L.A

On the last day of January, hundreds of people filled the pews of Immanuel Presbyterian Church in Koreatown to hear not the word of God but the gospel of the Democratic Socialists of America.

It was the local chapter’s bimonthly meeting and also a kickoff event for a year during which they planned to build on an already impressive foothold in L.A. politics. Four of their own are council members and the two up for reelection — Eunisses Hernandez and Hugo Soto-Martínez — received standing ovations after their impassioned speeches. They implored the faithful to believe that anything is politically possible in a year when President Trump is waging war on Los Angeles and one of their own, Zohran Mamdani, is the mayor of New York.

Among the true believers was someone who arrived late that day: L.A.’s original democratic socialist insurgent, Nithya Raman.

She shocked the city’s political class in 2020 by beating Councilmember David Ryu — the first time in 17 years that an incumbent lost their seat. Her upset blazed the way for Hernandez and Soto-Martínez in 2022 and fellow DSAer Ysabel Jurado in 2024. They’ve created a progressive bloc that has helped Mayor Karen Bass implement her agenda, offering Her Honor cover from critics on the left while also pushing for democratic socialist principles such as less police spending and more intervention programs.

Raman kept a low profile at the DSA-LA event, according to attendees. The 44-year-old listened to her colleagues’ speeches and those of other hopefuls, made small talk with fellow members and then left.

There was no hint that afternoon of the political earthquake she uncorked this Saturday, when Raman announced a mayoral run against longtime ally Bass. The council member described the mayor to The Times as an “icon” who nevertheless needs to be replaced because “Los Angeles is at a breaking point.”

I can only imagine Bass — whom Raman publicly endorsed just a month ago — was surprised.

The mayor seems vulnerable, for sure. From her handling of the Palisades fire to crumbling infrastructure to the economy and so much more, critics maintain Bass spent all of last year living up to the old Johnny Mathis and Deniece Williams duet: She did things too much, too little and too late. This was all before sources told The Times last week that Bass ordered an after-action report on the Palisades fire be — no pun intended — watered down to limit legal liability against the city.

Her supporters point to a drop in homelessness and homicides over the last four years as reason enough for Bass to return — but their hosannas haven’t gotten as much traction as an incumbent should be seeing at this point in a reelection campaign. That’s why the proverbial smart money had someone on the right side of L.A.’s Democratic spectrum mounting a strong challenge this year — Councilmembers Monica Rodriguez or Traci Park, L.A. County Supervisor Lindsey Horvath or even 2022 challenger Rick Caruso.

While Mamdani’s fall win got local progressives dreaming about one day doing the same in Los Angeles, the prospect of a strong challenger from the left in this mayoral cycle was considered so unlikely that DSA-LA didn’t have candidate Rae Huang — a dues-paying member and Presbyterian minister — speak at the Immanuel gathering since she couldn’t gather enough signatures to make her case for an endorsement in the fall.

Raman has proved effective enough as a council member to win her reelection outright two years ago during the primaries despite a well-funded effort to paint her as a limousine leftist. I admire her brio to take on Bass and respect her place in L.A. political history. I’m glad someone is going to make the mayor work hard to get reelected because no incumbent should ever have an automatic reelection.

But Nithya Raman?

Los Angeles City Councilmember Nithya Raman, left, talks with Mayor Karen Bass at Hazeltine Park in Sherman Oaks during a 2024 rally for Raman’s ultimately successful reelection bid. She’s now challenging Bass in the 2026 mayoral election.

(Mel Melcon/Los Angeles Times)

Presbyterians, such as those who pray at the Koreatown church, have historically believed in predestination, the idea that God has determined everyone’s fate and we can’t do a thing about it. Raman doesn’t belong to the denomination, but perhaps its tenets moved her at Immanuel into believing that another unlikely political revival is in her stars. Because that’s the only way to make sense of Raman’s turn and belief that she can pull off the victory.

Raman’s 4th District is one of the wealthier in the city, a mishmash of Encino rich, Silver Lake hipster and the San Fernando Valley lower middle class — relatively sheltered from the day-to-day struggles of many working class and working poor Angelenos living in L.A. While Soto-Martínez and Hernandez draw their perspective and base from the union and activist left, Raman’s loudest supporters have struck me as folks who might have the passion and money to win over her district but don’t have the street-level knowledge and experience to sell their candidate to all corners of the city.

Raman has walked the progressive walk during her two council terms by getting arrested at sit-ins, showing up to protests and through her City Hall work. But the coalition she needs to topple Bass seems exceedingly hard to build.

She’d have to run under the assumption that enough people on the left think the current mayor is a sellout — or at minimum, just not progressive enough. That conservative and centrist voters so loathe Bass that they’ll hold their nose and vote for a democratic socialist. She’d have to win over Latino voters, who went with Caruso four years ago but who represent only 19% of Raman’s district in a city that’s nearly majority Latino.

Raman would have to peel off labor from Bass, who has counted on and rewarded their support from Sacramento to Washington to City Hall for over two decades. Needs to paint Bass as soft on Trump’s deportation deluge despite her consistently calling him out. Appeal to homeowners who won’t like Raman’s ties to YIMBY-minded folks seeking to shove multistory units anywhere and everywhere. Convince Black voters — who already must reckon with the likely reality that the city will not have three Black council members for the first time since 1963 because the leading candidates to replace outgoing Curren Price are Latinos — that dethroning the city’s first Black female mayor is somehow good for the community’s political future.

And then there’s Raman’s fellow DSA members. The rank-and-file are currently furious at her for recently, unsuccessfully trying to tweak L.A.’s so-called mansion tax. Raman can’t run in the primary with DSA’s endorsement because that process ended last fall. Supporters can petition for a vote on the matter, but that opens her anew to critics who engineered a censure of her during her 2024 reelection campaign for accepting an endorsement by a pro-Israel group while the country was bombing Gaza.

Raman — who can keep her council seat if she doesn’t beat Bass — is about to find out that L.A. isn’t as progressive as people make it out to be.

Los Angeles Councilmember Nithya Raman speaks to a crowd as she hosts an election night event in Edendale in March 2024 in Los Angeles.

(Myung Chun/Los Angeles Times)

She might have visions of a populist movement a la what happened in New York ushering her into City Hall — but she’s no Mamdani and Bass is no Eric Adams. Even fans of Raman I talked to over the weekend are upset that the progressive march that DSA-LA has successfully launched in city and county politics this decade now must deal with a curveball from within. It threatens to distract from efforts for other campaigns in a year when the left needs to concentrate on defeating true opponents — not a fellow traveler like Bass.

Raman must figure this disruption is worth the risk for her legacy and will further strengthen L.A.’s left. Let’s see what voters decide.

In May 2026 my father will be turning 95 years old! We, his three children, wish to throw him a party for about 12 people. Some guests will be elderly with walkers and canes. We would love to host this on a budget and preferably either in the San Fernando Valley or on the Westside. If it really fits the bill, we would consider other parts of Los Angeles as well. Maybe a lovely patio or some sort of charming restaurant that harks back to another time that my father would enjoy.

My dad is a retired game show television producer. He loves the arts, writing, movies, comedy, sports, TV and even continues to produce entertainment shows at his senior assisted living facility. We are so blessed to have him in our lives. — Amy Greenberg

Looking for things to do in L.A.? Ask us your questions and our expert guides will share highly specific recommendations.

Here’s what we suggest:

Happy early birthday to your dad! Ninety-five is a major feat that is definitely worth celebrating. I’ve put together a list of four restaurants with patios that I think will fit the vibe that you’re looking for.

When I think about nostalgic eateries, Casablanca in Venice is the first spot that comes to mind. Open since 1980, the old-school Mexican restaurant doubles as a shrine to the 1943 film of the same name. It offers all of the Mexican classics you’d expect (burritos, tacos and quesadillas) and even has a margarita cart. There’s an outdoor patio (which can be reserved for a fee on Thursdays or Sundays), but my colleague Amy King, Times creative director and deputy managing editor, says the vibe is much cooler inside. For special occasions, notably birthdays, the restaurant gives the celebrant a padlock to place on a gate outside of the restaurant — a callback to the Pont des Arts in Paris, a bridge where visitors used to place “love locks.”

Given that your father worked in show business, he may already be familiar with the Smoke House in Burbank, which is just minutes away from Warner Bros. Studios. With headshots of stars hanging on the walls and blood-red vinyl booths, the restaurant has been a draw for Hollywood types since the late 1940s. My colleague Christopher Reynolds, who recently went with his wife and friends who were visiting from out of town, tells me “You really feel that the restaurant has been in that location since 1949.” He also says the cheesy garlic bread is a must-try. If you’d prefer a semi-private room instead of a table in the main dining room, the minimum fee is $1,200, which will be applied to your order.

For a laidback restaurant with a backyard barbecue feel, consider Le Great Outdoor in the Bergamot Station complex in Santa Monica. The completely alfresco restaurant is adorned with picnic tables spread across two levels and dreamy string lights. Le Great Outdoor’s menu changes based on what’s available at the local farmers market and everything is cooked over a live fire. Senior food editor Danielle Dorsey notes that the restaurant has a “casual and convivial” atmosphere, making it a fun place to host a birthday party, especially on a sunny day.

Another great Westside option is Gilbert’s El Indio in Santa Monica, which has “good food and a nice patio,” King also tells me. Even “Full House” star Jodie Sweetin has given the family-owned restaurant her stamp of approval: “It’s just such a great classic California-Mexican restaurant,” she said in her Sunday Funday feature. A staffer told me that it’s best to call the restaurant to make a reservation for your party.

Your dad sounds like such an interesting and fun man, so I hope that these recommendations help you plan a great birthday party for him. If you end up checking out any of these spots, please send us a photo. We’d love to see it. Good luck with planning and, most importantly, have a wonderful time!

Los Angeles City Councilmember Nithya Raman is running for mayor, shaking up the field of candidates one final time.

Raman said she will challenge Mayor Karen Bass, her onetime ally, campaigning on issues of housing and homelessness, transparency and “safety in our streets.”

In an interview, Raman called Bass “an icon” and someone she deeply admires. But she said the city needs a change agent to address its problems.

“I have deep respect for Mayor Bass. We’ve worked closely together on my biggest priorities and her biggest priorities, and there’s significant alignment there,” said Raman, who lives in Silver Lake. “But over the last few months in particular, I’ve really begun to feel like unless we have some big changes in how we do things in Los Angeles, that the things we count on are not going to function anymore.”

Saturday’s announcement — hours before the noon filing deadline for the June 2 primary election — capped a chaotic week in L.A. politics, with candidates and would-be candidates dropping in and out of the race to challenge Bass, who is seeking a second four-year term.

Raman would immediately pose a formidable challenge to Bass. She was the first council member to be elected with support from the Democratic Socialists of America, which scored an enormous victory last fall with the election of New York City Mayor Zohran Mamdani.

Councilmember Nithya Raman jumps in the race for mayor, challenging former ally Karen Bass in the June primary.

(Christina House / Los Angeles Times)

At the same time, Raman has deep ties to leaders in the YIMBY movement, who have pushed for the city to boost housing production by upzoning single-family neighborhoods and rewriting Measure ULA, the so-called mansion tax, which applies to property sales of $5.3 million or more.

Raman’s eleventh-hour announcement caps what has been the most turbulent candidate filing period for an L.A. mayoral election in at least a generation. She launched her bid less than a day after another political heavyweight, L.A. County Supervisor Lindsey Horvath, decided against a run.

Until Raman’s surprise entry, the field had seemed to be clear of big-name challengers. Former L.A. schools superintendent Austin Beutner ended his campaign on Thursday, citing the death of his 22-year-old daughter. That same day, real estate developer Rick Caruso reaffirmed his decision not to run.

Bass campaign spokesperson Douglas Herman did not immediately provide comment.

Raman’s announcement comes as Bass continues to face sharp criticism over the city’s handling of the Palisades fire, which killed 12 people and destroyed thousands of homes. Unlike some of the candidates, Raman has not publicly criticized Bass about the city’s preparation for, or response to, the disaster.

Bass, 72, faces more than two dozen opponents from across the political spectrum.

