space to continue rolling out policies aimed at returning jobs to the U.S. that long ago went overseas.
“We’re really focused on reindustrialization,” Dans said. “This isn’t going to happen overnight, but all the building blocks are being put in place.”
Looking ahead
Stutzman said there is already evidence that Trump “doesn’t quite have a grip on Congress” like he used to, given recent votes on the Epstein files and tariffs, and that the conservative-leaning Supreme Court is still willing to rule against him, as it did on his tariffs.
If Democrats win back control in the midterms, Trump will see his influence wane even further as “the next two years turn into a quagmire,” with Democrats stymieing his agenda and launching one investigation after another, Stutzman said.
Dans said people standing in Trump’s way, including in Congress, need to clear out, because they’re “flouting” the will of the electorate. “It’s always about what the people want, and that’s what he’s going to deliver.”
Shrum said Trump trying to avoid losing power by interfering with the vote, including through the handling of mail-in ballots, is a major concern, as is Trump entering the U.S. into an armed conflict overseas in a “Wag the Dog” move — a reference to a 1997 movie of the same name in which an unpopular president uses a foreign war to salvage an election.
However, Shrum said he doesn’t think the latter would actually benefit Trump — “I don’t think that at this point another foreign incursion would make any president more popular” — and that, interference or not, a Republican drubbing in November is likely.
Trump, then, “will just try to govern by executive order,” will get sued and will have his agenda mired in court battles straight through the end of his presidency, Shrum said — a product, in part, of his confident despite all indications, “my way or the highway” approach to governing.
WASHINGTON — To defend an increasingly unpopular immigration crackdown during his State of the Union speech, President Trump highlighted the victims of crimes perpetuated by undocumented immigrants.
But as Democrats pointed out, the president’s lengthy speech made no reference to the U.S. citizens, including Renee Good and Alex Pretti in Minneapolis, who were killed by immigration agents.
Recent polls show public approval of Trump’s immigration policies has fallen to record lows level since he returned to the White House. One poll, released Feb. 17 by Reuters and the market research firm Ipsos, showed just 38% of respondents felt Trump was doing a good job on immigration.
Another poll, published last month by Fox News, showed 59% of voters say U.S. Immigration and Customs Enforcement is “too aggressive.”
“As President Trump brags about his immigration enforcement at tonight’s State of the Union, I can think only of Renee Nicole Good, Alex Pretti and the three dozen people who have died in ICE custody since Trump took office,” Rep. Mark DeSaulnier (D-Concord) wrote on X.
Within the first few minutes of his address on Tuesday night, Trump highlighted “the strongest and most secure border in American history, by far.” He also offered — at least momentarily — a softer tone, adding that “We will always allow people to come in legally, people that will love our country and will work hard to maintain our country.”
In reality, the administration has restricted legal immigration. It has revoked humanitarian benefits for hundreds of thousands of people, and an indefinite pause on all asylum applications filed with U.S. Citizenship and Immigration Services.
Guests invited by various lawmakers to attend Trump’s speech offered dueling visions of the administration’s mass deportation effort.
Rep. Randy Feenstra (R-Iowa) said he would bring the father and brother of Sarah Root, who was killed in 2016 after a drunk driver, who was in the U.S. illegally, crashed into her vehicle. Trump held an event Monday for “angel families,” those with a relative who was killed by an undocumented immigrant, and signed a proclamation honoring such victims of crimes.
Democrats, meanwhile, invited immigrants, family members of those detained or deported, and U.S. citizens who were violently arrested by immigration agents.
Rep. Mike Levin (D-San Juan Capistrano), for example, said he was bringing the daughter of a Laguna Niguel couple deported last year to Colombia after their arrest during a routine check-in with ICE. And Rep. Jesus Garcia (D-Ill.) invited Marimar Martinez, a Chicago woman shot five times by Border Patrol Agent Charles Exum.
On X, the Department of Homeland Security shot back at Democrats with immigrant guests, saying the lawmakers are “once again prioritizing illegal aliens above the safety of American citizens.”
On Tuesday morning, Rep. Maria Elvira Salazar (R-Fla.) held a news conference on “the state of immigration,” flanked by Christian pastors, in which she touted her Dignity Act, which would provide permanent legal status to immigrants who meet certain benchmarks.
“Throughout the Scripture, there are two kinds of leaders: those who persecute faith communities and those who protect them,” she said.
California Sen. Adam Schiff was among the Democrats to boycott Trump’s speech, and he cited immigration enforcement as one reason for his absence.
“I have not missed the State of the Union in the 25 years I’ve been in Congress, but we have never had a president violate the Constitution, the laws every day with seeming impunity,” Schiff told Meidas Touch outside the Capitol. “We’ve never had masked armed, poorly trained agents, victimizing our cities, demanding to see people’s papers.”
Trump repeated claims about immigration that have been debunked, such as his assertion that President Biden’s immigration polices allowed millions of people to pour into the U.S. from prisons and mental institutions.
Trump also highlighted a figure he has often turned to — that Democrats let in “11,888 murderers.” That number, an inaccurate description of federal data, refers to immigrants who, over the course of decades (including the first Trump administration) were convicted of homicide, usually after their arrival in the U.S. Those immigrants are listed on ICE’s “non-detained docket” typically because they are currently serving their prison sentences.
Turning to Minnesota, Trump said Somalis have defrauded $19 billion from American taxpayers and referred to them derogatorily as “Somali pirates.”
Trump went beyond Somalis to disparage many immigrants, saying “there are large parts of the world where bribery, corruptions and lawlessness are the norm, not the exception.”
“Importing these cultures through unrestricted immigration and open borders brings those problems right here to the USA, and it is the American people who pay the price,” he said.
Trump also highlighted the case of Dalilah Coleman, 6, of Bakersfield who was left with a traumatic brain injury after a 2024 car crash in California.
