Hunter

In Australian writer-director Adrian Chiarella’s knotty roller coaster of a feature debut “Leviticus,” about a demon tormenting a pair of queer teenage boys, the fear is more insidious than the external threat of a violent bigot or shunning parent.

In an abandoned mill in their blighted industrial town, quiet new kid Naim (Joe Bird) and brash hunk Ryan (Stacy Clausen) allow a friendly, mischievous connection to turn into something more. But when Naim later secretly observes his new crush fiercely locking lips with another classmate, Hunter (Jeremy Blewitt), son of a leader in the tight-knit church that Naim’s single mom (Mia Wasikowska) just joined, hurt gets the better of Naim’s instincts and he secretly informs on the pair.

The church’s punishment, however, delivered in front of the congregants, is an eerie ritual performed by a gaunt, severe visitor (Nicholas Hope). Called a “deliverance healer,” his fire-and-brimstone method — making incarnate the title’s Biblical book, regularly used to justify anti-LGBTQ viewpoints — leave Ryan and Hunter writhing in agony. Afterward, Naim, sensing he might have unwittingly set into motion something awful, notices bizarre behavior in the stricken-looking Ryan. When they try to furtively rekindle their passion, it becomes violently clear they are not alone. Or even, it seems, themselves.

The feeling that nowhere is safe is a durable horror concept, the backbone behind such classics as “Nightmare on Elm Street” and “It Follows.” In “Leviticus,” which is expertly paced by editor Nick Fenton, it comes with a flair for open-space unease and unexpected claustrophobia that puts director Chiarella in a long line of savvy Australian mood-setters like Peter Weir and Fred Schepisi. These filmmakers knew how to fold tactile dread into a worthy narrative, rather than treat genre as if it were a kit with instructions.

But most urgently and bleakly, Chiarella is giving religious-based conversion therapy its devilish due as a warping of the soul designed to sow distrust in one’s own desires. He’s careful, however, not to tell a tale that would speak to homophobes. As distressing as their circumstance is, Naim and Ryan are unmistakably positioned as heroic lovers, not victims-to-be. Chiarella takes time between bouts of danger to show affection and intimacy that, in defiance of teen-slasher formula, isn’t immediately penalized with sadism. But their fraught relationship will decidedly keep you nervous, so score one for multilayered storytelling.

Points, too, for the solid casting, from the leads’ tricky pivoting from openness to caginess, to the criminally underseen Wasikowska, who navigates maternal complexities of worry and compassion that confound easy pigeonholing. If anything, the movie could have used more of her, although it’s better overall that “Leviticus” prioritizes Naim and Ryan as queer protagonists caught in a chilling loop of escape and reunion. We already know what’s out there, ready to do harm. This movie’s nail-biting, sorrowful power comes from what internalized destruction looks like.

“Survivor 50” castaway Joe Hunter has made it to the final tribal council of the grueling competition show twice, but walked away with slim to none when it came to jury votes.

On Wednesday night, four-time “Survivor” player Aubry Bracco was crowned sole survivor and won the not $1-million but $2-million prize (thanks to a twist that involved a coin toss and MrBeast), and Jonathan Young came in second. Hunter, a firefighter and fan favorite, lost on an 8-3-0 vote.

According to Hunter, jury members had made up their minds before the remaining three castaways even had a shot to sweeten their chances at the final tribal council.

“I sit down in that chair for final Tribal, right? I’m thinking alright, here we go,” Hunter told “Entertainment Weekly.” “Right away, the second before any word was said, I went, ‘Oh, that one hates me, this one hates me, hate me, hate me, hate me.’ And I thought, ‘There’s zero chance.’”

Hunter was somewhat optimistic leading up to the tribal council and said that he thought some of the jury members had come with an open mind. “I’ll give credit to Emily, Rick Devens, Christian, Dee,” he said.

“I just felt it was very transparent based on the questions and responses that, before this thing started, I think it was a wrap.”

