land

A theme park less than two hours away from the UK is adding a brand-new land with two rides and five Japanese-inspired eateries.

Tivoli Gardens in Copenhagen will open the area in a few weeks’ time with “thrilling adventures for the whole family.”

The theme park, which opened in the 1840s and even inspired the creation of Disneyland, currently has 30 rides and will be adding a few more.

Called Hikari, the upcoming Japan-themed area is the biggest development in the park’s history and said to cost a ‘three-digit million amount’.

It has been under construction for two years and has actually been made up of elements from Japan.

It has reclaimed doors, windows, artwork and around 60 tonnes of traditional Japanese roof tiles.

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It will span across more than 2,000 square metres – the park itself is 80,000 square metres in total.

There are two new attractions, the first is Hotel Hikari where ‘nothing is quite as it seems’.

It’s essentially an immersive family funhouse with illusions, a vortex tunnel, tilted rooms and infinity mirrors.

Another new attraction is called Typhoons Eye which gives riders the feeling of weightlessness. According to Tivoli, it’s the only attraction of its kind in Scandinavia.

The zero gravity attraction is a rotating drum ride that suspends riders against the wall as the floor drops away.

The final ride in Hikari is actually one that will be familiar to previous visitors.

Called The Demon, the rollercoaster has stood in Tivoli for years but has undergone a transformation to blend into its new home.

There aren’t just rides either, there are five new eateries in Hikari.

Yaki-Tak! will serve up Japanese street food from yakitori skewers to yakisoba noodles.

Katsu Kitchen is where visitors can pick up chicken sandwiches to popcorn-style karaage to crispy prawns.

Comé Rice Kitchen will have onigiri, otherwise known as Japanese rice balls, served with the likes of spicy tuna, Teriyaki chicken and shiitake mushroom.

For sweet treats there’s Oishii Bubbles for creative drinks from fruit teas to slushies, or Kawaii Bites will have fish-shaped waffles and mochi ice cream.

Two new shops will open too; one selling Japanese-style ceramics and gifts, another will have a mix of snacks, drinks as it’s inspired by konbini, Japanese convenience shops.

The project has taken two years to build and will open later this month – no official date has been announced yet.

For anyone who wants to visit, Copenhagen is easy to get to as it’s under two hours away from the UK.

Here’s to the ones who dream.

The anthemic thesis of “La La Land” — the Ryan Gosling/Emma Stone movie musical celebrating its 10th anniversary — became a moment of musical reality in May when a 21-year-old student in Sydney, Australia, was plucked from the crowd at a live concert of the film during intermission. Sterling Nasa proceeded to stun composer-conductor Justin Hurwitz and the 2,000-person audience with his flawless, impromptu performance.

“Jumping into that concert in Sydney, and having an earpiece and seeing all this, was a little bit crazy,” says Nasa with well-mannered modesty, “but we somehow got through it.”

Conductor Justin Hurwitz with pianist Sterling Nasa performing the soundtrack of “La La Land” at the Greek Theatre.

(Ariana Drehsler / For The Times)

Nasa is sitting backstage at the Greek Theatre between rehearsals, preparing to make his Los Angeles debut. After that remarkable incident, an international feel-good news story, Hurwitz invited Nasa to fly out and play the entire concert at the anniversary screening here, in Griffith Park, where many of the film’s iconic scenes were shot.

“He’s playing better than most of the professional pianists I’ve worked with,” says Hurwitz, who regularly conducts “La La Land in Concert.”

“He’s nailing it,” Hurwitz explains during a break. “Those Sebastian solos, the ones that Ryan Gosling plays in the movie, he’s playing those as perfectly and cleanly as I’ve heard them in a very long time. Very few of the pianists I work with around the world — and they’re all great professionals — but very few of them play it this well in sync with the picture.”

Saturday’s rehearsals took place under a scorching sun. Half of the assembled musicians played on the film’s original soundtrack; star trumpet soloist Bijon Watson can even be seen wailing in the Lighthouse jazz scenes. Sitting in the midst of these veteran L.A. sessions players, Nasa looked focused but confident, his youthful face belying his easy, fleet-fingered playing.

Pianist Sterling Nasa heads to the stage Saturday after intermission during the 10th anniversary show featuring a full orchestra and jazz band performing the “La La Land” soundtrack at the Greek Theatre.

(Ariana Drehsler / For The Times)

He flew in from Sydney on Thursday, leaving a rainy Australian winter for a California heat wave. The initial jet leg was rough, he says, but he had mostly adjusted by Saturday. Hurwitz took some one-on-one practice time with him before the orchestra arrived, and Nasa had also been practicing his part for six weeks.

Nasa (an Anglicized Lebanese name) has been playing piano since he was 3. His parents encouraged his musical education, and he’s performed enough in bands and local musical theater not to suffer from stage fright. He also plays the bagpipes, and has played with 300 bagpipers for 10,000 people at the Royal Edinburgh Military Tattoo at Edinburgh Castle.

“I’ve always had a bit of an inkling that I’d love to be a musician,” Nasa says, “or if I can find some opportunity in the artistic world, or in musical theater or in music, that I would love too. But I did sort of get the ‘real’ degree.”

He was finishing his studies in international relations at the University of Sydney when the cosmic moment happened in May. His friend Scarlett was the one who enthusiastically pushed Nasa’s hand up when Hurwitz, panicking, asked if anyone in the audience was an “amazing sight reader.”

“I owe so much of this to her,” Nasa says. “I really probably would not have done it.”

The 10th anniversary show of “La La Land” featured a full orchestra and jazz band.

(Ariana Drehsler / For The Times)

He played the entire second half of the concert that night. (The hired pianist fell ill and had to leave.) Nasa says he thinks Australians were inclined to root for an underdog — “the audience that night really just wanted it to work” — but for this big L.A. moment, “I think now there’s obviously a bit more of an expectation.”

As the twilight concert began, Hurwitz addressed the sold-out Greek Theatre — a lively crowd filled with yellow dresses — and surprised them by announcing that the “kid from Sydney” was here to play the entire show. Nasa absorbed his ovation, then took his bench in the middle of the orchestra with a little monitor displaying the movie on his piano.

He played the melancholy strains of “Mia and Sebastian’s Theme,” a solo piano motif that Gosling’s character plays throughout the film; he accompanied their flirty “City of Stars” duet, and he performed all of Sebastian’s acrobatic jazz solos — many of them meticulously synced to corresponding shots of fingers on a keyboard.

“La La Land” plays on the screen at the Greek Theatre while an orchestra and jazz band accompany the film.

(Ariana Drehsler / For The Times)

The film itself was projected over the stage, but monitors on either side showed Nasa and the other live musicians. A young woman in front of me watched his hands, perfectly aligned with Gosling’s, with her jaw dropped. Nasa never missed a note, and he received another outsized ovation after the rousing end credits.

“I’ve thought a lot about opportunity, and how there’s so much talent in the world,” says Hurwitz, reflecting on the moment in Sydney. “And there’s also so much lost talent in the world, talent that just isn’t realized. And I just love that there was this talented guy, who’s a great musician, but he was in school studying something else — because he didn’t know if he could or should go into music. And then there was this opportunity, and he took it, and he showed everybody — and he showed himself — that he can do it.”

Nasa says he’s not sure what he’ll do now that he’s graduated, but one thing he’s interested in is composing for musical theater — or possibly scoring films.

OASIS have officially landed the UK’s biggest selling studio album of all time.

New lists revealed today have shown how the band’s epic reunion last year has prompted their iconic studio album, (What’s The Story?) Morning Glory, to become Britain’s biggest seller.

The 1995 record has seen brothers Noel and Liam leapfrog The Beatles‘ 1967 album Sgt. Pepper – previously the long-standing biggest studio album.

Oasis now sit at number three overall – with ABBA and Queen’s compilation records in first and second position.

A source told The Sun of the epic achievement: “This milestone cements Oasis as the UK’s most influential and successful band.

“After their Oasis Live ‘25 shows last year, that album sold like hot cakes.

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“With their 2027 dates due to be announced next month, the sales are only going to skyrocket.

“Noel and Liam should be cracking out the champagne.”

The Official Charts Company confirmed the rankings today as they marked 70 years of compiling Britain’s music.

Sitting behind Oasis at number four is Adele’s 2011 record, 21, which has managed to push The Beatles’ 1967 effort into fifth place overall – with those three records making up Britain’s biggest studio albums of all time.

The 1970s take over sixth and seventh position with Fleetwood Mac‘s ’73 album, Rumours, in sixth followed by Pink Floyd’s 1973 effort, The Dark Side of the Moon.

Michael Jackson sits in eighth with 1982’s Thriller followed by Bob Marley’ ’84 record Legend in ninth and Dire Straits’ 1985 release, Brothers in Arms, rounding out the top ten.

BUENOS AIRES, July 21 (UPI) — President Javier Milei’s government is backing a bill that would eliminate most of Argentina’s restrictions that have limited foreign ownership of rural land since 2011 in an effort to attract investment and strengthen legal certainty.

The plan also has reignited debate over sovereignty and control of a resource considered strategic.

The proposal is part of the Private Property Inviolability Act, and it would substantially amend the framework established a law enacted during the administration of Cristina Fernández de Kirchner that set limits on the amount of rural land that foreign individuals and companies could own.

Presidential spokesman Adrián Ravier said the initiative seeks to strengthen property rights protected under Argentina’s Constitution. Speaking at a news conference, he said the country had endured decades of legal uncertainty that discouraged investment and hindered opportunities for economic growth and job creation.

“What we are seeking is to remove the general restrictions on the acquisition of rural land by foreigners,” Ravier said.

He also argued that Argentina historically grew thanks to immigrants who invested and became landowners, and that maintaining broad restrictions on foreign investors no longer makes sense. He added that the bill instead strengthens oversight of foreign governments and their state-owned companies.

The initiative also removes one of the central principles of the current law, which states that purchasing rural land by foreigners does not constitute an investment because the land is a nonrenewable natural resource that belongs to the country.

Former Agriculture, Livestock and Fisheries Minister Julián Domínguez, who promoted the law during Fernández de Kirchner’s administration, had rejected proposed reform.

He told UPI that when Congress approved the legislation, it established that “the acquisition of rural land shall not be considered an investment because it is a nonrenewable natural resource contributed by the recipient country.”

Domínguez contended the proposal contradicts the objective of protecting a strategic resource.

“It is paradoxical. The grandly titled ‘Private Property Inviolability Act’ ends up being, precisely, a violation of Argentines’ rights over their land,” he said.

The former minister also rejected the government’s argument that the current law discouraged foreign investment.

