honor

In 2015, musician Roberto Carlos launched Boleros de Noche, an annual concert series held in Los Angeles that aimed at preserving and showcasing the Latin American bolero music genre.

This year, the event is celebrating its 10th anniversary with performances at the Ford on Aug. 1 by Puerto Rican singer and former Calle 13 member iLe and L.A.-based bolero trio Voz Bohemia

On Friday, the city of L.A. honored the series’ decade-long run and legacy of uplifting bolero music by declaring Aug.1 “Día del Bolero.”

Boleros are ballads noted for their slow tempo and romantic lyrics accompanied by a crooning vocal style. Though the genre originated in Cuba, it quickly gained popularity across Latin America, with each culture putting their own spin on it. In the early 20th century, the evolving sound of boleros was shaped by the Cuban group Trio Matamoros, Mexican composer Agustín Lara, Puerto Rican artist Rafael Hernández and Ecuadorian singer Julio Jaramillo.

The genre saw a resurgence in popularity in the 1980s and ‘90s when famed Mexican artists Juan Gabriel and Luis Miguel embraced the bolero sound. In recent years, the bolero movement has been modernized and electrified by artists such as Mon Laferte, Romeo Santos, Adrian Quesada and Kali Uchis. In the last five years, Quesada has released two bolero albums, “Boleros Psicodélicos” and “Boleros Psicodélicos II,” that mix the genre’s classic sounds with elements of psychedelic rock.

“Over the past decade, Boleros de Noche has presented numerous concerts featuring both local and international artists, has brought together thousands of people across the city to bask in the lush orchestration of this music,” said City Councilmember Nithya Raman, who presented Carlos with the honor. “For so many in the Latino community and beyond, this isn’t just music, it’s memory, it’s home, and perhaps most importantly, it’s heritage being carried forward.”

Raised in L.A. County by parents who immigrated from the Mexican state of Oaxaca, Carlos says he first fell in love with live performance and bolero music in his midteens, when he would frequent the now-defunct Teatro los Pinos in South Gate.

He yearned for that same level of comfort and awe at music and wanted to share that with a larger audience. The first iteration of Boleros de Noche took place in 2015 at an art gallery in Echo Park.

“Over the years, I have heard countless stories from audience members who tell me how this music reminds them of their parents, grandparents, first loves and family traditions,” Carlos said Friday at City Hall. “Ten years ago, bolero was rarely part of our city’s cultural conversation, and today bolero programming can be found across Los Angeles, and I’m honored that Boleros de Noche has been a driving force behind its growth.”

Boleros de Noche has sold out shows at the Ford over the last few years and has featured artists such as Gaby Moreno, Marisoul and the legendary trio Los Panchos. In 2025, the event made its debut at Chicago’s historic Symphony Center.

The bolero genre’s popularity and cultural significance has been spotlighted outside of L.A. in recent years as well.

On Dec. 5, 2023, UNESCO, the United Nation’s agency aimed at safeguarding social and cultural foundations, recognized the musical genre as an Intangible Cultural Heritage of Humanity.

As part of Friday’s ceremony, Carlos and his bolero group Los Rebeldes Románticos performed several tunes, including the Mexican bolero classic “Sabor a Mí.”

Last year, Carlos spoke with The Times about his ambitions for Boleros de Noche and the mentality that drives the event series.

“At Boleros de Noche, [I want] for us to speak in Spanish, to feel recognized, to do this music as a celebration for all these artists that unfortunately became background music for a lot of like weddings and quinceañeras,” he said. “How about if we celebrate them and give them recognition? How about if, through my events, I can take people back to the 1940s to my experience at Teatro los Pinos?”

Given recent attacks on Latinos on the local and national levels, Carlos said he hoped his events would create a safe and welcoming gathering place.

“It’s about bolero music. It’s about community. It’s about people. It’s about the musicians,” he said. “Many of the musicians were undocumented. They brought this music to L.A. through their hometowns.”

June 19 (UPI) — President Donald Trump has awarded the Medal of Honor to three veterans, honoring their acts of heroism in battle in Vietnam and Afghanistan.

At a White House ceremony on Thursday, Trump awarded the nation’s highest military honor to retired Marine Corps Maj. James Capers Jr. and retired Army Maj. Nicholas Dockery. He also awarded the medal posthumously to Marine Corps Col. John Ripley, who died in 2008, with the honor accepted by his son, Tom Ripley.

