job

It’s decision-making time.

With a 53-man roster needing to be finalized by Sunday, the Chargers wrap up the preseason against the Rams at SoFi Stadium on Thursday night.

The Chargers looked sloppy in their 41-17 home loss to the San Francisco 49ers last week, following an inspiring 27-7 road win over the Houston Texans, and now aim for a better on-field product in their final tuneup.

“Just want it to be crisp [and] clean,” Chargers coach Jim Harbaugh said. “Want to see improvement. … Everybody doing what they’re supposed to do.”

Here are four things to watch for — from the Chargers’ perspective — during Thursday’s game at 7 p.m. PDT (CBS, KCAL).

Who rises or falls as roster cuts loom?

The pressure is on for players on the bubble of earning a roster spot.

“From a player standpoint, how you feel, it’s so important it’s like life or death,” Harbaugh said. “Your football life is at stake; your lifestyle’s at stake, your job. That’s how important it is to the individual player. And then, to the team — I use the analogy [of] a deck of cards [and] the shuffle — you’re trying to create your best hand.”

How many offensive linemen will the Chargers keep in the wake of starting center Tyler Biadasz’ season-ending left knee injury? Which linebacker will turn heads enough to earn a spot? Which wideout or defensive back will literally and figuratively drop the ball?

Left guard competition

Chargers guard Kayode Awosika speaks during a news conference on June 8.

(William Liang / Associated Press)

It appears the starting left guard spot is all but Kayode Awosika’s.

“Kayode has kind of taken the lead,” offensive coordinator Mike McDaniel said. “It’s almost his job to lose, just because of his growth in the last two weeks.”

Awosika wants to seal his top spot on the depth chart, so keep an eye on him. With Jake Slaughter becoming the Chargers’ starting center, their depth at left guard after Awosika is slim.

McDaniel mentioned that Trey Pipkins is still in the mix for the starting left guard spot. But Awosika probably would have to play terribly for that debate to pick up steam.

Trey Lance vs. DJ Uiagalelei

Chargers quarterback Trey Lance passes against the 49ers on Aug. 20.

(Mark J. Terrill / Associated Press)

The competition is fierce for the role of Justin Herbert’s backup.

Lance and Uiagalelei have each seen similar amounts of action throughout training camp, and neither seems to have an advantage so far.

Whoever looks better against the Rams could secure QB2 on the depth chart, while the other will likely receive a practice-squad opportunity, if not a shot elsewhere.

“I feel like I’ve made strides,” Uiagalelei said. “Each and every day I go out there, I try to get better [and] attack a certain thing.”

Although each signal-caller is still in the hunt for No. 2, Lance does have experience in McDaniel’s offense from their shared time with the 49ers. A decent showing from Lance could be enough to keep him in the same position he held last season.

“I’m talking to [McDaniel] more than I did when I was in San Francisco,” Lance said. “He hasn’t changed — same energy, same guy.”

Real glimpse of starters?

Most of the Chargers’ starters didn’t play against the Texans. And against the 49ers, they called it a game after one series.

Harbaugh said starters will be in for six to nine plays against the Rams.

“It’s been a good camp so far,” special teams coordinator Ryan Ficken said. “Ups and downs; some things we’ve been learning [and] going through; some good plays, some bad, obviously; coming off last week’s game, obviously wasn’t the expectations we were hoping for … but again, it’s a learning process.”

THE world’s most famous nepo-baby North West has revealed she is planning to land a job at Starbucks next year.

The 13-year-old star is arguably the most famous child-star and nepo-baby thanks to her parents being Kim Kardashian and Kanye West.

She has already carved out an impressive career having released her own music, appeared in stage productions and taken part in fashion editorials all before becoming a teenager.

But despite already living the life of luxury in the fame world, North has now admitted that she wants to give it all up and bag a “regular job”.

In a brand new interview with Dazed magazine, North confessed that as well as her music career, her dream role is to be work as a barista at Starbucks.

Speaking to the publication, North said: “I still wanna work.

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“I wanna work at, like, Starbucks next year.

“I think I can next year ’cause I’m gonna be 14, so… I think I can.

“I want to have a regular job, I guess.”

It marks a major U-turn for the young star to pivot away from the mega Kardashian brand.

In her first magazine interview, North also opened up on her well-discussed look.

Despite her tender age, conversation has swirled around her dyed blue hair and multiple body piercings.

Clapping back, she said: “Everyone’s in love with boys, vaping and doing all kinds of bad stuff.

“All I want is blue hair and piercings.”

But North did reveal that she had been disallowed from getting her “bridge pierced” – a piercing that goes through the top of your nose and under your eyebrow.

A prominent Latino group is raising fresh concerns about Paramount Skydance’s proposed acquisition of Warner Bros. Discovery, saying the blockbuster deal would crush Latino workers and small businesses that support Hollywood.

In an open letter to California Atty. Gen. Rob Bonta, the League of United Latin American Citizens urged the state’s top prosecutor to continue his legal fight to block Paramount’s proposed $111-billion takeover of the media company that owns HBO, CNN, HGTV and the Warner Bros. film and television studios.

“No state has more to lose from this disastrous merger … than California,” LULAC National President Roman Palomares and Chief Executive Juan Proaño wrote in the six-page letter sent to Bonta late Sunday.

Thousands of jobs would be lost, and Latino voices could be squelched should the deal go through as it is drawn, the LULAC leaders said.

“The current form of the consolidation would have a devastating and unacceptable impact on Latinos, including those who reside in the Los Angeles community,” they wrote, noting Latinos make up 40% of the state’s population and nearly half of Los Angeles County, where HBO and the Paramount and Warner Bros. studios are based.

At least 4,500 jobs in Southern California would be lost if the merger goes through, according to a 120-page report last week from Los Angeles County’s economic office.

Paramount’s proposed merger has carved deep divisions and become increasingly contentious.

In recent days, Gov. Gavin Newsom, Los Angeles Mayor Karen Bass and Democratic gubernatorial nominee Xavier Becerra publicly pressured Bonta to settle the lawsuit to avoid a drawn-out court fight.

Politicians have been reacting to Paramount’s threat to move its studio, and potentially Warner Bros., from Hollywood to Tennessee or Texas unless Bonta backs down.

Theater owners and two major Hollywood unions — the Directors Guild of America and the International Alliance of Theatrical Stage Employees — have joined the parade pleading for a settlement. But the Writers Guild of America and Teamsters have steadfastly opposed the merger, warning about its potential impact on working writers and film crews.

Paramount Chief Executive David Ellison was set Monday to meet Bonta and others representing the 12 states that sued to block the transaction. But Bonta abruptly canceled the mediation session, accusing Paramount of “playing games,” leaking details and making misrepresentations about the talks despite agreeing to keep them confidential.

Paramount later denied that it was the source of the leaks.

Paramount didn’t immediately comment on the LULAC letter, but previously has touted the merger as a way to build a stronger competitor amid a pullback in local production. The company said it would “invest $30 billion annually in production and release at least 30 films a year,” a commitment that would lead to “more jobs over time, and ultimately, a stronger, more durable entertainment industry for generations to come.”

“To have it thrown in your face that Paramount will leave Los Angeles if they don’t get what they want is really just tantamount to a threat … one that will be devastating to Latinos,” Proaño said in an interview with The Times.