Reality TV star Spencer Pratt, a Republican, has received praise from an array of Trump supporters, including Riverside County Sheriff Chad Bianco and U.S. Sen. Rick Scott, of Florida. Pratt has focused heavily on the city’s handling of the fire, which destroyed his home.

Spencer Pratt poses for a portrait in Pacific Palisades.

(Eric Thayer / Los Angeles Times)

Democratic socialist Rae Huang is running against the mayor from her political left. Huang has called for more public housing and for a reduction in the number of police officers, with the cost savings poured into other city services.

Brentwood tech entrepreneur Adam Miller, who has described himself as a lifelong Democrat, said the city is on a downward trajectory and needs stronger management. The 56-year-old nonprofit executive plans to tap his personal wealth to jump-start his campaign.

Also in the race is Asaad Alnajjar, an employee of the Bureau of Street Lighting who sits on the Porter Ranch Neighborhood Council. Alnajjar has already lent his campaign $80,000.

At City Hall, Raman’s entrance into the mayor’s race is a bombshell, particularly given her relationship with Bass.

Mayor Karen Bass addresses the crowd at the Shine LA event at Hansen Dam Recreation Area in Lake View Terrace, Calif., on Saturday.

(Myung J. Chun / Los Angeles Times)

In December 2022, not long after taking office, Bass launched her Inside Safe program, which moves homeless people indoors, in Raman’s district.

Two years later, while running for reelection, Raman prominently featured Bass on at least a dozen of her campaign mailers and door hangers. Raman’s campaign produced a video ad that heavily excerpted Bass’ remarks endorsing her at a Sherman Oaks get-out-the-vote rally.

Raman, whose district stretches from Silver Lake to Reseda, ultimately won reelection with 50.7% of the vote. In the years that followed, she continued to praise Bass’ leadership.

In November, while appearing at a DSA election night watch party for Mamdani, Raman told The Times that Bass is “the most progressive mayor we’ve ever had in L.A.”

Last month, Bass formally announced that she had secured Raman’s endorsement, featuring her in a list of a dozen San Fernando Valley political leaders who backed her reelection campaign.

Raman ran for office in 2020, promising to put in place stronger tenant protections and provide a more effective, humane approach to combating homelessness. On her campaign platform, she called for the transformation of the LAPD into a “much smaller, specialized armed force” — but never specified what exactly that would mean.

A woman takes a photo with her phone at the C. Erwin Piper Technical Center on Saturday.

(Christina House / Los Angeles Times)

Since then, the LAPD has lost about 1,300 officers — a decrease of about 13%. The City Council has put in place new eviction protections for tenants, while also capping the size of rent increases in the city’s “rent stabilized” apartments, which were mostly built before October 1978.

Raman does not face the same political risks as Horvath, who had already been running for reelection in her Westside and San Fernando Valley district. Horvath, had she run for mayor, would have had to forfeit her seat on the county Board of Supervisors.

If Raman loses, she would still hold her council seat, since she does not face reelection until 2028.

L.A. Mayor Karen Bass was having a really bad week.

But then it turned into a pretty good week, and she must have breathed a sigh of relief.

Until the Saturday morning surprise.

I had to set fire to my scorecard, and to the column I had just drafted, which touched on all the expected big-name challengers who had bowed out of the mayoral race in the past several days: L.A. County Supervisor Lindsey Horvath, billionaire businessman Rick Caruso (who forced a runoff with Bass the last time around), and former L.A. Unified schools chief Austin Beutner.

It was looking as though we wouldn’t get a badly needed, monthslong, toe-to-toe face-off about all that’s right and wrong in the sprawling metropolis of high hopes and low expectations. In a conversation I had with Loyola Marymount University’s Fernando Guerra, a decades-long observer of the local political scene, he made this observation about the dull political season that was shaping up:

“What is interesting to me is that no one from the establishment political class is running against [Bass] when she is clearly vulnerable.”

Vulnerable because of her handling of the Palisades fire and its aftermath.

Vulnerable because of limited progress on core issues such as homelessness, housing affordability and the shameful condition of streets, sidewalks and parks.

But then came Saturday morning, when, in an unexpected move, L.A. City Councilmember Nithya Raman decided to step up, injecting a new element of drama into the race.

It was a surprise because Raman and Bass are not political enemies. In fact, they’ve largely been allies and have endorsed each other’s reelection bids.

So what was Raman thinking in signing up for a challenge in which she is clearly the underdog?

“I have deep respect for Mayor Bass. We’ve worked closely together on my biggest priorities and her biggest priorities, and there’s significant alignment there,” Raman told The Times. “But over the last few months in particular, I’ve really begun to feel like unless we have some big changes in how we do things in Los Angeles, that the things we count on are not going to function anymore.”

There’s more to it than that, in political terms. Raman is to the left of Bass and the traditional left in Los Angeles. She and three other council members supported by the Democratic Socialists of America have changed the conversation at City Hall, with more emphasis on social service, housing and labor issues, and less on traditional law enforcement.

Among their supporters are renters, immigrants, young adults, the underserved, and the frontline workers in the minimum-wage economy.

Raman’s candidacy — along with DSA candidates for other city offices — makes the election something of a referendum on the evolving center of political clout in L.A. It raises the question of whether the city is ready to blow things up and move further in the direction of New York City, which just elected as mayor the ultra-progressive Zohran Mamdani.

And for all of that, it also raises the question of whether progressives can both deliver on their promises and also balance a budget. No easy task, there.

As for Bass, you don’t get as far in politics as she has — from the state Legislature to Congress to City Hall — without sharp survival skills and without collecting friends you can count on, even when the road to reelection is filled with potholes.

And even when an ally comes after you.

“Wow, what a surprise,” Guerra said upon Raman’s entry into the race.

He considers her a formidable foe who was the first to prove “that the DSA can win in Los Angeles” and who brings several advantages to a campaign against Bass.

For one, she has a record of some success on homelessness in her district and was involved in that cause in the Silver Lake area before she was in public office, when she identified a startling lack of coordination and continuity. And by virtue of her age, 44, she’s aligned with younger voters hungry for change in political leadership.

It’s possible that with Raman in the race, and the nuts-and-bolts issues of governance now center stage, there will be slightly less emphasis on Bass’s handling and mishandling of the Palisades fire, which destroyed thousands of properties, wiped out a vibrant community and killed 12 people.

When I said at the top of this column that Bass was having a really bad week, I was referring to the Palisades fire and the latest story from Times investigative reporters Alene Tchekmedyian and Paul Pringle. They had already established that the Los Angeles Fire Department had failed to pre-deploy adequately for the fire, and that it had failed to extinguish an earlier fire that later triggered the epic disaster.

The reporters had also established that the so-called “after-action” report on the fire had been altered to downplay failures by the department and the city, all of which was scandalous enough.

But on Wednesday, Tchekmedyian and Pringle reported that Bass was involved in the revisions despite her earlier denials. The mayor “wanted key findings about the LAFD’s actions removed or softened before the report was made public,” according to sources.

Bass vehemently denied the allegations and blasted The Times. But even before the latest story, Bass’s Palisades report card was one that a prudent person might have fed to the dog. She had left the country just before the fire despite warnings of potentially cataclysmic conditions. And multiple other missteps followed, including the botched hiring and early departure of a rebuilding czar.

Raman has not targeted Bass’ handling of the fire, and we’ll see if that changes. I don’t consider the response to the ICE raids to be a point of contention between Raman and Bass. One of the mayor’s strengths in office has been her defense of the city’s immigrants and her pushback against President Trump.

“Bass gets high marks resisting ICE,” Guerra said of polling and public opinion surveys he has either conducted or reviewed. “But on other issues, including homelessness, she does not do well.”

Two-thirds of voters in one poll said they would not back Bass in the June primary, Guerra said. But that poll did not offer an alternative to Bass, and now there is one.

Actually, several. The others include Brentwood tech entrepreneur Adam Miller, who’s got money to spend; reality TV personality Spencer Pratt, a Republican who lost his Palisades home and has been hammering the mayor; and minister/community organizer Rae Huang, a Democratic socialist.

Do they matter, given the odds against them and the entry of Raman into the race?

Yes, they might. Bass needs more than 50% of the June primary vote to win outright. But with Raman and the others grabbing varying percentages of the vote, a two-person November runoff is likely and the candidates will almost surely be Bass and Raman.

After a crazy week in L.A., allies are now foes.

And the race for mayor just got interesting.

steve.lopez@latimes.com

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s Noah Goldberg, giving you the latest on city and county government.

For six days this week, anybody could dream at the L.A. city clerk’s office.

Angelenos seeking elected office had to file their declarations of intent between Monday and Saturday to be eligible for the June 2 primary.

All week, the third floor courtyard of the C. Erwin Piper Technical Center was abuzz with candidates milling about, filling out paperwork, signing ethics forms and writing down their job histories.

Some will win elected office, which, naturally, means others will lose.

And some may not get on the ballot — each candidate must gather 500 legitimate voter signatures by March 4, which is relatively easy in citywide races but harder in council districts.

A candidate arrives to file to run for office in the the 2026 Municipal elections at the city clerk’s office in downtown Los Angeles on Wednesday.

(Jason Armond / Los Angeles Times)

“I know I won’t win,” said Joseph Garcia, a gardener, former screenwriter and member of the Venice Neighborhood Council who filed Tuesday to run for mayor.

During an interview, Garcia removed his shoe to show an injury to his foot. City clerk staffers politely asked him to put his shoe back on.

One candidate showed up on colorful roller skates wearing a wreath of flowers on her head. Another came in scrubs.

Other aspiring politicians were ready to get down to brass tacks.

Tim Gaspar, a business owner who is running to represent Council District 3, purchased a strawberry Pop-Tart from a vending machine and spoke about his fundraising numbers.

In the race to replace Councilmember Bob Blumenfield, who is terming out, Gaspar has raised more than $300,000, which is $100,000 more than the two other candidates who have raised any cash at all.

Gaspar, who was wearing a blue suit, said the money came from more than 900 donors.

“It’s been a grassroots campaign,” he said.

Minutes earlier, former reality television star Spencer Pratt stepped out of his Ford F150 and changed from flip-flops into sneakers before walking into the building to file his declaration to run for mayor.

Pratt wore shorts, a hat that said “Heidiwood” — for his wife, Heidi Pratt — and a shirt for Heidi’s “Superficial” album tour. He was flanked by two private security guards and two aides.

As Pratt was walking in, Jose Ugarte, a top aide to Councilmember Curren Price who is running to replace his boss in Council District 9, was walking out.

“F— that guy,” Ugarte said about Pratt, a registered Republican who has received endorsements from many in the MAGA world. Ugarte has been explicit in his anti-Trump sentiment, specifically over the summer’s immigration raids.

Henry Mantel files to run for City Council District 5 at the city clerk’s office on Wednesday.

(Jason Armond / Los Angeles Times)

In the elevator, Pratt edited a social media video in which he railed against Los Angeles Fire Department Chief Jaime Moore for not looking into who watered down the after-action report into the Palisades fire.

About 30 minutes later, after he finished filing, Pratt took questions from a gaggle of reporters huddled beyond a barrier that said “No media beyond this point.”

“It’s me or Karen Bass. We have no other choice,” said Pratt, one of more than 30 candidates who have filed to run against Bass, who is seeking a second term as mayor.

Watching from under a white tent as she filled out her declaration was Dylan Kendall, who is trying to oust Councilmember Hugo Soto-Martínez in District 13.

“I think Spencer Pratt kind of sucked the air out of the room,” Kendall said.

The former bartender said it took her about an hour to fill out her forms. She feels that Soto-Martínez has “neglected and ignored” residents in her district, which spans Echo Park and Hollywood, all the way to Atwater Village.

In the parking lot, Keeldar Hamilton, who sported a long ponytail, had just finished filing.

Asked what he was running for as he got into his Tesla Cybertruck, Hamilton said, “Governor … I mean mayor.”

