John Slusher shouldn’t admit this. When the former Nike executive signed on to oversee LA28’s commercial operations last year, he looked at the private organizing committee’s lofty financial goals with some concern. Sales were “incredibly slow.” There was momentum around the first Olympics in L.A. in more than 40 years, but not many results.
Yet.
Weeks after celebrating his one-year anniversary with the group responsible for organizing and delivering the 2028 Games, Slusher and his team delivered a $2-billion present.
After announcing 15 partnerships in 2025, LA28 met its goal of reaching $2 billion in corporate sponsorship by this year, which Slusher said puts the group well on track to meet or exceed its $2.52-billion goal for domestic partnerships that serves as the largest line item funding the 2028 Games.
“Each avenue of commercial, whether it’s sponsorship, licensing, ticketing, hospitality, they’re all just kind of smoking hot, if you will, right now,” Slusher said in a recent interview with The Times. “I think there’s a lot of momentum and a lot of excitement around driving the business. And I think we’re all super focused on delivering an amazing, financially responsible Games.”
Since its bid for the Games began in 2016, LA28 has promised to deliver and operate the event with private funds. The estimated budget is $7.15 billion for L.A.’s first Olympics since 1984. After last year’s Paris Olympics, focus has shifted to the United States as the country begins a major decade of major sports events, including the 2026 FIFA World Cup, the 2028 Olympics and the 2034 Winter Olympics held in Salt Lake City.
“There is still much work to do and I can assure you the team is not resting,” U.S. Olympic and Paralympic Committee Chief Executive Officer Sarah Hirshland said during a media conference call. “But the reality is that this success puts the LA28 Games on track to be very successful while building significant commercial value for Team USA for many years to come. We couldn’t be more pleased with where we sit.”
Slusher, the chief executive officer responsible for revenue for LA28 and U.S. Olympic and Paralympic Properties, said the group is still selling for major sponsorship categories, including quick service restaurant, retail, tech and finance. Ticket registration begins on Jan. 14 with 14 million tickets available for the Olympics and Paralympics, which would break the record for Games tickets sold. Volunteering opportunities connected to LA28 in the community have already begun and volunteer applications for the Games open in the summer of 2026.
From record commercial growth to launching volunteer and community ticketing programs earlier than ever, our north star continues to be delivering a fiscally responsible Games with meaningful impact for L.A. and beyond,” LA28 CEO Reynold Hoover said in a statement. “We’re working day in and day out to make the Games more accessible than ever to the millions of people who want to get involved in a meaningful way.”
LA28 announced a ticket donation program with hopes of making tickets accessible to local fans through community groups. The Rams were the first participants, donating $5 million. Tickets will begin at $28 and LA28 plans to have one-third of tickets under $100.
Ticketing and hospitality is supposed to cover $2.5 billion of LA28’s total budget, the second-largest source of revenue for the Games.
A study done by the Southern California Assn. of Governments estimated the Games will generate between $13.6 billion and $17.6 billion in additional gross domestic product across a six-county region between 2024-2029. The study considered LA28’s $7.15-billion budget, estimated visitor spending and a portion of Games-related transportation infrastructure investments.
While only four of the Olympic venues are outside of L.A. County, the study estimates that five other Southern California counties — Orange, Riverside, San Bernardino, Ventura and Imperial — could still enjoy roughly 33% of the economic benefit because of visitor spending and work provided elsewhere in the region. Orange County, which will host the volleyball competition at Honda Center and surfing at nearby Trestles, could draw between $2.88 billion and $2.44 billion in gross domestic product from the Games, the second-most behind L.A.’s range of $8.96 billion and $11.97 billion.
The study was limited to only short-term gains up to five years after the Games, which does not take into account any “legacy effects.” The 2028 Games will have no permanent venue construction, but the planning agency notes that transportation infrastructure built to support the Games could benefit the region for decades in the future.
Transportation updates are largely the responsibility of the city, which is relying on federal grants to expand the Metro rail system and add more buses for the Games. Improvements to Los Angeles International Airport have been plodding: The People Mover train’s opening date has been delayed again to June 2026.
Outside of money used for infrastructure improvements, L.A. is also at risk to foot the first $270 million in potential overruns from LA28. If the private organizing committee’s debt goes further, the next $270 million would go to the state and anything remaining would return back to the city.
As a design writer, I feel lucky to get to peek inside some of Los Angeles’ most iconic homes.
This year, I visited many places, from Midcentury Modern landmarks by Edward Fickett and Raphael Soriano to humble apartments filled with Facebook Marketplace finds.
The rooms that stayed with me long after I left were not always the most luxurious or expensively furnished. Instead, they were the ones that made me smile and left a lasting impression of the person who lives there.
Here are the 14 rooms that resonated with me this year and the people who live in them who inspired me even more.
A colorful, sun-drenched kitchen in Mount Washington that connects to nature
(Mariah Tauger / For The Times)
Priced out of much of Los Angeles, architect Lindsay Sheron and her husband Daniel bought a vacant hillside lot in Mount Washington and proceeded to design and build their own home. Working over a three-year period, the couple served as general contractors and did much of the work themselves. The kitchen is a standout, featuring bright green custom kitchen cabinets painted Raw Tomatillo by Farrow & Ball, which add vitality to the single-wall layout. A custom metal hood by Practice Fabrication, powder-coated the color of a Pixie tangerine, adds a sense of fun.
“I wanted our house to feel really warm and bring nature inside,” says Lindsay, referring to the Western hemlock tongue and groove planks that she and Daniel installed on the walls and ceilings. “Wood does the heavy lifting in accomplishing that.”
In Hollywood, a stunning living room that’s filled with second-hand furnishings
(Christina House / Los Angeles Times)
Caitlin Villarreal felt giddy the first time she stepped inside the Whitley Heights rental, a storied 1926 Mediterranean-style penthouse with towering ceilings, hand-carved wooden beams and a pair of arched bookcases alongside an oversize fireplace.
“It had good energy,” Villarreal said of the 1,500-square-foot apartment she rents in a historic neighborhood where Rudolph Valentino, Charlie Chaplin and Bette Davis once lived. “It’s iconic just by standing tall year after year. It has floor-to-ceiling Old Hollywood windows that blow open unexpectedly just like in the movies. It doesn’t feel like a rental. It feels like a forever home.”
A Midcentury Modern dining room in Studio City that Raphael Soriano would approve of
(Jason Armond / Los Angeles Times)
Architect Linda Brettler’s list of things she loves about her Raphael Soriano-designed home is long, even though the all-aluminum structure, which was designated a Los Angeles Historic-Cultural Monument in 1997, was in desperate need of updating when she purchased it in 2021. “I like doing projects like this where I get to have my own hand and feel, but I’m still honoring what was here,” Brettler says. “I’m trying to create an idealized version of what the house would look like now.” In the dining room, a reproduction of a Millard Sheets painting, rendered by Cal Poly Pomona students on Tyvek, is mounted on a cork-lined wall. Above the painting, she has mounted a projector screen for movie nights and video games.
A modern West Hollywood living room decorated with pets in mind
(Kit Karzen / For The Times)
“My original inspiration was to match the furniture to the kitties so I don’t see their cat hair,” anesthesiologist Jeffrey Hamilton says of the West Hollywood condo he shares with his boyfriend David Poli, his cats Romulus and Remus and Poli’s Husky mix, Janeway. “The cats very much informed the color scheme. I find them so handsome; it felt like having matching furniture was practical.”
In the living room, Hamilton chose a camel-colored Curvo sofa in velvet by Goop for CB2, which he found on Facebook Marketplace. Similarly, the accompanying swivel chairs from HD Buttercup and the barstool seats in the kitchen are upholstered in Bengal and Husky-durable textiles that camouflage their rescues pet hair.
“Jeffrey likes to say that everything in his apartment is a rescue, including me,” says Poli jokingly.
A surprising Silver Lake kitchen that doubles as a retro video store
(Juliana Yamada / Los Angeles Times)
Chris Rose fondly remembers the days when he worked at the independent video store I Luv Video in Austin, Texas.
Now an L.A.-based writer, director and producer, Rose, 41, recalls the Austin store’s eclectic assortment of cult oddities and world cinema.
Although he can no longer visit the video store, Rose doesn’t have to go far to rent these days, as he has brought a similar yet distinctive collection to the kitchen of his one-bedroom bungalow in Silver Lake.
Two college friends transform a Glassell Park living room (and garage) into an art-filled escape
(Juliana Yamada / Los Angeles Times)
Antonio Adriano Puleo didn’t intend to renovate his traditional 1946 bungalow, but after consulting with architectural designer Ben Warwas, who told him he could transform the house into a “forever home,” the artist changed his plans.
“The living room wasn’t big enough, and it featured a huge red brick fireplace that had doors on either side of it, leading to the backyard,” said Warwas.
The living room of the main house is now open and airy, with custom cabinets and millwork by James Melinat that showcase the artwork Puleo made himself and the pieces he has collected for more than 30 years. The living room’s fireplace is gone, but the wooden mantle remains atop a console behind the sofa, graced with a series of colorful ceramic planters by Ashley Campbell and Brian Porray of Happy Hour Ceramics.
“Little tweaks totally transformed the house,” Warwas said.
A fabulous wet bar in a West Hollywood apartment that’s perfect for parties
(Jason Armond / Los Angeles Times)
Growing up in a small town outside of Cleveland, Tyler Piña was fascinated by Los Angeles and the glamour of Hollywood.
“My dad grew up out here, and it’s where my parents met,” says the 33-year-old screenwriter. “I remember looking at old Polaroids of them in the ‘80s and seeing how much fun they had.”
His attraction to Los Angeles, however, was more than just nostalgia. “I was mesmerized by the landscapes and architecture,” he says.
Looking back, he can’t believe he realized his dream of moving to Los Angeles from San Francisco in 2018 and eventually renting a Midcentury Modern penthouse by Edward Fickett steps from the Sunset Strip.
“A Midcentury Modern penthouse on Sunset Boulevard in the heart of West Hollywood, with a bar in the living room? I mean, does it get more iconic? I am, in no way, cool enough to live here,” says Piña.
A bedroom in Beachwood Canyon is transformed into an art-filled office (and occasional guest room)
(Myung J. Chun / Los Angeles Times)
When Natalie Babcock and Samuel Gibson found a listing for a sunny apartment in Beachwood Canyon five years ago, they immediately fell for the two bedroom’s charming built-in bookshelves, faux fireplace, hardwood floors and formal dining room. Practical amenities such as an in-unit laundry and a garage, which are often elusive in Los Angeles rentals, didn’t hurt.
Today, however, the couple says they are most impressed by the sense of belonging they have found in the community just outside their 1928 Spanish fourplex. Here, where tourists and brides in wedding gowns often pose for photographs in the middle of the street in an effort to capture the Hollywood sign in the background, Babcock and Gibson have become part of a larger family. “Everyone knows our dogs’ names,” says Babcock.
The couple’s taste is vibrant, and the colorful interiors reflect their sense of fun and love of design. They painted one wall in Gibson’s office a dramatic Kelly green, which makes the white-trimmed windows and his extensive art collection pop.
“Art is one thing that I am always happy to spend money on,” Gibson says.
A treasures-filled living room in Eagle Rock that’s a colorful showstopper
(Jason Armond / Los Angeles Times)
Isa Beniston and Scotty Zaletel are romantics. Not just in their love for each other, which they are as vocal about three years in as budding high school crushes, but also in the way they describe the contents of their 412-square-foot one-bedroom apartment. They can recall the season they discovered each treasure — from fruit-shaped throw pillows to more than 30 animal portraits — and the cross streets of the flea markets from which they bought them. They gush about the time they’ve spent together in fabric stores and flooring supply shops as if they were dimly lighted restaurants primed for date night.
“We both just love stuff,” the two said in near-unison.
A tricked-out garage/ADU in Venice that serves as an office, gym and family hub
(Luke Johnson / Los Angeles Times)
“They’re fun,” architect Aejie Rhyu says of the creative couple Will Burroughs and Frith Dabkowski, as she walked by the undulating two-story ADU she helped them realize.
Rhyu’s assessment helps to explain the joy that permeates the family compound, from the pink Los Angeles Toile wallpaper in the bedroom (humorously adorned with illustrations of L.A.’s beloved mountain lion P-22, the La Brea Tar Pits and Grauman’s Chinese Theatre) to the tricked-out garage on the first floor, which includes overhead bike storage, an espresso maker, a mini-fridge and a large flat-screen TV that allows Sydney-born Burroughs to watch Formula One car races and cricket games at 4 a.m. when his family is asleep.
Burroughs even installed a subwoofer speaker beneath the sofa to give the garage the feel of a movie theater during family movie nights. “Jack went flying off the couch when we watched ‘Top Gun,’ ” he said of their son, laughing.
A serene guest room in Mid-Wilshire that’s a light-filled studio for a textile artist
(Christina House / Los Angeles Times)
After living in her two-bedroom apartment in Los Feliz for more than a decade, Debra Weiss encountered a problem experienced by many renters in Los Angeles: She was evicted.
When her son-in-law spotted a charming two-bedroom apartment near the Los Angeles County Museum of Art on Zillow, her initial reaction was, “I want this,” Weiss said of the fourplex.
The rental had high ceilings, oak floors, ample sunlight, an appealing fireplace, a garage and a washer and dryer.
In the guest room, a wall hanging composed of three separate weavings in a gingham check pattern is embroidered with a series of characters she based on her 5-year-old granddaughter’s drawings. “It’s about people coming together in chaos and supporting each other,” Weiss said.
Even though the process of having to move was stressful, Weiss is happy with her new home and neighborhood. “I take the Metro bus everywhere and hardly ever drive,” she said. “Everything worked out perfectly.”
A ’70s-inspired speakeasy/lounge in Highland Park that’s hidden behind a bookcase
(Carianne Older / For The Times)
Standing beneath a glittering tiered chandelier in her pink “cloffice,” designer Dani Dazey shares the essence of her colorful style: “From the wallpaper to the artwork, my home is a reflection of me right now,” she explains. “It’s a personal and hip twist on traditional design.”
Rather than embrace rustic farmhouse style or minimalist Midcentury Modern design as is often the case in Los Angeles, Dazey has taken the Highland Park home she shares with husband Phillip Butler and given it an over-the-top maximalist spin.
The speakeasy lounge, accessible through a hidden door sliding bookcase, is a ‘70s-inspired sanctuary with a modular sofa, curtains and wallpaper in the same floral pattern.
Their home is proof, that our homes should make us happy by reflecting who we are. In Dazey’s case, that translates to bold color, lush textures and retro vibes.
A memento-filled living room in Long Beach is an ode to ‘the people we love’
(Genaro Molina / Los Angeles Times)
A sense of fun permeates the rooms of Cecilia and Abraham Beltran’s colorful one-bedroom Midcentury apartment in Long Beach.
“We both have a deep passion for Midcentury design and color,” Cecilia shares.
The Beltrans’ apartment encapsulates their design sensibility and “above all, the people we love,” Cecilia says. There’s bold, Midcentury Modern-inspired furniture the couple found on Craigslist, tongue-in-cheek smiling pillows and the “Hole to Another Universe” wall decal by Blik, which can be removed when they move. Peppered throughout the space are mementos from their travels, such as the limited-edition art print “La Famille” purchased on a trip to London in 2023.
Ultimately, Cecilia says, she wants the apartment “to feel like us. I think we pulled it off.”
In Reseda, an apartment where every antique tells a story
(Stephen Ross Goldstein / For The Times)
When Evelyn Bauer, 97, downsized from her four-bedroom home in Sherman Oaks to an apartment in Reseda in 2014, the longtime collector and antiques dealer was forced to relinquish many of her personal belongings.
“Collecting is my passion, my addiction, and I’m so happy to be afflicted with it,” says Bauer, whose two-bedroom, two-bathroom apartment at an independent living facility for seniors is filled with furnishings and decorative arts from her 65 years as a collector.
Step inside her living room, and the vast collection of antiques feels like entering the former Encino Antique Center, where she was once the proprietor during the 1990s. Each item has a story, a memory and a unique charm that she cherishes.
Walking out of a Skid Row market, Harold Cook, 42, decides to play a game.
How long after opening YouTube will it take for him to see an ad asking him to join the latest wave of sex abuse litigation against Los Angeles County?
“I can literally turn my phone on right now, something’s going to pop up,” said Cook, opening the app.
Within a few seconds, a message blares: “They thought you’d never speak up. They figured you was too young, too scared, too Black, too brown, too alone. … L.A. County already had to cough up $4 billion to settle these cases. So why not you?”
Since the historic April payout to resolve thousands of claims of sex abuse in county-run facilities, law firms have saturated L.A.’s airwaves and social media with campaigns seeking new clients. For months, government officials have quietly questioned who is financing the wall-to-wall marketing blitz.
The ad Cook heard was from Sheldon Law Group, one of several law firms active in sex abuse litigation in California that receive backing from private investors, according to loan notices and SEC filings. The investors, which often operate through Delaware companies, expect to profit from the payouts to resolve the cases.
Sheldon, based in Washington, D.C., has been one of the most prolific L.A. advertisers. The firm has already gathered roughly 2,500 potential clients, according to a list submitted to the county. The lawsuits started being filed this summer, raising the prospect of another costly settlement squeezed out of a government on the brink of a fiscal crisis.
“We act in the best interests of our clients, who are victims in every sense of the word and have suffered real and quite dreadful injuries,” a spokesperson for Sheldon Law Group said in a statement. “Without financial and legal support, these victims would be unable to hold the responsible parties, powerful corporate or governmental defendants, accountable.”