During the series finale, “Survivor” legend Cirie Fields put Hunter on blast, saying that castaways felt like they had to babysit him and jokingly calling it the “Joetation” when it was a player’s turn to sway Hunter to vote alongside them.

Hunter chalked up the babysitting remark to his own naivete when it came to being vulnerable with other players he thought were his friends on the island. “I just put that vulnerability in the wrong hands,” he told the outlet. “That’s really what it is. And that’s part of the game.”

Hunter also spoke with “Entertainment Tonight” and admitted that yes, he’d blocked a select few “Survivor” players on social media. “So, 751 players,” Hunter said, “yeah, there’s two.

“I’ll tell you this, each one of them is not random,” he said. “Actually, there’s three. It is not random. … All of which I would love to talk to and solve it, and have tried.”

Last week, former “Survivor” players Kelley Wentworth, who’s been a castaway three times, Savannah Louie, who won Season 49 and was on the same tribe as Hunter in Season 50, and Tiffany Ervin, who competed on Seasons 46 and 50, all said they’d been blocked by Hunter.

UCLA women’s basketball team has added some star power as its revamped roster begins to take shape.

Former Iowa State forward Addy Brown announced Thursday she is committing to UCLA, giving the Bruins one of the top players in the portal.

Brown averaged 11.9 points, 8.8 rebounds and 5.3 assists per game while shooting 43.1% from the floor and 33.8% from three-point distance with the Cyclones last season. She played just 21 games due to injury, but she is one of the better two-way players in the nation on the transfer market.

The 6-foot-2 forward co-starred with Audi Crooks for Iowa State the past few seasons and was a part of the mass exodus from the Cyclones’ program.

The Bruins reeled in former North Carolina junior guard Elina Aarnisalo and former Texas Christian senior guard Donovyn Hunter a few weeks ago, adding two more experienced players to the depleted starting lineup after a record six UCLA players were selected in the WNBA draft.

UCLA also signed Arkansas sophomore guard Bonnie Deas earlier this month. She is likely to start at point guard for the Bruins and is one of the best rebounding guards in the nation.

Along with returner Timea Gardiner, the Bruins are starting to form somewhat of a core to defend their national championship. Gardiner was a starter during UCLA’s 2024-25 Final Four run, but missed all of this past season with injury and has one season of eligibility left.

A lineup with Deas and Aarnisalo in the backcourt, Hunter at the three and Gardiner or Brown at the four and adding another big or Sienna Betts at the five would be a competitive lineup in the Big Ten.

Before going to TCU, Hunter played two seasons at Oregon State where she earned All-Pac-12 Defensive Team honorable mention and All-Pac-12 Freshman team honors. This past season with a Horned Frogs team that went to the Sweet 16, she was third in scoring with 10.2 points per game and averaged 3.2 rebounds per contest. She also shot 45.7% from the field and was 33.7% from beyond the arc.

Aarnisalo played her freshman year in Westwood after she originally committed to UCLA in 2025. Due to injuries from point guard Kiki Rice at the start of the 2024-25 season, she was forced into action early her freshman season and finished the year averaging 5.1 points per game.

The Helsinki, Finland, native averaged 10.2 points per game for the Tar Heels as a sophomore last season while shooting 47.3% from the field and 40.3% from the arc. The Bruins will desperately need to replace the three-point production lost with the departure of Rice, Gianna Kneepkens and Charlisse Leger-Walker.

UCLA coach Cori Close said she wanted to sign five players from the portal. She probably needs one more guard and a little more forward depth coming off the bench following the departures of Gabriela Jaquez and Angela Dugalic.

Lena Bilic and Amanda Muse are returners coming off the bench who got a little bit of playing time in the tournament and should have much larger roles, but they are still relatively unproven in late-game situations. They will get a chance to develop as backups with some more Power Four experienced starters now in the fold.