He called on Congress to pass the Dalilah Law, which would bar states from granting commercial drivers licenses to immigrants without lawful status. He said, without proof, that “most illegal aliens do not speak English and cannot read even the most basic road signs.”
A year after Dalilah’s accident her family met with Partap Singh, the detained Indian immigrant responsible for the crash, at the Mesa Verde ICE Processing Center in Bakersfield. Marcus Coleman, her father, told Fox26 News that the focus shouldn’t be on Singh’s legal status because similar accidents happen every day.
Also present Tuesday night were the parents of Sarah Beckstrom, the West Virginia National Guard member shot and killed in Washington, D.C. by an Afghan immigrant, as well as Andrew Wolfe, who was also shot and survived.
Trump awarded Wolfe and Beckstrom the Purple Heart. He called Rahmanullah Lakanwal, the man charged in the shooting, a “terrorist monster.” Lakanwal legally entered the U.S. from Afghanistan through a Biden administration program in 2021 and his asylum application was approved under the Trump administration last April.
Turning his attention the fall’s midterm elections, Trump warned his supporters that if allowed back into power, Democrats would reopen the borders “to some of the worst criminals anywhere in the world.”
Trump then invited legislators to stand if they agreed with him that “the first duty of the American government is to protect American citizens, not illegal aliens.”
Republicans stood, offering one of the longest standing ovations of the night. Democrats remained seated.
Trump told Democrats they should be ashamed for not standing up.
“You have killed Americans!” Rep. Ilhan Omar (D-Minn.) yelled from the audience. “You should be ashamed.”
PHOENIX — There are expectations surrounding new Dodgers right fielder Kyle Tucker — not surprising for someone with a four-year, $240-million contract.
But first things first.
“Last year I got one hit in spring [training], so hopefully I get more than that,” Tucker said, sharing a laugh with reporters after grounding out and walking in two plate appearances in his Cactus League debut on Sunday. “So, that’s the goal. But I mean, [I’m] just feeling comfortable.”
In a clubhouse full of superstar players, the feeling seems mutual with his teammates.
“I’m glad he’s with us,” Dodgers catcher Will Smith said, adding: “Yeah, There might be other superstars on this team, but it’s not really anyone’s focus here. It’s all about getting in every day, working hard, helping us win a ballgame that day and working toward the ultimate goal of winning the World Series.”
It was a tale of two seasons for the 29-year-old Tucker in 2025.
Through the first three months of the year, Tucker had the Chicago Cubs’ offense humming, powering the club to a 53-35 start. Entering July, Tucker was batting .291 with a .395 on-base percentage, .931 OPS, 17 home runs, 52 RBIs and 20 stolen bases. Tucker found himself in the middle of the National League MVP discussion as the Cubs sat in first place in the NL Central.
But from July 1 through the end of the season, he batted just .225, posting a .690 OPS, five home runs and 21 RBI, a far cry from his first half that earned him a start in right field in the All-Star Game.
It was later revealed that Tucker sustained a hairline fracture in June, which he played through. In September, he suffered a calf strain, landing him on the injured list.
He finished the season with a .266 batting average and 22 home runs, career lows for him. That did not deter the Dodgers, and it was an easy sell for Tucker as well.
“Every organization is unique in its own sense,” Tucker said. “But this organization obviously the last couple of years has done pretty well, so I think that’s a huge part of the front office and them doing their part and trying to get a great group together. Just great people and great athletes, and then trying to just put the best product out on the field for the city of Los Angeles and the fans. I think they’ve done a pretty good job of that so far. Hopefully, we can keep winning for them.”
Despite what happened last season with Tucker, Dodgers manager Dave Roberts is confident in the newly-signed star.
“For me and the people that I talked to and how he goes about it, there’s nothing negative for me,” Roberts said last week. “I love guys that just come to work and love playing and competing. So, he just wants to win. He’s not a self-promoter; he’s not going to give [the media] a bunch of great soundbites. He wants to play to win, and I love guys like that. So, I’m excited to have him and get to know him even more.”
Tucker missed just under three weeks in the season’s final month. He would not return to the outfield in 2025, manning the designated-hitter spot for the Cubs, whose season ended at the hands of the Brewers in five games in the NL Division Series. Tucker says he felt good all offseason and is feeling even better in the early days of camp with his new team.
“It was a pretty healthy [offseason],” Tucker said. “At the beginning, I might have still been kind of nursing the calf a little bit. But it was kind of feeling pretty good right at the end. I think if we had moved onto the next series, I probably would have gone to the outfield, so I wish I could have gotten out there for that. Overall, in the offseason, I felt pretty healthy, and [feel pretty healthy] going into camp so far.”
Alex Vesia returns to the mound
Dodgers left-hander Alex Vesia made his Cactus League debut in Monday’s 3-0 win over the Seattle Mariners — the first time he’s pitched in a game of any kind since his newborn daughter died last fall.
Entering Monday’s game in the fifth inning to a loud ovation, Vesia struck out one and retired the side in order. He then received a warm greeting by his teammates in the dugout.
“Being around the guys, it’s really been comforting,” Vesia said. “These guys are my brothers, I truly love all of them. It’s meant a lot.”
Dodgers set starting pitchers for the week
Before Monday’s game, Roberts revealed starting pitchers for this week. Gavin Stone will take the mound Tuesday, Roki Sasaki will start Wednesday before Tyler Glasnow makes his first start of the Cactus League Thursday. Yoshinobu Yamamoto will start for the second time Friday, in what will likely be his final start before joining Team Japan for the World Baseball Classic.
Over the last two offseasons, the Dodgers spent a combined $141 million on relief pitchers Edwin Díaz and Tanner Scott, both of whom are expected to make their first spring training appearances later this week.
“I think Tanner and Edwin are going either Wednesday or Thursday in the Cactus League games,” Roberts said. “Those guys, we’ll start to see them this week.”