“There is a significant number of small businesses — Latino small businesses — and Latino residents, employees and workers that support this industry,” Proaño said. “We’ve been invisible, we’ve been silent — but we wanted to make sure that LULAC is not silent in this moment.”

In its letter, LULAC pointed to Hollywood’s most recent mergers, including Discovery’s 2022 acquisition of WarnerMedia from AT&T, saying such tie-ups underscore how media consolidation tramples over Latino voices, particularly when companies resort to job eliminations and other cost cuts to balance the expense of a corporate takeover.

After Warner Bros. Discovery Chief Executive David Zaslav took the helm, his company plodded through years of turmoil and massive layoffs. The movie “Batgirl,” which was set to feature a young Afro-Latina as lead actor, was shelved to gain tax benefits. Warner also canceled “Gordita Chronicles,” a TV show about an immigrant Dominican family, despite solid viewership.

Latino families make up “a significant portion of the film and television industry audience,” the letter said, adding that Motion Picture Assn. data show Latinos annually attend more movies per person in theaters than any other demographic group.

“Hollywood returns almost nothing for that loyalty,” the letter said. “Latino characters filled only 5 percent of speaking roles across 1,300 top-grossing films.”

“These and other harms are not collateral to the antitrust case,” LULAC’s letter said. “They are consequences of the diminished competition that will result. Every studio absorbed by a rival is one fewer buyer for a script, one fewer employer for a crew and one fewer distributor willing to bet on a story its franchise slate does not need.”

Warner Bros. Discovery nearly drowned in debt that it took on to finance its $43-billion buyout from AT&T in 2022. Ellison’s proposed Warner Bros. takeover also will be heavily leveraged with nearly twice the debt that resulted from Zaslav’s previous deal.

David Ellison has lined up nearly $80 billion in debt financing to buy out Warner investors. The tech scion is relying on a guarantee from his billionaire father, Oracle co-founder Larry Ellison, and $24 billion in equity financing from three Middle Eastern sovereign wealth funds, representing the royal families of Saudi Arabia, Qatar and Abu Dhabi.

The deal comes one year after the Ellison family bought Paramount, which had been on the ropes because of significant under-investment over the years.

“Paramount followed the same script: within months of closing its Skydance merger in August 2025, it laid off roughly 2,000 employees, about ten percent of its workforce, just after dismantling its diversity programs earlier that year,” the LULAC letter reads.

“This time, Zaslav’s going to walk away with a billion-dollar parachute and Paramount may end up with these crown jewels assets when it comes to movie-making and television programming,” Proaño said.

Edwin Díaz said he understands the decision of the Dodgers to use him in lower-stake situations rather than immediately relying on him as a closer. The rationale is that strategy will help him rediscover his confidence.

“I know I haven’t done my job,” said Díaz, speaking to reporters at his locker before Sunday’s game against the Pittsburgh Pirates. “If I had done my job, I would be in the ninth inning.”

He praised Tanner Scott, who has thrived in that role.

“He’s doing a great job,” Díaz said. “I’m really happy for him.”

Díaz, the team’s biggest offseason acquisition, had elbow surgery early in the season and was out from April to late July. His return wasn’t triumphant, as he had three blown saves and two more shaky outings in non-save situations.

After a game against the Colorado Rockies last week, he complained of a neck problem and was placed on the injured list. He has more than a week remaining before he returns.

Díaz said he underwent an MRI scan on his neck and nothing unusual was revealed. He’s working with coaches on making a small adjustment to his delivery.

“They showed me a couple videos from last year — my arm slot’s always a little low,” he said. “We’re working now to get it higher and more consistent in that position.”

The goal, naturally, is to make good on the expectations the Dodgers had for him when they signed him to a three-year, $69-million deal.

“That’s why they signed me here,” he said. “To be the closer.”

Paramount Skydance’s proposed $111-billion takeover of Warner Bros. Discovery could result in 4,500 jobs eliminated in Los Angeles over a three-year period, according to a new report.

Los Angeles County supervisors earlier this year wanted to explore the potential economic impact of David Ellison’s proposed union of two historic Hollywood studios. The report, completed this week by CVL Economics, paints a sobering picture of the potential aftermath of the debt-laden deal, including the prospect of an estimated $1.26 billion in lost wages.

“Los Angeles County’s film and television economy is already undergoing a significant structural contraction,” the report said. “The proposed merger of Warner Bros. Discovery and Paramount Skydance introduces an additional source of risk into that already changing market.”

California Atty. General Rob Bonta is leading a coalition of 12 states attempting to block the merger on antitrust grounds. A trial has been set for March. Paramount and other groups, including cinema chain owners and some Hollywood unions, have agitated for a settlement to curtail months of uncertainty over whether the deal will go through.

The proposed merger has been controversial in Hollywood due to fears of widespread layoffs. The Writers Guild of America has brought its own lawsuit to thwart the deal.

The goal of the county’s report was to provide “a comprehensive assessment of the merger’s production workforce implications,” amid the ongoing decline of L.A. based film and television production work. Los Angeles has witnessed the elimination of more than 50,000 entertainment jobs since 2022.

The 120-page report, from the county’s Department of Economic Opportunity and Film Office and requested by Supervisor Lindsey Horvath, found that more than 15,000 corporate roles would be at risk, including an estimated 2,495 jobs based in Los Angeles County.

The two companies would have an overlapping workforce within its linear cable channel divisions, film and television studios, streaming operations and corporate functions, including marketing, technology and advertising sales.

“Effects on crews, crafts, post-production personnel, vendors, and production-serving small businesses,” could also be substantial, the report said.

Paramount, in a statement, said the report highlighted the industry’s troubles and made a case for the merger.

“LA County’s own economic report underscores what we have been saying all along: our industry is in decline, production is down and jobs are being lost — and lost for good if we don’t act,” Paramount said. “Our plan to invest $30 billion annually in production and release at least 30 films a year.”

That commitment, Paramount said, would lead to “more jobs over time, and ultimately, a stronger, more durable entertainment industry for generations to come.”

Paramount has received clearances from the U.S. Justice Department and 65 other regulators around the globe to complete the merger.

For now, Bonta’s lawsuit is standing in the way.

Paramount has promised investors the deal would lead to at least $6 billion in cost savings through the consolidation of operations. The company has said the merger would ultimately be good for consumers and workers because a combined Paramount-Warner Bros. would have greater resources to compete with tech giants that are investing heavily in entertainment.

But the report pointed to the high level of debt that Paramount would have to take on — nearly $82 billion — to buy the stock of Warner Bros. Discovery shareholders to finalize the takeover.

“If revenues underperform or planned savings prove more difficult to achieve, pressure to identify additional cost reductions could increase,” the report said.

The two companies already are carrying substantial interest costs due to their existing debt structures. “In the quarter ended June 30, 2026, the two companies reported a combined $712 million in operating income and $737 million in net interest expense,” the report said, meaning that the companies were producing less profit than what was needed to support their debt obligations.

Despite Paramount predicting cost savings and reduction in debt over time, “those savings will take several years to fully realize,” the report said.

David Ellison was hoping to wrap up his $111-billion merger with Warner Bros. by September.

(PATRICK T. FALLON/AFP via Getty Images)

Television production in Los Angeles could be especially vulnerable, in large part, because Paramount and Warner Bros. already have moved most of their feature film projects outside of L.A. High levels of TV production continues at Warner Bros. complex in Burbank and Paramount’s and CBS’ soundstages in Hollywood and Santa Clarita.

