husband

When Judy Collins comes to Los Angeles, she likes to stay at the Beverly Hilton in part because “they serve a fabulous breakfast,” she says over coffee at the hotel on a recent morning. “That’s rare today,” she adds. “Too often a place will just send up a cardboard shopping bag with the things you ordered in it.”

Collins knows her amenities: At 87, the Grammy-winning singer and songwriter still plays about 120 shows a year, drawing audiences around the world with her high, clear voice and an expansive repertoire that blends the hits that made her famous in the 1960s and ’70s — Joni Mitchell’s “Both Sides Now,” Leonard Cohen’s “Suzanne,” Stephen Sondheim’s “Send in the Clowns” — with traditional folk tunes and material of her own.

Yet now she’s preparing to hang it up with a lengthy farewell tour she’s calling Sweet Judy Blue Eyes (after “Suite: Judy Blue Eyes,” the folk-rock classic her one-time lover Stephen Stills wrote about her for Crosby, Stills & Nash). The night before our interview, Collins played L.A.’s Ford Theatre; she’ll be back through Southern California for a Sept. 27 date at the Lobero Theatre in Santa Barbara and again next year for shows in Palm Springs and Aliso Viejo.

After we talk, she plans to do a bit of tai chi, for which she uses an app on her phone and which she wishes more people practiced. “Maybe that would alter civilization,” she says. “If we were all doing tai chi, we couldn’t be at war with Iran.” Then she’ll head to the airport for a flight home to New York, where she’s lived for decades — most of them with her husband, industrial designer Louis Nelson, who died in 2024.

At breakfast, Collins is wearing a patterned turquoise jacket over a matching dress and high-heeled black leather boots.

“You like these?” she asks of the boots. “These are Stuart Weitzman. I bought them 30 years ago, and I’ve never stopped wearing them.”

That’s a well-made boot.
They fit, they’re great and I reject all invitations to get rid of them.

Has your thinking about clothes changed over the decades?
I used to dress in jeans because I was a cowgirl — I hung out with rodeo riders in Colorado. As I came up, I liked what was simple. My mother made all our clothes on a Singer sewing machine for years. Now I love beaded things. I have full closets I need to go through.

Before you came onstage last night, an announcer told the audience not to take pictures or videos.
That’s my management’s doing — it’s important to them, so I go along with it. But the pictures are usually bad. Also, the phones take people’s minds off what’s going on onstage. People need the chance to focus. We’re in a period of insanity right now, so people need time to sit wherever they are. They could go to the ballet or to the theater, but they choose to come to me, and they get to sit there and they get to listen and they get to think about their own lives.

As a performer, that’s what you seek to provide.
I’m providing silence. It’s such a noisy world — so full of crappy music that plays outside all these hotels and places where we stay. It drives me nuts.

You have a line in the show where you say, “Something unexpected happened — I turned 87.” It got a good laugh.
People applaud too.

What are they saying by applauding?
They want to be acknowledged for their own ages, whether they’re 87 or 90 or 19. People are coming to see me, but they’re also coming to see their history. They’ll remember what happened 60, 70 years ago — they were probably marching at the same things I was marching at. And if they’re 19, they want to know why we’re not marching now.

Judy Collins performs on “The Smothers Brothers Comedy Hour” in 1969.

(CBS via Getty Images)

You said we’re in a period of insanity.
This country is losing so much of the depth of our origin. The fact that workers who’ve come to this country are being taken off to God knows where — it makes no sense. Number one, these people often have some sort of legality. And secondly, they do the work here. Nobody else wants to go up to the orchards in Oregon and pick the fruit. Do you?

I can’t say that I do.
I don’t want to do that.

This tour is billed as your grand farewell.
So long, you guys.

I’m always reluctant to trust that framing. Cher’s done like eight farewell tours.
I hadn’t counted them up — shame on me.

Should we really believe you?
I think we have to believe in the present tense. What you’re hearing is what’s happening.

You had a music stand onstage with you. What was on it?
All the lyrics to all the songs.

You can’t possibly need the lyrics anymore.
Oh, yes, I do.

You’ve been singing some of them for decades.
Doesn’t matter — it has to be there in case you have to look at it.

Would you say you do look? Or is it more of a security blanket?
It’s a security blanket. But my eyes wander — I like to see who’s in the audience and what’s going on. I like to look up and down the aisles, and I like to fantasize: How did this happen?

Your life and career?
I mean, I know how it happened. I was 16, and I started going to the Denver Folklore Society, which was run by a guy named Lingo the Drifter. And Lingo the Drifter had these wonderful evenings where we all played the guitar and sang and drank illegal whiskey and so on.

Judy Collins last month in Beverly Hills.

(Allen J. Schaben / Los Angeles Times)

Before Denver, you lived briefly as a kid in Los Angeles.
My father was a very eclectic and fabulous radio personality. He had a radio show for 30 years in Seattle then here in Hollywood, broadcasting out of CBS — a big deal. If we weren’t in school, we would drive up Santa Monica Boulevard into Hollywood and we’d stand around and watch them produce the radio mysteries. People would walk in a sandbox to get the sound of somebody walking up the gravel road to the door.

Are you familiar with the term “nepo baby”?
No.

It refers to the child of a famous artist who follows in their parent’s footsteps.
Oh, that’s interesting.

People use it derisively, as if to say that a kid has overly benefited from their advantages.
We certainly had advantages. For instance, the Library of Congress, which is the jewel in the crown — I don’t know what they’re doing now — but they sent us Braille books and they sent us all the shows from New York and they sent us the recordings of all the Shakespearean plays by the great Dame Judith Anderson and John Gielgud. I had all that growing up. In some ways, I wasn’t raised — I was trained. I got to see how a professional has to handle his life. My father was a professional in all ways. He drank — occasionally, not all the time — but he was absolutely organized about everything, including that.

You’ve been sober for something like half a century.
Forty-eight years. I’m in my 49th now.

You ever miss drinking?
Oh, my God, no. I was so sick — I was gone. Bye-bye.

Some people replace one addiction with another.
I had an eating disorder, which is still kind of … You know, last night, I asked for apple juice during the show — I was in trouble because I wasn’t eating. When my husband died, I stopped eating again. I’d stopped eating in the ’60s and ’70s and ’80s, but I got over that. But suddenly I didn’t want to eat again.

Would you consider that disordered eating?
I don’t know. Anyway, I have to really be careful. We had a talk about it last night. I have to eat these protein bars, and I have to eat them all the time.

Do you remember the first gig you played after your husband died?
Oh, yes — I had to go out. When my son took his life in 1992, I got a call from Joan Rivers — she and I knew each other pretty well. She was getting ready to go out and do her show in Las Vegas, and she called me in New York and she said, “I have to tell you this” — her husband had just killed himself — she said, “You cannot stay home. You have to go out.” I was canceling all my shows, and she said, “You can’t do that because you won’t ever get over this if you do.”

How did you take that advice?
I said, “Thank you,” and I called my staff and I said, “Put ’em back on.” My mother came out with me, Louis came out with me, my sister came out with me, and it was incredibly true: I had to be working or else I would die. So when it came to Louis, I was out three days later.