Despite the string of storms that have hit the Los Angeles region in recent days, the skies cleared up long enough on Wednesday for thousands of aspiring actors to swarm a beachfront in Marina del Rey and take their shot at landing a role in the upcoming “Baywatch” reboot.
The open casting call brought old Hollywood magic to Los Angeles, as the show intensified its search for raw and local talent, reminiscent of how original “Baywatch” stars were discovered, said Brittainy Roberts, the vice president of casting at Fox.
The soapy drama series, which premiered in 1989 and ran for 11 seasons, followed the lives and relationships of lifeguards who patrolled L.A. County beaches (and later Hawaii). It was not only a hit stateside — internationally it was a success, becoming the most-watched show in the world at the time. A film adaptation starring Dwayne Johnson and Zac Efron was released in 2017, and despite negative reviews, it was considered a commercial success, signaling an appetite for more.
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The casting team has “big bathing suits to fill,” Roberts said. The show famously created a slew of stars, including Pamela Anderson and Carmen Electra, who got their start on the show, and catapulted David Hasselhoff to new heights of fame.
Uncommon in a post-pandemic era of self-tape auditions, the open and in-person auditions attracted actors hungry for their big break and locals hoping to leave with a fun story to tell. Many donned “Baywatch” visors and sweaters while others sported bright red bathing suits, popularized by the original show. It was “an opportunity to really get people in the room in a large-scale way,” and allow “people an opportunity that maybe they aren’t getting in this new landscape of auditioning,” Roberts said.
The casting team saw live auditions from about 2,000 “Baywatch” hopefuls, and about 14,000 applications were submitted, said Joseph McGinty Nichol, known as McG, the reboot’s executive producer who will direct the first episode. His past projects include the “Charlie’s Angels” movie and “The O.C.”
Pat “The Jaguar” Uland, 31, of San Francisco, on the red carpet at the “Baywatch” open casting call.
(Allen J. Schaben / Los Angeles Times)
Beach-ready candidates filed in and out of a Marriott hotel in Marina del Rey for the in-person auditions. The casting call, which ran late into the night, embodied the joy of Hollywood, McG said.
Bri Ana Wagner, a 29-year-old living in Los Angeles, has been pursuing acting for around a decade. The open casting call was a reminder that the Hollywood “dream is alive,” she said.
“It’s like the way it used to be and the way it should be,” McG said. “You can come to a Marriott in Marina del Rey and change your life and blow it wide open.”
Hopefuls try to catch a break
David Chokachi hadn’t acted much before auditioning for “Baywatch” in the 1990s. Douglas Schwartz, one of the show’s original creators, and his wife, Deborah, had seen just about a thousand auditions for the role of Cody Madison. None of the actors matched the couple’s vision for the character, until Chokachi strolled in.
“It’s one of the most surreal things that’s ever happened in my life,” said Chokachi, the only actor from the original series confirmed for the reboot.
David Chokachi, who was on the original “Baywatch,” is reprising his role as Cody Madison.
(Allen J. Schaben / Los Angeles Times)
The aspiring actors who auditioned Wednesday hoped to get their chance at a big break similar to the one Chokachi got decades ago. Casting for the reboot began late last year, Roberts said, and people “have come out of the woodwork” since, with some messaging her directly on social media.
“The fact that we’re shooting in L.A., it’s certainly ignited a flame for a lot of agents and managers in town hoping to get their clients working here,” Roberts said.
The casting executive was hopeful that Wednesday’s auditions would bring together a talented pool of actors that the show can continue to pull from.
Massiel Taveras was among the many in attendance at the casting call: “I belong to this group. I belong to the show. I just feel it.”
(Allen J. Schaben / Los Angeles Times)
Massiel Taveras was crowned Miss Dominican Republic in 2007 and has pursued acting since, finding success in the Latino market. She arrived to the Marriott hotel sporting a bright red sports bra and leggings, paired with a large fur coat to shield her from the beach chill.
“I just love the show so much … It’s iconic. It’s something that everybody loves,” Taveras said. “I belong to this group. I belong to the show. I just feel it.”
Meanwhile, Dominique Lopez, a broadcast student from Monrovia, had never been to an audition before her boyfriend Colin Bolick, an actor, convinced her to attend the casting call together. The experience was “super easygoing” and intimate, she said as she walked out of the audition room.
“It’s making the industry exciting again. It’s putting people in the mind space of … ‘Let me put myself out there,’” said Lopez, 25. “Just for that, I feel like a better person, that I went and did something new.”
Could ‘Baywatch’ could help revive Hollywood?
Marko Dobrasinovic, 24, who made the trek from Chicago to audition, bumped into an old high school classmate, Alyssa Frey, while in line to check in. The pair attended the same high school as Hasselhoff, who played Mitch Buchannon on “Baywatch,” one of the actor’s best-known roles.
The impromptu reunion felt like a full-circle moment, said Frey, who moved to Los Angeles to pursue acting about two years ago. She landed in the city just as the actors’ and writers’ strikes froze Hollywood. Wednesday’s casting call was “one of the few opportunities to get in front of someone,” she said.
It was one that almost slipped away from the city. Showrunners were eyeing Australia as an alternative to filming in L.A., until Gov. Gavin Newsom and state legislators granted the production, along with 16 others, California’s film and TV tax incentive in November. Hollywood has struggled to return to its former status as a production mecca after the COVID-19 pandemic and 2023’s dual strikes. The wildfires early last year, coupled with studio spending cuts, added another blow to L.A.‘s waning film and TV industry.
The open casting call was a rare event in Los Angeles, as the TV and film industry struggles to recover.
(Allen J. Schaben / Los Angeles Times)
Chantal Groves left a stable job in international relations around two years ago, setting her sights set on Los Angeles. The 25-year-old, originally from the Dominican Republic, said acting was always her true passion. The career change has been fulfilling, but navigating such a fraught industry is difficult, she said.
