inspired

IT was 15 years ago today that the shocking news broke that Amy Winehouse had died, aged just 27.

She had released just two albums during her eight-year career, but her massive success and larger-than-life character meant her death sent shockwaves around the world — and today her impact on culture is more apparent than ever.

In music, fashion and art, she has inspired an entire generation of artists. British music is being dominated by women whose sound, style and brand is packed with references to the late superstar.

In recent weeks rapper Cardi B and actress Zendaya have been spotted dressed like Amy, with her trademark beehive hairdo.

And one artist who is frequently compared with Amy is Raye, who, much like the late singer, has become a celebrated industry darling, thanks to her brassy Motown influences and brutally truthful lyrics.

But Raye feels the weight of comparison more than most, and said: “I’m aware that what she did is irreplaceable and inimitable.

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“Amy did it so well that no one can ever do what she did. And, God rest her soul, she gave her whole life for us to enjoy the music that she left behind.”

Like Amy, Raye went to South London creative arts academy The Brit School, whose starry former pupils also include Adele and Olivia Dean.

Raye recalled her years at the school, and how she would walk down the corridors and see photos on the wall of alumni such as Amy and say: “That’s gonna be me one day.”

Amy’s star certainly burned brightly, but all too briefly. Her body was discovered at her home in Camden, North London on July 23, 2011, by her security guard Andrew Morris.

Toxicology reports later revealed her blood alcohol content was five times the legal drink-drive limit, and the coroner’s report stated her “sudden and unexpected” death was caused by misadventure due to alcohol poisoning.

Amy had battled drug addiction for years, inspiring her 2006 single Rehab, but she had got clean from illegal substances before she died.

As a fiercely unapologetic woman in the music world, she blazed a trail for a new way to be an artist — and for future star Lola Young, who was just ten years old when Amy died, she was an inspiration.

The One Thing singer carries a gritty London identity similar to Amy’s and produces familiarly confessional lyrics.

She is even managed by Nick Shymansky, the same industry executive who guided Amy’s career during her breakout success.

After Amy, he swore he would never manage another artist, but was so won over by Lola’s talent — and subtle similarities to Amy — that he decided to take her on, and she has since sold millions of records.

When Amy found fame in the Noughties the music landscape was dominated by indie and processed pop, but she forged a new path with her neo-soul, Sixties pop and jazz sound — and now that sound is everywhere.

Olivia Dean’s easy-listening collection The Art Of Loving is on course to be the biggest-selling album in the UK this year, despite the fact it was released last September.

And even more recently, British newcomer Sienna Spiro has followed Amy with her vintage aesthetic and her breakout single Back To Blonde — mirroring Amy’s 2006 album and single Back To Black.

It is paying off, as last week Sienna shot to No2 in the charts with her debut album Visitor.

The impact of Back To Black, Amy’s second album, was felt worldwide. With classic songs such as Rehab and Tears Dry On Their Own, it became the fifth best-selling album of the 21st century so far, shifting 20million copies.

Amy sang about toxic co-dependency, addiction, dating disasters and her flaws, all in graphic detail, then wrapped them up in palatable and catchy songs.

It was all the more interesting for listeners, as her tumultuous personal life, including a rollercoaster relationship with her boyfriend and then husband Blake Fielder-Civil, and her drug use, became front-page news.

The saga taught lessons to youngsters such as future superstar Billie Eilish, who saw the tragedy unfold as she was growing up in California.

She said: “The things that inspire me about Amy are also the kind of things that are sad about it.

“You knew she wasn’t doing anything that she did for attention or in a weird, fake way because from what I gather, she didn’t really want that s**t, you know.

“It showed me that she was kind of raw for what she was creating, and she wasn’t trying to be anything she wasn’t, because she didn’t even want to be that.

“She changed a whole generation of music. Everyone, when listing off the people that inspired them, Amy Winehouse is always in that list.

“Everything about her, she just mixed a whole bunch of stuff together, and created the most beautiful things.”

And it’s not just female fellow stars who are Amy’s admirers.

Mark Ronson, who produced her Back To Black album and co-wrote the song of the same name, has credited Amy with his entire career.

Accepting the Outstanding Contribution to Music prize at February’s Brit Awards, he said his multiple chart-topping collaborations with other artists would never have happened if it wasn’t for her.

He said: “I realised on the way here that on Thursday, March 6, it’ll be 20 years to the day that Amy Winehouse came up to my studio in New York City. We went upstairs and talked for four hours and that night we wrote Back To Black, and that day changed my life for ever.”

Mark has since gone on to sell millions of records by working with superstars such as Lady Gaga, Bruno Mars and Miley Cyrus.

But he added: “I know the music I made with Amy is the reason any of them know who I am anyway. That’s why I’ll always treasure her voice, her talent, our bond, all of it.” And this month The Rolling Stones have celebrated Amy’s legacy by covering her song You Know I’m No Good on new album Foreign Tongues.