Trump opened his remarks by touting the stock market and lower oil prices, then appeared to joke that he wanted to award himself the nation’s highest military honor but was told he could not. He then introduced Capers, saying he was the first Black Marine in history to receive a battlefield commission during wartime when he was promoted to second lieutenant during the Vietnam War.

Capers was awarded the medal for his “acts of gallantry and intrepidity above and beyond the call of duty” in the spring of 1967, when he led a four-day reconnaissance patrol that made contact on three separate occasions with a superior enemy force, and on the final day, was ambushed, the White House said in a release.

Trump said Capers was hit by an explosion that sent him into a tree, “ripping open his abdomen.” His body was pierced by 17 pieces of shrapnel and his leg was broken, but despite his injuries, he refused to be extracted before his men were safe.

Trump said that Capers was recommended for the award that year, but his commanding officer died before he could sign the paperwork.

“That’s a bad break. But now you’re doing it. This is maybe, this is better,” he said, adding that “The nation kept you waiting far too long.”

Ripley was also awarded the medal, though posthumously, for acts of heroism during Vietnam. The White House said Ripley played a pivotal role in halting a major North Vietnamese mechanized assault by destroying a bridge in the village of Dong Ha.

Trump described Ripley as completing five trips to move explosives into position on the bridge while under gunfire.

“When John detonated the explosives, the bridge collapsed into the river, crushing the advance and saved the hope of a free Vietnam for Easter morning,” the president said.

Dockery received the medal for actions taken to save his platoon in Kapisa Province, Afghanistan, on Oct. 2, 2012.

Trump said about 150 Taliban fighters ambushed Dockery’s platoon that fall day as they were guarding the governor’s compound. For more than four hours, he fought the Taliban, risking his life on several occasions to protect and evacuate three wounded members of his platoon, according to the White House.

Trump said Dockery personally rescued members of his platoon and at one point killed a Taliban fighter and detained two others, and killed two others in a separate confrontation. He also administered CPR on one of his platoon members whom he found unconscious “until the sergeant’s heart kicked back in,” Trump said.

“As we approach the 250th anniversary of our founding, we remember that we owe everything to heroes like those we celebrate today — men who went willingly to the darkest and most dangerous corners on Earth to defeat evil so we could live free,” Trump said.

“That’s exactly what happened. These are great men, great people.”

Let’s go Dodgers. High fives all around.

Because this time, with the newest historical exhibit at Dodger Stadium, the team got it right.

Amid all the historical installations and tributes in the open-air museum that is the Centerfield Plaza, and just a few feet from a Fernando Valenzuela mural, a new display honors Glenn Burke and Billy Bean, two former Dodgers outfielders who were the first and second professional baseball players to come out as gay.

It’s not a fleeting mention on Pride night, it’s a permanent record. A static reminder of progress made — and still to be made. And a much-deserved thank-you.

A wall inside Dodger Stadium honors former Dodgers and LGBTQ+ pioneers Billy Bean and Glenn Burke.

(Ronaldo Bolanos/Los Angeles Times)

“It’ll be here tomorrow, it’ll be here on the weekend and if you come next month, it’ll be here,” said the Dodgers’ team historian Mark Langill, who pointed to a spot just down the hall where in 1976 he was an 11-year-old getting Burke’s autograph.

Baseball is steeped in such history. The personal, the statistical, the societal. And the Dodgers’ is incomplete without their stories — Burke’s and Bean’s.

But the Dodgers have not, of course, always gotten this stuff right.

In 1978, they did Burke wrong, trading him — he believed — after management learned he was gay.

In his three seasons in L.A., Burke had proved himself a capable reserve outfielder who was popular with his teammates.

As far as we know, in 1977, he was the first guy to initiate a high five — spontaneously reaching above his head to slap hands with Dusty Baker after the home run that made Baker the fourth Dodger, along with Ron Cey, Steve Garvey and Reggie Smith, to hit at least 30 home runs that season, a MLB first.

Glenn Burke, left, goes to give a high-five to teammate Dusty Baker after Baker hit a home run in 1977. It is believed to be the first instance a high five was exchanged.

(Los Angeles Times)

There’s a fantastic photo of the historic high five included in the tribute to Burke and Bean, which is situated on a hallway wall beneath the left-field bleachers, beside the “Dodger Dugout” augmented reality photo booth.

Burke was also the first guy in that Dodgers clubhouse to crack a joke when the team needed it, his former teammate Rick Monday said.

