L.A

Salzburg, Austria — “Optimism doesn’t mean pretending everything is fine,” the Belarusian flutist and political activist Maria Kalesnikava said in this year’s Salzburg Festival keynote address. “It means deciding to step up and act, even in the face of uncertainty.”

Picture-perfect, Mozart-drunk Salzburg can’t pretend everything is fine. Temperatures are rising and normally rainy Salzburg now worries about water shortage and the environmental ravage of over-tourism. The artistically and culturally exceptional six-week Salzburg Festival, which began mid-July with a two-week Ouverture Spirituelle this year titled “miserere” (mercy), is facing its own political and administrative turmoil and uncertainty.

Salzburg’s worries are our worries; its triumphs can be ours as well. Los Angeles and the Salzburg Festival have been cultural and political soulmates for close to a century, beginning when playwright, director and filmmaker Max Reinhardt, who co-founded the Salzburg Festival in 1920, found mercy in L.A. as refuge from the Nazis.

Reinhardt’s star-studded 1934 music-theater production of “Midsummer Night’s Dream” at the Hollywood Bowl offered a template for spectacle in the young amphitheater, and the Los Angeles Philharmonic’s participation crucially reinforced a young orchestra’s early venturesome ambition following an avant-garde Bowl season the previous summer that nearly bankrupted the Bowl. Over the next decade this Salzburger’s influence on Hollywood dramaturgy would become legend.

L.A. has reciprocated by sending our visionaries to Salzburg, where director Peter Sellars and conductor Esa-Pekka Salonen, for instance, have been given the license and means to inspire a reinvention of musical and theatrical thinking. L.A. arts patrons Betty Freeman and Richard Colburn provided important support for Salzburg during their lifetimes that included commissioning new work.

Gustavo Dudamel, L.A. Phil’s optimist these 17 seasons, has long been a Salzburg regular as well, and he arrived last week just in time to take up Kalesnikava’s challenge. Her proclamation of optimism comes on the heels of her having been released in December from a brutal Belarusian prison for supporting an opposition candidate running against the country’s authoritarian leader.

In Dudamel’s case, his life has been turned around by the recent earthquakes that devastated Venezuela just two weeks after his last concerts in Walt Disney Concert Hall as L.A. Phil music and artistic director. His activities this summer now revolve around partnering with the United Nations Development Program to gather global support for Venezuela’s recovery, which is estimated at $6.7 billion.

Although little noted, Dudamel’s buoyant World Cup halftime appearance with 20 members of the Simón Bolívar Symphony Orchestra and 20 from the New York Philharmonic was as a FIFA fundraiser supporting children affected by global crises, in this case earthquake relief in Venezuela. Dudamel has further turned his last Hollywood Bowl program as L.A. Phil music director into a benefit on Aug. 23.

Prophetically, Dudamel had months ago been invited to close this summer’s Ouverture Spirituelle by leading the Vienna Philharmonic in Mahler’s Second Symphony, known as the “Resurrection.” One way to think about Mahler’s extravagant 90-minute exercise in his search for life’s meaning is as an exercise in attaining optimism in the face of tragedy.

“Rise again, yes, you shall rise again,” Mahler extols in a final ecstatic climax, and it is with the “Resurrection,” which includes chorus and a pair of vocal soloists, that Dudamel began his “Gracias Gustavo” L.A. Phil season last fall. Raising roof, the message was clear: optimism is the native language of Walt Disney Concert Hall.

In Salzburg, where Dudamel’s two Vienna Philharmonic performances were dedicated to the people of Venezuela, those lines took on obvious new meaning. Earlier in the day, Dudamel gave a public talk with a lively German journalist, Marco Frei, in which he described himself as a “resurrectionist” in more ways than one.

The symphony has been a been a musical and spiritual guide for him since his boyhood. He became so excited about a new sense of freedom he feels in the second movement that he leaned back in his chair and kicked his white sneakers in the air.

After the talk, I walked with Dudamel back to his hotel as he displayed a different, more solemn passion describing the toll the earthquakes have taken on El Sistema, the Venezuelan youth program that has been behind his educational activism in L.A.

“At least 140 members of the El Sistema staff and educators were killed or are unaccounted for,” Dudamel said, and that’s not counting what may have happened to a great many children and their families. But remarkably, Dudamel noted, in places where few structures remain, the nucleos (the small El Sistema community schools) are surprisingly still standing. They have become centers for food, aid and shelter.

In Salzburg, Dudamel indulged the Vienna Philharmonic’s incomparable lushness, those plush strings, glowing winds, golden brass, voluminous timpani. The symphony received mixed reviews, with critics complaining of a lack of transparency, argument and depth. Had they been in Disney Hall, they would have had it all.

But here Dudamel became more simply an architect of awe, unfazed by Mahlerian uncertainty as he worked his way to an inevitable cosmic grandeur unfazed by uncertainty. An enthralled audience left opening its collective wallets. Ushers stood at all the exits of Great Festival Hall with baskets for donations for Venezuela. I did not see a single member of the audience leave without throwing in a bill or several.

Dudamel’s “Resurrection” might also be read as a message from L.A. to Salzburg. In the spring the festival board dismissed its artistic director of the past decade, Markus Hinterhäuser, saying there is a difference in vision. Hinterhäuser’s penetrating and uncompromising vision is what has made the modern festival matter. Hinterhäuser has implied political meddling.

It is a huge festival, with more than 200 performances. Last year’s audience exceeded 200,000, with visitors from 88 countries. The arts as a vehicle for coming together can be cliché. In Salzburg, sharing becomes essence, not the kind of narcissism that appears to be adopted by our upcoming LA28 cultural Olympiad, in which Angelenos are invited to submit entrees that show off our goods rather than a cultural exchange.

Over 100 artists have protested Hinterhäuser’s removal, including two Nobel Prize laureates. Hinterhäuser is also an insightful pianist, and he joined baritone Matthias Goerne in a chilling performance of Schubert’s existential song cycle, “Winterreise.” Hinterhäuser got thunderous ovations.

Salzburg’s future is anyone’s guess, but even with Hinterhäuser on the sidelines, this summer is still his festival, meaningful as ever.

A new production of “Carmen” could not be darker, nor more brilliant. It is the latest project of conductor Teodor Currentzis, who has worked extensively with Peter Sellars in Salzburg and elsewhere, and who brings electricity to every moment with his Utopia Orchestra and Choir. Argentine choreographer Gabriela Carrizo makes her debut directing opera and utilizes her alarmingly vibrant Belgian dance company, Peeping Tom. Performing in a vast empty space, two gripping singers — Asmik Grigorian plays an understated Carmen as a survivor in a hostile society, while Jonathan Teltelman’s Don José is unable to cope with that society — turn Bizet’s opera into revelatory existential theater in which survival is toleration.

Something similar happens in “Faust, Part 1,” in which the actors spend the entire four hours in a new production by German director Ulrich Rasche walking against the direction of of a revolving disc. To remain in front of the audience, they must remain in motion. They’re dressed in modern business attire, but as they bare their souls, they bare their torsos as they step against forces that prevent progress. The backdrop is brightly illumined screens that hurt your eyes.

This, however, can serve as a reminder of a “Faust” staged by Reinhardt at the Pilgrimage Theater (now John Anson Ford Theater) when it was designed to look like the gates of ancient Jerusalem in 1935. Practically all of Hollywood celebrity showed up for what was the theatrical event of the season.

I asked Lukas Crepaz, who directs the Salzburg Festival’s administrative and business operations, whether it would be possible and whether there still is time for the Salzburg and L.A. to collaboration on an opera production. He said yes, if funding could be found. In fact, the L.A. Phil will mount in February “One Morning Turns Into an Eternity,” a Salonen/Sellars essay in intensity from Salzburg last summer.

Another option: The Bregenz Festival, also in Austria, has just staged a new production by Yuval Sharon of Janacek’s little-known opera, “The Excursions of Mr. Broucek to the Moon and the 15th Century.”

Sharon — who was responsible for the fabulous excursions of his L.A. experimental company, the Industry — supplies his characteristic wit, imagination and insight into a hard-to-please opera about a beer-besotted philistine landlord, who comes to no good in his drunken dreams of going to the moon and back in history, as he does as an angry old man stumbling home from the bar or sitting watching TV (Sharon’s invention).

L.A. optimism may matter more to Austria this summer than it does to L.A. We have two years to step up and act, even in the face of uncertainty.

During the Los Angeles mayoral primary, Spencer Pratt put out a video saying he was living in a trailer on the burned-out lot where his Pacific Palisades home once stood — a claim that was soon debunked by TMZ, which reported that he was actually staying at the Hotel Bel-Air.

While Pratt’s mayoral bid has come to a close, his campaign’s final spending on luxury hotels — including the Hotel Bel-Air — is now coming to light.

Pratt spent just under $71,000 on hotels for himself, his campaign staff and his fundraising operation, mostly at the Hotel Bel-Air and the Four Seasons Hotel in New York, according to recently released campaign finance filings in the mayoral race.

The former reality TV star has a history of lavish spending on hotels, according to his memoir, “The Guy You Loved to Hate,” where he recounts staying at the Four Seasons in Costa Rica for a month in 2010. He said the hotel stay was “bleeding him dry.”

The tens of thousands of dollars Pratt’s campaign spent on hotels represent just a fraction of the more than $3 million Pratt’s campaign spent overall, including hundreds of thousands to campaign strategy firms and more than $200,000 to the company Black Llama Inc. for billboards. Pratt had AI-designed billboards placed across the city.

Pratt also spent more than $180,000 on private security firm Delta Special Operations Corp., almost entirely in the final month before the June 3 primary.

Delta Special Operations charges $650 per day to provide a single security officer in Los Angeles, but also offers a higher level of “executive protection.” Pratt has said he faced threats during his candidacy.

Pratt placed third in the primary, behind Councilmember Nithya Raman and L.A. Mayor Karen Bass, who will square off in the Nov. 3 general election. Raman’s campaign reported spending about $1,000 on security, while Bass has security provided by the city.

Building out her support

Raman secured what could be one of her most significant endorsements of the entire election cycle this week, pulling in the support of the Western States Regional Council of Carpenters.

The endorsement from the carpenters union marks a sharp turn for the labor group, which backed Bass in 2022. The union committed more than $2 million to independent expenditure groups supporting Bass’ candidacy in 2022, paying for television ads that ran in advance of the general election.

During the primary, Raman and independent group supporting her focused on ads on social media and streaming platforms, which are cheaper than traditional television ads.

“We will be matching the same energy and we’ll have same type of commitment as when we endorsed Bass. We don’t plan on holding back,” said Pete Rodriguez, the second general vice president of the international union.

Rodriguez said the union would spend significantly to support Raman, though he did not give a figure.

Bass has dominated labor endorsements throughout the campaign. She has secured more than two dozen endorsements from influential labor unions including the Police Protective League, which represents rank and file police officers in the LAPD, and SEIU 721, which represents public sector workers at the airport and in street services, among other departments. She also has the backing of the powerful Los Angeles Federation of Labor, a coalition of unions (Bass calls its leader, Yvonne Wheeler, “The Beyoncé of Labor”).

“Workers are overwhelmingly behind Karen Bass … because she delivers real results,” said the mayor’s campaign spokesperson, Alex Stack. “Results like building more affordable housing immediately to drive down rents, mortgages, and the cost of housing.”

Rodriguez said one major issue that caused the carpenters union to break with Bass was the mayor’s failure to include higher labor standards in the codified version of Executive Directive 1, which fast-tracked some affordable housing applications.

That law was passed by the council and Raman voted in favor of the law that codified the mayor’s directive.

Raman told The Times in a statement that she stood by her vote, but that she appreciated the union’s ability to work with legislators to enact legislation that “combines density with higher labor standards.”

The DSA endorsement …

Raman could get another key and much-discussed endorsement later this month.

The Los Angeles chapter of the Democratic Socialists of America is once again considering endorsing her for mayor. The endorsement would bring doorknockers for Raman and could bring more national attention to the race.

An internal petition shared with The Times is circulating in the group and needs just 50 signatures by Aug. 8 in order for the consideration of Raman to go to a vote. Raman would then need 60% of the vote at an Aug. 22 chapter meeting in order to win the endorsement.

“Nithya Raman is running an insurgent left-wing campaign for the mayor’s office against Karen Bass and L.A.’s unpopular status quo Democratic establishment,” the petition reads. “Will an insurgent Left seize control of our city government to build a Los Angeles for its working class? Or will the establishment fend off this insurgency and deepen its power?”

After jumping into the race on the last possible day in February, Raman was not endorsed by the left-wing organization in the primary. The group instead “recommended” her — a status that means the DSA wouldn’t actively campaign on her behalf but urged voters to cast their ballots for Raman.

Raman was endorsed by the group in both her council campaigns, but her late entry came after DSA had made its endorsements.

The group considered reopening its endorsement process for either Raman or Rae Huang — who like Raman is a member of the DSA — but ultimately decided to focus on other down ballot races in the primary.

DSA-LA declined to say whether the petition had gained the requisite number of signatures for a vote.

State of play

— LINEAGE LEGISLATION: Los Angeles city and county officials unveiled a slate of measures aimed at speeding recovery, increasing corporate accountability and expanding financial assistance for residents and businesses affected by the June fire at the Lineage cold food storage facility.

— PRICED OUT: Councilmember Curren Price’s motion to get his perjury and embezzlement case dropped was denied Friday by a Los Angeles Superior Court judge. Price’s lawyers maintain that he did not knowingly vote on city contracts for real estate developers that contracted with his wife. The judge argued there was “ample evidence, albeit circumstantial, that this was a scheme and not just happenstance.” The outgoing council member’s next court date is set for October.

— E-BIKES UNDER FIRE: The council’s Rules Committee passed a motion Tuesday that asks the city’s Department of Transportation to come up with ways to regulate e-bikes, including who can ride them and how. The measure next goes to the ways to regulate e-bikesPublic Safety Committee, then the full City Council.

— A NEW ERA: For the first time since 1963, Council District 9 in South Los Angeles will soon have a non-Black representative in the City Council. Estuardo Mazariegos and Jose Ugarte, who are facing each other in the Nov. 3 election to represent parts of downtown and South Los Angeles, are both immigrants from Latin America who arrived undocumented as children.

— OFF THE RAILS: Homelessness on Metro’s rail and bus system has dropped by 57% since 2024, the agency said this week.

— A ROSE AND A THORN: The Rose Bowl Aquatics Center will close April 1, and not be returned to its regular users until the fall of 2028, after the conclusion of the Olympic Games. The announcement came after The Times reported on the impending shutdown.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program went to the intersection of Alameda Street and E. 223rd Street in City Councilmember Tim McOsker’s district where it brought 22 people indoors.
• On the docket next week: The City Council will vote on whether to execute the Enhanced City Resources Master Agreement for the 2028 Olympic and Paralympic Games.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Refreshing and laced with seaweed, aromatics and sauces, Hawaiian poke can be one of the most energizing and delicious meals to seek out, especially during the summer. Los Angeles was an early appreciator of poke, embracing the raw, seasoned cubed fish long before it went mainstream throughout the country in the 2010s.