The financing deals have raised alarms among lawmakers, who say they want to know what portion of the billions poised to be diverted from government services to victims of horrific sex abuse will go to opaque private investors.
Kathryn Barger, a member of the L.A. County Board of Supervisors, said she was contacted by a litigation investor who sought to gauge whether sex abuse litigation could be a smart venture. “This is so predatory,” Barger told The Times.
(Juliana Yamada/Los Angeles Times)
“I’m getting calls from the East Coast asking me if people should invest in bankrupting L.A. County,” Supervisor Kathryn Barger said. “I understand people want to make money, but I feel like this is so predatory.”
Barger said an old college friend who invests in lawsuits reached out this spring attempting to gauge whether L.A. County sex abuse litigation could be a smart venture. Barger said the caller referred to the lawsuits as an “evergreen” investment.
“That means it keeps on giving,” she said. “There’s no end to it.”
The county has spent nearly $5 billion this year on sex abuse litigation, with the bulk of that total coming from the $4-billion deal this spring — the largest sex abuse settlement in U.S. history.
The April settlement is under investigation by the L.A. County district attorney office following Times reporting that found plaintiffs who said they were paid by recruiters to join the litigation, including some who said they filed fraudulent claims. All were represented by Downtown LA Law Group, which handled roughly 2,700 plaintiffs.
Downtown LA Law Group has denied all wrongdoing and said it “only wants justice for real victims.” The firm took out a bank loan in summer 2024, according to a financing statement, but a spokesperson said they had no investor financing.
Lawyers who take the private financing say it’s a win-win. Investors make money on high-interest rate loans while smaller law firms have the capital they need to take on deep-pocketed corporations and governments. If people were victimized by predators on the county’s payroll, they deserve to have a law firm that can afford to work for free until the case settles. Money for investors, they emphasize, comes out of their cut — not the clients’.
But critics say the flow of outside money incentivizes law firms to amass as many plaintiffs as possible for the wrong reasons — not to spread access to justice, but rather ensure hefty profit for themselves and their financial backers.
“The amount of money being generated by private equity in these situations — that’s absurd,” said former state lawmaker Lorena Gonzalez, who wrote the 2019 bill that opened the floodgate for older sex abuse claims to be filed. “Nobody should be getting wealthy off taxpayer dollars.”
For residents of L.A.’s poorest neighborhood, ads touting life-changing payouts have started to feel inescapable.
Waiting in line at a Skid Row food shelter, William Alexander, 27, said his YouTube streaming is punctuated by commercials featuring a robotic man he suspects is AI calling on him to sue the county over sex abuse.
Across the street, Shane Honey, 56, said nearly every commercial break on the news seems to feature someone asking if he was neglected at a juvenile hall.
In many of the ads, the same name pops up: Sheldon Law Group.
Austin Trapp, a case worker in Skid Row, was among several people in the neighborhood who said ads seeking people to join sex abuse litigation against L.A. County have become increasingly common.
(Gina Ferazzi/Los Angeles Times)
Sheldon’s website lists no attorneys, but claims the firm is the “architect” behind “some of the largest litigations on Earth.” They list their headquarters online at a D.C. virtual office space, though the owners on their most recent business filing list their own addresses in New York. The firm’s name appears on websites hunting for people suffering from video game addiction, exposure to toxins from 9/11, and toe implant failure.
Sheldon Law Group was started by the founder of Legal Recovery Associates, a New York litigation funding company that uses money from investors including hedge funds to recruit large numbers of plaintiffs for “mass torts,” cases where many people are suing over the same problem, according to interviews with former advisers, court records and business filings.
Those clients are gathered for one of their affiliated law firms, including Sheldon Law Group, according to two people involved in past transactions.
Ron Lasorsa, a former Wall Street investment banker who said he advised Legal Recovery Associates on setting up the affiliate law firms, told The Times it was built to make investors “obscenely rich.”
“It’s extremely profitable for people who know what the hell they’re doing,” Lasorsa said.
The idea, he says, emerged from a pool cabana at a Las Vegas legal conference called Mass Torts Made Perfect in fall 2015.
A man visiting friends on Skid Row holds up his phone showing an ad recruiting clients for sex abuse case in Los Angeles County on December 11, 2025 in Los Angeles, California.
(Gina Ferazzi/Los Angeles Times)
Lasorsa had just amassed 14,000 clients for personal injury lawsuits in one year using methods that, he now says, were legally dubious. A favorite at the time: using call centers in India that had access to Americans’ hospital records and phoning the patients to see if they were feeling litigious.
Near the pool at a Vegas hotel, Lasorsa said Howard Berger, a former hedge fund manager barred by the SEC from working as a broker, asked if he could turbocharge the caseload of Legal Recovery Associates, where he worked as a consultant.
Lasorsa said he soon teamed up with the founders of LRA — Gary Podell, a real estate developer, and Greg Goldberg, a former investment manager — to create “shell” law firms based in Washington. The nation’s capital is one of the few places where non-lawyers can own a law firm, profiting directly from case proceeds.
Goldberg, who is not licensed to practice law in D.C., would become a partner in at least six D.C. law firms including Sheldon Law Group by 2017, according to a contract between Legal Recovery Associates and a hedge fund that financed the firms’ cases.
Sheldon, which said it was responding on behalf of Podell, said in a statement that all their partners are lawyers, though declined to name them. Goldberg did not respond to a repeated request for comment.
The Sheldon spokesperson said Legal Recovery Associates is a separate entity that engages in its “own business and legal activities.”
Investors typically make money on litigation by providing law firms with loans, which experts say carry interest rates as high as 30%, representing the risk involved. If the case goes south, investors get nothing. If it settles, they make it all back — and then some.
Lasorsa said he helped the company gather 20,000 claims using the same Indian call centers before a bitter 2019 split. He later accused the owners of unethical behavior, which led to a half-million dollar settlement and a non-disparagement agreement that he said he decided to breach, leading to a roughly $600,000 penalty he has yet to pay, according to a court judgment.
Lasorsa was also ordered to delete any disparaging statements he’d made, according to the judgment.
D.C. law firms with non-lawyers as partners must have the “sole purpose” of providing “legal services,” according to the district’s bar. Some attorneys have argued no such service was provided by the firms associated with Legal Recovery Associates.
Troy Brenes, an Orange County attorney who co-counseled with one of the firms over flawed medical devices, accused the company of operating a “sham law firm” as part of a 2022 court battle over fees.
“The sole purpose … appears to have been to allow non-lawyers to market for product liability cases and then refer those cases to legitimate law firms in exchange for a portion of the attorney fees without making any effort to comply with the D.C. ethics rules,” Brenes wrote.
A spokesperson for Sheldon and LRA noted in a statement that “no court or arbitration panel has ever concluded” that its business structure violates the law.
In the medical device cases, the affiliate firm, which was responsible for funding the marketing campaign, took 55% of recoverable attorney fees, according to an agreement between the two firms. The profit divide mirrors the 55/45 breakdown between Sheldon Law Group and James Harris Law, a two-person Seattle firm they have partnered with on the L.A. County sex abuse cases, according to a retainer agreement reviewed by The Times.
A person on Skid Row in downtown L.A. shows an ad on their phone seeking plaintiffs to joint a lawsuit over sexual abuse in juvenile halls.
(Gina Ferazzi/Los Angeles Times)
This summer, ads linking to a webpage with the name of James Harris appeared online, telling potential clients they could qualify in 30 seconds for up to $1 million. When a Times reporter entered a cell-phone number on one of the ads, a representative who said they worked for the firm’s intake department called dozens of times.
After The Times described these marketing efforts in a story, Harris emphasized in an email that he did not know about the ads or the persistent calls and said they were done by his “referring firm.” The landing page the ads led to was replaced with the name of Sheldon Law Group.
Harris said his firm and Sheldon, which he described as “functioning as a genuine and independent co counsel law firm,” have “been highly selective and have only prosecuted cases that we believe are legally and factually meritorious.”
“I continue to believe that lawyer advertising, when conducted ethically and without misleading claims, serves as a vital tool for raising public awareness about legal rights and available recourse, particularly for survivors of abuse seeking justice,” he said.
Over the last five years, experts say, the practice of funding big mass tort cases has boomed in the U.S.
Of the five main firms in L.A. County’s initial $4-billion sex abuse settlement, two took money from outside investors shortly before they began suing the county, according to public loan filings.
The loans to both Herman Law, a Florida-based firm that specializes in sex abuse cases, and Slater Slater Schuman, a New York-based personal injury firm, came from Delaware-registered companies. Deer Finance, a New York City litigation funding firm that connects investors with lawyers, is listed on business records for both companies.
The loan documents do not specify which of the firms’ cases were funded, but show each deal was finalized within months of the firms starting to sue L.A. County for sex abuse. Neither firm responded to questions about how the outside funding was used.
Slater, which received the loan in spring 2022, represents more L.A. County plaintiffs than any other firm, by far.
Slater’s caseload surged after the county signaled its plan to settle for $4 billion in October 2024. Several of the main attorneys on the case told The Times they stopped advertising at that point, reasoning that any new plaintiffs would now mean less money for the existing ones.
The next month, Slater Slater Schulman ran more than 700 radio ads in Los Angeles seeking juvenile detention abuse claims, according to X Ante, a company that tracks mass tort advertisements.
By this summer, the number of claims jumped from roughly 2,100 to 3,700, according to court records, catapulting Slater far beyond the caseload of any other firm.
This fall, another Delaware-registered company took out a lien on all of Slater’s attorney fees from the county cases, according to an Oct. 6 loan record. The law firm assisting with the transaction declined to comment.
“These are extraordinarily complex cases and litigating these cases effectively requires resources,” said an outside attorney representing Slater in a statement, responding to questions from The Times.
The firm, which also represents roughly 14,000 victims in the Boy Scouts sex abuse cases, was singled out by the judge overseeing the litigation this fall for “procedural and factual problems” among its plaintiffs. The firm was one of several called out by insurers in the litigation for using hedge fund money to “run up the claim number.”
The firm has said they’re working “tirelessly” to address the issues and justice for survivors is its top priority.
April Mannani, who says she was assaulted in the 1990s by an officer while she was housed at MacLaren Children’s Center, said she feels lawyers on the sex abuse cases are putting profits ahead of the best interests of clients.
(Jimena Peck/For The Times)
Many plaintiffs told The Times they were discouraged to see how much money stood to be made for others off their trauma.
April Mannani, 51, sued L.A. County after she said she was raped repeatedly as a teenager at MacLaren Children’s Center, a shelter now notorious for abuse. Mannani accepts that her lawyers are entitled to a cut for their work on the case, but said she was disheartened watching the numbers of cases suddenly skyrocket this year. With the district attorney investigating, a pall has been cast over the entire settlement.
“We’ve been made fools of and we were used for financial gain,” she said. “They all just see it as a money grab.”
That firm that represents her, Herman Law, has filed roughly 800 cases against L.A. County. Herman Law took out a loan in 2021 from a Delaware-registered company affiliated with Deer Finance, according to a loan notice. The firm said they use traditional bank loans for “overall operations.”
Herman Law is the most prolific filer of county sex abuse cases outside of L.A. County since the state changed the statute of limitations.
Herman Law has filed about half of these roughly 800 sex abuse lawsuits that have been brought outside of L.A. County, according to data reviewed by The Times.
Herman Law has sued several tiny counties, where public officials say they’ve been inundated with advertisements on social media and TV looking for plaintiffs. Some counties say they threw out relevant records long ago and have no way to tell if the alleged victim was ever in local custody.
A judge fined Herman Law about $9,500 last month for failing to dismiss Kings County from a lawsuit despite presenting no evidence the county ever had custody of the victim, calling the claim “factually frivolous” and “objectively unreasonable.” An attorney for Herman Law said in a court filing the client believed she’d been in a foster home there, and the lack of records didn’t conclusively establish anything.
“There are not records. There’s nothing that exists,” said Jason Britt, the county administrative officer for Tulare County, which has been sued at least eight times by Herman Law. “Counties at some point are not gonna be able to operate because you’re essentially going to bankrupt them.”
The firm said its clients are always its top priority.
“No lender or financial relationship has ever influenced, directed or played any role in legal strategy, client decisions or case outcomes, including any matters involving the Los Angeles County,” the firm said. “Herman Law’s work is driven solely by our mission to advocate for survivors in their pursuit of justice and healing.”
Joseph Nicchitta, L.A. County’s acting chief executive officer, said he believed the region’s social safety net was now “an investment opportunity.” In an October letter to the State Bar, he called out the “explosive growth” of claims, arguing a handful of firms were “competing to bring as many cases as possible” to the detriment of their existing clients.
He estimated that attorney fees in the lawsuit would amount to more than $1 billion. “It begs reform,” he wrote.
It has been a year. And for many of us, not a great one. Fires, political chaos, rising unemployment, thelossofbelovedculturalicons — it’s understandable if you want to toss 2025 in the trash heap where it belongs.
And you should, at least symbolically. Ending a collective or personal era with a closing ritual can be therapeutic and allow you to make room for something new. The goal is not to work abracadabra-type magic, but to “enact a symbolic shift,” as University of British Columbia anthropologist Sabina Magliocco puts it.
“When you do a New Year’s ritual, you are symbolically shifting to a new beginning,” she said. “That might involve rituals to usher in good luck or health, more prosperity, more creativity, or just out with the old, in with the new.”
Humanity has been enacting rituals to transition from one year to the next for millennia, and they are part of our lives today — drinking sparkling beverages, watching the ball drop in Times Square, cheering as the clock strikes midnight — these are all ways of celebrating the completion of one cycle and welcoming the start of the next one with joy and the hope that this time may be better.
We’ve collected and created 25 practices to help you say goodbye to 2025. Some of our rituals are serious, others more lighthearted, yet all should be done with intention for maximum effect. We’ve included some places around L.A. that would be ideal for these activities — for instance, Downtown’s Rage Ground where you can (safely) smash a car, or San Pedro’s Cabrillo Beach, where you can plunge into water that’s freezing by L.A. standards (it’s about 59 degrees).
So sweat it out, sweep it out, dance it out or melt it away. Whichever way you choose to say good riddance, we hope it brings you a bit of peace and helps you slide purposely into the new year (which surely, hopefully, God-willing has to be better than the one we just finished, right?).
— Deborah Netburn
1. Scream into the void
“Scream therapy,” or “primal scream therapy,” dates back to the early ‘70s and is an underrated — and free — way to release bottled-up tension and anger (or a relentlessly stressful year). Find an open expanse with a dramatic view — check out our guide to shout-worthy spots in L.A. — take a few deep breaths, engage your core and let out an unbridled scream. Not ready to howl in a place where other people may be in the vicinity? A primal scream into a pillow at home can offer a similar sense of release. — Deborah Vankin
2. Sweat 2025 out of your system
Koreatown’s Wi Spa, open 24/7, has five progressively hot saunas in a coed community space. But its single hottest sauna — one of the toastiest in all of L.A. — is the Bulgama sauna. It looks like an igloo from the outside, though the interior is made mostly of oak wood. The sauna is set at an intense 231-degrees (by contrast, my gym’s dry sauna is 160-180 degrees). There are no benches to sit on; guests lie on the floor or sit upright against the wall, their faces flushing scarlet and sweat dripping down their cheeks and limbs. Tough it out for as long as you possibly can, perhaps while meditating on all you want to let go of, and sweat out every bit of this difficult year. Just be sure to hydrate afterward. — D.V.
3. Roll down a hill
If the heaviness of 2025 has you feeling stuck, shake up your perspective by making like a 5-year-old and rolling down a grassy hill. Luckily, L.A. is filled with hills perfect for rolling, including the popular Hancock Park near the La Brea Tar Pits and Museum. I guarantee that you’ll feel different at the end of your roll than you did at the start. (And if I’m wrong, try climbing the hill and rolling down again!) — Deborah Netburn
4. Jump into the ocean
The “polar bear plunge” is a popular tradition in many places, including San Pedro’s Cabrillo Beach, where people have been jumping into the water on New Year’s Day for at least 73 years. The Cabrillo Beach Polar Bears name a king and queen and hand out polar bear certificates — in fact, so many people joined in last year that the club ran out of certificates. The water in San Pedro is typically about 59 degrees. But this tradition persists in places much colder — for instance, Scheveningen, the Netherlands. There, as many as 10,000 brave bathers show up each New Year’s Eve to dip into the North Sea, which is usually between 37 and 48 degrees Fahrenheit. — Christopher Reynolds
5. Rage … and smash a car!
When I’m angry — like fuming, stomping, raging mad (which is a lot, lately, considering the state of, well, everything) — I often think of Swiss artist Pipilotti Rist’s video, “Ever Is Over All.” In it, Rist saunters down an urban sidewalk in a light blue sundress smashing car windows as she goes. The crinkly, cacophonous sound of shattering glass is amplified each time she bashes a car. Sounds awesome, right? You can do the same at L.A. Rage Rooms such as Rage Ground and Break Room Los Angeles. Visitors don protective gear while wrecking an entire automobile — windows, doors, headlights and all — to the angry playlist of their choice. Unleashing rage can be cathartic and healing — not a bad way to put 2025 behind you for f— good! — D.V.