State of play

— MAY-OR MAY NOT: The filing deadline to run for mayor is Saturday at 12 p.m., and some candidates have really taken it down to the wire. L.A. County Supervisor Lindsey Horvath is still weighing a run. Former schools Supt. Austin Beutner dropped out on Thursday, following the death of his 22-year-old daughter. Billionaire developer Rick Caruso, meanwhile, decided not to run — for the second time in less than a month.

— FIRE WATER: Two sources told The Times that two people close to Bass informed them that Bass wanted key findings in the LAFD after-action report on the Palisades fire softened. Bass denied The Times’ report, calling it “dangerous and irresponsible” for the newspaper to rely on third-hand information.

— SOTC PART 1: Bass delivered the first of two States of the City Monday, urging Angelenos to come together ahead of the 2028 Olympics while announcing a push to clean up Los Angeles’ busiest streets in the run-up to the Games. The second speech will take place in April.

— WASSERMANIA: LA28 Olympics committee Chair Casey Wasserman faced calls from L.A. officials to resign following revelations about racy emails he exchanged with convicted sex offender Ghislaine Maxwell, Jeffrey Epstein’s former romantic partner. Bass did not take a stance, saying it was up to the LA28 board.

— FREE OF FEE: Palisades fire victims rebuilding homes, duplexes, condominium units, apartment complexes and commercial buildings will not have to pay permit fees, the City Council decided Tuesday. Forfeiting those fees is expected to cost as much as $90 million over three years, according to Matt Szabo, the city’s top budget analyst.

— PRICE FAINT: Councilmember Curren Price, 75, was taken to the hospital Wednesday after fainting during a Black History Month event at City Hall. Price was “in stable condition, is in recovery and doing well,” said Council President Marqueece Harris-Dawson.

— HALL PASS: Former State Assemblymember Isadore Hall dropped out of the race for L.A. city controller, saying in a statement to The Times that a death in his family had prompted his decision.

— SHERIFF SUITS: L.A. County spent $229 million on legal payouts and lawyer bills last fiscal year. Nearly half of that — $112 million — went to defend the Sheriff’s Department against lawsuits, a 12% uptick in the department’s payouts from the year before.

— COUNTY CUTS: The county approved nearly $200 million in cuts to homeless services, despite 2024 voter support for a sales tax to combat the crisis.

QUICK HITS

• Where is Inside Safe? The mayor’s signature homelessness program went to Lincoln Heights, bringing 17 unhoused Angelenos indoors from an encampment.
• On the docket next week: A plan to build 1,000 units of housing at the Row DTLA goes before the Planning Commission on Thursday.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

Lindsey Horvath will not run for Los Angeles mayor, becoming the latest political heavyweight to decide against a challenge to incumbent Karen Bass.

Horvath, who as an L.A. County supervisor represents 2 million people in a sprawling Westside and San Fernando Valley district, ended weeks of speculation about her political intentions, saying her work in the county “is not finished.”

“Over these past few months, you have shown me all the reasons you love Los Angeles —and why it’s worth fighting for,” Horvath said Friday in a statement. “I am grateful to the many leaders, organizations, and every single Angeleno who urged me to run for Mayor of Los Angeles.”

Horvath’s announcement, issued the night before the deadline for candidates to file, comes days after former L.A. schools superintendent Austin Beutner ended his mayoral campaign, citing the death of his 22-year-old daughter. Real estate developer Rick Caruso also removed himself from contention, saying for a second time Thursday that he would not run.

The filing period for mayoral candidates in the June 2 primary closes at noon on Saturday.

Horvath, 43, has been one of the mayor’s most outspoken critics over the past year, assailing her record on homelessness and last year’s Palisades fire, which destroyed thousands of homes and left 12 people dead. On social media, Horvath stoked speculation about her political future while calling the city’s record on homelessness “indefensible.”

Bass, in turn, has criticized county officials for pulling hundreds of millions of dollars out of a city-county agency on homelessness — a move spearheaded by Horvath — and into a new county agency. More recently, the mayor spoke out against the county’s plan to cut $200 million in homeless services.

Bass, 72, still faces several other challengers from across the political spectrum.

Reality TV star Spencer Pratt, a Republican, has received praise from an array of Trump supporters, including Riverside County Sheriff Chad Bianco and U.S. Sen. Rick Scott, of Florida. Pratt has focused heavily on the city’s handling of the fire, which destroyed his home.

Democratic socialist Rae Huang is running against the mayor from her political left. Huang has called for more public housing and for a reduction in the number of police officers, with the cost savings poured into other city services.

Brentwood tech entrepreneur Adam Miller, who describes himself as a lifelong Democrat, said the city is on a downward trajectory and needs stronger management. The 56-year-old nonprofit executive plans to tap his personal wealth to jump-start his campaign.

Also in the race is Asaad Alnajjar, an employee of the Bureau of Street Lighting who sits on the Porter Ranch Neighborhood Council. Alnajjar, who has already loaned his campaign $80,000, said he would do a better job than Bass at running the city.

“I’m a leader. She’s a manager. That’s the difference,” said Alnajjar, 61.

With so many candidates in the mix, Bass and her political team do not expect she will clear the 50% bar to avoid a November runoff.

Bass has been running on her record, touting a major drop in homicides and reductions in street homelessness since she took office in 2022. She has talked up her efforts to speed up the approval of affordable housing and permits for rebuilding projects in Pacific Palisades.

The mayor has positioned herself as a check on Trump’s agenda. During last summer’s immigration raids in Los Angeles, she regularly called on the president to end the crackdown and remove the California National Guard from the city.

From the beginning, a mayoral run would have been a risky move for Horvath, who is not expected to face any major challengers to her own bid for reelection.

Horvath would have had to forfeit her seat to run against Bass, while facing a tight timeline for fundraising. Her campaign had already scheduled a reelection fundraiser for next week — after the filing deadline for mayoral candidates.

In political circles, Horvath is viewed as a strong candidate in 2028 for county chief executive, an elected office created through a ballot measure that Horvath championed.

The will-she-or-won’t-she events of the past week elevated Horvath’s political profile, as she aired her criticisms of the mayor on CNN and other news shows.

Relations between Bass and Horvath have been chilly at least since the Palisades fire broke out. The two were at odds over the press conferences that were held to update the public on the disaster and on efforts to reopen the burn area to traffic.

The relationship deteriorated further after Horvath and her colleagues voted to shift hundreds of millions of dollars out of the Los Angeles Homeless Services Authority, a city-county partnership, and into a new county agency on homelessness.

Horvath, on social media, accused Bass of putting out “misinformation” about the new county agency. Bass, in turn, warned the county’s actions could cause the city to backslide in its fight against homelessness.

Horvath has been in elected office on and off since 2009, when she joined the West Hollywood City Council. She left the council in 2011, then rejoined in 2015, staying for about seven years.

In 2022, Horvath won her supervisorial seat, defeating former Assembly Speaker Bob Hertzberg, a political veteran.

Had she entered the race, Horvath would have faced questions about an array of issues bedeviling the county, including a $4-billion legal payout over sexual abuse that was later marred by allegations of fraud.

She was also a major force behind Measure G, a 2024 ballot measure that will expand the number of county supervisors and create the county CEO position but also is on track to inadvertently repeal a criminal justice reform measure passed by voters in the wake of the police murder of George Floyd in Minneapolis.

California lawmakers are expressing concern about how the future of Warner Bros. Discovery could affect Hollywood’s workforce.

In an open letter addressed to Netflix Chief Executives Ted Sarandos and Greg Peters and Paramount Skydance Corporation CEO David Ellison, U.S. Sen. Adam Schiff (D-Calif.) and Rep. Laura Friedman (D-Glendale) call for the industry giants to make “concrete commitments to Californian and American workers.”

Late last year, Netflix won the highly anticipated bidding war for Warner Bros, which would give the streamer control over Warner Bros.’ storied Burbank film and TV studios, HBO and HBO Max. The pending $72-billion deal would greatly reshape the Hollywood landscape. Separately, Paramount has continually thrown in counter-bids and has been consistently rejected.

With all of these moving pieces, there’s a bipartisan fear among the nation’s lawmakers about how the acquisition could affect jobs in the U.S. entertainment industry . As stated in the letter, the industry “supports more than 680,000 jobs and contributes over $115 billion annually to the regional economy.”

Given the slowdown the industry has seen post-COVID and the growing number of international productions, Los Angeles film activity was down 13.2% from July through September 2025 when compared with the same period last year. This downward trend continues to build on the loss of 42,000 jobs in L.A. between 2022 and 2024.

Ellison and Sarandos have made arguments for why they believe their respective companies are best positioned to take over Warner Bros.

But each deal comes with major cuts. Paramount is projected to slash $6 billion in expenses over three years, and Netflix is projecting to cut $2 billion to $3 billion. Some analysts believe these cuts will have a significant effect on the workforce.

Previously, Ellison said, “We believe that what we are offering is better for Hollywood. It’s better for the customers and it’s pro-competitive.”

Sarandos is also quoted in the letter saying: “We think it’s great for consumers. We think it’s a great way to create and protect jobs in the entertainment industry.”

Earlier this week during a Senate subcommittee hearing, Sarandos said Netflix plans to increase its film and television production spending to $26 billion this year, with a majority of that happening in the U.S.

The lawmakers’ letter raises a series of questions surrounding the livelihood of creators, the use of AI and “concrete steps” about preserving jobs in L.A. Schiff and Friedman also offer the CEOs an opportunity to meet with them to discuss their answers.

In an effort to ensure “America continues to lead the world in the creative economy,” the letter said that Congress is currently working on bipartisan legislation that would establish a federal film tax incentive. It will be modeled after state programs in California, Louisiana and Georgia.

“We view this as a tool to not just protect but encourage more domestic filming and sustainable job creation on American soil,” wrote the lawmakers.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Movies that had limited awards releases last year are seeing their full-fledged openings this week. Top among them is “Pillion,” the debut from British writer-director Harry Lighton, starring Alexander Skarsgård and Harry Melling as two men who become engaged in a dominant-submissive relationship.

Alexander Skarsgård, left, and Harry Melling in the movie “Pillion.”

(A24)

In her review, Amy Nicholson writes of the film, “This fetishy adventure is a minimalist romantic comedy in which submissive meets dominant, and submissive explores his physical and emotional vulnerabilities. Marriage and a baby carriage are off the table; the journey matters, not the destination. … Lighton’s biker BDSM rom-com might sound niche, but free yourself to see it and you’ll discover it’s a universal romance.”

Emily Zemler asked Skarsgård about what has been guiding his decisions lately when choosing roles. As he said, “People think there’s this invisible ladder and you have to get to the next rung of the ladder. It’s easy to forget to check in with yourself and ask, ‘Well, what do I want to do?’ You can get swept away. I’m trying to get down the ladder to the ground.”

Some other notable openings this week are “Dracula,” “Scarlet,” “The President’s Cake,” “Natchez” and “The Love That Remains.”

Points of interest

‘Porn Chic’ revival at the New Beverly

Sylvia Kristel in the movie “Emmanuelle.”

(Severin Films)

For most of the month of February, the New Beverly will refashion itself into the Eros, the adult movie theater it was called throughout much of the 1970s. (There’s even a commemorative T-shirt.) Married film dudes throughout the city are presumably coming up with inventive rationales and/or excuses as to why they simply must attend some of these screenings.

The programming leans into what was referred to in The Times as “porn chic” — movies that were meant to work as cinema, even appealing to couples, while also fulfilling the needs of the raincoat crowd. This Friday and Saturday will be a double bill of Just Jaeckin’s 1974 “Emmanuelle,” starring Sylvia Kristel, and Bitto Albertini’s 1975 “Black Emmanuelle,” starring Laura Gemser.

When The Times’ Charles Champlin reviewed “Emmanuelle” after it opened in 1975 at the Fine Arts in Beverly Hills, he noted, “It may be the first porno film designed for people who don’t really want to see one.”

Other notable titles during the New Bev’s Eros month include “The Opening of Misty Beethoven,” directed by Radley Metzger under the pseudonym Henry Paris, Russ Meyer’s “Vixen” (with star Erica Gavin in-person), Ingmar Bergman’s “Summer With Monica,” Roger Vadim’s “Pretty Maids All in a Row,” “The Fireworks Woman,” directed by Wes Craven (credited as Abe Snake), Nagisa Oshima’s “In the Realm of the Senses” and Gerard Damiano’s “Deep Throat.”