Guitarist Keith Richards said: “Loved the song. Always thought that Amy was a sad story in many ways, but she was one of the best to come out of England, and probably had so much more potential.”

Such was her star power, she shared the stage with the Stones at the 2007 Isle of Wight Festival, covering the Temptations’ Ain’t Too Proud To Beg, just four years after releasing her debut album Frank.

Street artist Pegasus was a close friend of Amy’s and launched his career on the day she died.

He has since become famous for his stencilled portraits of the singer, such as his “Fallen Angel” mural near Camden Lock, close to where they used to hang out.

Pegasus, whose real name is Chris Turner, told The Sun: “Amy was one of those people who come along every so often, makes a massive impact, unfortunately isn’t around for long but leaves a lasting legacy.

Her light will always shine bright. Her unique style, her love for the greats, like Etta James, Billie Holiday and Nina Simone, introduced and inspired a generation of artists that came after her.

“I am always seeing bits of Amy everywhere and it makes me so proud.”

A great novel can transport you to places you’ve never been, take you on imaginary adventures across the globe and, just occasionally, inspire you to visit a literary location in real life. We’d love to hear about a book you’ve read that led to one of your favourite trips, whether it was somewhere far-flung or close to home.

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Bo Lowrance models his game after Freddie Freeman. So, it’s fitting that the Dodgers selected the 6-foot-5, 200-pound high school infielder — ranked the No. 21 overall prospect by MLB.com — with the 40th pick in the MLB amateur draft on Saturday.

“He’s obviously a first baseman, and I’m on the left side, so defensively a little different,” Lowrance said of Freeman during a conference call with media. “But he’s still unbelievably athletic, and a big thing that I’ve watched for years is his approach and how he uses the whole field. … [Freeman is] somebody that I’m always trying to emulate.”

Lowrance hit .435 with 12 home runs last season at Christ Church Episcopal School in Greenville, S.C.

A left-handed batter and right-handed thrower like Freeman, Lowrance is expected to develop as a shortstop — noting former Dodger Corey Seager has a “super smooth” defense at 6-4 he hopes to replicate — with a potential role at third, depending on how the prep star grows into his frame.

“Yeah, definitely want to be a shortstop,” Lowrance said. “I believe I’m capable of it. I think I have the glove skills and the athleticism. I think it’s just going to turn into who I want to become at the plate in terms of my overall size and frame. Like, if I ultimately put on a bunch of weight and kind of grow out of the shortstop position, then maybe that’s where that’ll change.”

Lowrance hit it off with the Dodgers’ front office in June at the draft combine in Phoenix.

And even though the Dodgers didn’t exactly see the Freeman comparison Lowrance mentioned, they would be thrilled if he turned out anything like the 10-time All-Star.

“Bo was definitely our main target coming into the day,” Dodgers amateur scouting director Zach Fitzpatrick said. “Probably would have said there’s a pretty low chance we were able to acquire him, had you asked me in the morning. So as the picks start coming off the board and realizing there’s a little bit more opportunity to get him, our excitement level climbed. And then to actually be able to call his name was a home run for us.”

“I’ve been in communication with them for a while,” Lowrance added. “I’ve loved their scouting staff. I have a great relationship with them.”

The Dodgers entered the draft with the smallest bonus pool at $3,951,900; the White Sox had the most cash to work with, boasting $20,489,500.

Fitzpatrick, though, said the Dodgers’ strategy centered around taking the best player available.

The approach carried over into the Dodgers’ second and final pick on the day — Florida right-handed pitcher Russell Sandefer at No. 132.

Sandefer posted a 3-2 record as a junior in 2026 with a 4.42 ERA over 19 games and 12 starts. The Dodgers were intrigued by his repertoire and heat.

“As we dove into Russell throughout the spring, kind of all departments — from scouting and what we saw at the park to our player development group and our analytics group — kind of flagged Russell as very intriguing and then having a lot of upside left,” Fitzpatrick said.

“A starter at Florida, threw a lot of strikes; there’s obviously velocity, there’s a deep mix, and he performed and had some pretty stellar outings along the way that helped us believe in his upside and different ways we can help him access it more consistently.”

Lowrance was happy to be part of the Dodgers’ draft class.

“Just a whole wave of emotions,” he said. “I’m extremely grateful, first off, and couldn’t be more excited. I mean, yeah, I’ve said it already: It’s the best team in baseball, and nobody else that I want to be a part of.

“Couldn’t have drawn it up any better.”

The BBC has produced a number of critically acclaimed and beloved films and TV shows over the years – but one gritty crime drama may have slipped under the radar for many fans

A “gritty” BBC crime drama has left viewers “heartbroken” but it may well have gone completely unnoticed by some film fans.

The BBC has built a stellar reputation among TV and film enthusiasts thanks to its numerous top-tier productions which continue to be praised long after they first aired. There’s something to suit all tastes, from entertaining and fun sitcoms, steamy storylines and beloved period dramas, to powerful, unflinching crime thrillers, and much more.

