TAKE That’s Howard Donald has revealed he is selling off his beloved campervan home for a FIVE figure sum, and said that ‘it saddened” him to part with it.
Take That’s Howard Donald is selling off his beloved campervanCredit: Instagram/@howarddonaldThe singer wants a whopping £50K for the VW camperCredit: Instagram/@howarddonaldThe cosy van has been restored to look like an original VWCredit: Instagram/@howarddonaldThe star has been in Take That since the early 90s – and has earned a lot of money thanks to thisCredit: Getty
The minted star, who has made his millions from touring and making records with Take That, is now giving fans the opportunity to snap up the luxury motor.
For £50K, Howard‘s loyal followers can buy the campervan from him.
The star shared the news on Instagram with a slew of pics of the cosy looking vehicle.
In one snap, Howard is seen standing next to the campervan, as he got ready to say goodbye to it.
Among the collection, the singer owns a Mercedes-Benz G63 AMG, which he uses to drive his family, a 1970 Mercedes-Benz 280SE Cabriolet, and a 1959 Chevrolet Brookwood.
Howard previously revealed he believes he has around 17 supercars – but that he finds it hard to store them all.
The Take that star has an eye-watering car collectionCredit: Rex FeaturesTake That were the biggest boyband in the 90sCredit: Getty
The star told the Fuelling Around podcast in 2023: “It’s come to a point where you’re trying to put them in other people’s garages and you’re thinking, “No, it’s too ridiculous’.”
At the time he said that he was planning to sell some of his cars to pay for his children’s education.
“One day, it’ll come to the crunch where Take That probably will stop eventually, and then you think, ‘I’m going to have to sell one of my cars’,” the star said.
He joked: “I really hate my kids for that, though.”
Howard shot to fame in the early 90s as one of the five original members of Take That.
Howard has built up a fortune thanks to his long career as a popstar – seen here in the 90sCredit: Getty
Tiger Woods failed field sobriety tests after crashing into another vehicle last week, and had bloodshot eyes and two hydrocodone pills in his pants pocket, according to a probable cause arrest affidavit released Tuesday.
Woods, 50, told investigators he did not notice the vehicle in front of him had slowed because he was looking at his cell phone and changing the radio station, the affidavit said. His Land Rover rolled onto its side after hitting a Ford-F150 pickup truck pulling a small trailer.
The prescription opioid pills were found during a search after his arrest on suspicion of driving under the influence, causing property damage and refusal to submit to a lawful test. Woods told deputies he had taken prescription medications earlier that day.
The accident and arrest occurred Friday afternoon near Woods’ home on Jupiter Island, Fla. Although Woods appeared impaired, he told deputies he had not consumed alcohol, which Martin County Sheriff John M. Budensiek said was confirmed by a breathalyzer test.
“Our DUI investigators came to the scene here, and Mr. Woods did exemplify the signs of impairment,” Budensiek said.
A Martin County Sheriff deputy noted that Woods had bloodshot and glassy eyes and extremely dilated pupils, according to the affidavit. Woods also was “sweating profusely” while performing field sobriety tests.
Asked if he had any medical conditions, the 82-time PGA Tour champion replied that he has had seven back surgeries and at least 20 leg operations. He was wearing a compression sleeve over his right knee.
“Woods’ movement was lethargic and slow,” sheriff’s deputy Tatiana Levenar wrote in the report. “While walking, I observed Woods limping and stumbling to the right.
“I asked Woods if he was able to perform tasks such as walking and lifting his leg. Woods advised he has a limp and his ankle seizes while walking.”
The affidavit also noted that “Woods had hiccups during the entire investigation.”
The crash is the fourth major incident involving Woods behind the wheel since 2009. When he was arrested on suspicion of driving under the influence in May 2017, Woods was found to have five drugs in his system, including hydrocodone and Dilaudid. Woods checked into a rehab clinic shortly thereafter and completed treatment.
Around Thanksgiving 2009, a report that Woods had been in a car accident near his home erupted into a major scandal involving allegations of affairs. It resulted in Woods’ divorce from Elin Nordegren, the mother of his children.
In 2021, Woods was seriously injured in a rollover crash near Rancho Palos Verdes the morning after the Genesis Invitational, which he hosted at Riviera Country Club. He had to be extricated from the wreckage of the Genesis GV80 SUV he was driving
Woods underwent “a long surgical procedure” on his lower right leg and ankle, according to a statement he released. Doctors inserted a rod into his leg and placed screws into his foot and ankle.
German Chancellor Friedrich Merz, right, and Syrian President Ahmed al-Sharaa attend a joint press conference during their meeting at the Federal Chancellery in Berlin on Monday, where they announced a goal of 80% of Syrian refugees who fled the country during its 14-year-long civil war to return home. Photo by Filip Singer/EPA
March 30 (UPI) — The chancellor of Germany and president of Syria on Monday said that their goal is for 80% of Syrian refugees who have fled there to return home in the next three years.
With few details offered, Chancellor Friedrich Merz and President Ahmed al-Sharaa set an ambitious goal for the majority of the roughly one million people there who sought asylum from the bloody civil war in Syria, The BBC reported.
Merz and Sharaa met Monday to discuss the return of Syrian refugees, while noting they have been a boon to Germany and are not being kicked out.
“Looking ahead over the next three years — as Sharaa has expressed his hope — around 80% of Syrians currently residing in Germany are expected to return to their home country,” Merz said during a press conference.
Sharaa thanked Merz and the country for welcoming Syrians during the civil war and said the country is “proud that Syrians have learned very quickly how to contribute to society.”
He said that his government is working with the German government to “establish a ‘circular’ migration model” that would allow Syrians to contribute to the reconstruction of Syria without abandoning the lives they have build in Germany.
Sharaa led forces that pushed former Syrian dictator Bashar al-Assd to flee the country in late 2024 after they captured Damascus. His administration is now working to reconstruct and unify the country after 14 years of civil war there.
At the press conference, Merz and Sharaa said that overall conditions in Syria have “fundamentally improved,” a point which German politicians have been debating since the new Syrian president took over, Deutche Weille reported.
A child stands atop an abandoned tank while opposition fighters spread out to areas previously controlled by Assad’s regime in the liberated areas of Daraa, in northern Syria, on December 17, 2024. Photo by Fadel Itani /UPI | License Photo
Within the first 72 hours of a 26-day game, “Survivor 50,” featuring 24 veteran players, had already delivered feuding, anguish and heartbreak. Legendary rivals Ozzy Lusth and Benjamin “Coach” Wade appeared to bury the hatchet, only for their conflict to reignite soon after. Kyle Fraser was forced out due to injury, and Jenna Lewis-Dougherty, who competed in both the show’s inaugural season and “All-Stars,” was the first person voted out after more than two decades away from the game.
Yet there were also moments of nostalgia, connection and excitement as returning players arrived on the beach, grateful to be part of the show’s landmark 50th season.
This raw display of humanity has kept the show’s torch burning for over 25 years. “‘Survivor’ is built on a timeless idea because human nature doesn’t change,” says Jeff Probst, the host, executive producer and showrunner of the reality competition series. “It’s essentially behavioral psychology in the wild.”
Back in Fiji’s Mamanuca Islands for “Survivor 50: In the Hands of Fans,” the show has added a novel element. Fans were given a say in key decisions, voting online to shape production and game mechanics, from choosing tribe colors to requiring castaways to earn rice and supplies instead of receiving them at the start.
“What a great twist,” says Wade in an interview over Zoom. “‘In the Hands of Fans’ transforms the game. Instead of it being, ‘They are playing,’ it’s ‘We are playing.’”
Though he was disappointed to be deprived of staples upon his arrival, he smiles and says that if he were watching at home rather than competing, he also would have wanted players to start with nothing.
Singer-songwriter and “Survivor” superfan Zac Brown coooked and performed for contestants on the show.(Robert Voets/CBS)
“Survivor” has also leaned into its famous fan base this season, bringing in self-proclaimed superfans, including Grammy-winning singer-songwriter Zac Brown — who appeared in Episode 4 as a reward for a winning tribe for whom he spearfishes, cooks and performs. The show also nods to Billie Eilish via the Billie Eilish Boomerang Idol featured in the season premiere. The game piece was handpicked by the Oscar- and Grammy-winning pop star — whose 2022 song “TV” references “Survivor” — and accompanied by a letter in which she outlined its instructions.
But Mike White, creator of “The White Lotus,” represents the show’s most intertwined cultural crossover. He drew inspiration for his hit HBO series from “Survivor” and cast several former tribemates in cameos. “Survivor 50” also features “The White Lotus” Easter eggs.
Returning to the franchise for the first time since he finished as runner-up in 2018, in the Season 50 premiere he says, tearfully, “There are times in ‘White Lotus’ where I’m so fried … it’s a 129-day shoot, but I look back on my ‘Survivor’ experience, and I’m like, ‘Dude, I did that and I can do this.’” Yet White’s hard-won resilience couldn’t protect him from being voted out in a blindside in Episode 4, proving that fame offers no immunity.
