America’s semiquincentennial came and went, and the Disneyland Resort marked the occasion with a transformation of its now-classic Soarin’ ride. Gone, for now, is Soarin’ Over California and Soarin’ Around the World. In their place is Soarin’ Across America, a lightly patriotic-themed journey from coast to coast.
There are flyovers of nationalistic symbols such as the Statue of Liberty, Mount Rushmore National Monument and the Washington Monument, but the majority of its dozen locations are national parks, making Soarin’ Across America a love letter to America’s natural and diverse beauty. And it felt like a four-and-a-half-minute celebration.
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Soarin’ Across America has the strongest scene of any of the three attraction films, which envelop riders as they ascend in the sky on a hang glider simulator. That’s its opening, a shot of a rocket launch at Florida’s Kennedy Space Center. We start level with the spacecraft, and then follow its journey into the clouds. Being this close to a liftoff, and feeling the sensation of rising with it, creates an inspiring, rousing moment. As in any Soarin’ film, we are promised the great outdoors, but here we get magnificent ingenuity.
Is it the best Soarin’? I’d still rank Soarin’ Over California as No. 1, as it has a sort of goofball charm, such as tumbling skiers or a golf ball flying toward the audience. But Soarin’ Across America is a worthy successor. It takes a more patient approach, as the ride now seems to linger longer over certain locales, allowing us to take in the majesty of the Grand Canyon West or vibrancy of the Louisiana bayou without distraction. I appreciated the tonal shift, which makes it stand on its own and doesn’t try to force itself to capture the original’s whimsy.
A coastal scene from Soarin’ Across America.
(Disney Parks)
I also enjoyed the new smells. When hovering near the Hawaii coast, for instance, the tropical fragrances that wafted over guests seemed to reflect the gummy fruitiness of a mai tai. (No, that wasn’t just me longing for an afternoon break at Trader Sam’s.)
I went in with a bit of skepticism, and I’m relieved to say my fears weren’t realized. Well, fully realized. This is a divisive time in American history, and cultural works are increasingly viewed through a political lens. When announcing the attraction, Disney did so with symbolism of the American flag, a bald eagle and the Statue of Liberty, art that was admittedly bright and welcoming, but also could be read as giving it an uncomfortable, chauvinistic sheen.
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Not everyone in 2026 may be excited with a flight simulator that serves as a cheerleader for America. And I still question the inclusion of Mount Rushmore, which has a long, controversial history, and has been a fascination of President Trump’s. But aside from that scene, and some odd red, white and blue sparkler-like fireworks visible in the New York Harbor, which curiously distract from a view of the Statue of Liberty, Soarin’ Across America doesn’t lay on the jingoism. At least until the final moments, when we see an American flag in the sky above Disneyland’s Sleeping Beauty Castle.
I’ll take it. The vibe throughout is one of restraint. When we glide near a Maine lighthouse, the film seems to pause, allowing the rocky coast and long-standing structure to be the stars. A dip across the American plains takes us above a herd of bison, but by and large movement is kept to a minimum (here the scent is of grassy freshness, which I’m betting is not what a bison smells like). A train in the Ozarks, for instance, comes to us rather than the film rushing to trace its path.
Filmed primarily with helicopters and drone shots, Soarin’ Across America utilizes CGI, courtesy of Industrial Light & Magic, less than Soarin’ Around the World, and primarily on scene transitions when we appear to fly next to a bird. This is an attraction that leans more National Geographic, that is it is unobtrusive and unstaged, than past iterations of Soarin’. While some may miss more active visuals, I appreciate that each Soarin’ film takes a different approach. Long term, it will allow Soarin’ Across America to serve as a snapshot in time, of an America at a certain point in history.
Soarin’ Across America shows aerial vistas across the United States, and it’s arriving at a divisive moment in our nation’s political history.
(Disney Parks)
And that’s already true. For when the film takes us down in front of the Washington Monument, we can off in the distance ever-so-slightly glance at the Lincoln Memorial Reflecting Pool, caught before its current Trump adminstration remodeling. Depending on your point of view, it can be unintentionally uncomfortable or amusing to see a locale before it became a political lightning rod. But that’s sort of the appeal of the Soarin’ films. They’re glimpses of not just a moment in time, but of a constantly changing world.
