inspired

To stage the largest Olympics in history, LA28 is looking toward the cosmos for inspiration.

The committee in charge of bringing the Games back to L.A. for the first time in 44 years announced its slogan for the 2028 Olympic and Paralympic Games on Wednesday, hoping to rally athletes, volunteers and fans behind a simple call: “Stars align.”

“‘Stars align’ is when preparation meets opportunity,” LA28 chief marketing officer Alex Merchán said. “So together that creates something extraordinary, and that’s what we seek to do here.”

The slogan that will set the stage for the next 21 months developed organically within the organizing committee over several years, Merchán said. Only during the past 12 or 13 months did the team really start imagining ways to bring the phrase to life.

“Stars align” is a nod to the “stars in motion” emblem for the 1984 Olympics. It takes inspiration from the 50 stars on the U.S. flag. It speaks to L.A.’s Hollywood reputation.

But it also captures how the largest sporting event in history came to L.A. By the time the Olympics open on July 14, 2028, it will have been 11 years since the city won the original bid. More than a decade of planning and a lifetime of training for competitors align during the once-in-a-generation sporting event.

“Athletes commit so much and dedicate so much and sacrifice so much to get [to the Games] that we ground the idea in that effort, in that alignment,” Merchán said. “Alignment is teamwork, coordination, hard work and commitment.”

Along with the International Olympic Committee’s official motto of “Faster, Higher, Stronger — Together,” each organizing committee uses a slogan to share its vision for the Games. The 1984 Games in L.A. pioneered the marketing tactic with “Play a Part in History.” Those Games then turned into the most financially successful in history, relying largely on private sponsorship to produce a $235 million profit that has sponsored youth sports in L.A. for decades. Now official slogans are as ubiquitous as the Olympic rings when walking around the Games.

LA28 looked at translations of the slogan in the next 14 most-popular languages within the Olympic and Paralympic movement, finding equivalent messages. Some were exact translations. Others needed a different collection of words. The message always stayed the same.

“The simple idea of stars and constellations have, in recorded history, been a part of every group around the world,” Merchán said. “Every country, every tribe if you will, have looked upon stars as something filled with optimism.”

The Games return to L.A. at a high point. The popular Paris Games, which used the motto “Games wide open” to set the tone for a resurgent post-pandemic movement, reinvigorated the Olympics with international broadcast records and 12 million tickets sold across the Olympics and Paralympics.

LA28 is on pace to exceed some of those marks. With more than 6 million Olympic tickets already sold, the private organizing committee will open first-come, first-served Olympic ticket sales next year. Tickets for the first Paralympics in L.A. will go on sale in 2027. The Olympic torch relay will begin in spring 2028, uniting all 50 states en route to the opening ceremony. Wednesday’s slogan is only the starting point of LA28’s constellation of events, Merchán said.

“If we get this right,” Merchán said, “we like to think that we can bring the world together and connect people under this banner.”

On the gable walls of the tough, working-class streets of east Belfast, the mystical beasts of Narnia vie for brick space with balaclava-wearing loyalists. The murals of the city have long projected the power of paramilitaries, but in recent years they have also begun to reflect the more positive contributions made by other local people, including the author CS Lewis.

Lewis was born in Dundela in 1898 in an attractive terrace house that has sadly since been demolished to be replaced by rather unattractive flats. But elsewhere in this part of the city, the Lewis connection is being built on and celebrated. CS Lewis Square is in the Holywood Arches neighbourhood and has a short walking trail featuring metal sculptures of Mr and Mrs Beaver, Mr Tumnus and other beloved characters from The Chronicles of Narnia. The centrepiece is a gigantic Aslan, towering over all from atop a circular mound.

About 15 minutes’ walk away, St Mark’s church on the Holywood Road is the proud custodian of a much smaller lion that may have inspired Lewis’s creation of Aslan. His grandfather, the Rev Thomas Hamilton, ministered here, living in the rectory for 13 years, and his front door was decorated with a beautiful brass lion’s head doorknob. The original has been removed for safekeeping, but an exact replica attracts thousands of Lewis pilgrims each year.

Leafy Circular Road, half a mile away, is where the Lewis family moved in 1905 to a large, redbrick house that, back then, was on the outskirts of the city. The road has since been subsumed by the growth of the town, but remains the realm of the prosperous. The house, called Little Lea, is privately owned, but can be seen from the iron gates at the end of the drive.

“To a child, it seemed less like a house than a city,” Lewis wrote of the family home in his autobiography, Surprised By Joy. “I am a product of long corridors, empty sunlit rooms, upstairs indoor silences, attics explored in solitude.”