Quentin Tarantino’s “Once Upon a Time … in Hollywood” will be playing on Fridays at midnight, which includes a knowing line about the Eros when Margot Robbie asks, “What’s happening at the dirty movie place?”

A 1976 article in The Times by Barry Siegel states that there were then 47 adult theaters operating within the city limits of Los Angeles, even while charting the rapid rise and quick decline of porn-chic movies in the wake of the success of “Deep Throat” in 1972.

‘sex, lies and videotape’ with star Laura San Giacomo

Laura San Giacomo in the movie “sex, lies and videotape.”

(Criterion Collection)

The Los Angeles Film Critics Assn. continues its 50th anniversary series at the Egyptian Theatre on Tuesday with a screening of Steven Soderbergh’s 1989 debut feature “sex, lies and videotape,” a key title in kicking off the independent filmmaking scene of the 1990s. Actor Laura San Giacomo, who won LAFCA’s New Generation Award for her performance, will be there for a Q&A moderated by Lael Loewenstein.

Soderbergh was all of 26 years old when the film premiered at what was then called the U.S. Film Festival (the precursor to Sundance), where it won the audience award before heading to Cannes, where it won the Palme d’Or. (James Spader picked up an acting prize there too.) Among the film’s many other accolades, Soderbergh would also be nominated for an Academy Award for original screenplay.

Spader plays Graham, an enigmatic wanderer who inserts himself into the lives of his old friend John (Peter Gallagher), his wife Ann (Andie MacDowell) and her sister Cynthia (San Giacomo), drawing out all manner of confessions and revelations.

In her original review of the film, Sheila Benson called the film an “electrifying psycho-sexual comedy … the funniest and saddest American movie since Jim Jarmusch landed straight in the middle of our consciousness, and it’s possibly the most compelling.”

Benson added, “What is not apparent from a thumbnail description is the film’s lacerating wit, its beautiful look and sound, and the bravura quality to each performance. Or the terrible vein of melancholy that Soderbergh touches.”

‘In the Soup’ in 35mm

Steve Buscemi and Seymour Cassel in the movie “In the Soup.”

(Factory 25)

Winner of the Grand Jury prize at 1992’s Sundance — the same year “Reservoir Dogs” premiered there — is “In the Soup.” Directed and co-written by Alexandre Rockwell, the film follows an aspiring filmmaker (Steve Buscemi) who falls in with an irresistibly charming gangster (Seymour Cassel, who won Sundance’s first acting award) as his erstwhile producer. A recently restored 35mm print of the film will be playing in L.A. for the first time Sunday at Brain Dead Studios.

The cast of the film also features Carol Kane, Jim Jarmusch and Jennifer Beals, the last married to director Rockwell at the time. Reviewing the film in November 1992, Kenneth Turan called it “a charming pipsqueak of a movie, a playful film of ragged and shaggy appeal.”

Director Michael Almereyda on the ’90s vampires of ‘Nadja’

Elina Löwensohn in the movie “Nadja.”

(Arbelos Films)

As much a survey of late-night diners, bars and 3 a.m. conversations, Michael Almereyda’s “Nadja” is very much a vampire film. It is also a wonderful example of the creative freedom of the ’90s indie boom — everything from its cast to its look to its deadpan humor.

Executive produced by David Lynch (who paid for the film out of his own pocket and appears in a small role), “Nadja” combines the 1936 horror film “Dracula‘s Daughter” with Andre Breton’s 1928 surrealist novel “Nadja.” In the movie, a New York City vampire (Elina Löwensohn) looks to avenge the death of her father at the hands of Dr. Van Helsing (Peter Fonda) while also dealing with a complicated swirl of relationships involving her brother (Jared Harris), his nurse (Suzy Amis), Van Helsing’s nephew (Martin Donovan) and his wife (Galaxy Craze).

Re-released by Grasshopper Film and Arbelos Films with a streaming and home video release to follow, the new 4K restoration of the film’s original version that premiered at the 1994 Toronto International Film Festival is a few minutes longer than what played at Sundance just a few months later. (It was there that Almereyda also made the documentary “At Sundance,” interviewing filmmakers for their thoughts on the future of movies.) This new “Nadja” is playing on Feb. 6 and 8 at the Philosophical Research Society, then at Vidiots on Feb. 21 and 22 and Frida Cinema on Feb. 25 and 26.

On the phone from Sao Paulo, Brazil, where he is prepping an adaptation of Don DeLillo’s 2016 novel “Zero K,” the thoughtful and reflective Almereyda shared some of his memories of making the film.

Peter Fonda, left, Jared Harris, Martin Donovan and Galaxy Craze in the movie “Nadja.”

(Arbelos Films)

How did you get the idea of combining “Dracula’s Dracula” with Breton’s “Nadja”?

Michael Almereyda: It was fairly spontaneous. David Lynch had offered to help me make a movie if I could come up with something that was definably genre. And I went to [NYC movie theater] Film Forum at a time when — do you remember [film historian] William K. Everson? He would show up at Film Forum unannounced to start talking before the movie. This was one time when I showed up late and he was talking and they read a raffle ticket and there was silence. And I reached in my pocket: I had won the raffle. And that was to get a book of William K. Everson’s about horror movies. And so it was kind of a gift that I read about “Dracula’s Daughter.” I’d never seen it and I liked the outline of the plot and I chased it down and it felt like I could retrofit a number of ideas I had about New York with that story. It felt like the two things talked to each other.

One thing about vampire movies is that the best ones are always about something else. For you with “Nadja,” what’s the something else?

Almereyda: It’s not really a scary movie and it wasn’t really designed to be. It’s certainly atmospheric but the emotion of it, when I saw it again recently, had to do with both the comic aspects of being in love and the miserable aspects. It’s kind of a side-winding answer, but that’s partly what it’s about. It’s about family ties, obviously. I think I made or wrote enough scripts about tangled families that I began to sort of get over it. But we all come from these families.

David Lynch in the movie “Nadja.”

(Arbelos Films)

Did David Lynch‘s presence impact the tone at all? Do you feel the movie became in any way Lynchian?

Almereyda: Well, David’s impact on me and my whole generation of filmmaking and the generation behind us is vast. And I wouldn’t want to pretend it’s not, but direct influence is kind of minimal. It might be more fair to say that David’s art school background rhymes with mine. And that we had similar influences. People don’t really talk about how much David did or didn’t know about Maya Deren and Cocteau, but it’s kind of hard to miss. And there was just a certain sensibility and attitude. I felt close to David’s Midwestern-ness, and you combine that with some fondness for and knowledge of French culture, including surrealism, and you’re halfway to David Lynch without specifically thinking about it.

I really haven’t addressed this question much, but when he died, I ended up writing a fair bit of my memories and it’s moving to me how much impact he had when he died. There was such a wave of mourning and celebration, too, that it felt more phenomenal than he could have anticipated. It was clear how famous he was — how recognizable he was — within the time I knew him. But the love of David Lynch is really moving to me and it’s still something we’re swimming in, I hope, in a dark time.

For all the difficulties of being an independent filmmaker, what keeps you doing it?

Almereyda: I’m stumped. I was just going through my head and I know you just interviewed Ethan Hawke and he’s a true comrade that I’ve been lucky to work with a few times. And he was in the interview with Rick Linklater when we did our “At Sundance” movie. They had “Before Sunrise” at the festival and Rick started by quoting Truffaut, talking about the future of film is the personal film.

Even if it’s a fantasy, even if it’s a vampire movie, you’re still relating to your experience and your sense of an emotional reality. So that feels like a candle that doesn’t go out for me. And despite all the derailments and dead ends, I don’t question continuing. It just feels like a natural path, even if it’s winding and difficult.

In other news

Timothée Chalamet, tributee

Timothee Chalamet in the movie “Marty Supreme.”

(A24)

I will leave the ins and outs of this year’s awards campaigns to my trusted colleague Glenn Whipp at The Envelope, but one event jumped out as worth noting: Announced this week and immediately selling out is an eight-film American Cinematheque retrospective of Timothée Chalamet‘s movies, with the actor in person for all screenings.

Chalamet is currently an Oscar nominee as both actor and producer for “Marty Supreme.” And he has an impressive roster of collaborators who will be appearing with him to show their support, including Edward Norton with “A Complete Unknown,” Denis Villenueve with “Dune” and “Dune: Part Two,” Christopher Nolan with “Interstellar” and Elle Fanning with “Beautiful Boy.”

If there were some murmurs last year that Chalamet didn’t do enough conventional campaigning to win for his turn as Bob Dylan in “A Complete Unknown,” this year he seems to be pulling out all the stops.

When you read about Jason Mantzoukas’ ideal Sunday in Los Angeles, it’s important that you imagine him holding a cup of coffee in basically every location and situation. He knows all the places around the city where he can get caffeinated before he goes on to do anything else.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Fittingly, the actor, comedian and podcaster has brought an excitable, unpredictable and hilarious energy to his roles on shows including “The League,” “Brooklyn Nine-Nine” and “Big Mouth.” Last year, he brought his gleeful sense of mischief to the U.K. competition series “Taskmaster.” And Disney+ recently finished airing the second season of “Percy Jackson and the Olympians,” where Mantzoukas portrays Mr. D (a.k.a. Dionysus), and he’ll soon wrap up a stint on Broadway, where he stars in Simon Rich’s play “All Out: Comedy About Ambition.”

For the continuously busy Mantzoukas, sometimes the perfect Sunday means never leaving the house. “All I want to do is make a whole pot of coffee, get the paper and a big stack of unread comic books, and sit on the porch.” When he does explore the city, he favors the spots where he similarly can just hang out for a while. But before that, how about a refill?

10:30 a.m.: First cup(s) of the day

I’m a night owl, so on a Sunday especially, I’m going to let myself sleep in. Then I’m making coffee. My first three cups of coffee are all from home. I’m making a French press. L.A. beans though, either Counter Culture or Go Get Em Tiger would be my beans of choice. That and the newspaper are the beginning.

Almost immediately upon getting up, I’m going to start playing the radio. My mornings are either LAist or Howard Stern if it’s a weekday. But on Sundays, I’m trying really hard to not do any talk, just music. It’s KJazz, or something like that. I’m also obsessed with a radio station called WYAR that I can’t recommend enough. It’s music from the ’20s, ’30s and ’40s. It’s the teeniest, tiniest radio station out of Yarmouth, Maine.

Noon: Hike bros

I’ve hiked with the same guys for years now. It’s all guys that I’ve done comedy with for 20-plus years. We usually do one of the Griffith Park hikes because it’s convenient for everybody. The conversation topics are: What is wrong with us physically? What doctor recommendations do we need desperately? Then it is gossip — gossip from within our world, gossip from outside of our world. Then it is just earnest conversation, like checking in emotionally. And then quite a bit of dumb bits, like really dumb bits.

We do these hikes a couple of times a week, and it’s so fun and funny that we have started doing an improv show at the Elysian Theater that’s called Hike Bros. It is just us trying to approximate on stage what it is we do on hikes. It’s ridiculous.

1 p.m.: Comic book restock

After the hike, I’m in a good position to go to Secret Headquarters in Atwater Village, which is my home comic book shop. They keep a list of what comics I want them to set aside each week.

There’s a series of graphic novels called “Hobtown Mystery Stories” that are like, what if David Lynch wrote Hardy Boys, Nancy Drew-style teen detective books? I got super into them because I was in Secret Headquarters and one of the people there was like, “Oh, I bet you’d like that book.” On the internet, I miss having those trusted people.

2 p.m.: Recording digging

I want to kill time in a way that is about discovery, exploration, but also, like, “Oh, I want stuff.” That’s record shopping. L.A. has always been Amoeba for me, just in terms of I love wasting hours in a store that has a deep bench for every section of music that I’m interested in. And then if you want to do the extra work, DVDs as well. There’s a lot of great smaller record stores around town that I love, but there’s something about killing two hours at Amoeba.