And that is the point. At its core, “Survivor” is about watching people from all walks of life dropped into a remote, unforgiving landscape where they must outwit, outplay and outlast one another for a $1 million prize — hungry, exhausted and sore, roasting in the blazing sun or shivering through rainstorms, and enduring grueling physical competitions. They must cooperate with the very people they’re competing against. And as alliances form and fracture, each day grows more fraught.
Former “Survivor” contestants Mike White, left, and Quintavius “Q” Burdette in Season 50.
(Robert Voets/CBS)
“It’s very simple but very deep,” Probst says. “The goal is not to get voted out, but the strategy in achieving that goal is infinite, so the game’s easy to understand, but it’s impossible to master. That’s why it’s so much fun to watch. You’re constantly asking yourself, ‘What would I do?’”
It’s one thing to ask from the comfort of home, but another to live it out, and on national television to boot, says Wade. Coach “When you step on that beach, the stakes are so much higher,” he explains. “Nobody really thinks about the million dollars. They’re thinking about surviving, not getting voted off.”
“Most people would be able to do it,” he continues. “But what you’d realize is what happens to your character and your facade when you’re deprived of everything — food, comfort, reaching out to your friends and having a support system that you know and trust. When you strip all of that away, this stops being a game, and your character will be forged, revealed or shattered.”
A four-time player, Season 23 runner-up and 2015 Survivor Hall of Fame inductee, Coach is one of the show’s most legendary figures. Known as the Dragon Slayer, he’s often shown meditating, praying, waxing philosophical, and pontificating on nobility, integrity and honor. His grandiose persona rubbed many the wrong way early on, earning him a villain label.
Reflecting on his legacy, Wade partly blames the edit but acknowledges he often took himself too seriously, was arrogant, and tried too hard to be larger than life, yet he stresses his authenticity. “The way I look, dress and talk — I’m polarizing,” he says. “That’s who I am in my real life, so that’s who I am out there.”
Probst affirms that what you see is what you get. “Coach shows up authentically every day,” he says. “He wears his mythology on his sleeve and has it tattooed on his body. When he pulls back his hair into a ponytail and quotes Magellan, that’s Coach: ‘I’m the guy with quotes about war and victory and fearlessness and courage. That’s actually who I am.’”
This season, Wade calls himself “Coach 4.0,” but Probst remains skeptical. “Every time he plays, Coach refers to himself as the new version of Coach,” Probst says. “But the minute he starts talking, everybody thinks the same thing: ‘Coach, you may have some more maturity and life experiences now that you’re married and have kids, but you’re exactly the same.’”
That’s not a critique of Coach. After observing more than 750 players over 25 years, Probst believes, “We are capable of much more than we think we are, and simultaneously, at our core, we generally are who we are. It doesn’t mean you can’t change or become a better version of yourself, but you’re going to have some core instincts.”
Benjamin “Coach” Wade in “Survivor 50.” (Robert Voets/CBS)
Coach in 2011’s “Survivor: South Pacific,” the show’s 23rd season. (Monty Brinton/CBS)
The show’s unflinching exploration of human nature traces back to visionary British television producer Charlie Parsons. He conceived the social experiment based on a combination of his curiosity about people, the influence of “Lord of the Flies” and “Robinson Crusoe,” and his boarding school experience.
“It was an all-boys school and quite a competitive place, so there was an element of survival in that,” Parsons says over Zoom. “It wasn’t a bad experience, but if you’re 13 and you’ve never lived away from home before, it can be quite a wrench to live for a month at a time away from your parents. On one occasion I called my parents and said, ‘Will you rescue me?’ And they didn’t.”
In 1988, Parsons turned his concept into “The Castaways,” a three-part documentary for a magazine-style television program he was showrunning.
Several years later, he was approached by Disney’s Buena Vista Productions to make an American version of a successful British morning show he created. When that didn’t pan out, he pitched what would eventually become “Survivor,” developing it with Buena Vista in hopes of selling it to ABC.
But, he says, the radical concept didn’t fit neatly into existing TV genres, and the network balked. “It’s difficult to imagine, but back in the ‘90s this idea of reality TV basically didn’t exist,” Parsons says. “Television was reasonably siloed … ABC took a long time deciding because they could see that there was something about it, but in the end they passed.”
In 1997, however, the concept found immediate success in Sweden with “Expedition Robinson,” leading to expansion in more Scandinavian countries.
The leap to America required a new alliance. During Parsons’ development process with Buena Vista, he’d met fellow British TV producer Mark Burnett at a party in Los Angeles where he’d told him about the reality competition format he was building. Burnett then called every six months pressing to produce it until Parsons finally agreed to grant him the American licensing rights.
“Mark had an incredible energy and presence, which meant that he could go and sell the s— out of it,” Parsons says. “He could persuade the networks to take a risk on something risky.”
Even so, as Burnett relayed in a comprehensive 2010 Television Academy interview, he faced a difficult pitching process. But after every major network passed, he re-approached CBS, where then-CEO and President Les Moonves was game to try original programming during summertime when reruns caused dwindling viewership. But when Moonves commissioned a pilot, Burnett said a stand-alone episode was too costly and couldn’t capture the show’s slow-burn endgame.
Instead, he proposed a sponsorship model built on integrating products into the game, pitching the value of a castaway using a branded cellphone to call home, or the desperation for a slice of pizza and a beer. After Burnett secured corporate sponsors, Moonves greenlighted “Survivor.”
Though firmly embedded in the culture today, “Survivor” was revolutionary when it debuted May 31, 2000, quickly becoming a cultural phenomenon. The Season 1 finale averaged 51.7 million viewers, surpassing both the Academy Awards and Grammys that year. Time magazine featured Lewis-Dougherty on its late June 2000 cover, and “The Late Show With David Letterman” featured a “Survivor”-themed Top 10 list presented by the show’s 16 castaways.
From its exotic location to the now-iconic buffs, “Survivor” established a world all its own, complete with a unique lexicon of immunity challenges, tribal council and Probst’s signature catchphrase, “The tribe has spoken.” As the enduring face of the show, Probst is central to its legacy, earning four Emmys for his role as host.
But even Probst’s survival wasn’t guaranteed. About 15 years ago, the relentless travel and schedule left him so depleted that he briefly quit the show. A few months of rest, however, allowed him to reevaluate. “It really was, ‘I don’t know if I have anything left in my tank to bring to the game.’ That might be what partly influenced Mark to make me showrunner even faster,” Probst says. “I needed to be more of a storyteller on this show.”
The cast of “Survivor” Season 1, standing from left: Ramona Gray, Dirk Been, Gretchen Cordy, Richard Hatch, Sonja Christopher, Susan Hawk, Kelly Wiglesworth, Sean Kenniff, B.B. Andersen and Rudy Boesch. Seated from left: Gervase Peterson, Jenna Lewis, Joel Klug, Stacey Stillman, Greg Buis and Colleen Haskell.
(Monty Brinton/CBS)
He’s quick to note the show’s collaborative ethos, however. “The term ‘showrunner’ is pretty misleading at this point. We make this as a team,” Probst says. Under his stewardship, “Survivor” is more cinematic, reimagined through the lens of Joseph Campbell’s “The Hero’s Journey,” and family friendly. Probst also notes the necessity of continually evolving game design, creating unexpected twists and advantages to keep players on edge and never knowing whom to trust.
The pandemic brought changes as well. With production shut down amid a world in turmoil, Probst felt “Survivor” needed more levity. When filming resumed, due to the 14-day quarantine requirement, back-to-back seasons were shot and the format was shortened from 39 days to 26. The faster-paced “New Era” that began with Season 41 also coincided with CBS’s 2020 diversity mandate requiring at least 50% of the cast to be nonwhite, and Probst dropped his longtime catchphrase “Come on in, guys” in favor of more inclusive language.
By Season 45, in keeping with Probst’s narrative-driven vision, the previously hourlong episodes expanded to 90 minutes.
Television habits have also changed since viewers once dissected tribal council proceedings at the office the next morning. Streaming breathed new life into “Survivor,” with younger viewers discovering it during the pandemic, while its cross-generational appeal keeps it a broadcast powerhouse. The Season 50 premiere drew 9.1 million viewers across live broadcast and delayed streaming, and in the weeks leading up to the launch, viewers revisited older seasons, boosting streaming numbers ahead of the anniversary.
According to Mitch Graham, CBS executive vice president of alternative programming, “Survivor” ranks No. 1 in the coveted 18 to 49 demographic, and the Season 50 launch generated the biggest social media engagement in the franchise’s history.
Even as the reality TV landscape has grown crowded, Probst remains unfazed. “It’s a show like no other,” he says. “It’s adventure, survival, strategy, interpersonal relationships, social politics. … This multi-layered storytelling gives it durability because any given week you have no idea what you’re going to watch.”
Meanwhile, as Season 50 continues to unfold, no one knows who will be crowned “Sole Survivor” on May 20 in Los Angeles, the show’s first live finale since 2019. But rest assured, by then they’ll have revealed exactly who they are.
Cops have dropped an investigation into a raid at the home of model and TV star Danielle LloydCredit: Getty ImagesDanielle shared a tour of her new property with fansCredit: InstagramDanielle and husband Michael were out celebrating Halloween when they were alerted to a break-in at their homeCredit: Instagram/Missdlloyd
We told how Danielle, 42, was at a Halloween party with husband Michael O’Neill and her five children when she watched the raid in real time on a security app on her phone.