Little Lea appears in the opening two Narnia books, first when a boy exploring a large attic in The Magician’s Nephew finds a way into another world, and then in The Lion, the Witch and the Wardrobe when a game of hide and seek leads a group of inquisitive children to that same magical world a generation later.

Although it was close to east Belfast’s industrial heartland, it was also just a fence clamber away from the fields, hills and woodland glens that fringed the city like a vast adventure playground. As children, Lewis and his elder brother Warnie seem to have had a freedom to wander that would terrify modern parents. They would trek for hours up into the hills between Belfast and Strangford Lough, and travelling that way today still evokes a sense of romantic escapism.

The Belmont Road takes you up, climbing dramatically out of the city and into the expansive high ground that towers over Belfast, Bangor and Newtownards. There are many viewpoints up here. Lewis didn’t record the exact spot that inspired the following ethereal description of the views he loved, but for this writer, the crags of the Whitespots country park on the hill above Newtownards are a pretty good bet, especially as this place also chimes loudly with his descriptions of the stone table on which Aslan was sacrificed in The Lion, the Witch and the Wardrobe.

“Looking south with a little east in it, a different world,” he writes in Surprised By Joy. “And having seen it, blame me if you can for being a romantic. For here is the thing itself, utterly irresistible, the way to the world’s end, the land of longing, the breaking and blessing of hearts. You are looking across … the plain of Down, and seeing beyond it the Mourne Mountains.”

Lewis once told Warnie that the view from the Mournes above Rostrevor looking down over Carlingford Lough was his idea of Narnia. The statement is now stencilled on a bench at a viewpoint in the town’s Kilbroney forest park. Sitting there, in the majesty of this area, it is easy to imagine, as Lewis later wrote in an essay, that a “giant might raise his head over the next ridge”.

Rostrevor is an hour’s drive south of Belfast, and an hour’s drive in the other direction will take you to the equally spectacular north coast, where Lewis holidayed with his mother as a young child. There’s an ongoing debate among Lewis scholars and his many passionate fans about whether it was Dunluce Castle or Downhill Demesne that inspired Cair Paravel, the castle capital of Narnia.

The ruins of Dunluce perch precipitously on the coast east of Portrush, while Downhill Demesne, near Castlerock, contains what remains of the old Downhill House but also the iconic Mussenden Temple, which much better fits the description of Cair Paravel looking “like a great star resting on the seashore”.

Lewis was writing his autobiography at the same time he was producing the seven Chronicles of Narnia. The experiences and landscapes he was remembering for his memoir very likely bled into the creation of his magical kingdom. And so the heavenly, pastoral landscapes of Narnia on the murals of east Belfast might feel familiar even to those locals who haven’t read the books or watched the screen adaptations. The wholesome images of his imagination being sandwiched between paintings glorifying terrorism is an unusual setting for a tribute to the world’s most famous Christian apologist, but perhaps in Belfast, as in Narnia, good will win in the end.

The first of Netflix’s new The Chronicles Of Narnia adaptations, Narnia: The Magician’s Nephew, will be released in cinemas on 12 February 2027 and on Netflix on 2 April. Surprised by Joy by CS Lewis © 1955 CS Lewis Pte Ltd, The Lion, The Witch and The Wardrobe by CS Lewis © 1950 CS Lewis Pte Ltd

Heidi Burge Horton, a former WNBA player who started her basketball career alongside her twin sister at Palos Verdes High School and inspired a Disney Channel Original Movie, has died. She was 54.

Horton died Oct. 5 after a battle with gliobastoma, a type of brain cancer, according to an online obituary. The former University of Virginia standout was reportedly diagnosed with the Grade 4 cancer last year and briefly went into remission, but the tumors returned in July, according to Houston news site Chron.

“We are deeply saddened by the passing of Heidi Burge Horton,” the Virginia women’s basketball team said in a statement posted last week on X. “Heidi was a cherished member of the Virginia Women’s Basketball family, her legacy will forever be a part of Virginia Athletics.”

Horton and her identical twin, Heather Burge, played four seasons at Virginia, where they helped the team win three Atlantic Coast Conference titles and make three NCAA Final Fours under future Hall of Fame coach Debbie Ryan. Among their teammates at college was Dawn Staley, the Hall of Famer and Olympian who coaches the University of South Carolina.

“We are all heartbroken!” Staley wrote on X following Horton’s death. “We love you Heidi. May your soul rest in peace and your body pain free.”

The University of Virginia’s Heidi Burge, right, with sister and teammate Heather Burge during the 1991 NCAA women’s championship game against Tennessee.

(Jim Gund / Getty Images)

After graduating from college, Horton and her sister headed overseas to play professionally in Europe. When the WNBA was formed in 1996, she joined the Sparks to play in the inaugural season alongside a familiar face, Lisa Leslie.