Raised in Pepeʻekeo, Hawaii, Unreal Poke co-founder Jordan Maldonado credits this not only to California’s proximity to Hawaii, but also to L.A.’s understanding of poke as it pertains to Hawaiian culture and tradition. The latter, he said, is fueling a new wave of independent poke shops and pop-ups throughout L.A. and Orange County.

“It’s gone further than what happened in the big poke boom of 2008 to 2015,” Maldonado said. “Culture is just as important as food and flavor, and I think that people in L.A. are waking up to: This is a community, this is a culture, these are people that were displaced… They say, ‘Hey, not only do I want to eat here because the food’s good, but I feel like I’m supporting something bigger.’ That became kind of unexpected for me, like, ‘Whoa, my customers care.’”

Maldonado and others are educating customers not only on poke flavors and formats, but also about seafood sourcing and Hawaii’s fishing ecosystem. Some are also introducing guests to new products by stocking imported teas, pantry items, macadamia nuts and nori. Others are infusing traditional poke with their own heritage, incorporating Korean banchan or Laotian sauce blends.

As a result, L.A.’s poke landscape is more diverse and more thoughtful than ever before.

“I was proud that we had a poke shop doing pretty well in Hawaii,” said Ry’s Poke Shack co-owner Ryan Ching, who expanded his famous Oahu stand to Pasadena and Lomita earlier this year. “The next state that’s very competitive for the poke industry is California, so I figured if we start in the two hardest locations, then every other state should be a cakewalk.”

From stalwart South Bay spots to a new parking lot poke pickup in the San Fernando Valley, here are 13 of L.A.’s best poke spots. —Stephanie Breijo

When I moved into my Leimert Park apartment about two years ago, an older woman rushed downstairs to greet me.

“I’m so excited,” she said, introducing herself as Cassandra. She had lived in the tight-knit apartment building for more than 20 years and watched plenty of people come and go. “I was worried about getting a crazy neighbor, but you seem great,” she added, hugging me tightly and handing me a tray of sandwiches to share with my friends who were helping with the move.

Over the next few days, I met my other neighbors, including Miss Rosita and Mr. Art. After a few shared meals, long conversations and traded favors, all of them became more than just the people next door — they became family.

There’s a quiet comfort in knowing your neighbors, especially in a sprawling, sometimes lonely city like Los Angeles. That kind of connection is fading. A study by the Stanford Center on Longevity showed that the percentage of Americans who frequently interact with their neighbors — meaning they spend time with or talk to their neighbors more than once a week — declined among all age groups from 2017 to 2023.

We wanted to find people who are bucking the trend, so we asked readers to nominate the neighbors who make their corners of Southern California feel like home. The stories that folks shared are poignant, inspiring and might just make you want to walk over to the porch next door (or welcome mat across the hall) and introduce yourself immediately.

One of my favorite neighbors, Mr. Art, died last fall. He was a sweet retiree who’d tell me about his weekly fishing adventures and close my garage whenever I was in a hurry and would forget. Another neighbor called me the day he died, and we cried together, sharing our favorite memories of him. I’ll always be grateful to Mr. Art, who made my life better all because he once took the time to meet his new new neighbor.

Here are some of our favorite reader responses, edited for length and clarity. Each of the neighbors featured in this story will receive an L.A.’s Most Neighborly Neighbor certificate, illustrated by Cristina Spanó, whose art is shown above. Do you have a neighbor who goes above and beyond? Download and print your own certificate (PDF) and share it as a token of your appreciation.

He’s saved us from many, many parking tickets. She hosts the sweetest front porch chats.

Neighbor: Bill and Linda Melber

Nominated by: Corrinne Harol

When were you neighbors? 1994 to now

What neighborhood did you live in? Santa Monica

Corrinne, on how Bill and Linda show up as neighbors:

Linda and Bill are the most generous neighbors imaginable. Bill has taken out my trash bins for decades. It started when I was living in Canada for most of the year, but he still insists on doing it. He makes it his personal mission that no one gets a parking ticket for street cleaning on our block, going up and down the block twice a week to remind anyone who forgot. One time he called me about my car, but I was too far away to get back to move it. Bill had a key to my house, but the gate was locked. He climbed over the fence, got my car keys and moved my car for me! He also makes children’s toys that he distributes to any children on the block or that he encounters out and about.

His wife, Linda, is equally neighborly, hosting regular chat sessions on their lovely front porch and checking in on me whenever I have been ill, as she does to anyone in her orbit. They are truly a gift to the neighborhood.

He made me feel welcome when I was in culture shock

Neighbor: Hector Chavez

Nominated by: Tommy Bui

When were you neighbors? 1996 to 2022

What neighborhood did you live in? Pacoima

Tommy, on how Hector has shown up as a neighbor:
The greatest neighbor I ever had was my childhood friend, Hector. I’m the child of Vietnamese refugees, and when they claimed asylum in Los Angeles, we were plonked into the cultural collision that was Spanish-speaking Pacoima. I was seemingly the only Asian child in a five-mile radius. I certainly stood out among the perfectly creased khaki pants and palm combs and top-buttoned flannels contrasted with my clueless bowl haircut and Ninja Turtle suspenders.

Confounding the astronomical unlikeliness, we got along like two peas in a pod. I got a crash course on Angeleno aesthetics and the ins and outs of the rough and tumble San Fernando Valley hurly-burly. I was a regular staple at his welcoming household. Simpatico and simply siblings by circumstance. Sunday dinners and holidays and “Sandlot”-like weekend street shenanigans. My youth was alarmingly idyllic with the hopped fences, bicycle slaloms through traffic and occasional near-misdemeanor mischief. Shoulder to shoulder alongside Hector, I wouldn’t trade a single moment of it.

Though no longer neighbors, we’re still navigating life’s milestones in our own corners of Los Angeles. We’re both new fathers and hurtling toward middle age completely agog at how quickly the time gallops by.

She gave me a gold turtle to make me feel better after my breakup

Neighbor: Raynette Syfu

Nominated by: Fatine Ait-Haddou

When were you neighbors? Since 2021

What neighborhood did you live in? Historic Filipinotown

Fatine, on how Raynette has shown up as a neighbor:

I had just moved into my new apartment after breaking up with a long-term ex. I was sobbing every single day. During my first intro with Raynette, she gave me a little gold turtle and said it would bring me safety, luck and calmness. I named it Lucky and I still have it. Raynette brings me meals all the time and checks on me whenever she hasn’t seen me for a few days. She even gave me a huge bag of her vintage clothes. One of the most insane things she’s done for me is give me a fake baby, one that was heavy and realistic. She said that because I lived alone and didn’t live near family, it could be nice to have additional family. [Laughs] Honestly, it was a very “her” move. She’s truly amazing and looks out for me. I couldn’t be more grateful.

He taught me new chess strategies — and life lessons

Neighbor: Ali Ras (born Fitz Albert Thomas)

Nominated by: Jemimah Yamamoto

When were you neighbors? From 2021 until his death in 2025

What neighborhood did you live in? Arlington Heights

Jemimah, on how Ali showed up as a neighbor:
I moved to Los Angeles in the summer of 2021. I was in my late 20s, and I was a bit unsure of my move. Even more so, I was unsure of the neighborhood I ended up in thanks to Facebook Marketplace. But as fate would have it, it revealed to me that I was destined to be there. I’d see an old man with his gray dreads and sing-songy voice as I would walk from parking my car on the street. One day, he introduced himself and over time we developed a relationship. Him, as my chess teacher, and me as his eager student. I’d bring over my chessboard and we’d play for hours on his porch. He’d always say I was too aggressive with my pawns and that I wasn’t afraid to lose them. He’d play slowly and deliberately. I never won a single game against him. I’d like to think that that itself was a lesson.

During my Saturn return, I was depressed and felt a bit lost. On days that felt the darkest, he would call. He would ask me how I was doing, and it would cut through all the facade of “I’m good.” It was the tone of his voice that made you want to be honest. His way of caring felt like a miracle because you don’t even have to explain anything to him, he would just know. At the time, his presence was exactly what I needed.

He was the only person I gladly let walk into my house unannounced

Neighbor: Eric Pendleton

Nominated by: Kim Quitzon

How long were you neighbors? More than 20 years

What neighborhood did you live in? San Fernando

Kim, on how Eric showed up as a neighbor:
“Uncle Eric” was more than just a neighbor; he was family. Walking through the door unannounced yelling “Hi, family!” across the living room. “I came to check on the backyard.” Every week he would mow the yards after he lost his job and took pride in landscaping the grass, but that was just the surface of what he meant to us. On the popular street of Orange Grove in San Fernando where crowds line up during Halloween, Uncle Eric was our honorary neighborhood watch. Rolling up and down the street on a new bike every day, checking in on every neighbor that would give him the time of day.

From watching the dogs when we were away to helping set up family parties, he was one of us. He just happened to live three doors down. Unfortunately, Eric passed away from cancer last year. The whole block was devastated, and we all held a potluck in his honor. We will miss him, and he truly is the epitome of an amazing neighbor.

She sat with me after my mom died while I cried

Neighbor: Hilah Johnson

Nominated by: Pamela Yeh

When were you neighbors? From 2017 until mid-2020 when she and her family moved to Austin, Texas. Over the years, we’d become close friends, so I was gutted by their move. The most amazing thing happened, though. In 2022, they moved back to L.A., just a few blocks away from us. They live about 10 minutes away from us now, but we still see each other all the time.

What neighborhood did you live in? West L.A.

Pamela, on how Hilah has shown up as a neighbor:
Hilah has shown up for me and my family in hundreds of ways over the years, but I want to tell you this one story. In September 2025, my mom, who had been living in an ADU we built in our backyard, died. She was my heart, and I was utterly crushed. I lived in a fog of grief and shock. Hilah came over and just sat with me while I cried and cried. She made the video montage of my mom for her memorial, which was extra difficult because a family member had all sorts of unreasonable demands. Eventually, she got me to go to a dance class, and we’re still dancing, one step at a time, at the wonderful local Flow Motion.

He’s the beloved ‘Fairy-Car-Father’ on our street

Neighbor: Rodrigo Mangrobang

Nominated by: Leigh-Ann Jackson

How long have you been neighbors? Since I moved to Northeast L.A. 15 years ago

What neighborhood did you live in? Northeast L.A.

Leigh-Ann, on how Rodrigo has shown up as a neighbor:
Rod, as most of the block calls him, is a retiree who lives with his wife across the street from me. He spends a lot of time outside gardening and working on his cars and can seemingly sense whenever a neighbor is having car trouble. He’ll stop what he’s doing, bring over his tools and get to work, no questions asked. He’s not very chatty, but he speaks auto fluently! He saw me pull out of my driveway once and flagged me down to tell me I was headed for a blowout soon. He then instructed me to pull back into the driveway and patched the tire for me on the spot. I even watched him go outside to help a stranger whose car had broken down in the middle of the road. He’s our street’s Fairy-Car-Father.

She had the best local recs. Yelp couldn’t come close.

Neighbor: Eileen Ogle

Nominated by: Sofie Ringold

When were you neighbors? From 2020 to 2025

What neighborhood did you live in? Sherman Oaks

Sofie, on how Eileen showed up as a neighbor:
When my husband and I bought our first home, the COVID vaccine hadn’t been released yet, and we didn’t meet any of our neighbors. A few days later, an older woman wearing a mask knocked at our door. She said that a package had been delivered and she didn’t want it to get stolen. The package had arrived only minutes earlier, so it was pretty clear she wanted to scope out her new neighbors, and during a time of social distancing, this was the perfect excuse. She introduced herself as Eileen. She lived next door with her partner, Judith. We exchanged numbers and said a friendly goodbye.

As the world slowly became more comfortable with social interaction, Eileen began introducing us to everyone on the block. Soon, while we were walking our dog around the neighborhood, people would stop us and ask if we were new. When we told them we lived next to Eileen and Judith, their eyes lit up. It was clear they were local legends. Like all first-time homeowners, we quickly ran into our share of problems. But who needs Yelp when you have neighbors who have already vetted every home service you could possibly need? Need a gardener? Call Eileen. HVAC needs maintenance? Call Eileen. Going away for the weekend and need someone to check on your cats? Call Eileen.

Sadly, Eileen passed away in December. A cloud hung over our street for weeks. Then on Christmas morning, the sun broke through and a rainbow appeared. My husband took it as a sign from Eileen.

He went from my flirty neighbor to my husband of 16 years

Neighbor: Bretton Boyd

Nominated by: Sara Mortimer-Boyd

When were you neighbors? We became neighbors in 1996 until 1997, when we moved in together

What neighborhood did you live in? Silver Lake

Sara, on how Bretton has shown up as a neighbor:
Bretton would come to my door asking for things (cigarettes, food, etc.) while trying to flirt. I was very intrigued by him, but I didn’t think he was “my type” at the time. It was confusing at first. One day, he invited me upstairs to his apartment for coffee and breakfast, which became a regular thing. He got me addicted to coffee and to his amazing cooking. He started coming over to my apartment more and we became really close friends before becoming romantic. I remember one time he left for a few weeks to visit his parents, and I realized in his absence that I loved him and wanted to spend every day with him. We moved in together in 1997, got engaged in 2002 and have been happily married with children for the last 16 years. He still cooks dinner for our family every night at our home in Highland Park.

He helped organize a food train when my son was diagnosed with leukemia

Neighbor: Scott Marshall-Miller

Nominated by: Mev Blount

When were you neighbors? From 2006 to 2017

What neighborhood did you live in? Studio City

Mev, on how Scott has shown up as a neighbor:
My husband and I moved next to Scott and his husband when I was pregnant with our first child. Scott welcomed home his daughter nine months after mine was born, so we were new stay-at-home parents together. His husband is an incredible baker, and he and Scott were always bringing over plates of deliciousness. The chocolate croissant bread pudding is legendary! I was raised that you never return a plate empty so I’d bake something or add some homegrown veggies to the plate. That plate went back and forth through the hedges between our houses for years.

Both of our husbands traveled for work a lot, so Scott and I spent hours together, especially before bedtime and during the “witching hour” with our little ones. We’d sit on my front lawn, nursing half-glasses of Trader Joe’s finest Two Buck Chuck wine while his daughter and my two kiddos rolled around, wearing themselves out. Scott and I would knock on each other’s doors when the parenting was too much. He and I would always answer the door with an “Oh, it’s you. Come in. No one else can see me as a hot mess.”