What did that feel like?
Well, it was wonderful because I was working. I can work and get through anything — that’s the psychological effect of what I’m doing on the stage. I’m interacting with people, I’m hearing the laughter, I’m hearing the music. What could be more healing?

This is why I’m wondering why you plan to stop touring.
But you see, I have all these other things to do — I have a life that’s not just touring. I’m working on the music for a Broadway show. And I’m doing a new book — it’s called “Singing Through the Storm,” and it’ll be out next year, I hope.

Judy Collins and Leonard Cohen attend the 41st annual Songwriters Hall of Fame ceremony in New York in 2010.

(Larry Busacca / Getty Images)

You’ve interpreted the music of so many great songwriters: Joni Mitchell, Bob Dylan, Leonard Cohen. Was there ever a writer whose work you admired but couldn’t find your way into?
No.

OK.
I’ll tell you my funniest Leonard story. In 2014, I think it was, I went to this little group in Norway called Democrats Abroad — lonely group of people. That night, this woman came up to me and said, “Hi, I’m Marianne.” I said, “Hi, Marianne.” And then she said, “I’m Leonard’s Marianne.” She said, “There’s something I’ve wanted to tell you for many years: We were living together in Spain, Leonard and I, and he was writing songs and we were swimming in the nude. And then one day he came to me and he said, ‘Marianne, I’m going to New York to sing my songs for Judy Collins,’ and he went to New York and he played you all his songs and you recorded them.” Marianne said, “I just wanted to tell you that you ruined my life.” Fortunately, we became friends on Facebook.

You opened last night’s set with “Both Sides Now.”
Oh, yes.

This might be the most famous song you do. Some artists would save it for later in the show.
I don’t want people to wonder for an hour and a half: Will she? Won’t she? What will I do if she doesn’t?

Do you still enjoy singing “Both Sides Now”?
I love it. It was Al Kooper who brought me to Joni — she sang it to me over the phone. Al is living a very sane, quiet life in the Northeast now. He’s married — never goes out anymore. It’s hard to think of Al Kooper just sitting there enjoying his marriage and his garden.

What will you do on the plane home today?
I’ll probably get out the computer and noodle around on the book and see what I can come up with.

The work never ends.
It never ends because it’s not done.

Former Gladiators star ‘Giant’ has accused the show of exploiting its power over performers and accused Holly Willoughby’s TV producer husband Dan Baldwin, 51, of double standards

Jamie Bigg, better known as Giant on the hit TV show Gladiators, has opened up about his biggest battle behind the scenes on the BBC show.

After Jamie separated from his wife, Katie Christian, late last year he began a relationship with OnlyFans model Taylor Ryan, 28. The pair first met at a Gladiators Live event in Sheffield. Taylor, from Exeter, Devon, was there as she was a fan of the show.

The pair began dating and their romance was so serious that in April Jamie, then 40, quit the programme after he was ordered to dump Taylor or lose his job. TV bosses reportedly said Taylor’s role as an online adult content creator conflicted with the show’s family-friendly image.

Jamie said at the time: “I had to choose between dating Taylor and keeping my job.”

The 6ft 5in Gladiator has now accused Holly Willoughby’s TV producer husband Dan Baldwin, 51, of double standards for interviewing adult star Lily Phillips on his wife’s new YouTube show.

In an exclusive interview with The Sun, Jamie, now 41, said the Lily interview left a bad taste in the mouth and said his exit “f***ing sucked” after insisting Dan had promised him a future on the show.

He said: “For the person who deleted or helped delete me, for his wife to do that interview, it just seemed too close to home to be comfortable with it.”

Dad-of-two Jamie said Dan allegedly told him “you’re definitely in the next series. Giant’s a huge character. We can’t imagine season four without Giant”. But when he refused to end his relationship, he was axed from the show.

Jamie is critical of the lack of duty of care shown to him, claiming the show completely washed its hands of him.

He told The Sun: “They did try and delete me from the past, present and future with no duty of care for my mental health or the ADHD or the divorce or the getting older, which I thought was very, very harsh.”

Jamie described himself as a “pawn in their game” and accused the show of exploiting its power over performers.

Dan’s media firm Hungry Bear produces Gladiators and Holly’s Together show has been approached for comment by The Mirror but at the time of publication have not responded.

Jamie is now working as a motivational speaker and wants to use his experience as a bodybuilder and former Gladiator to inspire and help people overcome adversity in their own lives. He is represented by Champions Speakers for bookings.

The Mirror has also contacted the BBC for comment.

For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook,YouTube and Threads.

AMANDA Seyfried and her husband, Thomas Sadoski, have split after nine years of marriage.

The couple revealed in a statement to People on Tuesday that they’re going their separate ways.

“We have been separated for a while, and it’s proven to be the right move for us and our family unit. We’ve got each other forever—and it’s GOOD,” their joint statement read.

Amanda, 40, and Thomas, 50, first connected in 2015 while starring in the off-Broadway production of The Way We Get By.

The actors reunited months later as love interests in The Last Word and began dating in March 2016.

Their love story quickly blossomed as they got engaged later that year and quietly eloped in March 2017.

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“We eloped. We just took off into the country with an officiant and just the two of us, and we did our thing,” Thomas revealed at the time about their secret wedding.

“It was beautiful. It was everything that it should be. It was just the two of us talking to each other.”

Their daughter Nina arrived just days after they said, “I do,” followed by their son, Thomas Jr., in September 2020.

The pair had kept their relationship relatively out of the public eye while living on a farm in upstate New York.

They’ve each made brief remarks about their romance in the past, with Thomas gushing in 2017 that Amanda was “the person that I love, admire, respect most in the world.”

Amanda also boasted about her husband, saying in 2023 that their relationship was like “yin and yang.”

They certainly shared a passion for the cameras, as both have had successful acting careers for decades.

Amanda most recently starred in The Housemaid alongside Sydney Sweeney and The Testament of Ann Lee.

She’s preparing for the release of her newest film, The Life and Deaths of Wilson Shedd, next month.

Thomas is best known for playing Don Keefer in the HBO series The Newsroom.

His acting career began when he landed the role of Mark Ruffalo’s understudy in the Off-Broadway play This Is Our Youth.

The Connecticut native made his film debut in 2000, starring as Chris in Loser.

Former newsreader and Strictly Come Dancing star Katie Derham is hosting the BBC Proms

BBC host Katie Derham received a marriage proposal on a first date.

The former Strictly Come Dancing star is a former ITV news presenter but in 2010 she announced she was returning to the BBC where she started her career as a researcher.

Since then she’s worked extensively across radio and she was one of the contestants on Strictly Come Dancing in 2015 when she was partnered with Anton Du Beke and impressed both the judges and viewers, topping the leaderboard and making it through to the final. She returned for the Christmas special two years later which she won with Brendan Cole.

As she teams up with Celebrity Traitors star Nick Mohammed to present the BBC’s Last Night of the Proms on Saturday, September 12, which will feature a Dolly Parton tribute, we take a look at her life offscreen.