“They will be aghast to discover police have dropped the probe, as convictions would have brought peace of mind.
“But they have moved home now — and security at their new place is tougher than ever.”
The professional gang took just 90 seconds to smash through the back door of Danielle’s home in October 2023.
They were then in the house for one minute and 26 seconds as they dashed straight to a bedroom and stole a jewellery box and designer handbags worth £100,000.
West Midlands Police said: “We carried out a number of enquiries but weren’t able to identify a suspect.”
It is feared the burglary gang are from South America and have fled the country.
Danielle with Michael and her five childrenCredit: Instagram
FT. WORTH — In the city that Jim Wright represented for 34 years, the House Speaker’s resignation Wednesday prompted fear, sorrow and anger at Republicans.
“Anybody who knows anything of the American political process knows the loss of the speakership is a major loss for this area,” said Mayor Bob Bolen, whose city has long counted Wright as a major asset in attracting defense jobs.
Officials said it may be impossible to rebuild the political power or match the economic gain the region enjoyed from Wright’s 34-year tenure and his leadership in the Democratic Party.
“We just lost our right arm in Ft. Worth,” state Rep. Doyle Willis, who represents the city in the Texas House, said in Austin. “I think he got a dirty Republican deal. I think they were after him, and they finally got him.”
In Wright’s 12th Congressional District, people gathered around televisions in an electronics shop to watch his resignation speech.
“I think it’s horrible,” Lynn Bratcher said. “He’s the only one I could call on for help when I needed help. . . . He’s the only one that has ever really done anything for anyone for Texas.”
March 27 (UPI) — Federal officials arrested a man accused of plotting to firebomb the Brooklyn, N.Y., home of Palestinian activist Nerdeen Kiswani, the Justice Department announced Friday.
Alexander Heifler, 26, faces one count of unlawful possession of destructive devices and one count of making destructive devices. The Hoboken, N.J., man allegedly constructed Molotov cocktails he planned to throw at Kiswani’s home.
Kiswani is the co-founder of the group Within Our Lifetime, a New York City-based organization supporting Palestinians.
A complaint from the Justice Department said Heifler was charged as a result of an undercover operation by the New York Police Department. He was arrested Thursday night.
NYPD Commissioner Jessica Tisch confirmed the NYPD’s involvement in the investigation in a post on X.
“Our undercover officer identified and tracked the threat — first online and then in person — allowing us to disrupt the planned attack, take Heifler into custody, and ensure that no one was harmed,” she wrote.
“This is exactly how our intelligence and counterterrorism operation is designed to work — a sophisticated apparatus built to detect danger early and prevent violence before it reaches our streets.”
Kiswani said she won’t “stop speaking up for the people of Palestine” despite the alleged plot.
“For months, Zionist organizations like Beta and politicians like Randy Fine have encouraged violence against my family and me,” she wrote on X. “I will have more to say as additional details come to light.”
British holidaymakers in Tenerife admit they have “booked early flights home” recently. A specific issue seems to have impacted their holidays over the past few weeks
12:05, 27 Mar 2026Updated 12:06, 27 Mar 2026
Brits in Tenerife admitted to booking early flights home (stock image)(Image: Gabriel Mello via Getty Images)
UK holidaymakers visiting a beloved travel hotspot say they’ve been “booking early flights home” after their breaks were disrupted by an unexpected issue. While many jet off abroad hoping to bask in the sunshine, unwind and enjoy some well-deserved rest, things don’t always go according to plan – no matter how much we’d like them to.
Brits in Tenerife recently discovered this first-hand, with some suggesting their holidays were “ruined” due to an unlikely problem. A string of videos have gone viral on TikTok, with visitors expressing their frustration after trips to the destination over recent weeks, catching many completely off guard.
A man, known online as Gazza, posted a video of his recent getaway, stating: “Come here every year and this is the first bad downpour experience.” He also described the weather as “brutal” for four days due to the relentless rainfall.
The clip has since racked up thousands of views, sparking hundreds of responses. It appears many fellow travellers have encountered similar situations.
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One commented: “Had wind, clouds and cold one year for four days out of the seven. Never went back.” Another added: “I was there last week and got an early flight home.”
Gazza responded to this remark, saying: “Was debating it too.” While a third chimed in: “I just got back. It was mental.”
A further user wrote: “It’s been almost a week!!! Everywhere/everything closed!!!” While another remarked: “That’s pretty unlucky. I would feel gutted.”
Others, however, claimed to have had a wonderful time during their visit, with some reporting an entirely different experience.
One holidaymaker shared: “It’s heaven. Chill.” Another added: “Here at the moment and not that bad. People need to chill out.”
Someone else also weighed in with: “Still rather be there than here. It’s the getting away that matters.”
What’s actually been going on?
While heavy rainfall is uncommon in Tenerife during March, a powerful storm has recently battered the Canary Islands. Storm Therese is reported to have wreaked havoc on the Canary Islands, particularly Tenerife and La Palma, with an unexpected mix of heavy rain, 100 km/h (62 mph) winds and even snowfall at high altitudes.
Authorities confirmed it was amongst the most devastating storms to strike the archipelago in over 10 years, which may well explain why so many visitors encountered such dreadful weather during their stays.
The silver lining, however, is that conditions appear to be on the mend. Current forecasts predict sunny spells over the coming days, with temperatures potentially reaching highs of up to 26 degrees, which could explain why some travellers have recently reported a marked improvement in the weather.
One visitor said: “It’s sunny now.” Another wrote: “I’m just back yesterday. Was there for a week. We had a ball even with the storm and rain.”
The home of Sean “Diddy” Combs’ son Christian “King” Combs and his girlfriend, Raven Tracy, was the target of what police said was a burglary attempt Thursday morning.
The pair were in Bali when police were summoned to their Porter Ranch home Thursday morning, according to a source familiar with the incident. Neighbors called police around 12:45 a.m. after they heard what they believed were shots fired in the 11900 block of Churchill Way in the affluent San Fernando Valley neighborhood. According to law enforcement, the commotion was actually a window being smashed near the rear patio of the $3-million residence.
King Combs, the 27-year-old rapper, model and son of disgraced music mogul Sean “Diddy” Combs, lives at the 5,400-square-foot property with Tracy, a 32-year-old influencer and fashion entrepreneur.
Images of at least two people were captured on security cameras, a law enforcement source told The Times. It’s unclear whether Combs and Tracy were targeted, or if the suspects were casing homes in the area. When police arrived, all suspects had fled the area. Police investigators told Fox 11 that nothing was stolen.
A source close to Combs told The Times that this was the second recent break-in attempt at the property. The first occurred during Sean “Diddy” Combs’ trial in the summer.
The attempted break-in is the most recent in a string of high-profile home invasions, although it is unclear whether the incidents are related. Earlier this month, “Real Housewives of Beverly Hills” star Rachel Zoe’s Bel-Air mansion was broken into while she was out of town.
The reality TV personality and fashion designer was in Las Vegas for the opening of the Wynn’s ultra-exclusive social club Zero Bond. Zoe is a close friend of club founder Scott Sartiano.
According to TMZ, Zoe’s alarm company received an activation alert and swiftly called local police. Officers responded and spotted two male suspects leaving the property, one of whom the outlet said was taken into custody.
In August, “All Night Long” crooner Lionel Richie was home when a man broke into his Beverly Hills residence around midnight. According to NBC4 Investigates, police responded to a 911 call and searched the neighborhood, finding a suspect blocks away. A 38-year-old man was arrested on suspicion of residential burglary.
Law enforcement sources told the outlet that security cameras at Richie’s home picked up images of the suspect, who entered the home but was spooked by an alarm.
• The Academy Awards will move from the Dolby Theatre to L.A. Live in downtown Los Angeles beginning in 2029 under a new agreement with AEG that runs through 2039.
• The shift to L.A. Live will place the ceremony within a larger, campus-style complex, allowing the red carpet, show, press operations and post-show events to be staged in a more centralized footprint with increased capacity.
• The move will coincide with the Oscars’ shift to YouTube, part of a broader reset for the ceremony as it looks to expand its global reach after years of declining television viewership.
The Oscars are leaving Hollywood — or at least Hollywood Boulevard.
Beginning in 2029, the Academy Awards will move from the Dolby Theatre, their home for nearly a quarter century, to L.A. Live in downtown Los Angeles, the Academy of Motion Picture Arts and Sciences and AEG announced on Thursday. The ceremony will be held in the theater currently known as the Peacock Theater, which is expected to be renamed before the Oscars arrive as part of a new naming rights deal.
The new agreement runs through 2039. Discussions about the move have been underway for the last couple of years, according to people familiar with the planning who were not authorized to speak publicly.
The change in venue comes as the Oscars are also moving away from their traditional home on broadcast television. Earlier this year, the Academy announced that the ceremony will begin streaming live worldwide on YouTube in 2029, ending a five-decade run on ABC.