6 p.m.: Dinner hang

What I want from an L.A. dinner is I just want to hang there. Little Dom’s is a great hang. You can spend hours there. You’re always going to run into people. My hope is that we can all just hang out and that we’re not going to be rushed out because they have another seating.

8 p.m.: Nighttime activities

I’m going to want to do one of three things at night:

I want to go to the movies, and I’m talking Vidiots and the Vista and the New Beverly. We can all go to all the regular theaters and see all the blockbusters, but L.A. has fantastic theaters that are doing incredible programming,

If I’m not going to the movies, I want to see live music as much as I can, but on a much smaller scale than I used to. I’m excited when an artist that I love like Mary Lattimore or Jeff Parker has a residency at Zebulon because I’m like, “Oh, great. That is not a big crowd. That is very easy, very manageable.”

Then I either want to be doing a comedy show or seeing a comedy show. There’s such a vibrant scene now. The Elysian in Frogtown is a great spot. We do Dinosaur Improv at Largo. I think Largo is pound for pound, maybe the best venue in town. Dynasty Typewriter, another great one. UCB, the OG. Over the course of a month, these are all places that I’m doing shows at, but these are also places that are showcasing some of the best comedy in L.A.

11 p.m.: The missing piece

At this point I’m done being social. I don’t want to talk to anybody anymore. My goal when I get home is a jigsaw puzzle — with either a podcast or jazz on in the background — until probably like 2 in the morning.

I do these puzzles from a company called Elms Puzzles and they’re hand cut, so they’re incredibly difficult to do. It’ll take me a month to do one. They are prohibitively expensive, so much so that I don’t buy them. They have a rental program. They send you a puzzle, you do it, you send it back to them, and they send you another puzzle. Which is perfect, I don’t need to do a puzzle more than once.

It is a great way to put myself into a frame of mind to go to bed, especially if I’ve done a show or watched a movie. If I’ve been stimulated, doing a puzzle for a couple of hours is a great way to decompress.

Billionaire developer Rick Caruso is not running for Los Angeles mayor, in a last-minute twist less than two days before the deadline to enter the race.

Caruso had been reconsidering whether or not to run, citing a Times article, published Wednesday, in which two unnamed sources described Mayor Karen Bass’ involvement in watering down an after-action report on the Palisades fire.

“Rick is incredibly moved by the outpouring of support but reached an earlier decision in a thoughtful process and it stands. He will not be a candidate for mayor,” said Mike Murphy, a political consultant for Caruso.

Caruso’s decision reaffirms the one he made last month, when he announced that he would not run for mayor or governor, ending a long period of speculation among political watchers. Caruso, who ran against Bass in 2022, said at the time that he was “deeply disappointed to step back from an election I believe is so critical to California’s future.”

His decision not to run comes the same day that former Los Angeles Unified School District Supt. Austin Beutner bowed out of the race due to the death of his 22-year-old daughter.

L.A. County Supervisor Lindsey Horvath was still weighing a decision and said Thursday that she was receiving many calls from labor and business leaders who would support her run. Maryam Zar, founder of the Palisades Recovery Coalition, was also thinking about entering the race.

Bass already faces challenges from reality television star Spencer Pratt, a Republican who lost his home in the Palisades fire; Rae Huang, a community organizer who is a democratic socialist; and Adam Miller, a tech entrepreneur and nonprofit executive.

Candidates have until noon on Saturday to file their paperwork.

Caruso, the developer of popular malls such as the Grove and the Americana at Brand, lost to Bass by 10 percentage points in 2022 despite outspending her 11 to 1 after throwing $100 million of his own fortune into the race.

The 66-year-old served as president of the L.A. Police Commission in the 2000s, helping to hire William Bratton as police chief. He was appointed to the Department of Water and Power board in 1984, at age 26 — the youngest commissioner in city history at the time.

Caruso is a former Republican who registered as a Democrat in 2022 and has faced questions about his past party registration.

The developer has made public safety and quality of life issues his main talking points, along with criticism of Bass over the city’s handling of the Palisades fire.

Caruso — whose son and daughter lost their homes in the Palisades fire — called The Times’ latest reporting on the after-action report an “absolute outrage.”

“Karen Bass actively covered up a report meant to examine the most significant disaster in Los Angeles history,” he said. “This is a complete loss of public trust and an intentional act of covering up the actions that led to people dying.”

Bass’ office said the mayor did not make changes to the report.

“There is absolutely no reason why she would request those details be altered or erased when she herself has been critical of the response to the fire,” the office said in a statement Wednesday after the Times article was published.

One question has bothered Martin Ludlow in his decades as a concert and event promoter in Los Angeles. In a city packed with excellent jazz musicians, and a century of history with the genre, why is there no local equivalent of the massive festivals that cities like Montreal, New Orleans or Montreux, Switzerland, have built? One where the music transforms clubs, restaurants and parks across the city for nights on end?

This summer’s inaugural LA Jazz Festival in August will be the biggest push in a generation to build that here. Ludlow’s event — which melds his passion for jazz with the logistics muscle of his former life as a city councilman and labor leader — hopes to draw 250,000 fans across the city for a month of concerts culminating in a stadium-sized show on Dockweiler Beach. It will be one of the largest such events in the world, and the biggest Black-owned fest of its kind.

“This festival is intended to lift up our ancestors that came to this country in bondage, terrorized, brutalized,” Ludlow said outside City Hall on Wednesday. “It’s also about celebrating the end to those last bastions of Jim Crow racism, the days we were denied access to public drinking fountains, public swimming pools and public beaches. From the beginning of this journey, we’ve been very intentional about telling the narrative of that human rights struggle called Jazz.”

Flanked by Mayor Karen Bass, City Council members Heather Hutt, Traci Park and Tim McOsker, and jazz figures including Ray Charles Jr. and Pete Escovedo, Ludlow promised a galvanizing occasion for L.A.’s local jazz scene and the city’s wobbly tourism economy. That jazz scene has welcomed new investments like Blue Note L.A., and lamented beloved clubs like ETA closing.

This festival, however, hopes to be more on a scale with forthcoming mega-events such as the World Cup and the Olympics. The 25-day event in August will sprawl all over the region, with free park concerts in all 15 council districts, and 150 late-night shows at clubs and restaurants across the city. A Caribbean street fair highlighting the African and Latin roots of jazz will hit El Segundo, along with guided tours of historic Black coastal sites like Bruce’s Beach and Inkwell beach.

The fest culminates in a two-day concert on Dockweiler Beach that hopes to draw 40,000 fans a night. While a lineup is still in progress, the scope of Ludlow’s ambition is formidable — the fest will ban fossil fuels from its footprint, and earned a strong vouch from the California Coastal Commission. For decades, the Playboy Jazz Festival (now the Hollywood Bowl Jazz Festival) was the defining event for the music in Los Angeles; this could eclipse it several times over.

“Martin, I’ve been on this 15-year journey with you. Through all of the ups and downs, I’m so excited this is the year,” Mayor Bass said at Wednesday’s event at City Hall debuting the festival. “This is the Los Angeles that will welcome the world. One of the best things we have to offer is all of our culture.”

Ludlow is a colorful figure in Los Angeles politics, a former council member and L.A. County Federation of Labor executive who pleaded guilty to misappropriating funds in 2006. He’s since delved deep into community activism and embarked on a successful third act as a concert and event promoter, throwing socially-conscious events with his firm Bridge Street, which has produced shows for Stevie Wonder, The Revolution, Sheila E and Snoop Dogg along with civic events like the ceremony renaming Obama Boulevard in Los Angeles.

“During this journey, you can only imagine there’s a lot of highs and a lot of lows,” Ludlow said. “When you have those lows, you want a friend that really can lift you up.” He had plenty of them onstage with him Wednesday announcing what could be a new flagship event for jazz in Los Angeles.

Former Los Angeles schools Supt. Austin Beutner said Thursday that he is dropping out of the race for mayor, citing the recent death of his 22-year-old daughter.

Beutner, one of several candidates seeking to oust Mayor Karen Bass in the June 2 primary, made his announcement a month after the death of Emily Beutner, the youngest of his four children.

“My family has experienced the unimaginable loss of our beloved daughter Emily. She was a magical person, the light of our lives. We are still in mourning,” Beutner said in a statement. “A successful campaign, and more importantly the job of Mayor, requires someone who is committed 24/7 to the job. Family has always come first for me. That is where I need to be at this time.”

Beutner’s daughter died Jan. 6 at a hospital, according to officials with the Los Angeles County medical examiner’s office, which has not yet determined a cause.

The announcement comes as the lineup of candidates is still in flux, with Saturday’s filing deadline fast approaching.

L.A. County Supervisor Lindsey Horvath has been weighing a run, as has Maryam Zar, founder of the Palisades Recovery Coalition. Real estate developer Rick Caruso, who lost to Bass in 2022, is once again considering a mayoral bid — even though he publicly ruled that out last month — after The Times reported Wednesday that Bass was involved in watering down an after-action report on the Palisades fire.

Bass’ team said the mayor did not make changes to the report, saying “there is absolutely no reason why she would request those details be altered or erased when she herself has been critical of the response to the fire.”

Bass, who is seeking a second four-year term, already faces challenges from reality television star Spencer Pratt, a Republican who lost his home in the Palisades fire; Rae Huang, a community organizer who is also a democratic socialist; and Adam Miller, a tech entrepreneur and nonprofit executive.

If Bass secures more than 50% of the vote, she will win outright, avoiding a November runoff.

Beutner, who entered the contest in October, spent much of his campaign denouncing Bass’ handling of the Palisades fire, which destroyed thousands of homes and left 12 people dead. The fire severely damaged Beutner’s home in Pacific Palisades and completely destroyed the residence of Beutner’s mother-in-law.

During the early months of his campaign, Beutner also criticized the mayor for hiking the fees that the city charges for trash pickup, sewer maintenance and other basic services.

In his statement withdrawing from the race, Beutner continued to highlight some of the problems he discussed during his campaign.

“Los Angeles is a special place, but every day it’s becoming less affordable, less safe and a more difficult place to live,” he said. “To solve these problems, new ideas are needed along with leadership capable of implementing them.”

Beutner’s daughter, a student at Loyola Marymount University, was found last month by the side of a highway in Palmdale in a “state of medical distress,” according to the Los Angeles County Sheriff’s Department. She later died at a hospital.

After that, Beutner largely disappeared from the public eye, canceling more than a dozen campaign events and asking the public for privacy.

Whenever I want to escape the city, I have a tendency to go deep into the backcountry of Angeles National Forest.

But I don’t always have time for an all-day adventure. Luckily, Los Angeles has several local parks that make it easy to disappear into an old woodland or thicket of pine trees to briefly forget you’re one of 10 million people living in the county.

The three hikes below are either in L.A. or close by and require only a short drive for many Angelenos. (And for my readers in the South Bay, I promise I will hike down your way soon.)

Regardless of whether you want to take an afternoon off to explore one of these hikes or try one after a weekend brunch, I hope you find a gentle peacefulness that restores you back to feeling more like yourself. Time in nature can do that and more.

A large oak tree provides shade over a trail in Franklin Canyon Park.

(Jaclyn Cosgrove / Los Angeles Times)

1. Loop trail around Franklin Canyon Park

Distance: 1.2-mile loop with options to extend (see map)
Elevation gained: About 200 feet
Difficulty: Moderate
Dogs allowed? Yes
Accessible alternative: Franklin Canyon Drive loop

Franklin Canyon Park is 605 acres of public land north of Beverly Hills that features chaparral and oak woodlands. The park has three bodies of water: the three-acre Franklin Canyon Lake, Heavenly Pond and Wild Pond.

To reach the park, you’ll take the southern entrance, as the northern entrance is closed while the L.A. Department of Water and Power repairs the roadway. Take good care as you drive into the park, as there are a few tight corners with low visibility.

Upon arrival, I’d recommend taking a 1.2-mile loop, which I’ve mapped out here, that will take you past the lake and ponds and up into the park’s hillsides. I went on a recent afternoon when it was in the mid-80s in L.A. and found the park to be cooler thanks to the abundant shade provided by oaks, sumac and other trees.