6. Burn some incense — or join a safe, fire department-sanctioned communal blaze
Maybe you’ll spark some sage, as people do when hoping to rid a room of bad vibes. You could also burn a little incense, cedar, yerba santa, palo santo, rosemary, mugwort, juniper or sandalwood. Or, if you crave a bigger blaze, you could head up to Solvang, where on Friday, Jan. 9, the Santa Barbara County Fire Department will supervise a community Christmas Tree Burn. Local authorities bill the event as “a powerful safety demonstration” in the empty lot next to the Mission Santa Ines (1760 Mission Drive). But you’ll know that it’s really about purging the vile remnants of the last year. — C.R.
7. Walk a labyrinth
Labyrinths can be a great tool for release. To make a labyrinth walk extra meaningful, find a trinket or stone that represents 2025 to you and then walk slowly toward the labyrinth’s center, infusing the stone with whatever you want to leave behind in 2025. When you get to the center of the labyrinth, drop the stone, and breathe out the year. As you leave the center, imagine filling yourself up with your hopes for the new year. Looking for a labyrinth to walk? Check out our list of great labyrinths in the L.A. area, including the one at Peace Awareness that uses the same pattern design as the labyrinth at the Chartres Cathedral in France — D.N.
8. Travel through time
If you visit the Time Travel Mart in Echo Park or Mar Vista, you’ll come to understand that its true mission is to promote literacy and writing skills among kids. But the goofball retail goods in both shops — alleged supplies for chrononauts — are a comfort to anyone seeking maximum distance from 2025. Buy candles honoring patron saints of time travel (including theoretical physicists Stephen Hawking, Albert Einstein and Ronald Mallett). Pick up some robot milk or canned mammoth. Or, perhaps best of all, grab a copy of “The Time Traveler’s Almanac,” a 2013 collection of 72 literary “journeys through time” by writers including Douglas Adams, Isaac Asimov, Ursula K. Le Guin, George R.R. Martin and H.G. Wells. As the largest collection of time-travel stories ever assembled, it won’t just take you to 2026, but far beyond. — C.R.
9. Dance it out
Shake your booty, swing your limbs, wriggle your hips. Literally shake off the year while working up a sweat at any number of dance events. I do it at Zumba class; others at nightclubs and dance parties. LA Dance Project offers weekly, community dance classes for all levels; Wiggle Room holds improvisational movement workshops; Pony Sweat, a “fiercely noncompetitive dance aerobics celebration,” holds $10 classes on Monday nights; and Ecstatic Dance LA is a “substance-free, all ages community celebration” of dance. Even the Los Angeles Public Library holds free ‘80s-era dance classes. Or travel to another part of the world for the night at ¡BAILE!, a recurring world music dance party — one of many in L.A. You’ll forget all about 2025, if just momentarily. — D.V.
10. Challenge yourself with one of L.A.’s hardest hikes
You made it through a hard year. Celebrate by making it through a hard hike. For a serious challenge, try the Vital Link Trail at Wildwood Canyon Park in Burbank where you’ll do an elevation gain of 1,700 feet in just two miles. Because the trail is sandy and has some erosion, it’s best to navigate it with trekking poles. Also, remember that “challenging” is a relative term. If Vital Link Trail is not for you, check out other options on our list of local hikes for all skill levels. — D.N.
11. Write a year-end letter
This could be a pep talk, a condemnation of the last 12 months, a breakup letter to your past self or a hopeful letter to your future self. Or take control of your life by starting a diary, as the main character does in the Helen Fielding novel and subsequent Renée Zellweger movie “Bridget Jones’s Diary.” Maybe with less smoking, drinking and mixing it up with Hugh Grant. — C.R.
12. Visit a cemetery to reflect on the past
L.A.’s legendary Hollywood Forever Cemetery just held an end-of-year event with a cord-cutting meditation meant to help participants “dispel the shadows” of their lives and let go of what no longer serves them. You could create a similar ritual. Visit one of the city’s many cemeteries and as you stroll through the space, think about laying to rest what’s been weighing on you most this past year. — Michelle Woo
13. Be your own Death Bear
More than a decade ago, New York performance artist Nate Hill created a Death Bear character. He would appear at people’s homes in a strange black PVC costume, then remove items that triggered bad memories and take them away forever to his Death Bear Cave, location unspecified. Hill seems to have retired Death Bear, but you could always create your character to vanquish bad memories. — C.R.
14. Bury the year
You could throw 2025 in the trash, but consider composting it instead. Write down “2025” on a small scrap of paper along with an few aspects of the year you would like to leave behind. Bury the paper in a garden or a flower pot along with some seeds of your choice. Over the next few weeks, watch with satisfaction as a budding seedling transmutes 2025 into something beautiful and fresh. — D.N.
15. Shed 2025 along with your dead skin with an intense body scrub
Vigorous, bracing, borderline painful, there is nothing like a no-frills full-body scrub at one of L.A.’s many Korean spas. For as little as $50 you will feel like you’ve removed the hard crust of the bygone year from your body, emerging shiny, soft and new. Let the shedding begin! — D.N.
16. Cut your hair
Or change it. Various cultures have ideas about this and exactly when you should do it. I say the sooner we turn the page, the better. Along with shedding skin, getting a trim is one of the most literal ways you can change your body to signal a new era. — C.R.
17. Purge your closet — and donate
This summer, the fluff and fold I bring my laundry to burned down — with three enormous bags of my clothing and linens inside. At first I was upset: beyond its practical function, our clothing is an extension of our identity and often beloved items house emotional memories from the places they’ve traveled to. It felt like a loss, not to mention a financial burden. But surprisingly quickly, silver linings surfaced. My closet was roomier and more navigable — it was easier to put outfits together. Friends and family offered blankets, sheets and sweaters, and I felt supported. I somehow also felt lighter? A purposeful, DIY closet purging can feel cathartic at the end of year. And in hauling off a bag or two of your clothing to Goodwill or the Salvation Army, you’ll not only be releasing a little bit of 2025, but helping others, who need your recycled goods, in the process. — D.V.
18. Cry in the shower
I get my best creative ideas in the shower. And I indulge my fiercest sobbing sessions there as well. The act of crying — anywhere — lowers stress hormones such as cortisol and releases feel-good hormones like oxytocin. But there’s something about being in a cozy, private space, ensconced by rushing water and plumes of steam, that allows me to fully release and opens the floodgates. Try it. Bonus: no tear-stained face afterward. — D.V.
19. Rearrange your house
Switch up the energy in your home by switching up the placement of your furniture. It will help you see your space, and perhaps your life, in a fresh light. The bed in that corner? That was so 2025. The dresser on that wall? Last year’s news! Try working with the items you have before going out to buy something new. — D.N.
20. Sweep the worst of 2025 out the door
Deep cleaning followed by ritually sweeping misfortune and bad energy out of your home before the start of the Lunar New Year is a tradition in Chinese culture. I’ve also seen ritual sweeping practiced by modern witches and other spiritual questers. The ritual itself is simple but deeply symbolic: For a fresh start to the new year, fully clean your house top to bottom and then finish by holding a broom just a bit off the floor and use a sweeping motion to push the bad energy out of your house. — D.N.
21. Make a physical threshold and cross it
New Year’s Eve party idea: Just before midnight create a physical threshold on the ground using a stick, a piece of string, or draw an actual line in the sand if you happen to be at the beach (this is L.A. after all). As the clock strikes midnight, invite guests to cross the threshold one by one and cheer as you step into 2026 and leave 2025 behind. — D.N.
22. Watch 2025 melt away
Find a small candle and carve “2025” onto the side of it using a small knife. Light the candle and let it burn until 2025 has melted away. — D.N.
23. Watch the sunset
Is there a more symbolic way to say farewell to 2025 than watching the sun literally dip below the horizon for the final time on this god-awful year? Consider this nature’s ball drop. — D.N.
24. Toss 2025 into the waves
Tashlich is a Jewish new year ritual of symbolically releasing your sins by throwing them into a natural body of water. When I was a kid, my family used bread crumbs to represent our sins. Now I use small stones or torn-up bits of leaves to keep from polluting the environment. Whatever you use, hold it in your hand and imagine what it is that you want to release. Then toss it into the water and imagine yourself letting it go. The Jewish new year holiday, Rosh Hashanah, is celebrated in early fall, but there’s no reason you can’t give this ritual a whirl on the Gregorian calendar’s new year too. — D.N.
25. Take a final photo
2025 may not have looked like how you hoped it would look, but now you are in control. As the year draws to a close, set yourself a task of taking one final photo of the year that is meaningful to you. Sad or hopeful, lush or desolate: you decide. Perhaps it is someone or something you love. Or a representation of the loss you experienced. We take photos all the time without thinking. Choose to make this one count. — D.N.
On June 12, Peggy Orenstein’s inbox flooded with booking requests for her Inglewood Airbnb.
The date seemed random, but after a quick search, the influx of interest became clear. It was exactly a year before one of the biggest events in American soccer history, when the U.S. will kick off its World Cup in a match against Paraguay at SoFi Stadium, and Orenstein had set up the system to only accept booking requests up to a year in advance.
Orenstein’s rental sits just across the street from the venue. Suddenly, her Airbnb became one of the hottest homes in the Southland.
She hadn’t adjusted the prices yet to reflect the rabid demand, so she declined the requests and tweaked the rates. Typically, a two-night stay at the house would cost around $1,000. For a two-night stay during the Americans’ opening match June 12, it’ll now cost more than $10,000.
Roughly 6.5 million people are expected to travel to North America during the 2026 World Cup, and many of them will be heading to L.A., where SoFi Stadium is hosting eight games, including two U.S. matches during the group stage. Airbnb hosts are viewing the games as a gold mine, hoping soccer fans will shell out thousands to stay near the stadium.
The World Cup rental market will serve as a test case for the 2028 Olympics, when an estimated 15 million people are expected to visit Southern California.
For the night of the opening match June 12, more than 70% of short-term rentals in Inglewood have already been booked, according to data site Inside Airbnb. That’s a 58% increase compared to typical reservation rates on normal days.
Rates are rising as well. On June 1, the average booked rate for an Airbnb in L.A. is $245, according to data platform AirDNA. On June 12, when the U.S. plays Paraguay, it’s $382 — a 56% jump.
In Inglewood, prices are even wilder. Homes that normally rent for hundreds are listed for thousands. The nightly price for a one-bedroom apartment a block from SoFi is typically around $400. On June 11, the day before the game, it’s $713. On June 12, the day of the game, it’s $1,714.
“It’ll be interesting to see how much people will pay,” Orenstein said.
Some hosts use an algorithm to determine their nightly rates, but Orenstein sets the prices herself. She arrived at the $10,000 number by looking at nearby hotels, which are mostly sold out for the nights of the eight World Cup matches.
“The Lum Hotel had a suite available during the World Cup for $1,943. Meanwhile, our house can accommodate eight guests with four bedrooms, plus a kitchen and yard,” she said.
There are classic amenities such as a grill and hot tub, but the biggest amenity is proximity. Orenstein is banking on visitors ponying up for the convenience of parking at the property and walking to the stadium while everyone else navigates traffic jams and long rideshare waits.
“It gets crazy out there,” she said. “I’ve had people offer to pay me $40 to use the bathroom while walking by during a Taylor Swift concert. Our neighbor sold parking spots for $1,000 during the Super Bowl.”
David (pictured) and Peggy Orenstein, run an Airbnb across the street from SoFi Stadium.
(Robert Gauthier/Los Angeles Times)
Colin Johnson has been renting out his home near SoFi Stadium for two years. It’s his actual residence, meaning when someone stays there, he has to book a hotel or crash on a friend’s couch. But he said the payouts are worth it.
“There are so many events and venues around us, why wouldn’t we take advantage?” he said.
A typical two-night stay in the three-story townhouse runs about $600. For the U.S. opening match, it costs more than $3,000.
Johnson said demand is roughly 60% Americans and 40% foreigners, but he expects foreign interest to pick up as the games get closer.
Demand isn’t limited to Inglewood. Luxury rentals across Los Angeles are being booked for eye-popping numbers, according to Mokhtar Jabli, founder of luxury rental platform Nightfall Group.
He’s booked two so far. The first was rented by a Florida client coming to Los Angeles to see Iran play two matches at SoFi Stadium against New Zealand and Belgium. The modern home in Hollywood Hills, complete with an infinity pool overlooking the city, rented for $33,000 for seven nights from June 15 to 22.
The second was booked by a New York client coming to see the U.S. play Paraguay. The 7,000-square-foot mansion in Malibu comes with a movie theater, butler, security and full-time staff. For 10 days, it rented for $100,000.
Jamie Lane, chief economist for AirDNA, expects a surge across L.A. County — not just in demand, but in supply.
“There’s a lot of interest right now in what you can make as a host,” Lane said. “In most cities, there won’t be enough lodging, so that pushes rates higher.”
He added that since Airbnb is the official “Alternative Accommodations and Bookings Platform” of the World Cup, the company is urging people to host. AirDNA has hosted multiple bootcamps around the country for people interested in renting out their homes during the World Cup, teaching them how to furnish homes, how to set prices during the games and more.
Lane expects a boost in listings early next year, which would mirror Paris in the months leading up to the 2024 Olympics, when active listings soared by 40%.
It’s unclear how proactive Southern California cities will be in cracking down on illegal listings as homeowners look to make a quick buck by renting out their rooms. Many cities have strict short-term rental regulations, but haven’t taken the steps necessary to enforce them.
Last year, the L.A. Housing Department estimated that 7,500 short-term rentals were violating the city’s Home Sharing Ordinance, but the city only issued 300 citations.
Orenstein said it won’t be easy in Inglewood.
“You have to jump through hoops to have an Airbnb,” she said. “Apply for permits, do inspections, pay your taxes every month. It has to be done right.”
A worried mother working miles away from her family frantically tries to get her three children out of harm’s way as an out of control fire ravages their community. Firefighters do everything they can, but strong winds are working against them to make the destruction go from bad to worse.
This scenario is reminiscent of the heroics that are portrayed weekly on the CBS firefighter television drama “Fire Country,” which follows the dedicated Cal Fire station in Northern California where an abundance of wooded areas make fire a common hazard. However, this particular story is very real and comes from actor Diane Farr, who plays Cal Fire Division Chief Sharon Leone and mother to firefighter Bode Leone (Max Thieriot, also a co-creator and executive producer) on the series. Farr remembers how in January she was on the show’s set in Vancouver while the wildfires were wreaking havoc in Los Angeles.
“My house was inside the evacuation order and I had to start flying my children out as fast as I could from L.A.,” she says of her La Cañada Flintridge home, which survived. “We were evacuated for eight days and the wind just went toward Altadena as opposed to coming toward our house. It was terrifying and was very eye opening for us.”
The horrific Los Angeles fires were eventually contained after catastrophic damage to the city, with some heroic firefighters leaving with jarring stories they were able to share with the “Fire Country” cast and crew. “Two of our consultants are L.A. firefighters, Matty and Marty Mullen, who had shown me a lot of videos of real firefighting of what was going on in L.A. that we were able to infuse into our [Season 3] finale,” says executive producer Tia Napolitano. “It felt important that we could show real authenticity inspired by the L.A. fires that we all lived through. I can’t believe it’s only been a year.”
Diane Farr as Sharon Leone in “Fire Country.” The actor’s home was in the evacuation zone during the L.A. wildfires in January.
(Sergei Bachlakov / CBS)
That dedication to authenticity has helped “Fire Country” become one of the sturdiest series on CBS’ prime-time schedule since premiering October 2022. Currently in its fourth season, “Fire Country” has won its time slot every week this season except when it aired against Game 6 of the World Series. It is now the veteran drama on Friday nights sandwiched between two new successful procedurals, “Sheriff Country” starring Morena Baccarin at 8 p.m. and “Boston Blue” starring Donnie Wahlberg at 10 p.m. Pacific, both spinoffs that have quickly caught the attention of audiences since their October debuts.
Farr believes the success of these shows is akin to the huge popularity of genres like true crime and their basic storytelling structure. “There is a good guy and a bad guy that’s very clear and very binary,” she says. “If you can create a situation that feels a little bit unsafe, if you can show me how people would make me safe in it, how they would solve the problem, it’s slightly relieving on a nervous system level.”
“Fire Country” delivers on all those components with the Station 42 crew performing regular acts of heroism as they keep their community safe, a reflection of real-life firefighters, says Thieriot. “People who have to do this job day in and day out are really a special breed. For me, a big thing has always been trying to capture that and trying to portray that the best way possible,” he says. “It’s television, so obviously there are more moments when we’re trying to find the drama, but at the end of the day, it’s really important that we focus on the real and we find the real in there.”
Eve (Jules Latimer) and Bode (Max Thieriot) in “Fire Country.” “People who have to do this job day in and day out are really a special breed. For me, a big thing has always been trying to capture that and trying to portray that the best way possible,” Thieriot says.(Sergei Bachlakov/CBS)
Part of the real comes in knowing that where there are heroes, there are also villains and, as its midseason finale is set to air on Friday, “Fire Country” currently has a frightening one in the form of Landon (Josh McDermitt). Initially seen as meek and even-tempered, the layers have been pulled back to show something different.
“Landon is a threat to our people and that’ll go forward for a few episodes,” teases Napolitano. “You feel like this guy is out there and he has nothing to lose.”
That’s because Landon has already lost the trust of his girlfriend Chloe (Alona Tal) and her teenage son Tyler (Conor Sherry), who recently revealed to Bode that Landon set the tragic Zabel Ridge Fire. That’s the L.A.-inspired blaze from the third-season finale that not only destroyed homes and land but also took the life of Cal Fire battalion chief Vince Leone (Billy Burke), Sharon’s husband and Bode’s father.