Since 2002, the show has been closely associated with Hollywood Boulevard, where the red carpet runs alongside the Walk of Fame and, for one night a year, the area becomes the symbolic center of the film industry. The Dolby Theatre sits at the corner of Hollywood and Highland, inside a retail and entertainment center near the TCL Chinese Theatre and the El Capitan.
L.A. Live offers a more centralized, campus-style setting, with venues and event spaces clustered together. The complex is adjacent to Crypto.com Arena and the Los Angeles Convention Center and is part of a larger sports and entertainment district developed and operated by AEG that regularly hosts concerts, sporting events and awards shows, including the Emmys and the Grammys. AEG has recently proposed adding a new hotel, residences and additional entertainment space to the complex, part of a longer-term expansion of the site.
In some ways, the move out of the Dolby is less a break than a return: The ceremony was staged for years in downtown L.A. at the Dorothy Chandler Pavilion and at the Shrine Auditorium before settling at the Dolby.
At the Oscars’ new home, the red carpet, ceremony, press operations and post-show events can all be staged within a compact footprint that includes the adjacent JW Marriott hotel and its ballroom. The theater itself is expected to undergo upgrades to its stage, sound and lighting systems, allowing it to be configured more specifically around the show. The move is also expected to increase capacity, a growing consideration as the academy’s ranks have expanded significantly in recent years, now numbering more than 11,000 members.
At the Dolby, space has long been tight. Each year, multiple blocks of Hollywood Boulevard are shut down for days at a time, rerouting traffic and turning the area into a heavily secured zone — conditions that were even more restrictive this year with security tightened further amid the war in Iran, including a one-mile police buffer around the theater.
The Academy had been looking for a venue that offered greater control over how the show is staged, including how the audience is arranged and how the room is used for both the broadcast and the live event. The new venue is expected to provide more room for press areas, green rooms and backstage operations, along with upgraded technical infrastructure for staging the ceremony.
Early design renderings released by the academy suggest that, for viewers at home, the Oscars may not look all that different. The stage retains the sweeping, curved proscenium that has defined the Dolby Theatre era, suggesting a similar visual approach at a larger scale, with expanded screen space and a more immersive ceiling design.
For both the academy and AEG, which owns and operates the complex, the appeal is in keeping everything in one place — arrivals, ceremony, the Governors Ball and afterparties — rather than spreading events across multiple locations. The setup also creates new opportunities for hospitality and sponsorship tied to the broader campus.
“L.A. Live was built to host the moments that define culture and there is no greater global stage than the Oscars,” said Todd Goldstein, AEG’s chief revenue officer. “Together, we will create an environment that celebrates creativity, honors excellence and delivers an unforgettable experience for movie fans everywhere.”
Taken together, the changes amount to a significant reset for the Oscars, which have seen their audience decline from more than 40 million viewers in the late 1990s to 17.9 million this year, down 9% from the previous year. Moving to YouTube offers a way to reach a broader, more global audience at a time when traditional television viewership has declined.
The Oscars will remain at the Dolby through the 100th ceremony in 2028 before making the transition the following year.
“For the 101st Oscars and beyond, the Academy looks forward to closely collaborating with AEG to make L.A. Live the perfect backdrop for our global celebration of cinema,” Academy Chief Executive Bill Kramer and President Lynette Howell Taylor said in a statement.
Imagine cutting the cost of accommodation on your next holiday to about £5 a day. You can have a whole house, rather than just a bedroom. And you can go almost anywhere in the world and stay as long as you like, within reason. Welcome to house swapping.
You’re sceptical, I know. I was, too. Our terrace house was too small. Too overflowing with stuff. The 1980s kitchen was too old (and battered). We aren’t in a nice enough neighbourhood. Who would want to stay here? Lots of people, it turned out.
Our first swap was with a pair of retired Australian judges who had lived in the UK decades before. They came to our house first and, over a cup of tea and cake in our living room, we talked about where to find a good pint and the best fish and chips locally, as well as mastering the idiosyncrasies of how to run our dishwasher. They told us about their favourite local parks (warned us about snakes) and when to put out the bins, before we headed for our month-long stay at their house in Perth. It’s these conversations and connections that really make house swapping special.
Yes, we have stayed in some truly extraordinary homes. There was a house in Florida where we watched rocket launches while lounging in the pool; a clapboard cottage with a hot tub in the Stockholm suburbs; and a swanky five-bedroom villa in the south of France that we shared with friends. We couldn’t have afforded any of these if it were not for house swapping. In fact, the swaps themselves are free, but I pay $235 (£177) a year to use Home Exchange, a house swap booking platform, which works out at about £5 a night for the 35 or so nights I used it last year.
Rory Boland and family on a house swap holiday in New York. Photograph: Rory Boland
The greatest pleasure, however, is in the genuine relationships forged. Through the messages exchanged before and during the swap, friendships are created. You become, however briefly, part of each other’s lives. We have swapped pets and cars, and watered plants along the way. For a week, we became passionately involved in helping pick a summer school for our Basque guests’ kids. Warm welcomes are universal. We’ve had olive oil from the garden grove of a house in Greece and marmalade from Seville. In return, guests at our house can expect to find sparkling wine from Kent, Essex jam and a pile of Cadbury chocolate bars to try – French guests are big fans of the Crunchie.
Even in challenging moments we found friendship, such as when our shower sprang a leak and rained all over the dining table. We had to arrange an emergency repair via video call with our Spanish guests, an Albanian plumber and a UK insurer, all while frantically looking for a reliable phone signal in the countryside. The babel of languages resulted in a tube of silicone being applied and both parties leaving five-star reviews.
I won’t go back to hotels. I have saved tens of thousands of pounds over the past five years, but what has really hooked me is the interactions with hosts and guests that make my holidays more fulfilling. It’s like having a friend everywhere you go.
Q&A – Everything you need to know
Will I be comfortable house swapping? If you’re precious about the things in your home or anxious about someone sleeping in your bed, a swap is not for you. Likewise, if spending the last day of your holiday cleaning is a deal-breaker.
How do I house swap? For some sites, you pay a flat annual membership fee (£100-£200) to use a booking platform with thousands of homes. I use Home Exchange because it verifies member identities and offers some guarantees such as damage, theft and cancellation protection. Kindred is a smaller and generally more expensive rival, focused on upmarket homes. Instead of locking you into membership, it charges variable service and cleaning fees.
How does it work? Classic swaps are simultaneous; you exchange houses on the same dates. But non-direct swaps are also allowed via a points system: you are awarded credits for stays at your house, which you can then spend to stay somewhere else.
What about scams and safety? Everyone on Home Exchange is a host and a guest, so there is a high degree of trust. Most swaps don’t involve money, so scams are rare. The only exception is a cleaning fee, payable when the stay is at an end. If you’re asked for money in advance, it’s a scam.
The Home Exchange website. Photograph: Home Exchange
How do I pick my accommodation? This is time-consuming. The website looks similar to Airbnb, where you filter by availability, destination and the type of property you want, but you need to match with a host, too. Hosts and guests both have ratings from previous stays, but some people still like to phone or video call before agreeing to an exchange. Then once the exchange is agreed, there are messages to organise the swap and answer questions such as how to use the cooker or where the bedding is. Many hosts prepare a house manual. Cancellations are rare but do happen, usually due to illness in our experience. The one time it happened to us, Home Exchange helped us find a new host in the same city, and it will pay for a hotel in a true last-minute emergency.
Do I need to own a luxury house? No. If you have a pool, hot tub or luxurious mansion, you will certainly get more offers, but flats and smaller houses near popular UK destinations (whether that’s Edinburgh, or the Dorset coast) do just as well. Most houses, like ours, are completely ordinary.
Do I need to put my stuff in storage? Clear a few drawers, perhaps a wardrobe, for guests, and that’s it. Most of the houses on Home Exchange are family homes.
What about cleaning? You do need to scrub that oven and clean that grout. Cleanliness expectations are high (and should be agreed upfront). We usually spend much of the last day of our holiday cleaning, and return to find our own house absolutely sparkling. Some hosts give you the option of paying a cleaner.
And DIY? One of the fringe benefits of house swapping is that it has made us look after our house a little better. Sticky door handles and dripping taps need to be dealt with.
What if I break something? We have broken small things, as have our guests; usually this is simply forgiven. Put more precious items away. For more expensive items, such as a TV or screen door, house swap platforms usually offer a level of cover, but you should make sure you have home insurance.
Will my home insurance cover my house swap? Ask. Some insurers offer no cover, others offer it for a certain number of exchanges, or you may need to buy a bolt-on. House swapping is still relatively unusual, so persevere to get a clear answer. Insurers that cover holiday lets, such as Pikl, are also useful.
Are there legal restrictions? Because no money is exchanged, house swapping is not restricted in the same way as Airbnb and similar services – except in Amsterdam, where only reciprocal swaps are allowed (so no paying with points). You do need to check visa rules if looking after someone’s pet – some countries (such as the US) may view this as providing a service and in breach of a visitor visa.
As the United States-Israeli war on Iran rages on, schools across Israel have been closed, cultural venues shuttered and large gatherings cancelled under police orders.
Dissent against the war, if there is much at all, has little chance of being aired.