A turtle rests on a hunk of wood in the Heavenly Pond in Franklin Canyon Park.

(Jaclyn Cosgrove / Los Angeles Times)

To begin your hike, you’ll park in the large dirt main parking lot. Signs around the lot warn visitors of frequent break-ins, so either leave your treasure at home or hike in your pearls.

From the parking lot, head south on Franklin Canyon Drive, where you’ll quickly find a trail entrance with wooden steps that lead down near Franklin Canyon Lake. I hope you’re greeted by the sound of quacking waterfowl like I was! (And I bet if you go in the morning or evening, you’ll hear bullfrogs.)

Continue in the southerly direction, appreciating the gnarled coast live oaks and sound of shy red-eared sliders plopping off their logs into the water. This short trail will lead you back up to the road where you’ll walk south for just a bit before turning onto the gentle path that loops around Heavenly Pond. This is an especially good spot to find turtles, ducks and at least one orange-and-white koi.

From Heavenly Pond, continue south on the paved road, following it past the private residence to the wooden steps at the reservoir’s southern end. Take these stairs down onto Chernoff Trail. You’ll quickly spot toyon and pine trees, among other natural delights. Soon, you’ll bear right (or northeast) to take stairs onto the road. Cross the road and continue northeast onto the trail. Take the next set of steps up past thick bunches of black sage and chaparral nightshade.

Plants with flowers blooming in Franklin Canyon include ceanothus, California brittlebush and wishbone bush.

(Jaclyn Cosgrove / Los Angeles Times)

Continue north on Blinderman Trail, following it as it bears east before it loops back around west. Along the way, you’ll pass well-maintained benches and bridges. Between the rustic bridges and frequent tree canopy, this trail made me feel, at times, like I was entering a fairy tale. I spotted lots of blooming California brittlebush and desert wishbone bushes along Blinderman Trail as well as some deer tracks near a forested area where the trail ends near the parking lot.

A portion of Blinderman Trail is a bit washed out, so I’d recommend carrying hiking poles, especially for the trip down. If you need to refill your water bottle, there are water fountains near the Eugene and Michael Rosenfeld Auditorium, which is just southeast of the main lot.

I left Franklin Canyon Park grateful for my short jaunt in nature, amazed by yet another well-maintained public park in the heart of L.A.

Cave of Munits.

(Jaclyn Cosgrove / Los Angeles Times)

2. Cave of Munits

Distance: 1.3-mile loop
Elevation gained: About 230 feet
Difficulty: Moderate
Dogs allowed? Yes
Accessible alternative: Orcutt Ranch Horticulture Center trail

This 1.3-mile loop trail follows El Escorpión Trail in the 61-acre El Escorpión Park to the Cave of Munits, a chimney cave named after a sorcerer in a local Indigenous legend.

To begin, you’ll park on the street near the trailhead. To reach the cave, you can either take El Escorpión Trail, a wide exposed dirt path that starts at El Escorpión Park gate, or the path along the riverbed, which provides more shade but is more narrow. Both are visible on maps on outdoors navigation apps. When I hiked to the Cave of Munits, I took El Escorpión Trail to the cave and the shadier trail along the creek on the way back.

The cave isn’t immediately visible when you start. Once you see a large rocky gash in the mountain, you know you’re getting close. Once inside the cave, be mindful not to cause any damage and be careful when climbing.

The steepest part of this hike is as you approach the largest cave. Grippy shoes are a must, and trekking poles could be helpful.

The Cave of Munits is an easy place to reconnect with your childlike wonder, but please explore with respect and reverence for the place. The cave’s name relates to a Fernandeño and Western Tongva story of tragic misunderstanding, which you can read here.

Dunsmore Canyon in Glendale.

(Jaclyn Cosgrove / Los Angeles Times)

3. Dunsmore Canyon & Le Mesnager Loop Trail

Distance: 2.6 miles
Elevation gained: About 800 feet
Difficulty: Moderate
Dogs allowed? Yes
Accessible alternative: Brand Park history walk

This hike through the 709-acre Deukmejian Wilderness Park in Glendale will offer you not only great views of the surrounding cities but also an opportunity to spend time among blooming trees and native plants, including California peonies and California brittlebush.

You’ll park in a lot near the Stone Barn Nature Center. Several signs warn that the park closes one hour after sunset and to leave before you get locked in. I think they’re serious, so take note.

You’ll start your hike on Dunsmore Canyon Trail, headed northeast up a straight gravel path covered on both sides with several native plants including ceanothus (both white and purple blooms), yerba santa and sagebrush.

Just .2 miles in, there’s a massive old coast live oak where kids could easily create an imaginary forest kingdom under its large branches.

As you continue to climb, you might hear Dunsmore Creek, which runs parallel to the trail. Remember to turn around as you gain elevation, as this trail rewards you with substantial views of Glendale and the Crescenta Valley soon after you start. All the while, you have the San Gabriel Mountains right in front of you, including Mt. Lukens, which you can hike to from the same park.

Half a mile in, you have the option to continue on the Dunsmore Canyon Trail or Le Mesnager Trail to make a shorter loop. Le Mesnager Trail includes a lookout point at about 2,750 feet, a great spot for a sunset as long as you don’t get locked in! As you meander down the trail, you’ll find a nice shady canopy and continued views of the city below.

3 things to do

Volunteers work at the Debs Park Test Plot.

(Test Plot)

1. Protect native habitat in L.A.
The Audubon Center at Debs Park needs volunteers from 8:30 to 10:30 a.m. Friday for its monthly maintenance on the test plot. Volunteers will meet in the center’s courtyard before heading out. Participants should wear closed-toed shoes and clothing they don’t mind getting dirty. They should also bring a reusable water bottle and gardening gloves. Register at act.audubon.org.

2. Nurture nature in Glendale
The Arroyos & Foothills Conservancy needs volunteers from 9 to 11 a.m. Sunday for a restoration workday in the Sycamore Canyon Preserve. Volunteers will help improve the health of plant life in the preserve to better ensure it is inviting and healthy for wildlife, which use it as a corridor to travel through the area. Participants should bring water, sunscreen and work gloves. Pants, long sleeves and sturdy shoes are recommended. If able, volunteers are encouraged to bring shovels, loppers or trowels. Other tools and equipment will be available.⁠ Learn more at arroyosfoothills.org.

3. Wander the wetlands in Huntington Beach
Amigos de Bolsa Chica will host a free tour from 9 to 10:30 a.m. Saturday through the Bolsa Chica Ecological Reserve in Huntington Beach. Visitors should meet their guides in the south parking lot off Pacific Coast Highway, halfway between Warner Avenue and Seapoint Street. Volunteer naturalists will present information on the preserve’s history, bird life and more. Register at amigosdebolsachica.charityproud.org.

The must-read

Skiers navigate their way down Lincoln Mountain at Mammoth Mountain ski area, located in the Sierra Nevada mountain range.

(Christian Pondella / For The Times)

Two ski patrollers at Mammoth Mountain have died in separate avalanches over the past year. These workers are responsible for clearing popular ski routes by using handheld explosives to prevent avalanches from harming guests. “Were the resort’s managers pushing too hard to open the mountain after major storms? Had training standards slipped, pushing relatively inexperienced ski patrollers into dangerous situations? Are young ski patrollers afraid to speak up, even when they think they’ve been asked to take unreasonable risks?” wrote Times staff writer Jack Dolan. Read Dolan’s story to find the answer to those questions and more.

Happy adventuring,

P.S.

Let’s end with good news! A volunteer was monitoring Eastern Pacific green sea turtles that live near the mouth of the San Gabriel River when they spotted a shelled reptile in trouble. The turtle had fishing line wound around her right flipper and into her mouth. “She was also attached to a medley of debris — clothes, algae, plastic,” wrote Times staff writer Lila Seidman. “When she came up for air, aquarium staffer Aaron Hovis jumped in and grabbed her. Once freed from the garbage, she was loaded onto a stretcher and brought to the aquarium.” The turtle, now named Porkchop for her voracious appetite, is now happily recovering at the Aquarium of the Pacific in Long Beach. Although the aquarium has been helping injured sea turtles for more than 25 years, the public can now see the little cuties on display in a new exhibit about the turtles. You can visit Porkchop until she’s returned to the wild, where veterinary staff are confident she’ll keep thriving — and eating!

For more insider tips on Southern California’s beaches, trails and parks, check out past editions of The Wild. And to view this newsletter in your browser, click here.

A tech executive who made a fortune developing education software, then waded into the fight against homelessness, is now entering the race for Los Angeles mayor.

Adam Miller, co-founder of Better Angels, a nonprofit focused on preventing homelessness and building affordable housing, filed paperwork on Wednesday to run against Mayor Karen Bass in the June 2 primary election.

Miller, in an interview, said the city is on a downward trajectory and beset with problems — and needs someone with strong leadership skills at City Hall.

“A lot of the issues we face in the city are management problems, and I know how to manage,” he said. “I’ve managed effectively teams that are big and small. I’ve managed teams that are domestic and international. And I’ve managed programs at every stage, so I know how to scale things up and make them operate at scale for a big system.”

The 56-year-old entrepreneur and nonprofit executive is making his move at a moment when the candidate lineup remains unsettled. Even with Saturday’s deadline for filing candidate paperwork fast approaching, some are still undecided on whether to run.

Los Angeles County Supervisor Lindsey Horvath has spent several days hinting that she may jump into the race, while also taking shots at Bass on CNN and elsewhere.

Maryam Zar, who founded the Palisades Recovery Coalition in the wake of the Palisades fire, is also weighing a run. Even real estate developer Rick Caruso, who publicly ruled out a mayoral bid last month, told KNX on Wednesday that he may reconsider.

Former L.A. schools Supt. Austin Beutner, who launched his campaign in October, has been out of the public eye since the death of his 22-year-old daughter on Jan. 6. Reality TV star Spencer Pratt has spent the last several weeks promoting his book “The Guy You Loved to Hate,” and emerged earlier this week to file his candidate paperwork.

Community organizer Rae Huang has been courting the city’s left-leaning voters, appearing with podcaster Hasan Piker in a conversation about housing policy.

Meanwhile, Bass has been using the trappings of her office to promote her work, scheduling two State of the City speeches in a three-month span. The first of those, delivered Monday, sounded in many ways like a campaign stump speech, except longer.

After Miller filed his paperwork, Bass spokesperson Douglas Herman immediately derided him, describing Miller as a “wealthy venture capitalist” who sold software that helped large companies “systematically lay off workers.”

“The last thing Los Angeles needs now is another self-funder who doesn’t understand the crisis of affordability in our city,” Herman said. “Mayor Karen Bass will continue working to solve the biggest problems facing our city with groundbreaking efforts on housing affordability, reductions in street homelessness and public safety stats sitting at 60-year lows.”

Miller pushed back on the mayor’s statement, saying his company’s software was used for training and helping employees build their skills. He said that, although he will provide a loan to his campaign to get things started, he will be raising money like any other campaign.

Miller is the former chief executive of Cornerstone OnDemand, the global training and development company that he built over more than two decades, growing it to more than 3,000 employees. The publicly traded company was sold in 2021 to a private equity firm for $5.2 billion, he said.

The Brentwood resident has been heavily focused on philanthropy, serving as chair of the nonprofit 1P.org, which is a charitable foundation that provides funding to other nonprofit groups.

Miller said he and his wife, Staci, while mapping out their philanthropic work, chose to focus on intractable problems at the local, state, national and global level. Locally, he said, homelessness was the issue they identified as the most intractable.

1P.org has been providing funding to Better Angels, which has been working to build affordable housing while also distributing micro-loans to families facing eviction. In addition, the nonprofit has developed an app to help homeless outreach workers stay connected.

Sara Reyes, executive director of SELAH Neighborhood Homeless Coalition, said its 700 volunteers use Better Angels’ outreach app to maintain relationships with one another and their clients in neighborhoods stretching from Hollywood to Atwater Village.

The app is not integrated with the homeless database maintained by the Los Angeles Homeless Services Authority, a city-county partnership, and would be more effective if it was, Reyes said.