In Friday’s episode, a vengeful Landon isn’t happy about being investigated or the fact that Bode and Sharon have made sure that Chloe and Tyler are staying away from him. “Landon’s a small man with a very big ego and a big victim complex and that’s going to manifest in a scary way,” Napolitano says.
It also may not help matters that Chloe and Bode were once romantically involved and a spark may still exist, especially since Bode has been mentoring the troubled Tyler. Is the single Bode’s heart open to a second chance at love? “He’s getting there,” says Thieriot. “Leading up to this season, Bode had so many obstacles and I think this journey with Tyler [as mentor] is a big part of that.”
Bode (Max Thieriot) and Chloe (Alona Tal) were once romantically involved.(Sergei Bachlakov/CBS)
Hearts are also healing on the show in the aftermath of Vince’s shocking death, an event that was never in the show’s plan to quickly sweep under the rug. “We really want to be the show that everyone knows and loves, which is a comfort to a lot of our viewers,” says Napolitano. “It’s a show of joy and levity but also honors the fact that we are missing a core character who did die a hero’s death and honoring him by keeping his memory alive.”
That memory exists for Farr in several rings she regularly wears representing Sharon’s marriage and family with Vince, but she added another piece this season based on a suggestion from director Sarah Wayne Callies.
“Vince’s bracelet is heavy and regularly bumps the smaller bones in my hand,” Farr says. “Just like my former scene partner Billy, who would debate any word or line or blocking or intention with me to get to the truest take on anything we did together. Losing him is always going to be loss.” Farr said she doesn’t want to play grief forever but upcoming episodes will continue to show Sharon “trying to figure out who she is as a ‘one’ instead of a ‘two.’”
Though everyone hopes Los Angeles won’t see more fires like the ones from nearly a year ago, “Fire Country’s” creators and cast will continue to shine a light on firefighters and all the life-and-death work they do on a daily basis and, above all else, entertain.
“It’s not always easy to continue to surprise the audience and come up with this stuff that’s just really captivating and fresh and new but I believe that we can,” Thieriot says. “I’m really eager to accomplish that.”
Let’s jump into her list and maybe you’ll find your own shop that offers the best of both worlds.
(Lisa Boone/Los Angeles Times )
Flowerboy Project (Venice)
With Flowerboy Project, equal parts coffeehouse, florist and gift shop, partners Sean Knibb and Stella Shirinda have created an intriguing space that offers a feel-good mix for all the senses.
On Lincoln Boulevard in Venice, the concept cafe and flower shop offers apparel, jewelry, Venice Organics chocolate, home decor and apothecary items alongside fresh-cut and dried floral arrangements.
The cafe serves hot and cold coffee drinks, plus a few specialty drinks such as the Dirty Rose Girl (rose latte) and Lavender Boy (lavender latte), served with flowers on top. Custom flower arrangements are offered at prices ranging from $90 to $175.
(Lisa Boone/Los Angeles Times )
Javista at the Atrium (West Hollywood)
Billed as “The Botanist’s Bodega,” the bustling two-story Atrium in West Hollywood is a unique blend of coffee and plants. With Javista Coffee on the ground floor and a delightful array of plants, gifts and additional seating upstairs, the Atrium is a haven for plant enthusiasts and coffee lovers alike.
In addition to coffee staples such as macchiato and espresso, the bodega offers some exotic beverages like the CBTea Latte.
But that’s not all. The Atrium also hosts plant-related workshops, such as a recent one on how to mount a staghorn fern and create a terrarium. Plant lovers will appreciate a variety of plant accessories, including ceramic pots, misters, river stones and LED grow lights.
To support other small businesses, owner Andrew Ruiz stocks a wide selection of books and clothing along with candles from Flamingo Estate, Lavune and Marak, adding a local touch to the Atrium’s offerings.
(Lisa Boone/Los Angeles Times)
Little Nelly (Burbank)
Conveniently located in a Burbank neighborhood with plenty of parking, this takeout spot is a great place to shop for gifts while you wait for your espresso or hot combo sandwich (shaved turkey, hot coppa, Gioia burrata, giardiniera, wild arugula and pesto).
The market and sandwich shop, which also offers catering, is filled with cookbooks, handmade ceramics, wood carving boards perfect for charcuterie displays, candles and greeting cards. And for the foodies in your life, the market stocks unique pantry items such as spices, olive oils, vinegar and hot sauce that are perfect for stocking stuffers.
Made by DWC Cafe and Gift Boutique (Downtown L.A.)
Made by DWC, the Skid Row gift shop launched by the Downtown Women’s Center in Los Angeles in 2011, offers handmade gifts — soaps, bath salts, soy candles and greeting cards — crafted by women on L.A.’s Skid Row area as part of a vocational training program.
All profits from the Made store and cafe, which sells organic coffee, smoothies, salads and pastries from Homeboy Industries, help fund the center’s career training and mentorship programs. Note: The gift shop is not open on weekends.
(Lisa Boone/Los Angeles Times)
Sachi.LA (Del Rey)
Influenced by their Japanese heritage, sisters Sachi and Chiyo Hartley opened their Del Rey coffeehouse in 2018 to share “Sachi” — the Japanese kanji character meaning happiness, fortune or good luck — with their community. The coffeehouse, which serves a wide variety of coffee drinks including matcha and the Sachi Special, a signature cold brew with oat milk and vanilla syrup, is just the beginning.
Adjacent to the coffeehouse, which also serves pastries, the sisters have opened a retail space that is a treasure-trove filled with houseplants, gifts, vintage clothes and plant accessories such as bud vases and planters. They also host occasional pop-ups, so keep an eye on their Instagram for updates.
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L.A. Timeless
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Jim Rainey, staff reporter Hugo Martín, assistant editor, fast break desk Kevinisha Walker, multiplatform editor Andrew J. Campa, weekend writer Karim Doumar, head of newsletters
The best of Los Angeles architecture in 2025 felt like attractive experiments with an uncanny sense of the future. They include micro-scaled production studios to a high school completed in two months after the Palisades fire to the mammoth LAX Metro Transit Center.
Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg giving you the latest on city and county government.
At her official campaign launch Dec. 13, Mayor Karen Bass told Angelenos that they face a simple decision.
After speaking about the Palisades fire, federal immigration raids and the homelessness and affordability crises, she turned to the primary election next June.
“This election will be a choice between working people and the billionaire class who treat public office as their next vanity project,” Bass told a crowd of a few hundred people at Los Angeles Trade Technical-College.
Attendees take their picture against a “photo booth” wall at Mayor Karen Bass’ reelection campaign kickoff rally.
(Myung J. Chun/Los Angeles Times)
In one sentence, without uttering a single name, the mayor appeared to be taking a shot at three different men. Was she talking about President Trump? Mayoral hopeful Austin Beutner? Her previous opponent, the billionaire developer Rick Caruso?
Or how about all of the above, suggested Bass’ campaign spokesperson, Doug Herman.
The billionaire class certainly includes Caruso, who self-funded his 2022 campaign to the tune of more than $100 million. It also includes Trump, who the New York Times estimated could be worth more than $10 billion. Though the mayor is not running against Trump, she likes to cast herself in opposition him. And Beutner, a former Los Angeles schools superintendent, was once an investment banker, Herman pointed out.
Beutner confirmed to The Times that he is not a billionaire. To the contrary, Beutner said, he drives a 10-year-old Volkswagen Golf.
Herman said Angelenos don’t care if Beutner has billions or just a lot of millions.
“Whether you’re a billionaire or multimillionaire is not really important to someone having trouble getting by and playing by the rules,” Herman told The Times.
“I’m trying to find the polite words,” Beutner said when asked about Bass’ comments. “Frankly, I think it’s an attempt to distract people from her record or lack thereof.”
Caruso declined to comment.
In a speech at Bass’ campaign launch, City Councilmember Hugo Soto-Martínez hammered the same point as the mayor.
City Councilmember Hugo Soto-Martínez shows his support during Mayor Karen Bass’ reelection campaign kickoff rally at Los Angeles Trade-Technical College.
(Myung J. Chun/Los Angeles Times)
“We’re always going to have rich old white men, the millionaires and billionaires — they think they can do it better,” he said. “They didn’t get it last time, and they’re not going to get it this time.”
Then, Soto-Martínez seemed to reference Beutner.
“Do you want a healthcare worker over a hedge fund manager?” he asked the crowd, to roaring applause (Bass used to work as a physician’s assistant, while Beutner founded the investment banking advisory group Evercore Partners).
With Bass’ reelection campaign underway, Beutner challenging her as a moderate and community organizer Rae Huangrunning to her left, Caruso could be the last major domino left to fall.
The Grove and Americana at Brand developer, who has been mulling a run for either governor or mayor (or neither), still has not revealed his plans for 2026.
Karen Bass supporters created signs for her reelection campaign kickoff rally.
(Myung J. Chun/Los Angeles Times)
Stuart Waldman, president of the Valley Industry & Commerce Assn., was among the diverse array of Bass supporters gathered on stage at Trade-Tech to voice their endorsements.
Waldman told The Times that he is supporting the mayor in his personal capacity, though VICA has not yet endorsed.
In 2022, Waldman and VICA supported Caruso, and Waldman spoke at some Caruso events.
He said he switched to Bass this time partly because of his unhappiness with the $30-minimum wage for airport and hotel workers passed by the City Council earlier this year. Businesses cannot move quickly enough to raise worker wages without laying off other workers, he said.
Waldman said that Bass arranged for him to meet with Council President Marqueece Harris-Dawson, who then introduced a motion that would phase in the minimum wage increase over a longer period. The current law brings the wage up to $30 by 2028, while Harris-Dawson wants the $30 minimum to start in 2030.
“Bass was instrumental in making that happen, and we appreciate that,” Waldman said.
Harris-Dawson, a Bass ally, was at the campaign kickoff but did not make a speech.
Some were not pleased with his minimum wage proposal. Yvonne Wheeler, who is president of the Los Angeles County Federal of Labor and was at the Bass event, called it “shameful.” Soto-Martínez, who co-sponsored the minimum wage ordinance, also opposes Harris-Dawson’s proposal.
Waldman said that Soto-Martínez refused to take a meeting with him during the minimum wage fight.
“Hugo and I come from two different worlds and see the world differently,” Waldman said. “Unfortunately, I am willing to talk to everybody, and he is not.”
But at the Bass campaign launch, the two men delivered speeches one right after the other. Waldman said the diversity of opinion among the mayor’s supporters is a good sign for her.
“It’s a broad coalition,” he said.
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State of play
— AFTER THE FIRES: The Times posted a project called “After the Fires” online Wednesday, nearly a year after the Palisades and Eaton fires. The stories, which document mayoral missteps, changes at the LAFD, failed emergency alerts and more, will be published as a special section in Sunday’s print edition.
— VEGAS, BABY: Councilmember John Lee is facing a steep fine for his notorious 2017 trip to Las Vegas, with the city’s Ethics Commission saying he must pay $138,424 in a case involving pricey meals, casino chips and expensive nightclub “bottle service.” The commission doled out a punishment much harsher than that recommended by an administrative law judge. Lee vowed to keep fighting, calling the case “wasteful and political.”
— EX-MAYOR FOR GOVERNOR: Four Los Angeles City Council members — Harris-Dawson, Heather Hutt, Bob Blumenfield and Curren Price — threw their support behind former L.A. Mayor Antonio Villaraigosa to be the next California governor.
— POOLS OUT FOR WINTER: City swimming pools will be closed on Fridays “until further notice,” the Department of Recreation and Parks announced Monday. “These adjustments were necessary to continue operating within our available resources,” the department said on Instagram.
— HOT MIC: Bass was caught on a hot mic ripping into the city and county responses to the January wildfires. “Both sides botched it,” she said on “The Fifth Column” podcast, after she shook hands with the host and they continued chatting. The final minutes of the podcast were later deleted from YouTube, with Bass’ team confirming that her office had asked for the segment to be removed.
— HOMELESSNESS FUNDING: The Los Angeles County Affordable Housing Solutions Agency on Wednesday approved nearly $11.5 million in homeless prevention funds, the largest single allocation yet for the new agency.
— A YEAR OF JIM: After more than a year as the LAPD’s top cop, Chief Jim McDonnell is receiving mixed reviews. While violent crime is at historic lows, some say the LAPD is sliding back into its defiant culture of years past.
— “CALM AMIDST CHAOS”: LAFD spokesperson Erik Scottannounced this week that he has written a “frontline memoir” about the January wildfires. The book is set to be released on the one-year anniversary of the Palisades fire.
— “THE GIRLS ARE FIGHTING”: Mayor Karen Bass and L.A. County Supervisor Lindsey Horvath got into a tiff on X over homelessness. After Bass published an op-ed in the Daily News saying that the county’s new Department of Homelessness is a bad idea, the supervisor shot back, calling the mayor’s track record on homelessness “indefensible.” Following the spat, City Councilmember Ysabel Jurado posted on X, “I fear the girls are fighting.” And Austin Beutner, who is running against Bass, responded with a nearly six-minute video criticizing the mayor’s record on homelessness.
— OVERSIGHT OVER?: Experts worry that effective civilian oversight of the L.A. County Sheriff’s Department could be in jeopardy following a recent leadership exodus. A succession of legal challenges and funding cuts, coupled with what some say is resistance from county officials, raised concerns that long-fought gains in transparency are slipping away.
QUICK HITS
Where is Inside Safe? The mayor’s signature program did not conduct any new operations this week. The team “returned to previous Inside Safe operation locations, building relationships with unhoused Angelenos in the area to offer resources when available,” the mayor’s office said.
On the docket next week: Mayoral candidate Rae Huang will host a text bank and volunteer meetup at Lawless Brewing on Monday, Dec. 22. The City Council remains in recess until Jan. 7.
Stay in touch
That’s it for now! We’ll be dark next week for the holidays. Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.
I visited Disneyland last weekend expecting huge crowds, busy restaurants and monster ride wait times. But the day was quite enjoyable thanks in part to Disneyland’s Lightning Lane Pass.
I commented to some employees throughout the day, “I thought this would be worse.”
Almost unanimously, each had the same answer: The real rush was yet to come.
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That’s when the cost of a single-day adult park-hopper pass, which allows a patron to visit Disneyland and adjacent California Adventure Park, soars to $314 (buy a week later, prices will drop by $50.)
Many Disney experts and influencers advise you to avoid the resort during this time.
But what if you’ve already bought tickets? What if out-of-town family is desperate to visit? What if this is the only free time to take the kids?
Traver explained to me that preparing for the holiday rush is not all too dissimilar from spring break.
One essential tip is to arrive at Disneyland before the park’s opening at 8 a.m.
Security checks begin as early as 7 a.m. and the gate, which opens around 7:20 to 7:30, allowing patrons to line up for the rope drop.
“For people interested in getting on the most popular rides, this is how you cut down on wait times,” Traver said.
He noted rope drop, the insider term for the moment a literal rope around attractions, restaurants and shops drops when the park opens at 8 a.m. is the best time to head to the “Star Wars”-themed “Rise of the Resistance,” which can easily draw two-hour lines later in the day.
Traver added this tidbit: Disney hotel guests receive early entry on Tuesdays, Thursdays and Saturdays, so the other days are best for early arrivers.
Consider eating at the bigger restaurants
He said patrons looking to maximize time and find a seat should search for larger capacity places.
Those include Rancho del Zocalo in Frontierland, the Red Rose Taverne in Fantasyland, the Hungry Bear Barbecue Jamboree in Bayou Country, Galactic Grill and Alien Pizza Planet in Tomorrowland.
“The larger the crowd, the bigger the fight for seats,” Traver said. “Go to places with more seats.”
Next week, there might be one more consideration: Forecasters predict rain on Tuesday and Thursday.
Traver said restaurants like Alien Pizza Planet, which is 90% covered, or the Golden Horseshoe Restaurant in Frontierland, which is completely indoors, will be in high demand.
Take advantage of single rider
Both Disneyland and California Adventure offer a handful of single-rider lines.
If family members don’t mind riding alone, they can cut long waits at Tiana’s Bayou Adventure, the Matterhorn Bobsleds, Space Mountain and Millennium Falcon: Smugglers Run in Disneyland, the lone single-rider attractions at the park.
Traver’s favorite single rider attraction is California Adventure’s Radiator Springs Racer, where wait times are notorious.
“It will cut the wait time by a third,” Traver said.
Be realistic, but bring a good attitude
Maybe the biggest secret: Set proper expectations, Traver said.
“If you expect things to go smoothly and they don’t, now you’re disappointed,” he said. “But, if you arrive with lower expectations and an understanding that lines are going to be long and you’re just going to have to wait, you may be pleasantly surprised.”
The week’s biggest stories
(Jim Cooke / Los Angeles Times; Photos via Getty Images)
A chance for justice. A strain on today’s classrooms
Starting in 2020, Assembly Bill 218 offered survivors of childhood sex abuse in California a three-year window to sue over past molestation and sexual assault.
The wave of litigation has caused financial strain across the state’s schools and programs.
Tyler Skaggs’ family reaches settlement with Angels
Friday’s settlement in the wrongful death case brings an end to several days of juror deliberations and a four year legal battle.
Terms of the agreement, which follows previous unsuccessful settlement efforts from the former Angels pitcher’s family, were not immediately available.