“Our producers are recognized around the world for their ability to adapt and innovate. So does the government believe a foreigner will do a better job than an Argentine producer? The debate is about something else,” he said.

The issue goes beyond economics. Domínguez said.

“In Congress, what is at stake is our identity as Argentines and our relationship with our territory. Every country is very careful about who can buy its land,” he said.

Attorney Enrique Viale, president of the Argentine Association of Environmental Lawyers, also criticized the bill, saying it should instead be called the “foreignization of land law.”

He told UPI that the proposal repeals the provisions that establish acreage limits, ownership caps and protected areas for foreign purchases of rural land.

“It repeals the provisions establishing acreage limits, ownership percentages and protected areas. It fully liberalizes land purchases, including in border areas and without ownership caps,” he said.

Viale said foreigners already own large portions of Argentine land, adding that without restrictions, the trend could accelerate.

He said reform would benefit large international investors who seek to develop artificial intelligence-related data centers, as well as foreign landowners who already hold extensive properties in Patagonia and Argentina’s Littoral region.

“I see no benefit in this bill. What it does is consolidate permanent control of land by foreign capital and increase the risk of losing sovereignty,” he said.

From the real estate sector, José Rozados, director of consultancy Reporte Inmobiliario, said easing restrictions could encourage large-scale investment.

“Anything that removes restrictions on the inflow of capital, especially for investments that require large amounts of money and long payback periods, is important,” he said.

Rozados said greater openness would facilitate productive projects that require large tracts of land and significant investment to develop economic activities.

“Whatever legislation is enacted regarding the permissibility and protection of those investments could allow foreign investors, or even local investors partnered with foreign capital, to be willing to invest in large areas of land,” he said.

The law, known as the National Protection Regime for the Ownership, Possession and Tenure of Rural Land, mandates that foreign individuals and companies may not own more than 15% of the country’s rural land — a limit that also applies within each province and municipality.

It also provides that citizens of the same nationality may not account for more than 30% of that quota, equivalent to 4.5% of the total rural land within a given territory.

The legislation also limits to 2,471 acres the amount of land that may be acquired by a single foreign owner in the country’s core agricultural zone, or its equivalent in other regions, and prohibits the sale of land located in border security zones or containing significant permanent bodies of water, such as rivers, lakes and glaciers.

The government’s bill amends several of those provisions to relax the current framework while maintaining restrictions on foreign governments and their state-owned companies.

The ruling coalition failed to secure enough support to move the initiative forward, and the bill will return to the Senate for debate in August.

People holidaying in France might bring this keepsake home without thinking twice

It may seem like a harmless memento to slip into your suitcase before heading home, but one common holiday habit could end up proving very expensive. Beach holidays are hugely popular, and while many travellers like to collect natural souvenirs as keepsakes or gifts, doing so in France could land them with a fine of up to €1,500 – which is around £1,300.

The little-known rule applies to natural materials including sea shells, pebbles and sand collected from French beaches. While many holidaymakers think nothing of taking home a small reminder of their trip, doing so is prohibited under French environmental laws designed to protect the country’s coastline.

Authorities say taking such items from beaches contributes to coastal erosion and can damage fragile ecosystems. Shells provide shelter for small marine creatures, while pebbles and sand play an important role in maintaining the stability of beaches.

France is home to more than 5,500 kilometres of mainland coastline and thousands of beaches stretching from the English Channel and Atlantic Ocean to the Mediterranean Sea. According to Atout France, the country’s official tourism development agency, its coastline attracts millions of visitors every year, making conservation efforts increasingly important.

The restrictions form part of France’s Environmental Code (Code de l’environnement), which protects the country’s natural coastal heritage. Anyone caught removing these materials without authorisation can face fines of up to €1,500, depending on the circumstances.

Environmental experts say the impact of individual tourists taking just a handful of sand or shells can quickly add up when millions of people visit beaches each year. According to the European Environment Agency, coastal erosion is already affecting many parts of Europe’s shoreline because of a combination of natural processes and human activity.

France remains one of the world’s most popular holiday destinations, welcoming millions of international visitors every year. Many head to coastal hotspots along the French Riviera, Normandy and the Atlantic coast, where authorities encourage people to leave beaches exactly as they found them.

The UK Foreign, Commonwealth and Development Office advises travellers to familiarise themselves with local laws before visiting overseas destinations. Even seemingly harmless actions can carry penalties if they breach environmental regulations.

Holidaymakers planning a trip to France are therefore encouraged to resist the temptation to pocket shells, pebbles or sand as souvenirs. Taking photographs instead is a simple way to preserve memories without risking an expensive fine or harming the environment.

Albanian prosecutors probe forged deeds tied to Kushner resort land as protests over the project intensify.

Albania’s anticorruption prosecution service is investigating whether the deeds to a stretch of protected coastline earmarked for a Jared Kushner-backed resort were forged, according to case files reviewed by the Reuters news agency, adding another legal complication to a project that has already provoked months of street protests.

The files, compiled by the Special Structure Against Corruption and Organised Crime (SPAK), name Artur Shehu, a Miami-based businessman, as the seller who transferred the land to Albania Land Development, the entity behind the Kushner-linked scheme, in April.

Prosecutors allege Shehu and his associates funnelled proceeds from cocaine trafficking into Albanian property, using falsified titles to disguise the money’s origin, and have since frozen roughly 110 million euros ($126m) tied to the sale in a notary’s account.

Shehu’s lawyer, Kujtim Cakrani, rejected the allegations outright. “Nothing that has been alleged regarding Mr Artur Shehu’s character is true,” he told Reuters, adding that his client was neither a trafficker nor a document forger and had lawfully sold land his family had held since Ottoman times.

Cakrani said Shehu was untroubled by the arrest warrant, arguing it was widely assumed in Albania that prosecutors answered to political and business interests. He also said Shehu fled to the United States and won asylum in 1998 after gang violence killed his brother and uncle.

The SPAK files, running to 200 pages and not previously made public, were issued the same day the agency unveiled separate arrest warrants for 20 people accused of narcotics trafficking and money laundering.

Reuters found no evidence that Kushner, Sazan Real Estate Development or other backers of the resort knew of any suspicions surrounding Shehu when the land changed hands.

The disclosure comes amid sustained unrest over the development, which sits on wetlands and beaches along Albania’s southern coast that are home to sea turtles and flamingos, the latter adopted as a symbol by the self-styled “Flamingo Revolution” against the resort and alleged government corruption in general.

Kushner and his wife, Ivanka Trump, have said the idea for the resort came to them after they spotted the coastline from a yacht. He unveiled renderings of hotels, villas and marinas on social media in 2024.

Nightly rallies that began in May, initially focused on the project, have broadened into a wider movement demanding Prime Minister Edi Rama’s resignation over accusations of corruption.

A crackdown last week saw riot police deploy tear gas and water cannon against demonstrators outside parliament, injuring 15 officers and leading to 25 arrests. A Tirana court freed 19 of those detained on Sunday, placing two under house arrest and ordering a dozen others to report periodically to judicial police.

Entela Koja, one of the protesters, said “this is a revolution against the big guys who want to use Albania like a playground for the rich.”

Villagers near the site have separately pursued a decade-long legal challenge to Shehu’s ownership claim, presenting title deeds and tax records they say establish that they are the rightful owners.

Nikolin Markpalaj, one of the landowners, told Al Jazeera: “I told them it would not be easy for them to take this land and enjoy someone else’s land and property. What is happening in this country is madness.”

Rama’s government has dismissed the protests as orchestrated by political rivals and insists the project complies with Albanian and European Union law.

The Lakers got their backup big man when Kevon Looney signed a one-year, $3.9-million deal on Tuesday, people not authorized to speak publicly told The Times.

The 6-foot-9 Looney won three championships with the Golden State Warriors, in 2017, 2018 and 2021. He played last season with the New Orleans Pelicans. Looney, 30, is an 11-year veteran who went to UCLA. He’s a strong rebounder, very good defender and sets solid screens for teammates.

Looney will be the backup behind starter Walker Kessler, who was acquired in a trade from the Utah Jazz and agreed to a four-year, $130-million deal. The Lakers traded last season’s starting center, Deandre Ayton, and backup Jaxson Hayes signed with the Jazz.

The Lakers now have a 14-man roster and have room for another player.

Jonathan Kuminga is a player the Lakers are after, according to people with knowledge of the situation who said L.A. is looking at a two-year, $20-million deal for Kuminga, the sort of athletic wing player the Lakers need to start at small forward.

He has the size (6-7) and is young (23). He averaged 12.2 points and 5.6 rebounds and shot 33.3% from three-point range last season while playing for the Warriors and Atlanta Hawks.

Made In Chelsea royalty Jamie Laing and his wife Sophie Habboo have reportedly landed a second series of their Disney+ show Raising Chelsea, in a deal said to be worth £500,000

Jamie Laing and Sophie Habboo are reportedly adding a second Disney+ series to their TV empire. The former Made In Chelsea star and his wife are said to have landed a second series of their show Raising Chelsea.

Jamie, 37, and Sophie, 31, allowed cameras to follow their lives as they prepared for the birth of their son Ziggy during the first three-part series of the show.

The second series would focus on their lives now that Ziggy, who is seven months old, is here. Producers are said to be hoping to film enough content to make the next edition span more than three episodes.

A source told The Sun that Disney bosses were “delighted” with how audiences responded to Raising Chelsea, adding that Jamie and Sophie “secured the hearts of Disney subscribers” with how “authentic and vulnerable” they were. “The deal’s done,” the source continued. “And filming is set to start soon.”

According to the insider, the couple have been offered £500,000 to continue sharing their lives with the public. Jamie and Sophie were previously on Made In Chelsea. He spoke to the BBC about how he wanted their return to screens as a couple in Raising Chelsea to feel “real”.

He said: “If there are three cameras and a set-up, it feels forced. We wanted to capture everything and I wanted to make sure it was really real so you see everything. Even when things happened that were intense we kept it in because we made a deal. There is nothing off limits – I don’t like the idea of a filtered version of ourselves, it’s not true, authentic or real.”

Sophie also told the publication that doing the show felt “natural” as they’d already been on reality TV. But, she continued, there were moments when she forgot they were filming as just one camera was involved in capturing content.

During the show, a camera was even permitted into the delivery room as Sophie gave birth to Ziggy, who was born in December 2025. The anaesthesiologist filmed it on Sophie’s phone. She shared that she didn’t initially want that recorded, but ultimately decided that it was part of the story and should be included.

Jamie has also landed another TV role. According to reports, the newly married father of one, has now landed a role as a guest investor on BBC’s Dragon’s Den alongside veteran business entrepreneurs including Deborah Meaden and Peter Jones.