Lots of BBC-backed films remain critically celebrated and adored to this day, from 2019’s musical crime drama hit Blue Story, and the thought-provoking Looted, to the 1989 Gary Oldman-led cult crime classic The Firm, and countless others.

The BBC’s television catalogue is equally respected, with the likes of hugely popular police drama Line of Duty, bleak favourite Happy Valley and the tense anthology drama The Missing frequently listed as among the best the broadcaster has produced.

But a 90-minute crime film may have escaped many viewers’ attention – and if you’re partial to hard-edged legal dramas, it’s worth checking out.

It’s the 2014 made-for-television film, Common. It was written by Jimmy McGovern and directed by David Blair. The film stars Nico Mirallegro, Michelle Fairley and Harry Potter alum Michael Gambon.

The storyline follows 17 year old Johnjo O’Shea, portrayed by Mirallegro, who is asked to give his older brother’s friends a lift in his brother’s car to take them to a pizza takeaway.

Unbeknownst to Johnjo, one of his passengers has an ulterior motive for heading to the takeaway – he intends to confront a rival who’ll be there.

A row erupts between one of Johnjo’s passengers and an onlooker, Tommy Ward. Tommy is eventually stabbed and fatally wounded by the passenger.

Johnjo ends up in court charged as an accessory to murder, under the doctrine of common purpose; a component of the UK’s contentious Joint Enterprise legal doctrine which permits multiple people to be prosecuted and found guilty of the same offence – regardless of the different roles they may have played in a crime.

Writer Jimmy McGovern drew inspiration from the actual case of 16 year old Jordan Cunliffe, who received a sentence under this law for a minimum period of 12 years for the murder of Garry Newlove, who was beaten to death in August 2007 after challenging a group of youths outside his home.

Cunliffe was understood to have played no active role in the assault on Newlove.

The film traces the legal proceedings that follow, alongside the consequences and tensions that arise between the various families affected.

On Rotten Tomatoes, viewers have shared their opinions on the somewhat overlooked drama. One fan said: “Actor and storyline driven, this gritty British drama brings a new area of crime and punishment to light.

“Jodhi May stands out, but with many regular British drama faces, this is a tale that leaves no mother without an emotional pull.”

Another viewer wrote: “I thought this was a simple movie, but powerful all the same.”

A third added: “Very well made and acted, but so heartbreaking I never want to see it again.”

Critics were equally impressed, with The Guardian describing it as “a brutal and devastating drama” that’s “bleak, powerful” and “thick with political intent”, though it noted this “occasionally robs it of its quality”.

Common is streaming now on BBC iPlayer.

A NEW Mediterranean-style pop-up beach club is coming to the UK.

The new venue will be bringing summer vibes to Bournemouth with dining domes, beach beds, sunloungers and DJs.

Called ‘Palm’, the Ibiza-style club will open on Bournemouth’s seafront next month.

The seaside town is one of the most sought-after when the sun shines as the golden sandy beach stretches on for seven miles.

For those who know the area, Palm will be a few paces away from Bournemouth Pier on the old WestBeach Restaurant site.

The beach club will be open all day starting at 9am with breakfast and coffee.

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Then there will be ‘lazy lunches’ and a chance to enjoy the sea views from the beach beds and sunloungers.

Throughout the day are dining domes to rent out and space for al fresco eating and drinking.

The menu will include options like tacos and pizzas as well as frozen cocktails.

There will also be events on the weekend and beach parties as well as Firework Fridays by the sea.

Palm will be open until 10.30pm and will be open from mid-July until September – with an official date yet to be announced.

To stay in the loop and sign up for early booking access, head to the website.

I come from a family of priests and devoted Catholics. Catholicism is the blood in my veins. My father was not a disciplinarian, but if you lived under his roof you went to church. Saturday evening or Sunday morning, didn’t matter, you went. My four siblings and I were not miscreants, but we drank beer and sneaked out, and I was once cited for stealing liquor. I can’t recall my father ever yelling at me for anything other than missing Mass.

My great-uncle Dan was a diocesan priest at St. Charles Borromeo in Drexel Hill, Pa. Dan was a fire-and-brimstone hard-liner. Every Thursday we’d gather as a family for a roast beef dinner at my grandmother’s house. Dan would drink Manhattans — plenty — and if someone expressed a view of God contrary to his own, he’d say, “It’s awfully hot down there.” “There” meant hell. My uncle Ed, my mother’s eldest brother, was an Augustinian. Patient, compassionate, inclusive, Ed’s God was very different from Dan’s. While discussing God, Ed would quote Michael Himes, “There is nothing we can do to make God not love us,” and the Trappist monk Thomas Merton, “Mercy, within Mercy, within Mercy.”

Sports was in my family too — basketball, specifically — and I came to view Dan and Ed as head and assistant coach, respectively. The head coach shouting harsh critiques from the sideline, the assistant coach there to put his arm around you when you made it, crestfallen and ashamed, back to the bench. I loved them both, but I aligned with Ed’s view of God. Dan passed away a decade ago. Ed has since left the priesthood and married a kind and patient woman named Kathy. Over the years, Ed’s views on God have changed drastically. We meet for dinner once a month to talk about life and faith, and it was during one of our conversations that “Task” was born.