In that sense, there’s something relatively quaint about Soarin’, especially for our fast-paced, thrill-focused world. Soarin’ was groundbreaking when it debuted in 2001, but today we have venues like Las Vegas’ Sphere and Inglewood’s Cosm, whose spherical screens are higher definition and can even create the illusion of movement. Soarin’ Across America charms — all four of my rides last week ended in audience applause — by simply being a calming, relaxed journey that stokes our sense of adventure.
This week in SoCal theme parks
Disneyland Park has now welcomed more than 1 billion guests.
(Christian Thompson / Disneyland Resort)
Disneyland: More than 1 billion served. The Disneyland Resort over the weekend welcomed its 1 billionth guest. The distinction went to 8-year-old Andres Robles, who with his family was treated to a VIP tour of the park. Disneyland has updated its population sign atop the Disneyland Railroad’s Main Street Station. To help put into context how unfathomably large 1 billion is, it’s worth noting that it took Disneyland, which in recent years has been drawing around 17 million attendees, nearly 71 years to reach that number.
The Cenobites are coming to Universal Studios Hollywood. The latest addition to this year’s Halloween Horror Nights has been revealed, and it’s a haunted house based on the “Hellraiser” franchise. Pinhead actor Doug Bradley will reprise his role for the walkthrough attraction by voicing the character’s representation in the house. Halloween Horror Nights is set to launch Sept. 3.
Don’t miss this look into Disney history. PBS SoCal will on Friday, July 17, show the documentary, “Bob Gurr: Living by Design.” It’s a revealing look into the life of a key early Disneyland designer, as Gurr created the look and feel of the Haunted Mansion “Doombuggies,” the original Autopia cars, the bobsleds of the Matterhorn and, of course, the first Disneyland Monorail. Before you watch, get to know the colorful, outspoken Disney legend.
A Disneyland deal for Anaheim residents. Good news for those who live near the Disneyland Resort. For a limited time from July 20 through Aug. 8, Anaheim residents will have access to a locals-only deal. Adult one-day tickets will start at $71, while child tickets will be $50. Park-hoppers for adults will sell for $104 while child tickets will remain $50. It’s a significant savings and a great way to see the start of the park’s Halloween season. The tickets go on sale July 16.
The best thing I ate at the parks
The al pastor pork chop at Lamplight Lounge.
(Todd Martens / Los Angeles Times)
One of Disneyland’s best dishes is currently available at Disney California Adventure’s Lamplight Lounge, its Pixar-decorated pub-like outpost. It’s a sliced al pastor pork chop served with cheese polenta, pineapple relish and a spicy red chili butter sauce ($32). The pork is soft, the polenta creamy and it carries just enough heat to give it a bit of an edge. While filling, it’s surprisingly not too heavy, and Lamplight is always a lively spot to take a break from the parks. I only wish the place had a non-hazy IPA.
Your questions answered
Disneyland’s Sleeping Beauty Castle on a crowded 2019 day.
(Jay L. Clendenin / Los Angeles Times)
Hi Todd, we went to the park [Sunday] and it was empty: walk on to Cars, walk on to Indy. Thirty minutes for Guardians. Everything else was down to about 5 [minutes] besides Tiki Room because it’s a 15 min show. Are they struggling this summer? I haven’t seen a day like that at Disney since I was a kid. — Jake from Riverside
Disneyland has been unseasonably comfortable this summer (read: less people). And the Fourth of July holiday week was kind of a breeze, with low wait times at most attractions at both parks.
But I wouldn’t says struggling, as I have seen busy days in recent weeks and Sunday was particularly unique. Mexico and England were playing a much-buzzed-about World Cup match, which no doubt kept crowds at bay. But it’s true that Disneyland this summer has, on a whole, been more pleasant, crowd-wise, than in year’s past.
Ultimately, I attribute the potentially lighter attendance to a combination of factors. One, the park has likely hit the peak price it can currently offer guests (fingers crossed this is true, as I don’t think most Disneyland fans can absorb another yearly price hike right now). Two, the aforementioned World Cup is drawing away potential attendees. And three, everything is more expensive today, forcing families to choose between, say, an afternoon at Dodger Stadium or a day at Disneyland. It’s increasingly untenable to do both.