When my youngest got leukemia at 7, Scott was part of my core group who ignored me when I said we didn’t need help. They organized a food train, and Scott was the one who set up a cooler on my front porch and insisted people drop food without knocking, knowing we were overwhelmed. He was always there when I needed to laugh or cry, and he made our L.A. suburb feel like the small Ohio town where I grew up. I still find glitter ground into our kitchen tiles from the Halloween when he made his daughter a purple witch costume. Sadly, Scott died suddenly in his sleep a few years ago. Tiny bits of glitter are embedded in our tiles, a bright reminder of Scott and the beauty and joy he brought to even the most mundane tasks. He made L.A. feel like home.

Independent filmmaker Sylvia Ray always wanted to shoot her first feature film, “The Middle,” in California — as it’s set in Barstow, where she grew up.

Instead, she shot it in Mexico.

The math made the decision for her. Grants and incentives from the municipality of Torreón and the state of Coahuila covered 30-40% of her production budget, which came in under a million dollars. She didn’t pay for filming permits. On-site security was provided. Local hotels came in as sponsors. Over 21 days in March and April, the production hired 75 local crew members and college students.

“All I needed was a desert landscape and American homes. I could have definitely shot it in L.A. comfortably. Had I gotten more support and made it make sense for us financially,” Ray said. “But it just didn’t.”

Her budget was too small to qualify for any California film incentive at the time, as the state’s program doesn’t reach projects costing under $1 million. Filmmakers and producers say that gap is the whole problem. California’s incentives, even after the recent expansion, are built for productions several rungs above them.

Los Angeles County has plans to change that. Supervisors Lindsey Horvath and Kathryn Barger are developing an Entertainment Evergreen Fund, first introduced last July, which would channel money to productions the state’s tax credit doesn’t reach. It isn’t a tax credit, rather a grant program.

No dollar amount has been attached and the county has not committed funding. The board intends to explore a public-private model, with funding sources, amounts and any cost sharing determined only after an outside consultant completes an analysis and presents recommendations. Any final proposal returns to the board for public discussion and a vote.

“Like every County initiative, this work must be balanced with our current fiscal realities,” Barger said in a statement, adding that she hopes to build “a sustainable … partnership that helps keep film, television, and digital media production” and keeps L.A. “the global leader in entertainment production.”

Horvath said in a statement that direct investment in productions, like with this fund, “is the best way to keep the work here in LA. “

“State tax credits have been the most instrumental tool to keep production local, and we want to amplify their success to make clear to the industry: LA County wants you here,” she added.

Why L.A. got expensive for small films

The trouble small-budget indies run into in L.A. is location and permitting costs, said Philip Sokoloski, vice president of communications at FilmLA, the nonprofit that coordinates permits and tracks local production.

“Many property owners inclined to rent out their homes or places of business for filming are used to an era where there was a lot of money to go around … It’s not true anymore,” Sokoloski said. “Until that message is widely understood, there’s a certain priced-out-of-the-market feeling that many indies are experiencing.”

A fund, he said, could help offset those costs.

The broader production picture hasn’t recovered. Between April and June, the greater L.A. area logged 4,711 shoot days, down nearly 13% from the same period a year earlier, according to FilmLA’s second-quarter data. Feature film shoots fell 20% year over year.

Incentivized work is one of the few bright spots. FilmLA said 170 projects between July 2025 and July 2026 have benefited from the California Film & TV Tax Credit Program while 33% of the 443 feature film shoot days in 2026’s second quarter came from productions receiving tax credits.

Making an indie movie is harder than it has ever been, said Steven Wolfe, a producer whose credits include “(500) Days of Summer” and more than 45 other films. Companies are less willing to finance independent projects, buyers are spending less and the exhibition market is harder to navigate. Yet “there’s an audience that’s very hungry for them,” he said.

Wolfe is developing what he calls a passion project with a first-time feature director, set to shoot in Los Angeles. Whether it gets made, he said, depends on whether the fund materializes. “All of us recognize the need to take extreme action and soon on trying to rebuild Los Angeles as the film capital of the world,” he said.

What’s being proposed

The fund is being shaped with input from the Indie Film Task Force, a group of industry voices led by the nonprofit NewFilmmakers Los Angeles. The task force pushed for grants rather than a tax credit, arguing that budgets this small don’t generate enough tax liability for a credit to be worth much.

“We see this as a foundational level investment. It is a trickle-up incentive that’s going to feed into the studios,” said NFMLA Executive Director Larry Laboe. “This is a way to invest very little money in a lot of different productions and hope for some big wins from those productions that can trickle up.”

Laboe points out Curry Barker’s box office underdog “Obsession” as the latest example of a major low-budget indie success. The horror flick, which hit theaters in May, was made in Los Angeles for a budget of $750,000 and has since grossed nearly $475 million worldwide.

Laboe, one of the proposal’s leading advocates, has projected the fund’s ceiling could reach $100 million depending on fundraising. NFMLA isn’t positioned to administer it, though he’s open to a role.

Barger said her conversations with filmmakers, labor representatives and production companies have surfaced “several promising ways an Evergreen Fund could strengthen our local industry,” including “grant incentives that encourage productions of all sizes — including independent filmmakers — to choose Los Angeles County.”

The case against

Film and TV production incentives rarely deliver the economic benefit that justifies them and only occasionally change where a project shoots, said Patrick Button, an associate professor of economics at Tulane University who studies the programs. He sees a particular problem with targeting small productions: Indie filmmakers, already working on thin budgets, are the least likely to relocate in pursuit of a subsidy. Chasing incentives across jurisdictions is largely the province of major studios.

“Despite the goal with these incentives being to attract filmmaking and lead to economic stimulus, that’s not materialized in the data,” Button said. “In general, these incentives don’t have a good return on investment for the states and their counties.” Low-budget producers, he added, aren’t the ones moving around, “which creates even less rationale.”

He also noted “a lot of stress on the LA County budget right now, and a lot of other things that the money could be spent on,” and expects the fund’s effect to be “very small.”

Laboe countered that covering even 10% of an indie production budget would help keep work local, and said filmmakers may be able to layer a county grant with the state credit where it applies.

Who it would reach

Independent productions are a meaningful share of SAG-AFTRA members’ income, particularly as major studios chase incentives abroad. More small films shot locally would mean more roles, said SAG-AFTRA Secretary-Treasurer Joely Fisher.

“People are rolling up their sleeves, raising money and going to make a movie for under a million bucks,” Fisher said. “But also they’re able to take more chances. People are being discovered in these indie movies, and I think that that’s a great thing for our newer members, who can cut their teeth on something indie.”

Making the film is only half of it. The fund should address marketing costs, or the films won’t get seen, said Jackie Brenneman, president of the Independent Film & Television Alliance. Those budgets traditionally come from distributors, but more independent films now go directly to theaters without one.

“You have to be able to exploit the thing you make,” Brenneman said. “If we want to be able to access theaters, the theater’s first question is going to be, what’s your marketing plan? What’s your marketing budget? And if you don’t have one, then you’re more likely to get four-walled” — renting the screen themselves and absorbing the risk.

Ray is still editing “The Middle.” Whatever happens with the fund, it won’t reach her first feature. But she’s already thinking about her next one.

“After this film is done, I’ll have my next one to worry about,” she said. “As a filmmaker here, there are so many hurdles, and it would just be nicer to have a clear pipeline, a scaling budget for all of these things and [provide] access to people who want to support emerging talent and artists, not just the studio system.”

The manager of the team that most needed Tarik Skubal sat in his office Sunday at Angel Stadium. The Milwaukee Brewers, the team that opened play Sunday with the best record in the major leagues, did not get Skubal.

The Dodgers did. Of course they did.

“L.A. is America’s team,” Brewers manager Pat Murphy said.

Not based on the cries from across America, from fans outraged that the Dodgers helped themselves to the best available talent yet again to baseball insiders mystified that the Detroit Tigers could not land a better return for Skubal than the three prospects the Dodgers swapped, or at least taken a couple more days to pursue a better return.

“Was I rooting for the Dodgers to get Skubal? Personally, no,” Angels pitcher Brent Suter said. “I was hoping another team that hadn’t won the World Series the past couple of years was going to get him.”

Suter pitched for the Brewers for seven years.

“They have a loaded farm system,” he said. “I thought they were going to get him.”

The road to the World Series runs through Los Angeles. The Brewers also posted the best record in the majors last year, then the Dodgers swept them in the National League Championship Series.

In last year’s NLCS, the Brewers started an opener twice, Freddy Peralta once and José Quintana once. In a five- or seven-game series this October, the Brewers could have started Jacob Misiorowski twice and Skubal twice.

That could have mitigated the Dodgers’ huge advantage in slugging. The Dodgers have seven players in double digits in home runs. The Brewers have four.

But any and all statistics obscure the larger point: If you’re a Brewers fan, when is your year?

The Brewers never have won a World Series. They are in line for their eighth playoff appearance in nine years.

Sustainable success is nice, and difficult to achieve. Much credit to the Brewers, who play in baseball’s smallest market.

But the point of the game is to win the World Series. If you’re not going all in when you have the best record in the majors for the second consecutive year, when are you going all in?

If not now, when?

“I know we made our efforts, too,” Murphy said. “I trust the way we operate. I understand the way we operate.”

This is all the more maddening in Milwaukee because, in 2008, the Brewers tried their best. That July, they traded four prospects for Hall of Fame pitcher CC Sabathia. Only one, outfielder Michael Brantley, developed into a productive major leaguer. That’s the norm, not the exception, in multiprospect trade packages.

As it turned out, the Brewers lost in the first round of the playoffs, and Sabathia did not survive the fourth inning of his lone postseason start. Then he signed with the New York Yankees. So what? The Brewers went for it, and their fans believed.

After the trade for Skubal, Fangraphs increased the Dodgers’ chance to win the World Series from 25% to 31%. That still means a two out of three chance the Dodgers do not win.

“He’s an amazing player,” Suter said, “but it doesn’t mean a guaranteed World Series. It doesn’t guarantee anything.”

I could not believe the number of fans that reached out to say small-market teams could not match the Dodgers’ proposal because they had little chance to re-sign Skubal as a free agent.

Again, so what? We’re playing to win the World Series, not the Baseball America prospect rankings.

The Brewers, with small-market resources, touted former Angels infielder Luis Rengifo as a significant winter free-agent signing. The Dodgers countered with Edwin Díaz and Kyle Tucker.

“L.A. is America’s team and has all the big names,” Murphy said. “Now they just added to that, with maybe the best pitcher in the game, certainly one of the greats in this era.”

If the Brewers and Dodgers meet again in October, Murphy will only be too happy to tell us who the underdog is.

“It’s going to be David and Goliath,” Murphy said. “We haven’t earned that right yet. We haven’t got there yet.

“If we get there, I’m sure the narrative will be pretty similar: the haves and the have-nots.”

Murphy wanted to make one thing perfectly clear: Fans across America might despise the Dodgers, but he does not.

“They’ve got a bunch of great dudes,” he said. “Freddie Freeman, Mookie Betts, Teoscar [Hernández]. I don’t know [Shohei] Ohtani. He doesn’t even know who I am. But I feel like Ohtani is a great dude. I can just tell by his presence.

“How can you not love [Max] Muncy? Doc [manager Dave Roberts] is my good friend. [Coach Dino] Ebel, we’ve got his whole family playing for the Brewers.”

The Brewers made first-round picks of Ebel’s sons Brady and Trey over the past two years, paying $5.55 million in signing bonuses. The Ebel boys are top prospects. They can look forward to a long stay in Milwaukee.

Like most good stories, this one requires planning. Organizers with the L.A. Sports and Entertainment Commission spent nearly nine years preparing to bring the FIFA World Cup to L.A. The most popular sporting event in the world was just the start of a mega-event trilogy that turns the page to Super Bowl LXI at SoFi Stadium and will culminate with the largest Olympics ever in 2028.

“We are on the international stage for three years,” said Kathryn Schloessman, president and chief executive officer of L.A. Sports and Entertainment Commission, or LASEC, said. “What story are we telling and how are we doing that?”

The World Cup was a riveting first chapter. The 39-day tournament brought more than 560,000 fans to SoFi Stadium for eight matches, 250,000 fans to 10 official fan zones and a projected $892 million in economic impact across L.A. County, according to LASEC.

The expanded World Cup, with 48 teams and 104 matches over 16 venues in three countries, is only a logistical qualifying match compared to the 2028 Olympic and Paralympic Games. The first Olympics in L.A. in 44 years will welcome 11,198 athletes across 51 sports from more than 200 countries competing over 20 days. The 2028 Paralympics will come to L.A. for the first time with a 23-para sport schedule that will begin competition before the opening ceremony for the first time.

Despite the difference in scale, John Harper, chief operating officer of LA28, called the successful World Cup’s local matches “an immense learning opportunity for us in a lot of ways.”

Attending World Cup matches as a fan and behind-the-scenes observer, Harper was impressed by the transportation services provided by L.A. Metro. The agency said it provided more than 212,000 rides directly to and from SoFi Stadium and 15 parking and transit hubs in L.A. and Orange counties through an enhanced service. Harper was encouraged by the interagency work between different public partners that helped the eight matches go off without a major hitch.

But the biggest lesson was in the spirit of the fans who packed watch parties, streets and bars.

“It really demonstrated the power of sport,” Harper said. “Not only the energy in the stadium, but the energy in the city and L.A. being such a diverse city, you really saw the world come to life on the streets of L.A.”

The World Cup exceeded expectations, Schloessman said, delivering economic effects, local supplier opportunity and community engagement. LASEC hosted fan areas at 10 different locations, highlighted by the tournament-opening festival at the Coliseum. The City of L.A. hosted seven free “Kick It In the Park” watch parties. Sports bars and restaurants overflowed with customers who drank beer taps dry.

“It was just this six-week interlude of time when people liked each other and people were having fun together,” Schloessman said.

LA28 hopes to create a similar, harmonious energy during the Games with sports parks at major sports zones. Areas where multiple venues are clustered together, such as L.A. Live, Exposition Park, Long Beach, Inglewood and Carson, will have dedicated areas for pin trading, sport trials, entertainment zones and sponsorship activations.

While LA28 will be responsible for hosting official live sites for the Games, local communities can organize their own Games-time activities. LASEC worked with local organizations and businesses leading up to the World Cup to promote opportunities, including watch parties, meetups or themed decorations while still adhering to strict rules regarding FIFA broadcasts and logos. LA28 will provide similar guidance leading up to the Olympic and Paralympics Games.

“It is our responsibility, with the organizers, with the authorities, to create an Olympic experience for as many people as possible,” said Pierre Ducrey, International Olympic Committee sports director, who was impressed by the atmosphere of a FIFA fan event in Kansas City where he attended a match featuring his native Switzerland facing off against Argentina. “Whether they have a ticket to be in the stadium or they don’t, we want to create special moments for them that they can remember.”