Mark Ruffalo in “Task.”

(Peter Kramer / HBO)

Tom Brandis, played by the singular Mark Ruffalo, is a former priest-turned-FBI agent who has lost his faith. Everything he held as truth in his life has come crashing down in the wake of a family tragedy. Tom believes he was called by God to adopt two children, Emily and Ethan. Adopting these children has resulted in the death of his wife, Susan. Matricide. What kind of God allows that? I have struggled with my Catholic faith over the years, but nothing has perplexed me more than the idea of suffering. The poet Archibald MacLeish wrote, “If God is God, He is not good / If God is good, He is not God.” The message is clear: If God is God, the author of everything, then He created evil and suffering and therefore cannot be good.

In “Task,” I wanted to explore a crisis of faith with honesty and without easy answers, because that is exactly how I have found my own faith journey — arduous and circuitous. I believe in God, but I find that belief tested daily. Faith and religion are separable. Tom’s journey in “Task” is a journey of faith. In the fifth episode, Tom is kidnapped by the criminal Robbie Prendergast, played by the brilliant Tom Pelphrey. During a long and tense car ride to the Poconos, Robbie tells Tom that he doesn’t believe in God. Never has. God is an idea conjured to make life bearable. “There’s nothing after this life,” Robbie says. Tom doesn’t argue. His own beliefs have veered in that direction. The car pulls into a secluded, wooded area. Facing death, Tom suddenly wants to call his son, Ethan, and forgive him. Robbie doesn’t allow it. Instead, he walks Tom to the edge of the woods, tells him he’s a decent man, and sets him free. Because Robbie has his own plan: to sacrifice his life in the hopes of providing a better one for his family. It’s through Robbie’s act of mercy that Tom regains faith. He believes in goodness again.

Brad Ingelsby.

(Ian Spanier / For The Times)

In the final episode, Tom finds himself taking care of a young and suddenly parentless boy, Sam. Sam reminds him of his own son, Ethan. Sam wants to live with Tom. And Tom desperately wants Sam to stay with him. But Tom also recognizes that Sam would be better served in the care of a young family capable of meeting his needs. Sam shouldn’t be stuck with an old man like him. Tom lets Sam go; he believes the boy will be taken care of. That is Tom’s act of faith.

When Ed and I met for dinner last month, we talked about how his idea of God has changed over the years. He no longer sees God as a bearded white man tallying our sins and waiting to judge us in heaven. He thought God was everywhere, all the time. The love that exists between people. He thought he could feel God right then, among us at the table as we laughed. We talked about Camp Mystic. The young girls swept away. Why, God? They were there to serve You. We didn’t have any answers. We never do. But the food and wine were good, and we talked about great-uncle Dan, about how he was so different from us but how much we loved him anyway, and how, when he drank Manhattans — plenty — he could turn harsh and opinionated, but it didn’t matter because he loved God. He loved Him with his whole heart, and we thought about the unimpeachable dignity of that and what an amazing gift it would be — to believe and never doubt.

Victor Wembanyama bagged 22 points as San Antonio Spurs defeated defending champions the Oklahoma City Thunder 111-103 to reach the NBA Finals for the first time since 2014, where they will face the New York Knicks.

San Antonio coach Mitch Johnson had called on Wembanyama to score more than 20 points after a disappointing showing in game five.

An inspired 28-point haul by the 22-year-old Frenchman on Friday helped level the best-of-seven series at 3-3 and save his “childhood dream” – which is now within touching distance.

“Winning the Larry O’Brien [NBA championship trophy] is a childhood dream, and having a real shot at it, having a tangible chance at winning it – it’s a lifetime chance,” said Wembanyama after reaching the Finals for the first time.

“You never know when it’s gonna happen again. But the day we win it, speaking for myself, it’s going to be an amazing day – the realisation of a dream.

“It’s hard to put into words. It’s almost like the meaning of my life.”

Johnson’s side last won the NBA showpiece in 2014, while the Knicks will compete in the finals for the first time in 27 years.

It will be a rematch of the 1999 NBA Finals, which San Antonio won in five games for their first of five NBA championships.

Having scored 41 points in game one and 33 points in game four, the number one pick in the 2023 draft showed in the deciding two matches why he was one of the most coveted picks since LeBron James in 2003.

“What I’ve learned is that I can go through hurdles that I didn’t know could get so high,” added Wembanyama.

“I found resources inside of me. Relentlessness. I already knew that, but doing it at this level, this is the best basketball being played on the planet right now. And the crazy thing is I want to do that 15 or 20 more times.”

The NBA Finals series will begin on 3 June, with a possible game seven finale on 19 June.

HER last tour in 2020 was cut short thanks to the Covid pandemic but now Louise is gearing up to go back on the road.