“It’s basic laws of supply and demand,” Groves said. “There’s not a lot out there. There’s not a lot casting, and so just in general, it’s a really hard time to start in the industry.”
The “Baywatch” reboot received a $21-million credit, aimed at revamping the state’s entertainment industry.
“This was about keeping an iconic, world-famous brand right here in L.A.,” said Traci Park, a councilmember for District 11 who helped lead efforts to secure the tax incentive and attended the event. “We have the talent, we have the resources, we have the sets … it is exactly why we are fighting so hard to keep these productions in Los Angeles.”
A love letter to Los Angeles
“Baywatch” showrunner Matt Nix was in the middle of fighting off the wildfire that ravaged his Altadena neighborhood and got dangerously close to his home when he first got the call to lead the reboot. His house survived the fires, and he says a show like “Baywatch” felt like exactly what the city needed after such tragedy.
“This is a show about paradise and the people who keep it that way,” Nix said. “There’s something fundamentally earnest and positive about ‘Baywatch,’ the idea of heroes on the beach taking care of each other and the people that they protect.”
Others can relate to that sentiment. “Baywatch” was “right up my alley,” said Ava Cherlyn, a 19-year-old from Newport Beach. The aspiring actor, who moved to Hollywood six months ago, was a lifeguard growing up and played water polo competitively.
“I’m surprised that I haven’t been nervous,” Cherlyn said as she posed for photos in a red bathing suit.
Aspiring actor Ava Cherlyn, 19, in a red swimsuit made iconic in “Baywatch.”
(Allen J. Schaben / Los Angeles Times)
The original show attracted a worldwide audience because of its focus on “heroic people with complicated and interesting lives” while still feeling like an easygoing “hour-long vacation,” Nix said.
That nostalgic magic won’t be lost in the upcoming season, which Nix said is more of a continuation rather than a reboot. It will follow Hobie Buchannon, Mitch’s son, a character featured in the original series, played by “Arrow” protagonist Stephen Amell.
Hobie’s life will be derailed when he meets Charlie, a 21-year-old daughter he never knew he had who’s eager to continue the family’s legacy by becoming a Baywatch lifeguard. Hobie, now a Baywatch captain, will navigate the familial troubles throughout the season, Nix said.
“I don’t want to imply that ‘Baywatch’ is going to save the world or save America,” Nix said. “But, at the same time, I think it’s a good time for an unapologetically heroic show about people who care about each other and the people that they’re trying to save.”
Outside a hall where Southern California Edison was celebrating Black History Month on Friday, a group of Altadena residents stood on the sidewalk, waving signs and talking of the homes and family members they lost in last year’s Eaton fire.
“They’re in there celebrating Black history and they’ve destroyed a Black town,” said Nicole Vasquez of My Tribe Rise, which helped organize the protest.
The Jan. 7, 2025 fire destroyed thousands of homes, including the majority of homes in west Altadena, a historically Black community. All but one of the 19 people who died were in west Altadena.
“If Edison’s tower did not ignite the fire, Altadena would still be there,” said Trevor Howard Kelley, who lost his 83-year-old mother, Erliene, in the fire.
Kelley, his daughter and two granddaughters had been living with his mother before her home was destroyed, he said.
The Black Altadena residents are part of a larger coalition that is asking Edison to advance each family who lost their home $200,000 in emergency housing assistance. They say that more than a year after the blaze many wildfire survivors are running out of the funds they had received from insurers.
The group protesting Friday also called for transparency from Edison. The company has said it believes it is likely its equipment caused the fire but has continued to deny it did anything wrong.
“We just want the truth,” said Felicia Ford, who lost her house in the fire. “What’s wrong with saying, ‘We got this wrong.’”
Scott Johnson, an Edison spokesperson, said Friday that the company continued to believe its voluntary compensation program was the best way to help victims of the fire. Edison has promised to quickly review each victim’s claim and pay it swiftly if approved.
Families who lost their homes can receive hundreds of thousands of dollars under the program, while those with damaged homes receive lesser amounts.
But many survivors say they don’t believe the offered amounts fully compensate their losses. And to receive the money, victims must agree not to sue — which many are not willing to do.
“We recognize the incredible struggles the community has faced,” Johnson said. “The intent of the program is to reach final settlements to allow the community to rebuild and move on.”
The investigation into the cause of the fire has not yet been released. Edison has said a leading theory is that its century-old transmission line in Eaton Canyon, which had not carried electricity for 50 years, somehow became reenergized and sparked the fire.
Company executives said they did not remove the old line because they believed it would be used in the future.
Tru Williams said he just wants to get his parents back home.
(Myung J. Chun / Los Angeles Times)
In December, state regulators ordered Edison to identify fire risks on its 355 miles of out-of service transmission lines located in areas of high fire risk and tell regulators how executives planned to use the lines in the future.
Not only is Betye Saar a living legend, but the prolific L.A. artist continues to add to her impressive oeuvre day by day.
She’s been creating powerful, thought-provoking artwork since the ’60s and her pieces have been shown at the Smithsonian, the Museum of Modern Art, the Art Institute of Chicago and LACMA, as well as museums and galleries around the world.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
As her centennial birthday approaches this July, Saar shows no signs of slowing down. She still routinely creates art and continues to garner headlines and accolades. Last year, she was honored with the distinction of “Icon Artist” at the Art Basel Awards. During the upcoming Frieze Los Angeles art festival, which opens Feb. 26, she will be the subject of the photography installation “Betye Saar Altered Polaroids.” And this May, “Let’s Get It On: The Wearable Art of Betye Saar” will debut at Roberts Projects, the gallery that represents her. The exhibition will feature pieces from her early career as a costume and jewelry designer.
Though she’s skilled at painting and photography, she’s most widely known for assemblage, the art of juxtaposing miscellaneous items to form a single cohesive work. Her dioramas, sculptures and large-scale multimedia installations explore the legacy of American slavery, confront racial injustice and celebrate the strength and resiliency of African American women.