“The economic impact extends well beyond employment,” with an expected elimination of $547 million in tax revenue, including $78.6 million in local taxes, the report said.

It noted that Warner Bros. and Paramount films were “particularly employment-intensive.”

“Their theatrical releases carry 2.74 times as many screen credits as the average theatrical release, while their streaming films carry twice as many,” the report found.

The document also highlighted a pre-existing pull-back in production at the two studios in recent years — something that Ellison plans to correct.

Paramount was struggling to remain solvent prior to the Ellison family’s purchase of the media company last year. Warner Bros. had scaled back offerings following Discovery’s $43-billion takeover of WarnerMedia in 2022 as it struggled to contain the debt from that deal.

“Between 2019 and 2025, Warner Bros. Discovery and Paramount accounted for a net reduction of approximately 195 major U.S. releases,” the report said. At the same time, other major distributors combined “added about 67 projects.”

Ellison is looking to finalize his massive Hollywood deal — folding CNN, HBO, TBS, Food Network and the Warner Bros. film and television studios under Paramount — as quickly as possible. He must hold together Paramount’s coalition of financiers and manage rising expenses, primarily legal fees and escalating obligations to Warner shareholders.

The state attorneys general, including from Colorado, Oregon, Nevada, Washington and New York have argued that the blockbuster merger — the largest in Hollywood in decades — would violate the century-old Clayton Antitrust Act.

Paramount hoped the trial over Bonta’s lawsuit would begin in November but U.S. District Judge Araceli Martínez-Olguín set the trial for March 2.

If the deal goes forward, just four studios — a post-merger Paramount-Warner, Disney, NBCUniversal and Sony Pictures — would control 86% of movies that are widely released (in more than 3,000 movie theaters), according to the attorneys general lawsuit. Paramount has argued that projects from Amazon MGM, Netflix and Apple should be included because they compete with the traditional companies for talent and audiences.

Paramount-Warner Bros. would also own more than 50 cable channels, including HGTV, Animal Planet, BET, MTV and Comedy Central.

The number of job vacancies has fallen to its lowest level in more than five years as smaller businesses cut back on recruitment, the latest official figures indicate.

Vacancy numbers dipped slightly over the May-to-July period to 707,000, according to the Office for National Statistics (ONS), which said small firms were citing labour and operating costs as reasons for scaling back hiring.

The ONS said the labour market was “little changed overall”, with the unemployment rate remaining at 4.9%.

Growth in regular earnings – which excludes bonuses – picked up slightly, rising at an annual pace of 3.5% in the three months to June.

“The UK labour market remains stuck in a low-churn limbo, with employers reluctant to hire, fire or offer bigger pay rises as they grapple with rising costs, intensifying global headwinds and heightened policy uncertainty,” said Suren Thiru, chief economist at the Institute of Chartered Accountants in England and Wales.

“The persistent slide in vacancies is a red flag for the jobs market, suggesting labour demand is shrinking amid soaring employment and energy costs, while greater automation is also squeezing some entry-level roles.”

Yael Selfin, chief economist at KPMG, noted that while pay growth picked up, this was “driven by a rise in public sector wages”.

Private sector pay growth, which she said gave more accurate picture of underlying conditions in the labour market, slowed to 2.8%.

Stephen A. Smith fired back at the National Assn. of Black Journalists on Monday, calling its decision to give him a “Thumbs Down” award, because of his consistent criticism of Black female politicians, a political and “personal hit job.”

In a 44-minute address on his YouTube channel, the outspoken sports commentator said that while he was “far from perfect and … will always try to do better on behalf of my community and for the journalism community and beyond, that does not negate the bulls— that the NABJ did.”

He added, “I’ve received a lot of insults in my day, but that might be the lowest.”

Smith said the award, which was given Saturday at the organization’s gala, had nothing to do with journalism, attributing the dishonor to board members unhappy with his political opinions. “They did not engage in journalism when it came to critiquing me,” he said.

“People are scared,” he added, calling himself a registered independent. “See, I talk too much and I don’t speak glowingly enough about the Democratic party.” He called out NABJ President Errin Haines, who is editor-at-large for the nonprofit news outlet the 19th, saying she and other board members did not reach out.

“What you did to me was beneath the organization,” Smith said.

He said he invited Haines to discuss the award on the air but she declined, saying she would prefer a private conversation off the air.

The NABJ pushed back on Smith‘s account of the conversation. “President Haines welcomed the opportunity to speak with Mr. Smith and proposed that they begin with a private conversation focused on listening, accountability and meaningful dialogue, with the opportunity for public engagement to follow,” it said Monday in a statement. “At no point did President Haines decline a conversation with Mr. Smith or rule out a future public conversation.”

Other recipients of the “Thumbs Down” award included Brendan Carr, chairman of the Federal Communications Commission; DuJuan McCoy, Circle City Broadcasting president and chief executive; CBS News and the Washington Post.

The statement continued: “As President Haines emphasized in her remarks Saturday night, the purpose of the Thumbs Down Award is not permanent condemnation or criticism for criticism’s sake. Accountability should create an opportunity for reflection, dialogue and progress. NABJ remains open to meaningful engagement with any of this year’s recipients and will continue fulfilling its responsibility to advocate for Black journalists, fair and accurate coverage of Black communities, and a strong and independent press.”

In its presentation of the award, the NABJ said Smith “has established a recurring public pattern of disparaging commentary directed at prominent Black women across politics, sports and media.”

The statement continued, “Such commentary reinforces harmful narratives, undermines the fair and respectful representation of Black women in public discourse and stands in direct conflict with NABJ’s longstanding commitment to accurate, responsible and inclusive portrayals of Black communities.”

Smith then took to social media vowing he would strike back: “This is the epitome of Christmas arriving early. The NABJ wants to call folks out, fine! You had your turn, now mine is coming. And make no mistake…..,I’m coming,” he wrote.

Smith has been increasingly vocal about his politics as he hints at a possible presidential run. His statements, bombastic delivery and occasional praise for President Trump have come under fire in Black media and with celebrities. He accused Democratic Rep. Jasmine Crockett of Texas last September of using “street verbiage” in her frequent criticisms of Trump. He also has been critical of former First Lady Michelle Obama, former Vice President Kamala Harris, tennis star Serena Williams and others.

Smith defended those remarks Monday, saying he felt he was being fair and was supportive of the women. He declared that supporting Black women always has been a priority in his life.

“Everything I am, everything that I have achieved, everything that has lifted me up in my life has been associated with Black women. They have been my strength, my source of inspiration and so much more my entire life,” he said.

He added that he would not have been targeted by the Black media if he made the same sort of comments about conservative figures.

During his speech, he noted how the “Thumbs Down” award marked a reversal of NABJ’s previous embrace of him and his ESPN show “First Take,” when it hosted live broadcasts of the program during its 2024 and 2025 conventions. Smith also implied that instead of being hammered by the NABJ, he should be celebrated because he is about to be inducted into the Broadcasting+Cable Hall of Fame.

The NABJ statement further outlined the history of the “Thumbs Down” award, saying it has been handed out 44 times since it was first presented in 1989. The designation holds “individuals and institutions across the media landscape accountable when their reporting, commentary or practices have conflicted with the organization’s mission and values. Recipients over the years have included Black and non-Black individuals and institutions. NABJ calls balls and strikes based on the conduct and issues before us, not the identity of the recipient.”