The Borderline singer will play five live shows as part of her Naked/Confessions tour next April, taking in cities including London, Birmingham and Manchester, with tickets on sale today.

And in an exclusive interview to celebrate the announcement, ex-Eternal star Louise says she’s never felt so inspired after her last album Confessions became her fourth top ten record.

“I’m so proud of that album,” Louise tells me.

“That’s really what spurred me on to carry on writing.

“It taught me that it’s OK not to please everybody.

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“I’m enjoying the creative process of not worrying about if people might hate on it.

“Knowing that you just can’t please everyone.

“It’s all about the mindset and the confidence.

“I do think that comes with age as well.”

After saying yes to going back on the road, Louise reveals she’s learned the power of saying no — and was inspired by pop royalty Madonna.

“I am a big fan, I loved the show she did with Sabrina Carpenter. As a woman, for me, it’s about celebrating people and their achievements,” Louise says.

“I hated reading anything negative about that because for me, she is a genius. I’m at that stage where I’m trying to embrace everything and go with it, but I am also saying no.

“I just wrote a song about saying no and I love it.

“The basis of the song is when you finally learn to say, ‘That’s not for me.’

“We all live in a world where we don’t want to say no to anything for a multitude of reasons.”

The tour, which kids off in Sunderland on April 8 next year, will see Louise picking her favourite tracks from her debut album Naked — which turns 30 in 2027 — and from Confessions for the set list.

And Louise — who will play The Mighty Hoopla festival in London next weekend — has promised to throw in some brand new tunes too.

Louise, who has scored nine Top Ten solo singles including 2 Faced and Pandora’s Kiss, adds: “I get that people will want the hits. It’s about celebrating Naked and Confessions — but I definitely will do new stuff on the tour.

“I don’t want to play it particularly safe.

“The one thing I have learned in this industry is that you have to keep changing.

“You have to keep finding new ways to motivate yourself. Whether that be music, what you’re wearing, the lyrics you’re writing.

“Now I know the lane that I’m in and I know what I want to do.”

Girls single minded

THEY have been together for over a decade, represented the UK at Eurovision and performed at Wembley Stadium.

Now, British girl group Remember Monday have given Bizarre’s Howell the exclusive that they’ve just completed work on their debut album in Prague – and have today dropped the first single, Delusional.

The trio, made up of Lauren Byrne, Charlotte Steele and Holly-Anne Hull first started work on the track two years ago, but only finished it last summer with the help of McFly’s Danny Jones and Dougie Poynter, after being introduced to them at the Capital Summertime Ball.

Lauren, who posed with her bandmates for the single artwork, said: “It feels like it was the first song that started the whole new era.

“After that session, it was like, this is the kind of music that we want to be working on now.”

Holly continued: “We just wanted to kind of hone in on our sound, really solidify what we want to say moving forward.

“I don’t know if we can say, but . . . well, we’re releasing an album.

“The sound that we’re going down is quite nostalgic. Like, we really love the Nineties rom-com energy of music.”

The group will support McFly on tour this summer.

They admit their path is not always easy given that they are independent artists without the financial backing of a major record label.

Referencing the title of their single, Charlotte said: “Our whole band is run and fuelled by delusion.”

Lauren added: “It’s weird to be around. But we do just talk about things as if they are happening regardless of whether we have the funds or contacts. We just speak it into existence.

“And it actually has worked. I don’t even know how we’ve got to this stage.”

It’s working so far ladies.

Good for you.

Too pretty for this ditty

SONGWRITER Linda Perry has revealed she almost turned down Christina Aguilera’s request for her song Beautiful after admitting she thought she was too pretty to sing it.

Linda wrote the track which ended up being one of Christina’s most enduring songs from her 2002 album Stripped.

Appearing on the Zach Sang Show, Linda said she played American star Christina, pictured at the Abbey’s 35th anniversary party in Hollywood, the track and explained: “She was like, ‘ I want that.’

“And I’m thinking, ‘No, you’re like, a hot chick. I’m not giving you this song. No way. Are you kidding me?”

It was only after Christina sang the track for Linda that she changed her mind, adding: “It broke the ice between the both of us when I saw that.

“That’s when I discovered beautiful people are actually insecure and just as damaged as I am.”

Sphere come all the Girls?

THE SPICE GIRLS might fancy zig-a-zig-ah-ing their way into a Las Vegas residency, but I’m told bosses at the Sphere aren’t interested in a quick nostalgia cash-in.

Insiders have confirmed bosses will only give the green light if Victoria Beckham, Melanie C, Melanie B, Geri Horner and Emma Bunton are all on board.

My Sphere insider said: “The Spice Girls would be a massive draw, but this couldn’t be done as a one-off or a short residency.

“The costs involved in creating a Sphere show are enormous. There’s special cameras, bespoke visuals and millions of dollars in production costs before a ticket is sold.

“They’d need all five on board and would want 40 to 60 shows.”