“I work with found objects that had another purpose before they came to my hands,” Saar says while seated at a patio table in her succulent-filled tiered garden. “The hardest part of it is going to a flea market, secondhand stores, an estate sale or even just going behind a store to see what people throw away.”
Over the years, she’s traveled by plane, train and automobile in search of usable materials. Meanwhile, admirers, colleagues and gallery workers have sent her curios from New Mexico, Tennessee, New England and beyond. Her daughters — artists Alison and Lezley, and writer Tracye, their mother’s studio director — also stay on the lookout for objects that might catch her eye.
“I’ve been doing this for a long time, so I have quite a collection,” she says.
Indeed, Saar’s multi-level home studio in Laurel Canyon is bursting with dozens of old empty picture frames, discarded window panes, wooden chests, antique chairs and vintage clocks. But there’s always room for more.
Her idea of a perfect Sunday includes foraging for new items (or old ones, as the case may be) to use in her daily art practice. And she’d return to her roots to do it.
“Pasadena is my hometown and I still have a few relatives that live there,” she says.
While visiting her old stomping grounds, she’d embark on a multi-stop shopping spree and wander through a longtime favorite San Gabriel Valley attraction (where her work just so happens to be on display).
This interview has been lightly edited and condensed for length and clarity.
10 a.m.: Search for hidden treasures
Pasadena Community College Flea Market is something that’s part of “the hunt.” Alison usually drives, sometimes Tracye. Some people are there early to get the deals; we’re not like that anymore. I like to look around and sometimes I find interesting fabrics, scarves to wear and strange-shaped succulents for my garden. I hardly ever find really good antiquing things there, because those are at antique stores and they’re usually pretty pricey. But I bought an old, rusty metal birdcage the seller said was from France. I like rusty stuff for my art. I also found an indigo blue kimono to wear at an art event later this year.
1 p.m.: Replenish with Thai food
I’d go down Fair Oaks Avenue — there’s some secondhand stores. Usually, it’s nothing I can use, but I still can’t say no. I have to go see for myself. Then, lunch at Saladang Garden. I always order chicken sate and the green papaya salad. Last time I went, we tried the Thai corn fritter which was really good and crispy. If food is too spicy, I can’t eat it. But somebody in my party would always have something spicy and I can have a spoonful to add to mine.
2:30 p.m.: More shopping
I am attracted to all the odd things at Gold Bug. Notepads and trinkets, curious vintage-y things with animals or interesting patterns, strange candles. Sometimes I surprise myself by buying something. They have a mixture of things that — whether it’s for the color, or the texture — I feel that I can recycle and fit into an art object that I’m making.
3:30 p.m.: Visit a childhood haunt (with a side of more shopping)
I really like the Huntington’s gardens. I remember the first time I went there was with my mother and a friend of hers, and we walked around. All the paths were dirt, you know, they hadn’t even gotten around to paving it yet. But I just fell in love with it. And I really like their gift shop.
6 p.m.: Head west for a culinary classic
If I go someplace to eat for lunch, I usually have leftovers to warm up. Nothing wrong with leftovers — if you liked it the first time, you’ll like it again! But if I had to go out to dinner, the Apple Pan. I would go there in the ’80s with my daughters. I like their sandwiches, or the hickory burger with cheese, and there’s good French fries.
8 p.m.: Tuck into some wind-down watching
Before bed, I like to watch the news because, otherwise, I don’t know what’s going on. I also like a lot of shows on PBS. “Finding Your Roots,” or dramas like “Sister Boniface Mysteries” and “Call the Midwife,” which has been going on forever!
Stepping into Jr. Market boutique in Highland Park is like entering a 1980s time warp. Built into a refurbished shipping container, it’s filled with everything from tiny Walkman-style portables to colorful, number-flip clock radios and, naturally, boomboxes of all sizes. Few are more imposing than the TV the Searcher, a Sharp boombox from the early ‘80s that features a built-in, 5-inch color television.
“Try lifting it, it’s really heavy,” warns Spencer Richardson, the shop’s owner. Indeed, the machine is at least 15 pounds without the 10 D batteries that power the unit. He adds, “I don’t think you’re taking this to the beach so you could watch TV while you listen to music.”
An affable, hyper-knowledgeable proprietor in his early 30s, Richardson repairs and resells analog music technology from the 1980s or earlier. In bringing these rehabbed players back into circulation, he’s helping others rediscover a musical format once left for dead. While his hobby-turned-side hustle started as “a gateway to discover sounds” that he otherwise would not have heard, it now attracts curious customers willing to drop $100-plus for a vintage Technics RS-M2 or My First Sony Walkman. His customers include older baby boomers and Gen X‑ers nostalgic for the players of their childhood, but most have been millennials like himself, drawn to something tactile and analog in an era when everything else disappears into the digital ether.
A rare Technics RS-M2 stereo radio tape deck. “I’ve worked on a lot of tape players and this one shouts quality inside and out,” Richardson writes on Instagram.
(Spencer Richardson)
Unlike turntables, which have become increasingly high-tech thanks to the “vinyl revival” of the last 20 years, almost all cassette players in current production rely on the same, basic tape mechanism from Taiwan, Richardson explains. Though cassette culture is enjoying its own period of rediscovery — albeit on a far smaller scale — he hasn’t seen a market emerge for newly engineered tape decks. And he’s fine with that.
“I’m not one of those people that’s like, ‘Why don’t they make good new tape players?’” he says. “No one needs to make it better. You’re still better off buying a refurbished one from the time when they made them.”
That’s where he steps in.
Richardson works on a Nakamichi tape deck out of his repair studio in downtown L.A.