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A few demonstrations against the war, such as those staged by the Israeli-Arab activist group Zazim, still flicker through central cities, but they do so under heavy supervision, with officers warning crowds to disperse when sirens sound or when assemblies grow beyond what commanders deem safe.
The effect is a public sphere constrained less by decree than by the constant threat hanging overhead.
“Kids aren’t going to school, while employers are insisting their parents go to work,” Zazim’s co-founder and executive director, Raluca Ganea, says. Everyone is too overwhelmed by the daily grind to voice any dissatisfaction, she adds.
“We’re enduring multiple missile attacks daily, which means people aren’t sleeping. It’s like a manual for tyrants. It’s how you suppress protest or opposition and it’s working so far,” she added.
“We’ve attempted a couple of protests, but people are just too tired to engage,” Ganea says of Zazim’s efforts to resist the war. “It’s not so much that people are telling you that you can’t so much as protesting becomes impossible when a missile attack could happen at any time.”
Support for the war on Iran has remained strong in Israel, a fact borne out by polls. But as exhaustion grows and resentment builds over having their fates decided by often distant leaders such as Israeli Prime Minister Benjamin Netanyahu and US President Donald Trump, who have shown little investment in their welfare, the societal fractures that came to define the war on Gaza are almost inevitable, she warns.
“It’s depressing,” she says. “The only response people have is to feel helpless when their fate is in the hands of people like Trump and Netanyahu, who really don’t care about them.”
Those who have put their heads above the parapet to object openly to the war are shunned anyway, as 19-year-old Itamar Greenberg knows only too well. People spit at him in the street.
“It comes in waves,” he says of the criticism he faces for his opposition to the war on Iran on the streets of his hometown, near Tel Aviv. “Sometimes they follow me, shouting ‘traitor’ or ‘terrorist’.”
Itamar is clear enough that he isn’t a terrorist, though he seems ready to accept the label of traitor if it means halting the war on Iran.
“At my university, everywhere, they say my opposition to the war on Iran is somehow crossing a red line. For instance, because of the [danger to the Israeli] hostages, some people could understand opposition to the genocide on Gaza, but opposing the war on Iran, the great evil, is somehow too much,” he says.
Emergency personnel work next to a damaged car at a site following Iranian missile barrages in central Israel, amid the US-Israel conflict with Iran, in Tel Aviv, Israel [Ronen Zvulun/Reuters]
Rising censorship
Across Israel, journalists and activists like Itamar describe a pervasive atmosphere of self-policing and censorship that, they say, has left people less informed about the consequences of the war than the citizens in Iran, whom many in their media encourage them to pity.
In a country largely unified against a threat that, for generations, politicians have told them is existential, criticism, dissent or opposition is, for the majority, beyond the pale.
This way of thinking is baked into Israeli society. The systems employed by the country’s military censor today to curtail media reporting predate the establishment of Israel in 1948.
Furthermore, new wartime restrictions on what can and cannot be broadcast of the Iranian missile barrages targeting Israel, where they land and what damage they have done – introduced on March 5 – mean these largely go entirely unreported, Israeli journalists say.
Reporting on the new media restrictions in mid-March, the Israeli magazine +972 documented one instance when journalists were permitted to report on debris that had hit an educational facility, but did not mention the actual strike by an Iranian missile, which had successfully hit its intended target nearby. Nor were they allowed to examine the site.
In another case reported by +972, journalists photographing damage to a residential block said they were approached by a man they believed to be linked to a security agency. He asked police to stop reporters from recording the real target of the attack, which was located behind them. The police officer replied that the journalists would not have noticed that site at all had it not been pointed out, since the visible destruction was concentrated on the civilian building.
The censorship, which had been growing more relaxed in recent years, had been tightened once more during the current war, Meron Rapoport, an editor at +972’s sister paper, Hebrew language Local Call, told Al Jazeera, “We don’t really know what is being or with what explosives,” he said, “The IDF [Israeli army] announcements always refer to strikes being on ‘uninhabited areas,’ which is peculiar, because there aren’t that many uninhabited areas in Tel Aviv. It’s a very compact city.”
Indeed, Iran has launched multiple missiles at Tel Aviv, some of which have resulted in damage and injuries – either by the missiles themselves or by debris falling following interception. Most recently, on Tuesday, missiles triggered air raid sirens in the city, where gaping holes were ripped through a multistorey apartment building.
Israel’s Magen David Adom emergency medical service said: “Six people were lightly injured at four different sites.”
“It’s curious,” Rapoport says. “Israeli commentators are always saying how the Iranian public has no real idea how badly they’re being hit. The irony is that they probably have a better idea of how hard Israel is being hit than most Israelis.”
One of the drone overflights took place earlier this month at Barksdale Air Force Base in Louisiana, home of B-52 Stratofortress bombers and nuclear weapons storage facilities, and a key part of the airborne leg of America’s nuclear triad. Another was at an unspecified installation last month, the commander of U.S. Northern Command mentioned in recent written testimony for the Senate Armed Services Committee (SASC). Both situations took place after the U.S. began bombing Iran in a campaign that has included B-52, B-1 Lancer and B-2 Spirit bombers. It is unknown at this point if there is a connection, however, as we have frequently reported, the military is highly concerned about drones operating with near impunity over its facilities. In addition to interfering with flights and their potential use as weapons, drones can surveil and map the electronic emissions throughout a base, gaining insight into vulnerabilities. They can also photograph key areas and operations, providing additional valuable intelligence for any adversary.
One of these incidents spurred NORTHCOM to deploy its new counter-drone fly-away kit, designed to give installation commanders the ability to detect, quantify, and defeat small drones that they cannot defend against on their own. We’ll discuss that in greater detail later in this story.
A B-52 Stratofortress from the 5th Bomb Wing taxis at Minot Air Force Base, N.D., Oct. 26. 2025. The U.S. Northern Command Counter-small Unmanned Aerial System fly-away kit, seen in the foreground, and operators were rapidly deployed to the North Dakota base as part of an exercise to demonstrate the command’s ability to quickly support installation commanders experiencing a drone incursion. (Department of War photo by John Ingle) John Ingle
The incursions at Barksdale began the week of March 9, a spokesperson for the 2nd Bomber Wing at the base told us, offering few details about what happened beyond saying “we are working closely with federal and local law enforcement agencies to investigate these incursions.”
The incident sparked a shelter-in-place order lifted later that day.
According to ABC News, a confidential briefing document dated March 15 stated that the “drones came in waves and entered and exited the base in a way that may suggest attempts to ‘avoid the operator(s) being located,’” the network reported. “Lights on the drones suggested the operators ‘may be testing security responses’ at the base.”
“Between March 9-15, 2026, BAFB Security Forces observed multiple waves of 12-15 drones operating over sensitive areas of the installation, including the flight line, with aircraft displaying non-commercial signal characteristics, long-range control links and resistance to jamming,” the document stated. “After reaching multiple points across the installation, the drones dispersed across sensitive locations on the base.”
The document added that more drone incursions could be expected and that they “pose a significant threat to public safety and national security since they require the flight line to be shut down while also putting manned aircrafts already inflight in the area at risk.”
It is not publicly known if there have been any additional incursions since the document was issued. Base officials declined to tell us.
A U.S. Air Force B-52H Stratofortress aircraft assigned to the 2nd Bomb Wing sits on the flightline at Barksdale Air Force Base, Louisiana. (U.S. Air Force photo by Senior Airman Laiken King) Senior Airman Laiken King
Another incident took place at an unspecified location in February as the U.S. was beginning to attack Iran.
“In the early hours of Operation EPIC FURY last month, a deployed [fly-away kit] successfully detected and defeated sUAS operating over a strategic U.S. installation,” Air Force Gen. David M. Guillot, the commander of NORTHCOM, explained in a written statement to SASC on March 19.
Guillot did not say which base or provide any other details. On Tuesday, a NORTHCOM spokesperson declined to specify which base Guillot was referring to but confirmed there were multiple incursions and personnel used the flyaway kit’s “jamming protocol.”
“We will not name the base nor the type of installation where our Flyaway Kit is deployed in order to preserve operational security,” NORTHCOM added. “Specifically, connecting the Flyway Kit to a specific base can potentially illuminate that base’s vulnerabilities to an adversary. Additionally, by confirming a specific Counter-small Unmanned Aircraft System (C-sUAS) platform, we would potentially give an adversary an advantage in circumventing our C-sUAS capabilities at that location.”
So far, NORTHCOM has only one fly-way kit, but more should be delivered “in the Spring of 2026,” Guillot added in his written statement.
The kit currently deployed is produced by Anduril. The company describes it as a “rapidly deployable, modular, and battle-tested counter-UAS system designed to detect, track, identify, and defeat Group 1-3 drones.” It uses Anduril’s Pulsar system for radio-frequency detection and electromagnetic effects to jam radio signals controlling drones. There are also drone-on-drone interceptors. You can read more about that in our story about the system here.
While Guillot offered scant details in his written testimony, he provided some additional insights into the military’s efforts to counter drones over the homeland. His command is tasked with coordinating those efforts.