Despite his anger, Smith told listeners he had no ill will toward the organization. “Please continue to support the NABJ,” he said.

Put away the trumpets. Pack them up, put them in the attic, let them collect some dust.

Nobody wants to hear them.

Nobody wants to be subjected to one more triggering, off-key note of an Edwin Díaz dirge. Not anytime soon, not in any high-leverage moments for the foreseeable future.

Not after the Dodgers’ closer blew another save Thursday, his third in four appearances.

Not after another Díaz disaster class. This time, after he trotted in to Timmy Trumpet’s “Narco” as usual, he gave up four consecutive hits and coughed up a two-run lead before getting yanked in a 5-4 loss to the Milwaukee Brewers at Dodger Stadium. It spoiled Max Muncy’s pinch-hit home run in the sixth inning that staked Díaz to a 4-2 lead.

Díaz was the high-profile free agent the Dodgers signed to lock down the ninth inning for the next three seasons, inking him to a $69-million deal to do it, a record for relievers.

He has an ERA of 11.57 for the season. And in the 5⅔ innings since returning from a procedure to remove “loose bodies” in his right elbow, he has given up 12 hits and three walks. On Thursday, he left everybody in the stands rooting for the Dodgers up in arms, booing.

Those folks might still be booing when they hear what Dodgers manager Dave Roberts said saltily postgame: “Give me another option … I can’t just say change him to low-leverage. I have to have options.”

So plan a search party, do it by committee.

Or give the ball back to Tanner Scott. He isn’t perfect, but has 16 saves and was serviceable filling in for Díaz before he was activated off the injured list on July 29.

Just don’t give the ball to Díaz.

Not while the 32-year-old right-hander is flailing. Not while he’s flustered and frustrated — which you can’t spell without rust, though even Roberts admitted, “I don’t know how long you can use the rust thing, which I’ve certainly used.”

Go with anyone but Díaz, who has been the biggest disappointment of this Dodgers’ trek toward what they hope is a three-peat.

Dodgers manager Dave Roberts, center, pulls closer Edwin Díaz from the game in the ninth inning Thursday against Milwaukee.

(Gina Ferazzi / Los Angeles Times)

He’s not the only disappointment: Mookie Betts is hitting worse than ever before in his career while another newcomer, $240-million man Kyle Tucker, is hitting just .239 with 11 home runs. Fittingly, he flew out for the final out and went 0 for 4 on Thursday.

But Díaz was heralded as the best reliever on the free-agent market when the Dodgers signed him.

Instead, he’s making a run at Worst Reliever in the Game.

His slider hasn’t been sliding. He’s been consistently inconsistent. His location has been spotty — or right down the middle, and as he showed and told Thursday: “I was throwing my fastball right in the middle. When you miss in the middle, you pay.”

And, like Roberts, Díaz doesn’t know the answer, just that “I just gotta sit down with the pitching coaches to see what I’m missing and what they say to see if we can fix it and keep working hard.”

In a short-sleeved T-shirt and shorts, he stood with his hands on his hips and faced the music — and the facts, saying he’s ready to relinquish his closer role if Roberts wants to try another option.

“I just gotta see what they wanna do,” Díaz said. “I wanna do the best thing for the team. At the end of the day, if they give me the ball in the ninth I will try to do my job. If they give me the ball in another inning, I will try to do my job.”

Roberts would prefer he do the job for which he’s being paid so richly: “Everyone’s got a role, they all have jobs to do, and they all have to do their job. That’s it.”

But Díaz hasn’t been up to the job. He had a 10.50 ERA in seven shaky appearances before he went on the IL on April 20.

It can seem like the Dodgers print money with all their high-priced players, but they might as well be lighting it on fire with the relievers they’ve brought in.

For them, the concept of the high-priced reliever should be an oxymoron. Because being fooled once is a shame; being fooled twice — that’s moronic.

In 2025, they signed Scott — then considered perhaps the best relief pitcher on the free-agent market — to a four-year, $72-million contract.

And he blew his opportunities like a trumpet too, ending last season with a 4.74 ERA (second-worst of his career) and 1.263 WHIP with 60 strikeouts through 57 innings. He didn’t pitch for the Dodgers in the playoffs.

Now they’ve got the Díaz debacle to deal with before the postseason, when it looks like the Dodgers, if they don’t have their big-name closer to rely on, will again be forced to find other options.

Despite risks in the Strait of Hormuz and Black Sea, seafarers from the Philippines are still competing for jobs.

Manila, Philippines – Monsoon rains may have forced schools to shut down and suspended government services in the Philippine capital last week, but applicants at shipping companies and employment agencies still formed long lines that snaked around street corners.

The rain was the least of their worries. They were taking the first step on a journey that would take them to increasingly treacherous waters – and they say they are fully aware of the risks.

Gerald, a veteran sailor, was sorting out some last-minute paperwork for his next deployment next week. He is going to board the same ship he was last on – a cargo vessel off the port of Fujairah in the United Arab Emirates. The last time he was there, he was stuck for two months. He was due to return to the Philippines when the United States and Israel launched air attacks on Iran in late February.

“There was one missile that flew over. The navy intercepted it right when it was above us, so we hid,” recalled Gerald, who asked for his full name not to be used to protect his job. “We knew fragments could land on our ship. But what can we do? There was nowhere safe.”

He said he had never had to face and fear and uncertainty in 15 years as a commercial seafarer. As the US-Israel war on Iran spread across the region, effectively closing the Strait of Hormuz, he and his stranded colleagues for weeks watched projectiles from both directions blow up mid-air. Shrapnel mostly ended up in the water, but the crossfire prevented their usual rations from coming through. They had to brave the danger and fish on the deck to survive.

But none of that has deterred him – not even the on-and-off diplomacy between Washington and Tehran.

“I was able to save enough to buy a property after just two years of sailing,” he said. “I was able to build a house for my parents.”

The sea had always been a source of food and income for Gerald. He grew up in a fishing village. And while he says he was never hungry, sailing in waters beyond his hometown changed his life.

“This job has provided me with a decent income. And it’s the only job I’ve known for a long time. I can’t just go into business or farming. That’s easier said than done,” he said.

‘If I die, my family will be set for life’

At the height of the war in March, nearly 20,000 sailors on 1,500 ships were trapped in the Strait of Hormuz. At least 17 have been killed in attacks since then.

The Philippines supplies more than a quarter of the world’s seafaring workforce. Among the 6,000 sailors currently stranded in the waterway, approximately 2,500 are Filipinos, according to data from the International Maritime Organization in July.

But even when the US and Iran struck an interim deal in June to end the war, there was no mass repatriation of Filipino sailors. The Department of Migrant Workers said more than 60 have since returned home from the Gulf, but most Filipinos on vessels that have been able to transit the Strait of Hormuz remain on board.

Alberto Lobaton was also due to return to sea and was staying at the same apartment complex near Manila Bay where Gerald was. The place has served as a halfway house for seafarers for years and was fully booked despite escalating maritime conflicts.

In addition to the conflict in the Gulf, there has been an increase in attacks on merchant vessels in the Black Sea as the war between Russia and Ukraine intensifies. In July alone, 35 ships were struck, and more than 20 sailors were killed, including at least three Filipinos.