He is reported to be joining the judging panel for the 23rd series, following in the footsteps of other celebrities who have guest judged, including Joe Wicks and Gary Neville.

Away from the telly, Jamie is quite the businessman. He co-founded a successful vegan confectionary business, Candy Kittens in 2012, which sells sweets in flavours including Eton Mess and Sour Watermelon. Back in 2024, his company had a £15million turnover and this was later followed up by the £36million acquisition of healthy snack bar Graze.

The Mirror contacted Jamie and Sophie’s reps for comment.

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THERE is a huge theme park that is often dubbed the Disneyland of Turkey – and it has opened a whole new land.

The Land of Legends in Turkey has opened Waterfly, a new water-themed world with 14 slides inside.

The main attraction is the Dragonfly Tower, a 52m tower that is one of the tallest of its kind.

The tower itself has an number of slides, such as the Dragonfly Jet with a helix twist slide.

Other slides include Golden Wing Spiral, Emerald Blue and Sunset Drop, all a range of intensities depending on your bravery.

There is also the family-friendly Butterfly Beach, for younger kids wanting water play without the thrills.

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Outside of this there are two waterparks – Aqua Land and Tropic Lagoon – which have a combined 70 waterslides.

Thrill seekers can head to Aqua Land as this is where the faster rides are.

For a more relaxed visit, Tropic Lagoon is better for younger guests with pools and gentle splash parks, as well as heated pools and wave pools.

Although save time for Turtle Coaster, one of the biggest waterslides in the world which has 14mph speeds and up to four passengers at a time.

The waterparks are open from April to October, during the busier summer season.

But if you want to stay onsite, it is super cheap too.

Seven-night stays at the Land of Legends theme park start from £809pp on an all-inclusive basis, and it includes your return London flights.

Sadly, this is just out of the waterpark season in November, so if you want to be able to access the waterparks, prices jump to £1,339pp.

Visitors all say the same with one writing on TripAdvisor it was their “best ever family holiday” another added that it was the theme and waterpark that made it “paradise for kids”.

Also at the resort is Nickelodeon Land, Adventure Land and themed hotel rooms.

PHOENIX — For decades, all that separated the U.S. from Mexico was barbed wire.

Now, after a massive infusion of cash from Congress, President Trump’s administration is swiftly building what it has dubbed a “smart wall,” a combination of 30-foot-tall steel fencing and an array of sophisticated technology like sensors, cameras and towers allowing Border Patrol to surveil the territory.

The wall is under heavy scrutiny for the billions of dollars being dedicated to it when border crossings are at their lowest in decades. Critics say the U.S. is militarizing the border as it increasingly deploys sophisticated surveillance technology to the area, impacting local communities.

“We are seeing a massive expansion of surveillance and surveillance technology across the borderlands,” said Ricky Garza, border policy counsel at the Southern Border Communities Coalition, an advocacy group. “The wall in all its forms is harmful to communities.”

Officials say the technology is complementary to the physical wall and frees up agents for other tasks.

“It’s a smart wall. It’s not just a barrier,” Customs and Border Protection Commissioner Rodney Scott said during recent congressional testimony. “It maximizes the use of our most valuable resource, which is our agents.”

Contracts for hundreds of miles of wall already inked

The wall has been a top priority for Trump, a Republican, since he first ran for president.

During the administration of President Joe Biden, a Democrat, the border emerged as a flashpoint, with thousands of people seeking to cross into the country each day. Those numbers started to taper off shortly before Trump returned to office last year and then slowed to a trickle, with his broader immigration crackdown serving as a deterrent for would-be migrants.

Flush with $46 billion to finish the wall after an infusion by Congress for immigration enforcement, CBP is inking tens of billions of dollars in contracts to build the wall and push along the president’s signature project.

Homeland Security Secretary Markwayne Mullin said recently that a preliminary part of the wall will be finished by “this time next year.” Scott said his agency is putting up 6 miles of wall a week.

Hundreds of miles had already been built before Trump returned to office. As of mid-June 2026, CBP has erected another 74 miles and aims to build hundreds more. There is no wall planned for roughly 535 miles of the roughly 2,000-mile-long border, because rugged terrain already serves as a barrier. Ground sensors and towers will be used instead.

CBP is also going back to hundreds of miles of already built wall and adding more technology, lights and roads. Along the long stretches of river in Texas that mark the border with Mexico, they’re deploying 12- to 15-foot-long cylinder-shaped buoys meant to keep migrants or smugglers from crossing the border.

More technology being deployed on the border

Technology is playing a greater role in the Trump administration’s effort to make illegal crossings along the border more difficult, part of a broader transformation of CBP in the years since Sept. 11, 2001, into an intelligence operation with a mass surveillance network whose reach extends far beyond the nation’s frontiers, according to reporting by The Associated Press.

And critics say the border technology poses a threat.

The Southern Border Communities Coalition says surveillance technologies can push migrants into more dangerous routes to avoid being detected.

Garza, the group’s policy counsel, warned that surveillance technology infringes on the privacy rights of border residents and that locals have found ground sensors used to detect smuggler or migrant traffic placed on their property without their consent.

Nayda Alvarez and her relatives own land along the Rio Grande roughly 125 miles inland from the Gulf of Mexico. She has found cameras placed on her family’s land, and just last week she spotted a surveillance tower about a quarter of a mile down the river from her house.

“Are we expecting a war or something?” she said. “It doesn’t make me feel safer.”

Dave Maass, director of investigations for the Electronic Frontier Foundation, a nonprofit that focuses on civil liberties related to digital technology, said the technology has made the border area “a hostile environment” for locals and would-be migrants.

The foundation has published a guide on the various types of surveillance towers in use along the southern border designed to help local residents.

These can range from fixed towers with video, infrared and radar technologies that have a range of roughly 8 miles to remote video surveillance systems that have cameras and a spotlight fixed on top. Some are mounted on the backs of trucks so agents can drive them to different parts of the border.

Increasingly, these towers are autonomous. They can scan an area, analyze what they’re seeing using artificial intelligence and alert Border Patrol agents to something suspicious. Proponents say this helps keep Border Patrol agents out in the field instead of sitting in front of computer screens watching for activity. But it also increases AI decision-making along the border when experts have warned about the technology’s potential for bias or other problems.

The big GOP tax cuts and spending bill passed by Congress last summer requires that CBP buys only the autonomous towers, and the department is deploying an additional 95.

Underground, buried fiberoptic cables can sense movement, capturing data that is also then analyzed by AI.

“We follow the contour of the land. We go through trees. We go down into the river banks. We can go absolutely everywhere,” said Magnus McEwen-King, CEO of Sintela, which has a contract with CBP to install the cables. He spoke at a recent border security expo in Phoenix, where some of the technology was on display.

CBP also uses ground sensors and trail cameras to detect smuggling routes.

Concerns over cost and future plans

The nonpartisan watchdog group Taxpayers for Common Sense has questioned both the huge amounts of money for the wall-building and whether taxpayers are getting their money’s worth.

In 2011, under Democratic President Obama, Homeland Security Secretary Janet Napolitano pulled the plug on a project to build a “virtual wall” of integrated technology like radars, sensors and cameras across the entire border after it ran over budget, faced technological glitches and was behind schedule.

Josh Sewell, director of research and policy at Taxpayers for Common Sense, said the organization would like to see more “robust evaluation” of the technologies being used to avoid similar scenarios. And he criticized the Trump administration for lack of oversight on how the money is being spent, a charge CBP has denied, citing “oversight mechanism.”

In the Big Bend area of southern Texas, opposition to the department’s wall-building plans gathered strong bipartisan support especially in the most sensitive areas that run through a state and national park and a wildlife area.

CBP now says it is not planning to build a 30-foot-high bollard wall in those areas. Its recently announced plans include installing patrol roads and some barriers designed to stop cars and using detection technologies.

Clara Benson, who is one of the founders of the No Big Bend Wall coalition, says bright lights in the area designed to illuminate the border could pollute the skies in an area renowned for having some of the best views of the stars. Even without a 30-foot-tall steel wall running through the land, there is concern about CBP’s plans.

“There’s still a lot of fear and dread that the plan is still going to be quite damaging,” she said.

Santana writes for the Associated Press.

June 26 (Asia Today) — South Korean defense experts, mine-clearance researchers and technology companies called for broader government, military and civilian cooperation to remove land mines and unexploded ordnance near the Demilitarized Zone, saying the weapons continue to threaten residents more than seven decades after the Korean War.

The Defense and Security Forum held its fourth roundtable Thursday at the Korea Mine Clearance Research Institute’s DMZ Peace Center in Haemaru Village in Paju, a restricted border area north of the Civilian Control Line.

The event, titled “Korean War DMZ Field Forum: Peace Grows When the Land Heals,” coincided with the 76th anniversary of the outbreak of the 1950-53 Korean War and South Korea’s month of remembrance for veterans.

Security specialists, field researchers, border residents and representatives of defense and information technology companies discussed mine removal, restoration of contaminated land and cooperation among government agencies, the military and private organizations.

The forum said areas contaminated by land mines, unexploded ordnance and other explosives in and near the DMZ and Civilian Control Zone are estimated to cover about 128 square kilometers, or 49 square miles.

It also cited estimates that about 2 million land mines remain buried across the Korean Peninsula’s heavily fortified border region.

The mines are not merely remnants of a past conflict, participants said. They continue to endanger people living in border communities and impede plans to preserve the DMZ as an internationally recognized area of peace and environmental conservation.

Residents in front-line communities face risks while farming, traveling and using land near suspected minefields.

Participants said previous mine-clearance accidents have also made local governments reluctant to pursue development, public infrastructure and community revitalization projects in some border regions, including areas around Cheorwon in Gangwon Province.

The discussion came after South Korea’s mine-action law took effect in February 2025.

The law establishes procedures for safely detecting and removing mines, unexploded ordnance, abandoned munitions and booby traps that are no longer considered militarily necessary.

It also allows qualified private corporations and organizations to conduct detection and removal work under government approval and safety requirements. The military previously handled most such operations.

Participants said cooperation with civilian specialists has become increasingly important as South Korea’s military faces declining troop numbers and difficulties retaining experienced mine-clearance personnel.

Baek Gun-ki, chairman of the Defense and Security Forum, said the country must remember the lessons of war while working toward a safer future.

“We must reflect on the tragic lessons of war and open the way toward a secure future for South Korea,” Baek said.

Seo Nam-yeol, president of the forum, moderated the discussion.

Kim Ki-ho, director of the Korea Mine Clearance Research Institute, presented an assessment of unconfirmed minefields and proposed directions for future clearance operations.