“We’ve seen an increase from last year in the number of detections over military installations over the course of the year.,” he said in response to a question from Sen. Eric Schmitt (R-MO), who represents Whiteman Air Force Base, home of B-2s used in Epic Fury. “Some of that might be due to the fact that we have more detection capability now than we did in the past, and then our ability to defeat them has improved. Whereas a year ago, almost every one that was detected was not defeated, now about a quarter of the ones that we detect we’re able to defeat. I pay particular attention to Whiteman and other strategic bases, whether submarine silos or aircraft, and work very closely with Admiral [Richard. A] Correll at STRATCOM to make sure that either through the services or through our own capabilities at NORTHCOM, we are protecting those vital locations from UASs.”
Northcom, Southcom Commanders Testify Before Senate Armed Services Committee 03.19.2026
Whiteman declined to comment about whether that base has seen any drone incursions, citing operational security concerns.
That these latest drone flights took place in the wake of Epic Fury is alarming. Iran’s drone capabilities loom large in the mind of U.S. intelligence even here in the homeland. Also, it’s worth noting that B-52s at Barksdale sit almost entirely out in the open and, with just 76 of these airframes available across the force, they are extremely valuable assets and thus potentially very high-value targets. This is especially true since there are just a few that could be regenerated if any are lost. Moreover, Stratofortresses are expected to provide a large portion of U.S. conventional and nuclear aerial strike capabilities for decades to come.
We have been warning about the threat to American aircraft on flightlines from even the lowliest of drones for many years. These warnings have taken on new urgency after last year’s Ukrainian near-field attacks on Russian long-range aviation, dubbed Operation Spider Web. This operation alone suddenly turned what were once theoretical nightmares into very real possibilities.
We will continue to monitor this situation and provide updates when warranted.
INFLUENCER Lydia Millen has revealed she’s finally snapped up her dream home after a six-year search just as her “fake accent” was exposed.
The controversial ‘poshfluencer’, who was recently accused of putting on a more well-spoken voice, shared the exciting news with her millions of followers.
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Lydia Millen has unveiled her new home after a six year searchCredit: InstagramLydia and her husband set their hearts on the Norfolk coastCredit: InstagramLydia recently admitted to polishing her accent for her contentCredit: Instagram
Lydia posted a series of coastal snaps from her new property in Norfolk.
The 36-year-old opened up about the long journey in a heartfelt caption as she prepares to add another property to her portfolio.
Writing rather than speaking to her followers, she penned: “We bought a new home.
“Six years ago we began our search, first in the Cotswolds, and then after a trip to Cley-next-the-Sea where we completely fell in love with the Norfolk coast, our search moved there.
“We looked for something special but never quite found it.
“Until October, when I stumbled across a 200-year-old fisherman’s cottage. And last week, we finally completed.”
Even modest cottages on the Norfolk coast can fetch £300,000, while prime properties soar past £1million.
The new coastal bolthole marks a lifestyle shift for Lydia and Ali, who have long documented their countryside life online.
The crumbling cottage is expected to undergo a full-scale transformation, with fans already anticipating a series of renovation updates across her social platforms.
Lydia explained: “It needs everything. Heating, rewiring, kitchen, bathroom, windows. A full renovation.
“But one day hollyhocks will grow in the front garden again, and Paul’s Himalayan musk roses will ramble their way back across the flint and brick facade.”
Lydia has bought a cottage on the Norfolk coastCredit: InstagramProperties on the Norfolk coast can fetch well over £1 millionCredit: Instagram
Lydia has previously revealed she owns multiple properties, all mortgage-free, explaining she “doesn’t like having debt”.
The influencer has faced backlash in recent months, with some fans accusing her of not being entirely truthful about her roots.
Born in Watford, Hertfordshire, Lydia has spoken openly about growing up in a council house with her mum after her parents split.
She has previously said she “flunked” her GCSEs before training as a beauty therapist.
Before finding fame online, Lydia also spent seasons working in Ibiza.
Her social media career took off after moving to the countryside, where she spotted a gap in the market for aspirational British lifestyle content.
However, critics have claimed she has “reinvented” herself including adopting a more polished speaking voice.
Responding to one follower who asked why she had changed the way she speaks, Lydia said: “Because I just don’t see why I shouldn’t?
“I value being well spoken, and I know it also helps my international audience.”
Now a social media powerhouse, Lydia shares her idyllic country lifestyle with 1.6million Instagram followers, 1.4million on TikTok and more than one million YouTube subscribers.
The TikTok star is married to Ali Gordon, whom she met on Instagram in 2012.
The pair tied the knot in December 2017 at Aynhoe Park in Oxfordshire and are now thought to be worth around £10million.
Watford girl Lydia has undergone quite the transformationCredit: Lydia MillenLydia is married to fellow influencer Ali GordonCredit: Getty
Afroman has emerged victorious from an invasion of privacy and defamation case filed against him by seven members of Ohio’s Adams County Sheriff’s Office over mocking videos and social media posts the rapper put out after a failed 2022 raid on his home.
“We did it, America! Yeah, we did it! Freedom of speech! Right on! Right on! Yeah! God bless America!” the 51-year-old rapper, born Joseph Foreman, shouted outside the courthouse after the Wednesday evening verdict as supporters rallied behind him. In the clip, under a white fur coat, he was rocking the same American flag shades and red, white and blue suit and tie he had worn on the stand Tuesday.
Four deputies, two sergeants and a detective with the Adams County sheriff filed the lawsuit in March 2023, seeking to reclaim any money the rapper made from what they said was unauthorized use of their likenesses. The group wanted nearly $4 million in damages. Foreman used footage from the raid in videos for songs including “Lemon Pound Cake” to make money to pay for the damage done to his home during the raid, when his front gate was broken down and his front door smashed in.
The plaintiffs said in their lawsuit that the posts and videos caused them “humiliation, ridicule, mental distress, embarrassment and loss of reputation” and made it difficult to do their law enforcement work.
At trial, all seven plaintiffs testified about the harassment they had suffered because of the rapper’s music and videos. One, Deputy Lisa Phillips, had her gender identity called into question in Foreman’s videos and social media posts. She cried on the stand as a video suggesting she enjoyed sex with other women was played for the court.
The jury apparently agreed with the argument that the sheriff’s officers were acting in a public capacity during the raid and therefore were not shielded from criticism of their behavior.
“No reasonable person would expect a police officer not to be criticized. They’ve been called names before,” defense lawyer David Osborne said in closing arguments for the rapper and comedian, known for his breakout 2000 hit, “Because I Got High.”
In 2022, the sheriff’s team was acting on a warrant showing probable cause that drugs and drug paraphernalia would be found on the property and alleging that trafficking and kidnapping had happened there. No evidence of a crime was found, and no charges were filed.
Foreman wasn’t home during the raid but was able to see at least part of it via a video recorded by his ex-wife and footage captured on his home security system before law enforcement turned off those cameras. He said on the stand that the raid traumatized his children, who were 10 and 12 at the time.
“The whole raid was a mistake. All of this is their fault,” Foreman testified Tuesday. “If they hadn’t wrongly raided my house, there would be no lawsuit, I would not know their names, they wouldn’t be on my home surveillance system, and there would be no songs, nothing.”
Foreman also defended his right to use the raid footage as fodder for his work.
“After they left, I had the right to kick the can and to do what I had to do to repair the damage they brought to my house. Yes, I did,” he testified. “I have freedom of speech. I’m a rapper. I entertain.”
Foreman discussed his reaction to the lawsuit with local station WCPO Channel 9 in 2023. “From the first 10 seconds, I was offended. I was appalled. I was like ‘What?’ Then I started laughing,” he said. “These guys with their rifles are crying about my comedy songs.”
Meanwhile, as the jury deliberated Wednesday, an entirely different Adams County Sheriff’s Office was feeling online heat linked to the trial: the office in Colorado’s Adams County.
“The Adams County Sheriff’s Office has received a flood of social media comments, DMs, and phone calls about the #Afroman defamation trial,” the Colorado department said on X. “It’s clear this is important to a lot of people. There’s just one small issue: that’s the ACSO in Ohio. We are the ACSO in #Colorado. Different states, same name.”
Storm Therese is battering the Canary Islands with heavy rain, 100km/h winds and significant snowfall, with over 40 flights cancelled and schools closed across the islands
Samantha Bartlett Assistant Editor, Social News
10:41, 21 Mar 2026
Storm Therese is currently battering the Canary Islands (stock image)(Image: Europa Press News, Europa Press via Getty Images)
Storm Therese is currently wreaking havoc on the Canary Islands, particularly Tenerife and La Palma, with an unusual mix of heavy rain, 100 km/h (62 mph) winds, and significant snowfall at high altitudes. Authorities have declared a full-scale emergency in Tenerife, labelling it as one of the most severe storms to batter the archipelago in over a decade.
Spain‘s meteorological agency, AEMET, has issued several alerts that will remain active throughout the weekend. Orange (high risk) warnings have been dispatched for northern Tenerife and parts of La Palma due to wind gusts reaching 90–100 km/h and heavy rainfall. Concurrently, yellow warnings are in place across all seven islands for rain, thunderstorms, and choppy seas with waves reaching up to 6 metres (20 feet).
Unusually for this time of year, significant snowfall has also blanketed Mount Teide and surrounding peaks above 1,800–2,000 metres.