Last month Posh Spice teased that she was keen for the shows to go ahead, saying: “How good would the Spice Girls be at the Sphere? I love the idea of it.”

The venue, which has mind-blowing wraparound screens, has already hosted U2, The Eagles and No Doubt.

TREVOR NELSON was handed a top gong at last night’s Audio Academy Arias.

Rylan Clark hosted the bash at The Roundhouse in North London, which saw Radio 2 legend Trevor honoured with a Special Recognition Award.

He was handed the gong by my pal Craig David, who spoke about Trevor’s impact on the British music scene.

It was a great night for Radio 1 DJ Greg James too, with his Breakfast show landing the top prize in its category, while BBC Radio 6 Music’s Beth Ditto was handed Best New Presenter.

LOUIS TOMLINSON reckons there’s one man who could tempt him into a collaboration – fellow Doncaster star Yungblud.

Ex-One Direction singer Louis admitted he’s not keen on teaming up with artists for the sake of it, but working with the rock wild man would feel different.

Louis explained: “I really like his music and he’s from Doncaster, my hometown, I think that would make it even more interesting.”

But he joked that their might be a slight age gap issue.

Louis laughed: “I’d be the senior one in that conversation.”

Doncaster might be running the UK music scene soon . . . 

MY fellow Spurs fan AJ Tracey has joined talkSPORT as a World Cup pundit.

The Thiago Silva rapper will join footballer-turned-Strictly star Jimmy Floyd Hasselbaink and Burnley ace Kyle Walker on the station’s line-up for the big event this summer.

CRUZ BECKHAM And The Breakers lead the new music releases today with their catchy new single, Yeah, Yeah, Yeah.

DJ Sonny Fodera also drops his new tune, Let Me Be In Your Arms, ahead of his performance at Radio 1’s Big Weekend tonight.

LEGENDARY recording studio Abbey Road has announced its fifth annual Music Photography Awards.

This year’s judging panel is packed with music industry royalty, including Raye and Nile Rodgers.

Photographer to the stars, Rankin, is also on the panel ahead of the VIP ceremony on September 24.

Rankin said: “With another stellar judging panel joining us, I can’t wait to get stuck in and review the 2026 submissions. What are you waiting for?”
Submissions are open now.

Route 66 has its tendrils throughout SoCal, and especially in the L.A. area, winding through Pasadena, West Hollywood and culminating in Santa Monica. But the most loving ode to Route 66 may in fact be at the Disneyland Resort, specifically at Disney California Adventure.

Stories, photos and travel recommendations from America’s Mother Road

Cars Land opened in 2012 as part of a reworking of the theme park and at long last gave it a striking land that could rival — and in many cases surpass — those of its next-door neighbor, Disneyland. Flanked by sun-scarred, reddish rocks that look lifted from Arizona, Cars Land is a marvel of a theme park land, with its backdrop mountain range ever so slightly nodding to the fins of classic Cadillacs from 1957 to 1962. That design element is a salute to the Cadillac Ranch in Amarillo, Texas, where 10 vintage Cadillacs are buried nose-first in the ground that to many resembles a 20th century Stonehenge.

Yet before the area was attached to the 2006 film, it was envisioned as a theme park destination dedicated to roadside attractions and trips along the so-called Mother Road. Cars Land is a make-believe area based on a fictional town from an animated film, but its roots are decidedly real.

Cadillac Ranch, an artwork made from 10 old cars by the Ant Farm artists’ collective in the 1970s, has become one of Amarillo’s top attractions. Visitors are invited to add their own spray-painted touches.

(Christopher Reynolds / Los Angeles Times)

The backdrop mountain range of Radiator Springs Racers is a nod to Cadillac Ranch. The peaks are designed to look like the tail fins of classic cars.

(Mark Boster / Los Angeles Times)

“We very much acknowledge that up front, that you’re walking down Route 66,” says Kathy Mangum, the retired Walt Disney Imagineer who served as the executive producer of Cars Land.

“But you’re also not walking down a part of Route 66 that exists anywhere,” Mangum continues. “There’s no part of Route 66 where you’re looking up at a Cadillac range surrounded by red rocks. It’s the spirit of Route 66. I wouldn’t even call it a ‘best-of.’ It’s just a little bit of this, a little bit of that, and combined it feels real.”

Tour guide Michael Wallis, left, and Walt Disney Imagineer Kevin Rafferty during a research trip at Cadillac Ranch in 2008.

(Kevin Rafferty)

Before those at Walt Disney Imagineering, the secretive arm of the company devoted to theme park experiences, were even aware that Pixar Animation Studios was working on the “Cars” film, an automotive-focused land was in the planning stages for Disney California Adventure. The park had opened in 2001 and had struggled in its early years to pull in crowds, with audiences zeroing in on a lack of Disneyland-style attractions and an absence of grandly designed vistas.