LA28 sold more than 4 million tickets in its first ticket drop, and after last week’s presale, the second drop will resume Aug. 10. With 14 million tickets available, the 2028 Games could break the sales record set by Paris 2024, which sold 12 million tickets between the Olympics and Paralympics.

The biggest World Cup ever also boasted the highest attendance, but some of the tournament’s best parties came outside of stadiums.

Santa Monica put screens on every block of the Third Street Promenade for World Cup watch parties where patrons were allowed to carry alcoholic beverages within a specific area of the open-air mall. More than 40,000 people walked through a fan hub on the Santa Monica Pier. The city closed down more than a mile of downtown Santa Monica during the World Cup final for a block party that attracted 20,000 people.

And, Santa Monica Mayor Caroline Torosis proudly emphasized, it was free.

“I think major global events have an extractive history,” Torosis said. “We are trying to change that. We are also trying to use it as an opportunity to showcase the city itself. So how do we benefit our local community but also reintroduce Santa Monica to the region?”

Santa Monica balked at the chance to host competitions for the 2028 Games. Talks to host beach volleyball near the iconic pier broke down in 2025, six months after a study indicated that being a venue city could result in a net loss of $1.45 million, while not hosting the competition could still generate $10.65 million in profit because of the city’s status as a popular tourist destination.

Santa Monica already has deals in place to host hospitality houses for several countries in 2028, including France and Switzerland. Broadcast partners will set up studios on the city’s iconic pier. With plans for watch parties and other accessible celebrations for fans, Torosis envisions Santa Monica being “the place to be” during the Games.

“We are prepared for the influx of people that are going to be in the city,” Torosis said. “I think that FIFA was a great dry run.”

Inglewood was at the center of the World Cup with eight matches at SoFi Stadium. The city got an economic boost from an estimated 625,000 fans, including thousands who traveled to support their national teams without a match ticket, Inglewood Mayor James T. Butts Jr. said.

Fans from all over the world, sporting their country’s colors, flooded Market Street for the city-hosted Wood Cup festival to begin the tournament. Packed prematch marches stunned organizers who were unfamiliar with the tradition. While SoFi Stadium’s name was changed to “Los Angeles Stadium” per FIFA’s sponsorship rules, broadcasters still emphasized they were in Inglewood.

“It really gave a boost to community pride that Inglewood is now an international city,” Butts said.

Inglewood will remain the setting for the mega-event story. SoFi Stadium, in addition to hosting a second Super Bowl in five years, is the scene for the 2028 Olympic opening ceremony — which will be shared with the Coliseum — as well as Olympic swimming and the Paralympic opening ceremony. Neighboring Intuit Dome will host the Olympic basketball tournament.

The consistent stream of global events doesn’t faze Butts. In a city that will have hosted an NBA All-Star Game, eight World Cup matches and another Super Bowl in less than a calendar year, the Olympic chapter is already written.

“We do it time and time again,” Butts said. “This is what we do.”

You can’t keep a beloved news team down, even after more than a decade since being yanked off the air in a move that stunned fans and local TV newsrooms.

For almost 20 years, KTTV Fox 11’s “Good Day L.A.” was hosted by Steve Edwards, Dorothy Lucey and Jillian Barberie, becoming a dominant fixture in the fiercely competitive morning show arena. The show’s popularity for a time outdistanced network morning shows and crosstown rivals “The KTLA Morning News.”

The trio’s freewheeling banter spiced with humorous mayhem and mischief enchanted legions of viewers while bringing freshness to the familiar formula of news, weather and sports. The distinct personalities meshed effortlessly — veteran newsman Edwards, relentlessly upbeat co-host Lucey and fiery weather reporter Barberie, who injected the proceedings with outrageous, at times crass comments along with declarations that “my breasts are real.”

An undercurrent of friction brought an edge to the breezy vibe, with Edwards often acting as the awkward buffer between Lucey and Barberie, who did little to disguise their dislike of each other. Barberie would go on to bash Lucey on Howard Stern’s radio show, calling her “very Christian and Bible-thumpy.” Lucey was frequently distraught by Barberie’s “mean.”

But that winning combination was broken up starting in May 2012, when Lucey was fired as part of a show revamp. Barberie was let go four months later after declining a demotion. And after continuing with other co-hosts, Edwards vanished from the show in December 2017 after allegations of sexual harassment, but there was never an official explanation from him or management about the reason for his departure. The exits sparked a wave of protests from viewers and celebrities, including Suzanne Somers, Piers Morgan and Simon Cowell of “American Idol.”

But good days have returned for the former “Good Day L.A.” hosts. More than a decade after being let go, Edwards, Lucey and Barberie are fired up about their new venture.

The trio has reunited for “So Unanchored,” a weekly podcast fueled by spontaneous riffs on their years together, pop culture and their deep friendship. As they did on “Good Day L.A.,” they consistently interrupt one another and the chatter careens from one topic to the next without a breath. Complete sentences are rare.

“We have not missed a beat,” Edwards said as he, Lucey and Barberie relaxed in an office lounge after a recent taping. “It’s the most effortless thing. It makes us very happy when we get together. There’s an endorphin thing going on.”

“And we like each other more,” added Lucey.

They will tape a special live episode Wednesday at 11 a.m.. New episodes usually appear on Fridays.

The shattering of the “Good Day L.A.” team was particularly traumatic for Barberie, the breakout star of the trio. In addition to getting divorced after the Fox 11 job, she was later sideswiped by financial woes and a devastating health scare.

“I lost my job, got divorced and got cancer all at the same time,” said Barberie, her voice cracking as she sat near Edwards and Lucey in the lounge. “The fact that these two were a constant in my life during those 12 years when I was going through all those things is everything. I’m so grateful.”

Of course, there are major differences from their previous collaboration. While “Good Day L.A.” was broadcast at Fox 11’s massive West Los Angeles studio, “So Unanchored” is a no-frills affair staged at a Canoga Park office park.

The hosts sit in a small office, backed by nondescript office furniture and a framed poster of the vintage “Please Stand By” image broadcast by stations when there were technical difficulties.

On their initial podcast, Barberie made it clear that there is no love lost when it comes to her former employer.

“I don’t want anything associated with that show,” she said. “Let’s start fresh, man. They used us and they treated us like s— at the end. Who needs them? Goodbye!”

The other major shift is the relationship between Lucey and Barberie.

“Dorothy and I love each other now,” Barberie said on one episode.

Lucey: “We do. Because the last time you saw us, we really didn’t like each other.”

Barberie: “And Steve has never been happier.”

Edwards: “You two are like sisters. You used to be like brothers — Cain and Abel.”

Barberie: “And then something happened between the three of us that got her and I close, and then I got cancer. She took me to all of my surgeries and took care of me. I’m telling you, it’s a beautiful thing.”

Lucey: “We still hate Steve, though.”

Barberie: “We have that in common.”

The burying of the hatchet is a great relief for Edwards, who was troubled by the tension between his colleagues during their time on “Good Day L.A.”

Barberie pressed Edwards on their first podcast: “Be honest, Steve. Did you like it when we didn’t get along?”

Edwards: “Sometimes it would get ugly and my stomach would turn.”

On “So Unanchored,” Barberie has revived her loose cannon role in their dynamic, raw and unfiltered. She will tear up, and moments later throw her head back with an explosive laugh that bounces off the studio walls.

She detailed her wild lifestyle during her TV days: “From 34 to 40, I was single, had five TV jobs, partied like a rock star, dated anyone I wanted and made a s—load of money.”

Though she eventually landed a talk show on KABC-AM 790 after leaving Fox 11, hard times hit in 2019 as she tried to make ends meet while raising two children as a divorced mom battling cancer.

“When I lost everything, I literally collapsed on my money manager’s table. I was bald and I started crying,” she said.

She listed her ranch-style Tarzana home, which was featured in “MTV Cribs,” for $2.5 million in 2021. She currently rents “a beautiful little apartment way out in Thousand Oaks. I love it and my life is quieter.”

Barberie was more explicit on the podcast: “I haven’t dated in 10 years. I have no tinglies down there. I’m dead from the waist down. I don’t want to date. I don’t want a man, an ape beside me at night if I’m having a hot flash. I have no nipples. I have no desire to cook, sit and talk with you. I don’t care.”

Edwards: “So you’re saying there’s a chance.”

Scott Sternberg, whose production company produces “So Unanchored,” said “Good Day L.A.” was a clear standout on the morning show spectrum.

“There was something different about ‘Good Day L.A.’ from the other shows,” Sternberg said in a phone interview. “Their personalities were all different, but they could finish each other’s sentences and were not afraid to say what they wanted to say. I felt if I could bring them back together, there would be a huge audience who remembered them fondly.”

Asked to define the magic of their chemistry, Edwards said it was not instantaneous.

“At the time, there were five morning shows, including the network,” he said. “It took years for our thing to happen, but when it did, it happened big. We could do no wrong for 10 years. The ratings were crazy good. There was a run for many years when we were No. 1. We made them a lot of money.”

He continued: “Success is based on the relationship between the people on the show and the audience. Once that is established, it doesn’t matter if the show is good or bad that day. I was going through a lot with these two [Lucey and Barberie], and the audience was doing it with us. But the suits don’t care about that.”

The first indication that the show was in trouble came in 2017, when a new management team initiated a revamp of the morning show.

Lucey wrote at the time in her blog “God and Gossip” that her new boss told her that her voice, which has a trace of raspiness, “made his eyes bleed. Not the crusty yucky pink eye. New guy was saying when I spoke I made his eyes bleed. I have read that can happen after you vomit. Now I could almost see my husband saying something like that to me … But from a new boss…”

But station executives did not express regrets about dismissing Lucey, saying in a statement after her ouster: “The revitalization of ‘Good Day L.A.’ has been refreshing.”

Months later, Barberie was approached about taking a reduced role as a field reporter. She turned it down. Edwards’ departure caused a bigger stir because it was so abrupt. KTTV would say only that he was no longer employed by the station.

“Fox never issued a statement, and I never issued a statement,” Edwards said. “Obviously there was not agreement on what happened.”

As they prepared to leave the lounge, the three hugged each other warmly and said they were looking forward to getting together the following week.

“There is one word for us being back together,” Barberie said. “Home.”

It’s a few minutes after 10 a.m. on a recent morning and the thermometer is closing in on 95 degrees, but Marc Papas isn’t fazed. “The heat doesn’t bother me much,” he said, unloading his bicycle — a blue and yellow 1989 Trek 400 — from the trunk of his car on a side street in Reseda. “I just keep going.”

Papas adjusted the heart monitor underneath his T-shirt, checked the bike computer attached to his handlebars, then set off on the day’s ride; he’s taken it upon himself to bike every public street in Los Angeles. The Phoenix native has completed over 78% (about 5,840 miles) after two years. He calls it “The Project,” and says there’s about 7,516.07 miles in total, when you include various enclaves and adjacent cities like Beverly Hills or Burbank. Today he’s headed toward the longest continuous bike lane in Southern California — a stretch of Reseda Boulevard. It’s an unexpected amenity in a part of the city that seems otherwise hostile to pedestrians and cyclists, but one Papas wants incorporated around more of Los Angeles.

“Somebody once asked me on a Reddit Ask Me Anything what is one street you think needs a bike lane,” he said. “I wrote him a whole essay in response, because I can’t just say one street.”

After a few blocks on Reseda, Papas turned back into the neighborhood centered around Etiwanda and started tracing loops across the blocks. It’s his standard pattern for covering any area he rides for the Project. “I base my routes on a math theory called the Eulerian Path,” said Papas, a mechanical engineer by training. Each new segment of the city he rides is generally a rectangle bound by major streets. “Then, I start with loops around the edges and work my way in,” he continued. “It’s the most efficient way to cover an area without overlapping.”

Today’s ride would yield eight new miles for Papas. “So, I’ll be about 12 miles away from 80%,” he calculated.

Papas started his biking project almost by accident. He moved to Los Angeles in late 2020 after finishing his PhD at Georgia Tech. He had taken up biking around Atlanta as part of triathlon training and worried he wouldn’t be able to continue once arriving in L.A.

“I remember having a sort of fear around it,” said Papas. “I’d heard it’s just so car-filled and dangerous to be on the roads.” But riding along the beach and around much of the Westside quickly changed his mind. With perfect weather year-round and a mostly flat topography, why wasn’t everyone in L.A. riding bikes?

He was soon cycling to work in Monrovia from his apartment in Pasadena, and biking more than he ever had in his life. “Sometimes friends would be surprised to learn I have a car,” he said. “They thought I bike everywhere because I don’t drive.”

Then, on Dec. 31, 2023, Papas decided to get in one last bike ride for the year. He rode a section of San Marino that he and friends refer to as “The Mitochondria” for the shape the streets make when viewed in the tracking app Strava. After riding the Mitochondria, he decided to keep going — making a path up each street and block — until he was satisfied. It gave him the idea to ride every mile of street in San Marino. “It’s only 60 miles total,” said Papas. “That seemed doable.”

Finishing the 60 miles of San Marino led to completing the 400 miles of Pasadena. He next found himself taking detours to cover new streets in Northeast Los Angeles as he’d ride to and from Koreatown Run Club meet-ups at Los Angeles Community College. But it wasn’t clear to himself, or anyone else, what he was doing. “Friends were seeing my Strava activities and texting me like, ‘What the heck are you doing, man?,’” Papas recalled. One friend jokingly asked if he was drawing the Nazca lines across the city, but Papas wrote it off as just trying to clock extra mileage. “There’s a level of self-deception, because riding the whole city of Los Angeles seemed impossible to do,” he said. Still, his treks around Northeast L.A., East Hollywood and Los Feliz were starting to build up mileage — he had completed about 18% of the city.

When Papas drove out to North Hollywood in November 2024 specifically to track new mileage, he realized he had crossed the Rubicon. “At that point, I can’t lie to myself anymore about what I’m doing,” he said. “I’m driving out to these places to get miles more efficiently. When that happened, I was like, all right, I’m in it for the long haul.”

As Papas covered more and more of the city, he began growing an appreciation for various architecturally-significant neighborhoods as well as the many murals across large swaths of South and East L.A. “There are beautiful pieces of art on the walls that you wouldn’t imagine,” he said. “I want to take people to these places and do a mural tour.” He was especially moved when he was riding in Pacoima and saw a Buddy Holly and Ritchie Valens mural that memorializes the tragic plane crash that killed both Holly and Valens. “So many of these murals are commemorating people and events that are culturally important to those specific areas,” he added.