Katie Derham’s heartbreak

Katie, who was born in Kent, is now 56 and she admits that her last birthday was a poignant moment for her because her mother Margaret was the same age when she was diagnosed with early onset Alzheimer’s.

Margaret died aged just 61, from complications of pancreatitis. Opening up to HELLO! magazine’s Second Act podcast Katie said: “I’ve stopped being quite so angry (over her death) as I was for many years. She never met my second daughter, and she had such a bright and interesting mind.”

She added: “It seems particularly cruel. She was 61 when she died – that’s nothing is it?” Katie also spoke about how she felt she had to “step up” and be the “mother of the family” after Margaret died.

The mother-of-two continued: “I don’t know how she (Margaret) responded to the menopause, I don’t know what she was like as a young grandma – I don’t know what she was like as an older grandma.”

Marriage proposal

Katie met her husband, John Vincent, now the chief executive and co-founder of fast food chain Leon Restaurants, when he caught her gatecrashing the Cambridge University May Ball – and proposed to her.

“It sounds so bad now, in retrospect. But with a big smile and a big twinkle, he said “Well, you know, give me a snog and I won’t throw you out,” she revealed to HELLO!

“It did make me laugh. And we spent the night dancing around, but I thought (proposing) was a joke, I genuinely never thought I’d see him again. But he told his mum and dad ‘I met this girl at this ball and I’m pretty sure I’m going to marry her.’”

They met up again when John took the plunge and called the BBC switchboard during her shift as a financial news researcher in 1992. They went on to marry seven years later and they are the proud parents of two daughters.

Last Night of the Proms: The Finale is on BBC One on Saturday, September 12 from 9pm

The estranged wife of former Chargers defensive end Marcellus Wiley has been granted a three-year restraining order against the former Los Angeles sports radio personality two months after she accused him of raping her and physically abusing her and their children.

The former Pro Bowl player has denied the allegations that Annemarie, a nurse anesthetist and former cast member of “The Real Housewives of Beverly Hills,” made in a declaration submitted July 6 to the Superior Court of Los Angeles County with her request for a restraining order against her husband of 12 years. She filed for divorce the same day.

Marcellus and Annemarie Wiley both testified in person during a hearing on Wednesday. Evidence presented by both sides included texts and WhatsApp messages, social media posts, court filings and media coverage of the couple.

“The Court finds that Petitioner has met the burden of proof by preponderance of the evidence,” Judge Esther P. Kim wrote in her ruling, which was issued the next day. “Petitioner’s request for a Domestic Violence the minor children are included as protected person in the Restraining Order After Hearing.”

Annemarie Wiley was granted full legal and physical custody of their three children, with a visitation plan detailed for her husband.

“I’m grateful for the court’s decision and welcome the opportunity for our family to finally begin healing after an incredibly difficult and trying time,” Marcellus Wiley said in a statement to The California Post on Thursday. “From the beginning, my fight has been about being present in my children’s lives, loving them, supporting them, and being their father every day.

“I’m thankful I get to return to that role. Annemarie deserves the space to protect her peace, our children deserve the love and presence of both parents, and our family deserves the opportunity to move forward without conflict defining us. My hope now is simple: healing, peace, and getting our family back to a place where love leads the way.”

On July 4, Marcellus Wiley was arrested in Florida after his wife told police he poked her in the face with his finger and threatened to kill her. He was released the next day on $1,000 bond and faced a possible charge of misdemeanor domestic battery. Last month, the state opted not to file charges because of a lack of sufficient evidence.

In the declaration she submitted with her restraining order request, Annemarie Wiley documented numerous alleged incidents that she said demonstrated “a continuing and escalating pattern of physical violence, sexual abuse, verbal and emotional abuse, financial control, and intimidation, much of which our children have witnessed.” She also mentioned four instances in which her husband allegedly raped her, once in 2012 and three times in January.

A temporary restraining order was granted on July 7. On the same day, Marcellus Wiley wrote on X that he has “videos, photographs, text messages, emails, and other evidence that directly contradicts those baseless claims and provides a factual record of our family and the events leading to this unfortunate divorce.”

HOLLY Willoughby has given fans a rare glimpse inside her marriage to Dan Baldwin as they packed on the PDA in the trailer for her next YouTube show episode.

The couple shared a sweet kiss during his cameo on Holly Willoughby Together while she got glammed up for the National Television Awards.

In the video, Holly could be seen fresh out of the shower in her robe, ready for her hair and makeup team.

“I could fall asleep sitting here, literally that’s what I was thinking” admitted Holly as her crew set to work.

Later, Dan walked onto the set suited and booted and Holly gushed: “Hi, you look very handsome.”

Dapper Dan then leaned in and gave Holly a sweet kiss on the lips.

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“Awwww,” said her crew before Holly’s makeup artist made it clear Dan wasn’t allowed to kiss her cheeks as it could ruin her glam.

Taking the stern warning in his stride, Dan replied: “Alright Patsy.”

He told a beaming Holly: “I’ll see you later.”

She said: “I’ll see you later, when I’m on stage.”

“Bye everyone,” waved TV producer Dan as he disappeared out the door following his very short cameo.

In another scene, Holly was seen telling her crew that she had to be strict with pre-drinking before appearing on telly.

She said: “I can’t have a Buzz Ball and go on stage at the NTAs… I’ll stick two down my top for emergencies.”

The next episode of Holly’s show is a ‘Get Ready With Me,’ which sees the legendary presenter chat everything getting glam.

Holly said: “So last night when I got the dress sorted from Danielle, I messaged the girls the picture.

Showing the camera a picture of her makeup inspiration, Holly continued: “And so I was looking and I thought with that dress being black, I wanted to do a tiny flick but a smudgy one [for her makeup].

“It’s almost like it’s been wiped… wide winged.”

One of Holly’s team questioned: “Aren’t they sanitary products, wide wings?”

At the end of the trailer, Holly revealed her bedazzled black dress, Hollywood-style bouncy curls and flawless makeup look.

Holly launched her YouTube series Together on July 28 2026, following her previous role presenting Netflix’s Celebrity Bear Hunt in 2025.

Her new show is produced by Hungry Bear Media, which was co-founded by her husband, Dan.

SHARON Osbourne has launched a High Court bid to remove her late hubby Ozzy’s long-term accountant as an executor of his will. 

Papers lodged yesterday show the rocker’s widow, 73, issued a claim against Colin Newman under a law used to remove or replace estate representatives. 

Ozzy died in July last year aged 76, weeks after a farewell gig with Black Sabbath in his home city of Birmingham.

His wife and two other executors, her niece Georgina Maszlin and assistant Melinda Varga, now want Mr Newman removed from administering his ex-client’s estimated £100million fortune.  

He had looked after the couple’s finances since before they married in 1982 and is one of the most senior money men in the UK music industry.  

Companies House records show he was a director of Ozzy’s main UK firm, Monowise Ltd, for years before quitting in April. 

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Sharon was appointed director last December, five months after Ozzy’s death, with the firm officially controlled by the “estate of John Michael Osbourne” — Ozzy’s real name.  