Reiner slayings
After the fires…
What else is going on
Must reads
Other gripping reads
Nearly a year after the L.A. fires, the television drama “Fire Country” drew inspiration from those who fought it.
Six directors on “wasting” (and saving) money, the future of movie theaters and more.
For your downtime
Lively video projections behind a 1965 Ford Mustang make guests feel like they’re on a ride through Southern California at “American Icon: A Mustang Immersive Experience.”
(Ronaldo Bolanos/Los Angeles Times)
Going out
Staying in
L.A. Timeless
A selection of the very best reads from The Times’ 143-year archive.
Have a great day, from the Essential California team
Jim Rainey, staff reporter Hugo Martín, assistant editor, Fast Break desk Kevinisha Walker, multiplatform editor Andrew J. Campa, weekend writer June Hsu, editorial fellow Karim Doumar, head of newsletters
Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.
The shocking deaths this week of Rob Reiner and Michele Singer Reiner reached far beyond Hollywood. Their legacy will go far beyond show business thanks to their committed political activism for causes they believed in.
Mary McNamara pulled together the different strands of Rob Reiner’s life and career, noting, “As an artist and a public figure, he put his money where his mouth was and remained invariably sincere, a powerful and compelling trait that has become increasingly rare in a time of the sound-bite inanities, muddy thinking, obvious contradictions and outright falsehoods that threaten our public and political discourse.
“Reiner mastered many mediums and wielded a broad palette but his signature artistic trait was empathy. No story was too small, or too brutal, to be examined with kindness and an understanding that the most grave injustice we can commit is to choose apathy or revenge when connection and transcendence are always possible.”
Meg Ryan and Billy Crystal in the movie “When Harry Met Sally…”
Josh Rothkopf and I rolled out a list of his 10 best movies as a director, which includes his astonishing early run, titles like “This Is Spinal Tap,” “The Princess Bride,” “Misery,” “A Few Good Men” and “The American President.” All of those come in little over a decade.
Tribute screenings have already been announced around Los Angeles, including “When Harry Met Sally…” at the New Beverly on Dec. 30–Jan. 1 and then again on Jan. 3 at Vidiots, which will also be showing “A Few Good Men” on Jan. 6 and “The Princess Bride” on Jan. 18. More screenings are sure to follow.
‘Love & Basketball’ 25th anniversary
Sanaa Lathan and Omar Epps in the movie “Love & Basketball.”
(New Line Cinema)
On Saturday, the Academy Museum will host a 25th anniversary screening of “Love & Basketball” with writer-director Gina Prince-Bythewood in attendance. Starring Sanaa Lathan and Omar Epps, it is one of the great romantic films of recent decades, the story of two young athletes struggling to reconcile their feelings for each other with their individual careers and ambitions.
In his original review of the movie, Eric Harrison wrote, “The movie is smarter than it has to be, but it’s the sort of low-key smart that can be easily overlooked. Writer-director Gina Prince-Bythewood doesn’t care if you recognize how hard it is to juggle two distinctly different types of movies (make that three, since the romance and sports elements here don’t obscure the feminist fable that is the film’s heart). … This is Prince-Bythewood’s first feature film as both a writer and director, and she shows admirable command of her craft.”
In an interview from 1990, Prince-Bythewood talked about the difficulty of casting the two leads, worrying whether she should find basketball players who could learn to act or actors who could persuasively play basketball.
“There were a lot of sleepless nights,” Prince-Bythewood said. “Is this a love story or a basketball story? I finally realized it’s a love story first. It doesn’t matter how great the basketball is if you don’t care about the character or the love story.
In 2020, Sonaiya Kelley spoke to Prince-Bythewood, Lathan, Epps, producer Spike Lee, actors Gabrielle Union, Alfre Woodard, Tyra Banks and Regina Hall for a definitive oral history of the film.
“When I first started out writing it, my goal was to do a Black ‘When Harry Met Sally…,’” said Prince-Bythewood. “I love that movie, but I wasn’t seeing myself in movies like that.”
‘Metropolitan’ 35th anniversary
The cast of Whit Stillman’s 1990 movie “Metropolitan.”
(Rialto Pictures)
On Sunday afternoon, the American Cinematheque at the Aero Theatre will have a 35th anniversary screening of “Metropolitan” with writer-director Whit Stillman and actor Taylor Nichols there for a Q&A. Set during the week between Christmas and New Year’s among a very specific social set of young New Yorkers — labeled in the film as the Urban Haute Bourgeoisie — the film is a delicately detailed comedy of manners. It would earn Stillman an Oscar nomination for original screenplay.
In her original review, Sheila Benson wrote, “Filmmaker Stillman is a pointillist, working in the tiniest, most meticulous degrees. If he seems at times as controlled and distanced as his own UHBs, his impulsive, romantic ending betrays him. Stillman understands caste, class and deportment as perfectly as Audrey’s idol, Jane Austen, and by the time he’s through, so do we.”
In a 1990 interview, Stillman spoke about making a movie about such a specific social set, one that many viewers of the film will not have been a part of. “I think people will enjoy the fact that the film has texture,” he said. “They will sense that there is a joke there, even if they don’t get it.”
Points of interest
Nancy Meyers with ‘Father of the Bride’
Kimberly Williams, left, Martin Short, Steve Martin and Diane Keaton in the 1991 version of “Father of the Bride.”
(Disney / Touchstone Pictures)
Director Nancy Meyers had to pull out of a recent Q&A scheduled for a screening of “Something’s Gotta Give,” which starred her frequent collaborator Diane Keaton. Meyers is now set to appear at the American Cinematheque at the Aero Theatre on Saturday for a Q&A after 1991’s remake of “Father of the Bride,” directed by Charles Shyer and co-written by Shyer and Meyers. As far as we can tell, this will be Meyers’ first public appearance since Keaton’s death in October.
The film stars Keaton alongside Steve Martin, as a couple who are arranging the wedding of their daughter, with Martin Short showing up as an overbearing wedding planner.
In his original review, Michael Wilmington wrote, “Midway through ‘Father of the Bride’ … Martin Short shows up, as the effete, snobbish wedding coordinator that Leo G. Carroll played in the original, and steals the movie from Martin, steals it from everybody. Short’s handling of this silly little role — an outrageous poseur named ‘Franck Eggelhoffer’ who insists on calling himself Frawwnk and acts like a post-disco Mischa Auer — has perfect pitch and real wigged-out comic genius.”
David Lowery and ‘The Green Knight’
Dev Patel in the 2021 movie “The Green Knight.”
(A24)
On Saturday, Vidiots will host a screening of 2021’s “The Green Knight” with writer-director David Lowery in person. Based on the 14th century poem “Sir Gawain and the Green Knight,” the film stars Dev Patel as Gawain, nephew of King Arthur, who, after winning a mystical challenge on Christmas, is told he has one year to complete another adventure.
In his review, Justin Chang wrote, “What does it mean to be a knight, or even just to be human? It isn’t an easy question, and ‘The Green Knight,’ in taking it seriously, isn’t always an easy film. But by the time Gawain reaches his journey’s end, in as moving and majestically sustained a passage of pure cinema as I’ve seen this year, the moral arc of his journey has snapped into undeniable focus. He plays the game; he accepts the challenge. His example is worth following.”
Oliver Stone’s ‘Nixon’
Joan Allen and Anthony Hopkins in the movie “Nixon.”
(Sidney Baldwin / Cinergi Pictures Entertainment)
On Sunday, the Laemmle Royal will have a 30th anniversary screening of Oliver Stone’s “Nixon” with the filmmaker in person for a Q&A to be moderated by Times contributing writer Tim Greiving.
Starring Anthony Hopkins as Richard Nixon and Joan Allen as his wife, Pat (both were nominated for Oscars for their performances), the film covers the political life of the politician who rose to being president only to leave the office in disgrace.
In his original review, Kenneth Turan wrote, “Mostly (though not completely) gone is the disturbing, lunatic Oliver Stone, the bad-boy writer-director who infuriated the political establishment with ‘JFK’ and outraged sensibilities nationwide with ‘Natural Born Killers.’ He’s been replaced by a filmmaker very much on his best behavior, a thorough researcher who consulted 80 books and published a heavily footnoted screenplay. If Quentin Tarantino made a film in the style of Sir Richard Attenborough, the surprise could not be greater. And ‘Nixon’ is in many ways an impressive, well-crafted piece of work.”
Keiko Agena likes to create moments of coziness — not just on Sundays, but whenever she possibly can.
“Oh, there’s my rice cooker,” she says when she hears the sound in her Arts District home. “We’re making steel-cut oatmeal in the rice cooker, which by the way, is a game changer. I used to have to baby it and watch it, but now I can just put it in there and forget it.”
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
The 52-year-old actor, who played music-loving bestie Lane Kim in the beloved series “Gilmore Girls,” delights in specific comforts like a bowl of warm oats, talking about Enneagram numbers and watching cooking competitions with her husband, Shin Kawasaki.
“It sounds so simple, but I look forward so much to spending time on the couch,” Agena says with a laugh.
It is time that she’s intentional about protecting, especially amid her kaleidoscope of projects. Over the last couple of years, Agena starred in Lloyd Suh’s moving play “The Chinese Lady” in Atlanta, acted in Netflix’s “The Residence,” showcased her artwork in her first feature exhibit, “Hep Tones” (some of her ink and pencil drawings are still for sale), and performed regularly on that L.A. improv circuit. And her work endures with “Gilmore Girls,” which turns 25 this year. Agena narrated the audiobook for “Meet Me at Luke’s,” a guide that draws life lessons from the series, and is featured in the upcoming “Gilmore Girls” documentary “Drink Coffee, Talk Fast.”
She shares with us her perfect Sunday in L.A., which begins before sunrise.
5 a.m.: Morning solitude
I like to be up early-early, like 5 a.m. I like that feeling of everything being quiet. I’ll go into the other room and do Duolingo on my phone. I am a little addicted to social media, so the Duolingo is not just to learn Japanese, but also to keep me from scrolling. Like, if I’m going to do something on my phone, this is better for me. I think my streak is 146. Shin is Japanese, from Oyama. So I’ve been meaning to learn Japanese for a while. For him and his mom.
Then I’ll do [the writing practice] Morning Pages. I don’t know when I learned about Julia Cameron’s book [“The Artist’s Way”] — probably around 2000. I know a lot of people do it handwritten, but I’m a little paranoid about people, like, finding it after I die. So if I have it on my computer and it’s password protected, I can be really honest.
Then a lot of times, I’ll go back to bed. Shin, as a musician, works at night, and so he wakes up a lot later. So I’ll fall back asleep and wake up with him.
9 a.m.: Gimme that bread
I don’t do coffee anymore because it’s a little too tough for my system, but I’ll walk with Shin to Eightfold Coffee in the Arts District. It’s tiny but very chill. Then we’re going to Bliss Bakery inside the Little Tokyo Market Place. We get these tapioca bread balls. If you make any kind of sandwich that you would normally make, but use that bread instead, it ups the game. It’s life-changing. The Little Tokyo Market Place is not fancy or anything, but it has everything that you would want. There’s Korean food. They have a little sushi place in there. You can get premade Korean banchan and hot food in their hot food section. They also have a really good nuts section. It’s just one big table with all these nuts, just piles and piles.
10 a.m.: Nature without leaving the city
We’ll go to Los Angeles State Historic Park near Chinatown. I like that place just because it’s very accessible. Like, they have accessible bathrooms and I’m always checking out whether a place has good bathrooms. We call it Flat Park because it’s a great walk. Like, you’re not really out in nature, but there’s a lot of greenery. You can take your shoes off and at least touch grass for a second.
11:30 a.m.: Lunch and TV cooking shows
One of my favorite salad-sandwich combos is at Cafe Dulce in Little Tokyo. A Korean cheesesteak and a kale salad. That’s always like a — bang, bang — good combo. So we might go there or Aloha Cafe, though it’s not fully open on Sundays. But I love it because I grew up in Hawaii. They have this great Chinese chicken salad and spam musubi and other Hawaiian food that is so good.
We’ll bring home food and watch something. Cooking competition shows are my cream of the crop. My favorite right now is “Tournament of Champions” because it’s blind tasting. To me, that’s the best way to do it. “The Great British Bake Off” is Shin’s favorite. He loves the nature and the accents as much as the actual cooking. He just loves the vibe, the slow pace of the whole thing.
I’m such a TV girl. I love spending time on the couch and eating a meal and watching something that’s appetizing with my favorite person in the world. I’m lucky because I get to do that a lot.
2 p.m.: Browse the aisles
I’ll go to this bookstore called Hennessey + Ingalls. I love art and architecture and design, but you can’t always buy these massive books. But you can go into this bookstore and look at them and it’s always chill.
If I have time, I’ll walk around art supply stores. Artist & Craftsman Supply is a good one. I’ll look at pens, pencils, stickers, tape, washi tape, different kinds of paper, charcoals. In my art, I try to find things that aren’t meant for that particular purpose, like little things in a hardware store that I’ll use it in a different way.
5 p.m.: Downtown L.A. in its glory
We really love to walk the Sixth Street Bridge. It’s architecturally beautiful and they’re building a huge park over there, so we’ll walk around and check it out, like, ‘Which trees are they planting? Can you see?’ We sort of dream about how it’s coming together. But the other beautiful thing about that walk is that if you go at sunset and you walk back toward downtown, it’s just gorgeous. Los Angeles doesn’t have the most majestic skyline, but it’s so picturesque in that moment.
6:30 p.m.: Cornbread and Enneagrams
I’ll head to the Park’s Finest in Echo Park. It’s Filipino barbecue. It’s just so savory and rich and a special hang. Their cornbread is really good. Oh, and the coconut beef, but I’m trying to eat less beef. They have a hot link medley. Oh my gosh, just looking at this menu right now, my mouth is watering. OK, I’ll stop.
One of my favorite things to do is ask friends about their Enneagram number. So the idea of sitting with friends over a good meal and asking them a bunch of personal questions about their childhood and what motivates them and what their parents were like and what their greatest fear is and then figure out what their Enneagram number is? That is top-tier activity for me.
9 p.m.: Rally for improv
Because I get up so early, if 9 o’clock, I’m ready to go to sleep. But I am obsessed with improv, so on my ideal day, there’d be a show to do. There’s this place called World’s Greatest Improv School in Los Feliz. It’s tiny and they just opened a few years ago, but the vibe there is spectacular.
Then there’s another place where my heart is so invested in now called Outside in Theatre in Highland Park. Tamlyn Tomita and Daniel Blinkoff created it together and not only is the space gorgeous — I mean, they built it from scratch — they have interesting programming there all the time. They’re so supportive of communities that are not seen in mainstream art spaces. It’s my favorite place. Sometimes I’ll find myself in their lobby till 12 o’clock at night. The kind of people I like to hang around are the people that hang out in that space.
11 p.m.: Turn on the ASMR and shut down
I am firmly an ASMR girl and I have been for years. I have to find something to watch that will slow my brain down. Then it’s pretty consistent. I don’t last very long once I turn something on. My eyelids get heavy and it chills me out.
After steadily gaining power and influence for more than a decade, the watchdogs that provide civilian oversight of the Los Angeles County Sheriff’s Department face an uncertain future.
A recent leadership exodus has left behind gaps in experience and knowledge, and a succession of legal challenges and funding cuts by the county have left some concerned that long-fought gains in transparency are slipping away.
“It is beginning to look like the idea of effective oversight of the Sheriff’s Department is a pipe dream,” said Robert Bonner, former chairman of the Civilian Oversight Commission, who announced in June that he was being pushed into “involuntarily leaving” before he completed pending work.
Current and former oversight officials have argued that the office of county counsel, the Board of Supervisors and the Sheriff’s Department have repeatedly undermined efforts to rein in law enforcement misconduct.
The cumulative effect, some advocates worry, is that the public will know less about law enforcement activity, and that there will be fewer independent investigations into deputies and department leaders alike.
“The Sheriff is committed to transparency in law enforcement,” the department said via email. “As we move forward it is essential to strengthen collaboration with the [Civilian Oversight Commission] while ensuring that the rights and safety of our personnel are protected.”
In recent years, oversight bodies have uncovered information about so-called deputy gangs, published reports on inhumane jail conditions and issued subpoenas for records related to on-duty use of force incidents.
Inspector General Max Huntsman’s sudden announcement last week that he was retiring from the position he’s held since its creation more than a decade ago completed a trifecta of departures of top law enforcement oversight officials this year.
In addition to Bonner’s departure, former Civilian Oversight Commission chairman Sean Kennedy stepped down from the body in February in response to what he described as improper county interference in the commission’s activities.
L.A. County Sheriff Robert Luna, right, talks with Sean Kennedy during an event on April 5 in Baker. Kennedy left his position on the Civilian Oversight Commission earlier this year.
(William Liang / For The Times)
Kennedy and others have said the Sheriff’s Department has refused to comply with multiple subpoenas by the commission for personnel files and records related to deputy misconduct.
“The attack on integrity and on oversight capacity is threatening all of us in Los Angeles County,” Hans Johnson, who took over as chairman of the Civilian Oversight Commission following Bonner’s departure, said at a recent public meeting. “We look forward to making sure that oversight is preserved and protected and not muzzled and not unplugged or sabotaged.”
The Executive Office of the Board of Supervisors said in a statement that it maintains a “long-standing commitment to strong oversight.”
The Sheriff’s Department said only one request it has received from oversight officials this year remains pending.
“The Department remains committed to working cooperatively to provide all requested information as required by law,” the statement said.
