impresses

Move over, “Alice in Wonderland” and “The Wizard of Oz” — you too, “Spirited Away” and “The Chronicles of Narnia.” There’s a new eye-popping portal fantasy in town and its name is “Wildwood.”

This is a thoroughly involving and captivating stop-motion adventure from Laika, the animation studio that made such other beautiful handmade works as “Coraline” and “Kubo and the Two Strings.” But it’s clear from the level of artistry on display here that the company, led by producer-director Travis Knight, has steadily advanced in technology, innovation and ambition. (We’re talking 233 handcrafted puppets and 132 practical sets.) That’s saying a lot given Laika’s previous top-tier output. In addition, Laika worked alongside New Zealand’s Wētā FX to create the movie’s stunning digital environments and visual effects. That magical ivy is something else.

The wondrous story was adapted by frequent Laika collaborator Chris Butler from the epic 2011 novel written by Colin Meloy (frontman for indie rock band the Decemberists, whose original music is featured here) and illustrated by Carson Ellis. The tale kicks off as intrepid young Portland, Ore., teen Prue (voiced by Peyton Elizabeth Lee) defies her worrywart parents and, in their absence, takes her baby brother, Mac, out for a bike ride around her city’s singularly quirky downtown. (Not for nothing, Knight is a Portland native and Laika is based just outside the city.)

But things quickly turn pitch dark as a murder of crows (take that collective noun how you will) swoops down and, quite terrifyingly, à la Alfred Hitchcock’s “The Birds,” abducts little Mac. This leads a desperate Prue and, soon, her nerdy but plucky classmate Curtis (Jacob Tremblay), into the forbidden “Impassable Wilderness” at the edge of town to rescue Mac. From there on it’s a roller coaster of magnificently rendered battles, chases, near-misses and escapes as Prue and Curtis — separately and together — navigate the enchanted, astonishing woods and its wildly assorted communities of rulers, warriors and underlings.

As Prue and Curtis struggle to unravel the twisty lore of the obstacle-laden forest in their search for Mac, their outsider presence inadvertently sets off a long-festering showdown for control of the forest between its warring factions. On the one hand, it’s Alexandra, the sinister, dangerously obsessed Dowager Governess (Carey Mulligan) and her marauding band of military-style coyotes (Tom Waits, Charlie Day and others) versus a wayward posse of bandits (led by Mahershala Ali’s formidable Brendan). Then there’s the Avian Principality, a bird-led kingdom also against Alexandra’s mounting power, including a stunningly majestic eagle known as the General (Angela Bassett) and the wise old Owl Rex (Richard E. Grant).

Vying for dominance as well are the haughty, self-serving bureaucrats of the area’s bustling capital of South Wood (Jemaine Clement, Marc Evan Jackson), who pull their political strings from the relative safety of the grand Pittock Mansion. Other characters Prue and the increasingly brave Curtis encounter along the way include the wry and resourceful rat Septima (Awkwafina), the courageous bandit Niamh (Amandla Stenberg), elderly mystic Iphigenia (Tantoo Cardinal) and the realm’s harried postmaster (Len Cariou). The talking animals feel right at home alongside the human figures and the voice work is excellent all around.

Needless to say, there’s a lot going on in Butler’s busy, occasionally dizzying script, though compressing the approximately 550-page source material was surely no easy task. (As it is, “Wildwood” runs more than two hours, long for an animated film, though it rarely lags.) Still, the narrative has its share of “just go with it” moments and explanations. Bits of connective tissue can sometimes feel missing amid the action and the story’s lessons, particularly for Prue, don’t always land as strongly or affectingly as they could.

It should also be said that there’s some fairly outsize violence along the way, particularly during the combat scenes, plus other potentially disturbing bits of mayhem that may be too extreme for younger children. Parents take note: The film more than rightly earns its PG-13 rating.

Nonetheless, for most audiences, especially animation-loving teens and adults, this should prove a spectacularly immersive ride, vibrantly shot by the great Caleb Deschanel (“The Right Stuff,” “The Natural”) and crafted by a reported 49 animators who brought the film to life one dazzling, painstaking frame at a time.

Exeter boss Rob Baxter says he has been impressed with how young Wales back-row Kane James is maturing.

The 21-year-old won his international first cap in July when Wales lost in Argentina in the Nations Championship.

James broke into the Exeter squad last season and has started both of the Chiefs’ Prem games so far this campaign.

“He’s just following that really nice route where he’s improving at a nice rate, he’s having some good impact on games,” Baxter said.

“Kane can be really pleased with the trajectory his game is going in at the minute.”