The bike rides were connecting him to his city in ways he never expected. “I’m not necessarily saying that everybody needs to go out and ride their bikes,” said Papas, though he’d certainly love it if more Angelenos did. Instead, he hopes his biking project is showing people what’s possible — in the most extreme way. Yes, you can bike in Los Angeles, as many Angelenos often do out of necessity. It’s even enjoyable. And yes, you can do it across every single mile of the city, even if the cycling infrastructure isn’t perfect yet. “I think to me, success would be if people just go out and explore their own neighborhood,” he said. He views cycling as a form of civic engagement and a way to see things otherwise invisible when speeding by in a car. For beginners, Papas recommends sticking to bike paths and joining cycling groups. More experienced riders should venture out into new areas, said Papas. “Biking is like a superpower to gain familiarity with your neighborhood, but it just needs to be unleashed.”

Last September, Papas passed the 50% mark of his project and estimates he’s been covering an additional 1% (or about 75 new, unique miles) every week since. That puts him on pace to finish sometime around mid-December — should everything go smoothly — nearly three years after he first began. Does he know what his final mile will be? “Eldred Street in Mount Washington,” he said. He notes it’s one of the steepest streets in the entire country.

“It’’s a fitting end, like a final boss [in a video game], just one last all-out hard effort to completely finish things off,” Papas said. “It gives me goosebumps to think that would be the time and place that this years-long project would be done.” Of course, there’s always the rest of Los Angeles County to conquer.

WASHINGTON — President Trump will travel to Los Angeles on Tuesday and Las Vegas on Wednesday as part of a two-day West Coast trip aimed at highlighting his administration’s economic record ahead of the midterm elections, a White House official confirmed.

In Los Angeles, Trump is scheduled to attend a Republican National Committee dinner at Trump National Golf Club. The visit comes as the administration seeks to draw attention to his economic policies as time runs out for his administration to ease economic pressures ahead of the November election.

“The president will draw a sharp contrast between his commonsense agenda and the radical policies of Democrats like Gavin Newsom, who keep raising taxes, inviting rampant fraud in taxpayer-funded programs, and protecting illegal immigrant drug dealers, rapists, and murderers,” White House spokesperson Olivia Wales said in a statement Monday.

Trump is expected to “tout his wins for the people of the Golden State despite failed Democrat leadership,” Wales said, citing what she described as the “largest middle-class tax cut ever, the most secure border in American history, and a plummeting crime rate.”

Newsom has not yet publicly commented on Trump’s pit stop in California, but the Democratic governor in recent social media posts has criticized Trump’s handling of the economy.

In one post on X, Newsom pointed out that California is raising the minimum wage to $17.40 an hour next year as a way to attack Trump and the GOP for “defending a $7.25 minimum wage while workers scrape by.”

“Pitiful,” the governor wrote.

In a second post, Newsom amplified a post on X that shows how the prices of items like rice, cotton and wheat have increased since the start of the year.

“Great work, @realdonaldtrump,” he wrote.

Trump’s visit to Los Angeles will be his second since returning to office. He toured Pacific Palisades in January 2025 after the L.A. neighborhood and Altadena were ravaged by wildfires. During the visit, Trump signed an executive order intended to expedite rebuilding efforts.

Since Trump last visited the city, there has been a standoff between California leaders and the Trump administration over federal disaster aid.

In April, Los Angeles Mayor Karen Bass and county Supervisor Kathryn Barger met with Trump in the Oval Office to talk about their request for funding to help with the wildfire recovery efforts, an ask that Trump signaled support for but has yet to formalize.

Following his visit in California, Trump will travel to Nevada, where he will deliver remarks on the economy at Red Rock Casino.

“The Exorcist” star Linda Blair had her property searched by law enforcement officers who were investigating and inspecting her kennel operation with more than 100 dogs.

Friday’s operation was carried out by the Los Angeles County Department of Animal Care and Control and the Los Angeles County Department of Regional Planning, according to a statement shared with People.

“The goal is to inspect this property for buildings and structures associated with a kennel operation reported to have more than 100 dogs,” the department said in the statement.

Blair, whose IMDb site lists dozens of movies and television shows dating back to 1968, founded the Linda Blair WorldHeart Foundation in 2003 to rehabilitate and rescue abandoned and abused animals.

Blair’s kennel facility’s permits expired in 2023, and she allegedly didn’t respond to attempts by the Los Angeles County Department of Animal Care and Control to contact her, People reported.

“The warrant allows us to lawfully access the property and verify compliance with County codes,” the department said. The operation is intended to evaluate “animal care, safety conditions, and overall welfare of the dogs housed on the property.”

County officials could not immediately be reached to comment about the findings of the inspection.

“Our priority is the safety and well-being of both the animals on the property and the people who may be working or residing here,” the department said in the statement. “This inspection will help us determine whether conditions meet required standards.”

Blair wrote about the incident in an July 31 Instagram post, saying that the animals were “good in lieu of our surprise visit in 105° heat.”

“Turns out we just have some paperwork to do and some diagrams but as everybody knows, I’m looking to move so I can be more educational and help more animals,” Blair wrote. “I’d rather move forward.”

A Bangkok-raised chef is now serving vibrant Thai street food such as pan-fried noodles, grilled Isan sausage, Wagyu short rib with herbs and sticky rice, and flame-kissed pork jowl in Old Pasadena. To drink, there’s local ube beer and natural wine.

“I love to eat street food so much,” said Thaim chef-owner Ruethai Boonlieng. “I go back to Thailand all the time, and I always ask my friends, “Hey, don’t take me to the mall — take me to street food. It’s a true food for my soul, and people make the street food with care.”

Boonlieng’s Thaim is a portmanteau of “Thai” and “I am.” While some of her recipes are traditional — such as her mom’s preparation of Sukhothai pad Thai — others are modern spins, like brightening her sweet-spicy mango salad with fresh dill or turning her childhood favorite, egg tofu, into a deep-fried egg custard.

The chef grew up in Bangkok and learned to cook by watching her mother prepare home meals, then took pastry courses in Thailand as an adult. Boonlieng studied finance but entered the restaurant industry to help an aunt and a friend open a Thai restaurant — then discovered she loved it. She opened multiple restaurants in the Bay Area, then moved to Los Angeles to help open another and never wanted to leave.

As an owner of sweets-focused cafe U Dessert Story, with two locations in the Bay Area, Boonlieng wanted to incorporate some of her signature desserts at Thaim, too. Look for Thai tea panna cotta, matcha lava cakes and more.

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, with an assist from Gavin J. Quinton, giving you the latest on city and county government.

Deputy Atty. Gen. Marissa Roy did big numbers in the June 2 primary election, coming in first place in the race for city attorney and knocking City Atty. Hydee Feldstein Soto out of the running entirely.

Roy secured 43% of the vote in round one. Now that she’s in a head-to-head contest against Deputy Dist. Atty. John McKinney, she’s well ahead in fundraising as well.

Campaign spending reports for the Nov. 3 runoff, filed over the last few days, show that Roy’s campaign collected nearly $74,000 during the fundraising period that ended June 30. By comparison, McKinney collected just $3,000, according to his own contribution report.

“I plan to be a City Attorney for the people, and I’m proud to have a campaign supported by the people. If your campaign isn’t, then I think it’s fair to ask who it is for,” Roy said in a statement.

The race is one of three downballot contests where the candidate who came in first on June 2 is also well ahead in the scramble for campaign contributions. Things were similarly lopsided in council races in South L.A. and the San Fernando Valley.

McKinney, who received nearly 29% of the vote in the primary, said his campaign will have plenty of resources to “educate voters that Marissa Roy is a bad fit for Los Angeles.”

“The recent financial disclosure reflects just one week of activity,” he said in a statement. “Since the June 30th [fundraising] deadline, we’ve raised more than $65,000 from more than 80 individual donors and have nearly 15 fundraising events scheduled.”

Several of the donors who gave to Roy occupy the left end of the political spectrum, such as Loraine Lundquist, who ran for City Council twice in the San Fernando Valley, losing both times to Councilmember John Lee. Roy also picked up a donation from airport commissioner Victor Narro, project director for the UCLA Labor Center.

Roy received $1,800 from attorney Carol Sobel, who has sued the city many times on behalf of various clients over policing and its treatment of the homeless population. Another $1,800 came from Genie Harrison, who is representing former fire chief Kristin Crowley in her lawsuit over her ouster.

McKinney, who works for Dist. Atty. Nathan Hochman, is likely to have his own big-money support in the coming weeks. During the primary, an array of well-financed allies, including Airbnb, spent a combined $3.2 million on efforts to elect him.

In South L.A., Ugarte ramps up his fundraising

The fundraising was also lopsided in the race to replace City Councilmember Curren Price, a veteran lawmaker who is stepping down after 13 years in a district stretching from the Convention Center south to 95th Street.

Former Price aide Jose Ugarte collected about $35,000 for the runoff, much of it from other city workers, particularly council aides, records show.

Community organizer Estuardo Mazariegos took in about $5,400, pulling in donations from the progressive L.A. Forward Action Fund and from Lundquist, the former council candidate.

A number of elected officials have lined up behind Ugarte, who garnered 39% of the vote in the primary. He received $1,000 apiece from State Assemblymembers Mark Gonzalez (D-Los Angeles), Mike Fong (D-Alhambra) and José Luis Solache (D-Lynwood), according to his filing. Ugarte also received $1,000 each from former Councilmember David Ryu and from the Hollywood Chamber of Commerce.

Records show that Ugarte received $1,000 from the Los Angeles Police Protective League, the union that represents rank-and-file police officers, but then returned the contribution. Ugarte does not accept donations from the police union, his campaign strategist said.

“I support Mayor Bass’s efforts to increase staffing, strengthen community policing, and improve transparency and accountability. I also want to see more officers on foot patrols and bike patrols in our neighborhoods,” Ugarte said in a statement. “Returning this contribution does not change or influence my views on these priorities.”

In the Valley, Gaspar pulls in a big haul

In the race to replace Councilmember Bob Blumenfield in the west San Fernando Valley, businessman Tim Gaspar is proving to be a fundraising powerhouse.

Gaspar reported more than $180,000 in donations to his runoff campaign through June 30, compared with about $31,000 for Barri Worth Girvan, an aide to County Supervisor Lindsey Horvath, according to her filing.

“After finishing with the most votes in the primary, our campaign is grateful for the outpouring of support from business owners, neighbors, and friends across the West Valley,” Gaspar said in a statement.

Gaspar received 46% of the vote in the primary, compared with more than 42% for Worth Girvan.

In an interview, Worth Girvan said she’s not troubled by the fundraising gap. During the primary, backers of Gaspar spent about $1.4 million on independent expenditures supporting his election bid.

“We still came within 4 percentage points,” she said. “To me, it’s always been about the voters, so that’s what I’m focused on.”

Worth Girvan picked up donations from longtime Democrats, including Gonzlaez, the state Assembly member, former state Assembly Speaker Anthony Rendon and Ryu, the former City Council member. She told The Times her fundraising picked up significantly after the June 30 fundraising deadline, bringing her total haul to more than $100,000.

Gaspar picked up donations from several public safety unions, including $1,000 from the Police Protective League and $500 from a political action committee set up by the city’s port police. He received $1,000 from real estate developer Rick Caruso, who ran unsuccessfully for mayor in 2022.

State of play

— WINDS OF CHANGE: For the first time since 1963, L.A.’s 9th Council District will not have a Black representative. The race to represent that South L.A. district features two Latino candidates who immigrated to the U.S. as children, both of them undocumented at the time. Ugarte, the former council aide, was born in Oaxaca and is Mazateco, an Indigenous group native to the Mexican state. Mazariegos, a community organizer, was born in Guatemala.

— DISAPPEARING ACT: Records dealing with the activities of the Los Angeles Police Department — emails, text messages, audio recordings — have vanished from a city website devoted to the release of public information. Although the removal of such records does not violate any laws, “it’s certainly not a best practice,” one expert said.

— PERMIT PROBLEMS: A representative of Lineage, whose massive cold storage facility burned down in Boyle Heights two months ago, filed a permit this week to rebuild the company’s 491,000-square-foot warehouse to its original pre-fire condition. Bass called the filing a “slap in the face” to families in Boyle Heights and ordered her department heads to put the application on hold until the site receives extensive study.

— SCHOOLS AND SAFETY: Meanwhile, with less than two weeks left before the start of school, families in Boyle Heights and East L.A. are worried about health and safety at eight campuses located within a mile of the Lineage site, which has been beset with the stench of rotting food, rats and swarms of flies.

— ZOO COUP: Feldstein Soto may have lost her bid for a second term, but she did rack up a key court victory in the city’s battle over money for the Los Angeles Zoo. The city has been trying to claw back about $50 million raised for the facility by the Greater Los Angeles Zoo Assn., the nonprofit that helped run it until recently. GLAZA filed for Chapter 11 bankruptcy protection in June, citing “incessant litigation” from the city. This week, at the city’s request, a judge dismissed the bankruptcy filing.

— TAKING IT TO THE STREETS: L.A. is on track to repeal a city law prohibiting kids from playing baseball, basketball, soccer or other ball games out in the street. The law was passed in 1936 out of a fear that children would be struck by cars. Councilmember Bob Blumenfield says it’s time the ordinance was erased from the books.

— FIXING THEIR MISTAKE: L.A. County’s Board of Supervisors voted Tuesday to send voters a charter amendment that would reverse the repeal of Measure J, which was approved six years ago and sets aside money for alternatives to incarceration. Measure J, through a series of errors, was supplanted in 2024 by Measure G, which will increase the number of supervisors. The new measure would restore Measure J to the county charter.

— SPEAKING OF ERRORS: Last week, we mentioned a proposal to reduce the number of required council meetings from three per week down to one, saying that the idea failed to make the ballot. That was wrong! The measure will in fact go before voters in the Nov. 3 election as part of Charter Amendment EE.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program to bring homeless people indoors went to Skid Row, bringing 23 people inside, according to the mayor’s team. The area is represented by Councilmember Ysabel Jurado.
• On the docket next week: After a month off, the City Council resumes its business on Tuesday.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

If you are over the age of, say, 14, you might not be familiar with daughter-father duo Salish and Jordan Matter. But if you are a parent of a Gen Alpha kid, it can feel like you hear about nothing but Salish and Jordan Matter. Their YouTube videos — a high-octane mix of zany challenges, games and hijinks — are admittedly hard to resist, which may be why they rake in millions of views as soon as they blast into the social media universe.

Sixteen-year-old Salish was in elementary school when she started appearing in her father’s YouTube videos and the channel is like a time capsule of her childhood — or, well, the most public, heavily produced version of it. There’s the day Salish turned her house into a waterpark (73 million views) or the night she had a secret sleepover in a mall (31 million views) or the time she survived 100 babysitters in 24 hours (61 million views). “A blessing and a curse for me is that we’ve documented it all,” says Jordan, whose background is in photography. “I have these beautiful videos of her when she was 10. I was just watching them 30 minutes ago and was like, oh wow, it feels like yesterday.”