On the state level, reform advocates recently scored what they described as a victory for transparency.
In October, Gov. Gavin Newsom signed a bill known as AB 847, which granted civilian oversight bodies across California the ability to view confidential law enforcement records in private sessions. L.A. County officials had previously balked at sharing certain sensitive files on sheriff’s deputies, and some reformers worry the new law may not go far enough.
Dara Williams, chief deputy of the Office of the Inspector General, said at a July public meeting that the Sheriff’s Department has a history of being “painfully slow” to respond to requests for records related to homicides by deputies. In one instance, she said, Huntsman’s office served the department with a subpoena in October 2024 “and we are still waiting for documents and answers.”
The Sheriff’s Department said it has hired an outside attorney who is “conducting an independent review” of its records to determine if “those materials actually exist and can be found.”
The department’s statement said it will abide by the law and that protecting confidential information “remains of the utmost importance.”
Some involved in oversight have also become the subject of probes themselves.
In June, the Office of the County Counsel said it was investigating Kennedy for alleged retaliation against a sergeant who had worked for a unit that had been accused of pursuing cases for political reasons during Sheriff Alex Villanueva’s tenure.
Kennedy has denied the allegations, telling The Times in June, “I was just doing my job as an oversight official.”
Budget cuts — some already instituted, others threatened — are also a concern.
Huntsman said earlier this year that the Executive Office of the Board of Supervisors was reassigning or eliminating a third of his staff.
Former L.A. County Inspector General Max Huntsman listens during a hearing at Loyola Law School’s Advocacy Center on Jan. 12, 2024.
(Irfan Khan / Los Angeles Times)
He too left amid acrimony with county officials.
“The County has made it very clear over the past couple of years that they are not going to enforce the state oversight laws,” Huntsman told The Times. “Instead the county supports the sheriff limiting the flow of information so as to restrict meaningful oversight.”
The Executive Office of the Board of Supervisors said the changes implemented this year have had a “minimal” impact that “neither limits OIG’s responsibility nor their capacity.”
The possibility of eliminating the Sybil Brand Commission, which monitors L.A. County jails, was discussed in an August report to the Board of Supervisors. County officials said it would save about $40,000 annually.
Sybil Brand commissioner Eric Miller told The Times in September that he believes “the county is attempting to limit oversight of the Sheriff’s Department … to avoid lawsuits.” The department, he said, “is a powerful constituency within the county.”
In September, California Atty. Gen. Rob Bonta launched a state lawsuit over what he described as a “humanitarian crisis” inside L.A. County jails.
There are even concerns that the Sheriff’s Department is seeking greater control over local groups that facilitate conversations between deputies and members of the public — often some of the only opportunities for community concerns to be heard.
In the Antelope Valley, the Palmdale Sheriff’s Station Community Advisory Committee has been roiled by allegations that a local Sheriff’s Department captain appointed a new member without other members’ approval.
The chair of the committee, Georgia Halliman, resigned in October and committee member Sylvia Williams has alleged that the Sheriff’s Department captain tried to force her out.
“I was going to leave, but they need someone who’s real in there,” Williams told The Times. “You have to have an overseer.”
The department said it is reviewing the situation.
Melissa Camacho, a senior staff attorney with the ACLU of Southern California, said the county is at a crossroads.
“The main question right now is what is the county going to do?” she said. “Is this going to be a moment when the Board of Supervisors decides to actually invest in oversight?”
The Ford Mustang was built in Detroit, introduced to the world in New York and, according to a new exhibit on the border of downtown and Boyle Heights, romanticized by Los Angeles.
Part advertisement, part history lesson and part playground, “American Icon: A Mustang Immersive Experience” uses theme park-inspired trappings to celebrate a work of mechanical artistry. The car — first introduced in 1964 at the New York World’s Fair as a sporty, compact coup with just a little bit of an edge — is given a hero’s treatment. Inside the warehouse-like Ace Mission Studios, “American Icon” tracks the Mustang’s evolution from the suburban garage to the race track, and uses projections and a 4D theater experience to transform what could have been a showroom experience into something built more for a video game.
With installations focused on the fabled, traffic-free, open road “freedom” that car manufacturers like to so often tout, there’s something quaintly old fashioned here. The Mustang is presented as a car for young couples on the go, optimistically envisioning an America when home and car ownership were a given.
Visitors watch an immersive 4D short film.
(Ronaldo Bolanos/Los Angeles Times)
The seats inside a 4D theater vibrate and feature water and scent effects.
(Ronaldo Bolanos / Los Angeles Times)
In that sense, it’s a car enthusiast’s fantasy. But can it inspire a new generation of car dreamers, especially at a time when some data indicates younger audiences may be holding off on a car purchase?
While no cars are for sale at “American Icon” — there is an assortment of specially branded Mustang merch, however, much of it nostalgically focused on 1964 — such an immersive endeavor makes sense, says researcher Jason Jordhamo, a marketing director for Polk Automotive Solutions from S&P Global Mobility. Enticing audiences today, he says, involves a more personal touch than a big TV ad spend or a sponsorship deal.
“It’s less time in the dealership,” Jordhamo says of reaching younger consumers, especially Gen Z. “Those traditional things have to be let go of.”
Jordhamo notes that new vehicle registration among those aged 18-34 has dipped about 2% in recent years. Anecdotally, he cites a multitude of factors, ranging from growing environmental consciousness — hybrids and electric vehicles are big with the age bracket — to the ease of rideshare, especially in major cities.
But there are other causes for concern. “There’s a lot of things that are challenging in that space,” Jordhamo says. “One is affordability, which is huge. The cost for purchasing a vehicle — the monthly costs — have gone up 30% since the beginning of this decade. And the average loan payment nationally has been over $750 all calendar year.”
With the “Pick Your Pony” interactive feature, guests can listen to different Mustang engine sounds.
(Ronaldo Bolanos / Los Angeles Times)
Immersive experiences, which typically denote either some level of participation on the part of the guest or attempt to envelope the attendee in all-encompassing imagery, are common in Hollywood and often seen as a way of reaching a younger consumer weaned on interactive entertainment. They’ve been utilized heavily by studios such as Netflix for pop-ups themed to “Arcane,” “Squid Game” and more, but brands and personalities as varied as the Catholic Church, McDonald’s and even Mariah Carey have gotten in on the experiential action. Car companies, too, have dabbled, be it partnering with video game franchises such as “Gran Turismo” or “Rocket League” or, as Ford already does, offering real-life experiences such as off-roading in a Bronco at various U.S. locales.
“It’s more than just steel and rubber,” says Ford’s communications director Mike Levine when asked why Mustang was pegged for such an experience. “Mustang’s impact on America should be appreciated like an art exhibit.”
Seated before a crisply, powdered blue 1965 Mustang on a turntable, the exhibit’s first major room comes alive to simulate movement as the surrounding four walls use projections to place us on idealized versions of Venice Beach and Route 66. The glimmering rhythm of Martha and the Vandellas’ “Nowhere to Run” sets the tone as visions of cruise culture innocence aim to make us feel as if we’re on a ride through Southern California. All that’s missing to complete the mood is someone to deliver us a milkshake.
Several generations of Mustangs are projected behind a real vehicle.
(Ronaldo Bolanos / Los Angeles Times)
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Levine says Los Angeles rather than Detroit was chosen as the first of a planned many stops for “American Icon” in part due to the city’s iconography, pointing to historic drives such as Pacific Coast and Angeles Crest highways as scenic backdrops for our car-focused culture. While experiential marketing is all the buzz in recent years, Levine says this is the first installation of its kind for Ford.
“So far, so good,” said Enzo Sanchez, 22, when asked on a recent weekday if he was enjoying “American Icon,” which culminates in a 4D theater experience that serves as a mini motion simulator. Expect to get splashed with a drop of water as the smell of burning rubber fills the room. The mini film — about five minutes — has Mustang drivers saving a post-apocalyptic world from a rogue AI. “Terminator,” but if Mustangs came to the rescue.
Sanchez, named after famed racer and entrepreneur Enzo Ferrari, comes from a car enthusiast family. His father pointed to a wall dedicated to appearances of the Mustang in popular culture, and singled out a framed portrait of Johnny Mathis’ LP “Those Were the Days,” which features the automobile, and said he would have to track down a copy.
“It just transports you,” Sanchez says of his love of the Mustang, adding that he first became aware of “American Icon” on a recent trip to mid-Wilshire’s Petersen Automotive Museum, which helped curate the exhibition. Sanchez noticed one of its famed 1967 Mustangs, the so-called “Eleanor” from “Gone in 60 Seconds,” was absent, and when Sanchez inquired as to its whereabouts, he was told that it would be popping up at “American Icon.” The vehicle shares space with Mustangs from “The Mary Tyler Moore Show,” “Kick-Ass” and “Transformers” at the exhibition.
“American Icon: A Mustang Immersive Experience”
The Mustang, says Ford’s Levine, has been among the most popular movie vehicles, adding that “Gone in 60 Seconds” showcases the car as much as it does the city of Los Angeles. He, too, has seen the headlines that proclaim Gen Z is shifting away from car ownership. For now, he says, he isn’t concerned.
“I heard the same thing about millennials, who weren’t going to buy cars,” he says. “As a parent of two Gen Z children, they love cars. Their friends have cars. They want something they can enjoy.”
A rotating platform and video projections make a Ford Mustang look like it’s driving on a road.
(Ronaldo Bolanos/Los Angeles Times)
And as Ford bets on with “American Icon,” they want something they can experience.
“This is a different way to reach a Gen Z customer that is very much looking for or has seen engaging content online,” he says. “And when you come in to do that experience, it’s really every sense. When you do the 4D ride, it is every sense. You smell. You feel it. You hear it. You see it. And when you’re immersed on that level, you put the phone down.”
And that, of course, is an essential rule to enjoying the road.
L.os Angeles City Councilmember John Lee is facing a steep fine for his notorious 2017 trip to Las Vegas, with the city’s Ethics Commission saying he must pay $138,424 in a case involving pricey meals and expensive nightclub “bottle service.”
On Wednesday, the commission decided 4 to 0 that Lee, who represents the northwest San Fernando Valley, committed two counts of violating the city’s gift law and three counts of violating a law requiring that such gifts be disclosed to the public.
By a 3-1 vote, the panel found that Lee violated five additional counts of misusing his city position or helping his boss at the time — Councilmember Mitchell Englander — misuse his position. After that, the commission voted unanimously to levy the maximum financial penalty, as recommended by city ethics investigators.
The commission went much further than an administrative law judge, who, after a multiday hearing, concluded that Lee violated five of 10 counts and recommended a fine of nearly $44,000.
Commission President Manjusha Kulkarni argued for the maximum fine, saying it would discourage others from violating ethics laws. She said Lee directly benefited from his decision not to report the gifts — which came from three men who sought business with City Hall — on his economic disclosure forms.
Lee, by failing to report those gifts, gained an unfair advantage during his 2019 and 2020 election campaigns, both of which he won by small margins, Kulkarni said.
“There was a concealment effort made there in order to win those two elections,” she said.
Commissioner Aryeh Cohen voted against the five additional ethics counts, saying he wasn’t convinced that the gift information would have made a difference. Last year, after city investigators accused Lee of violating gift laws, he won reelection handily.
“Voters knew, and he won by a larger margin” than in 2019 or 2020, Cohen said. “So I don’t think that that was a misuse of a position or gaining benefit from it.”
Brian Hildreth, an attorney representing Lee, had argued for a maximum fine of $10,000. Appearing before the commission, he said city investigators incorrectly calculated the value of the gifts and failed to take into account how much Lee had actually consumed at the food and drink venues.
Lee, in a statement, vowed to keep fighting the charges, calling the case “wasteful and political.” An appeal would need to be filed in Los Angeles County Superior Court.
“Today is but one step in the process of fighting these baseless charges,” he said. “I look forward to finally having an opportunity to have this matter adjudicated in a fair and impartial setting.”
The Lee case revolves around gifts — mostly meals and alcohol but also hotel stays, transportation and $1,000 in gambling chips — provided by the three businessmen: Andy Wang, who peddled Italian cabinets, “smart home” technology and facial recognition software; architect and developer Chris Pak; and lobbyist Michael Bai.
Lee, while working as Englander’s chief of staff, flew with his boss and several others — including Wang and Bai — to Las Vegas in 2017. Englander resigned from office the following year, after being contacted by FBI agents about the trip.
In 2020, federal prosecutors accused Englander of accepting $15,000 in cash from Wang, lying to FBI agents and obstructing their investigation. He eventually pleaded guilty to a single count of providing false information to the FBI and was sentenced to 14 months in prison.
In 2023, Englander agreed to pay $79,830 to settle an Ethics Commission case focused on his own gift law violations. That same year, the commission filed a case against Lee, saying he violated the gift law not just in Vegas but also at restaurants in downtown L.A. and Koreatown.
Lee repeatedly denied the allegations and argued that the statute of limitations had run out. The commission responded by scheduling a multiday hearing, held in June before Administrative Law Judge Ji-Lan Zang.
During those proceedings, Lee said he made a good faith effort to pay his own way and, in some cases, declined to eat during meals. For example, he testified that he did not remember eating during the meetings at Yxta Cocina Mexicana and Water Grill, both in downtown L.A.
Zang, in her written report to the commission, called those denials “not credible,” saying it “strains credulity” to believe that he would join the group at those restaurants without eating any food.
During the Las Vegas trip, Lee stayed at the Aria hotel, went to Blossom restaurant and spent an evening with the group at Hakkasan Nightclub.
At Blossom, Wang ordered a dinner worth nearly $2,500 that included shark fin soup, Peking duck and Kobe beef. Lee testified over the summer that he arrived at the restaurant in time for a dessert of bird’s nest soup, tasting it and deciding he did not like it.
At Hakkasan Nightclub later that night, Wang purchased three rounds of bottle service for the group for around $8,000 apiece, while Pak purchased a fourth round for $8,418.75.
Lee said he gave Wang $300 in cash as reimbursement for his drinks, withdrawing money from an ATM. Hildreth, his attorney, told the commission that drinks were served to a large number of nightclubgoers.
“The testimony and the evidence suggests that dozens and dozens of people were joining Councilmember Lee and others,” he said.
Kulkarni, before the vote, said she was especially troubled that Lee, after being contacted by FBI agents in 2017, sent Wang a backdated check for $442 to reimburse him for some of the Vegas trip. That act on its own, she said, constituted “a very serious offense.”
“That is not a mistake that one does. That is an affirmative act,” she said.
Hildreth said his client wrote a reimbursement check right away but that it was lost, necessitating a second, backdated check. He also noted that Lee cooperated with federal law enforcement and city ethics investigators.
“He sat for two interviews with the FBI,” Hildreth said. “That’s not something that deserves a punitive penalty.”
It was supposed to be a speech with a clear message of hope for survivors of the Palisades fire.
In her State of the City address in April, Los Angeles Mayor Karen Bass called for a law exempting fire victims from construction permit fees — potentially saving them tens of thousands of dollars as they rebuild their homes.
Eight months later, the City Council is still debating how much permit relief the city can afford. Palisades residents have been left hanging, with some blaming Bass for failing to finalize a deal.
“This should have been pushed, and it wasn’t pushed,” said electrician Tom Doran, who has submitted plans to rebuild his three-bedroom home. “There was no motor on that boat. It was allowed to drift downstream.”
Since the Jan. 7 fire destroyed thousands of homes, Bass has been announcing recovery strategies with great fanfare, only for them to get bogged down in the details or abandoned altogether.
After two of the most destructive fires in the state’s history, The Times takes a critical look at the past year and the steps taken — or not taken — to prevent this from happening again in all future fires.
At one point, she called for the removal of traffic checkpoints around Pacific Palisades, only to reverse course after an outcry over public safety. She pushed tax relief for wildfire victims in Sacramento, only to abruptly pull the plug on her bill. Her relationship with Steve Soboroff, her first and only chief recovery officer, quickly unraveled over pay and other issues. He left after a 90-day stint.
Critics in and outside the Palisades say the mayor’s missteps have undermined public confidence in the rebuilding process. They have also made her more politically vulnerable as she ramps up her campaign for a second term.
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1.Tom Doran poses for a portrait in the remains of his home in the Pacific Palisades. Doran, who has submitted plans to rebuild the home he lived in for decades, has said that Los Angeles Mayor Karen Bass should have done more to secure passage of a law giving residents relief from city rebuilding permits after the wildfires.(Kayla Bartkowski / Los Angeles Times)2.Statues are seen in an aerial of the remnants of Doran’s home.(Kayla Bartkowski / Los Angeles Times)3.An aerial of the remains of Doran’s home.(Kayla Bartkowski / Los Angeles Times)
Bass, seated in her spacious City Hall office earlier this month, said the recovery is happening at “lightning speed” compared to other devastating wildfires, in part because of her emergency orders dramatically cutting the time it takes to obtain building permits.
By mid-December, more than 2,600 permit applications had been filed for more than 1,200 addresses — about a fifth of the properties damaged or destroyed in the fire. Permits had been issued at about 600 addresses, with construction underway at nearly 400, according to city figures.
Still, Bass acknowledged that fire victims are feeling angry and frustrated as they enter the holiday season.
“I think people have a right to all of those emotions, and I wouldn’t argue with any of them,” she said.
Rebuilding a community after a natural disaster is a monumental task, one with no clear playbook. Many of the obstacles — insurance claims, mortgage relief — reach beyond the purview of a mayor.