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The storm has led to widespread cancellations and safety closures across the islands. Over 40 flights were cancelled or rerouted by Friday, March 20, primarily at Tenerife North and South airports. Travellers are advised to check their flight status via Flightradar24 or their airline.
Schools and universities in Tenerife, Gran Canaria, and several other islands were shut on Thursday and Friday, whilst key roads, including access to Teide National Park and the TF-445 to Punta de Teno, are closed due to ice and snow.
Major international events such as the Tenerife Bluetrail 2026 race have been cancelled or postponed.
Providing an update on the weather situation on Friday (March 20), one Tenerife resident known as @theknightstrider1 on TikTok took to the platform to share details with his 115,000 followers.
The car hire and bar owner, who is based in Playa de las Américas, was heard saying: “A little weather update for you then, it’s raining… it’s pretty grim and it’s gone really overcast as well.
“The rain showers are on and off, we haven’t really had any rain until now. It was okay this morning, but yeah it is raining. The current temperature’s around 18 degrees, not too cold but the umbrella’s are out, people are sheltering and it’s really not that nice.”
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He added: “Bear in mind, you might get caught in the rain, have a brolly with you. Maybe some of the rain macs as well if you’ve got any, if not buy some because it’s on and off.”
One person wrote: “Weather’s been awful the last three days, can’t wait to go home.”
Whilst another added: “Arrive tomorrow, packed a brolly.”
A third chimed in: “This makes me so happy as someone who was going to go this week and changed to last week! Phew.”
Whilst a fourth asked: “Why is it every time it’s sunny in the UK it rains in Tenerife?”
Another resident of the Canary Islands also posted a weather update on TikTok from Santa Cruz de Tenerife, captioning the clip, ‘Rain, wind and choppy ocean. Flights cancelled and diverted. Flooding in El Médano and roads closed. The storms Theresa and Samuel are hitting Canary Islands.’
He then said in the video: “Here if your weather update from Tenerife South on Friday March 20th, 2026. The two storms – Theresa and Samuel – are hitting the Canary Islands with force.
“As you can see here, we have quite a lot of waves here in the Troya area of Las Americas. The storms have caused quite a few incidents on the island, we have had 11 flights cancelled yesterday, 10 flights have been cancelled during the day today.
“We have had quite a few flights deviated to other airports as well and we have had ferries that have been cancelled because of the conditions out on the see.”
He explained the temperature was currently hovering around 19 degrees and there had been some rain which was “coming and going” along with overcast skies.
Are flights from the UK to Tenerife being cancelled?
Yes, flights from the UK to Tenerife are currently experiencing cancellations and significant disruptions due to severe weather from Storm Therese.
As of Saturday, 21 March 2026, authorities in Tenerife have declared an island-wide emergency due to extreme conditions including heavy rain, strong winds, and rare snowfall over high ground.
Over 36 flights were cancelled earlier this week, with further disruptions reported today. While many cancellations involve inter-island services, several international flights have been diverted or cancelled due to poor visibility and high winds.
Currently, the most affected airport is Tenerife North (TFN), which has seen the greatest impact, though Tenerife South (TFS) – where most UK flights land –is also experiencing delays and some rerouted services.
Conditions are expected to remain hazardous through Saturday, with a gradual improvement predicted for Sunday, 22 March.
Major airlines serving the UK to Tenerife route, such as Ryanair, easyJet, Jet2, and TUI, are urging passengers to check their flight status before heading to the airport
If your flight is cancelled, contact your airline immediately to discuss rebooking or refund options.
NEW ORLEANS — Trey Murphy III scored 27 points and the New Orleans Pelicans extended their home winning streak to seven games with a 105-99 victory over the Clippers on Thursday night.
Saddiq Bey had 20 points and Zion Williamson added 15 for the Pelicans, who swept the two-game set against the Clippers after a 124-109 win, also at home, on Wednesday night.
Dejounte Murray was held out to rest as part of his comeback from a ruptured Achilles tendon. He had 17 points and a season-high 11 assists Wednesday night in his ninth game since making his season debut last month.
Derrick Jones Jr. scored 22 points, John Collins had 18 and Bogdan Bogdanovic added 16 for the Clippers, who lost their fourth in a row.
Kawhi Leonard sat out a night after scoring 25 points and grabbing eight rebounds in his return from a one-game absence because of a sprained left ankle.
The Pelicans trailed 94-91 with 5:53 after Collins’ floater, but Williamson made a layup and Murphy hit a three-pointer to put New Orleans up for good as it closed with a 14-5 run.
NEW ORLEANS — Saddiq Bey scored 25 points, Trey Murphy added 23 and the New Orleans Pelicans overcame an early 18-point hole to beat the Clippers 124-109 on Wednesday night.
Dejounte Murray had 17 points and 11 assists, while Zion Williamson and rookie Derrick Queen each scored 14 for the Pelicans, who received a standing ovation as the final seconds wound down on their sixth straight victory at home and ninth win in their last 13 games overall
Kawhi Leonard scored 25 points and John Collins added 18 for the Clippers, who dropped a game below .500 (34-35), but maintained a tenuous hold on the No. 8 spot in the Western Conference standings, a half-game ahead of Portland.
Bey hit five of 10 three-point shots to help New Orleans go 16 of 37 (43.2%) from deep. The Pelicans also made 20 of 21 free throws, with Queen making all nine of his.
Pelicans rookie guard Jeremiah Fears chipped in 11 points off the bench.
Murphy made his 200th three of the season late in the third quarter to give New Orleans an 89-81 lead. His fourth make from deep made it 94-81 in the final minute of the period, which ended with New Orleans leading 96-85.
Murphy’s double-clutch dunk over Brook Lopez to close out a fast break spawned by Herb Jones’ steal gave New Orleans a 117-101 lead with 4:43 left, and the Pelicans led by as many as 20 in the final minutes.
New Orleans committed eight turnovers in the first nine minutes, and the Clippers converted those into nine points while building a 33-18 lead.
Leonard scored 12 of his points during that stint and the Clippers led by as many as 18 during the opening quarter before the Pelicans trimmed it to 40-26 on Murphy’s free throws.
New Orleans came all the way back to tie it at 58 on Murphy’s three late in the second quarter.
Leonard and Murphy traded baskets in the final 10 seconds before halftime, with Murphy tying it at 60 on a high, driving floater in traffic.
The Grammy-nominated “Call Me Maybe” pop star and her husband, music producer Cole M.G.N., welcomed their first child together months after tying the knot last fall. Jepsen, 40, revealed the arrival of her little one on Instagram.
“Last 2 weeks have been the best of my life,” the Canadian singer-songwriter captioned a photo shared to her Instagram story on Tuesday. The photo, a mirror selfie, shows Jepsen all smiles in a leopard-print bucket hat, white shirt and black shorts as she cradles her child, who wears a green-striped onesie.
“Welcome to the world little one,” Jepsen wrote.
“Run Away With Me” singer Jepsen and music producer Cole M.G.N. — whose full name is Cole Marsden Greif-Neil — exchanged their vows in late October at the Chelsea Hotel in New York, three years after striking up a romance in 2022. A month later, Jepsen announced she and her husband were expecting.
“Oh hi baby,” she captioned a set of baby-bump-baring photos shared to Instagram in November. In the tender maternity shoot, Jepsen cradles her bump in bed alongside Marsden Greif-Neil. Jepsen continued posting on Instagram about her maternity journey with fans, in January posting photos from the beach, from home and from fitting rooms as she spoke about finding a lullaby for her child-to-be.
On Tuesday, she channeled a Frankie Valli classic to express her “Emotion” about being a mother: “Can’t Take My Eyes Off You.”
Last year, Jepsen celebrated 10 years of her cult-favorite album “Emotion,” the follow-up to her 2012 smash hit “Call Me Maybe.” She celebrated the milestone with a lively anniversary concert in August at the Troubadour in West Hollywood, featuring celebrity guests and moments of reflection.
“I had brought a little suitcase, and I kept calling my parents and saying, ‘Send more clothes!’” Jepsen said, recalling her move to Los Angeles from her native Canada when she was 26. “Five years later, I was like, I think I live here now. I’m very happy to say L.A. has become my home.”
Pop music critic Mikael Wood contributed to this report.
As the U.S. wades even deeper into the conflict with Iran, some Democratic and progressive political figures are trying to figure out how to connect the public’s wariness about war with concerns about affordability and the widespread reaction against President Trump’s xenophobic immigration policies.
If you’re looking for a template to do it well, one can be found in the words and actions of a political figure who recently passed away: the Rev. Jesse Jackson.
For while attention after his death has rightfully focused on Jackson’s long involvement with the civil rights movement, the more telling lesson for this moment is how his presidential campaigns connected a concern for addressing domestic disenfranchisement with a resolute stance against U.S. military adventures — a message that built on and echoed the Rev. Martin Luther King Jr.’s landmark 1967 speech against the Vietnam War, economic exploitation and racial injustice.