In an effort to rejuvenate the park, then-Imagineer Kevin Rafferty envisioned an area to be called Car Land — without the “s” — pulling heavily from his family’s road trips and Route 66-like roadside attractions and oddities. Among its standout attractions was to be one initially named Scoot 66, later changed to Road Trip, USA, a slow-moving ride that took guests on a cross-country journey through nature and roadside quirkiness, although its showcase scene would have been a trip trough a miniaturized Carlsbad Caverns, a bit of a detour from Route 66.

“It was kind of tongue-in-cheek,” says Rafferty, now retired, of the never-built ride. “You were going to be seeing all these roadside attractions that would draw you in, like giant bunnies.”

Mater’s Junkyard Jamboree brings the rusty, old tow truck character from the “Cars” movie to life in Cars Land at Disney California Adventure. (Mark Boster / Los Angeles Times)

An artwork in Seligman, Ariz., pays homage to the Disney-Pixar “Cars” movie, which was heavily inspired by the town. (Mark Lipczynski / For The Times)

Rafferty believed a place such as Car Land would be ripe for exploration in a Disney park, as it was to be set from the late 1950s to the early 1960s and tap into a collective nostalgia for a time when a vehicle meant the freedom to explore the open road. Cars Land today still has some of that ageless energy, boasting a vintage rock ’n’ roll soundtrack and a strip of a street filled with colorful neon, its lights, especially at night, beckoning guests to come closer.

“The reason why I thought it would fit into a Disney park, especially Disney California Adventure, is because cars are so much a part of the California story,” Rafferty says. “Cars are designed in California, even though they’re built elsewhere. There’s more custom shops in California. There’s more design studios in California. There’s more car clubs. And all the cars songs. ‘She’s so fine, my 409.’ It was all the Beach Boys and Jan and Dean.”

The neon signs of Radiator Springs. Flo’s V8 Cafe isn’t a direct match for any Route 66 diner, but it was inspired in spirit by the Midpoint Cafe in Adrian, Texas.

(Paul Hiffmeyer / Disneyland Resort)

Development on Rafferty’s Car Land idea would change course when Imagineering and Pixar eventually aligned. But it was also a shift that would more formally ground the area in the culture of Route 66, which heavily influenced the film. Both the filmmakers and, later, those with Imagineering, embarked on 10-day research trips along the road led by historian Michael Wallis, author of “Route 66: The Mother Road.” Those at Pixar, in fact, were so charmed by Wallis’ tours that the author was asked to voice the role of the film’s sheriff.

Wallis says he took the teams out in rented Cadillacs. “I like to stop every 300 yards,” Wallis says. “If I’m doing a road trip, I get into it. So we stopped to move box turtles off the road. I waded them into winter wheat to dance, to pick wild grapes. I introduced them to people that I guaran-damn-tee that they never would have met, the great characters of the road, and I showed them the man-made and natural sites of the road.”

Though the fictional “Cars” and Cars Land community of Radiator Springs has no single inspiration, it echoes the scenery and history of several small towns between Tulsa, Okla., and Kingman, Ariz., including Tucumcari, N.M., Seligman, Ariz., and Oatman, Ariz. And the single, graceful bridge that is centered upon the land’s backdrop mountain range closely resembles Pasadena’s own Colorado Street Bridge, although there’s no roaring waterfall next to the original.

Scenes from Route 66 in Seligman, Ariz. The town was one of the inspirations for the fictional “Cars” and Cars Land town of Radiator Springs.

(Mark Lipczynski / For The Times)

The centerpiece bridge of the Cars Land mountain range was modeled after a local landmark. (Paul Hiffmeyer / Disneyland Resort)

The Colorado Street Bridge in Pasadena, an inspiration for the Cars Land structure. (Adam Markovitz)

Elsewhere, Ramone’s House of Body Art connects with the U-Drop Inn, a 1936 Art Deco gas station in Shamrock, Texas, that now serves as a visitor center and cafe. The Cozy Cone Motel nods to the Wigwam motel chain, which once included seven locations from Kentucky to California. Two remain in business along Route 66: the Wigwam in San Bernardino and another in Holbrook, Ariz.

While Imagineers had visual references from the animated film, Mangum says the research trip was invaluable in lending authenticity to the park.

“We could walk into a building in Shamrock, Texas, that looks so much like what Ramone’s House of Body Art looks like and see that those tiles are made of raised terra-cotta,” Mangum says. “So we could get the actual texture. It’s a movie world, but it’s also a real world.”

Flo’s V8 Cafe isn’t a direct match with any Route 66 eatery, the Imagineers say, but was certainly influenced in spirit by the Midpoint Cafe in Adrian, Texas.

The Midpoint Cafe in Adrian, Texas, celebrates the halfway point on Route 66 between Chicago and Los Angeles.

(Christopher Reynolds / Los Angeles Times)

“We sampled all their pies and food and made copious notes on this stuff,” Rafferty says. “The two women who owned the Midpoint Cafe had what they said was their mother’s recipe for ‘ugly crust pies.’ We fell in love with ugly crust pies. I met with the head chef of Disneyland, who was a Frenchman at the time, and I said we wanted to serve ugly crust pies at Flo’s V8 Cafe. And he said, ‘No, no, no, nothing at Disneyland will be ugly.’”

