july

Karol G is taking her 2025 album, “Tropicoqueta,” worldwide.

After wrapping two bombastic headlining sets at Coachella this year, the Colombian superstar announced a stadium world tour on Instagram Tuesday morning.

The “Viajando Por El Mundo Tropitour” will kick off July 24 at Chicago’s Soldier Field. The “Provenza” artist will then head out to Las Vegas on Aug. 7 before making a stop at SoFi Stadium in Inglewood on Aug. 14. She’ll grace California with one more performance on Aug. 21 at Levi’s Stadium in Santa Clara.

The 35-year-old singer will wrap up the U.S. leg of her tour with a performance in Dallas on Oct. 15 before commencing the international section of the tour in Monterrey, Mexico, on Nov. 6. This string of shows is scheduled to finish exactly a year after commencing, with a July 24, 2027, set in Milan, Italy.

Karol G was the first Latina to headline Coachella in the desert fest’s 27-year history. She was only the second Latin music artist to get top billing at the event, with Bad Bunny being the first to ever do it with his 2023 headlining performances.

“This is for my Latinos that have been struggling in this country lately,” she told her fans during her history-making performance. “We stand for them. I stand for my Latina community. I am very proud because this brings out the best in us: unity, resilience and a strong spirit. We do this because we want everyone to feel welcome to our culture, so I want everyone to feel proud of where you come from.”

During her Coachella shows, which took place across two weekends in April, she brought out a cavalcade of guest performers — including L.A.’s own Becky G, the Colombian reggaeton revivalist J Balvin and Greg Gonzalez from Cigarettes After Sex.

The “Si Antes Te Hubiera Conocido” artist first teased that she’d be embarking on a tour at the end of her set during the second weekend of Coachella. Text reading “Nos Vamos de Tour” (We’re going on tour) was displayed as she played her final song.

The Page Museum at the La Brea Tar Pits is closing down this summer in preparation for its first significant overhaul in its 50-year history.

The closure comes as its neighbor LACMA’s David Geffen Galleries finally open to the public after a two-decade campus transformation, and L.A. institutions make a concerted effort to bolster the city’s cultural scene in advance of the 2028 Olympic Games.

“We’re excited about bringing the entire campus together, and our part of it is really important to making it feel like you can easily move from LACMA over into the Tar Pits,” said Lori Bettison-Varga, president and director of the Natural History Museums of Los Angeles County, which oversees the Tar Pits. “So we worked closely with LACMA on that interface, and we’ll continue to do so.”

The last day to visit the Page Museum is July 6. Prior to closing, the Tar Pits will host a free public KCRW Summer Nights event June 12 and a members-only, disco-themed dance party June 27.

The museum renovation, like the recently announced Samuel Oschin Global Center for Ice Age Research, is part of the NHM’s broader Reimagine project — a yearslong site revamp led by architecture firm Weiss/Manfredi that will make the 13-acre Tar Pits campus more accessible and emphasize its function as the only active paleontological research hub located in a major urban area. For the Page Museum, that means a new and improved northwest entrance, expanded visible research labs and collections displays, an immersive theater and a rooftop terrace overlooking Hancock Park.

• Share via Close extra sharing options

“We’re going to have this more accessible, state-of-the-art museum that really tells the story of Ice Age Los Angeles and its relevance today in a way that it currently doesn’t,” Bettison-Varga said.

Bettison-Varga added that the revamped Page Museum will demonstrate “why this place is a worldwide treasure, and that it’s telling us about ecological and climate change that happened in the recent past and what we can learn from it.”

“All of this is about placing it in the context of relevance for today, not just a window into the past,” she said.

To date, the Reimagine project has secured more than $131 million, just over half of its $240 million fundraising goal.

Guests can still observe active excavation during the two-year museum closure — albeit from different vantage points — as researchers continue their work on site. Hancock Park will stay partially open, with new walking paths and outdoor features set to be phased in coordination with construction.

“[The renovation] is really going to position that museum with respect to the landscape and the fossils that are right from this site, while still preserving all the wonderful things that the community loves about the site: the frieze and the lake pit, the mammoth family, the visible excavations and, of course, the hills that everyone likes to roll down,” Bettison-Varga said.

Plus, with the Geffen Galleries opening, “it’s actually a good reminder for everyone to come see the vintage, iconic La Brea Tar Pits before the Page Museum closes,” Bettison-Varga quipped.

While the Page Museum is under construction, the grant-funded La Brea Tar Pits Mobile Museums will continue visiting schools and other public places throughout L.A. County.

The Page Museum opened in 1977 and currently houses more than 2 million specimens in its collection.

Country singer Ray Stevens is recovering after breaking his neck.