(Genaro Molina / Los Angeles Times)
It’s easy to forget that when cassettes debuted in the mid-1960s, the technology was groundbreaking. Not only were the players far more portable than turntables but unlike records, tapes were resilient to being tossed about. Even more profoundly, cassettes democratized access to the act of recording itself since cassette technology required minimal infrastructure and cost.
“I think about how incredible it must have been for people to realize they could just put whatever they wanted onto a tape, dub it, give it to a friend,” says Richardson.
Entire genres of music, especially in the developing world, became far more accessible across borders. In some countries, big records are still released on cassette. “I have a Filipino release of Kanye West’s ‘College Dropout’ on tape,” Richardson says.
The constraints of the technology guided the listening experience. Because skipping songs on a player was a hassle, most people sat with cassette albums as a track-by-track, linear journey, the antithesis to the algorithmic, shuffle-centric playlists ubiquitous on today’s streaming platforms. It’s a pace that Richardson appreciates.
“I want things to be intentional and slow,” he says. “I don’t need them to be optimized.”
He learned how to repair gear by watching YouTube videos, perusing old manuals and through trial and error.
(Genaro Molina / Los Angeles Times)
Born in the early 1990s, Richardson grew up in Santa Monica and the Pacific Palisades, where his mother’s home was lost in the L.A. wildfires last year. He’s just old enough to remember cassettes as a child: “My mom had books on tape like ‘Winnie the Pooh,’ but I wasn’t out buying tapes.” Fast forward to the mid-2010s and he was working at the now-defunct Touch Vinyl in West L.A. “Back in 2014, we started this little in-store tape label,” he explained. “Bands would come to play, and we’d duplicate 10 tapes and give them away or sell them.” Richardson slowly began collecting cassettes but after the store closed a few years later, he realized how hard it was to find people to service his tape players.
Finally, once the pandemic hit in 2020 and everyone was stuck at home, he decided to learn how to repair his gear by watching YouTube.“I was just fascinated by the videos, absorbing soldering techniques and tools you might need,” he said. With no formal engineering background, Richardson began collecting information online, perusing old manuals, learning through trial and error. “You just need to get your hands in there and be like, ‘Oh, OK, I see how this works,’ or maybe I don’t see how this works, and I’m just going to bang my head against the wall, and then a year later, try again.” His first successful repair was for his Teac CX-311, a compact stereo cassette player/recorder that he still owns. “It has some quirks but runs well.”
A few years later, Richardson’s girlfriend, Faith, suggested he start selling his players online via an Instagram account — jrmarket.radio — originally created for a short-lived internet station. Tim Mahoney, his childhood friend and a professional photographer, shot the units against a plain white backdrop, as if for an art catalog. A community of enthusiasts quickly found his account and Richardson began selling pieces online and via pop-ups. In 2024, the owners of vintage clothing store the Bearded Beagle invited him to take over the parking lot space behind their new location on Figueroa St. Opening a brick-and-mortar store hadn’t been his ambition but Richardson accepted the opportunity: “I never envisioned opening my own physical store. It’s hard enough to have a retail space in Los Angeles to sell something that’s very niche.”
Jr. Market operates as a shop Thursday through Saturday in Highland Park.
(Spencer Richardson)
Jr. Market — whose name is inspired by Japanese convenience stores known as “junior markets” — isn’t trying to appeal to audiophiles though Richardson does stock studio-quality recording decks. He primarily looks for players with appealing visual design, most of them made in Japan where Richardson has been traveling to since graduating high school. Through those trips, he’s learned where to source pristinely-kept gear, including his best-selling Corocasse: a bright red plastic cube of a radio/tape player, introduced by National in 1983. He also keeps an eye out for the unique Sanyo MR-QF4 from 1979, an elongated boombox with four speakers, designed to play either horizontally or flipped into a vertical tower.
The store also stocks a small selection of portable record players, including a Viktor PK-2, a whimsical, plastic-bodied three-in-one turntable, tape player and AM radio that looks like something designed by a modernist artist for Fisher-Price. That went to local author and historian Sam Sweet, who visited the store with no intention of buying anything and left with the Viktor, which now sits on his writing desk. “Spencer’s part of a grand tradition of workshop tinkerers and specialty mechanics,” Sweet says. “The refurbished devices he sells are as much a reflection of his ethos and expertise as they are treasures of the past.”
Last year, Imma Almourzaeva, an Echo Park art director, came to the store and purchased a massive 1979 Sony “Zilba’p” boombox, which is nearly 2 feet wide and over a foot tall, with wood veneer panels to boot. Almourzaeva, who grew up in Russia in the ‘90s, wanted a player that offered “the tactile feel of my childhood and bringing it back into my daily routine, something familiar, something warm.” The Zilba’p is the largest boombox Richardson has carried and Almourzaeva said, “It’s aesthetically a showstopper. Maybe I have a Napoleon complex because I’m pretty small too. It’s like ‘go big or go home’ for me.” She shared that she recently bought a Soviet-era boombox from Richardson for her brother for Christmas. “It turned out my mom grew up using the same brand of stereo,” Almourzaeva says. Richardson had told her that Soviet boomboxes are “very DIY, more funky and finicky.”
Refurbishment is one of Richardson’s specialties, including repairing customer units, each of them a puzzle he enjoys solving. No matter if a player is sparse or feature-packed, the simple act of playing a cassette creates a sense of calm and focus for him. “You’re not distracted, because it doesn’t do anything else,” he says. In a time where every “smart” device is marketed with dizzying arrays of features, that simplicity can feel downright revolutionary.
The Los Angeles County District Attorney is investigating whether Southern California Edison should be criminally prosecuted for its actions in last year’s devastating Eaton wildfire, which killed 19 people and left thousands of families homeless, the company said Wednesday.
Pedro Pizarro, chief executive of Edison International, told Wall Street analysts during an afternoon conference call that the company was cooperating with the District Attorney’s office. He said he didn’t know the magnitude of the investigation.