Lobaton witnessed one such strike last year.

“I felt the ship shake because the explosion was so close. It was just around 300 metres (984 feet) away; I was in our quarters, but those who were on duty that night stood up and ran,” said Lobaton.

The Philippine government has appealed to shipowners to avoid high-risk areas or disembark their Filipino crew. It’s also reminded Filipino sailors they have the right to refuse to sail.

Lobaton says it would be a lie to say he is not concerned for his safety, but the financial rewards outweigh the risk of injury or death.

“If I die, my family will be set for life because we are insured. So if something were to happen to me, I’d prefer it happened while I’m at work at sea.”

Bookmakers have suggested Sally Nugent is the frontrunner for the BBC Breakfast position

Bookmakers have tipped Sally Nugent to take over from Naga Munchetty on BBC Breakfast.

Naga announced last month that she was vacating her seat on the sofa, having been with the BBC morning programme since 2009, and now talk has turned to who will replace her.

Coral has now shared some odds and Sally – who is already one of the presenters on the programme – is the clear frontrunner for Naga’s job.

She currently has odds of 1/2, with Coral’s John Hill saying: “Sally Nugent is already a familiar face on BBC Breakfast, and our odds makes her the clear favourite to replace Naga Munchetty on the popular early-morning programme.”

Sally started her career at BBC Radio Merseyside and also worked at BBC North West Tonight and BBC News.

She became a part of the BBC Breakfast team as a sports presenter and then in 2021 it was announced that she was going to be a regular presenter from Mondays to Wednesdays. She usually hosts the programme alongside Jon Kay.

Other TV stars whose names are in the mix include BBC Morning Live host Helen Skelton, who is currently at 5/1 to succeed Naga when she bids farewell to the programme.

Sarah Campbell, who already hosts the programme, has odds of 7/1, while former BBC Breakfast business presenter Steph McGovern is on 6/1. Journalist Tina Daheley is listed at 8/1, while Emma Vardy and Luxmy Gopal, both hosts on the show, are at 10/1 and 12/1 respectively.

Broadcaster and newsreader Victoria Derbyshire is also considered a potential candidate for Naga’s role, and is currently at 14/1.

Naga confirmed last month that she was leaving BBC Breakfast and that she will assume the role of presenting 5 Live Breakfast five days a week from January.

“It has been a privilege to be part of the BBC Breakfast TV team for the past 17 years, working alongside an incredibly talented and hard-working group of journalists who are not only outstanding colleagues but also great friends,” she said in a statement.

“Presenting a flagship programme on 5 Live is an opportunity that was simply too good to pass up. It will take a huge amount of work and require 100% of my focus and energy, and I’m really looking forward to throwing myself into the role.”

BBC Breakfast airs from 6am on BBC One.

As an aspiring young quarterback at Muleshoe High in the early 2000s, Lincoln Riley attended a football camp at Texas Christian University, run by a coach known even then as a mastermind of defense, a man whose ideas and 4-2-5 scheme would one day be disseminated across college football.

Gary Patterson had just been elevated from defensive coordinator to head coach at TCU, a job he would occupy for the next two decades. Around the same time, his staff saw something in Riley. They talked briefly about giving him a shot at safety on Patterson’s vaunted TCU defense.

“Needless to say,” Riley told The Oklahoman in 2018, “it didn’t turn out.”

But a quarter-century after first crossing paths at that camp, it’s now the young quarterback giving the old ball coach a chance to prove himself.

When USC announced it was hiring Patterson as Riley’s defensive coordinator in January, ears perked up across college football. On one hand, Patterson, 66, is a freshly minted College Football Hall of Famer and one of the great defensive minds of the modern era. On the other hand, he hasn’t led a college football team since 2021, when he was forced out at TCU, and a lot has changed in the sport since. Not to mention it’s been more than 25 years since Patterson last served as a coordinator.

Those were fair concerns, considering all that’s riding on Riley getting it right with Patterson, his third defensive coordinator in five seasons. But after seven months with him on the job, you won’t find anyone at USC — players, coaches or administrators alike — with an ounce of distress over Patterson’s stamina.

“I think I would have had more reservations had I not known him,” Riley said. “But that fire still burns very, very hot.”

That much was obvious in the spring when Patterson jumped into the middle of a tackling circuit to teach proper technique, and ended up running through the whole drill. He even delivered a blow at the end.

“He knocked the guy back,” said safeties coach Paul Gonzales, who coached with Patterson for a decade at TCU. “For a 60-year old guy, he still got some pop.”

USC defensive coordinator Gary Patterson watches practice in March.

(Robert Gauthier / Los Angeles Times)

Riley is betting big on that translating to the Trojans’ defense this fall. Over his four seasons as USC’s coach, there’s no mistaking what’s held Riley back from reaching the same heights at USC as he had at Oklahoma. The Trojans finished 124th, 104th, 87th and 65th in yards allowed per play during those years.

At TCU, Patterson’s defenses finished No. 1 in yards allowed five times during a 10-year stretch. Yet in the second half of his tenure at TCU, there was a noticeable decline, as his defenses finished in the top 25 of that same category just twice.

It was during that time that Riley’s offense went toe-to-toe with Patterson’s defense on numerous occasions. Riley, who was in his first head coaching job at Oklahoma, got the better of Patterson in each of their four meetings, piling up at least 498 total yards each time out.

“There was never anyone who was more of a pain to gameplan for or try to move the ball against than this guy,” Riley said.

During his five years away from coaching, Patterson said he actually spent more time studying the game than he had at TCU, where he was often consumed with other responsibilities. After consulting briefly at Texas and Baylor, Patterson took a job with an Amazon college football show, he says, primarily for the subscription service that came with it. Every Sunday morning, he’d watch whatever college game he wanted, just to stay fresh.

When he did return to coaching, Patterson didn’t just want to install the same scheme he used at TCU. So he closely studied Ohio State and Indiana’s defenses, which gave up a combined 32 touchdowns last season — seven fewer than USC’s defense (39). He took cues on how both clamped down better than anyone else in the red zone, where they each allowed opponents to convert touchdowns just 37% of the time.

“All I did was do football,” Patterson said. “I mean, it’s like getting married. I mean, it’s like I got nothing else. I wasn’t doing anything else.”

Those habits haven’t changed at USC. When other assistants took time for vacation this summer, Patterson stayed in the facility. He wanted to hone in on how to install his defense for a second time this fall. So he came in every day before 7 a.m., in a mostly empty office — just to beat the traffic.

“You want to change things, it’s a full-time job,” Patterson said. “It’s not one of those things that you do 70 or 80% of your time.”

It also gave him time to get to know his new players, each of whom have been summarily stunned by their veteran coach’s vitality.

“I don’t know how old he is, but he‘s out there like he’s 30,” linebacker Desman Stephens said. “He‘s still being active with us. He’s showing us drills. Like, if he want it done right, he gonna show you the exact way how to do it.”

So far, at USC, Patterson has had his hands on just about every detail of the defense. Which is precisely what Riley envisioned after watching him coach at TCU — and why he wasn’t worried about the game passing Patterson by.

“He was such a hands-on head coach,” Riley said. “He wasn’t a head coach just kind of doing a practice schedule, doing the speech, getting out early. He didn’t just straight CEO this thing, right? He was still calling defense, still game planning. He was very involved in every aspect of that program through all those years.”