And people are hungry for different, approachable ticket options. Last week, for instance, Disneyland unveiled a new evening ticket deal for all guests. The $59 offer allows attendees to enter either Disney California Adventure at 5 p.m. or Disneyland at 7 p.m. Available Sundays to Wednesdays through Aug. 5, all dates sold out in six days, unless Disneyland allots more tickets for the deal.
Tell us your stories. Ask us your questions.
Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.
Ride on,
Todd Martens
P.S.
Universal Studios Hollywood first began exploring a high-speed coaster more than a decade ago.
(Todd Martens / Los Angeles Times)
Universal Studios Hollywood’s new Fast & Furious: Hollywood Drift is set to open soon, and while many are excited, I’m curious to hear from those who live near the theme park. Universal has emphasized how it has instituted a number of noise-mitigating factors, from placing pea gravel in the tracks to building sound walls and creating shields designed to capture rider screams.
Theme park rides, however, can still be loud. If you’re in one of the neighborhoods surrounding the park, drop a line at todd.martens@latimes.com and let me know if Universal’s efforts have been enough, or if the coaster is a disruptive presence.
Continuing my summer observations looking back at memorable moments in covering high school sports since 1976, you can’t find a better, more beloved action-packed night than Feb. 24, 2017, at USC’s Galen Center when you got to see two great high school basketball games for the price of one in the Southern Section Open Division semifinals.
Anyone who was there remembers the long lines to get in, the sold-out crowd and drama involving Sierra Canyon against Bishop Montgomery and Mater Dei against Chino Hills.
The critically acclaimed Australian crime drama is perfect for fans looking for a new binge-watch
Jennie Buzaglo Showbiz & TV Reporter and Angie Quinn Screen Time Reporter
23:03, 23 Jun 2026
Scott Ryan stars as hitman-for-hire Ray Shoesmith(Image: FX)
Crime drama fans hunting for their next must-watch should look no further than this critically acclaimed Australian series that has cultivated a loyal fanbase across the globe.
Created by and starring Scott Ryan, Mr. Inbetween is a dark comedy-crime drama that chronicles Ray Shoesmith, a contract killer who tries to juggle his perilous criminal existence with the mundane demands of fatherhood, relationships, and friendships.
Over three seasons, audiences follow Ray as he’s compelled to handle everything from underworld conflicts and domestic challenges to personal tragedy.
Mr. Inbetween originally broadcast on Fox Showcase from 2018 to 2021 and garnered widespread praise for its writing and acting.
The series also features Justin Rosniak, Brooke Satchwell, Nicholas Cassim, and Damon Herriman.
Despite spanning only across 26 episodes, Mr. Inbetween has established itself as one of the finest crime dramas in recent memory and has received praise from viewers.
One enthusiast wrote on Reddit: “Mr Inbetween is one of the greatest shows ever made. Believe me when I say this show really is a masterpiece”, reports the Express.
“The camera work is beautiful, so many brilliant shots which feel organic and clear, you are never confused at what you are looking at and it stays consistent since it is the same director every episode.”
They complimented the pacing as “fantastic”, adding: “The action is honestly one of the best showcases of special and practical effects on TV in terms of gun scenes.”
They continued: “The characters are what truly makes the show, every character is acted so well you really believe them and see them like a real person. They all have struggles and motivations that make you care for all of them.
“The dialogue is so well written, so many amazing jokes and threatening, gritty quotes which are extremely effective. One plot thread leads to another all while feeling like a day in the life story.”
The enthusiast concluded: “I can confidently say that this show is far better than any Australian movie or show ever made and can stand up to some of the greatest shows ever made. I implore you to please give this show the love it deserves.”
Another echoed their sentiment: “This show is truly a masterpiece. The acting is sublime, everything about it is unbelievably good and the use of some of Nick Cave’s music so perfectly placed that I think it’s the best show to come out of Australia.”
A third chimed in: “When I finished watching all 26 episodes I thought the same thing. Best show ever made.”
Another concurred: “Absolutely loved it. Best show I have seen since season 1 of true detective. The ending…THE ENDING! ! Magnificent.”
All three series of Mr Inbetween are available to stream now on Disney+.