The company said in its annual 10-K report, which was released Wednesday, that it “could be subject to material fines, penalties, or restitution” if the investigation “determined that it failed to comply with applicable laws and regulations.”
“SCE is not aware of any basis for felony liability with regards to the Eaton Fire,” the report said. “Any fines and penalties incurred in connection with the Eaton Fire will not be recoverable from insurance, from the Wildfire Fund, or through electric rates.”
The District Attorney’s office declined to comment.
The investigation into the fire, which destroyed a wide swath of Altadena, has not yet been released. Pizarro has said that a leading theory of the fire’s cause is that a century-old transmission line in Eaton Canyon, which had not carried power for 50 years, somehow re-energized and sparked the fire.
Edison executives have said they didn’t remove the line because they believed it would be used in the future.
Company executives knew idle transmission lines could spark wildfires. In 2019, investigators traced the Kincade fire in Sonoma County, which destroyed 374 homes and other structures, to a transmission line owned by Pacific Gas & Electric that was no longer in service.
The Times reported in December how Edison fell behind in maintenance of its transmission system before the fire.
Despite the dangerous Santa Ana wind conditions on Jan. 7, 2025, Edison decided not to shut down the transmission lines running through Eaton Canyon. Pizarro has said the winds that night didn’t meet the company’s threshold at the time for turning off the lines.
Pizarro told investors on the call Wednesday that he continued to believe that the company had acted as a “reasonable utility operator” before the deadly fire.
Under state law, if a utility is determined to have acted reasonably it can be reimbursed for all or most of the damages of the fire by a state wildfire fund.
PHOENIX — Dodgers manager Dave Roberts expects a lot from Shohei Ohtani this season. But even with those high expectations, a topic of conversation Friday as pitchers and catchers went through their first official workouts at Camelback Ranch, the superstar two-way player already found a way to exceed them.
“I came into camp at the beginning of February,” Ohtani said through interpreter Will Ireton following a bullpen session. “This is my third bullpen with pretty good intensity. … I’m not really sure how I’ll be able to practice in the WBC setting, so I’m going to try to ramp up as much as I can to a point where I’m throwing a live BP, which should be next week.”
The 2026 season will be Ohtani’s third year with the Dodgers, and his first pitching without restrictions. Fully recovered from his second Tommy John surgery, Ohtani was able to enjoy a regular, albeit short, offseason. With Ohtani in full bloom, Roberts has even higher hopes for the four-time MVP in the coming season.
“I think there’s certainly a lot more in there, and regardless of my expectations for him, his are going to exceed those,” Roberts said Friday. “I think it’s fair to say, he expects to be in the Cy Young conversation, but we just want to be healthy and make starts and all the numbers and statistics will take care of themselves, but man, this guy is such a disciplined worker, and expects the most from himself.”
Ohtani’s highest placement in Cy Young Award voting came in 2022, when, still a member of the Angels, he finished fourth after logging 15 wins, a 2.33 ERA and a 1.012 WHIP across 166 innings pitched. Ohtani suffered a torn ulnar collateral ligament the following season, requiring Tommy John surgery.
“If the end result is getting a Cy Young, that’s great,” Ohtani said. “Getting a Cy Young means being able to throw more innings and pitch throughout the whole season, so if that’s the end result, that’s a good sign for me. I’m just focused on being healthy the whole year.”
Ohtani appeared in 14 games last season, logging 47 innings pitched. Roberts liked what he saw in the small sample size.
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“I think the thing that was most surprising from last year was his command,” Roberts said. “And I’ll say that he still feels his command wasn’t up to par, but given the Tommy John and what typically command looks like the year after, it was above that. So, I think that was impressive. Just his ability to command the couple different breaking balls, to change the shape of his breaking balls was pretty impressive, and everything he does is with a purpose. So, I’m really excited to see with the full offseason and to just prepare and not rehab, what he can do this year.”
Physically, Roberts believes Ohtani is in the right place entering the ninth year of his career.
“I think he just looks strong,” Roberts said. “He looks strong, but there’s not too much mass. Just watching him throw, watching him run, his body’s moving well. I think he’s in a sweet spot. Just watching him, the muscle mass, it just seems that he’s in a sweet spot.”
Ohtani and Roberts said that they don’t yet know when Ohtani and some of his teammates will be departing for the World Baseball Classic, but Ohtani will continue to ramp up in the time leading up to next month’s event. Last month at DodgerFest, Roberts announced Ohtani will not pitch in the WBC in order to focus on pitching in the regular season.
“As much as people think that he’s not human, he’s still a human being who’s had two surgeries,” Roberts said Friday. “He’s got a long career ahead of him.”
Yoshinobu Yamamoto throws live BP
Yoshinobu Yamamoto threw a live batting practice Friday as the World Series MVP took the mound for the first time since he recorded the final out of last year’s Fall Classic. Yamamoto threw 20 pitches to a pair of his teammates, with right-handed hitting catcher Will Smith and left-handed hitting infielder Hyeseong Kim alternated at-bats.
Kim turned on a pair of fastballs from Yamamoto, ripping a pair of base hits into right field.
A little over an hour before Yamamoto pitched, Roberts was asked by reporters about Yamamoto’s durability, coming off a postseason where the 27-year-old totaled 526 pitches, capped off by a Herculean effort in Game 7 that powered the Dodgers to their second straight World Series championship.
“I just believe that he knows his limitations and he’s prepared, so I’m not too concerned about it,” Roberts said.
Yamamoto wasn’t the only pitcher to see some run on the Dodgers’ first day of camp. Among those to throw a bullpen session Friday: veteran Tyler Glasnow, promising sophomore Roki Sasaki, playoff hero Will Klein, newcomer Edwin Díaz, and Ohtani.
Staff writer Anthony Solorzano contributed to this report.