Still, Bass has plenty of power. City agencies crucial to the rebuilding effort report to her. She works closely with the council, whose members have sharply questioned some of her recovery initiatives.
Perhaps the most disastrous narrative revolved around Soboroff, a longtime civic leader known for his blunt, outspoken style.
Mayor Karen Bass, right, and her disaster recovery chief, Steve Soboroff, during a news conference at Palisades Recreation Center on Jan. 27.
(Brian van der Brug / Los Angeles Times)
To many, the assignment made sense on paper. Soboroff had a background in home building, roots in the Palisades and extensive knowledge of City Hall.
Soboroff initially expected to receive a salary of $500,000 for three months of work as chief recovery officer, with the funds coming from philanthropy. After that figure triggered an outcry, Bass changed course, persuading him to work for free. Soon afterward, Soboroff told an audience that he had been “lied to” about whether he would be compensated. (He later apologized.)
Soboroff also voiced frustration with the job itself, saying he had been excluded from key decisions. At one point, Bass appeared to narrow his duties, telling reporters he would focus primarily on rebuilding the community’s historic business district and nearby public areas.
Bass told The Times that she does not view her selection of Soboroff as a mistake. But she acknowledged there were “challenges along the way” — and decisions where Soboroff was not included.
“In those first few months when everything was happening, I’m sure there were decisions he wanted to be in that he wasn’t in,” she said.
In April, amid Soboroff’s departure, Bass said she was searching for a new chief recovery officer. She repeated that assertion in July. Yet she never publicly announced a replacement for Soboroff, baffling some in the Palisades and providing fresh ammunition to her critics.
Real estate developer Rick Caruso, who ran against Bass in 2022 and founded the nonprofit SteadfastLA to speed the rebuilding process, said the recovery czar position is still desperately needed, given the size of the task ahead.
“You’ve got infrastructure that has to be rebuilt, undergrounding of power lines, upgrading of water mains. At the same time, you want to get people back in their homes,” said Caruso, who is weighing another run for mayor.
A Samara XL modular house is lowered into place at a project site in Culver City on March 21. Developer and former mayoral candidate Rick Caruso’s Steadfast L.A. nonprofit wants to raise $30 million in the hopes of providing between 80 and 100 Samara XL homes for fire victims.
(Myung J. Chun / Los Angeles Times)
Behind the scenes, Bass opted not to select a single person to replace Soboroff, going instead with a trio of consultants. By then, she had confronted a spate of other crises — federal immigration raids, a $1-billion budget shortfall, a split with county officials over the region’s approach to homelessness.
Soboroff declined to comment on Bass’ handling of the recovery. Early on, he pushed the mayor’s team to hire the global engineering giant AECOM to oversee the recovery. Bass went initially with Hagerty, an Illinois-based consulting firm that specializes in emergency management.
At the time, the mayor pointed out that Hagerty was already working with county officials on the Eaton fire recovery in Altadena and Palisades fire recovery in other unincorporated areas.
The city gave Hagerty a one-year contract worth up to $10 million to provide “full project management” of the recovery, Bass said at the time.
Hagerty quickly ran into trouble. At community events, the firm’s consultants struggled to explain their role in the rebuilding.
Two months after Soboroff stepped down, Bass announced she was hiring AECOM after all to develop a plan for rebuilding city infrastructure. Hagerty ended up focusing heavily on the logistics around debris removal, helping the city coordinate with the federal Army Corps of Engineers, which spearheaded the cleanup.
Hagerty quietly finished its work earlier this month, billing the city $3.5 million — far less than the maximum spelled out in the firm’s contract.
The confusion over Hagerty’s role created a major opening for Bass’ best-known challenger in the June 2 primary election: former L.A. schools Supt. Austin Beutner, a onetime high-level deputy mayor.
Beutner, whose home was severely damaged in the Palisades fire, called the selection of Hagerty a “fiasco,” saying it’s still not clear what the firm delivered.
“The hiring of Hagerty proved to be a waste of time and money while creating a false sense of hope in a community that’s dealing with a terrible tragedy,” he said.
Executives with Hagerty did not respond to multiple inquiries from The Times.
An aerial image of some homes being reconstructed and lots that remain empty in Pacific Palisades.
(Allen J. Schaben / Los Angeles Times)
AECOM joined the city in June, working to prepare reports on the rebuilding effort that dealt with infrastructure repairs, fire protection and traffic management. Those reports are now expected by the one-year anniversary of the fire.
Matt Talley, who spent part of the year as AECOM’s point person in the Palisades, praised Bass for her focus on the recovery, saying he watched as she took lengthy meetings with Palisades community members, then made sure her staff worked to address their concerns.
“I think the mayor gets a bad rap,” said Talley, who left AECOM in mid-November. “She takes a lot of incoming, but in her heart, she really does want to drive the recovery and do the right thing, and that’s evidenced by the meetings she’s having with the community.”
Bass, in an interview, said she eventually decided to have three AECOM staffers form a “recovery team,” instead of a single replacement for Soboroff.
“It didn’t make sense to go in the other direction,” she said. “We evaluated that for quite a while, met with a number of people, consulted many experts.”
By the time Bass announced AECOM’s hiring, she had also begun pursuing another initiative: relief from Measure ULA, the city’s so-called mansion tax, which applies to most property sales above $5.3 million.
Proponents argued that Palisades residents should not have to pay the tax if they sell their burned-out properties. For those who can’t afford to rebuild — either because they are on fixed incomes or have little insurance — selling may be the only option, they argued.
In June, Caruso sent Bass a proposal showing how Measure ULA could be legally suspended. By then, Bass had tapped former state Assembly Speaker Bob Hertzberg to work on a bill overhauling Measure ULA, not only to aid fire victims but to spur housing construction citywide.
Three months later, near the end of the legislative session in Sacramento, Bass persuaded some L.A.-based lawmakers to carry the bill, infuriating affordable housing advocates who accused her of attempting an end run around voters.
But right before a key hearing, Bass announced she was withdrawing the bill, which had been submitted so late that it missed the deadline for lawmakers to make changes.
Bass said city leaders are now working to identify other pathways for suspending ULA in the Palisades.
Meanwhile, her push for permit relief is also a work in progress.
Alice Gould, who lost her home in the Palisades fire, is rebuilding her home on Akron Street in Pacific Palisades. Gould, who has lived on the property for 28 years, is upset that Mayor Karen Bass has not yet secured passage of a law to exempt fire victims from city permit fees for rebuilding.
(Genaro Molina / Los Angeles Times)
In April, a few days after her State of the City speech, Bass issued an emergency order suspending the collection of permit fees while the council drafted the law she requested. If the law isn’t enacted, fire victims will have to pay the fees that are currently suspended.
Councilmember Bob Blumenfield, who sits on the council’s powerful budget committee, said Bass’ team did not contact him before she issued her order.
“When I read that, my first thought was: ‘That’s great. How are we gonna pay for that?’” he said.
Bass issued a second emergency order in May, expanding the fee waivers to include every structure that burned. By October, some council members were voicing alarms over the cost, warning it could reach hundreds of millions of dollars, depending on the details.
Palisades residents called that estimate grossly inflated. On Dec. 2, dozens of them showed up at City Hall to urge the council to pass legislation covering every residential building that burned — not just single-family homes and duplexes, a concept favored by some on the council.
Council members, still struggling to identify the cost, sent the proposal back to the budget committee for more deliberations, which will spill into next year because of the holiday break.
Bass defended her handling of the issue, saying she used her “political heft” to move it forward. At the same time, she declined to say how far-reaching the relief should be.
Asked whether the Palisades should be spared from permit fees for grading, pools or retaining walls, she responded: “I can’t say that,” calling such details “minutiae.”
“What I wanted to see happen was, all fees that were possible to be waived should be waived,” she said.
Hank Wright, against a backdrop of his neighbor’s home being built, walks on the property where he lost his four-bedroom home in the Palisades fire.
(Genaro Molina / Los Angeles Times)
Hank Wright, whose four-bedroom home on Lachman Lane burned to the ground, remains frustrated with the city, saying he doesn’t understand why Bass was unable to lock down the votes.
“She has not been the point person that I wanted her to be,” he said. “I don’t think she has been able to corral that bureaucracy.”
From Thuc Nhi Nguyen: LA28 announced the next step in its ticketing plan for the 2028 Olympic and Paralympic Games on Monday as ticket registration will open on Jan. 14.
Fans can start registering for tickets on Jan. 14 at la28.org, and the registration will remain open until March 18. All who sign up will be entered into a random draw to receive a time slot to purchase tickets. While registering, fans will enter their zip codes, and those who live in the Los Angeles and Oklahoma City areas near venues will be eligible to access the first time slots reserved for locals.
“The goal there is to make sure that we’re getting tickets into the hands, not just the fans, but of the local fans,” said Allison Katz-Mayfield, LA28’s senior vice president of Games delivery revenue. “Those that are going to be closest to the Games, really helping us host these Games in some ways.”
The 2028 Olympics will feature the largest Games schedule in history, with 36 sports and 11,198 athletes. The majority of the Games will be held in L.A., including major sports zones in downtown, Exposition Park and the Sepulveda Basin, but cities including Carson, Inglewood and Long Beach will also have multiple venues. Oklahoma City will host the softball and canoe slalom events at existing facilities.
From Steve Henson: Four years after the family of deceased Angels pitcher Tyler Skaggs filed a wrongful death suit against the Angels, and two months into often contentious testimony in an Orange County Superior Court courtroom, jurors are set to begin deliberations on whether Skaggs’ widow and parents deserve hundreds of millions of dollars.
During closing statements Monday, plaintiffs lawyer Daniel Dutko argued that the Angels were negligent in failing to supervise Eric Kay, the drug-addicted team communications director who gave Skaggs the fentanyl that killed him in 2019.
However, Angels lawyer Todd Theodora insisted that Skaggs was a selfish, secretive opioid addict who for years manipulated Kay into obtaining drugs for him. Theodora told the jury that he didn’t believe the Angels owe the Skaggs family an award.
Jaren Jackson Jr. scored 21 of his 31 points in the first half and Cam Spencer added a career-high 27 points as the Memphis Grizzlies beat the Clippers 121-103 on Monday night.
Jaylen Wells scored 16 points and rookie Cedric Coward had 12 as the Grizzlies earned a victory over the Clippers for the third time in less than three weeks. Ja Morant also scored 12 points for Memphis in his second game since returning from a calf injury.
James Harden was held to 13 points, while John Collins and Jordan Miller each had 10 for Los Angeles in its eighth straight home loss. The Clippers last won in their own building on Oct. 31.
USC (9-3), ranked No. 16 in the AP poll, is preparing to play Texas Christian (9-4) on Dec. 30 in the Alamo Bowl in San Antonio. USC finished 7-2 in its second season in the Big Ten and won four of its last five games, the only setback during that stretch being a 42-27 loss to Oregon, which is the No. 5 seed in the College Football Playoff.
From Kevin Baxter: Moments after Marc Dos Santos was formally introduced as the third head coach in LAFC history, he was led out of a news conference and onto the field at BMO Stadium to meet the most important constituency he’ll have to win over in his new job.
The fans.
Since the club entered MLS in 2018, no team has won more games, scored more goals, earned more points or won more trophies than LAFC. Yet as Dos Santos, a top assistant for five of those eight seasons, was hugging and mugging with some of the people who are soon to become his fiercest critics, another supporter approached general manager John Thorrington with a question.
“How do you separate [him] being a part of that coaching staff and telling the fans ‘look, it’s going to be different with this person?’” he asked.
Mikko Rantanen, Matt Duchene and Wyatt Johnston had a goal and an assist each and Casey DeSmith tied a Dallas record with his 11th consecutive game earning points as the Stars rallied past the Kings 4-1 on Monday night.
Oskar Back scored his first NHL winning goal for the Stars, who are second in the overall standings and avoided their first three-game losing streak since mid-October.
Kings goalie Anton Forsberg stopped 17 shots, entering play with four minutes left in the first period after starter Darcy Kuemper was hit high by Rantanen and sustained an upper-body injury.
Cutter Gauthier scored the go-ahead goal six minutes into the third period and got his second on an empty-netter, Lukas Dostal stopped 26 of the 27 shots he faced, and the Ducks beat the New York Rangers 4-1 on Monday night to end a two-game losing streak.
Gauthier’s first goal with one second left on a power play came off a perfectly placed pass from rookie Beckett Sennecke. Igor Shesterkin barely had a chance to react.
1918 — Jack Dempsey knocks out Carl Morris in 14 seconds in a heavyweight bout in New Orleans.
1930 — Golfer Bobby Jones wins the first James E. Sullivan Award. The award is given to “the most outstanding amateur athlete in the United States.”
1940 — Joe Louis knocks out Al McCoy in the sixth round at the Boston Garden to retain the world heavyweight title.
1945 — The Cleveland Rams beat the Washington Redskins 15-14 for the NFL championship. The deciding play turns out to be a first-quarter automatic safety when the Redskins’ Sammy Baugh passes from his own end zone and the wind carries the ball into the goal post.
1967 — Wilt Chamberlain of the Philadelphia Warriors scores 68 points in a 143-123 victory over the Chicago Bulls.
1973 — O.J. Simpson of the Buffalo Bills rushes for 200 yards in a 34-14 victory over the New York Jets and sets an NFL record with 2,003 yards rushing for the season. Simpson needed 61 yards to break Jim Brown’s NFL single season rushing record of 1,863 yards set in 1963.
1990 — Warren Moon passes for a 527 yards — the second-greatest passing day in NFL history — as the Houston Oilers beat Kansas City 27-10.
2003 — New Orleans Saints receiver Joe Horn is fined $30,000 by the NFL for making a choreographed cell-phone call in the end zone to celebrate a touchdown during the Saints’ 45-7 rout of the New York Giants on Dec. 14.
2006 — Morten Andersen becomes the greatest scorer in NFL history. The 46-year-old Andersen breaks Gary Anderson’s career scoring record of 2,434 points with the second of four extra points in the Atlanta Falcons’ 38-28 loss to the Dallas Cowboys.
2007 — Brett Favre passes for 227 yards in Green Bay’s 33-14 win over St. Louis, eclipsing Dan Marino to become the NFL career leader in yards passing. Favre, in his 17th season, finishes the game with 61,405 yards. Marino had 61,361 in 17 seasons.
2007 — Kikkan Randall becomes the first U.S. woman and second American to win a World Cup cross-country skiing race when she defeats world sprint champion Astrid Jacobsen of Norway in the final meters of a 1.2-kilometer freestyle race. Randall is the first American to win a World Cup cross-country race since Bill Koch in 1983.
2010 — American Ryan Lochte sets the first individual swimming world record since high-tech bodysuits were banned, winning the 400-meter individual medley at the short-course world championships in Dubai, United Arab Emirates.
2012 — Ryan Lochte wins two more races at the short-course world championships in Istanbul, finishing the event with six golds and one silver. The result matches his medal total from the last championships, in Dubai in 2010.
2013 — Justin Tucker makes six field goals, including a 61-yarder in the final minute, to give the Baltimore Ravens an 18-16 win over the Detroit Lions.
2014 — Nick Bjugstad scores the game-winning goal in the longest shootout in NHL history to lift the Florida Panthers over the Washington Capitals 2-1. Bjugstad’s goal comes in the 20th round of a shootout — on the 40th shot — and beats Braden Holtby on the right side.
2016 — James Harden gets his sixth triple-double of the season and the Houston Rockets make an NBA-record 24 3-pointers in a 122-100 win over the New Orleans Pelicans.
2019 — Drew Brees breaks Peyton Manning’s NFL record (539) for career touchdown passes as New Orleans Saints rout Indianapolis Colts, 34-7; Brees 29 of 30 for 307 yards & 4 TDs for record 96.7% pass completion.
2020 — Major League Baseball announces it is elevating the Negro Leagues to Major League status
Compiled by the Associated Press
Until next time…
That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.
LA28 announced the next step in its ticketing plan for the 2028 Olympic and Paralympic Games on Monday as ticket registration will open on Jan. 14.
Fans can start registering for tickets on Jan. 14 at la28.org, and the registration will remain open until March 18. All who sign up will be entered into a random draw to receive a time slot to purchase tickets. While registering, fans will enter their zip codes, and those who live in the Los Angeles and Oklahoma City areas near venues will be eligible to access the first time slots reserved for locals.
“The goal there is to make sure that we’re getting tickets into the hands, not just the fans, but of the local fans,” said Allison Katz-Mayfield, LA28’s senior vice president of Games delivery revenue. “Those that are going to be closest to the Games, really helping us host these Games in some ways.”
The 2028 Olympics will feature the largest Games schedule in history, with 36 sports and 11,198 athletes. The majority of the Games will be held in L.A., including major sports zones in downtown, Exposition Park and the Sepulveda Basin, but cities including Carson, Inglewood and Long Beach will also have multiple venues. Oklahoma City will host the softball and canoe slalom events at existing facilities.
LA28 is still finalizing the duration of each purchasing window, although the plan is to have multiple opportunities per day, so fans would be assigned time slots that are open for several hours. Tickets for a variety of events will be available during each drop in 2026, with single-event tickets beginning at $28. When tickets for the Paralympics go on sale in 2027, the system will be similar and fans will not have to re-register their interest.
While the Olympics will be back in L.A. for the third time in 2028, it will be the first time the city is hosting the Paralympics.