Forum director Kang Tae-jun outlined the South Korean Defense Ministry’s mine-action road map and discussed steps needed to expand cooperation between military and civilian organizations.

Representatives of South Korean defense and technology companies developing artificial intelligence-based detection systems and other advanced mine-clearance equipment also attended.

They discussed the technical limitations of equipment now used by the military and civilian organizations and agreed to pursue cooperation on developing and testing more advanced systems under field conditions.

Participants said mine action is evolving from a labor-intensive military task into a broader security and humanitarian undertaking that combines advanced technology, government policy and specialized civilian expertise.

Following the roundtable, participants visited a nearby area classified as an unconfirmed minefield.

The forum said the visit demonstrated that land mines are not solely a military issue but also affect public safety, land use, economic development and the daily lives of people in border communities.

“Land mines are like bullets lodged in the waist of the Korean Peninsula,” the forum said. “Only after those bullets are removed can vitality return to the peninsula and the lives of border residents fully recover.”

The group called on the central government, military, local governments and private mine-clearance organizations to develop a coordinated national response.

The forum said it plans to launch a nationwide campaign supporting mine clearance across the Korean Peninsula.

It also plans to strengthen South Korea’s mine-action capabilities and expand cooperation with international organizations and overseas specialists, including the United Nations Mine Action Service.

Organizers said South Korea could use its growing defense technology expertise to contribute to international humanitarian mine-clearance operations as well as domestic efforts.

A preliminary discussion featuring Kim and Seo was released online before the event. Video of the roundtable and field visit is expected to be published through the YouTube channel Cheongunmanma.

— Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Original Korean report: https://www.asiatoday.co.kr/kn/view.php?key=20260626010009324

Australia’s Liam Paro is the new IBF welterweight champion with a points win over Belfast’s Lewis Crocker at the Pat Rafter Arena in Brisbane, Australia on Wednesday.

Paro, who previously held the IBF’s light-welterweight title, becomes the first Australia-born boxer since Jeff Fenech to become a multi-weight world champion, earning a 115-113 nod on all three cards after a gruelling battle.

The 30-year-old produced a display of skill and heart to dethrone Crocker who was making the first defence of the title he won in Belfast last September, improving his record to 28 wins with one defeat.

Crocker, 29, appeared on the brink of a stoppage late in the fight but just couldn’t find the finishing shot with Paro reeling, suffering a first career reverse in his 23rd contest and will now seek to rebuild.

More to follow

More to follow.

Civic pride, sure. But what is it really worth to the city of Anaheim to have its name on the hometown baseball team?

Hundreds of millions of dollars, the city has said. As the Angels’ stadium lease approaches its end, and as Anaheim prepares for negotiations either with Arte Moreno or a potential new owner, it’s worth keeping in mind.

So too is a concept floating around City Hall in Anaheim: What if we could put a new stadium and a youth sports complex next to one another?

Nothing is imminent, and even a bill winding its way through the state legislature would not necessarily require the Angels to return Anaheim to the team name.

It’s leverage: If the Angels’ owner wants to build atop the stadium parking lots, the city can pursue an exemption to a state law that currently restricts what can be built there, which could mean more money for the team and its development partners. In exchange for the exemption, the team name would revert to the Anaheim Angels.

If that’s the carrot, this is the stick: The city would have to approve the zoning changes that could make the land “two to three times more valuable than it is as a parking lot,” Anaheim Mayor Ashleigh Aitken said.

Said Aitken: “There are no gifts. For an ownership to truly be a partner to the city in what that property could be, there is going to have to be some realization that Anaheim is not Los Angeles.”

The Angels’ stadium lease expires in 2032, and the team can extend it through 2038. A new owner could move the Angels — or at least leverage the threat of a move — but Anaheim offers a 150-acre site with what every owner in pro sports covets: land around the venue to turn the property into a year-round money-making operation.

The standard ballpark villages include restaurants, shops, hotels, homes, offices and entertainment venues. The Ducks are launching one, called OC Vibe, around Honda Center, and within walking distance of Angel Stadium.

What intrigues the city, for at least part of the parking lots around Angel Stadium: a youth sports park for all those travel ball teams. Ontario is building a 199-acre one around a minor league ballpark; Irvine has a 194-acre one up and running at its Great Park.

Katie Wright, who books sports events for Anaheim’s tourism bureau, said there would be a market if her city built a sports park.

“The demand for, specifically, soccer, baseball and softball is tremendous,” Wright told the Anaheim City Council in April. “They would be filled every single weekend, I think.”

What Anaheim has that Ontario and Irvine do not: Disneyland down the street for visiting families, a variety of restaurants within walking distance, and hotel rooms aplenty. In Anaheim, 40% of the city’s general fund comes from taxes on hotel rooms.

“With Angels baseball right next to a youth sports facility, to have the synergy of hotels and restaurants, and players interacting with the Little League kids and soccer fields,” Aitken said, “I just think it’s a unique opportunity.”

Everything old is new again: In 1996, Anaheim pitched a youth sports center called the “Little A” in part of the stadium parking lots as part of a ballpark village that never materialized.

What might be in the best interest of the city now might not be in that of the developer, whether that turns out to be the Angels or a real estate partner. While a sports park might drive tax revenues to the city, a developer might pay the most for land used for hotel and retail properties, said Louis Tomaselli, the Irvine-based executive managing director at JLL, a nationally prominent commercial real estate brokerage.

“A youth sports complex would likely be at or near the bottom from a land value perspective,” Tomaselli said.

That’s all part of the negotiation, and for now the city of Anaheim has no party with which to negotiate. That leaves room for all sorts of brainstorming, including Aitken’s curiosity about flanking the development with high-rise residential buildings, similar to the condominiums that have risen next to Petco Park in San Diego. In some of them, you can watch the game from your balcony.

But let’s get back to the value of the Anaheim name on the baseball team.

“A lot of times, we get the question, ‘Exactly where is Anaheim?’” Wright, the Anaheim tourism official, told the City Council. “We’re always fighting to say, ‘We’re not L.A.’”

In 2005, when Anaheim sued the Angels after Moreno slapped the Los Angeles label on the team, the city commissioned experts that testified the name change would cost Anaheim nearly $200 million over the following decade and close to $400 million through 2029. The Angels dismissed both numbers as wildly high, but that is what the city presented in court.

I asked Sean Moran of Los Angeles-based Innovative Partnerships Group for an update. Moran estimated the worth of the Anaheim name at $26.5 million per year — or more than $500 million over the life of a 20-year deal — based on the value of references to the city on game broadcasts, digital and social media, highlight clips, betting sites, in fantasy leagues, and more.

“I don’t think you can put a monetary value on civic pride and respecting your fan base,” Aitken said. “So, if a new owner wants to come in and start fresh and really respect the fan base in Orange County, the name should not even be a negotiating point.

“It should be the first thing you do, out of respect for where this team is located, and the fan base that is so loyal in good times and bad.”

Perhaps. But, if I’m the new owner of the Angels and the city is on record saying its name on the team is worth hundreds of millions of dollars, the first thing I say to the city in negotiations is: You can get your name on the team for that $500 million, which would help me build a new ballpark that could cost $1.5 billion.

Who else could benefit from that? Moreno, as the need for a new owner to pay for a ballpark could lower the sale price.

Even without that exemption from state law, a new owner could pursue a fair amount of development on land Anaheim has failed to develop for 60 years, on a site the city’s own land use plan envisions as “an exciting mix of high energy uses while providing additional housing.” Or a new owner could simply inherit the existing lease and deal with potential development later.

You can start to get the shape of what the bargaining might look like. Avelino Valencia (D-Anaheim), the assembly member who introduced the bill in Sacramento intended to spur the return of the Anaheim Angels name, included a provision that says resolution would take precedence over legislation.

“If there is another outcome that takes place, in negotiations or deal-wise, there would be no need for this, right?” Valencia said.

All of that could be years down the road, so no sense arguing all the finer points now. Aitken promises a series of community meetings first, so that Anaheim residents can share how they envision the future of the Angel Stadium property, with or without a baseball stadium.

This should come up for discussion too: The Anaheim Angels name might be ideal for the city, but what, if anything, should the city give up to get it? The last time the city asked, Moreno just said no. If a new owner would be willing, should the taxpayers of Anaheim consider subsidizing the name?

Country singer Tyler Farr is recovering after he missed his weekend show.

The “Rednecks Like Me” singer was slated to perform at the Goshen Stampede in Goshen, Conn., on Saturday, but the festival announced just hours before gates opened that Farr had an accident on his Chapel Hill farm, about 45 minutes outside of Nashville.

“Due to a motor vehicle incident on his farm, Tyler Farr was taken to a local hospital and diagnosed with a severe concussion,” read the Instagram post. “Tyler Farr will no longer be able to perform at the Goshen Stampede on June 13, 2026. We appreciate everyone’s understanding and will share additional event information as it becomes available. We wish Tyler a speedy recovery.”

David Foster and the All Stars took Farr’s place in the lineup. The event featured two rodeos with bull riding and steer wrestling, monster trucks, carnival rides and country music. Farr shared Goshen Stampede’s post to his since-expired Instagram stories but hasn’t shared any further updates.

Representatives for the country musician did not immediately respond to The Times’ request for comment.

This isn’t the country music star’s first rodeo. Farr, who released “Quit Bein’ Country” last fall, stopped by Taste of Country’s podcast to promote his new EP and told the outlet that he got into a car wreck on the way there and said his truck was too high.

“There’s a big lift on it, and if it had been a normal vehicle, it’d probably been something you could have just buffed out, but the reinforced-steel, ultra off-road bumper I have broke a taillight and knocked the bumper off [the other vehicle],” he said, adding that his truck didn’t have a scratch. “Luckily the person was cool, cop was cool.”

Apparently the last time he was in an accident (before the one in December), his 2013 hit “Redneck Crazy” went to No. 1 on the charts.

The singer has also been candid about his love for country living and turkey hunting.

“When I moved to Nashville, it wasn’t to be in the Hall of Fame,” he told Land.com last year. “That wasn’t a goal … I’m a pretty simple person. My goal was literally to be on the Opry, have a hit song, little country house in the woods, some land, a tractor.”

There’s a good reason why David Sedaris is the most beloved humorist in America. He has an unerring ability to tap into the absurdity and petty annoyances of American culture more cogently than any other writer of his generation. He is also funny as hell.

Sedaris’ latest collection, “The Land and Its People,” finds the author grappling with the seductions and consolations of technology, creeping mortality, unwanted sexual advances and feral dogs, for starters. I recently chatted with Sedaris about books, nannies and iPhones.

✍️ Author Chat

Your first book was a collection of short stories. Was it always the intent to move into writing essays, or did you have designs on being a novelist?