Judges can remove an executor for a variety of reasons, including if they have already been involved in the will but then later decide to step away.  

It is not clear if Mr Newman is contesting the application or if he has agreed to stand aside. 

He first met Sharon while working as a junior accountant for her father, notorious rock manager Don Arden.  

He is credited on several of Ozzy’s albums and they were long-term pals.  

The rocker is once said to have burst into his accountant’s Soho office swinging a dead rabbit and spraying blood on the walls.  

Ozzy also slept on a park bench opposite Mr Newman’s house in 1984 instead of going to the hospital where Sharon was about to give birth to their daughter Kelly. 

Mr Newman, 79, also acted as former X Factor judge Sharon’s literary agent. 

He and Sharon’s legal representatives were invited to comment. 

SCOTT Mills’ husband has appeared to have taken a shady swipe at the BBC as their pal Zoe Ball started her new gig.

Scott, 53, was unceremoniously axed from BBC Radio 2 back in March after details of an historic police investigation emerged.

He was dismissed after new information came to light regarding the investigation about alleged sex offences with a boy aged under 16 in 2018.

As well as losing his role on Radio 2, he was also sacked from working on the BBC’s Eurovision coverage and from a new podcast spin off from Race Across The World – which he won the celebrity series of in 2024.

Zoe, 55, famously left the BBC Radio 2 Breakfast Show in December 2024 and was replaced by close pal Scott.

She completely left the network a year later when she hosted her final Saturday show as Emma Willis stepped into her shoes following her departure.

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The former It Takes Two host started her new show on Greatest Hits Radio on Monday this week.

A short clip of Zoe on her first show was shared on the radio’s official Instagram account as she welcomed her viewers for the first time.

Scott’s husband Sam Vaughan took to the comments section to show his support as he appeared to shade the BBC.

He penned: “Perfect afternoon soundtrack, we’ve got you on.”

This isn’t the first time Sam has appeared to have thrown some shade as he previously took a swipe at Scott’s Radio 2 replacement, Sara Cox.

She was named as his successor and took over hosting duties back in July.

Sam doesn’t often appear on social media but the timing of his post on Sara’s first day was definitely noticable.

He shared a picture of their cute dog in the lounge, standing in front of a TV screen with Heart FM breakfast playing — NOT Radio 2‘s offering.

Sara was always seen as a natural successor to Scott and we reported how execs moved quickly to secure her for the role when he was dismissed.

A source said at the time: “This is something the BBC have always had lined up for her and she could not be more excited to take on the role.”

Scott confirmed he was quizzed by Metropolitan Police officers in 2018 after an allegation of a “historic sexual offence”.

The case – said to have taken place between 1997 and 2000 – was later dropped in full due to a lack of evidence.

But bosses claimed they only became aware of the age of the alleged victim in the weeks before Mills’ sacking, according to reports.

REBEKAH Vardy is to swap the dolce vita of Italy for Burnley FC after hubby Jamie joined the Clarets yesterday.

The Wag, 44, will have to pack up her glam dresses to make the move from their £2million villa in Salò, Lake Garda, where former England striker Jamie played for Cremonese last season.

He is returning to England on a deal to the end of the season.

It means he is likely to relocate to the Lancashire town — 137 miles north of the family home in Grantham, Lincs.

It is hoped he will revive the Clarets after a bad start to the season.

Jamie, 39, said: “This club has a proper footballing history and passionate fans who deserve a team that represents them and their town. I can’t wait to get going on the pitch and help the team move in the right direction.”

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Rather than move full-time to Burnley, it is expected Becky will remain at their Grantham home near to where their children, Sofia and Ella, go to school.

She faces a two-and-a-half-hour drive to Turf Moor to see Jamie in action.

Becky is a regular at his games and previously spoke about getting more nervous than he does during matches.

She said: “Jamie is so laid back about football, he doesn’t get nervous.

“The only time I get nervous is when he has to take a penalty.

“It’s anxiety-inducing and I’m always so relieved when he hits the back of the net.”

Becky faced a public backlash after losing her 2022 “Wagatha Christie” High Court libel case with Coleen Rooney, over leaked Instagram stories.

WASHINGTON — An armed assailant charged toward the Democratic candidate for Ohio governor, Amy Acton, on Sunday during a campaign stop at the Canfield Fair, injuring several people before he was stopped by troopers, the Ohio State Highway Patrol said.

The Highway Patrol said in a statement that a man it identified as Patrick Havas, 38, forced his way through a crowd, knocking over members of the audience as he moved toward Acton, the state’s former public health director. He had a taser and two pistols, the statement said.

The Mahoning County Sheriff’s Office said two handguns and a set of brass knuckles were recovered after his arrest, and “no weapons were ever brandished or even removed from their holsters.”

Havas was taken to the county jail and booked on charges of disorderly conduct and two counts of assault, the Highway Patrol statement said, adding that no other details were available pending an investigation. Online court records didn’t yet list the case, and it wasn’t clear as of Sunday night whether Havas has an attorney.

Republican Gov. Mike DeWine said in a statement that the man “tried to forcefully push himself” toward Acton as she was speaking at the fair in Canfield, in northeastern Ohio.

“Violence or the threat of violence at political or public events is always unacceptable,” DeWine added.

The attack is the latest act of political violence to roil the United States. The Ohio gubernatorial contest is one of the most high-profile races this year as the campaigns enter the final six weeks of campaigning before the election in November.

Acton is facing Republican Vivek Ramaswamy, who has parlayed his national name recognition from his 2024 presidential run, tech industry connections and alliance with President Trump into a record fundraising haul that he is tapping for advertising spots. He is using campaign rallies and advertising to criticize Acton.

Ramaswamy’s campaign called Sunday’s attack unacceptable.

“Candidates should be able to meet with voters without having to worry about threats or violence. What happened today is completely unacceptable and has no place in politics, and we hope that no one was hurt,” Ramaswamy’s communications director, Connie Luck, said in a statement Sunday.

Addie Bullock, communications director for Acton’s campaign, said in a statement that the assailant lunged at Acton. She said the candidate “will always stand up to the chaos, hate and vitriol that pits us against one another.”

The incident brought condemnation from Ohio Republican Sen. Jon Husted, who said on X that he and his wife were “disturbed by the attempted attack on Amy Acton today at the Canfield Fair. We are grateful for law enforcement’s quick response. There is no place for this kind of behavior, and it must never be tolerated.”

The country has seen a rise in political violence over the last decade, including assassination attempts against Donald Trump at a rally in 2024 and at the White House Correspondents Assn. dinner in April, and the Jan. 6, 2021, riot by a pro-Trump mob at the U.S. Capitol.

Other examples include a 2017 shooting at a Republican congressional baseball team practice in Alexandria, Va., a 2022 hammer assault on then-Speaker Nancy Pelosi’s husband at the couple’s San Francisco home, and the fatal shootings last year of a Democratic Minnesota state lawmaker and her husband and of conservative commentator Charlie Kirk in Utah.

Federal political committees spent more than $40 million on expenses labeled as security during the 2023-24 campaign cycle, the most recent one for which data are publicly available, according to a report released in April from the Public Service Alliance, a nonpartisan group that focuses on security for public officials.