The adaptation of a much-loved Jane Austen novel has long been hailed a classic so watching it at the outdoor cinema at Kew Gardens was truly magical
An outdoor screening of Pride and Prejudice
More than 25 years since its release, this adaptation of a beloved classic novel is still winning over new fans.
Hailed a film masterpiece and dubbed the greatest ever made by devoted fans, Pride and Prejudice, starring Keira Knightley and Matthew McFadyen, tells the story of Elizabeth Bennet and her Mr Darcy.
Based on Jane Austen’s novel of the same name, released in 1813, this timeless love story follows our couple as they go from sworn enemies to something far deeper.
Austen’s classic work was adapted for the big screen by Deborah Moggach and was directed by Oscar-winning director, Joe Wright, as his first film.
With a star-studded cast that also includes Donald Sutherland as heroin Elizabeth’s long-suffering father, Mr Bennet, and Brenda Blethyn as her meddling mother, Mrs Bennet, along with Rosamund Pike as older sister Jane, Carey Mulligan as Kitty and Tom Hollander as the ever annoying Mr Collins. Judi Dench’s appearance as Lady Catherine de Bourgh is one of the many highlights of the film.
Just imagine watching this masterpiece period drama in one of the most dramatic of settings – an outdoor cinema in the middle of the stunning Kew Gardens in London.
Fans and critics alike can’t get enough of the film and it has an impressive 90 percent approval rating on Rotten Tomatoes.
One critic said: “Between Wright’s magnetically captivating vision and the impeccable performances, Pride and Prejudice 2005 shines as a leading benchmark of a breathtaking adaptation, earning a rightful stamp of approval from countless longtime fans.”
While another wrote: “Wright embraces the tactility of touch, the energy of chaos, and the beauty of stolen glances. Regardless of which Austen is your favorite, it’s easy to fall in love with Wright’s visual feast of a movie.”
Meanwhile a third added: “With the earnest, yet simple depiction of love and the gorgeous, dreamy visuals, Joe Wright’s Pride & Prejudice remains an enduring classic.”
Fans also adore Pride and Prejudice with many describing it as the “greatest period drama ever made”.
One wrote: “Everything about this movie is perfect. The soundtrack and cinematography are truly incredible and I will always say that this is my favourite adaption of Jane Austen’s Pride and Prejudice. It has also been my comfort movie for the last 10 years of life.”
While another added: “This is the best movie I’ve ever seen!!! Beautiful cinematography, The acting is by far the best thing about this movie everyone had such amazing chemistry and understanding of their characters. This really captures the essence and the tone of Jane Austen.”
What better place to watch a beautiful classic film than in one of the most stunning settings in the country – outdoor cinema at Kew Gardens.
As part of a weekend long series of outdoor showings, which included Jurassic Park, The Gruffalo, Mamma Mia and Dirty Dancing, sitting surrounded by the greenery and calm of Kew was the perfect way to spend a sunny Sunday afternoon.
Run along with Adventure Cinemas, the weekend of movies was a sell-out success and it’s easy to see why. Enjoying a picnic, or even a tipple or two, while watching some of the most iconic cinema ever made in such a stunning and incredible location feels like something out of a dream.
While this year’s event is now complete, when tickers become available again, run don’t walk to the front of the queue.
For more information about upcoming events at Kew Botanical Gardens, visit the website.
He had a heart-tugging origin story that saw him transform from a has-been television star into one of the thousands of residents who lost their home in last year’s Palisades fire. He faced an unpopular incumbent in Mayor Karen Bass. He was powered by a vigorous social media presence and an angry electorate thirsty for change.
He was able to capitalize on those conditions to outraise his main rivals, Bass and city council member Nithya Raman, and transform his candidacy from an afterthought into a national story. Running as a Republican in a super-blue city like L.A. put him at an automatic disadvantage — one that might have been extremely difficult to overcome in the end. But the Pratt posse started to feel like a bona fide movement the more it thundered on, the type of revolt against the old guard that in previous eras led to the passage of Proposition 13 and the recall of Gov. Gray Davis — the type of movements that forever alter California politics.
Pratt, however, faced an apparently insurmountable obstacle.
Pratt.
With almost all votes counted, he’s going to finish in third place with about 26% of the electorate — the same slice Donald Trump received in 2024 — while Bass and Raman proceed to face each other in November. Political strategists will teach his failed attempt to their clients as a cautionary tale of how a candidate blew every advantage they had when they couldn’t afford to lose one.