USC defensive coordinator Gary Patterson fist bumps linebacker Desman Stephens during practice on Aug. 5.

(Eric Thayer / Los Angeles Times)

He won’t have to do that at USC. And Patterson seems perfectly fine with that.

But while others still wonder if he can make a successful return to college football, with a scheme that hasn’t been tested since 2021, Patterson is pretty confident his decades of experience count for something, too.

“It’s an advantage for me compared to somebody that’s 30 years old and doesn’t have kids, never been married, doesn’t know what it’s like to grow somebody up and raise a family and do things,” Patterson said.

“This is, I think, my 45th season. … “There’s not a lot of guys in this profession of the age where you can go back to all the things that I’ve learned through all the years.”

OLA and James Jordan described marriage as a “constant job” and opened up about sex life struggles years before their shock split. 

The former Strictly Come Dancing professionals confirmed they’d gone their separate ways after 23 years of marriage this week. 

Ola, 43, and James, 48, share daughter Ella, six, and previously spoke out about what it takes to make a relationship work. 

Speaking to HELLO!, he  said: “We’ve got a beautiful daughter and as my dad always used to say, and it’s true, ‘Marriage can be like a job sometimes, you’ve got to work at it’. 

“I feel sometimes people are quick to give up on something and think the grass is always greener on the other side.”

James also joked that “marriage and wives” are some of the most stressful things to deal with in life. 

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And Ola confessed that when they’re working together on dance routines they “argue the most”. 

She said: “James has his idea and I’ve got another idea and we clash more than we do any other time.” 

In recent years Ola and James lost a combined seven stone and admitted that when they were bigger their sex life suffered.

Speaking to The Sun in 2022 ahead of their weight loss journeys, Ola said: “The sex life is definitely different, if not worse, because we are so fat and don’t want to move after a bag of crisps and a Chinese.

“The bellies get in the way of us when it comes to sex. And I’m a bit heavy now. It’s not as exciting.”

James added: “Sex is definitely not better with the mum and dad bods. I can’t throw her about any more like I am used to doing.

“So we realise we need to switch up our eating habits to get back in shape.”

Aug. 4 (UPI) — The U.S. labor market saw an increase in the number of hires in June despite a drop in the number of job openings, the Bureau of Labor Statistics said Tuesday.

Some of the highest decreases were seen in the number of jobs in education and health services, which lost some 133,000 jobs, or 8% since May.

But overall, hiring increased in June by 96,000, according to the most recently available data from the Job Openings and Labor Turnover Survey.

“Put together, the labor market is finding steadier footing,” Nicole Bachaud, a labor economist at ZipRecruiter, told CNN.

Experts had expected the number of available jobs to drop in June, CNN reported.

“Hires ticking up even as postings slow is the kind of detail that keeps this from reading as a market losing steam,” Bachaud added to the outlet. “Whether that holds through the summer will depend a lot on whether prices and consumer spending stabilize or keeps sliding.”

But Dan North, a senior economist with Allianz Trade, said the numbers are not strong enough to suggest a dramatic shift in the jobs market.

“The wheels are not coming off the bus — there’s certainly not negative job growth at the moment,” North told CNN.

“It’s stable, somewhat solid, but there are signs of decay and shakiness underneath,” he added.

FIFA’s Gianni Infantino has scrapped his controversial plan to sell a stake in the World Cup to private investors after global outrage. The FIFA president is up for re-election next year, so why is no one running against him? Soraya Lennie unpacks the details.

Victor Montagliani (Concacaf president)

Like Infantino, he was elected in 2016 promising governance reform. A former president of Canada Soccer, as co-chair, Montagliani was heavily involved in the build up to, and delivery of the 2026 World Cup, the first to be hosted by three nations. He is fluent in French, Italian and Spanish, as well as English.

Explaining his decision to run for the Concacaf presidency, Montagliani told the BC Business website: “Like anything, when I decide to go, I go. I campaigned on my own dime for three months, went to see all 41 countries, from the US to Bonaire, a little island off Venezuela.”

Montagliani took the lead when Concacaf hosted an expanded Copa America in 2024 – in an interview with BBC Sport he rejected the idea it could become a regular occurrence. Politically strong, he smoothed relations around Arsene Wenger’s attempt to gain support for a World Cup every two years and has never truly bought into the idea of a 64-team World Cup.

At the Leaders conference in 2025, he outlined why he felt football was strong enough to ride out any storm.

“The game is bigger than world current leaders,” he said. “Football will survive regimes. Does it cause a headache? Of course. You have to be realistic about that. That is the beauty of our game, it is bigger than any individual and country.”

Sheikh Salman bin Ebrahim Al Khalifa (AFC president)

Initially elected in 2013, he was elected unopposed for a fourth term to run to 2027.

The Bahraini has presided over significant growth within the Asian confederation, through the Champions League Elite, Champions League Two, the Challenge League and the Women’s Champions League, which was launched in 2024-25. The Asian Cup has been expanded to 24 teams.

Sheikh Salman signed off the brutal takedown of how Fifa is being run by Infantino and has carried with him a 46-member confederation, many of whom are aware the figures being offered by Infantino’s plan are huge in terms of their overall football expenditure.

If you get out to Joshua Tree and the night is clear, look up. You’ll see not just the stars, but a massive swath of the Milky Way. It’s a reminder that the vastness is always present, beyond the city’s bright lights. And once dawn comes, the desert performs the same magic: long horizons, unfamiliar landscapes, the creeping feeling that we are small, short-lived creatures on an immense ancient planet. No wonder some people find it unsettling.

Not the characters in Claire Vaye Watkins’ new novel “Yellow Pine,” who embrace the desert in the extreme. They live at the far side of the Mojave Desert where California meets Nevada. Wherefore the pines, you ask? The book’s title is a wry joke — “Yellow Pine” is not a forest, not a tree. It’s a massive solar array slated to be built nearby in the Nevada desert. A ragtag crew of desert dwellers are hoping to stop it, or at least slow down the grinding wheels of capitalism that see the desert merely as an empty space for the taking.

Primary among them is Rose, a 30-something single mom who lives near the end of a very, very long dirt road in a cabin she calls Nothingness Flats. Rose works for an environmental nonprofit that has gone remote because it’s the pandemic; she often spirals at the state of the world. “Sometimes I think I can feel the planet just hemorrhaging under all this greed. Like it’s tectonic,” she laments.

Rampant environmental destruction notwithstanding, the novel kicks off with the joyous return of Miles, the guy who got away. He is an outdoor person, like Rose; has trouble fitting into societal norms, like Rose; and he is an ideal intellectual partner for her, bantering, well-read and ready to engage. Also, they have great sex.

Lest I portray this as a typical summer beach read, Watkins’ writing is in a special, different mode. Her latest books somehow cut past narrative traditions and portray plot and emotion more directly. Another novel might find Rose, after she decides she loves Miles so much that she wants to get pregnant, going to a doctor, getting tests, worrying about being almost 40 and what that means. Rose does none of that — she just suddenly deeply wants a baby, and that desire is vivid in the text. Overexplained storytelling is set aside for something that’s striking and vivid.

When I reached Watkins via Zoom to talk about the book, I asked her how she does it. “Partly it’s an intuition I have about what makes an interesting story,” Watkins says. “A story requires a lot of improbable decisions. Maybe they’re not great decisions, but the person doesn’t know that at the time.”