Now their creator journey is taking a new turn. Salish and Jordan recently signed a deal with Netflix to develop, produce and star in original projects — it’s the largest such creator partnership for the streaming giant. Their show, “Salish & Jordan Matter,” reached Netflix’s Top 10 this month. Beyond the screen, the duo co-founded the popular teen skincare brand Sincerely Yours. (The launch of one glossy lip balm brought 2,000 fans to the Santa Monica Pier earlier this summer.)

It’s been a wild ride for the pair, but despite their snowballing fame, they swear they’re like any other dad and daughter who bicker, joke around and simply enjoy each other’s company.

“I think we’re pretty chill, right?” Jordan says.

“Yeah, we’re pretty chill,” Salish agrees.

Here they share what they’d do together on a Sunday Funday around their South Bay home, noting that a perfect day would involve the whole family, including mom Lauren Matter and Salish’s 20-year-old brother, Hudson Matter.

This interview has been edited for length and clarity.

10 a.m.: Wake up and debate the day’s options

Jordan: Salish, what time would you actually wake up?

Salish: Probably like 10.

Jordan: OK, so we’re sleeping in until 10. Then why don’t we go get breakfast? We’ll go to Ocean Diner in Hermosa Beach. We’ll both get huevos rancheros and fresh orange juice. And then I would love to go get coffee at Boy and the Bear in Redondo Beach.

Salish: Or Two Guns!

Jordan: No, I prefer Boy and the Bear.

Salish: Oh, I prefer Two Guns.

Jordan: Well, if we go to Two Guns, Salish would get the avocado toast.

Salish: No, the chai! It’s so good!

Jordan: OK, well, if Salish has an opinion, that’s what we’re doing. But later today, one thing I would love is a bike ride on the beach. Are you still down?

Salish: [High-pitched voice] Yeah.

Jordan: Did you hear that voice?! That tone is like, “Yeah, but not for much longer.”

Salish: [Laughs] No, I like doing bike rides with you! It’s just that I don’t know how much of a “biker” I am.

Jordan: You’re not one.

Salish: I’m not.

Jordan: But you have an electric bike! You just have to go like [makes e-bike revving motion] vvrrrrrruurr.

11:15 a.m.: Shopping and soup dumplings

Jordan: The next thing we’re going to do is …

Salish: Go to the mall! I like picking out new outfits for him because every day he just wears a black T-shirt.

Jordan: OK, and if we’re going to go to Del Amo mall, we’ll have lunch at …

Salish: Oh, Din Tai Fung.

Jordan: Which means we’ll have to put our name on the waiting list.

Salish: It’s like a two-hour wait.

Jordan: So we’ll put our name down right after breakfast. And then we’ll shop for clothes before our reservation.

Salish: I’ll go to Aritzia and probably Garage. And then you’ll go to Express and Levi’s. I go to PacSun a lot too but normally I don’t find anything there. I always wear sweats and hoodies — literally just sweats and hoodies.

Jordan: Also tank tops. Salish doesn’t like to repeat outfits on videos, so she does need at least one new outfit a week.

And I’ll just follow her around. I’ll be like, ‘Oh, that looks good.’ And she’ll be like, ‘No, it doesn’t.’ And I’ll be like, ‘No, it looks really good.’ And she’ll be like, ‘You’re just saying that.’ And then she’ll ask, ‘Which color?’ I’ll say the blue, and then she’ll get the pink. And I’m like, ‘I’m glad I could be helpful.’ So that’s how shopping with Salish goes. Then finally, there’s Din Tai Fung.

3 p.m.: An afternoon by the ocean

Jordan: Then we would leave the mall because I’m not gonna be there all day. We’re gonna go paddleboarding in Long Beach, in the Naples Canals area. We love anything with water, right? We love vacationing in Lake Tahoe, swimming and boating.

Then we would probably go for a bike ride along the Strand. I would vote for pulling over and having dinner. There’s a really good taco place right near the Hermosa Beach Pier called Palmilla Cocina Y Tequila.

Salish: [Winces slightly] I’m not gonna lie. I don’t really like tacos.

Jordan: Salish is an absolutely impossible eater. All she eats is Chipotle. She’s a vegetarian but she’s a picky vegetarian, so that combo makes it almost impossible for her to find food anywhere. But she’d get the black beans and rice and tortillas and cheese and mix it all together.

Salish: Yeah.

Jordan: See, I basically know everything about you.

Salish: And you would get the chicken!

Jordan: Yes.

Salish: I knew it. But you have to make sure it’s white meat.

Jordan: White meat chicken, mole, enchiladas — yum!

8 p.m.: Family hang time

Jordan: Now if there’s a good horror or suspense movie out, I might convince Salish to go. But that would be a tough sell. So maybe we’ll go back home. We just got a pool, so that’s exciting. And late nights in the pool has become a thing. We might play ping pong or a board game.

Salish: Then my brother and I would probably just chill and talk in one of our rooms. He doesn’t live here so we try to talk as much as we can while he’s home.

Jordan: Our family isn’t looking for big things to have fun — just time together. We just talk and hang out. With Salish, we talk about work but I’m also super interested in what her everyday life is like. You know, from the time she was young, I feel like I treated her like an adult in a way and we’ve always had real conversations. That’s made it easier as she’s grown up. It feels comfortable having these types of conversations.

Salish: Also, I’m a great kid, so like …

Jordan: Of course, of course. You are such a great kid. But you were a spitfire when you were little, I’ll say!

Salish: [Laughs]

Jordan: It’s a joy. It’s a joy to be with her every day.

This is the people pleaser. Phoenix Bakery’s now-iconic strawberry-and-whipped-cream cake has been called “L.A.’s most popular cake” for good reason. It’s light, not too sweet, packed with fresh berries and surrounded by a cloud of airy whipped-cream frosting with a border of sliced almonds for crunch. For generations of L.A. kids, including my own, this is the birthday cake. Dreamed up by the late Lun F. Chan as an extravagant expansion of strawberry shortcake, it has a double-layer base of chiffon cake (another L.A. invention). You can order tres leches and other types of cakes at the bakery, founded in 1938 by Chan’s brother, Fung Chow Chan, but nearly everyone comes in for the strawberry cake, which except for holidays is almost always available for walk-ins. And with prices starting at $29.95 for a 6-inch cake that serves five to six people, it’s also one of this city’s most affordable ways to make a birthday special.

Estuardo Mazariegos and Jose Ugarte, running against each other for a city council seat representing part of South Los Angeles, are immigrants from Latin America who arrived undocumented as children.

Both 40 years old, they grew up in the area and established themselves as community organizers.

And no matter which of them wins election on Nov. 3, it will be a historic change for Council District 9, which has been represented by a Black council member since 1963, even as its demographics shifted to a Latino majority.

Mazariegos and Ugarte both said they are committed to representing all their constituents equally, including Black residents who have expressed concerns about the change.

Ugarte, who was until recently a deputy chief of staff to the current council member, Curren Price, got about 39% of the vote in the June primary to 26% for Mazariegos, in a six-candidate field.

Ugarte was born in Oaxaca and is Mazateco — an Indigenous group native to the Mexican state. He has spent most of his life in South L.A., where he was embraced by his Black neighbors and schoolmates. He wants to model himself after Price, who he said is known in the community as the most “pro-Latino Black councilman.”

“I want to be a voice for Black residents in my district,” Ugarte said at his campaign headquarters on Avalon Boulevard. “I want to be called the most pro-Black Latino council member that the city really has.”

Last year, Ugarte agreed to pay a $17,500 fine to the city’s Ethics Commission, later increased to $25,000, for repeatedly failing to disclose outside income he made from his lobbying and consulting firm while also working as a council staffer. He said the issue stemmed from “an unintentional clerical reporting error on my part.”

Mazariegos is the L.A. co-director of the Alliance of Californians for Community Empowerment, a statewide nonprofit that organizes lower-income Black and brown communities for progressive change. Born in Guatemala and brought to the U.S. by his parents, he also was shaped by growing up in racially diverse parts of South L.A. He said he’s reaching out to different sectors of the community, including Black organizations and churches.

Organizing is about “always having open ears to the community,” Mazariegos said while sitting outside Mercado La Paloma, a food hall in the district. “It’s fighting for, honoring the Black legacy and fighting for a Black future, and you do that by building together.”

In his early 20s, Mazariegos pleaded guilty to a misdemeanor charge of carrying a concealed weapon in a vehicle. He said he was holding on to the gun for a friend and that the conviction makes him a better candidate because he can relate to people in the district who have had run-ins with law enforcement.

Council District 9 encompasses the Convention Center, USC and neighborhoods along the Harbor Freeway, including Vermont Square, South Park and Florence-Graham. In a district with the highest poverty rate in the city, residents are concerned about issues including illegal dumping, public safety, a dearth of grocery stores and a sense of being neglected by City Hall.

Price, who has represented the district since 2013, is terming out. He has been fighting corruption charges, with a judge deciding in January that there was enough evidence to move to trial on four counts of voting on matters in which Price had a conflict of interest, five counts of embezzlement and three counts of perjury.

Price said he never intended to do anything wrong and questioned the fairness of a prosecution over what he said was essentially a paperwork error.

The growth of the Latino population in a district that is now nearly 80% Latino has created political tensions for decades, said Manuel Pastor, a USC professor and author of “South Central Dreams: Finding Home and Building Community in South L.A.”

Four years ago, those tensions resurfaced after a recording emerged of a conversation among three Latino city council members and a labor leader that featured racist and disparaging remarks about Black people, Oaxacans and others. The revelations tested a fragile alliance of Black and Latino coalitions that organizers have sought to maintain.

More recently, some Black community leaders expressed concern that a proposal to allow noncitizens to vote in local elections would diminish Black political power. The City Council ended up sending the proposal to a committee for more study.

Pastor noted that Price made an effort to focus on Latino residents, who have grown up alongside Black residents and suffered the same disinvestment in their neighborhoods.

This election, Pastor said, will pit the strength of L.A.’s political establishment against the rising power of the Democratic Socialists of America.

Ugarte’s endorsements include Price and the L.A. County Democratic Party, while Mazariegos has been endorsed by Councilmember Eunisses Hernandez, City Controller Kenneth Mejia and the Democratic Socialists of America’s L.A. chapter, among others.

Through May 27, Ugarte had raised $510,000 in campaign contributions and Mazariegos had raised $254,000.

Ugarte has benefited from nearly $1 million in independent expenditures, which differ from campaign contributions, with Airbnb contributing $302,000 to support his candidacy and the California Apartment Assn. Housing Solutions Committee spending $230,000.

Mazariegos has received support from the political arms of United Teachers Los Angeles as well as his employer, the Alliance of Californians for Community Empowerment Action, which together spent about $118,000.

On a recent Sunday morning, Ugarte stopped by services at two predominantly Black churches. At McCoy Memorial Baptist Church in South Park, he accepted a warm hug from longtime Pastor R.A. Williams Jr., who endorsed his candidacy. Ugarte then traveled a few blocks to Experience Christian Ministries, where Pastor Shep Crawford also has endorsed him.

“I met him years ago, boots on the ground, in the streets making changes,” Crawford told the congregation.

That same day, about three miles north at Audio Graph Beer Co., Mazariegos was cheering at a World Cup final watch party that doubled as a fundraiser. He posed for photos with supporters, who wore buttons declaring him “the people’s candidate.” He credited making the runoff election to his years in the community advocating for anti-displacement measures for tenants and lowering the rent cap.

Angie Gonzalez, 22, said Mazariegos earned her support because of his work advocating for tenant rights.

“I like how Estuardo is trying to empower us,” she said.

Odilia Romero, a resident of District 9 and executive director of CIELO, an advocacy group for Indigenous people, said she is not endorsing in the race. But she acknowledged the importance of an Indigenous candidate, four years after the audio leak scandal.

After The Times broke that story, Ugarte said, he secured permits for a march from L.A. Trade Tech to City Hall, where Oaxacans and others rallied.

Ugarte said if he is elected, he’d become the first Indigenous Oaxacan council member. He wants to show anyone critical of immigration — including the Trump administration — that “immigrants are here to build things to make the country better.”

“I want to be a council member that came from another country, that came as an immigrant, that came from an Indigenous state, and that made a name for himself, that [improved] his community,” he said.

Mazariegos said that while he may not be a political insider, he makes up for it as a “community insider.”

“There’s a lot of mistrust for the status quo right now,” he said. His goal is “making sure that the 9th district has representation that actually fights for it.”

These days, he said, campaigning has turned into an all-day affair, meeting people as he walks with his family around the district.

Mazariegos has in recent months appeared at City Hall to advocate for charter reform, including increasing police accountability, expanding the size of the City Council and advocating for noncitizen voting. None of those measures made the November ballot.

Organizers in the district said that no matter who wins, they intend to hold the new council member accountable.

“We hope that whoever wins this race keeps working-class people and their issues on the forefront,” said Ron Gochez, a longtime district resident and organizer with Union del Barrio, which advocates for immigrants. “We will pressure whoever wins to do the right thing.”

Last things first: Eve Babitz is a major minor L.A. writer who died five years ago at age 78. She spent nearly a quarter-century as a recluse, having suffered in 1997 a shocking and disfiguring accident while striking a match to light her Tiparillo. Her thin Indian skirt caught fire searing her panty hose into her flesh, leaving her with third-degree burns over more than half her body. She never published again, though many championed her gifts, including me. At the time of her misfortune, I was book editor of the Los Angeles Times. I had long admired her, especially the rollicking and indispensable “Slow Days, Fast Company,” first published in 1977, a charming and insightful series of stories bursting with pluck and sass. I recommended to John Carroll, the then-editor of the paper, that he make her a columnist and urged Babitz to write him directly. She did, and that letter from October 2000 is the last included in “Too L.A.: Letters Never Sent (But Some Were),” a book of letters expertly edited and chosen by Lili Anolik. Babitz tells Carroll that “what the paper needs is some writers that cause such an uproar, people will have to read it in order to stay abreast of the edge.” Babitz knew what she was talking about. She’d been living on that edge since she was a teenager at Hollywood High in the late 1950s.

The posthumous resurrection of Babitz’s writings is most welcome. Yet there is a risk of overpraising her merits. She was an unabashed booster of the glossy L.A. that became synonymous with a rising creative elite whose élan and narcissism she found irresistible.

Lili Anolik makes the case in her perfervid introduction: “The letters are everything you could want” and often “profound” and “frequently brilliant, invariably amusing.” She says they deserve to be put on the short shelf next to Virginia Woolf’s imperishable “A Room of One’s Own” for they are “every bit as candid, every bit as lucid, every bit as brutal, every bit as delicate as Virginia Woolf’s celebrated manifesto.”