Jackson’s candidacies in 1984 and 1988 emerged at a moment when the social compacts forged by the labor, civil rights and women’s movements of the 20th century were being systematically undone. Deindustrialization was hollowing out working-class communities. Reaganism was consolidating power around tax cuts for the wealthy, deregulation and attacks on unions. A new corporate consensus was hardening — one that increasingly shaped both major parties — prioritizing financial elites while disciplining labor and shrinking the public sphere.
Sound familiar?
Jackson refused to accept that such a right-wing and corporate realignment was inevitable. His Rainbow Coalition was far more ambitious than a candidate-centered campaign. It was an attempt to build an organized, multiracial, cross-class political front capable of contesting the direction of the country itself.
The Rainbow brought together constituencies that conventional political wisdom said could not unite — Black voters in the South, industrial workers in the Midwest, family farmers in crisis, Latino and Native organizers, Arab American activists, peace advocates, labor insurgents and progressive whites.
Jackson’s platform did not treat these groups as symbolic additions to a coalition; it linked their material interests. Farmers facing foreclosure were not an afterthought — the farm crisis was up front. Deindustrialized workers were not rhetorical props — trade, jobs and industrial policy were central. Civil rights were braided together with economic justice.
And crucially, Jackson insisted, as King had, that economic populism could not be separated from anti-militarism.
At the height of the Cold War, amid Reagan’s military buildup and interventionist doctrine, Jackson argued that bloated Pentagon budgets were not abstract line items. They were resources diverted from schools, healthcare, housing and jobs. He connected the violence of abandonment at home to the violence of intervention abroad — and his campaign called for redirecting military spending toward human needs and for diplomacy over escalation.
When Jackson thundered that we should “choose the human race over the nuclear race,” this was not a simple turn of phrase. It was integral to the Rainbow’s moral and economic logic. A government that prioritizes war over welfare, weapons over workers, cannot sustain democratic life.
That clarity feels especially salient today, as the United States continues to pursue military interventions and proxy conflicts whose legality and human cost are deeply contested. Once again, defense budgets swell while public goods strain. Once again, dissent against war is treated as disloyalty. Jackson rejected that false choice decades ago. He understood that militarism abroad reinforces inequality and immorality at home.
Jackson’s 1988 campaign captured millions of votes, won primaries and caucuses across the country and forced issues into the Democratic Party that party elites preferred to sideline. He demonstrated that a progressive program grounded in the lived experiences of ordinary people — rural collapse, urban disinvestment, plant closures, racial injustice and war — could assemble a national constituency.
Unfortunately, after Jackson’s last campaign, the Rainbow’s experiment in independent organizational life was folded too tightly into the mainstream Democratic Party. While that seemed a strategy to achieve a broader front, it meant that the progressive anchor was unmoored — and the effort dissolved before it could truly mature.
But the lessons of that era may be more relevant than ever.
Today, we again confront an ever-ascendant rightward turn buttressed by concentrated corporate power and normalized militarism. As in Jackson’s day, some leaders seek to deflect our attention, blaming economic challenges on the proximate “other” — in his era, Black women taking welfare, in our era, immigrants taking jobs — rather than those with power.
Jackson understood that defeating reactionary politics required isolating it — not only morally, but structurally — by assembling a coalition larger than the right’s base and rooted in shared material demands. He understood that hope had to be organized and that peace had to be part of prosperity. His campaigns showed that racial justice, labor rights, rural survival, gender equality and anti-war politics were not competing claims but interlocking ones.
Protest has surged in the United States, particularly after the excesses in Minnesota. But protest alone does not prevent consolidation. Nor do narrow electoral bargains that leave the underlying corporate and military consensus intact.
At a time when both parties remain deeply entangled with corporate and defense interests, remembering the promise of the Rainbow is not nostalgia. It is instruction.
Rishi Awatramani is a postdoctoral scholar in sociology at USC, where Manuel Pastor is a professor of sociology and the director of the Equity Research Institute.
Other money-saving tips include leaving jewellery and laptops in the UK
12:02, 17 Mar 2026Updated 12:03, 17 Mar 2026
Britons urged to ‘leave watch at home’ this summer to save hundreds
Specialists at travel insurance firm Staysure have revealed the key factors that determine insurance prices and provided guidance on cutting costs when arranging your travel cover this summer. Travel insurance premiums can vary considerably depending on numerous factors, including existing medical conditions, age and your chosen destination.
Luckily, holidaymakers can slash costs by avoiding travelling with expensive valuables. The travel specialists recommended always “leave expensive valuables such as laptops, watches and jewellery at home”.
This is because “adding protection for valuable items, such as cameras or precious watches and jewellery, will push premiums higher”.
“If you need to insure expensive gadgets like cameras or valuables like watches and jewellery, your premium will be higher as there are pricier sums involved.
“Travelling without these items can help to lower the cost of your travel insurance policy and means you are at less risk of losing them,” reports the Express.
Premiums increase with age due to higher illness risk, especially for those aged over 65. Existing medical conditions are equally important as they raise the probability of needing emergency medical care abroad.
The specialists emphasised it is vital to consistently “declare all of your pre-existing medical conditions to ensure your policy is valid, should you need to make a claim”. Trip length and location also affect insurance costs, as extended holidays raise the chances that travellers might need emergency medical care.
Cover works out cheaper for countries deemed low risk, such as Spain, whilst high-risk destinations such as Sri Lanka may attract higher premiums due to repatriation costs.
The experts recommended opting for a lower-risk destination to cut expenses. “A change of country could save you hundreds. For example, a holiday to Paris will usually cost you less in insurance premiums than a trip to New York.
“It’s also important to check the country you are travelling to will be covered by your travel insurer. Some places in the world are considered too high risk.”
This spectacular Victorian mansion is Britain’s original smart home and the world’s first hydroelectric-powered building, featuring historic gardens and starred as Lockwood Manor in Jurassic World: Fallen Kingdom
19:05, 12 Mar 2026Updated 07:59, 16 Mar 2026
The house is now in the hands of The National Trust (Image: Iain Buist/Newcastle Chronicle)
Nestled within a spectacular mountain setting, this Victorian property stands as a genuine architectural trailblazer and the very first of its kind.
Cragside in Rothbury, Northumberland, holds the title of Britain’s original smart home, and it’s utterly magnificent. From the exterior, the enormous mansion looms over the water beneath it, all asymmetrical and striking, resembling something straight out of a film.
Its multiple pointed roofs and curved brickwork give it a distinctly Tim Burton-esque quality, and indeed, it has featured in numerous productions thanks to its remarkably distinctive beauty.
It appeared in the 2018 blockbuster hit Jurassic World: Fallen Kingdom as the location for Lockwood Manor.
Yet it’s truly the fact this was the world’s first building powered by hydroelectricity and operated by hydraulics that makes it such an extraordinary marvel. Rivers, lakes and even waterfalls all work together to power the property and its enchanting gardens.
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History
Cragside was brought to life through the vision of William and Margaret Armstrong, with William serving as an engineer and industrialist responsible for numerous groundbreaking inventions.
Meanwhile, Margaret had extensive expertise in botanical life, which inspired the creation of the gardens.
What began as simply a sporting lodge in 1863 gradually evolved into a sprawling estate, developed over three decades. The architectural masterpiece was expanded in three principal phases between 1870 and 1884 by architect Richard Norman Shaw.
It quickly evolved into a hub of groundbreaking innovation as the married couple developed their revolutionary vision for electricity and power generation.
The property operates through hydraulics in an entirely unique manner, standing as the world’s first water-powered home. It pioneered central heating, electric lighting, gravity-fed plumbing, water-driven machinery and a hydraulic lift, delivering unprecedented levels of domestic comfort.
Contributing to the property’s pioneering spirit is the electric lighting, which was installed in 1878 using carbon-arc lamps in the Gallery room.
Working alongside chemist Joseph Swan, they advanced this further in 1880 by enabling the first residential installation of incandescent lightbulbs.
Following years of refurbishment and innovation, the property eventually passed to their great-nephew, William Watson Armstrong, after he inherited it.
As they had no children, he became the rightful heir to the estate, and following their passing, the home remained with his family for two additional generations.
Walking
Due to its breathtaking setting, Cragside provides an excellent location for extensive walks across and surrounding the grounds, featuring two particularly lengthy routes – one called the Hydro-power Trail and the other Views of Cragside.
Stretching a lengthy 6.5 miles, these trails are closer to a hike than a leisurely stroll and could occupy the majority of your visit, but the estate serves as an excellent launch pad for the adventure.
The Hydro-power Trail is one that guides you past every aspect of the technology used to harness water power.
On the other hand, the Views of Cragside route offers panoramic views of the Northumberland hills and beyond. It leads you past the Formal Garden, where you can pause to appreciate the meticulously arranged flower beds.
There are signposts scattered throughout the estate directing you to various trails suitable for a range of abilities. The most family-friendly and considered easy to moderate is Nelly’s Moss, which takes up to an hour to complete.
Visiting the estate
To fully enjoy all that Cragside has to offer, there’s no need to pre-book, and parking is included in your entry fee – National Trust members excepted, naturally. Adults are charged £27.00, whilst children pay £13.50 upon entry.
Families consisting of two adults and up to three children can opt for a family ticket priced at £67.50. The site opens its doors from 11am, with the house closing at 3pm and the remaining facilities open until 4pm.