It never occurred to me that I would write essays about my life. I started off writing fiction, and then I started doing these readings in Chicago. Then I was to read at this variety show at this place called Park West. I was limited to about five minutes, and so I just plucked something from my diary. And it worked. I would walk onstage wearing a tie with a stack of diaries in my hand. Then I started doing these radio shows, and I thought I could read my fiction, but it had to be nonfiction. So a lot of the earliest pieces that I ever read were just things plucked from my diary.

What actually happened was that after this piece I wrote called “The Santaland Diaries” had been on the radio, I had this other book that I had already written, and I was just kind of waiting for someone to call and ask if they could publish it. But it couldn’t be published unless “Santaland” was included.

That book was “Barrel Fever” in 1994 which was a big hit. Now you were that rare creature: a bestselling essayist.

With essays, there’s a kind of shorthand to it. If you’re writing fiction, you have to world-build with every story, whereas with an essay I can just get up on stage and say “my sister and I went shipping” and people know who my sister is, and I can just get right into it. My fiction is always way, way over the top. I can’t write any story where people are reasonable.

What makes you unique is that you are onstage in front of an audience more often than 99% of authors. You can workshop material to see if it lands, much like a comic.

Yes, and I don’t ever want to waste an opportunity to do that. The frustrating thing about being on a book tour is that I can no longer make any changes to the book. So I’ve been bringing out some little, short things I’ve been working on to get it on its feet.

Much of your writing is observational. Do you find, given your public profile, that it becomes harder to do that?

It depends on where I am. If I’m hanging out in places where people don’t read, or in another country, then it doesn’t make any difference. The bigger problem is that when you’re spying on the world now, the world is just looking at their phones.

“The Land and Its People” is the new collection of essays by David Sedaris.

(Little, Brown and Company)

I know you aren’t big on the phone, or at least taking pictures with your phone. In one of your essays in the new book, you are on a Kenyan safari with your partner Hugh and you adamantly refuse to snap a single photo.

If you’re at a book signing, you meet someone and then stand up and someone takes a picture with their phone. I’d rather talk to that person, you know? The picture thing, it just doesn’t make any sense to me. It doesn’t mean anything. I was invited to the Academy Awards because I wrote something about a movie, which was crazy. But it never for one moment occurred to me to go up to anybody to take a selfie. All that means is that I bothered this person. By the way, I have never once asked Hugh to send me his safari pictures.

What books make you laugh out loud?

I’m always happy to find a funny book, but they are hard to find. Did you read “Rejection” by Tony Tulathimutte?

It’s on my nightstand.

Oh my God, I laughed out loud so many times at that book. And he’s not a humorist. I’m not even sure if he thinks the book is funny. There’s a short story in there, about a guy who’s just a complete a— and his girlfriend moves in with him and he makes her put all of her stuff in the oven.

I like things that are funny that aren’t supposed to be funny. Somebody said to me a few weeks ago, “How can we laugh with the world in such terrible shape?” I said, it’s easy. Just get rid of any sense of empathy or compassion! If you’re writing satire, you have to go big. You can’t tone it down. Then it’s not satire anymore, it’s just cereal milk.

You do write in the new book about this kind of language policing that is prevalent now.

I hate it. I mean, the New Yorker is pretty good to me. I can’t complain. But I turned something in to them, and they told me I couldn’t use the word “nanny” in the piece. I mean, a nanny is a real profession, like a pharmacist. I told them I wouldn’t cut it. It just makes me think about young people who are starting out, who can’t say no because they need the money.

(This Q&A was edited for length and clarity.)

📰 The Week(s) in Books

(Illustration by Jim Cooke / Los Angeles Times; Photo via Getty Images)

Leigh Haber is blown away by Anne Patchett’s 10th novel, “Whistler.” “This exquisite writer has once again delivered an incandescent work of fiction — sweet, but never sentimental, infinitely wise and suffused with love,” Haber writes.

Songwriter and Sheryl Crow collaborator David Baerwald has written a novel called “The Fire Agent,” about his grandfather Ernest, a musician and a prisoner of war in a Japanese internment camp during World War I. “One of my characters tells Ernst that he has ‘yuyo,’ which might best be described as grace,” Baerwald tells Bethanne Patrick. “Its Japanese meaning is closer to the state of a river rock that has been washed over and tumbled thousands of times, so that it’s both distinct, and a meaningful part of its environment.”

Rasheed Newson, a showrunner for “The Chi” and “Bel-Air,” has written “There’s Only One Sin in Hollywood,” a novel about an often-neglected chapter of Hollywood’s Golden Age. “I wanted to do a deep dive into Black queer history during the Golden Age of cinema,” Newson tells Meredith Maran. “The first thing that came to me was Xavier’s character. I decided to make him the 10-years-younger, queer rival of Sidney Poitier, to highlight the acceptable versus unacceptable — meaning, straight versus gay — 1950s Black movie star.”

Finally, Adam Messinger, a staffer at West Hollywood’s Book Soup, attempts to answer the question: Why are books shrinking? One possible culprit may be social media. “Holding the book up to take a photo of it is easier,” writer and social media influencer Caroline Mason tells Messinger. “Although I do sometimes still drop it.”

📖 Bookstore Faves

Lost Books in Montrose looks and feels unlike any other bookstore in L.A. — a verdant terrarium filled with new and used books and vinyl. Created by Last Bookstore co-owners Jenna and Josh Spencer, Lost Books also sells plants. Moss has colonized the ceiling, and tall trees keep sentry over the store’s diverse and eclectic inventory. I asked Josh Spencer about how Lost came about.

What was the thinking behind opening Lost?

It was spontaneous. My wife and I were eating dinner in the very charming neighborhood of Montrose, and saw a very cool vacant storefront. It also happened to be on Honolulu Avenue, and with both of us being from Hawaii, we took it as a sign. We did not want to franchise the Last Bookstore at the time, and wanted the new store to have its own name and unique vibe.

You also sell plants. Where did that idea come from?

My wife grew up in a rain forest on Maui. She loves plants, and we thought that a pairing of nature with literature was exciting and not done before.

Who are your customers?

Mostly locals in Montrose, La Cañada, La Crescenta, Glendale. But we get a fair number of tourists and also people from other parts of L.A. People who love beauty, nature and books. And vinyl!

Are you seeing that big vinyl resurgence we’ve been hearing about?

Absolutely! Our vinyl does very well for us.

What genres or types of books do well for you there?

Classics, kids books, mysteries, graphic novels, art, self-help, memoirs, cookbooks and gardening of course!

Lost Books is located at 2233 Honolulu Ave., Montrose.

(Please note: The Times may earn a commission through links to Bookshop.org, whose fees support independent bookstores.)

WASHINGTON — The Supreme Court on Wednesday struck down part of a historic California law inspired by Cesar Chavez and the farm workers union, ruling that agricultural landowners and food processors have a right to keep union organizers off their property.

The justices by a 6-3 vote said the state’s “right of access” rule violates property rights protected by the Constitution, which states private property shall not be “taken for public use without just compensation.”

Writing for the court, Chief Justice John G. Roberts Jr. said “the access regulation is not germane to any benefit provided to agricultural employers or any risk posed to the public…The access regulation grants labor organizations a right to invade the growers’ property. It therefore constitutes a per se physical taking,” he wrote in Cedar Point Nursery vs. Hassid.

He cited as precedents a pair of California cases. One ruled for the owner of a beachfront home in Ventura who objected to giving the public access to the shore and a second from 2015 which ruled for a grape grower from Fresno who objected to giving his grapes to a government-sponsored cooperative.

“The upshot of this line of precedent is that government-authorized invasions of property — whether by plane, boat, cable, or beachcomber — are physical takings requiring just compensation,” Roberts said.

The three liberal justices dissented. They described the rule as a regulation, not a taking of property.

The California Legislature in 1975 became the first in the nation to extend collective bargaining rights to farm workers. Months later, a new agricultural labor board adopted the “right of access” rule to allow organizers to seek out those who were working on farmland.

Earlier this year, the state’s lawyers said the rule was still needed because farm laborers often worked in remote areas and were not fully aware of their rights to join a union.

It has come under attack in recent years by agribusinesses that have called it a “union trespassing” rule that violates their property rights.

A lawyer for the Pacific Legal Foundation, which represented the farm owners, cheered the ruling as “a huge victory for property rights.” It “affirms that one of the most fundamental aspects of property is the right to decide who can and can’t access your property,” said Joshua Thompson, a senior attorney for the group, based in Arlington, Va..

Karla Walter, a director of employment policy for the liberal Center for American Progress, called it a major setback for union organizing.

“Today the Supreme Court’s conservative majority overturned nearly a half-century of progress for California’s farm workers, who have struggled to exercise their right to bargain for decent wages and to protect their health and safety,” she said. “Reaching farm workers — the overwhelming majority of whom are Latinx and migrant workers — where they work is critical to protecting their rights and interests.”

The case decided Wednesday began in 2015. The owners of the Fowler Packing Co. in Fresno, which produces grapes and citrus fruit, refused to allow union organizers onto their property.

A few months later, union organizers entered a strawberry packing plant near the Oregon border and disrupted the work, according to Mike Fahner, owner of the Cedar Point Nursery.

The two companies then joined in a lawsuit seeking to have the California union access regulation declared unconstitutional. They lost before a federal judge and the 9th Circuit Court of Appeals in San Francisco, but the Supreme Court voted to hear their appeal.

Lawyers for the Pacific Legal Foundation representing the farm owners argued the Constitution “forbids the government from requiring you to allow unwanted strangers on to your property.”

In defense of the rule, California officials called it a temporary regulation of property, not a taking of the grower’s land. Union organizers may enter a farm for one hour before the start of the workday or for an hour at the end of the day.

The state’s lawyers said the rule is similar to federal and state laws that allow meat and poultry inspectors to go into packing plants or health and safety inspectors to visit warehouses, manufacturing plants or construction sites.

A cross section of a 250-year-old Pasadena oak tree that was uprooted in a 1993 windstorm is among the first things visitors will see upon entering the Huntington’s new exhibit, “This Land Is…” Jagged cracks in the trunk, which was once rooted in the Huntington’s lawn, are feebly held together by wooden joints.

It’s a fitting emblem of what’s to come in a long-planned show curated to coincide with the country’s upcoming semiquincentennial, and crafted to pose land itself as central to the country’s complex past. After taking in the exhibit, attendees can draw their own conclusions about the land’s role as a “geographical and metaphorical space of promise, struggle, and belonging.”

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On a recent late afternoon, the Pasadena sun drilled down on the facade of the Huntington’s MaryLou and George Boone Gallery, where the show’s organizers waited beside four chiseled columns with their hands tucked behind their backs, swaying in anticipation.