Before running for governor, Acton had been recruited by DeWine in 2019 to lead the Ohio Department of Health while serving as an associate professor of public health at Ohio State University. As the COVID-19 pandemic ramped up in early 2020, she was thrown into the state and national spotlight — becoming a source of comfort to many viewers of the governor’s daily news conferences.

For her service as health director, Acton earned the John F. Kennedy Library Foundation’s Profile in COVID Courage Award, the Columbus Foundation’s Spirit of Columbus Award and Ohio State’s highest alumni honor, the Alumni Medalist Award.

Her position as the face of the DeWine administration’s aggressive stance against the coronavirus also earned Acton many enemies, among them statehouse Republicans and conservative Ohioans who opposed pandemic public health restrictions.

Fields writes for the Associated Press. AP writer Ryan J. Foley in Iowa City, Iowa, contributed to this report.

VENICE, Italy — “My actual personality is not very friendly, I’m afraid,” claims Korean actor Jeon Do-yeon. “Myself and actor Sul Kyung-gu, we can be a little bit brusque. We don’t really have the talent to make the set fun.”

As she says it, though, Jeon and co-star Cho Yeo-jeong are laughing — making the assertion rather harder to believe when it arrives in English from Korean via an interpreter. Throughout our conversation, in fact, the pair chuckles, nods along to each other’s answers, interjects sounds of assent. Enough for me to understand that their chemistry comes naturally, whatever Jeon’s protestations.

“In the film I play a character that chases [Jeon’s character] and it really suited me, almost to the point where I didn’t really need to try and act this role,” as Cho puts it. “I was almost like a sunflower, constantly facing and chasing actor Jeon.”

The actors needed every ounce of the sublime chemistry they forged to portray the magnetic but fatally flawed relationship at the heart of auteur Lee Chang-dong’s first film in eight years, “Possible Love,” which premiered Sunday at the Venice Film Festival. South Korea’s international feature submission for the 2027 Oscars, the Netflix film sees Ye-ji (Cho), a documentarian married to a wealthy businessman (Zo In-sung), cozy up to Mi-ok (Jeon), whose husband (Sul) has been seriously injured in a brutal crackdown on striking factory workers, in order to secure an interview with him — only for divisions of class and professional ambition to expose the fault lines in their relationship, and in turn their marriages.

“It seems like they want to be friends with each other, but then there seems to be a line that just cannot be crossed between them,” says Lee, also through an interpreter, of the actors’ accomplished double act, referring to a scene in which Ye-ji bristles at Mi-ok’s suggestion that her high-end clothes are out of place interviewing unemployed laborers. “[Jeon and Cho] knew of that and they went into shooting that scene knowing that it was quite challenging to express. There were, of course, some things that were up to the camera in bringing that about, but I think that was a scene where the two were able to express just how nuanced and quite strange the relationship can be.”

The film itself is just as slippery and multi-layered, down to Lee’s heady admixture of documentary and dramatic aesthetics. Inspired by real-life labor conflict in South Korea, “Possible Love” uses Ye-ji’s nonfiction study of laid-off workers as a window into the lives of ordinary people swept up in large-scale social change, against the backdrop of which the two women’s competing priorities are thrown into stark relief. Can a filmmaker who totes a $4,000 Lora Piana backpack, however well-intentioned, truly understand the plight of the working class? Is a subject eager to publicize a political struggle prepared for the risk that her personal privacy will be invaded in the process?

To choreograph the film within the film — so compelling that I almost missed seeing its conclusion when “Possible Love” shifts the focus to interpersonal fireworks in the third hour — Lee cast a real-life documentary director and cinematographer as Ye-ji’s crew, lending what Cho calls their “natural energy” to the movements of the camera. Cho herself prepared by consulting the late master of the form, Frederick Wiseman, who was unabashed about the tension between documentary filmaking’s often radical politics and the privilege required to turn it into a profession.

“[Wiseman] was posed the question by some students studying film and documentary: ‘How can I pursue this work in reality?’” she recalls. “And he replied with the immortal words, ‘Marry a rich man.’ And you know, I was preparing for the role of Ye-ji, so it was such an apt response for her situation.”

Jeon, left, and Cho in “Possible Love.”

(Joo Jae-bum/Netflix)

The potential for conflict bursts into the open at a seaside home that has been in Ye-ji’s husband’s family for years, where the group has decamped for a supposedly restorative holiday. Reminded of the setting by the location of our conversation — a set of green-curtained, pink-carpeted suites at the Hotel Excelsior, overlooking the northern shores of the Adriatic — I ask the actors what’s going through their characters’ minds when Mi-ok and Ye-ji’s promising connection ultimately severs.

Mi-ok “doesn’t really want to reveal to anyone else what’s going on in the family … She only wants to show the good side that they are trying to live their best life and trying to improve and move forward with hopefulness,” Jeon says, citing an early scene in which Mi-ok asks the crew not to film her son’s awkward taekwondo at a school field day. When the camera’s prying eye becomes more intrusive, though, she “feels a great sense of betrayal, that her family is being used and exploited.”

For Cho, who says Ye-ji is “constantly balancing the ethical dilemma” between documenting the truth and treating her subjects with care, the break was always inevitable, and no amount of Ye-ji’s remorse or guilt can repair the damage.

Against this microcosm of the class war Lee sets the emergence of artificial intelligence, which threatens to further destabilize labor across a range of industries — including his own. Although he’s uncertain if, when or how AI will “intrude” on the “entirely creative” filmmaking process, the “Poetry” and “Burning” director is already using it for everyday tasks.

“Before going to see the doctor, I like to ask AI all the symptoms that I have, ask what’s wrong with me. Or I would ask, you know, ‘What’s the weather like in Venice?’” he says. “AI gives us instant answers, and it goes even beyond that to where it gives you advice these days. And in that sense, AI has indeed really gotten deeply intertwined in my daily life.”

Similarly, Jeon is open to using AI for more “trivial” matters, such as simultaneous translation from English to Korean and vice versa. But she admits to more “extreme thoughts” than Lee about the technology’s role in the future of screen acting.

“I’m going to be starring in a [Korean-language adaptation] of Anton Chekov’s “The Cherry Orchard” upcoming in New York. And I was wondering, actually, is the stage the last place that cannot be conquered by AI, and will not be replaced by AI?”

Perhaps. But the scene in “Possible Love” that best captures the finely honed chemistry of its female leads, in which Mi-ok and Ye-ji drunkenly bond over soju and Korean barbecue as their bemused husbands look on, seems to me beyond the capabilities of AI — it’s too warm, too meticulously rendered to be anything other than fully human, the sort of acting one hopes the Venice jury will remember when it hands out the Volpi Cup for best actress on Saturday.

“It is quite difficult technically and practically — it was a scene that we shot all night long,” Cho says. “But I remember shooting it with a lot of pleasure.”

No protest there.

WASHINGTON — The widow of an airman killed on a combat mission in the Middle East said it took a viral social media post to get resolution from the Pentagon on issues related to her husband’s benefits and basic pay months after his death.