James’ physical development has also been noted by Baxter, who says the former England Under-20 player – who switched allegiance to the country he grew up in earlier this year – has been working hard off the field.

“He’s getting thicker, that will happen with quality training, making sure he gets his nutrition and all this kind of stuff,” Baxter added.

“He’s such a diligent guy he is going to maximise his strength and his growth, but he is going to get bigger for quite some time, I would say with Kane.

“That obviously is helping him ride the contact, he’s explosive and very quick.

“Kane’s had a really, really good start to the season, we’ve got to just keep working on these little individual bits and pieces – sometimes in his determination to fly around, a little bit of accuracy trips, but that’s the way you want it.

“You want these lads enthusiastic to run around and get in the game and I think there’s a lot more still to come from Kane.”

ATLANTA — Who would you rather have starting an October game for the Dodgers than Yoshinobu Yamamoto?

No one, right? And you wouldn’t be the only one thinking that.

Tarik Skubal thought so too.

When Dodgers manager Dave Roberts told Skubal he would start the team’s playoff opener, Skubal responded with a question.

“Why?”

Skubal was honored with the assignment, but he also was worried.

“I was like, ‘Is Yoshi OK?’” Skubal said Tuesday.

He is, as the Atlanta Braves found out the hard way. Yamamoto pitched the Dodgers to within one game of the National League Championship Series, setting a postseason high with 10 strikeouts in a 3-1 victory.

In seven innings, Yamamoto gave up one run on four hits, all of them singles. In only one of those innings did Atlanta advance a runner beyond first base.

“I just have a lot of respect for him and for what he means here in L.A. and what he has accomplished here,” Skubal said. “I know we have a lot of good starting pitching, and I know there is a lot of thought that goes into it, but I just assumed he would be the Game 1 guy.”

You could say Yamamoto rises to the October occasion, but Mookie Betts would not say that, if only because Yamamoto rises to the occasion on just about every occasion.

“I don’t see it any different,” Betts said. “I think he does it all year, too.

“He just has so many weapons. He throws a lot of strikes with a lot of pitches. He’s hard to hit.”

Skubal, a two-time Cy Young winner, is brilliant in October.

In seven postseason appearances, he has a 1.97 earned-run average. He gave up five runs in one inning, and he has given up five runs in the other 44⅔ innings. The Dodgers’ grand prize from the trade deadline was hardly a reckless choice to start Game 1 of the division series.

Yamamoto has a 2.14 ERA in 11 playoff appearances, the fourth-lowest of any pitcher since 1903 to make at least 10 postseason starts. He drains the life out of an opposing crowd as well as anyone in major league history, with a 1.42 ERA in six road playoff outings.

“I’m a fan of this game as much as I am a player,” Skubal said. “So, when I watch guys do really impressive things and do great things, I understand what it takes because I also play the game.

“When he goes out and performs like he does, it’s almost like I expect it. And now, being a teammate of his, it’s not surprising at all why he goes and performs like he does, because the way he prepares is as good as anybody in this game. It’s just a ton of fun to be on the same side of it.”

Yamamoto admitted to feeling nervous, even if you would never sense it from watching him. That’s part of the way he prepares, too.

“During the preparation and before the game, then I do get nervous,” Yamamoto said through an interpreter, “but at that time, I personally think that’s very important.”

And then the game starts, the nerves dissipate, and the opponent is methodically slayed.

“He just has a way to just make pitches, calm his heartbeat,” Roberts said.

Highlights from the Dodgers’ 3-1 win over the Atlanta Braves in Game 3 of the NLDS.

The Dodgers have played seven postseason series with Yamamoto, and they have won them all.

We’ll always cherish last October. In 76 regular-season starts with the Dodgers, he has one complete game. In back-to-back starts last October, he threw a complete game both times.

Of the Dodgers’ four victories in the World Series, Yamamoto earned three — including Game 6 as a starter and Game 7 as a reliever, with no day of rest in between.

“I got goosebumps watching that,” Skubal said. “I didn’t know how he was doing it. That’s what I was thinking: How is this going to work?

“His stuff looked even better than it did in Game 6, which is insane to say. But it did. When I was watching on TV, I was like, ‘Holy … he looks better today than he did yesterday, and he did pretty well the day before.’ It’s incredible.

“Hopefully, we’re not having to do that again to him.”

That is one big reason why the Dodgers acquired Skubal. If Tyler Glasnow wins Wednesday — and the Dodgers won in all six of Glasnow’s postseason appearances last October — they are off to the NLCS.

The Game 1 starter could be Skubal, followed in Game 2 by Yamamoto. That’s a tall order for opposing batters and, so far, a winning order for the Dodgers.