Miller said the city needs help with issues that go well beyond homelessness. For example, he said, city leaders have made L.A. “one of the least developer friendly cities in the country,” hindering the construction of new homes.

“We have a major housing shortage,” he said. “We have an unacceptable number of people who are unhoused. We have affordability issues. I’d say city cleanliness is on the decline. We are not well prepared for disasters, as was clearly seen last year.”

Kristen Stewart fears the death of classic Hollywood cinema.

As the actor-turned-director drove through the streets of Los Angeles and saw beloved local theaters replaced by major retail chains, she decided to help save theatergoing in the city that started it all.

So she bought a historic movie theater in L.A.

Stewart purchased and is restoring the Highland Theatre, a cultural landmark that once hosted vaudeville acts.

“When people are desperate, they start doing desperate things,” Stewart said in an interview with Architectural Digest. “I think buying this theater feels a little desperate in like the most beautiful way.”

The theater shut its doors nearly two years ago — less than a week short of its 100th anniversary. The owner, Dan Akarakian, told The Times in 2024 that the theater was unable to recover economically from the COVID-19 pandemic.

“Everything that’s already living here is so beautiful. It just needs to be like taken care of,” Stewart said. “I mean, the place is falling down. We definitely need like a lot of help, but it’s worth it.”

The local film and TV industries in L.A. were struggling long before wildfires that ravaged the city early last year dealt another blow, halting production and threatening the homes of stars and crews alike.

Stewart, who first achieved international success with her role as Bella Swan in the “Twilight” saga, said movie theatergoing is becoming a lost art, as “people are watching movies on their tablets and their TVs and likely watching a couple of things at once.” She and her peers struggled to get movies off the ground.

Stewart hopes the theater can become “a space that families can go and that also filmmakers can go and so we can kind of be in service of each other,” she said. “We can be in actual communication with people and not cut off from each other.”

The three-story building has theater rooms and venue space, ideal to host screenings and public community events, she said.

The theater was designed by architect Lewis Arthur Smith, known for other local theaters like the Vista in Los Feliz and El Portal in North Hollywood.

“It’s an opportunity to make a space to gather and scheme and dream together,” Stewart told AD. “This project is about creating a new school and restructuring our processes, finding a better way forward.”

Stewart’s effort to save local cinema comes on the heels of a coalition of filmmakers, led by “Juno” director Jason Reitman, purchasing the 93-year-old Village Theater in Westwood in 2024.

Oscar-winning writer-director Quentin Tarantino bought the Vista, also designed by Smith, in 2021. The theater reopened its doors over two years later.

Stewart, who was raised in the San Fernando Valley, has been a longstanding advocate of the L.A. community. She works closely with the Downtown Women’s Center, which provides housing to homeless women.

The actor decried the lack of stories by and for women in Hollywood during her keynote speech at the annual Academy Women’s Luncheon in November.

“I absolutely f— love this city,” she said. “I like the spaciousness. You can decide how you want to fill it.”

Los Angeles City Councilmember Curren Price was taken to a hospital by paramedics on Wednesday after fainting during a Black History Month event at City Hall.

Price, 75, was taken by ambulance at Los Angeles General Medical Center, where he was in stable condition, Council President Marqueece Harris-Dawson said.

Price is “in stable condition, is in recovery and doing well,” Harris-Dawson told the audience at Wednesday’s council meeting. “But out of abundance of caution, he obviously won’t be with us in council today.”

The incident took place on the third floor bridge linking City Hall and City Hall East, which is currently displaying an exhibit of prominent Black women community leaders, according to Price spokesperson Angelina Valencia-Dumarot. Price spoke at a ceremony celebrating the exhibit, which had scores of attendees, before feeling faint and needing to lean on one of his aides for help, she said.

It was not the first such medical incident to involve Price at a public event. Last year, Price fainted while appearing at a groundbreaking for the upgrade of the Los Angeles Convention Center, which is located in his district.

At the time, a Price staffer said he was suffering from dehydration. He missed a month of council meetings after that event.

On Wednesday, Valencia-Dumarot said her boss was getting “the care that he needs” at the hospital.

“His wife is with him, his family is with him, and we’re all just wishing him well and sending our prayers,” she said.

The medical incident comes a roughly week after a judge ruled that a corruption case against Price can proceed to trial. Price has been charged with embezzlement, perjury and having a conflict of interest, by casting votes on real estate projects whose developers had hired his wife.

Price’s lawyer said there is no evidence that the council member was aware of the conflicts. All of the projects were approved with overwhelming support, and Price’s vote made no difference in the final result, the attorney said.

A top Los Angeles politician said Tuesday that LA 2028 Olympics committee chair Casey Wasserman should resign following revelations about racy emails he exchanged with convicted sex offender Ghislaine Maxwell.

“I think Casey Wasserman needs to step down,” said L.A. County Supervisor Janice Hahn, who along with other L.A. politicians is working with the LA28 Olympics organizing committee on planning of the Games.

“Having him represent us on the world stage distracts focus from our athletes and the enormous effort needed to prepare for 2028,” said Hahn, who represents an area of south Los Angeles County that includes coastal neighborhoods.

A representative for Wasserman didn’t immediately respond to a request for comment.

Wasserman and other top officials with LA 2028, which is in charge of paying for and planning the Games, are in Italy for meetings ahead of the Winter Olympics.

Hahn’s comments follow the release of investigative files on Jeffrey Epstein released last week by the Justice Department that include personal emails exchanged more than 20 years ago between Wasserman and Maxwell, Epstein’s former romantic partner.

In emails sent in March and April 2003, Wasserman — who was married at the time — writes to Maxwell about wanting to book a massage and wanting to see her in a tight leather outfit.

She offers to give him a massage that can “drive a man wild,” and the pair discuss how much they miss each other, according to files released and posted online by the U.S. Department of Justice.

In a statement released Saturday, Wasserman said he regretted his correspondence with Maxwell, which he said occurred “long before her horrific crimes came to light.”

“I never had a personal or business relationship with Jeffrey Epstein. As is well documented, I went on a humanitarian trip as part of a delegation with the Clinton Foundation in 2002 on the Epstein plane. I am terribly sorry for having any association with either of them,” he said in the statement.

The Daily Mail in 2024 published an extensive story on Wasserman’s alleged affairs during his marriage with Laura Ziffren, whom he divorced. He denied the accusations.

Though we’re solidly into 2026, a trend has emerged on social media: Reminiscing on the year 2016.

Through throwback posts, people have been traveling back to the year when dog and flower crown Snapchat filters, Instagram eyebrows, the mannequin challenge and the Chainsmokers were everywhere.

But why, you may ask? On social media, 2016 is remembered as the last carefree era, a time when people posted whatever they wanted without overthinking it, when folks actually danced at parties instead of pointing their phones at the DJ booth to “capture content.”

2016 also brought many cultural milestones to L.A., from Kobe’s final game to the rise of selfie culture to all things Issa Rae. In the spirit of nostalgia, we’ve rounded up 16 moments that bring us back to that time. So let’s crank up Beyoncé’s “Lemonade” album and take a ride down memory lane, shall we?

Interiority is a concept that multimedia artist Sarah Sze has been fixating on lately.

“So much of what we experience is actually interior,” Sze said in a recent video interview. “We’ve become so exterior focused. We’re so outward looking.”

At a time when it’s all too easy to consume a never-ending stream of social media images, the celebrated New York-based artist is more interested in scrolling through the images stored inside her own mind.

Her new show, “Feel Free,” champions the mind’s eye, in all its random, fragmented glory. It brings a collection of new paintings and two immersive video installations to Gagosian Beverly Hills.

Sze is known for her unconventional sculptures and large-scale paintings, which she’s shown in such venues as the Museum of Modern Art, LACMA and the U.S. Pavilion at multiple Venice Biennales. In 2023, she left her mark on both the inside halls and the exterior walls of the Guggenheim Museum, and her public sculptures have transformed a grassy hillside as well as a pine grove and an international airport.

Sarah Sze’s Gagosian Beverly Hills show “Feel Free” is meant to feel intimate.

(Ariana Drehsler/For The Times)

At the Gagosian show, Sze leaned into the intimate and fragile, while continuing her signature experimental streak.

In one of her newest pieces, “Once in a Lifetime” — part sculpture, part video display — precarious clusters of bric-a-brac form a mechanical marvel that appears to defy gravity.

A stack of small projectors is cradled inside of a fantastical tower fashioned out of crisscrossed tripods, metal poles and ladders festooned with an assemblage of toothpick structures, empty cardboard containers that once held crayons and Lactaid, dangling prisms, arts & crafts scraps, and paper cut-outs of deer and wolves (figures that appear throughout the show).

The bare gallery walls surrounding the monument flash with rotating projections of construction sites where buildings are being erected and demolished, clouds drifting across tranquil blue skies, and city lights twinkling then slowly dissolving into floating fractals. The Dadaist piece is every bit as off-kilter and fascinating as the Talking Heads song that inspired its title.

“Once in a Lifetime” is part video display and part sculpture, made of tripods, toothpicks, lights, cardboard boxes and projectors that flicker images on the gallery walls. (Ariana Drehsler/For The Times)

“The most important thing about my show is that I hope it’s really challenging and exciting and gives young artists license to do what they want to do,” Sze said.

“When they come in and say, ‘Wait … I didn’t know you could put up toothpicks going to the ceiling and throw a video through it and make it into a movie. I didn’t know you could put a pile of things on the floor in front of a painting.’ It’s like, ‘OK! Yes, you can!’”

Meanwhile, large canvases in the main gallery space are covered with oil and acrylic paints and printed backdrops dotted with an assortment of images: sleeping female figures; hands pointing, drawing and flashing peace signs; the sun at different stages of setting; birds in flight; wolves and deer in their natural habitats. Layered on top are paint splotches and streaks, as well as taped-on paper and vellum, blurring and obscuring the collage of figures underneath.

“Escape Artist,” left, “White Night” and “Feel Free,” are new paintings by Sarah Sze at Gagosian Beverly Hills.

(Ariana Drehsler/For The Times)

“One of the things I was thinking about was when we dream and then we wake up, there’s this extreme, fleeting moment where you’re trying to grasp the dream,” Sze said. “The dream is disappearing at the same time, and you’re trying to re-create those images.”

She went on to describe “a landscape turning into a different landscape, and then you’re falling, and then you’re turning, and then someone appears that you didn’t expect to be there.”

In addition to this spree of the subconscious, the artist offers glimpses of her creative process. Pooled on the ground below the canvases (and even dangling from the rafters above) is an assortment of the tools of her trade — from tape measures to paint scrapers. Brushes, pens and pencils lie next to the ripped cuffs of cotton workshirts, and drops of blue and white paint are splattered on the floor, extending the artwork beyond the wall.

Sze spent five days installing the show inside the gallery and the commonplace supplies incorporated into the pieces are what she dubbed “remnants of the workspace.”

“Sleepers,” a video installation Sze debuted in 2024, plays with the light entering through a gallery window. Images of sleeping heads and forest animals play amid the sound of cello notes and deep breathing.

(Ariana Drehsler/For The Times)

If the paintings act as snapshots of dreamscapes, “Sleepers,” the video installation she debuted in 2024, sets those images in motion. Dozens of hand-torn paper fragments connected by rows of string become miniature projection screens, each flashing with images of the same sleeping heads, busy hands and forest animals. These are interspersed with flashes of TV static and ocean waves, all set to the sounds of humming, disjointed cello notes and deep breathing.

Directly in the center, a slender vertical window — part of the gallery’s architecture — illuminates the otherwise darkened room with a pillar of natural light, further contributing to the ethereal nature of the piece.

Viewed at the right angle, the piece resembles a giant eye. It’s the perfect visual cue to get visitors thinking about what we see and how we see it.

Los Angeles unions enjoy a decided “brand advantage” over corporations among city voters, and the labor movement should use that popularity to advance “union-led solutions” to key public policy issues in 2007, a memo written by top labor strategists says.