On Sunday, Stevens, 87, fell and broke his neck, according to a press release shared with The Times. The two-time Grammy winner was “briefly hospitalized in the Nashville area and is now recovering at home,” and was advised by doctors to wear a neck brace for the next four weeks.

“Despite the injury, he remains fully mobile and in good spirits as he continues his recovery,” the statement read.

Stevens still plans to release his upcoming album, “Favorites Old & New,” this Friday. The album features recordings of classic songs like “It Had to Be You” and “Come Rain or Come Shine,” as well as originals.

“I had a lot of fun creating this album, ‘Favorites Old & New,’” explained Stevens in the press release. “It really does contain a few of my favorite old songs as well as favorite new ones penned by some talented writers. I just hope Ray Stevens fans enjoy it as much as Ray Stevens!”

In July, Stevens suffered a heart attack that required a heart catheterization and subsequent surgery. Shortly after the procedure, Stevens’ Instagram account shared that he was “working towards recovering from this surgery.”

“Ray is very grateful for all of the cards and get-well messages,” the post read. “Everything is Still Beautiful!!!!”

Stevens was inducted into the Country Music Hall of Fame in 2019. Upon his induction, he quipped to The Times that his retirement was not on the horizon.

“I feel fine; I’ll probably keel over after I hang up the phone. [He laughs.] But I’m gonna do what I want to do because I can,” Stevens said.

As “The Super Mario Galaxy Movie” lands in theaters, coloring stations, collectible popcorn containers and mascot Marios are all in place to entice arguably the most prized moviegoers to Hollywood today: kids.

By Sunday, Universal Pictures expects the five-day opening of the “Super Mario” sequel to reach $186 million domestically, and around $350 million worldwide. That would make it easily the biggest hit of the year, surpassing a pair of successes that also launched with young moviegoers in mind: Pixar’s “Hoppers” ($297 million worldwide) and Amazon MGM’s “Project Hail Mary” ($300.8 million).

It’s not the start of a new trend but the culmination of one. In 2024, PG-rated movies outgrossed any other rating for the first time in decades, with $3.18 billion in domestic ticket sales according to Comscore. Five of the top six movies worldwide were PG movies: “Inside Out 2,” “Moana 2,” “Despicable Me 4,” “Wicked” and “Mufasa: The Lion King.”

Last year was no different. PG-rated films amassed $2.96 billion, again besting the longtime leader, PG-13. The top draws globally were “Ne Zha 2,” “Zootopia 2,” “Lilo & Stitch,” “A Minecraft Movie” and the PG-13-rated but not exactly kid-adverse “Avatar: Fire and Ash.”

Good news has been hard to come by in Hollywood. Contraction, most recently with Paramount Skydance’s planned purchase of Warner Bros. Discovery, has added to the anxieties of an already jittery industry. While ticket sales are up so far in 2026, they remain more than 20% below pre-pandemic levels. In February, AMC, the nation’s largest exhibitor, said it would continue to shutter underperforming theaters.

But despite a lot of talk about the imperiled future of moviegoing, future moviegoers — kids — are turning out in droves.

“There’s a recognition that this is an increasingly important group of movie fans and we’re doing everything we can to make sure their experience is wonderful,” says Michael O’Leary, president and chief executive of Cinema United, the trade group for theater owners.

Gen Alpha, those aged 12 or younger, may even be the movies’ best hope. A study last year by the National Research Group found that no generational group wanted to watch movies on the big screen, as opposed to at home, more than Gen Alpha.

“We’re emboldened by some of the research that indicates younger folks are the fastest growing demographic of people going to the movies,” O’Leary says. “We’re very much focused on the fact that we have to build the next generation of movie fans.”

Mario, Minions and more

In 2023, “The Super Mario Movie,” part of Universal’s collaboration with Nintendo and “Minions”-maker Illumination, grossed $1.36 billion. Its sequel is likely to get close to that, and add to a mounting string of $1 billion kids movies. The most recent was The Walt Disney Co.’s “Zootopia 2,” which became the highest-grossing Hollywood animated film of all time with a whopping $1.87 billion.

Increasingly, a generation that grew up with smartphones, iPads and Netflix is propelling today’s biggest blockbusters.

“What’s been true for a long time and is maybe even truer today: Families want to be out,” says Jim Orr, distribution chief for Universal, which recently announced the expansion of its exclusive theatrical window from three weekends to five. “They want to do things. They want to make memories.”

“No one talks about: Remember that great time when we sat on the couch?”

And this year may be the most kid-catered year at the movies yet. There are 26 wide-release PG movies slated for 2026, up from 24 in 2025 and 18 in 2024.