Maj. Alex Klinner, 33, was one of six crew members of a KC-135 refueling aircraft that crashed in western Iraq in March while supporting operations against Iran. He’s one of 18 U.S. service members killed, along with 790 wounded, since the war began more than six months ago.

The Air Force reached out to his widow, Libby Klinner, this week to clarify that his final paycheck would include hazard pay and combat-related tax breaks. This occurred after she voiced frustration on social media at being told by a military officer assigned to support her after her husband’s death that he was ineligible for those benefits because “we were not at war.”

“My husband lost his life because we’re in a war, and then I was told that because it’s not technically a war, we lose out on something,” Klinner told the Associated Press. “It all comes down to principle.”

Trump administration is rejecting the ‘war’ label for current Iran operations

Her post, made over the weekend, gained national attention. Vice President JD Vance promised to look into her case after being asked about it during a White House briefing on Thursday.

“We want to be as helpful as we can and ensure she gets everything that she is entitled to,” Vance said. “My message to her would be, ‘We love ya, we’re grateful for the sacrifice and we very much take very seriously our commitment to get you what you need to get.’”

In response to a separate question, Vance rejected the use of the word “war” to characterize U.S. fighting in Iran, saying that “there is no active shooting.” The military has launched strikes against targets in Iran twice this week, and Iran has retaliated by firing on U.S. allies in the Gulf.

On Friday, President Trump called U.S. strikes “intermittent” and defended Vance’s comments.

“I call it a military conflict because it’s small potatoes for us,” Trump told reporters in the Oval Office.

In late July, the Trump administration created a new, separate category in the Pentagon’s casualty count system for those killed and wounded in renewed U.S.-Iran fighting. Pentagon officials said the change was necessary because “Operation Epic Fury,” the original name for combat operations against Tehran, had ended. Since July 7, all U.S. casualties in the Middle East have been tallied under “Overseas Operations.”

Widow says the Air Force has clarified the issues about her husband’s pay

Libby Klinner said Air Force officials contacted her this week to say they were initiating a review of her husband’s pay. The Air Force acknowledged to her Thursday that it had initially provided inaccurate information and clarified that she was receiving the full pay and benefits her husband was owed, she said.

She said she was told that her husband’s paycheck had already included but incorrectly itemized the combat-related hazard pay and tax breaks.

The pay incentives commonly known as “combat pay” are $225 per month and are conditioned not on a formal war declaration, but on the service member being in an area where there is “grave danger of physical injury” or of being “killed, injured, or wounded by a hostile fire event,” according to a military website.

Alex Klinner’s final paycheck would have included half that amount since troops are paid twice per month. It is difficult to calculate how much in federal tax breaks Klinner would have been receiving without more information.

Klinner declined to specify the amount of money she was initially told her husband, an eight-year Air Force veteran from Birmingham, Ala., would be ineligible to receive.

The Air Force says it’s committed to offering information and support

The Air Force said officials spoke with Klinner this week to “ensure all her questions are fully addressed” and confirmed that “all eligible combat theater benefits were included” in her husband’s pay.

“We remain committed to providing clear information and continued support to Mrs. Klinner, as well as all the families of the Airmen who died in the KC-135 crash,” the Air Force added.

Broadly, errors in pay in the military are very common because service members can often gain or lose eligibility for a variety of payments depending on their deployment status, duty location or even family factors. As a result, unlike their civilian counterparts, some troops can see their paychecks change many times a year, depending on many factors — something that also increases the likelihood of errors.

A GoFundMe for Libby Klinner and her three young children, launched in the days after her husband’s death, has raised more than $1.5 million.

Klinner said she hoped that by speaking out, she could ensure other grieving families receive clear information from the outset.

“I am very fortunate to have a significant support system around us and a platform to advocate for myself and for my kids. Other families may not have those resources,” she said. “If I can do anything to make this awful situation a little bit easier for someone else to navigate, then I am more than willing to do so.”

Brook and Toropin write for the Associated Press. Brook reported from New Orleans.

Eating breakfast in a South Dakota coffee shop, Gloria Steinem was all too aware of the couple eyeballing her from the next booth. He was sporting chains. She wore leather pants and what Steinem later recalled as “an improbable hairdo.” The place was packed with tough-looking, mostly male bikers pumped about a huge rally they were attending. Steinem, returning from a Sioux powwow honoring ancient tribal women, knew she wasn’t in her element.

Finally, the leather-clad woman came over and spoke up. “I just want to tell you how much Ms. magazine has meant to me over the years — and my husband too,” she told an astonished Steinem.

There was a time, the woman said, when rolling down the road meant perching on her husband’s back seat. But now she had her own sweet ride: “I even put ‘Ms.’ on my license plate, and you should see my grandkids’ faces when Grandma rides up on her purple Harley!”

The image of that breezy, boisterous grandma stayed with Steinem for years. “I’ve come to believe that inside, each of us has a purple motorcycle,” she wrote in her 2015 memoir. “We have only to discover it — and ride.”

Steinem, the co-founder of Ms. Magazine and for six decades a charismatic leader who urged women to pursue self-affirmation, political power and equality both in the workplace and at home, died Wednesday at her home in New York City, according to her foundation’s social media pages. She was 92.

“Gloria lived true to her independent spirit, always with curiosity and a great sense of humor,” the posts said.

An activist, journalist, and relentless traveler who said she went for 20 years without spending more than eight consecutive days in her New York apartment, Steinem described herself as “an entrepreneur of social change.”

“I raise money. I talk. I write. I tell stories. I want to do justice to the women I meet,” she told The New Yorker in 2015.

Steinem, who struggled with stage fright most of her life, talked with women at gigantic conferences and in intimate kaffeeklatsches. At book signings and on barstools, she sought their stories, sometimes re-telling them in her essays and on her countless speaking tours. Her portfolio of issues was vast, from sexual violence, female genital mutilation and racism to the more mundane injustices that helped fuel a movement for sweeping social change.

At one campus visit, the discussion turned to men who expect women to pick up after them. A young Japanese woman, silent for most of the increasingly raucous session, stood up, turned around to address 500 other audience members and said: “When my husband leaves his underwear on the floor, I find it quite useful to nail it to the floor.”

She had never before said a word in public, she told the cheering crowd.

Steinem had a “gift for empathy,” New York Times columnist Gail Collins wrote when the feminist icon turned 80 in 2014.

“Women who read about her or saw her on TV felt that if they ran into her on the street, they would really get along with her. And women who actually did run into her on the street felt the same way. More than a half-century into her life as an international celebrity, she remains stupendously approachable, patient with questions, interested in revelations.”

Gloria Steinem, left, and Pat Carbine, two of Ms. magazine’s founding editors, in 1980.

(Dave Pickoff / Associated Press )

Famously attractive, Steinem over the years gave hope to young women who wanted to “stand up for their rights without being called man-haters,” Collins wrote. “She was evidence that it was possible to be true to your sisters while also being really, really attractive to the opposite sex.”