The two-page memo, which was obtained by The Times, argues for broader, more straightforward engagement on policy issues than many unions have undertaken in the past. Some labor leaders prefer to focus on their own contract issues, and even those who are active in politics often soft-pedal the “union” label.

The document demonstrates labor’s confidence as it heads into a new year of big battles over politics, contracts and organizing.

Labor is preparing to fight a referendum, which was qualified by the business community, to block an expansion of the city’s living wage ordinance. Civilian city employees, grocery store workers, security officers and teachers are seeking new union contracts, and hotel workers near the airport and truck drivers near the port are engaged in organizing drives.

The memo relies heavily on public opinion research conducted by a Democratic pollster, David Binder, including a survey of 800 city voters last fall. The document was written by three veteran strategists, John Hein, Bob Cherry and Don Attore, all of whom have retired from the political operation of the California Teachers Assn. The three work closely with Working Californians, a nonprofit research and advocacy group.

“There is a significant opportunity for organized labor in Los Angeles,” the memo says. “In particular, we’d highlight these factors: unions’ fundamentally positive image and ‘brand advantage’ over business corporations; the overlap between union priorities and the key concerns of voters across the electorate in L.A., and the opportunity to expand public understanding of the connection between local government and the full range of quality-of-life issues.”

Gary Toebben, president and chief executive of the Los Angeles Area Chamber of Commerce, said that unions, to the extent that they engage in policy issues, “are copying the Chamber of Commerce…. For other groups to want to be involved in efforts to build a better community, I say we welcome them to the cause that we have been championing.”

Toebben and other leaders of Los Angeles’ business community are focusing on a referendum to block a new law, which is heavily backed by labor, to expand the city’s living wage ordinance to cover workers at airport-area hotels. The success of the referendum, which probably will appear on the ballot in May, is crucial to persuading businesses to come to Los Angeles, expand and create jobs, he said.

Asked at a news conference last week about whether the referendum was wise given labor’s growing strength in the city, Toebben said it would be wrong to “just let the bulldozer run over you.”

Binder’s poll found that unions have more public support in Los Angeles than in other areas of the state and country. Among city voters surveyed, 55% agreed that “without unions, there would be no middle-class left in America.”

Reflecting the labor movement’s influence in city politics, the memo argues for talking up local government’s ability to deal with issues such as the economy, healthcare and the environment, which generally are considered federal and state matters.

The memo calls “for a public education campaign focused on union-led solutions to the quality-of-life issues that Los Angeles voters regard as most important.” The memo suggests that such a campaign be conducted before 2008, when state and national election campaigns will probably consume union energy.

“Los Angeles, against its own history, is a labor town now,” said Cherry, one of the strategists, who was a key figure in the successful effort to defeat Gov. Arnold Schwarzenegger’s slate of ballot initiatives in 2005. “One of the things that comes through in the poll is that people really see the potential of unions to take up the cause of ordinary people on quality-of-life issues.”

Nelson Lichtenstein, a labor historian and UC Santa Barbara professor, said he had “a certain admiration” for unions involving themselves more in policy issues, though he wonders if the public may prove skeptical.

In the long term, “this is the way that unions will make a breakthrough — when people see that solutions to society-wide questions are part of a labor agenda,” he said.

Binder’s polling suggests that any attempts by business to challenge union priorities will not be easy. Seventy-three percent of those surveyed agreed with the statement: “Big corporations are taking advantage of people like you.” Sixty-one percent of the Angelenos surveyed believe that oil companies are manipulating oil prices, including reducing prices during election times to keep supportive politicians in office.

Maria Elena Durazo, the leader of the Los Angeles County Federation of Labor, was briefed on the polling. She said in an interview that in 2007, she wanted to continue to organize workers while looking for opportunities to take on “the greediness of the corporations, which is pretty clear and pretty blatant.”

“Strategically, we just don’t take on everything that’s out there,” she said. “We’ve tried to put our resources in places where they make a difference.”

Dan Schnur, a Republican political consultant who teaches at USC, said that a public education campaign might be particularly effective this year, when no state or federal elections are scheduled.

“The best time to reach the voters with any type of argument is when their guard is down,” Schnur said. “The closer you get to an election, the more difficult it is to get through to people, but having this discussion in an off-year makes it much easier to get your message through.”

*

joe.mathews@latimes.com

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, giving you the latest on city and county government.

Los Angeles Mayor Karen Bass did something this week that would have been unthinkable three years ago — she took an unprompted swipe at her counterparts in L.A. County.

Bass, while weighing in on L.A.’s so-called “mansion tax,” dinged the county for creating what she called a “bureaucratic” homelessness agency, saying it threatened to undermine the city’s progress on the crisis.

County Supervisor Lindsey Horvath hit back hard, telling Bass on X that the county created the new agency because the existing one — which is partly overseen by Bass appointees — was incapable of tracking its spending.

“The County is fixing the problems you’ve ignored,” Horvath said.

Things have been bad between Bass and Horvath for more than a year, with the two Democrats taking veiled, and sometimes not-so-veiled, swipes at each other. But could they become adversaries in the truest sense of the word — as head-to-head rivals in this year’s mayoral election?

Horvath, who has spent months lining up endorsements for her own reelection campaign, has until Saturday to decide whether to enter the mayor’s race, challenging Bass’ bid for a second term. She told The Times she is seriously weighing a run — and “spending the weekend in deep reflection” with friends and family.

“From a young age, my faith has guided me through the most important moments of my life,” said Horvath, who is Catholic. “This is one of those moments.”

Bass, who is running in the June 2 primary for a second term, is already facing challenges from reality television star Spencer Pratt, former school superintendent Austin Beutner and community organizer Rae Huang, who has focused heavily on housing issues. Still, a Horvath bid would reshape the contest dramatically.

Beutner has not campaigned publicly since Jan. 5, one day before his 22-year-old daughter died of undetermined causes. Real estate developer Rick Caruso opted on Jan. 16 to stay out of the race, after sharply criticizing Bass for more than a year.

On paper, a Horvath mayoral bid looks somewhat risky. If she takes the plunge, she would no longer be permitted to seek reelection to her supervisorial seat, representing about 2 million people on the Westside and in the San Fernando Valley. Bass has been raising money for more than a year and has locked up key endorsements, including the Los Angeles County Federation of Labor.

If she runs, Horvath would face questions about the county’s difficulties, including a $4-billion legal payout over sexual abuse that has been marred by fraud allegations and a screwup surrounding Measure G, the 2024 ballot measure that will expand the number of county supervisors but also is on track to inadvertently repeal a criminal justice reform measure.

On top of that, there’s the secret $2-million payout to the county’s top executive.

Horvath said she’s seen recent polling that makes clear that “there’s an appetite for change” among Angelenos. Community leaders, residents of her supervisorial district and “those longing for a better Los Angeles” have been asking her to run, she said.

“I am listening carefully and seriously both to those who are urging me to enter this race, and to those who are eager to continue the work we have begun together at the County,” she said in a statement.

A spokesperson for the Bass campaign said he does not comment on prospective candidates. Pratt, for his part, said he’s rooting for Horvath to jump in so that “voters can see two career politicians calling each other out for the failed policies they both promoted.”

“Lindsey Horvath and Karen Bass are both responsible for the decline of our city, and the more they talk about each other, the more the public will see why we need a complete reset,” he said in a statement.

Even if Horvath doesn’t run, it looks like her relationship with the mayor will be rocky for the foreseeable future. The first-term supervisor has emerged as one of Bass’ most outspoken critics, highlighting an array of issues at City Hall.

Earlier this month, Horvath told The Times that she hears regularly from Angelenos who complain that they’re not getting basic services. She said that support within City Hall for Inside Safe, the mayor’s program to combat homelessness, is eroding.

Horvath has also taken aim at the city’s response to the Palisades fire, pointing out in a letter to Gov. Gavin Newsom that the Fire Department’s after-action report was watered down and then disavowed by its author. A day later, she told CBS2 that Bass was not being truthful about the county’s new homelessness agency.

Bass also has her own bully pulpit. On Friday, she stood outside federal court and railed against the indictment of independent journalist Don Lemon, calling it an “assault on our democracy.” Prosecutors have accused Lemon of violating federal law while reporting on a protest inside a Minnesota church.

The strained relations between Bass and Horvath are noteworthy given the mayor’s heavy focus on collaboration early on in her administration, when she triumphantly declared she was “locking arms” with a wide array of elected officials — including county supervisors — in the fight against homelessness.

Bass has attempted to stay above the fray, mostly avoiding direct conflict with other politicians — at least in public. But the Palisades fire, which destroyed thousands of homes and left 12 people dead, showed things weren’t always amiable behind the scenes.

Two weeks after the fires, Horvath and Bass were at odds over their joint public appearances, with Horvath complaining via text message that the mayor’s approach didn’t feel “very ‘locked arms.’”

Months later, Horvath and her colleagues on the Board of Supervisors voted to pull hundreds of millions of dollars from the Los Angeles Homeless Services Authority, moving the money to the new county homelessness agency.

Horvath said the change was urgently needed in the wake of highly damaging reports about LAHSA’s financial oversight. Bass, in turn, warned the move would create a “monumental disruption” for the city’s effort to bring unhoused residents indoors.

Last month, Bass published an opinion piece in the Daily News criticizing the county, pointing out that its new homelessness agency was already proposing cuts to programs that have served the city’s unhoused population.

Bass echoed that criticism in a recent interview, saying the cuts were proposed a year after voters approved a half-cent sales tax to fund homeless services.

Those reductions, if enacted, would scale back the operations of A Pathway Home, the county’s counterpart to Inside Safe.

“We are going to do the best we can without a full partner in the county,” Bass said.

Horvath, for her part, said she wants to scale back A Pathway Home because it is too costly — and is not achieving the success that county officials want.

State of play

— BACK TO THE DRAWING BOARD: City Councilmember Nithya Raman fell short in her attempt to send voters a ballot proposal rewriting Measure ULA, the tax on property sales of $5.3 million and up. Councilmembers said they did not even want to discuss the idea until it had been vetted by her committee.

— PIT BULL PAYOUT: The city paid more than $3 million last year to a woman who adopted a dog from the South L.A. animal shelter, only to have it attack her two days later. She later found out the dog had bitten a grandmother’s face. The case is raising questions about the way some shelter dogs are promoted on Instagram and other platforms.

— HEADING TO TRIAL: After a weeklong hearing, a judge ruled on Wednesday that the criminal case against Councilmember Curren Price can proceed to trial. Price, who has been charged with embezzlement, perjury and violations of conflict-of-interest laws, is slated to leave office in December. His lawyer said he did not act with “wrongful intent.”

— CLEARING CASES: Los Angeles police solved more than two thirds of homicides citywide in 2025, in a year that ended with the fewest number of slayings in six decades, according to figures released Thursday.

— GIVING TO GIBSON DUNN: The council signed off on a $1.8-million increase to its legal contract with Gibson Dunn, which is representing the city in the seemingly endless L.A. Alliance case. The increase, which passed on a 9-4 vote, brings the contract to nearly $7.5 million.

— PAYOUT PAUSE: Los Angeles County will halt some payments from its $4-billion sex-abuse settlement, as prosecutors ramp up their probe into allegations of fraud.

— LAPD VS. PROTESTER: A tense exchange between an LAPD captain and one of the Police Department’s most outspoken critics has gone viral.

— BATTLING TRUMP, PART 1: President Trump signed an executive order to allow victims of the Los Angeles wildfires to rebuild without obtaining “unnecessary, duplicative, or obstructive” permits. The order, which is likely to be challenged by the city and state, was immediately derided by Gov. Gavin Newsom, who said Trump should provide FEMA relief.

— BATTLING TRUMP, PART 2: Trump also vowed to fight the construction of new low-income housing in the Pacific Palisades burn area. L.A. officials say no projects are planned.

Quick hits

• Where is Inside Safe? The mayor’s signature program to fight homelessness went to the area around Gage Avenue at St. Andrews Place, located in the South L.A. district represented by Councilmember Marqueece Harris-Dawson.
• On the docket next week: Bass delivers the first of her two State of the City speeches, which has been billed as a “unifying celebration of Los Angeles.”

Stay in touch

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