If only.

Regrettably, Anolik, who is almost singlehandedly responsible for Babitz’s literary exhumation, has so fallen in love with her subject as to almost blind her to Babitz’s defects, both with respect to her writing and to the life. With two previous books — “Hollywood’s Eve” (2019) and “Didion and Babitz” (2024) — prompted by Anolik’s riveting March 2014 Vanity Fair profile, Anolik has become Babitz’s greatest champion. Now with “Too L.A.,” a title taken from Babitz’s own over-oxygenated writing, she has gathered and edited a trove of letters. They brilliantly reveal Babitz’s eye for the deep shallow as well as explore the porous boundary between the largely self-inflicted injuries of her private life and the glittering sheen of her public persona. Babitz herself, on the strength of these 197 letters, only 30 of which she ever mailed, understood in a way Anolik doesn’t the limitations of her talents, even as she strives to slip the shackles of a mansplaining culture which at almost every turn tried to blunt her ambitions, both artistic and writerly, even as her editors and admirers sought (often with her ardent encouragement) to slip between her sheets.

Eve Babitz was born in 1943 to Hollywood neo-royalty. Her Brooklyn-born father, Sol, was first violinist for both the Los Angeles Philharmonic Symphony and then the 20th Century Fox Studio Orchestra. Sol would ultimately marry Lily Mae Laviolette, a beautiful Cajun Catholic shiksa willing to convert to Judaism. Eve’s godfather was Sol’s good friend Igor Stravinsky. When puberty burst upon her at age 14, Babitz’s blossoming made her a prime candidate for induction by the fast-track girls at Hollywood High who called themselves the Thunderbird Girls and cruised the Sunset Strip in their cool cars, looking for the main chance.

At 20, Babitz posed nude playing chess with the fully clothed Marcel Duchamp to promote Duchamp’s retrospective exhibition at the Pasadena Art Museum. At the time, Babitz was having an affair with the museum’s 32-year-old married director, Walter Hopps, which perhaps explains Babitz’s reluctance to have her face photographed so as not to give the game away to Mrs. Hopps, who attended the opening. A month later, Babitz confides in an (unsent) letter: “Everything’s so fabulous for me now I can’t believe it. There’s nothing like two boyfriends to do it for you every time. There are such fabulous boys around and they take you out on dates and to movies and I feel just like a teenager. (I’m recapturing my lost youth.) I get to get dressed up and I flirt outrageously and put people on and I do things like look soulfully out the window and man it’s just too hoozie for words. … If only all of this could last forever — not that it will, but I can.”

She spent the rest of her life torn between the excitements of everyday life — cruising the hangouts du jour (Barney’s Beanery in the early 1960s where she met many of L.A.’s up-and-coming artists — Ed Kienholz, Billy Al Bengston, Laddie Dill, Peter Alexander, and the Ruscha brothers, Ed and Paul, both of whom she’d bed, Paul becoming an on-again, off-again boyfriend whose bisexuality made for a sometimes tenuous connection; and after seducing Jim Morrison before he became famous and later the Troubadour in the late 1960s which was a happy hunting ground — Steve Martin, Glenn Frey, Don Henley, J.D. Souther, Country Joe Mcdonald, Jackson Browne, to name only a few, and then Ports restaurant where she anchored a corner table) — and the seductions of drugs — uppers, acid (which she seemed to ingest with an alarming frequency), pot, of course, and then by the mid-1970s, tragically, an Everest of cocaine. She had entered what she aptly called the era of “squalid overboogie.”

The name-dropping is relentless and if, like me, you have an insatiable appetite for hoovering them up, this volume will not disappoint. Still, there are many pages of vapid jottings — “I cleaned the house, did the laundry, and vowed to quit smoking” — that suggest why Babitz was a failure as a novelist (see her dud “Sex and Rage”) and a superb writer of short stories and essays that stylishly plumbed the depths of her own sensibility precisely in the degree to which she was uninterested in other people.

Nearly 30 years after she stripped to please her married lover and startle the unsuspecting Duchamp, the father of Dada, and eight years after she joined AA in 1982 — the year her beloved father died of Huntington’s disease at age 70 which ultimately would also kill her — and gave up drugs and alcohol and (almost entirely) writing as well, which had always been seen by her as enabled by dope of one kind or another, she boasted that, looking back, “Everybody wanted to be me — they looked at me with yearning faces, and said, ‘Boy, you sure had fun.’ ” She was not entirely wrong. She had struck many admirers both then and now, as the quintessential California girl, a daughter of Dionysus, whose devotion to pleasure was free of misgiving or regret. She detested the East Coast avatars of apocalypse, like Nathanael West, who saw only doom and gloom in sunny L.A. Babitz, by contrast, saw things sunny side up. If Joan Didion was unsettled and made anxious by the hot Santa Anas that regularly kicked up, Babitz luxuriated in them, recalling how she and her sister would as young girls rush to embrace them, spinning madly round and round. In a 1977 unsent letter to Joseph Heller, who had championed her work when she had sent him an unsolicited fan letter after having read “Catch-22” when it was first published and she was barely 20, she declares proudly: “I’m a gossip storyteller who likes L.A. rather than hates it.” She refers to her “shallow nature,” writing that “I feel like an upstream salmon, determined to reach the shallow water, no matter how fast the river is running the other way.”

On the evidence of these letters, she had two great loves: Ahmet Ertegun, a principal founder of Atlantic Records, and Tom Dowd, renown recording engineer and producer who worked for Ertegun. Of the two, Ertegun had the edge, if for no other reason than he came with buckets of dough, making possible assignations at his regular bungalow at the Beverly Hills Hotel with limo pickup and dropoff services, and the best champagne and other assorted stimulants. Ertegun was effortlessly elegant and erudite, and there was no one he didn’t know and who wouldn’t return his calls. He was married, age 45, 20 years older than Babitz, when they fell for each other in 1969. She began sleeping with him even as she agreed to profile him for Jann Wenner’s newly launched Rolling Stone. The writing didn’t go well. Wenner wanted a tougher piece than she was willing to write. Ultimately, she abandoned the assignment, claiming (not unreasonably) that she didn’t see how she could write objectively about a man she loved.

Babitz courted danger with heedless bravado and exemplary recklessness. She once had the moxie to rid herself of a would-be rapist: When told not to scream, she said with unimaginable sangfroid: “Why not?” The man bolted. It might be said of Babitz, as Oscar Wilde said of his life, that she spent her talent on her writing and reserved her genius for her life. Sculpting her natural gifts of wit and brazenness into a living artwork dazzled all who came within her orbit. Her lust for life was palpable. The letters are proof. She came at people without fear. She left them without apology. She was the boss of herself. She was the girl who seemed to have it all. The only thing she lacked was inexperience.

Wasserman, a former book editor of the Los Angeles Times, is publisher of Heyday Books, a nonprofit, independent publishing house founded in 1974 in Berkeley. He is the author of “Tell Me Something, Tell Me Anything, Even if It’s a Lie: A Memoir in Essays.”

Tax incentives for film and television productions have not been enough to counter a still-sluggish environment for filming in the greater Los Angeles region, according to a new report.

For the three-month period that ended June 30, there were a total of 4,711 shoot days in the greater L.A. area, a nearly 13% decline from the same time last year, according to second-quarter data from FilmLA, a nonprofit that tracks local filming.

Compared to the five-year average, that second-quarter figure is a drop of about 36%.

Feature film shoots were down 20% in the second quarter compared to last year, while TV production decreased by 30%.

Incentivized productions are, however, making up a growing number of shoot days. For instance, 33% of the 443 total shoot days for feature films in the second quarter came from productions that received a tax credit. For the TV category, roughly 28% of the 1,607 shoot days last quarter were for projects that benefited from the tax incentive, particularly for dramas and comedies.

“While there is still much work to do, FilmLA’s quarterly report is proof that incentives are working: local incentivized productions are on the rise,” said L.A. Mayor Karen Bass in a statement.

Shoot days for TV dramas were down 6.4% to 732 days this past quarter, with just over 38% of those days coming from incentivized projects. TV comedy production saw a 43% decline to 57 days, with 21 of them coming from projects that received a tax credit. FilmLA noted that many local comedy productions are based on stage and not accounted for in the latest research.

“Because scripted television production supports more industry jobs than any other production category, helping to attract these types of productions is an important step towards bringing filming back to the region, restoring jobs and strengthening our local production economy,” said FilmLA Chief Executive Denise Gutches in a statement.

But any boost from the incentives was offset by serious declines for productions that are not eligible for the state’s film and TV tax credit program.

Shoot days for reality TV, for instance, were down 40% to 676 days compared to the second quarter of 2025. While large-scale competition shows are eligible for the state’s tax credit, such as Jimmy Kimmel’s “Schooled!” science experiment series for kids, other kinds of popular reality TV shows cannot apply for production incentives.

Filming for commercials in the second quarter was down nearly 22% from last year to 543 days. That total marked a 46% decline compared to the five-year average.

In a bright spot, FilmLA’s “other” category, which captures shoot days for student productions, still photography, documentaries and music videos, climbed 10% in the second quarter to 2,118 days.

That boost came largely from online content shoots, which rose by 47%. Filming for short films and documentaries were also higher in the second quarter, though those two segments had much smaller numbers of shoot days, FilmLA said.

He said the quiet part out loud. As the artistic director of New York’s Public Theater and one of the art form’s most prominent leaders, Oskar Eustis is known to do that. And as always, he got the art world talking.

When Eustis, 67, announced Wednesday that he would step down from his role at the Public in 2028 — after 23 years — he said in a New York Times interview that “the American nonprofit theater movement is over.” This has been whispered about and lamented since the COVID-19 pandemic led to temporary theater closures across the country that have since become permanent, but it is rare to hear it expressed so candidly.

Did Eustis, one of the key players in that vaunted movement — the man who helped foster “Hamilton” — really mean what he said? And if so, how does theater move on in the face of obstacles that at times feel as though they are scattered across an increasingly difficult course? In a wide-ranging follow-up interview with the Los Angeles Times, Eustis addressed the path forward.

It’s not an easy one, but Los Angeles theater leaders working in the trenches, including Tarell Alvin McCraney at Geffen Playhouse, Danny Feldman at Pasadena Playhouse and Snehal Desai at Center Theatre Group, already knew that. They talked with the Los Angeles Times about their plans at the crossroads reached by American theater in light of Eustis’ imminent exit.

Eustis traces the rise of the American nonprofit theater movement to the late 1950s when W. McNeil “Mac” Lowry, director of the arts and humanities program at the Ford Foundation in New York, began organizing existing regional theaters into a national movement.

“What happened during that period was that a consensus emerged,” Eustis said, noting that it was expressed in the form of national endowments, state arts agencies, public policy institutes and corporate philanthropic departments. “An idea of the common good was held throughout the country, and there were many stakeholders. And part of that idea of the common good was a broadly held belief that Americans deserved serious, non-market-driven performing arts.”

With no feudal background, America lacked a capital city like London or Paris designed to showcase the arts, so the idea spread across all 50 states. This led to the proliferation of the regional theater movement, said Eustis, as well as that of symphony orchestras and ballet companies.

“The explosion of the regional theater movement is actually, in retrospect, astonishing,” Eustis said. “From a few scattered theaters in the 1950s, by the early ‘70s, there were over 400 professional nonprofit theaters in every state of the union. Tens of thousands of people were employed. Millions and millions of audience members every year. That’s the field that I walked into in the early ‘70s.”

Fifty years later, those stakeholders have “absolutely zero consensus on whether theater should exist as a nonprofit performing arts field or whether we should exist at all,” Eustis said. “It’s gone.”

“We’ve kind of been living, in a way, off inertia of this old idea,” he added.

The great pandemic pause, along with the racial reckoning in the wake of George Floyd’s murder and the continued fracturing of a shared reality under President Trump, served to reveal how fragile that consensus was, Eustis said, and, “It’s not coming back.”

Where does that leave American theater in 2026?

“We’re faced with the need to prove to the people in our individual communities that we matter enough to them that they should support us,” Eustis said. “Now, that’s not a very bad demand to put on an art form.”

Except, as every theater that has lately dared put on a show created by new, experimental or unknown artists knows, it can feel like an insurmountable task.

Smaller theaters across the country, including many in L.A., have shuttered with staggering regularity in the last six years, which puts even greater pressure on the city’s most prominent nonprofits to shine a light on a sustainable model moving forward.

Feldman, Pasadena Playhouse’s artistic director, noted that Eustis represents the second generation of leaders of the “first chapter” of the nonprofit regional theater movement. “And that to me is what is now undeniably at the end.”

He said he and Eustis have discussed the subject at length. “We are now in a very different era. And the things that got us to this point are not the things that are going to get us to the next chapter.”

McCraney, Geffen Playhouse’s artistic director, said forging a path forward in nonprofit theater without succumbing to commercial pressure to produce only guaranteed hits requires the delicate balance of surfing.

“And there’s no better place to surf than in L.A.,” McCraney said over the phone from the Public, where he was meeting with Eustis and other theater leaders to share ideas. “I feel very connected to a bunch of folks who recognize that the regional theater model has always had to have radical vision, and that those radical visions need revision, because our most practical job is to make sure that communities have stories.”

It’s not just the way theater tells — and funds — stories that must evolve. It’s the entire business model, the leaders note.

The beauty and the founding of the original regional movement, said Feldman, was artists saying, “New York is not just where it’s at. We’re going to go to our communities. We’re going to make things with and for them, and really build these ecosystems that are deeply entrenched in these local communities around the country. … And I think the underbelly of that — that maybe has not been discussed as much — was always an element of subsidized labor involved.”

In L.A. and elsewhere that meant a lot of artists in the front and back of the house working for incredibly low wages. The pandemic effectively put an end to that, and as workers demanded fair compensation, the cost of producing shows skyrocketed. Most theater leaders agree that part is as it should be. Eustis points to the recent unionization of the Public’s production department as a case in point.

“For the first time in history, everybody who’s swinging a hammer on our productions has health insurance,” he said. “They have it through the union. That’s a good thing. And it’s put a shock wave through the whole industry, but you know what? We figured out how to pay development directors. We should figure out how to pay carpenters. That’s part of growing up.”

Desai, CTG’s artistic director, said he views Eustis’ decision to step down as a “pass the mantle moment.”

“Oskar has been a huge mentor to so many of us,” Desai said. “It’s up to us, the next generation of leaders, to figure it out, just as his generation did in the ‘60s, ‘70s and ‘80s when they built these institutions for us.”

At CTG that means exploring a new way of doing things including touring shows, intensive work in various communities and site-specific productions, all of which “can change the financials and the model of how we’re doing business.”