“It’s the first time anyone is seeing it,” said Linde B. Lehtinen, the museum’s senior curator of photography.

Joining her are Josh Garrett-Davis, curator of Western American history, and Armando Pulido, assistant curator for special projects. All three smile with excitement.

For the better part of the last two and a half years, Lehtinen and Garrett-Davis have spearheaded the curation of “This Land Is…,” which opens Sunday and runs through early next year.

For them the fallen oak tree represents hope amid disturbance: Another once-towering elder on the museum’s North Vista was uprooted during a windstorm in 2025 — one of its acorns has since sprouted and now stands more than 6-feet tall.

Still, it only brushes the surface of an exhibition that seamlessly draws upon a plethora of works crafted across U.S. history. Want to plan a visit? Here are five things you shouldn’t miss seeing.

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“This machine kills fascists,” etched on the back of Woody Guthrie’s guitar on display at The Huntington.  (Robert Gauthier/Los Angeles Times)

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A closer view of the “This Machine Kills Facists” etching.  (Robert Gauthier/Los Angeles Times)

Woody Guthrie’s guitar, inscribed with ‘This Machine Kills Fascists’

In 1940, Woody Guthrie sat in a Midtown Manhattan hotel, toiling over lyrics for what would become “This Land Is Your Land.” Today, it’s been adopted as a quasi-anthem for the U.S. and the epitome of American progressivism.

For this exhibition, the museum acquired Guthrie’s C.F. Martin and Co. guitar, a seamless blend of spruce, mahogany, celluloid, ebony and mother-of-pearl. On its back, a carved inscription reads, “This Machine Kills Fascists.”

“The idea for ‘This Land Is…’ emerged … because the scope and breadth of his voice in terms of his activism and how prolific he was … and thinking about how he reflected on and experienced American land,” Lehtinen said.

Alongside the guitar is a copy of the Declaration of Independence, annotated by John McKesson, secretary of New York’s Fourth Provincial Congress, in the days following July 4, 1776. According to Lehtinen, the two objects were paired as instruments of protest and change.

“We talked to [Guthrie’s] granddaughter Anna Canoni, and she said to us at one point that he used guitars like pens or tools, and that was so appropriate to how we were thinking about its relationship to this document,” she added.

A map of the Butte Community, Gila River Relocation Center drawn by an internee.

(Robert Gauthier/Los Angeles Times)

Japanese flower farmers photographed before, during and after internment

Not far from the Guthrie guitar is a panoramic portrait of the Kuromi family, posing amid a flower farm that stood where Los Feliz Boulevard is now. To its right is a watercolor painting of the Gila River War Relocation Center in Arizona, where many members of the family were forcibly transported to and imprisoned during World War II.

“I was looking at a historic preservation report, and the name was the same as my mechanic in Los Feliz,” Garrett-Davis said. “The next time I went to get my oil changed, I took a printout of that panorama and was going to show it to them and ask, ‘Do you know anything about this? Is this related?’

“I walked into their office, and a copy of that photo had been on their wall for years. In 10 years, I had never noticed it,” he said with a laugh.

After their internment, the Kuromi family returned to their farm in 1945 to find their equipment stolen. The process of regaining access to their land was slow, but they eventually settled back in, and operated the farm until losing their lease in 1961.

‘A Harvest of Death’ and mail from home on the Civil War front

One of the most grotesque displays on view is an albumen print of an 1863 photo titled “A Harvest of Death,” taken by Timothy H. O’Sullivan after the Battle of Gettysburg. Within its frame lies the bodies of fallen soldiers, sprawled out and lifeless on the grass.

“That evocative title signals some of the other things that we have been thinking about, whether it’s looking at gardens or loss … in this case, these are bodies that have been left, and they’re decomposing,” Lehtinen said.

Paired with the print is a letter from a young woman named Harriet Bailey to her uncle on the front lines of the Civil War, containing seeds delicately etched with drawings of a ship, facesand a dog. The two pieces represent a stark contrast in experiences during the same conflict, once again touching upon the theme of hope amid disturbance.

“This is a remnant of home that he’s actually being sent while on the battlefield,” she continued. “So, the joy and lightness to what is an incredibly somber moment in American history.”

“Archiving the Watershed” is a collection of artifacts from the Colorado River assembled by Otis R. “Dock” Marston on display.

(Robert Gauthier/Los Angeles Times)

The Colorado River, mapped out through an adventurer’s eyes

This display is described as a “tiny slice” of the Huntington’s archive on Otis Reed “Dock” Marston, a historian and river runner who made it his life’s goal to collect information on the Colorado River. According to Garrett-Davis, Marston had around 185 binders full of photographs, often placed on a cut-out map of where they were taken and organized mile-by-mile, from below the U.S.-Mexico border all the way into Utah.

This taps into a focal point of the exhibition: adapting it to a West Coast perspective. In this way, the idea of independence is viewed expansively as it unfolds across time and place.

“The Huntington has a wonderful collection of presidential papers and documents relating to the Colonial era, but we also have materials on California … from the lens of the West,” said Huntington President Karen R. Lawrence.

“We can show the West’s visual culture at the same time that we can show the original copies of the Declaration of Independence … we have a breadth that’s quite rare.”

Artist Noni Olabiisi’s, “Troubled Island” mural on canvas, depicting the struggling of the Haitian revolution.

(Robert Gauthier/Los Angeles Times)

‘Troubled Island’ and a mirrored struggle

The Haitian Revolution may seem out of place in an exhibition celebrating the U.S., but Haiti was the second independent nation in the Western Hemisphere. Its independence from the French was proclaimed in 1804, just two decades after the American colonies signed the Treaty of Paris.

In the mural “Troubled Island,” Noni Olabisi chronicles the Haitian struggle for independence, including how suffering under French colonists led to the 1791 slave rebellion. The piece was first painted for the William Grant Still Arts Center in West Adams in 2003, referencing an opera of the same name.

The opera was composed by Still with a libretto from the Missouri-born poet, playwright, novelist and social activist Langston Hughes, who connected Haiti’s struggle for freedom to his home country’s.

“We wanted to focus on parts that might seem peripheral but are actually quite central to American history,” Garrett-Davis said.

Three years later, Olabasi would render the same powerful mural on canvas.

Six Flags Magic Mountain wants to change its narrative.

Known as a destination for thrill seekers, the coaster-heavy amusement park is putting the emphasis on its animated characters.

Now open is a revamped, kids-focused area in Looney Tunes Land, a remake of the former Bugs Bunny World and Whistlestop Park. All told, it’s a 5-acre space with nine rides, including two kiddie coasters, as well as still-to-come play areas, a live show and an in-development augmented reality experience.

I last walked through the area about two summers ago, and it was in a derelict state. I’m happy to report it’s more welcoming, prettier and dotted with plant life and landscaping.

Gone is the vintage Magic Flyer, once Magic Mountain’s oldest coaster (the park’s eldest thrill seeker is now Gold Rusher). Also among the casualties: Tweety’s Escape, a steel swing that placed children in birdcages that had begun to look like mini jails. It was a grim-appearing ride.

The remaining attractions have all received some much-needed TLC. Some even have added mini storylines. What was Whistlestop Train, for instance, is now Taz’s Tasmanian Train Tours. It follows a narrative in which the ride’s titular character has escaped the zoo and is eluding capture, generally causing havoc on the countryside. It’s a calm, slow-moving ride through a small green space, and we see failed attempts to trap Taz, such as an overgrown mice contraption. The ride concludes with a mechanical not-so-hidden Taz, but not before glimpsing a statue of Tasmanian She-Devil in full kiss mode.

A look into the Bugs Bunny-focused area of Magic Mountain’s new Looney Tunes Land.

(Myung J. Chun / Los Angeles Times)

The reimagining comes two years after Six Flags Entertainment Corp. and the Cedar Fair Entertainment Co. completed a merger, which in SoCal brought Magic Mountain and Knott’s Berry Farm under the same ownership. Six Flags’ corporate creative producer Clayton Lawrence says post-merger, the company pinpointed upping the family appeal at Magic Mountain as among its first orders of business.

That meant last summer devoting resources to improving the Hurricane Harbor water park, which Lawrence says specifically attracts families and grandparents. This year, attention was turned to the primary park in Looney Tunes Land.

“We really thought about what this park needs,” Lawrence says. “What will the parents need? How do we slow the guests down a little bit? This park has so many thrills in it — so many coasters — that we wanted to create a place that was nice to take a break from all the action and also develop areas where grandparents and parents could watch little ones burn off energy.”

It’s safe to say that Magic Mountain’s core audience is likely always going to be thrill seekers. And that fan base will be served next year with the planned opening of a new coaster that will overlook the Looney Tunes area.

The kiddie coaster the Road Runner Express at Six Flags Magic Mountain.

(Myung J. Chun / Los Angeles Times)

Magic Mountain attracted 3.3 million visitors in 2024, according to data released by the Themed Entertainment Assn. While Lawrence was not able to break down which percentage of that number included those traveling with children 12 and under, it’s safe to say that a greater family appeal is viewed as one of the ways to boost a SoCal audience.

“There’s a lot of people who grew up coming up here, or their first ride was inside Bugs Bunny World,” Lawrence says. “A lot of families have a daredevil teen who can go on the rides, but they also have a little one. This is about the multi-demo family.”

Looney Tunes Land is broken into four mini areas — Taz-Mania, Road Runner Ridge, Bugs Bunny Play Park and Camp Duck Amok. While there are no major distinctions between the spaces, there are slight differences. Taz’s footprints, for instance, are found in the gravel-colored pavement of Taz-Mania, and in the Daffy Duck locale the flooring looks a bit like rockwork. A small outback-like trail in Taz-Mania will soon be home to an augmented reality game, and a much-needed green space in the Bugs Bunny spot will later this summer be populated with tunnels and little climbing structures.

Asqwer Turki, 13, poses for a picture with Wile E. Coyote at the new Looney Tunes Land at Magic Mountain.

(Myung J. Chun / Los Angeles Times)

There are fun additions to spot on the refreshed rides. The Canyon Cruiser beginner’s coaster, for example, nods to classic Looney Tunes cartoons, specifically prank-filled episodes featuring Daffy Duck, Bugs Bunny and Elmer Fudd. The children’s theater has been remade into Bunny Bowl, and given giant carrots that call the attention of guests.

Such light thematic touches, said Magic Mountain President Brian Oerding, have been missing from parts of the park. They’re vital, he says, in lengthening a guest’s day.

