instagram post

Country singer Tyler Farr is recovering after he missed his weekend show.

The “Rednecks Like Me” singer was slated to perform at the Goshen Stampede in Goshen, Conn., on Saturday, but the festival announced just hours before gates opened that Farr had an accident on his Chapel Hill farm, about 45 minutes outside of Nashville.

“Due to a motor vehicle incident on his farm, Tyler Farr was taken to a local hospital and diagnosed with a severe concussion,” read the Instagram post. “Tyler Farr will no longer be able to perform at the Goshen Stampede on June 13, 2026. We appreciate everyone’s understanding and will share additional event information as it becomes available. We wish Tyler a speedy recovery.”

David Foster and the All Stars took Farr’s place in the lineup. The event featured two rodeos with bull riding and steer wrestling, monster trucks, carnival rides and country music. Farr shared Goshen Stampede’s post to his since-expired Instagram stories but hasn’t shared any further updates.

Representatives for the country musician did not immediately respond to The Times’ request for comment.

This isn’t the country music star’s first rodeo. Farr, who released “Quit Bein’ Country” last fall, stopped by Taste of Country’s podcast to promote his new EP and told the outlet that he got into a car wreck on the way there and said his truck was too high.

“There’s a big lift on it, and if it had been a normal vehicle, it’d probably been something you could have just buffed out, but the reinforced-steel, ultra off-road bumper I have broke a taillight and knocked the bumper off [the other vehicle],” he said, adding that his truck didn’t have a scratch. “Luckily the person was cool, cop was cool.”

Apparently the last time he was in an accident (before the one in December), his 2013 hit “Redneck Crazy” went to No. 1 on the charts.

The singer has also been candid about his love for country living and turkey hunting.

“When I moved to Nashville, it wasn’t to be in the Hall of Fame,” he told Land.com last year. “That wasn’t a goal … I’m a pretty simple person. My goal was literally to be on the Opry, have a hit song, little country house in the woods, some land, a tractor.”

Colombian folk music icon Totó La Momposina, known as the “Queen of Cumbia,” has died. She was 85.

The Colombian Ministry of Culture announced the lauded vocalist’s death Tuesday morning.

“Today we bid farewell to the eternal Totó. (1940-2026) To the eternal teacher who traveled the entire world to the rhythm of cumbias, porros, mapalés, and bullerengues born in the heart of our land,” the ministry wrote in an X post. “To the eternal Momposina who spoke of the traditional music of the Caribbean, empowered it, and enriched it for decades to write an entire chapter in the cultural history of our country.”

In an Instagram post from the artist’s official account, her children provided a cause of death.

“With profound sorrow, we, her children Marco Vinicio, Angelica Maria, and Euridice Salome Oyaga Bazanta, announce the passing of our mother, Sonia Bazanta Vides, better known as Totó la Momposina, surrounded by her family in Celaya, Mexico, on Sunday, May 17. Cause of death: myocardial infarction,” the post read.

The children also touched on the enduring legacy that their mother left behind.

“Totó was a woman who, with her voice and extraordinary dedication, carried the culture and memory of the Colombian people to the far corners of the world. Her joy, light, wisdom, talent, generosity, and many other virtues touched the lives of countless people,” they continued in the post. “She shared with the world the music, culture, dances, and essence of Colombia’s Caribbean coast. Her name will forever remain in the memory of those who admired her, accompanied her and loved her.”

Born Sonia Bazanta Vides in 1940 in the Colombian town of Talaigua Nuevo, Totó la Momposina was born to a family with Afro-Colombian and Indigenous roots. Her music was renowned for incorporating the percussive and melodic instruments unique to her cultural identity. Both of her parents were amateur musicians and she began performing on stage at the age of six.

Her musical taste and sound was informed by the Afro-Indigenous rhythms of the traditional mapalé, chalupa, porro, bullerengue and cumbia genres that originated in Columbia and which she studied by visiting musicians in neighboring villages throughout her youth.

After moving to the Colombian capital of Bogotá in the 1960s, she immersed herself in the city’s music scene and began performing as part of a group. Totó la Momposina moved to Paris in the 1980s to study music at the Sorbonne University.

When Colombian author Gabriel García Márquez received the Nobel Prize in literature in 1982, she accompanied him to Stockholm and was among several Colombian artists to perform at the ceremony.

Hot on the heels of some international recognition, Totó la Momposina released her debut solo album “La Verdolaga” in 1983. She would later catapult to greater worldwide fame after she formed an artistic relationship with English musician Peter Gabriel. Under Gabriel’s Real World Records label, Totó la Momposina released her 1993 album “La Candela Viva,” which received international acclaim and a formative text in the cumbia and bullerengue genres.

In 2011, she was award record of the year at the 12th annual Latin Grammy Awards, alongside Calle 13, Susana Baca and Maria Rita for the track “Latinoamérica.” The singer also received a Latin Grammy lifetime achievement award in 2013.