As for Eustis? He plans to leave the Public in the best possible shape for the next generation of artists, and never wavers from its core mission. “This is a theater of democracy that believes that the culture belongs to everybody,” he said.

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg giving you the latest on city and county government.

There’s no exact way to measure the effectiveness of Los Angeles City Council members.

But we analyzed three basic elements — meeting attendance, committee assignments and amount of legislation drafted — to give readers a sense of what their local electeds are up to.

Meeting attendance

As part of charter reform efforts, the City Council considered reducing the number of council meetings from three per week to just one.

The proposal failed earlier this month after receiving stiff pushback from at least one councilmember, Monica Rodriguez.

“Meeting less for a city of 4 million people I think sends the wrong message. Particularly when you have the best-paid council in the country,” said Rodriguez in an interview on Fox 11 earlier this year (each councilmember makes an annual salary of more than $244,000). “This idea that we would be meeting less I believe runs contrary to what the public is demanding form their council.”

Yet Rodriguez isn’t a stickler for showing up to meetings herself, ranking near the bottom of her colleagues for attendance. Since the start of 2025, Rodriguez has attended about 86% of meetings, missing 25 out of 177 meetings, according to a Times analysis.

Gabriel Avalos, a spokesperson for Rodriguez, implied that other work-related matters kept her from the meetings.

“There’s no distinction for absences related to city business, but she certainly wasn’t absent due to dishes and laundry,” Avalos said.

Only two other councilmembers missed more meetings than Rodriguez — mayoral candidate Nithya Raman, who missed 30 meetings, and Curren Price, who missed 34 while dealing with illnesses.

On the other end of the spectrum, Council President Marqueece Harris-Dawson, who runs the meetings, missed the fewest — just four of the 177 meetings from January 2025 until this month.

Eunisses Hernandez and Ysabel Jurado each attended 169 meetings, or about 96%.

Stella Stahl, a spokesperson for Raman, said that most of the councilmember’s absences were due to her position as the city’s representative on the South Coast Air Quality Management District.

The remaining absences, Stahl said in a statement, “were tied to a small number of previously scheduled conferences and speaking engagements relevant to her committee work and district priorities, along with occasional sick days and travel for a funeral.”

Committee assignments

Council members are appointed to committees by the council president. They can sit on additional committees if the president lets them.

These small groups of council members are responsible for reviewing the first drafts of legislation. Committee chairs have the power to move legislation forward — or stall it — by either putting it on the agenda, or not.

The busiest councilmembers are Hugo Soto-Martínez and Adrin Nazarian, who each sit on nine committees, including some temporary “ad-hoc” ones. Councilmember Tim McOsker follows with seven committee assignments.

But the number of committee assignments isn’t necessarily the clearest indication of power. Katy Yaroslavsky serves on only five committees, but she chairs the Budget and Finance Committee, which edits and approves the mayor’s proposed budget before sending it to the full council for one of its most important annual votes.

At the bottom of the list is Price again, who sits on four committees, including as chair of the Committee on Economic Development.

Legislation

Another easy marker is the amount of legislation a council member authors.

At each meeting, dozens of pieces of legislation go before the council — some high-profile, others just to keep the lights on at City Hall (literally).

Rodriguez, despite her relatively low attendance, was at the top of the legislative list over the last year and a half, drafting 199 motions.

A good chunk were motions on whether to support or oppose bills at the state and federal level. Rodriguez also had the most ceremonial street namings of any council member, with 13.

Rodriguez pointed to more significant legislation, like an ordinance banning city workers from taking on additional gigs for Immigration and Customs Enforcement, as her proudest achievements.

After Rodriguez, McOsker was the second-most prolific author, with 178 pieces of legislation, followed by Traci Park with 163.

At the bottom were Price with 84 and Harris-Dawson with 90.

State of play

— HOMELESSNESS RISING: Homelessness, including those living in shelters and other temporary facilities, went up by 3.4% across the city compared with 2025. Unsheltered homelessness — those living outdoors or in their vehicles — was up 7.9% after two consecutive years of decreases, dealing a fresh blow to Mayor Karen Bass as she runs for reelection.

— DISAPPEARING ACT: Bass’ press relations office communicates through WhatsApp messages that auto-delete every 24 hours, potentially shielding the messages from public records requests, according to three sources familiar with the office.

— PLAY BALL: In 1936, Los Angeles made it a misdemeanor to play baseball, basketball, soccer or any other ball game on a street or sidewalk. Nearly a century later, when kids spend half as much time outside as their parents did, City Councilmember Bob Blumenfield wants to cut the obscure law from the books.

— THE ICE EFFECT: A new study from the UCLA Latino Policy & Politics Institute found that businesses within half a mile of nine ICE enforcement sites had 46,000 fewer customer visits and an estimated $3.16 million in accumulated revenue losses during the two weeks after enforcement activity.

— NEW HONCHO: Los Angeles schools Supt. Andrés E. Chait made a calm official entry into his new job Tuesday, emphasizing rising test scores and “a sense of belonging” that binds school communities.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program was at San Pedro Street Elementary School in Ysabel Jurado’s district, bringing 34 people indoors.
• On the docket next week: The Los Angeles City Council remains on recess next week.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Kylie Cantrall loves having a day off in the Valley.

Born and raised in the L.A. area, Cantrall has been working in entertainment since launching a YouTube channel at 7 years old. At 21, she’s been rising through Hollywood’s ranks, doing everything from animated voices to toplining live-action series, all while garnering millions of social media followers. These days, she’s best known to the teen, tween and under set for her starmaking turn as “Red” in Disney’s “Descendants” franchise, with “Descendants: Wicked Wonderland,” which dropped last week. Ever the multi-hyphenate, Cantrall is also hoping her new eight-song EP — the aptly-titled “Valley Girl Problems,” which she’s been promoting with “Life of a Valley Girl” travelogs on TikTok — will help further her career in mainstream pop music.

Because of all that ambition, Cantrall is busy nearly all of the time. Except Sundays. “Sunday is my favorite day of the week,” she says, “and that’s because of all the things I get to do.”

Here’s everything Cantrall would do on a sunny Sunday.

This interview has been edited for length and clarity.

9 a.m.: Sleep, then hike

I’ll grab a yogurt for breakfast and then head out the door, on my way to Fryman Canyon for a little morning hike. That’s my go-to spot because I like that you can actually control how hard you want the workout to be. It’s not the craziest hike — it’s actually pretty calm — but there are a couple of incline points. It really is the perfect place for when you want to meet up with a friend and get some steps in, but you also don’t want to be dying while you’re trying to have a conversation.

Noon: Empanadas at the farmers market

After a hike, I’ll usually go to the Studio City Farmers Market. I’ll get a little vanilla latte with oat milk, and I’ll stop at this stand, King’s Empanadas, because they make my favorite empanada in L.A. I get the shredded chicken one, which is cute and tiny but really filling.

There’s another vendor there [Bautista Family Organic Ranch] that sells dates and they’re literally the best dates I’ve ever had in my life. They’re desserts, essentially. They’re so caramelly and sweet.

I always get berries at the market, too, like raspberries and blueberries. There’s another vendor [Thyme for Honey] who makes different flavors of granola and their coffee-flavored granola is so bomb that I’ll always get that too.

2 p.m.: Flea market finds

I’d probably meet up with a friend and go to the Silverlake Flea Market, which I’ve been really liking recently. It’s a bit of a drive for me since I’m in the Valley, though, like a cute 25 to 30 minutes.

At the Silverlake Flea Market, I’ve had a lot of luck with jewelry, like I’ve found a lot of really great rings, necklaces, and earrings, or little random other things. I always end up picking up a crystal too. It’s like an energy that just takes over me.

I might also luck out and find a cute baby tee. They have really good vintage artist T-shirts and I got a cute Janet Jackson Rhythm Nation tour shirt last time I was there.

4 p.m.: Matcha stop

After the Silverlake Flea [which is held in Atwater Village], I’ll go to a coffee shop that I’m obsessed with. It’s called Laveta, and they have the best matcha I’ve ever had. It’s got a good cream top, and the shop has a cool vibe and ambience.

6 p.m.: Fighting traffic with the top down

I like to go and frolic every now and then just to get out of my Valley bubble, but after Laveta I’d probably head home. I’m thinking I’d hit some 6 p.m. traffic, but I’d be listening to music with the top down in my Mini Cooper. Maybe some Sade, maybe some Brandy. I might throw in a little Kim Petras if traffic is clear, and I’m speeding down the freeway.

7 p.m.: Laundry and “The Morning Show”

I’d probably try to be home by 7 to do laundry. I’d watch “The Morning Show,” which is my favorite show right now. Maybe I’d do a face mask too.

For dinner, I’ll go pick up some Katsuya if I’m feeling crazy. Their spot in the Valley has my favorite sushi, and I’m a big sushi gal. I’ll get the Robert roll and maybe even a miso soup if I’m feeling crazy. I’ve got to add crispy rice with spicy tuna too.

After that, probably just more “Morning Show” and then I usually try to be in bed by 11 p.m.

When a pitcher purposely throws high and inside, the batter has four choices.

He can stare down the pitcher. He can charge the mound. He can get revenge by walloping the next pitch for a hit.

Or he can ignore the intimidation tactic and continue as if nothing happened.

The last choice is the wimp’s way out, since the batter will lose his teammates’ respect, while opposing pitchers will consider him a pushover and fire more brushback pitches at him.

Ever since the Dodgers visited the White House last spring to commemorate their 2024 World Series win, President Trump has launched a barrage of metaphorical fastballs trying to hurt Los Angeles — in the courts, in speeches and on social media, but especially via his deportation deluge that’s starting to simmer again.

So how have the Boys in Blue responded in defense of the metropolis they wear on their jerseys and the community that has sustained them for nearly 70 years, making Dem Bums one of the most valuable franchises in baseball?

They’re scheduled to visit the White House today so Trump can use them as a photo op and bask in their 2025 championship.

That’s like staying in the dugout during a bench-clearing brawl after a pitcher plonks a batter, then offering the offender a handshake the next inning.

Winning back-to-back titles and blazing through this season has brought Angelenos much-needed happiness during a terrible stretch for the city — but winning is what the Dodgers are supposed to do. They’re also supposed to do more.

This is the team of pioneers like Jackie Robinson and Sandy Koufax, Glenn Burke and Fernando Valenzuela. The squad whose mythology insists it’s a franchise apart from the rest of professional sports because the Dodger Way is kinder, braver and more willing to take moral risks that transcend baseball and make society better.

And yet manager Dave Roberts told Times sports columnist Bill Shaikin in February that he would gladly accept another White House invitation “to continue to try to do what tradition says and not try to make political statements, because I am not a politician.”

Well, thank God the Dodgers broke baseball’s longstanding tradition of segregation long before Roberts, who is Black and Japanese American, was born!

Most of the Blue Crew fans I know — who are mostly Trump haters, by the way — roll their eyes every time a wokoso member of Dodger Nation complains about the team’s White House visits or the failure of players, coaches and executives to speak out more forcefully against Trump’s anti-immigrant campaign. Politics have no place in baseball, my friends and family members will say.

But standing up for L.A. by snubbing Trump or calling out his war against us isn’t political at all.

Angelenos need a champion on the Dodgers to say what needs to be said: The City of Angels is wonderful, and Trump is wrong to target it. If you can’t stand up for the simple belief that we don’t deserve to be Trump’s personal piñata, then you have no place playing for the Dodgers.

Only two players have announced they’re not going to the White House: superstar Mookie Betts and fan favorite Kiké Hernández. The latter, a native of Puerto Rico, endeared himself to the Dodger faithful last year during the height of the immigration raids with an Instagram post that read, “I cannot tolerate watching our community continue to be violated, attacked, abused and separated. ALL people deserve to be treated with respect, dignity and their human rights.”

This time around, Hernández told the Times that he’s not going so he can focus on a rehabilitation stint in the minors. When pressed by reporter Maddie Lee, he said, “I’d rather take a day off than do team activities.”

Nice way to rhetorically strike out, Kiké.

Betts, meanwhile, said he wants to spend time with his newborn child — as legitimate a reason as any. But then he sat down for a short interview with Fox News.

“I don’t know why the world sees athletes as political figures or these people that can make change,” Betts said. The future Hall of Famer, who like Roberts owes a lot to Robinson for paving the way for him and other Black players, hemmed and hawed as if he didn’t quite believe what he was saying.

Dodgers past and present haven’t been averse to political stands — they just usually happen to be of the conservative variety.

After his retirement, Robinson campaigned for Richard Nixon’s unsuccessful 1960 presidential bid but left the GOP eight years later, accusing Nixon of “prostituting himself to the bigots in the South” to win the presidency.

Other Dodger legends, from former owner Peter O’Malley to Steve Garvey to Tommy Lasorda, were proud, vocal Republicans as well. Reliever Blake Treinen pitched in a game with “Charlie Kirk” written on his hat after the assassination of the far-right commentator — you know, the guy who lambasted L.A.’s response to Trump’s immigration hammer as “open rebellion to American sovereignty and authority … in a corrupt blue city.”

Treinen — who skipped the Dodgers’ 2021 White House visit when Joe Biden occupied the Oval Office — was at it again this year when he and teammate Alex Call declined to wear Pride Night-themed caps, choosing instead to play with the standard-issue one. They followed the example of Dodgers titan Clayton Kershaw, who wore a Pride cap last year but adorned it with a verse from the Book of Genesis commandeered by MAGA Christians to accuse LGBT+ people of appropriating rainbow colors to celebrate their supposedly wicked ways.

Dodgers management didn’t browbeat Treinen and Call, and that’s fine — ballplayers should be entitled to share their personal thoughts, however noxious. I even understand why the team might want to ham it up with Trump this week — that’s what multimillionaires seem to want to do these days, after all.

What offends me most is that Dodgers owner Mark Walter knows what Trump is doing to L.A. is wrong, even if he’ll never publicly say anything.

Last June, the team announced that it had prevented Immigration and Customs Enforcement agents from entering the Dodger Stadium parking lot — the feds denied that this happened. The Dodgers also announced they would donate $1.1 million to nonprofits to assist people affected by the immigration raids — a response to community disgust about video of federal agents in front of a Dodger Stadium gate with people who had been detained at a nearby Home Depot.

Soon after, the Dodgers were hit with a federal civil rights complaint, filed by a legal group co-founded by Stephen Miller, accusing them of discrimination because of their diversity, equity and inclusion initiatives. This year, Walter’s investment firm rid itself of all shares in GEO Group, which runs immigrant detention centers on behalf of the federal government.

Yet now, the Dodgers are going to the White House.

Enjoy the trip, fellas. Hey, maybe one of you will shake Trump’s hand and tell him that multicultural, immigrant, Dodgers-blue Los Angeles is all right.

Hey, maybe the Angels will win the pennant.