“We’ve learned that softening the hardscape creates a better environment, a better experience, and that means you’re going to want to hang out more,” Oerding says. “Some folks will walk by black asphalt and not think anything about it, but when you look into Looney Tunes Land, and you look at the softness of the pavement and the additional landscaping, we’ve created a happier space. Mom and Dad are happier, and that means they’ll hang out longer.”

Mountain Park President Brian Oerding officially opens the new Looney Tunes Land at Magic Mountain.

(Myung J. Chun / Los Angeles Times)

Looney Tunes Land has also given Magic Mountain some much-needed in-park entertainment, as the area has been lacking a live show for a number of years. “Vacation Mayhem” comes in at just under 15 minutes and features Bugs, Daffy, Porky Pig and Sylvester imagining their perfect getaway spots in song.

Things go wrong, of course, and Bugs even explores some vices by gambling in Las Vegas, which was an odd choice I thought for a kids show, but Looney Tunes did always have a bit of an edge. Nevertheless, the musical numbers, ranging from reworkings of “The Gold Diggers’ Song (We’re in the Money)” to “Hello Muddah, Hello Fadduh (A Letter From Camp)” keep it zipping along.

“If we don’t believe that entertainment and character shows are important, we’re missing it,” Oerding says. “Yes, the rides are cool, but we haven’t done an actual entertainment show in here in a long time.”

And Lawrence says Looney Tunes is essentially a model for the entire park. No, that doesn’t necessarily mean more kiddie rides in the coming years, only that Six Flags is looking at other places where the park can use some beautification.

“This is what we want to do for the rest of the park,” Lawrence says. “Disciplined design. Nice hardscape.”

And here’s hoping for some more plants and an additional fountain or two.

This week in SoCal theme parks

Alexis Rosales of Bell gets drenched by Luke Brodowski, performing as Fluke Mayfield at Knott’s Berry Farm’s Ghost Town Alive! in 2024.

(Allen J. Schaben / Los Angeles Times)

• It’s the most wonderful time of the year. Knott’s Berry Farm begins its summer season on Friday, and that means the return of Ghost Town Alive! This interactive live show, now a decade old, is unlike anything at any other SoCal park, and in my mind it’s the best summer entertainment available. This hybrid live-action role-playing game and work of interactive theater enables guests to live out mini-Wild West adventures while interacting with more than two dozen actors. Players follow a loose story centered on the drama in the fictional town of Calico, in the park’s Ghost Town area. It’s silly, it’s wacky and there’s even a daily newspaper. Ghost Town Alive! runs on select days, and I’ll see you there Friday.
• World Cup, Lego Style! Carlsbad’s Legoland is celebrating the arrival of the World Cup with a host of limited-time activities and Lego creations. The park, for instance, has built a 30-foot-long re-creation of SoFi Stadium, and elsewhere has created brick versions of a host of soccer stars. There are interactive events as well, such as accuracy challenges and games that have attendees trying to score goals off of Lego minifigures. Legoland’s FIFIA World Cup Experience 2026 launches Thursday and runs through July 19.
• Oogie Boogie Bash tickets drop — and a Haunted Mansion street parade? The Disneyland Resort’s popular after-hours event Oogie Boogie Bash returns Aug. 18, and tickets for Magic Key passholders go on sale June 16 (the general public sale is June 18). New this year to the Disney California Adventure experience is what the resort is calling “Madame Leota’s Swinging Wake.” Though not a full-scale parade, expect Haunted Mansion characters — the concept art shows floats of the attraction’s “stretching room” portraits — as well as ghostly dancers. But with something new, something must depart. “Madame Leota’s Swinging Wake” is replacing the “Frightfully Fun Parade.” Ticket prices vary by day, starting at $139. October dates, for instance, top off at $199.
• “Harry Potter” will hover above Dodger Stadium. A theme park-like drone show is arriving Saturday at Dodger Stadium. More than 1,200 drones will soar over the park as part of a “Harry Potter”-inspired production, which will also feature music, trivia and an appearance from the film’s Bonnie Wright (Ginny Weasley). Expect re-creations of “Potter” iconography such as Hogwarts Castle, magical creatures, the Sorting Hat and more. The hourlong show begins at 9 p.m. and Butterbeer will be on hand. Tickets start at $52.90 for adults.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Last week I put out a call for Disneyland fans to share their Carousel of Progress memories. The theater attraction, centered around a rotating auditorium, debuted at the 1964 World’s Fair before making its way to Disneyland in 1967. It was moved to Florida’s Walt Disney World in 1975. The Walt Disney Co. announced recently that the Florida version would be undergoing a top-to-bottom overhaul, but its dedication to technological optimism throughout the decades would remain.

I’m thoroughly enjoying the remembrances. Many cited it as a favorite. “My father was a musician, and it became a family tradition that we’d sit in the back row and sing ‘[There’s] a Great Big Beautiful Tomorrow’ loudly at the top of our lungs from the very beginning of the ride, which I’m sure newcomers thought was weird and probably annoying,” wrote one reader. Another noted, “The mid-60s were exciting years to be a kid, as the future seemed so promising and exciting; the [Carousel of Progress] plugged right into that enthusiasm.”

Many shared similar sentiments. “The animated activities of the characters and their dialogue embraced the ‘Happiest Place on Earth” theme that was prevalent throughout Disneyland in those earlier days,” said one fan. A few, however, called out that the attraction was sponsored by General Electric, making it feel a bit like an advertisement. As one reader summarized: “It was incredibly clunky product placement, even to a kid’s ears.”

Bembou Silaty, Guinea – Mamadou Aliou walks through the small village of Bembou Silaty in northwestern Guinea carrying an irresolvable contradiction.

The 38-year-old works in the environmental health and safety department for a bauxite mining company, yet he is also an activist striving to improve life in his community, which often means criticising the actions of another mining company in the area.

“Before these companies arrived, we cultivated our land, and it sustained us,” Aliou told Al Jazeera.

“We could cover our daily needs, especially food. But now, when a piece of land is registered and belongs to a mining company, you have nothing there any more.”

The foreign-linked mining companies are part of the global scramble for Guinea’s bauxite. The West African nation holds the world’s biggest reserves of the ore, which is the source material for alumina and ultimately aluminium, a metal essential for car and aircraft frames, windows, wind turbines, and solar panels.

Over the past three decades, Guinea has multiplied its bauxite production tenfold. More than a dozen projects of bauxite production are currently ongoing in the country, according to the online cadastre.

As the global energy transition demands ever more aluminium, it has placed Guinea in a strategically crucial position. Approximately 75 percent of the bauxite exported by the country over the past decade has ended up in China, which produces 60 percent of the world’s aluminium.

Companies from Russia, the United States, and the United Arab Emirates have also established themselves in the country to secure the ore. In Bembou Silaty, an Indian company that began operations in 2019 now holds an exploitation concession until 2034.

Located in the prefecture of Telimele (Kindia region), Bembou Silaty has undergone a transformation since bauxite was discovered on its land about five years ago.

Yet, on the ground, many lament the cost: Contaminated water, loss of farmland, and a steep decline in agricultural productivity.

‘No land, no money’

In the traditional bauxite heartlands of Kindia and Boke, the main roads are in notably good condition, a cut above the rest of the country. Steady jobs in technical roles or transport logistics have created economic opportunities for some Guineans.

Yet Bembou Silaty remains a quiet, peaceful village without electricity, and farming methods that are untouched by mechanisation.

Less than 2km (1.2 miles) away, however, the lush green landscape and mild climate of the rainy season give way to the electric-powered site of the Indian mining company.

There, excavators and trucks laden with bauxite constantly traverse the wide, unpaved roads, built to accommodate the heavy traffic, in a noisy, busy zone where the mining economy bulldozes its way forward.

People working in technical roles at the mine can earn up to about $300 a month.

For other locals who make a living from farming, most don’t have a regular wage and rely on the yield from their crops.

Across Guinea, an estimated half of the population depends on agriculture for their livelihood.

Locals in Bembou Silaty say every hectare claimed by mining is a hectare lost to farming, in a country that spent more than $500m importing rice in 2024.

“They give you compensation for your land, but it’s not enough, and in the end, it’s mismanaged,” Aliou said.

“Within a month or two, someone who received 50 or 100 million Guinean francs ($5,700-11,400) has nothing left. No land, no money. They have to start over, from below zero.”

Locals who still own land continue to grow rice, cassava, peanuts and cashews in the village, but they have ever less space and agricultural productivity is falling.

The village women have set up an association, “Allawalli” (which means “God help us” in Fula), to work cooperatively.

‘Not enough’

Walking through the alleys of Bembou Silaty, a few houses stand out.

They are made of cement, which withstands the rains better than the more common mud-brick homes, though many remain unfinished.

Locals say they were built with compensation money.

Fatoumata Binta Bah, a neighbour of Aliou’s, comes from a family of farmers. They once cultivated cashews, their livelihood.

Then the Indian mining company started up operations and offered them less than 50 million Guinean francs (about $5,700) for their land. That compensation, paid as a lump sum, seemed like a decent amount of money, she says.

But now, the money is gone, and their new house is still incomplete.

“The land they took from us was productive. That’s what we lived on,” said Bah, 20, as she prepared tea over a fire in the family courtyard.

“In the end, it wasn’t enough,” she lamented.

The Indian company did not respond to Al Jazeera’s questions on the purchase of land.

Meanwhile, on the outskirts of the village, surgical holes drilled into the ground mark where mining companies have tested for bauxite – a reminder to the farmers that the impact on the land is felt even before extraction begins.

In a recent report, Djami Diallo, the Guinean minister of the environment and sustainable development, stated that each year, certain companies had their impact studies and evaluation reports rejected for failing to comply with environmental standards.

Three or four companies in Boke, Kindia’s neighbouring region that is considered the bauxite capital in the country, were said to be affected. But the minister acknowledged that “just because companies do not meet the conditions to obtain the compliance certificate does not mean that everything stops.”

Clean water, the greatest challenge

Not all homes in Bembou Silaty, a community of about 5,000, have indoor toilets and plumbing. In the centre of the village, there are communal latrines for those who do not have facilities available in their homes. Showers can be taken in the same place, using a bucket and water collected from the spring.

One small gain for the community since the mining company’s arrival is a new water point in the village. The tap serves nearly all the residents. Even Aliou uses it to fill buckets for his household – for cooking and drinking – though he says he knows the water contains iron, as contamination occurs.

Still, he considers himself luckier than his friends in the neighbouring village of Koussadji Dow, who rely on now-brown, contaminated river water.

Tala Oury Sow, a trader and farmer, washes her cooking utensils in the murky river water – a daily struggle.

She starts speaking softly, surrounded by neighbours, but her voice rises to a shout.

“Do you think we can live like this?