That includes a summer lineup that’s family friendly on a nearly week-to-week basis. Potential blockbusters lined up include “Toy Story 5” (June 19), “Minions & Monsters” (July 1) and the live-action “Moana” (July 10). Though currently unrated, “The Mandalorian and Grogu” (May 22) and “Supergirl” (June 26), not to mention “Spider-Man: Brand New Day” (July 31), will all also target young moviegoers.

A PG comeback

The PG surge comes several years after most family movies detoured to streaming during the pandemic, a shift that some, at the time, feared would become permanent.

“The family film has literally come back from near-extinction,” says Paul Dergarabedian, head of marketplace trends for Comscore. “The one genre that really took a major hit with the pandemic was the family film.”

But kids increasingly count among a key category for theaters: the habitual moviegoer. That’s considered going to six or more movies a year. And it’s not just younger kids. Last year, 41% of Gen Z moviegoers went to the movies at least six times, according to NRG, up from 31% two years earlier.

For cinephiles who have long feared movie theaters effectively turning into mini theme parks, the predominance of kid-oriented franchise blockbusters is unlikely to allay those concerns. Mid-budget, adult releases are increasingly rare. Dramas and comedies have struggled to attract audiences. Family-friendly movies occupying a bigger slice of cinemas is partially because adult moviegoing has waned.

But if older moviegoers are harder to coax away from the couch, families have been more eager. For them, the appeal of getting out of the house, despite rising ticket costs or the options on streaming services, is as strong as ever.

“In many instances, they’re going to the theater to get away from all of the other screens that inhabit their lives,” says O’Leary. “When I was a kid, you went to the movies, in part, to escape from something. So it’s a new variation on that old theme.”

Dergarabedian has taken to calling PG the new PG-13. If slightly adult-leaning movies once occupied the center of the multiplex, that territory now belongs to the PG movie.

“The kids that are going to the movies today are going to take their kids tomorrow,” Dergarabedian says. “As long as people keep making kids, the future of the movie theater experience is assured.”

Coyle writes for the Associated Press.

Union members scuffled with reporters and then banned the media entirely from the Communications Workers of America convention floor in a dispute springing from NBC’s labor troubles. Three Democratic presidential hopefuls–Massachusetts Gov. Michael S. Dukakis, Sen. Paul Simon of Illinois and civil rights activist Jesse Jackson–addressed the Miami Beach convention despite the controversy. The media ban by the union, which represents nearly 700,000 workers in the telecommunications and publishing industries and in the public sector, stemmed from a federal court order demanding that the union permit NBC into the convention hall if it allowed any reporters.

LA28 revealed the schedule Monday for an extended Olympic soccer tournament that will begin four days before the opening ceremony.

The soccer competition begins July 10 with four men’s group stage games across New York, Columbus, Nashville and St. Louis. The women’s tournament begins July 11 with games in all six of the preliminary round sites, including San José and San Diego.

The soccer competition, which will feature 12 women’s teams and eight men’s teams for the first time, has the longest competition window of any sport in Olympic history because the International Olympic Committee Executive Board wanted to give each team two extra rest days throughout the tournament.

Each team will have two days of rest between group stage games and three days between the final group game and the quaterfinal rounds. The men will begin their knockout round games on July 20 while the women start quarterfinal play on July 21, including one women’s quarterfinal match at the Rose Bowl.

The iconic stadium in Pasadena will host only five matches for the Olympics, including a men’s and women’s semifinal July 24 and the men’s gold medal match on July 28 and the women’s on July 29.

San Diego’s SnapDragon Stadium will have the most matches of any site with 11. In addition to three days of women’s group stage games, the home of San Diego State football, San Diego FC and San Diego Wave FC will host a women’s quarterfinal July 21, men’s and women’s semifinals July 24 and both bronze medal matches.

With the coast-to-coast soccer tournament shaping up, LA28 announced additional ticket opportunities for the competition, allowing fans interested in attending soccer matches to buy up to 12 soccer tickets in addition to the current 12-ticket maximum for all other Olympic events. The 12-ticket maximum for Olympic events includes the opening and closing ceremonies on July 14 and 30, respectively, which each have a four-ticket limit.

Ticket registration for the first ticket drop ends Wednesday at 11:59 p.m. PDT with the first tickets going on sale to locals in Southern California and Oklahoma beginning April 2. The first general ticket drop begins April 9. Fans who are randomly selected to participate in the first ticket drop will be notified via email between March 31 and April 7 with information and their assigned timeslot to purchase tickets.

More than 5 million fans have already registered for Olympic tickets, LA28 said, with Paralympic tickets going on sale in 2027. The organizing committee expects 14 million tickets to be available for the Games, which could eclipse the total ticket sales record set by Paris in 2024.