“I played with the twins since we were 14 years old,” Leslie wrote, along with a broken heart emoji, in the comments of the WNBA’s Instagram post announcing Horton’s death. “I’m so sad to hear this! I pray for the whole family.”

Heidi Ann Burge was born six minutes after her twin sister, Heather Marie, on Nov. 12, 1971, in Harbor City. She grew up in Redondo Beach before her family moved to Palos Verdes so the sisters could attend the high school there, according to a notice by Eickenhorst Funeral Services.

The twins didn’t grow up playing basketball but were recruited by Palos Verdes High‘s coach, who noticed their towering height. Both sisters were 6 feet 1 by ninth grade and would grow to be 6-5.

Horton was more resistant to trying out than her sister, and both were novices when they joined the team. The sisters would become star players over the course of their high school careers, but they were praised more for their character and work ethic than their impact on the court.

“I don’t think they’ve had a weekend off in three years,” their coach, Wendell Yoshida, told The Times in 1989. “They’ve practiced when they didn’t want to practice. They’ve worked through the tears, the sweat, the hurt, the pain. That’s what made them special. They didn’t make it just because they’re tall.”

Horton was known as the more outgoing and gregarious of the pair, but both sisters were described as being inquisitive, opinionated, fiercely loyal and competitive.

The adjustment to the college game was a bit rough for them at first, and the sisters did not get much playing time together until their junior year. They developed a reputation for being prone to mistakes and turnovers and were considered a bit soft. But once again, the sisters put in the work to improve and became key pieces for their team.

“When we did cry it was mostly out of frustration,” Horton told The Times in 1992. “Just not being able to do the things the other players could do. … Our defense wasn’t effective enough for us to deserve to be out there together. Now, we’ve proved offensively and defensively that we are an unstoppable pair when we get to play together.”

Heidi Burge, right, rises up to block Houston Comets guard Kim Perrot during a game on July 16, 1997.

(Mark J. Terrill / Associated Press)

After graduating with degrees in Spanish and rhetoric and communications studies, Horton played basketball professionally in Europe. After the establishment of the WNBA, she played for the Sparks in 1997 and the Washington Mystics in 1998 before retiring after two seasons.

Horton and her sister inspired the 2002 Disney Channel Original Movie, “Double Teamed.” The movie told a fictionalized account of the twins’ time at Palos Verdes High School. Horton was portrayed by Annie McElwain.

After retiring from playing, Horton moved to Houston, where she briefly served as a commentator for the Comets. She later became involved with Hoops-School, a youth basketball camp where she served as a coach and mentor.

“When you had the kind of coaching I did, you have to work really hard,” Horton told the Buzz Magazines in 2024. “But I also want to give a lot of credit to my coaches. Now I get to give the golden nuggets of wisdom to the kids I coach.

“Second graders, fifth graders, they listen,” she added. “That’s the biggest reward in your whole life. I had so many people pour into me, and I get to just pour it right out. That’s the torch.”

Horton is survived by her husband, Patrick; their children, Jonathan and Holly; her twin sister, Heather Quella, and other loved ones.

Finucane will now be putting together the final touches before this week’s World Championships, which are in Shanghai, China, from Wednesday to Sunday and are live on the BBC.

She is part of a 19-strong British team for the first event to count towards qualifying for the 2028 Los Angeles Olympics.

Although there has been disruption in the build-up after Finucane’s partner Matt Richardson was withdrawn amid reports he is under investigation for misconduct.

At her fifth World Championships, Finucane will ride in the team sprint, individual sprint and keirin.

The 23-year-old, speaking before Richardson’s departure, says she is desperate to regain the world champion’s rainbow stripes after two disappointing silvers last year.

It says a lot about the high bar she has set that two world silvers can even be seen as “disappointing”, but Finucane has a new outlook on that now.

“It’s something I learned last year actually,” she said. “I came fifth or sixth in the sprint competition and I felt I failed.

“It’s how you pick yourself up from that. I went into the keirin and I got second, which is the best keirin result I’ve ever had, so I was able to turn that around.

“Essentially, Worlds is a stepping stone to get to LA. I spoke to Scott (Pollock, her coach) and he said we either go there to win or we learn. I like that approach.

“I don’t fail. I win or learn something about myself.”

The preparation for the next Olympics has already long begun. Earlier this year Finucane and her teammate Sophie Capewell travelled to Los Angeles to get their first taste of the velodrome.

The World Championships might only be a stepping stone to there, but it is a vital one.

And Finucane wants to end them with the rainbow stripes back on her jersey.