At the same time, she alienated the religious right with her fervent pro-choice advocacy. When Lands’ End featured an interview with Steinem in its 2016 catalog, outraged readers threatened a boycott. Company officials then cut their ties with the woman they had headlined as a “legend.”

Steinem first drew public notice when she was in her 20s and struggling to establish herself as a freelance writer. Her breakthrough story was a funny, scathing account of her two weeks as a Playboy “bunny” — a scantily clad cocktail waitress at Hugh Hefner’s Manhattan nightclub.

In some ways, the story backfired. Steinem became known not as a crusader for women but as a former bunny. For several years, her magazine assignments continued to veer toward “women’s page” topics — in 1964, she wrote about textured stockings for the New York Times — and even after she delved into serious political issues for New York magazine, she wasn’t taken as seriously as she would have liked.

In 1968, a Washington Post columnist described her as “the mini-skirted pinup girl of the intelligentsia.” Two years later, a headline in the Los Angeles Times read, “Gloria: Beautiful Brain in Ditto Body.”

Meanwhile, the women’s liberation movement had propelled itself into the mainstream, ignited by writers like Betty Friedan. For Steinem, though, it became a passion only after she covered a meeting during which women opened up about their illegal abortions. The event was held to protest a legislative hearing on abortion where the only witnesses were 14 men and a nun.

“Suddenly I was no longer learning intellectually what was wrong. I knew,” Steinem recalled in 1983. “I had had an abortion when I was newly out of college, and I told no one. If one in three or four adult women shares this experience, why should we be made to feel criminal and alone?”

Nearly 60 years after her unwanted pregnancy, Steinem dedicated her memoir to the British physician who arranged her abortion after she agreed to two conditions.

The first was that she never reveal his name. (She did, long after his death.)

The second: “You will do what you want to do with your life.”

Born on March 25, 1934, in Toledo, Ohio, Steinem didn’t attend school regularly until seventh grade. Most winters, her father Leo, an ebullient, 300-pound dreamer who was often in debt, would drive the family down back roads in a trailer, stopping here and there to sell antiques he’d picked up along the way.

Ruth Steinem, Gloria’s mother, was a former journalist who was hospitalized for long periods with severe mental health problems. From the age of 11, after her parents divorced and her older sister Susanne left home, Gloria often cared for her mom.

In an essay, “Ruth’s Song (Because She Could Not Sing It),” Steinem recalled her mother cutting her arm when she smashed a window to escape the Nazi invaders that only she could see. “I remember a long Thanksgiving weekend holding on to her with one hand and holding my eighth-grade assignment of ‘Tale of Two Cities’ with the other,” Steinem wrote.

Despite her patchy schooling, Steinem received a scholarship to Smith College, where she graduated Phi Beta Kappa after majoring in government. After spending two years in India on a fellowship, she worked briefly for an international youth organization funded by the CIA.

Basing herself in New York in 1960, she quickly became known for her stylish prose, sharp wit, and striking appearance. Within a decade she was “Gloria-Steinem-the-antiwar-gorgeous- bachelor girl who was pictured with Henry Kissinger in Time and Life…,” according to a breathless 1970 account in the Los Angeles Times.

But she was also the Gloria Steinem who helped start New York magazine, who wrote insightfully about the intersection between racism and sexism, and who in 1971 became the first woman chosen to address an annual banquet of the Harvard Law Review.

She zeroed in on the school’s failings.

“There is a course on international whaling law but none on women’s rights internationally,” she told the black-tie gathering. “An eminent professor of administrative law said as late as last night that he didn’t know what the Equal Employment Opportunity Commission was. The same man replied to a request that at least one full-time female professor be hired by answering that women faculty brought problems because of ‘sexual vibrations’…”

The following year, Steinem, with several other feminist journalists, founded Ms. Its first, tentative edition, a 40-page insert into New York magazine, sold out in eight days.

The debut issue of Ms. included pieces on gender stereotypes, lesbian relationships, and job discrimination. It also featured an open letter from 53 prominent women — including tennis great Billie Jean King, singer Judy Collins and Steinem — who revealed that they had undergone abortions.

While the magazine’s monthly circulation eventually topped 500,000, it also fueled skeptics. “I’ll give it six months before they run out of things to say,” newscaster Harry Reasoner predicted on national TV.

Ms. also took flak from some of Steinem’s sister feminists, who contended that it cast women as victims. As new waves of feminists confronted different issues, some became exasperated by Steinem’s seemingly perennial role as the face of the women’s movement.

“Guys in the media chose Gloria as our leader,” said feminist writer Susan Brownmiller in 2016. “A lot of us, our hope is that eventually, history will straighten this all out and say, no, Gloria came in a little later, and her very loyal supporters have backtracked that history.”

Steinem remained a contributing editor to Ms. for 15 years.

Gloria Steinem at home in New York City, 2010.

(Annie Leibovitz / Penguin Random House)

Meanwhile, she was crisscrossing the country, campaigning for liberal Democratic candidates, fighting laws restricting abortion, and urging legislators to adopt the Equal Rights Amendment.

“Like Sky Masterson, the wandering gambler in Damon Runyon stories, I’ve been in more hotel rooms than the Gideon Bible,” she wrote, “and he didn’t wash his hair with hotel soap, eat from vending machines, or sit up late organizing with the hotel maids.”

In 2013, President Barack Obama gave Steinem the Presidential Medal of Freedom, the nation’s highest civilian honor.

Her books include a 1983 essay collection, “Outrageous Acts and Everyday Rebellions”; a 1986 portrait of Marilyn Monroe; her 2015 memoir, “My Life on The Road”; and works on aging and self-esteem.

Over the years, Steinem had longstanding romantic relationships with a number of men but vowed never to marry or have children.

However, at 66, she broke her vow and married David Bale, a British businessman and animal rights advocate. By then, the institution of marriage had changed for the better, she later explained.

“We spent 30 years in the United States changing the marriage laws,” she said. “If I had married when I was supposed to get married, I would have lost my name, my legal residence, my credit rating, many of my civil rights.”

Three years after their marriage, Bale died of brain cancer. Steinem’s stepchildren include the actor Christian Bale.

At 80, Steinem celebrated her birthday by riding an elephant in Botswana.

In the following years, she campaigned for Hillary Clinton, spoke at the Women’s March on Washington, helped save her hometown’s last abortion clinic and gave numerous interviews denouncing President Trump’s views on women. She was the subject of an off-Broadway play and was honored by Rutgers University with the Gloria Steinem Endowed Chair in Media, Culture, and Feminist Studies.

For fun, she danced. When asked by TV hosts, she occasionally demonstrated a well-worn soft shoe routine, though her heart was with the tango.

“It’s a sick, authoritarian dance,” she told a reporter, “but I loved it.”

Chawkins is a former Times staff writer.

KATIE Price has not laid eyes on her soon to be ex-husband Lee Andrews since June.

The star, 48, has started proceedings to divorce the Dubai-based alleged conman just eight months after their surprise ceremony in his home city.

Lee has been in out of jail in Dubai since May and is currently holed up in the UAE’s notorious Al Awir prison.

The last time Katie saw Lee was shortly after he was released from prison the first time.