“When called upon, he could play really well,” Monday said before the Dodgers took the field against the Angels on Friday, when the Dodgers and many of their rainbow-sporting fans celebrated the team’s 13th annual LGBTQ+ Pride Night. “And when we needed a moment of levity, Glenn was not afraid to come forward and put a smile on people’s face.”

But shortly before he died of AIDS in 1995 at 42, Burke published an autobiography, “Out at Home,” in which he described the team’s management being “afraid of my sexual orientation, even though I never flaunted it. To this day, the Dodgers deny trading me because I was gay. But it was painfully obvious.”

“Oh, what he had to deal with and keep it hid,” said Joyce Burke-Henderson, one of Glenn’s sisters at Friday’s pregame unveiling, where family members of both players gasped and cried and cheered the installation’s reveal.

“But as time went on, people did know. And then I think he came to the point where he just didn’t care and he just told it like it was.”

Joyce Henderson, sister of Glenn Burke, speaks about her brother during a ceremony honoring the former Dodger and LGBTQ+ pioneer at Dodger Stadium Friday.

(Ronaldo Bolanos/Los Angeles Times)

Burke came out in 1982, three years after playing his 225th and final big league game, in an Inside Sports article, “The Double Life of a Gay Dodger.”

“We just appreciate that now people are opening their eyes and just trusting in the Lord,” Burke-Henderson said Friday, “that things will go forward and work out and everybody will be loved regardless of their situation.”

The Dodgers first honored Burke in 2022, at their ninth Pride Night.

The next season, they made a mess of the Pride festivities, inviting and uninviting and then reinviting the Sisters of Perpetual Indulgence, a group known for its work in support of AIDS patients and whose members dress in drag, as nuns.

In 2023, the Dodgers also invited Bean — who was MLB’s senior vice president for Diversity, Equity and Inclusion. He appeared in a pregame ceremony on the field while protesters gathered outside the stadium.

Bean died the next year, at 60, 11 months after being diagnosed with acute myeloid leukemia.

Greg Baker, husband of the late Billy Bean, wipes away tears during a tribute honor Bean as a LGBTQ+ pioneer at Dodger Stadium on Friday.

(Ronaldo Bolanos/Los Angeles Times)

Once a Northeast Santa Ana Little Leaguer, Bean became valedictorian at Santa Ana High, played for Loyola Marymount and went on to appear in 272 big-league games — including 51 for the Dodgers in 1989 — before abruptly walking away from baseball in 1995.

It got to be too much, he’d explain later, continuing to hustle to keep his baseball career afloat while keeping his sexuality secret, acutely aware of the blowback he’d get if it got out.

“For nine years,” he told the New York Times, “I felt as though I had one foot in the major leagues and one on a banana peel.”

“When he left baseball suddenly, I knew something was wrong,” Bean’s mother, Linda Kovac, said Friday, pausing to wipe away tears. “He was playing very well, it wasn’t like he was kicked out or anything. And it just didn’t make any sense.”

When Bean finally told his family he was gay, in 1996 — three years before clueing in an unsuspecting public via a Miami Herald article — none of his loved ones blinked. That included his stepfather, Ed Kovac, the homicide cop and former Marine who’d had a partner on the force who was gay.

“He worked with someone that he respected, side by side, on criminal cases,” Linda said. “We’re still friends with that guy.”

Linda and Ed Kovac, parents of Billy Bean, hold hands in front of a tribute dedicated to their son at Dodger Stadium on Friday.

(Ronaldo Bolanos/Los Angeles Times)

Knowing someone — or of someone — who is gay or lesbian has long tended to dispel falsehoods and quell fears that might exist.

“One of the most important things any one of us can do in our community is be out, to be proud,” said Greg Baker, Bean’s husband. “The fact that someone can be out in a world that typically doesn’t have a lot of role models of the same ilk, it’s a brave thing to stick your neck out. It’s also very important.”

And it’s not a surprise, Baker said, that more athletes aren’t out in sports like baseball. Not with Gallup polling released last week telling us that with public acceptance of same-sex marriage and relationships in the U.S. has flattened after two-plus decades of growing support — down from 71% to about 65%.

“I want to thank the Dodgers organization,” Baker said. “It’s brave of them in this day and age to spotlight someone in our community when other organizations are trying to erase us.”

The Dodgers have done the opposite, putting up a permanent marker. A long time coming, a tribute to last.