Pratt’s first mistake was thinking that Angelenos wanted a campaign of wanton rage. Yes, many residents are furious at the state of the city. Yes, they want change. Yes, the angry Angeleno archetype is a real phenomenon that flares up in local elections to smack back at the powers that be.
But L.A. is not MAGAlandia — running from the right on apocalyptic, whiny messaging will only get you the few Republicans that remain in the city and some disaffected liberals. Pratt didn’t run as a MAGA candidate, but it’s hard to say he didn’t run like one — even as he swore he was running for everyone.
He took every opportunity to ridicule progressives in a city where four democratic socialists sit on the city council, one of them — Raman — has a good chance of becoming the next mayor, and five of the six candidates endorsed by the local chapter of the Democratic Socialists of America either won outright or are moving on to the general election.
Instead of making overtures to that side of the populist coin, Pratt recorded videos obsessing over Bass’ trip to communist Cuba in the 1970s, a well-known fact he treated as revelatory and which made Pratt sound like he was stuck in a John Birch Society meeting circa 1965. His dismissal of Raman as “stupid” and the mayor as “Basura” — trash — came off as facile juvenilia at a time when we already have the Big Juvenile Delinquent running things in the White House. Ridiculing homeless people as “zombies,” “vagrants” and “bums” only riled up the worst elements of the city and turned off anyone with a heart.
Keith Casey of Casey’s Family BBQ serves up food as L.A. mayoral candidate Spencer Pratt hosts a campaign “block party” event on 10th Avenue in Los Angeles on May 20.
(Robert Gauthier / Los Angeles Times)
Pratt undoubtedly attracted votes from a good amount of non-MAGA people fed up with various problems afflicting L.A. But many of the supporters who brayed the loudest on his behalf were the same people already doing daily propaganda on social media for a failed, hate-filled president and his baleful cronies.
Pratt acted like he believed the AI-generated videos created by fans that cast him as a comic-book hero was real life instead of forgetting that he was a novice trying to take on two experienced politicians. While Bass and Raman trekked across the city during the primary, Pratt limited his public appearances mostly to the Westside and random encounters with supporters he posted on social media. The few times he appeared outside those safe spaces came off as safari expeditions in a mysterious city the 42-year-old lifelong Angeleno obviously didn’t know.
Take the South L.A. block party he hosted last month. Instead of having something thoughtful to say about the state of Black L.A. or how its political leaders continue to neglect the region, all Pratt seemed to take away from that afternoon was that it was in the territory of the Rollin’ 60s Neighborhood Crips, a detail he shared ad nauseum on social media and to the press — as if kicking it with gang members would fix L.A. or gain him any votes or grant some kind of street cred.
That self-centered cluelessness ended up torpedoing Pratt’s best campaign moment. In the one debate he participated in, Pratt put Bass on the defensive, turned Raman into a tongue-tied mess, kept his answers sharp and relatable, and even earned the praise of the moderators. He should’ve demanded more gatherings like that to flex his mastery of television cameras, make his case to as many Angelenos as possible and showcase the self-proclaimed Pratt Daddy as someone willing to take on hard questions anytime, anyplace, from anyone.
Instead, Pratt declined an invite to their only other scheduled debate and never bothered with the forums civic groups across the city held in order for their members to hear from candidates. Instead, Pratt flew out to New York the week before election day to appear on Fox News.
Sticking to largely sycophantic media who lobbed softball questions hardened his ceiling. Pratt needed to proselytize — not preach to the choir.
The thing is, Pratt made some strong points about the inefficiencies of L.A.’s political status quo and the outrage that is having tens of thousands of people live on our streets. And there’s something appealing about an outsider crashing City Hall, which is way too beholden to sclerotic lifers who can be as clueless about what the city needs as Pratt turned out to be.
Instead, he platformed people who saw L.A. as a hellhole — or “shithole,” as Trump likes to call certain places. It was hard to see what some of Pratt’s loudest and most strident supporters actually thought was worth preserving in the city — but not why they felt he was their man.
In the wake of his loss, Pratt sure hasn’t push back against unfounded claims by too many of his followers and Trump, Vice President JD Vance and House Speaker Mike Johnson that Democrats somehow rigged the election against him. Quite the contrary, Pratt has insinuated on social media that they’re onto something.