He then went back to prison at start of July and has been in there for eight weeks over three civil cases.

Katie has now vowed to never go back to Dubai and visit him.

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Katie Price ‘worried’ that Lee will ‘take her money’ as she consults lawyer

The Sun revealed exclusively tonight that Katie had quietly consulted a top London divorce lawyer about ending her marriage.

She discovered he only had £2.22 in his crypto bank account — not the £37million he had promised her.

Katie told a pal on Tuesday: “I have come to my senses — Lee has lied and lied and lied. I am sick of it. It is over.”

A source added: “The marriage is done. She will never go to Dubai to see Lee again.

“It was, of course, an accumulation of many things but the final straw came after Lee had told Katie he had $50million (£37million) in a crypto wallet, and promised her some of the funds.

“He gave her the ‘recovery phrase’ — the passkey — to get into his account, and on Monday she had a financial expert access the wallet — and, to her shock, discovered it contained just $3, or £2.22.

“Lee never had $50million; he doesn’t have a bean. The most he ever had on any one day was in March for $14,490 (£10,720) which was sent out the very same day.

“Obviously over the past few months Kate has seen all the damning evidence building up against him — and was always planning her exit once the white noise became unavoidable.

“But after seeing his accounts — as opposed to his AI mock-ups — she lost her s***.

“He has deeply embarrassed her and, more importantly, has scammed, hurt and cheated so many other women. Enough is enough.”

DOLLY Parton has been laid to rest in a private funeral attended by her family.

The country music great was buried next to husband Carl Dean on Friday at the Woodlawn Memorial Park in Nashville, Tennessee.

Their shared memorial bears both names, an image of two interlocking wedding rings, and the inscription “Married May 30, 1966”.

The send-off was “very simple” and what “Dolly would have wanted”, sources said.

The Sun last week revealed that the country music star wanted to have her dad’s favourite song If We Never Meet Again (This Side of Heaven) played at the service.

Dolly’s great-niece, Lainey Mae Parton, gave an emotional tribute confirming the burial had taken place.

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The superstar’s family have not yet released an official statement.

Lainey, 20, wrote on Saturday: “I wanted to wait until after my granny was laid to rest yesterday before I tried to put any of this into words.”

She said she knew the star as “Aunt Granny”, a name that captured the central role Dolly played within her enormous family.

Lainey explained that although Dolly and Carl never had children, she made the younger members of the family feel like they belonged to her.

She added: “She loved us that way and I’ll forever be grateful for that.”

Lainey also said Dolly — who died last Tuesday aged 80 after a brief battle with cancer — helped pay for her beauty school education and encouraged her musical ambitions.

Full funeral details have not been publicly released.

Dolly’s husband of nearly 59 years, Carl, 82, died last year.

An obituary posted by Woodlawn Memorial Park remembered “her timeless music and prolific songwriting, but also her wit, warmth, and kindness that made us all feel like family”.

VICKY Pattison looked incredible in a tiny yellow bikini as she enjoyed a sunny trip to Montenegro with husband Ercan Ramadan.

Reality TV legend Vicky, 38, took to Instagram to share stunning photos from the couple’s holiday.

She captioned her post: “Chasing the summer…

“Montenegro has absolutely blown us away so far… the most beautiful country and people!!!!

“Also I will be coming back the size of a small semi detached as the food is INSANE!!!!”

Among the snaps were a smiling Vicky in a tiny yellow bikini, while another saw her posed while sitting on rocks.

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One person commented: “The most gorgeous ever!!!!!!!”

Another added: “Wow so gorgeous hope your having the best time girlie.”

A third wrote: “Wowzaaaaa!! So beautiful!! Love these pictures.”

While a fourth penned: “Amazing photos! So many beautiful memories.”

Vicky and Ercan began dating in 2019, with the couple becoming engaged in 2022.

They went on to tie the knot in 2024, in front of 150 guests including Vicky’s close pal Pete Wicks.

The wife of an active-duty U.S. soldier was deported Monday to her native Honduras, according to her family and the U.S. Department of Homeland Security.

Cristy Maryori Villafranca-Trejo is at least the seventh spouse or parent of an active-duty U.S. military service member to be deported under President Trump’s immigration crackdown.

The Associated Press has found more than 50 cases in which immediate family members of U.S. troops were placed in federal immigration detention after the Trump administration rolled back protections for military families. In some instances, DHS has released military spouses following media attention and advocacy by congressional leaders.

Villafranca-Trejo’s husband, Army Sgt. Hedar Leonel Turcios Juarez, said he has been struggling to manage his military duties since she was detained July 11 outside a Walmart near Fort Bliss, Texas, where he is stationed. Since then, he’s had to care for their 6-year-old daughter without his wife’s help. Instead of training in the mornings, he takes his daughter to first grade, and he said he has already had to postpone a planned assignment at another base.

“I don’t know if I will be able to continue with this,” Turcios Juarez told AP of his Army career. “I have to make a plan to make sure I can still fulfill my military responsibilities — but also take care of my family.”

DHS confirmed Villafranca-Trejo’s deportation, saying she had “received due process.”

Villafranca-Trejo, who has no known criminal record and entered the U.S. in 2016 at age 18, was issued a final order of removal by an immigration judge in 2017 after failing to appear at a hearing, according to DHS. Villafranca-Trejo’s husband said she had not received a notice for the hearing she missed and did not realize she had been ordered deported until they went to apply for her green card after marrying in 2022.

Originally from Honduras, Turcios Juarez became a U.S. citizen in 2024 after enlisting two years earlier.

Villafranca-Trejo’s motion to reopen her case was denied last May and an appeal before the Board of Immigration Appeals remained pending, according to her attorney. She had also been waiting for about a year for a decision on her application for military parole-in-place, a program that allows the immediate family of U.S. troops to remain in the country to apply for a green card.

“We were following the rules — we did everything we could on our side to fix this problem,” Turcios Juarez told the AP.

Prior to Trump’s second administration, U.S Immigration and Customs Enforcement would typically allow immediate family members of U.S. troops to adjust their legal status even if they had been issued a final order of removal, according to Dan Gividen, who served as ICE deputy chief counsel from 2016 to 2019 under Trump.

“If you’ve got an active-duty military member that’s married to someone now, and that’s going to give her the opportunity to get a green card, you wouldn’t detain them, much less execute the removal order,” Gividen said.

JP Caballero, a spokesperson for U.S. Rep. Veronica Escobar, a Democrat representing El Paso, said Escobar had opened a congressional inquiry into Villafranca-Trejo’s case and visited her at the Camp East Montana detention facility in Texas earlier this month.

“My heart breaks for her, her children and the soldier who must feel so betrayed by the country he is sacrificing for,” Escobar told AP in a statement. “There are far too many families like theirs who are being targeted instead of supported.”

Turcios Juarez said he is unsure how he will care for his daughter without his wife. He still hasn’t figured out how to tell his daughter what has happened. But he says he still wants to keep serving his country.

“I love what I do, I want to keep doing this,” he said of the Army. “I just don’t know how I am going to keep doing this.”

Brook writes for the Associated Press.