In “Yellow Pine,” Miles is not without some red flags. In my reviewer’s copy, I found myself scrawling “bad idea!” in the margin, trying to warn Rose about him. It gives the story some tension, and shows that our heroine isn’t perfect — she’s just doing her best under desert skies.

Rose lives in Tecopa, population 120, among people who’ve chosen the isolation, quietude, natural beauty and brutal conditions on purpose. Of the real-life people in these communities, Watkins says, “It’s really tough. The environment is extreme. There are no amenities. There’s no jobs. … I think there’s a refusenik quality to them.”

Nevertheless, some of them come together to try to forestall the installation of the solar array. They point out that “solar farm” is a misnomer because the land — an alluvial plane with Yucca colonies dating back hundreds of years, creosote rhizomatic rings even longer — will be scraped and fenced. What happens to the endangered desert tortoises is awful. These activists are trying every legal recourse and have set up a tiny camp at the edge of the property. Sweetly, and with little hope, they make a small community of people who understand each other and the desert landscape that others see as a blank space on the map.

“In California most of the biodiversity in the state is in the inland deserts, partly because a lot of the other ecosystems have been totally destroyed, you know? It’s a very alive place,” Watkins explains.

In “Yellow Pine,” Rose’s conviction that she should get pregnant grows to a point where she comes up with a wild scheme to make that happen. It is very funny, outsized and unexpected. It’s a small individual resistance to the impending destruction of the desert.

Watkins is very good at making a humorous turn at the end of thoughts, sentences, books. This is her fourth. Her debut, the short story collection “Battleborn” in 2012, set her on a trajectory of accolades; 2021’s “I Love You But I’ve Chosen Darkness,” was an L.A. Times book prize finalist. She is currently a professor of writing at UC Irvine.

“The thing I love about novels, writing them and reading them, is that it’s private thoughts,” Watkins says. “It’s this cool technology that we’ve come up with to deal with the fact that we don’t know what’s going on in each other’s heads and hearts and how painful that can be.”

She adds that a novelist’s job is to care about the reader. “There’s something really beautiful about, I’m going to do my very best with my part and then I give it to you, and I let it go and I trust you and I respect you,” she says. “I love the world when I’m writing and my books are like acts of love, partly because I really struggle. I’m not walking around loving my fellow man easily.”

When our Zoom began, she apologized for the noises outside — construction, dog walkers, gardeners. I couldn’t hear them at all, but I got the impression that those intrusions and distractions were weighing on her. “I feel like I have a very sensitive instrument,” she says. “I get a little agitated and the pace is really, really different.”

I had been expecting to reach her at an improbable desert outpost, like a Death Valley library with Wi-Fi, but instead reached her in Orange County. It’s for her job, and also as a part-time parent, much easier for amenities. It’s a busy town where there are lots of people, lots of businesses, lots of traffic, the hectic pace of modern life — but still, the desert has its pull. She splits her time between the two locales.

“Yellow Pine” is a testament to her beloved remote corner of the Mojave, its beauties, hardships and endangerments. The place has been an essential part of her creative process and project. “What we do for fun in Tecopa is like, watch the sky. That’s our entertainment, you know?” she says, reflecting on the long moments of silence that stretch out over the evenings. “And it’s like, ‘wow.’”

KENDRA Wilkinson was reduced to tears recounting how she was fired by one of her clients at her ‘normal job’.

The star took to Instagram on Sunday to share the teary tale with her followers, where she was both upset and frustrated.

Chatting to the camera while crying, the 41-year-old Playboy star began: “We’re living in a world of struggle right now – I know that. But it’s just … it’s so hard – it’s so hard to know.

“I feel like I’m doing everything right in my life. I’m raising my kids and putting them first.

“I’m doing everything good – I’m a good person. It’s just such a struggle right now.”

Kendra then touched upon some of the issues she’s been facing at work lately, including “fighting people that work with me, getting fired [and] people being rude and mean.”

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Over the top of the video clip she posted, Kendra wrote: “When a client fires you… after all the work you put in. Ya, I’m struggling guys.”

Kendra rose to fame throughout the 2000s thanks to being the decade’s most famous Playboy Playmate.

Her fame led to her entering the world of reality TV, where she started her own reality show called Girls Next Door.

She also went on to star in I’m A Celebrity… Get Me Out Of Here! in 2014.

However, in the years that followed Kendra turned away from fame and instead began working in real estate.

In 2020 she passed the California real estate exam after taking several classes and qualified as a fully-fledged real estate agent.

She was soon taken on by luxury Los Angeles firm, The Agency, before moving to Carswell & Associates in 2021.

Kendra is still proudly working with the company to this day and sometimes posts about her 9-to-5 online.

In November last year she gushed about how happy she is in her role, sharing: “I’m so happy I’m evolving into myself and growing who I want to be. Everyday I’m pouring myself into this business.

“I just opened escrow on a property in Venice beach today and it just keeps growing. I’m so proud of myself.”

GEMMA Atkinson has shown off her washboard abs in a thong bikini after her fiancé Gorka Marquez made a cheeky joke about her job.

The soap actress left fans’ jaws on the floor as she soaked up the sun on holiday.

She cut an incredibly toned figure as she posed up in a mismatched bikini.

In one snap posted to Instagram, Gemma smiled at the camera, flashing her bum in tiny, red, tie-side bottoms.

She went make-up-free in the pictures, looking happier than ever to be spending time with her family.

Gemma wore a plunging black bikini top and matching sunglasses as she threw up a peace sign.

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The former Hollyoaks star and model sizzled in the slew of photos, which showed off her light-hearted side.

She looked fresh out the water with her damp locks clinging to her back.

The mum-of-two captioned the post: “Vitamin D, time on a beach & family = Bliss!”

Fans could not get over Gemma’s sexy snaps and they took to the comments to share their thoughts.

“Looking incredible! Absolute body goals,” wrote one fan.

Another fan said: “Wow Gem looking absolutely gorgeous.”

Strictly pro Diane Buswell penned: “Stun,” followed by a red heart and fire emoji.

Meanwhile, another fan wrote: “Your figure is incredible! You look amazing and so happy.”

Gorka also commented the heart eyes emoji under Gemma’s post after he made a daring joke on their podcast Lost In Translation.

Gemma, 41, was asked by a fan: “What is Gemma Atkinson famous for?”

Ex-Strictly Come Dancing professional Gorka, 35, couldn’t resist jumping in with: “Flashing her t*ts. Actually no, sorry, actress…”

Laughing, Gemma replied: “I’ve done every soap you can imagine, my darling.

“I run a business and I was FHM’s Sexiest Woman back in the day. Your dad will know.”

Pep Guardiola has turned down the chance to coach the Italian national side.

Earlier this week, Italian Football Federation (FIGC) president Giovanni Malago said talks had been held with Guardiola, who left Manchester City this summer after 10 years, and that “exceptions” could be made for his salary.

On Thursday, FIGC technical director Paolo Maldini said Italy first approached their former player Carlo Ancelotti, who is currently in charge of Brazil.

Ancelotti has agreed to stay in post and now Guardiola has informed the FIGC he intends to continue with his plan to take a break from the game, which will allow him to rest, spend more time with his family and travel.