“We had hoped the mining company’s arrival would improve things, but it has gotten worse,” she protested.

“Since the mining companies came, we’ve had this problem with the water. The children get sick, and the parents too,” added Mariama Kindi Diallo, a farmer, in her courtyard.

“The doctors tell us not to drink the rain or river water. There are no roads, no school, no phone signal. What are we supposed to do? We are asking for help to have a dignified life,” she pleaded, as her family and neighbours nodded in agreement.

The Indian company did not respond to requests for comment on these issues.

‘We need refineries here’

To escape the increasingly difficult conditions in villages like Bembou Silaty, some people leave the rural areas and head to the capital, Conakry.

Bauxite mining so dominates Guinea that one can chance upon a driver of one of the trains hauling ore from the mines to the port of Kamsar.

Alpha, who did not want his real name published, works for a United States-backed company and provides a window into the immense volume of resources being exported.

“We operate six trains of 150 wagons each day,” he said, explaining that the annual target for 2025 was to export 17.5 million tonnes of bauxite.

“The government wants to change things, because the profits we make in Guinea right now are small. We need refineries here to increase the state’s revenue,” he added.

Alpha lives near the coast, where his job has allowed him to build a house for his family and achieve a standard of living unattainable for most of his compatriots.

The government of Mamady Doumbouya, which came to power in a 2021 coup, is attempting to reorganise the mining sector. It is pressing investors to process bauxite within Guinea, ensuring a portion of the value stays in the country.

Processing bauxite into aluminium can multiply its price by 37 times.

Instability in Iran amid the US and Israel’s war has contributed to rising aluminium prices, which surpassed $3,600 per tonne in April.

Doumbouya is set to lead the country for the next seven years, after winning the December 2025 elections with nearly 87 percent of the vote. While opponents view him as illegitimate, many Guineans agree on the need to reform the mining sector.

Achieving this, however, requires a huge increase in electricity generation – power that is non-existent in villages like Bembou Silaty and unreliable even in Conakry, where blackouts are frequent when fans and TVs are switched on at night.

Guinea is working with neighbouring Senegal on a solution: Using Senegalese gas to generate enough electricity to process its bauxite on African soil. Currently, both countries export raw materials, while jobs and wealth are created elsewhere.

Following the bauxite route

More than 3,000km (1,900 miles) away, across the ocean, Spain is also a part of the Guinean bauxite story.

Parets del Valles, a municipality of 18,000 people less than 30km (19 miles) from Barcelona, represents the journey’s end.

From the town centre to its industrial outskirts, businesses specialising in aluminium are plentiful: Aluminium distribution, carpentry, and window fitting, much of them serving household needs.

For Spain, Europe’s largest consumer of Guinean bauxite, more than 90 percent of its imports come from Guinea-Conakry.

The aluminium produced there, mainly in the country’s north, feeds the automotive industry and serves both industrial and domestic purposes.

Parets is another world compared with the bauxite’s point of origin in Guinea.

In Spain, there is light, hot water, paved roads – all the base elements of a decent life. It’s why many say growing numbers of West Africans are arriving in Parets and across the Valles Oriental region. This is part of a broader trend in Catalonia and Spain, according to the Spanish National Statistics Institute (INE): The Guinean population has quadrupled in Spain since 2000 – from 2,700 to 11,000 people – and in Catalonia from 1,000 to 4,000.

These figures don’t include those who go unregistered.

Increasingly, more boats are leaving directly from Guinea, towards the Canary Islands and on to mainland Europe. According to Frontex, the European Union border security agency, more Guineans arrived in the Canary Islands, Spain, in 2023 (2,324) than in the previous 13 years combined. In 2024 and 2025 combined, another 6,000 Guineans arrived.

Migrants, predominantly men from Senegal and increasingly from Guinea, come alone, settling where they have contacts and job prospects. The newest arrivals, often very young, spend long hours with their mobile phones as their sole companion – the only tether to the country they left behind.

Many left, following the bauxite trail, hoping to find something more in the places where their resources are both enjoyed and exploited.

As Aliou, back in Bembou Silaty, says: “If you compare the bauxite we export with what we get in return, the difference is enormous. We gain almost nothing. Just enough to survive.”

This article was produced in collaboration with the Catalan association SETEM Catalunya, promoted by the Connect for Global Change consortium and Lafede.cat, and with financial support from the European Union and the Government of Catalonia (Generalitat de Catalunya)

Spencer Pratt is a showboat, a loudmouth, a troll and a self-proclaimed villain who seems willing to say anything in his quest to be the next mayor of Los Angeles.

Little wonder that his critics rolled their eyes when the former reality television star told CNN host Elex Michaelson a few weeks ago that his campaign role model is Jesus Christ, because “he was a politician.” How on earth did Pratt — a man who tosses insults with the ease of someone spitting loogies — come off boasting that his political hero was the Prince of Peace?

But anyone who ridicules the exchange as a blasphemous moment by a deluded wannabe isn’t paying attention — which is exactly the error that has allowed Pratt to storm L.A. politics. He isn’t running on an explicitly Christian message — that would be risky in a city with large Jewish, Catholic and secular constituencies. But the proud born-again evangelical is channeling the zeal of an old-fashioned tent revival, even if some of his rhetoric falls far outside the bounds of the Good Book.

In his recent memoir, Pratt recounted his conversion — actor Stephen Baldwin baptized him in a river during the 2009 season of the reality show “I’m a Celebrity, Get Me Out of Here.” Before that, his Christianity had consisted of wearing a black diamond cross necklace he described as “thirty grand of Jesus bling” bought from a Beverly Hills boutique. Pratt credits his faith with providing direction at a low moment in his life, as he embraced Jesus with such fervor that a pastor told him to stop joining altar calls so much during church services — once was enough.

“I needed the receipt stamped weekly,” Pratt wrote, “like a parking validation, just to make sure it stuck.”

Seventeen years later, he’s still seeking that affirmation.

The memoir comes off as a millennial version of “The Confessions of St. Augustine” — perhaps the most famous literary example of someone who saw their wreck of a life not as a series of mistakes to apologize for but as necessary failures on the road to grace. That’s why Pratt and his followers don’t see his sketchy past as a disqualifier, but rather his biggest strength. Only someone who says he was reborn in the inferno of the Palisades fire could possess the clarity and willpower needed to bring salvation to an accursed land, they argue.

In another era, Pratt would have been a welcome edition to the roster of bombastic Southern California preachers a la Aimee Semple McPherson, Chuck Smith and Gene Scott, as well as radio titans such as George Putnam and John Kobylt. His claims that only he can deliver us from damnation and that we need to repent of City Hall’s status quo at the ballot box are nothing less than a modern-day gospel to his followers. Pratt feels the pulse of L.A.’s civic malaise far better than Mayor Karen Bass or another of his opponents, City Councilmember Nithya Raman. Like any good pastor, he knows how to distill that discontent into soundbites and stories.

That’s why the self-designated “Pratt Daddy” has cast this moment in L.A. history as a modern-day Armageddon, urging voters to wage war against apostates and usher in a Second Coming, lest the city continue its supposed descent into hell. He admits in his memoir to holding “epiphanies and apocalyptic visions” in equal measure — no wonder he told a Canadian podcaster in March that life for him is a “spiritual battlefield” where “however I can be to stop evil at this point feels like a purpose.”

Spencer Pratt is shown on a television while journalists work during the 2026 Los Angeles mayoral debate at Skirball Cultural Center on May 6.

(Jason Armond / Los Angeles Times)

Far from me to criticize someone’s faith. But I urge Pratt to reacquaint himself with the words of the messiah in whose path he professes to follow. Humility, frugality, turning the other cheek — it’s what Jesus taught and what Pratt has long rejected.

Nowhere does Pratt need more of refresher on Jesus’ lessons than when it comes to homeless people.

Instead of offering compassion or viable initiatives, Pratt consistently calls the unhoused “zombies,” “vagrants,” “drug addicts” and “bums,” with a particular fixation on the naked ones. He vowed to ABC 7 recently that he would push people off L.A.’s streets and onto federal land — like herding stray wildlife. The mayoral hopeful added that “scam homeless nonprofits” exacerbate homelessness, which must have been news to Scripture-based organizations such as the Los Angeles Catholic Worker, Union Rescue Mission and the Salvation Army, which have been trying to help homeless people since before Pratt was born.

Pratt also told ABC 7 reporter Josh Haskell that most of L.A.’s homeless are not locals.

“These people, when I unplug them … they’re all going to Seattle, where the mayor will welcome them,” Pratt proclaimed.

Jesus would not only roll out the welcome mat for homeless people — he would embrace them.

Spencer, what New Testament book says that your crude campaign against the most destitute among us is holy?

Christ never looked down on itinerants, famously saying, “The Son of man hath not where to lay his head.” In the Book of Mark, when Jesus sent his disciples out into the world, he told them to bring no food or money, because good people would take care of them.

“And if any place will not welcome you or listen to you, leave that place and shake the dust off your feet as a testimony against them,” Jesus said.

Christ did do some name calling, but his ire was directed at the powerful, the braggarts, the hypocrites — the Pratts of his time. The Nazarene saved his kindest words for the meek, the poor, the peacemakers — who are sorely lacking in Pratt’s caravan of disaffected liberals, Trumpers and the wealthy. Christ didn’t offer counsel to the comfortable but to outcasts — lepers, prostitutes, people possessed by demons or afflicted with disease — whose modern-day contemporaries live on our streets and whom Pratt World blames for all of L.A.’s ills.

Jesus especially embraced outsiders — the Canaanite woman he initially compared to a dog because she sought help for her daughter, the Samaritan lady at the well, the Roman centurion in the Book of Matthew of whom Jesus proclaimed, “I have not found so great faith” anywhere in Israel. Pratt would have rounded up all of them in donkey carts and dumped them in Babylon, if he had been around back then.

I understand how frustrating it is to see homeless encampments in neighborhoods and to deal with unhoused people who disrupt one’s day, as my wife does at her restaurant in Santa Ana. But whenever annoyance gets the better of me, I remember what Jesus told his followers: “Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me,” warning that he would keep this in mind on Judgment Day.

Those who didn’t take his advice? “Depart from me, ye cursed,” Christ thundered, “into everlasting fire, prepared for the devil and his angels.”

Christianity — and good society — calls for us to look to our better angels, not to demonize others, as Pratt regularly does. He knows this too.

“When the whole world hates you,” Pratt wrote, “it’s comforting to think at least the big guy upstairs has your back, so long as you repent.”

But repentance means admitting you’ve done wrong. Instead, Pratt is doubling down on his anti-homelessness nastiness as more and more people join his crusade.

Let’s see how many Angelenos embrace this false prophet on election day.