That last point reinforces the ultimate reason Pratt could never become L.A.’s next mayor: He really doesn’t believe in L.A.
Angelenos don’t mind haters — it’s the type of city that frustrates residents even on its best days. But one insult residents won’t brook is someone who doesn’t have confidence in better days ahead for the city no matter how dire things may be.
Angelenos can spot a phony from far away — and Spencer, you’re turning out to be phonier than the fake drama on any of the television shows you ever appeared in.
You vowed to leave L.A. if you didn’t win the race for mayor. Maybe you should stay and try to righteously pressure Bass and Raman to make much needed changes. If you do, urge your followers to do the same instead of them pouting and sitting out the mayor’s race.
But if you don’t, well, maybe you never really loved L.A. as much as the City of Angels, warts and all, deserves. And you kind of need to really love L.A. to really fix what ails it.
A former world junior number one and three-time Grand Slam junior champion, Monfils, by his own admission, perhaps did not fully fulfil his potential in the senior ranks, but he insists his “bucket list is full”.
Over the course of his 23 seasons in professional tennis, he has won 13 ATP titles, reached at least the last eight at three of the four majors – Wimbledon is the exception – and achieved a career-high ranking of sixth in the world.
There were 38 wins over top-10 ranked players, including multiple victories over both Federer and Nadal, and two Davis Cup finals with France.
Such is his longevity, this was his 70th appearance in the main draw of a Grand Slam and 19th at the French Open. He holds the record for most Slam match wins by a male French player in the Open era, even if a major title has been elusive.
But Monfils will be best remembered for his on-court showmanship, athleticism and outrageous shot selection. His near physics-defying slides along the baseline and basketball-like hangtime before smashes have cemented his status as a fan favourite.
“I was never quite good enough to win a Grand Slam,” reflected Monfils before the French Open. “But maybe I won something more important than that – a tennis career I’m proud of.”
In a testament to his popularity on and off the court, the farewell festivities began last Thursday with a charity event on Philippe-Chatrier – fittingly named ‘Gael & Friends’ – featuring appearances from stars such as Jannik Sinner, Djokovic and Naomi Osaka, as well as fellow Frenchmen – both retired – Richard Gasquet and Jo-Wilfried Tsonga.
Gasquet was also in attendance for Monfils’ final bow against Gaston, as were French tennis royalty Mauresmo – the tournament director – and Henri Leconte.
The show boasted a stellar cast too, including Gavin and Stacey legends Ruth Jones, James Corden and Alison Steadman and Emmerdale stars Lisa Riley and Gaynor Faye, Alison Steadman. However, the programme – created and written by the late Kay Mellor – finished in 2005 before later being turned into a musical.
And it’s fair to say the programme – which was recently released on Netflix – was an instant hit and still to this day, receives rave reviews from viewers who are only just discovering it.
On Reddit, one person declared: “I loved it [Fat Friends]! It’s so refreshing to watch. Up there as one of the best shows from the noughties. The emotions and acting are also so believable I was not expecting it!”
A third penned: “I’m literally watching it now! Never watched it first time round, I’m really enjoying it. Great cast and the characters are super likeable. Great for a binge watch.”
But now, 21 years since it was last on screens, star and daughter of Kaye, Gaynor, has teased the programme could be making a comeback.
“I am trying to get it back on and trying to get a remake done. That’s what I am trying for now. I need everyone to get behind it and ask for it,” Gaynor said, on behalf of Zingo Bingo.
The former Emmerdale star added: “We have the scripts, we have the actors waiting to do it and it will be amazing. It’s one of those things where we just need people saying bring back Fat Friends and then we can bring it back.
“What she, my mum, brought to the attention of people, is that this is what used to happen. She did a lot of research into it, so it’s all based on the truth of what was happening at the time.”
Meanwhile talking about Fat Friends making its way into Netflix, Gaynor said she was “absolutely delighted”.
She added: “We’ve got the OG fans who originally watched it and loved it, but we’ve also got a whole new audience of young people, having watched it now too.
“Obviously for me, my mum’s show being on there and people watching, who might not have seen her other stuff, is massive, I’m so chuffed that people have got to see it again.”