In addition to a huge salary, the FIGC is understood to have effectively told Guardiola he could shape the job as he saw fit, as they tried to tempt one of the most successful coaches in the game to take charge of a side that has failed to qualify for three World Cups in a row.

However, after taking some time to consider the situation, he has said no.

It means former Italy playmaker Andrea Pirlo, currently head coach of Dubai-based United FC, is the frontrunner to be tasked with navigating Italy through a Nations League group that includes France, Belgium and Turkey in the autumn and then try to qualify for Euro 2028.

On paper, Lauren Meyering’s debut feature “Horsegirls” sounds like it was made in a 2000s indie movie lab: It features a quirky heroine with a unique hobby, a loved one with a devastating illness and the formation of an unlikely community that rallies around our protagonist and her dream. But surprise — the events of “Horsegirls” are inspired by a true story, one close to Meyering, who based the film on her family friends Mackenzie and Sandra Breeden. Sometimes real life can be the realest indie movie of all.

“Horsegirls” might read on paper as too sickly sweet, but Meyering’s thoughtful direction and star Lillian Carrier’s performance keep it from tipping too far in that direction. Carrier stars as Margarita, a young woman with autism who lives with her cancer-stricken mother, Sandy (Gretchen Mol). The pair are inseparable, with Margarita accompanying her mother to chemotherapy treatments and their own special celebration rituals involving karaoke and sharing combo platters.

Sandy desperately wants Margarita to get a job but her first steps toward independence come when she spies a hobby horse rehearsal and becomes fixated on joining. If you’re unfamiliar with hobby horsing, it’s a sport originating from Finland that’s growing in popularity. It involves a choreographed routine involving elements of gymnastics and traditional dressage performed while using a “hobby horse” — a stuffed horse head on a stick.

For Margarita, who loves horses but isn’t allowed to interact with them due to her mother’s safety fears, it seems the perfect solution, and she persists despite the clique-ish mean girl behavior from some of the younger participants. The coach (Jerod Haynes) sees her determination and encourages her participation, so she gets a job at a Halloween store to pay for it but keeps it a secret from Sandy. As it turns out, both mother and daughter are keeping secrets from each other.

While the plot unfolds in a fairly predictable manner, it’s the character of Margarita who keeps us on our toes. Carrier, who also has autism, brings an inherent authenticity to the role as well as a sense of good humor that draws people to Margarita, a character who always says what’s on her mind, whether or not it’s polite or appropriate. But her refreshing honesty is what people respond to, and both she and Sandy know she’s going to need people in the not-so-distant future.

Meyering carefully threads the themes of parental concern and young adult independence throughout her screenplay. The anxieties are universal — any parent wants to feel assured that their child is going to be OK when they’re gone; any child wants to prove that they’re capable and free to do what they want. Characters like Margarita’s store manager Hank (Iqbal Theba) prove that strangers can “get” Margarita just as she is, without her mother’s interference or interpretation, even if it takes some time for Sandy to understand that.

Meyering and cinematographer Natalie Kingston create a naturalistic and often dark look, though “Horsegirls” is beautifully shot. The distinctive photography sets it apart cinematically from other films in this genre — just like Margarita herself, who visually stands out from the other girls.

This is a simple story executed with singular panache, and while “Horsegirls” follows expected narrative beats, it’s in the moments of surprise that it works best, often thanks to Carrier and her straightforward line deliveries, which help the tone pop. The film is a reminder that conformity is never compulsory, and that putting yourself out there is the only way to find out who’s ready to catch you.

Katie Walsh is a Tribune News Service film critic.

Joe Root says some England players are having to “learn on the job” in 50-over cricket because of a lack of exposure to the format.

Root was a class apart in the second one-day international at Cardiff with a chanceless 99 that led England to a four-wicket win in tricky conditions.

In domestic cricket, the One-Day Cup is played in the same window as The Hundred and has therefore become more of a developmental tournament.

Collectively, England’s top six batters on Thursday had played more than 400 matches fewer than their India counterparts in List A cricket (which combines one-day internationals with major domestic white-ball competitions).

“I think that’s one of the biggest challenges for this team and the young guys coming through,” Root, 35, said after England’s win.

“Not just now, but in the next little while, anyone coming into this team does not have the wealth of experience and understanding of 50-over cricket because we are not exposed to it any more.

“There is not that element of grounding that happens before you get to this level, which happens elsewhere around the world, so it’s understanding that there are going to be times where guys have to learn on the job and they have to learn quickly.”

England reached their target of 234 in the 45th over in a game which resembled a more traditional ODI, where Root’s knock – alongside Virat Kohli’s 65 in India’s innings – was based on strike rotation, playing the ball late and punishing anything loose.

Due to the conditions, it was a stark contrast to some of the batting produced by England’s World Cup-winning squad of 2019, but Root highlighted the importance of being able to adapt.

“You’ve got to be brave and know that you can absorb pressure, because you have always got more time than you think and you can really make things up,” Root added.

“The more gears you can have, then it’ll make you a better player in the long run.

“Some guys will get out their tricks, sometimes you’ll be on a pitch where 400 is a par score which can happen.

“But you have got to have range and the hardest bit for guys coming through in English cricket is that everyone who plays T20 cricket can manipulate the field and take the game on – but when you find yourself in a situation like that, a wicket like that, can you find a way of doing it ugly and just getting over the line?”

The Writers Guild of America sued Paramount on Tuesday, alleging that the company’s planned $111-billion acquisition of Warner Bros. Discovery violates federal antitrust law.
The union said that with fewer competitors, the merged Paramount-Warner Bros. Discovery business would be able to lower costs by reducing writers’ wages and work.

“Writers will be paid less and have fewer employment opportunities,” the WGA said in its lawsuit.

The move comes a day after California Atty. Gen. Rob Bonta led a coalition of 12 Democratic state attorneys general who filed a federal lawsuit to block Paramount Skydance’s $111-billion merger with Warner Bros. Discovery.

Bonta has separately asked a judge in San Francisco for a temporary restraining order to hold up the deal while his case is pending in court.

“We feel we have a very strong case,” Bonta said Tuesday during a town hall meeting. “This proposed merger will raise prices. It will lower quality. It will reduce output. It will hurt the American people, and it’ll hurt the the economy and competition.”

The writers guild’s missive creates a second line of attack against tech scion David Ellison’s industry-reshaping deal.

Ellison’s proposed merger has been moving closer to the finish line after securing approvals from the U.S. Justice Department and numerous other foreign governments. President Trump, an ally of Ellison’s billionaire father Larry Ellison, favors the deal.

David Ellison wants to close the deal by September to avoid a higher payout to Warner Bros. Discovery shareholders.

A Paramount spokeswoman said the company is reviewing the lawsuit.

The proposed merger has sparked fears in Hollywood that it would bring thousands of job losses — similar to past consolidations, including Walt Disney Co.’s 2019 takeover of Fox entertainment properties.

“The Writers Guild of America will not stand idly by as Paramount attempts to violate our country’s antitrust laws and deepen the contraction entertainment workers already feel,” said Writers Guild of America East President Tom Fontana in a statement. “This proposed combined entity would be the largest employer of writers, with tremendous power to suppress our wages, eliminate opportunities for emerging writers, cut jobs across the industry, and produce less programming, affecting the range of storytelling. This merger is not inevitable and we are fighting to stop it.”