LA28 plans to release 14 million tickets for the Olympics and Paralympics. The total would be a Games record, eclipsing the 12 million sold in Paris, where ticket sales began almost a year after the timeline LA28 is currently using. The Paris Games that opened in July 2024 did not begin ticket registration until November 2022, 20 months before the event.
Fans will have two-and-a-half years to register and purchase tickets before L.A. opens the Olympics on July 14, 2028.
Housed in a historic building in Old Town Tustin, Arvida Book Co. feels like it was plucked out of a romance novel — as though at any moment, strangers could reach for the same title, high school sweethearts could have a holiday run-in or an urban transplant could fall for a beloved homegrown barista.
Maybe it’s the brick exterior, or maybe it’s the heartfelt used book inscriptions, but bookstore co-owners Sam and Mike Robertson said Arvida is indeed the setting of many a first date and has even seen some proposals. For Sam, a self-declared “softie,” watching life unfold within Arvida’s walls has been a sweet surprise.
“This was always the dream, but I didn’t realize how much being the backdrop for people’s lives was going to affect me personally,” the bookseller said. She recalled recently watching one boy reading in the store and thinking to herself, “I remember the day you were born.”
As independent bookstores struggle in an Amazon-dominated market, Sam said she’s grateful for the support of a community that treasures that “third space” aspect of Arvida as much as she does. And where some do turn to “the giant that we shall not name,” as Sam dubbed Amazon, for lower prices, the bookseller said sales at the in-store Tolima Coffee Company cart fill in the gaps.
While Sam herself is a graduate of Peet’s Coffee — “coffee college,” as she called it — Mike is the true barista extraordinaire and even created a signature “Bookshop Blend” in collaboration with Stereoscope Coffee Co. Mike specializes in “coffee-forward” drinks, but he also recommended the matcha spritz and local-favorite ube latte for those with a sweet tooth.
With a cozy children’s nook and ample plush chairs to boot, Arvida is a perfect spot to spend a lazy weekend morning. If you need a better reason to make the trek from L.A., the bookstore’s charming Old Town neighbors are also fabulous for afternoon browsing.
George Clooney plays the title character in Netflix’s “Jay Kelly,” a Clooney-esque movie star who is seemingly on top of the world — but is, in fact, at a crossroads. He’s finished his latest movie and is at a point in his career where he’s begun to worry that every project could be his last. His hope to spend the summer with his youngest daughter, Daisy, is squashed when he realizes she’s set to travel in Europe before heading off to college in the fall. (Jessica, Jay’s eldest daughter, barely speaks to him.) His mentor, a British director who cast him in his first movie, has recently died; on top of the looming sense of mortality is the guilt Jay feels for not attaching his name to the director’s final project in order to get the financing. And after the funeral, Jay runs into the former friend who brought him to that fateful audition as emotional support — and who remains bitter that Jay got the role and “stole his life.”
Instead of sitting down to process these conflicts, Jay decides to run away from them, dropping out of his next movie to follow Daisy to Europe. His professional entourage — a group that includes his longtime manager and friend Ron (Adam Sandler) and his no-nonsense publicist Liz (Laura Dern) — immediately springs into action, accompanying Jay on a chaotic trip abroad, with the final stop being an Italian film festival where Jay is set to receive a career achievement award.
“I did have an idea of an actor having a crisis of some sort, and it would be a journey forward and backward at the same time,” says writer-director Noah Baumbach of the spark that eventually became “Jay Kelly.” As Jay flees Hollywood, the city and its people continue to haunt him. Visions of himself as a young actor float in and out of his mind as he recognizes the mistakes he made by screwing over his friend and neglecting his older daughter. But no matter where he goes — even on board a crowded train from Paris to Tuscany — he’s instantly recognized as the A-list star that he is. Jay Kelly cannot escape himself no matter how hard he tries.
Laura Dern, George Clooney and Adam Sandler in “Jay Kelly.”
(Peter Mountain / Netflix)
Baumbach wrote “Jay Kelly” with British actor and screenwriter Emily Mortimer, who also appears in the film as Jay’s go-to makeup artist: “It really wasn’t until I brought Emily into it that it started to shape itself more into the movie you see,” Baumbach says.
One might assume that the pair’s years in the business (now in their 50s, Baumbach and Mortimer both got their start in the mid-1990s) informed their depiction of fame and stardom, but Baumbach is adamant that he didn’t set out to write a satire of their industry. “As Emily and I were focusing on the characters and the story, meaning started to reveal itself,” he explains. “Part of our job is to be open and aware of that.”
It tracks that a megastar like Jay would be surrounded by a close-knit circle of people managing his life, which led to Baumbach and Mortimer exploring those complicated relationships. One central storyline is the friendship between Jay and Ron, who have worked together for decades. Despite his devotion to his wife and kids, Ron’s top professional priority is Jay, and the inherently transactional nature of their relationship is a conflict that slowly bubbles up to the surface. There’s simply no getting around the fact that the person Jay is the closest to is also someone who takes 15% of his earnings.
Filmmaker Noah Baumbach.
(Sela Shiloni / For The Times)
It’s an awkward situation that many who work in the entertainment industry will recognize — but it’s also a humorous truth, the kind that underscores all of Baumbach’s films. “Jay Kelly” isn’t his first film set, at least in part, in Los Angeles. In “Greenberg,” Ben Stiller’s title character is a cantankerous and neurotic New Yorker who has fled west after a nervous breakdown. In the autobiographical “Marriage Story,” Adam Driver’s Charlie, a New York-based theater director, finds himself trapped in L.A. during his divorce from his actor wife, Nicole (Scarlett Johansson).
Baumbach, a Brooklyn native, calls his relationship with Los Angeles complex. “It’s a place I don’t always love being in,” he says — a bit of an understatement. But he’s more fascinated than repulsed by the city. “I was never drawn to be satirical about it. I think it’s such an interesting, strange place. [My films that] take place here do so for a reason. With ‘Greenberg,’ L.A. is a metaphor for loneliness. In ‘Marriage Story,’ Charlie is forced to fight for a home outside of where he feels his home is.” And at the end of the day, where else could a star like Jay reside? “I mean, Jay Kelly couldn’t have lived in New York, right?”
There is, of course, show business, an industry that values make-believe and vanity and couldn’t possibly exist anywhere else. “Ron has the line, ‘Death is so surprising, particularly in L.A.,’” Baumbach says, reciting Sandler’s dialogue from early in the film. “[These characters are] living in a place that, for the most part, doesn’t change — and that helps support the collective illusion that we’re all going to live forever.”
Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg, with an assist from David Zahniser, giving you the latest on city and county government.
With the 2028 Summer Olympics creeping closer, the Los Angeles City Council still has not come to an agreement with the private committee overseeing the Games over who will pay for the additional city services required to host athletes and spectators from around the world.
With hundreds of millions of taxpayer dollars at stake, the city has blown past its own Oct. 1 deadline for hammering out an “Enhanced City Resources Master Agreement” contract with LA28 and is now considering filing suit.
City officials indicated the potential for a lawsuit against LA28 Monday during a meeting of the council’s ad hoc Olympics committee. In closed session, the committee conferred “with its legal counsel relative to possible initiation of litigation,” according to the meeting agenda.
But after a lengthy closed-door meeting, the committee broke without moving any closer to suing LA28.
“There was no recommendation to move forward on litigation,” said Councilmember Bob Blumenfield, who sits on the Olympic committee, in a brief interview with The Times after the closed session.
Although it remains unclear exactly why the city might sue LA28, the stakes of the negotiations between the two parties are high.
The Olympics have repeatedly been billed as a “zero cost” event for Los Angeles, with the city’s costs reimbursed by LA28 and the federal government. But depending on how “enhanced services” are defined, the city, which is facing financial headwinds, could end up bearing significant costs for services, including security, trash removal, traffic control and paramedics, that will go well beyond what it provides on typical days.
One of the biggest expenses will be security, with the LAPD, as well as a host of other local, state and federal agencies, working to keep athletes and spectators safe during the 17-day Olympics and the two-week Paralympics.
During a presentation before the council committee on Monday, City Administrative Officer Matt Szabo used the Dodgers’ 2024 World Series victory parade as an example of a similar, albeit much smaller scale, situation.
The baseball team reimbursed the city nearly $2 million for police, fire department, transportation and other services to pull off the parade safely.
Monday’s developments provided a small glimpse into the secretive negotiations between the two sides. Coupled with the missed October deadline to finalize an agreement, it was apparent that the negotiations were not going completely smoothly.
A senior city official, who requested anonymity to discuss sensitive negotiations, said the city is not at an “irresolvable impasse” with LA28 but that litigation is very much on the table in an effort to make sure the city is fully reimbursed.
The city and LA28 are meeting daily to try to hash out an agreement, the source said, characterizing the negotiations as “intense and focused.”
“All parties are working actively at the table to finalize the [ECRMA] that will ensure reimbursement of the city’s costs required by the 2028 Games,” the city and LA28 said in a joint statement to The Times.
Szabo told the council committee that it’s more important to get a good deal than an on-time deal.
“This needs to be the right agreement for the city,” Szabo said.
The city also hopes to recoup some costs from the federal government. PresidentTrump’s “Big Beautiful Bill” included $1 billion to reimburse state and local governments for security, planning and other Olympics-related costs. But exactly what the money can be used for won’t be known until next year, Szabo said.
But the unpredictability of the Trump administration has left the city and LA28 wary about whether all the security costs will be reimbursed, said Council President Marqueece Harris-Dawson.
“With this administration, you don’t know what the hell is going to happen, right?” Harris-Dawson said during the Los Angeles Current Affairs Forum Luncheon on Thursday. “So both of us [the city and LA28] are looking at a $1.5-billion bill, and we’re like, ‘Yeah, I’m not paying it. You’re gonna pay it.’”
So far, Harris-Dawson said, the federal government has been “good” about putting money aside for the Games. But that could change, Harris-Dawson said.
“I could show up here 10 days from now and the world could have turned on its head, because you just never know how the guy’s gonna wake up in the morning, or what he’s gonna see on TV to make him react,” he said of Trump. “So … it’s day to day, but on this particular issue, so far so good.”
Outside of security, LA28 should cover costs like staffing, expenses and equipment related to the Games, Szabo said.
Some don’t have high expectations that the costs will be completely footed by others. In a July letter to the city, retired civil rights attorney Connie Rice said she had heard from city employees worried that L.A. would be left with a massive bill.
What if LA28 dissolves after the Olympics — how would the city force it to provide reimbursement? Security and other city services typically extend beyond the Olympic venue itself — how large of a radius around the venue would be included in the reimbursement?
These are questions Rice feels the city has not yet answered.
“I have seen 10th-graders plan their prom better than the city is planning these Olympics,” Rice said in an interview.
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State of play
— RECRUIT-GATE: Months of tension between Los Angeles Mayor Karen Bass and members of the City Council burst into public view Friday when the council rebuffed the mayor’s request to significantly increase police hiring. The council instead agreed to a more modest increase, which could ramp up if the city finds money for more police recruits.
— JUST A COUPLE HUNDRED MILLION OFF: L.A. County officials justified their $200-million purchase of the Gas Company Tower by claiming that seismic retrofits of their old 1960s headquarters would cost $700 million. But experts hoping to save the building now say the retrofits could cost under $150 million, using standard techniques applied to other historic L.A. buildings.
— STEP DOWN: The chief executive of Weingart Center, Kevin Murray, resigned from the L.A. County Affordable Housing Solutions Agency board amid a federal real estate investigation. Federal prosecutors say a Cheviot Hills property was purchased for $11.2 million, then flipped to Weingart for $27.3 million. Weingart used public money to finance the purchase and conversion of the site into homeless housing.
— ED1 FOREVER: The L.A. City Council approved an ordinance on Tuesday formalizing Mayor Karen Bass’ Executive Directive 1, which fast-tracks planning department approval of 100% affordable housing projects. That initiative, which began as an emergency order issued by Bass in 2022, will now be a permanent part of city law.
— CROSSWALK VIGILANTE: An activist with People’s Vision Zero was arrested and cited while painting a crosswalk at an intersection in Westwood on Sunday. The arrest marks the latest clash between the city of Los Angeles and traffic safety advocates who are frustrated by delays in marking pedestrian crossings and are taking it upon themselves to do the work they say can’t wait.
— END OF WATCH(DOG): L.A. County Inspector General Max Huntsman, who served as chief watchdog over the L.A. County Sheriff’s Department for 12 years, is retiring. In a farewell letter, he laid into county leaders, saying they ignored his office’s efforts at oversight.
QUICK HITS
Where is Inside Safe? The mayor’s signature program to combat homelessness went to Downtown L.A., South L.A., Exposition Park, Hollywood, Silver Lake, North Hills, Pacoima, Woodland Hills, Shadow Hills and Van Nuys this week, bringing more than 70 people inside.
On the docket next week: The city’s Ethics Commission will meet Wednesday. The City Council is on recess until Jan. 7.
Stay in touch
That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.
Los Angeles City Councilman John Lee repeatedly violated the city’s gift laws in 2016 and 2017, accepting freebies during a lavish trip to Las Vegas and at multiple restaurants in L.A., a judge said in a filing released Friday.
In a 59-page proposed decision, Administrative Law Judge Ji-Lan Zang concluded that Lee committed two counts of violating a law governing the size of gifts a city official can receive and three counts of violating a law requiring that such gifts be publicly disclosed.
Zang recommended a $43,730 penalty for Lee, who represents the northwest San Fernando Valley and was chief of staff to then-City Councilmember Mitchell Englander at the time of the alleged violations. However, the judge did not agree with allegations by city ethics investigators that Lee misused his position or helped Englander misuse his position.
In 2020, federal prosecutors accused Englander of accepting $15,000 in cash from businessman Andy Wang, lying to FBI agents and obstructing their investigation into the 2017 Vegas trip. Englander ultimately pleaded guilty to a single count of providing false information to the FBI and was sentenced to 14 months in prison.
The five-member Los Angeles City Ethics Commission is scheduled to make a determination on Wednesday, deciding both the number of violations Lee committed and any financial penalties to impose on him.
The commission has the power to accept or reject Zang’s recommendations. Ethics investigators have recommended that the commission take a more punitive approach by fining Lee about $138,000 and holding him responsible for all 10 counts.
The Lee case revolves around gifts — mostly food and alcohol but also hotel stays, transportation and $1,000 in gambling chips — provided by three men who have sought to do business with City Hall: Wang, who peddled Italian cabinets, “smart home” technology and facial recognition software; architect and developer Chris Pak; and lobbyist Michael Bai.
The judge issued her report six months after a multi-day hearing on the allegations against Lee, who replaced Englander on the council in 2019.
During those proceedings, Lee denied that he improperly accepted gifts, saying he made a good faith effort to pay his own way and, in some cases, declined to eat during meals. For example, he testified that he did not remember eating during his meetings at Yxta and Water Grill, both of which are in downtown L.A.
Zang, in her report, called those denials “not credible,” describing his testimony as “evasive and self contradictory.” She said Lee’s testimony also was in conflict with information he gave the FBI during its investigation into Englander, as well as testimony from other witnesses.
“It strains credulity to believe that [Lee] would join Englander, Bai, and Wang for lunch at Yxta and dinner at Water Grill without eating any food during the meals,” she wrote.
Ethics investigators have accused Lee of receiving an assortment of gifts during the 2017 Vegas trip with Englander and several others. Lee and a group of friends stayed at the Aria hotel and spent an evening at the Hakkasan Nightclub, according to the city’s allegations.
At the hotel restaurant, Blossom, Wang ordered a dinner worth nearly $2,500 for the group, which included Englander, Lee and several others, sending out servings of shark fin soup, Peking duck and Kobe beef, according to the judge’s summary of events.
Lee testified that he arrived at the restaurant in time for a dessert of bird’s nest soup, tasting it and deciding he did not like it, the judge said in her filing.
At Hakkasan later that night, Wang purchased three rounds of bottle service for the group for around $8,000 apiece, while Pak paid for a fourth round at a cost of $8,418.75.
“Each round of bottle service was served with fanfare, as female VIP hostesses brought bottles of alcohol to the table with flashing lights,” the judge wrote.
That night, at least 20 other club patrons went to Wang’s booth and drank alcohol at the table, according to the judge’s filing.
Lee was never charged by federal prosecutors and has said he was unaware of wrongdoing by Englander. In a filing submitted last week, his attorneys said that investigators incorrectly calculated the value of the gifts, including the bottles of alcohol, whose contents were distributed among many people.
Lee gave Wang $300 in cash as reimbursement for his drinks, withdrawing money from an ATM in Las Vegas to cover those expenses, his lawyers said.
In their reply to the city, Lee’s attorneys contend that the statute of limitations has expired on the city ethics counts. They have also pushed back on the recommendation from city ethics investigators that Lee pay a $138,000 penalty.
“Such inflated numbers are not grounded in reason, have no basis in the record, no support in the governing law, and no place in a fair and impartial enforcement system,” they wrote in their filing.
Englander previously agreed to pay $79,830 to settle a similar Ethics Commission case over the gifts he received.
Ethics investigators have accused Lee of committing 10 counts of violating city laws — two counts of accepting gifts in excess of the legal limit, three counts of failing to report those gifts on his public disclosure forms, four counts of misusing his position and one count of aiding and abetting Englander’s misuse of his position.
In 2016, the legal limit on gifts to city officials was $460 per donor. The following year, it was $470.
In Englander’s 2020 federal indictment, Lee was mentioned not by name, but instead referred to as “City Staffer B.” Despite his legal troubles, he won reelection in 2024.