The Trump administration has unveiled a sweeping set of regulatory proposals that would substantially change health plan offerings on the Affordable Care Act marketplace next year, aiming, it says, to provide more choice and lower premiums.
But it also proposes sharply raising some annual out-of-pocket costs — to more than $27,600 for one type of coverage — and could cause up to 2 million people to drop insurance.
The changes come as affordability is a key concern for many Americans, some of whom are struggling to pay their ACA premiums since the Republican-led Congress allowed enhanced subsidies expired at the end of last year. Initial enrollment numbers for this year fell by more than 1 million.
The proposed changes are part of a 577-page rule that addresses a broad swath of standards, including benefit packages, out-of-pocket costs and healthcare provider networks. Insurers refer to these standards when setting premium rates for the coming year.
After a comment period, the rule will be finalized this spring.
It “puts patients, taxpayers, and states first by lowering costs and reinforcing accountability for taxpayer dollars,” Mehmet Oz, the Centers for Medicare & Medicaid Services administrator, said in a news release Monday.
“This proposal reads like the administration has found their next big thing in the catastrophic plans,” said Katie Keith, director of the Health Policy and the Law Initiative at the O’Neill Institute for National and Global Health Law at Georgetown University Law Center.
Such plans have very high annual out-of-pocket costs for the policyholder but often lower premiums than other ACA coverage options. Formerly restricted to those under age 30 or facing certain hardships, the Trump administration allowed older people who lost subsidy eligibility to enroll in them this year. It is not known how many people did so.
The payment rule cements this move by making anyone eligible if their income is below the poverty line ($15,650 for 2026) or if they’re earning more than 2½ times that amount but lost access to an ACA subsidy that lowered their out-of-pocket costs. It also notes that a person meeting these standards would be eligible in any state — an important point because this coverage is now available in only 36 states and the District of Columbia.
In addition, the proposal would require out-of-pocket maximums on such plans to hit $15,600 a year for an individual and $27,600 for a family, Keith wrote this week in Health Affairs. (The current out-of-pocket max for catastrophic plans is $10,600 for an individual plan and $21,200 for family coverage.) Not counting preventive care and three covered primary care doctor visits, that spending target must be met before a policy’s other coverage kicks in.
In the rule, the administration wrote that the proposed changes would help differentiate catastrophic from “bronze” plans, the next level up, and, possibly, spur more enrollment in the former. Currently, the proposal said, there may not be a significant difference if premiums are similar. Raising the out-of-pocket maximum for catastrophic plans to those levels would create that difference, the proposal said.
“When there is such a clear difference, the healthier consumers that are generally eligible and best suited to enroll in catastrophic plans are more motivated to select a catastrophic plan in lieu of a bronze plan,” the proposal noted.
However, ACA subsidies cannot be used toward catastrophic premiums, which could limit shoppers’ interest.
Enrollment in bronze plans, which have an average annual deductible of $7,500, has doubled since 2018 to about 5.4 million last year. This year, that number likely will be higher. Some states’ sign-up data indicate a shift toward bronze as consumers left higher-premium “silver,” “gold” or “platinum” plans following the expiration of more generous subsidies at the end of last year.
The proposal also would allow insurers to offer bronze plans with cost-sharing rates that exceed what the ACA law currently allows, but only if that insurer also sells other bronze plans with lower cost-sharing levels.
In what it calls a “novel” approach, the proposal would allow insurers to offer multiyear catastrophic plans, in which people could stay enrolled for up to 10 years, and their out-of-pocket maximums would vary over that time. Costs might be higher, for example, in the early years, then fall the longer the policy is in place. The proposal specifically asks for comments on how such a plan could be structured and what effect multiyear plans might have on the overall market.
“As we understand it thus far, insurers could offer the policy for one year or for consecutive years, up to 10 years,” said Zach Sherman, managing director for coverage policy and program design at Health Management Associates, a health policy consulting firm that does work for states and insurance plans. “But the details on how that would work, we are still unpacking.”
Matthew Fiedler, senior fellow with the Center on Health Policy at the Brookings Institution, said the proposed rule included a lot of provisions that could “expose enrollees to much higher out-of-pocket costs.”
In addition to the planned changes to bronze and catastrophic plans, he points to another provision that would allow plans to be sold on the ACA exchange that have no set healthcare provider networks. In other words, the insurer has not contracted with specific doctors and hospitals to accept their coverage. Instead, such plans would pay medical providers a set amount toward medical services, possibly a flat fee or a percentage of what Medicare pays, for example.
The rule says insurers would need to ensure “access to a range of providers” willing to accept such amounts as payment in full. Policyholders might be on the hook for unexpected expenses, however, if a clinician or facility doesn’t agree and charges the patient the difference.
Because the rule is so sweeping — with many other parts — it is expected to draw hundreds if not thousands of comments between now and early March.
Pennsylvania insurance broker Joshua Brooker said one change he would like to see is requiring insurers that sell the very high out-of-pocket catastrophic plans to offer other catastrophic plans with lower annual maximums.
Overall, though, a wider range of options might appeal to people on both ends of the income scale, he said.
Some wealthier enrollees, especially those who no longer qualify for any ACA premium subsidies, would prefer a lower premium like those expected in catastrophic plans, and could just pay the bills up to that max, he said.
“They’re more worried about the half-million-dollar heart attack,” Brooker said. It’s tougher for people below the poverty level, who don’t qualify for ACA subsidies and, in 10 states, often don’t qualify for Medicaid. So they’re likely to go uninsured. At least a catastrophic plan, he said, might let them get some preventive care coverage and cap their exposure if they end up in a hospital. From there, they might qualify for charity care at the hospital to cover out-of-pocket costs.
Overall, “putting more options on the market doesn’t hurt, as long as it is disclosed properly and the consumer understands it,” he said.
KFF Health News is a national newsroom that produces in-depth journalism about health issues and is one of the core operating programs at KFF — the independent source for health policy research, polling, and journalism.