No, but it may be influenced by abandoned buildings. Mangum says a key locale for the land was the deserted structures of Two Guns, Ariz. Gas station remains led to sketches that would inspire parts of the “Stanley’s Oasis” area of the Radiator Springs Racers queue, which Rafferty and company filled out with an oil service station and then a building composed of empty oil bottles. The story goes that Stanley’s Oasis is a roadside attraction settlement that led to the development of the town of Radiator Springs.

At the Cozy Cone Motel, a string of cone-shaped food stalls sell quick bites such as swirled soft-serve cones. (Stephanie Breijo / Los Angeles Times)

The Cozy Cone is based on the real-life Wigwam Motels. (Christopher Reynolds / Los Angeles Times)

“That kind of Route 66-inspired story was all made up,” Rafferty says. “It wasn’t in the film.” That backstory, however, would inform the 2012 short “Time Travel Mater.”

The enduring strength of the land, however, isn’t just due to the popularity of the animated properties that led to it. While Route 66 wasn’t magic for everyone — the history of the road is dotted with tales of extreme poverty and horrific racism — it’s become romanticized as a slice of Americana and stands as a jumping-off point to further delve into our past.

The land is, in a word, timeless. It’s also representative of the ideal of a working small town, the sort of place we forever long for. “It may not be the America of today,” Mangum says, “but in a way it is.”

Times staff writer Christopher Reynolds contributed to this report.

FOUND in a small seaside town in Wales is a railway that was said to be the inspiration for Thomas the Tank Engine.

Talyllyn Railway is celebrating its 75th anniversary this weekend to acknowledge the day when it became a ‘world first’, not to mention that children can enjoy hopping aboard for as little as £5.

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The Talyllyn Railway in the Welsh county of Gwynedd was saved from closure in 1951 by volunteer train enthusiasts.

This was the first time in history that a railway had been taken over by volunteers, and now it’s celebrating 75 years of being ‘The World’s First Preserved Railway’.

One of the very first railway volunteers was actually children’s author Rev Wilbert Awdry who was the creator of beloved character Thomas the Tank Engine.

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It’s said that Wilbert Awdry based some of his stories on his experiences while working at the railway.

One tale in one of the books is from the time when Wilbert left a colleague, the refreshment lady behind at Abergynolwyn which is at the far end of the line.

Railway historian Tim Dunn said the Talyllyn Railway had made its way into a number of Thomas the Tank Engine books.

He even called the railway the “spiritual home” of Thomas the Tank Engine.

The railway is open seasonally with train journeys throughout spring and summer.

The best part is that children can visit the Talyllyn Railway now and hop onboard for as little as £5 with a ‘Child Explorer’ ticket.

An ‘Adult Explorer’ fare starts from £29 – if you fancy reserving whole compartments this is from £155 (which seats up to six passengers).

The one-hour return journeys start from Tywyn Wharf and head to Nant Gwernol stopping in-between at Pendre, Rhydyronen, Brynglas, Dolgoch and Abergynolwyn.

You can even add an Afternoon Tea or Welsh Cream Tea Package to your experience.

On arrival at the Abergynolwyn stop, the teas are set up with fresh scones, cream and jam with a pot of fresh pot of tea or coffee – these start from an extra £6.50 per person.

On-site, the railway has a Narrow Gauge Railway Museum with a collection of items – some of which are 200 years old.

There’s even a special collection dedicated to the author of Thomas the Tank Engine.

The King’s Café and Quarryman’s Caban at Tywyn Wharf Station are open for breakfast, Sunday lunches, takeaways – there’s even a licenced bar.

The railway is a favourite attraction amongst its visitors with over 1,200 five-star reviews on Tripadvisor.

One visitor even said: “I visited for the first time yesterday. No exaggeration, it was the best day of my life.”

Another added: “My wife and I took a trip to this historic railway during their Awdry Extravaganza weekend and loved it. The trip up the valley is beautiful on a sunny day.”

It holds events throughout the year too – and this weekend the railway is holding its 75th Anniversary Gala to celebrate Talyllyn Railway being saved by volunteers.

Across the weekend, special locomotives are taking to the tracks, like an overnight steam train which will return to the railway for the first time in 11 years.

Trains from various eras like the 1950s, 60s, 70s, 80s all the way to modern day will also be on display.

Other events include Sunset Specials which run on Wednesday and Sunday during spring bank holiday week between 6PM until 9PM for pretty views.

The ‘Railway Adventure’ event is where visitors can travel behind a historic steam locomotives. Guides explain how Talyllyn Railway got to be a world first, and delve into the early days of the Preservation Pioneers.

During ‘The Slate Trail’, passengers can experience a train journey inside a Victorian-era carriage. Tickets for these two experience start from £23.75 for children and £47.50 for adults.