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Thirty-five years after his death, jazz giant Miles Davis, who would have turned 100 years old Tuesday, remains a truly larger-than-life figure in music and well beyond.

Still possessor of the biggest-selling jazz record in history, “Kind of Blue,” Davis casts a huge influence over the whole music world for his uncompromising artistic vision, constant evolution, style and more. Though he came from jazz, he may be the biggest rock star there ever was. Talk to any musician, regardless of genre, and they will tell you Davis defined swagger and cool. He had a vibe unlike that of anyone else.

In honor of Davis’ centennial, The Times spoke to an array of notable artists from all walks of music, some who knew and played with him, some fans of the man, but all agreed, Miles Davis was and is a singular force in music, an artist like no other in his vision, passion and feeling for the music. In short, there was only one Miles Davis.

‘A complete innovator’

Chuck D, rapper: I like Miles Davis and all the exterior aesthetics. I like the Blue Note album covers, Prestige album covers, his style, his way of life.

Cindy Blackman Santana and her husband Carlos Santana in 2019.

(Ethan Miller / Getty Images)

Cindy Blackman Santana, drummer: Stylistically, Miles was a complete innovator. I remember hearing him say that he didn’t play right if he wasn’t dressed right. That is completely something that inspires me as well, because it becomes not only what you’re putting out on your horn or your drums or your guitar or your piano, but it’s your whole being that is expressing this innovative approach to music and to life.

Bilal, singer: If you play the music you’ve got to look the part, and it was almost like he got into a movie role or something like that. But he was always into the clothes … It was almost like every era had a different outfit. But, yeah, I definitely take his style. The clothes make you feel a certain way to play that way. So that’s the vibe. You’ve got to have that character, that attitude.

Emmet Cohen, left, performs with Terence Blanchard at Lincoln Center in 2025.

(Slaven Vlasic / Getty Images for Find Your Light)

Emmet Cohen, pianist and composer: I think when you listen to Miles’ records you can really appreciate them all the way through and there’s something in there for all sides of humanity. Whether it was the Prestige records that he pumped out in a couple of days, or there was “Birth of the Cool,” he just knew how to assemble musicians and let them tell their stories. And the storytelling is really where I think the deepest connections are made. He was a rock star, but he had a story to tell. And that always comes first.

‘Always evolving’

Guitarist Lenny Kaye performs onstage at Carnegie Hall in 2023.

(Noam Galai / Getty Images for Tibet House US)

Lenny Kaye, guitarist: He started in the bebop era, with the immortals of that moment in time. But I always got the sense that he was looking for something else. He didn’t want to participate in the faster-than-light speed changes and virtuosity. So, I really respect the fact that when he moved into “Birth of the Cool,” he pulled it back so he could inject more of his human self into it. And over the years, he kept on doing that, “Sketches of Spain,” “Kind of Blue,” one of the most jazz friendly records of all time.

Flea, bassist: Every time Miles changed it up, he destroyed everything that came before. He is the ultimate artist, always evolving, always coming organically from the depths. His music is the warmest and the wildest.

Flea of the Red Hot Chili Peppers released a solo jazz album in March.

(Allen J. Schaben / Los Angeles Times)

Bilal: I really like his electric era, but I would say I keep discovering and rediscovering stuff from Miles that I’m just like, “Damn, man. It’s like it’s another artist because he went through so many different changes.” … The other day I found his “Sketches of Spain” record. I put it on. I was like, “This is crazy. I forgot he was into this too.”

Wyclef Jean, rapper: When you go through Miles’ whole catalog, you see you can have quiet days. You can have loud days. You can have explosive days. But the key is that consistency. And that discipline.

Kaye: I respect Miles. For me, he’s an artist that transcends the jazz genre. He’s so alert to the shifting moods of the culture, the directions of the music. And what I find fascinating about him is his ability to morph into new styles and to keep challenging himself. One thing about Miles is that he doesn’t repeat who he is.

Musician Ron Carter in 2011.

(Theo Wargo / Getty Images)

Ron Carter, bassist: We always thought that we were honored to have Miles hire us out of other guys who were available to him. The first few gigs, we had a couple of weeks up and down the West Coast, and everybody but Miles was trying to find out what the tunes were, what the changes were. I was just trying to do what I thought was necessary to make this guy think he hired the right guy and make the band sound good. … Whatever his method was, it was successful.

Ibrahim Maalouf, trumpeter: Quincy [Jones] always spoke about Miles not just as a genius, but as someone who knew when to move on. And that’s a lesson I still carry with me every day.

Kaye: In “Bitches Brew” he created the template for what would be jazz fusion and made rock ‘n’ roll an important part of his evolution. Just an artist who never stands still and that is what I personally respect and honor within his work. When he saw what an artist like Jimi Hendrix was doing, he thought, ‘Yeah, I know how to access that and not be Jimi Hendrix. I can be myself.’ He understood the tides of cultural transformation as much or better than most musicians of the 20th century.

Don Was performs onstage at Ryman Auditorium in Nashville in 2022.

(Jason Davis / Getty Images for Americana Music)

Don Was, musician and producer: In life, as exemplified by music, if you don’t change, you stagnate. And the thing about Miles that really stands out, I think, is that he was always willing to risk losing his audience in order to keep moving forward. He was courageous in every era, including eras when maybe courage wasn’t held at a premium.

‘More than that’

Maalouf: For me, as a trumpet player, of course, the musical influence; space, phrasing, silence, we can talk about this for hours. But I think that more than that, there’s an attitude.

Ibrahim Maalouf performs at the Paris 2024 Cultural Olympiad at L’Olympia on July 24, 2024, in Paris France.

(Julien M. Hekimian / Getty Images)

Trombone Shorty, musician: Miles has inspired me because of that attitude, ‘I’m going to do what I want.’ He was playing what he felt in whatever time period or whatever decade he was inspired by. He really embraced that tremendously. And that’s always the thing that I admire about him as a person and as a musician. Whatever the spirit is, he’s going to go with that. That’s what I always got from Miles.

Nas, rapper: With Miles it wasn’t just about the music he made, it was about how he carried himself as an artist and a pioneer. His impact on me personally is as much on a human level as it is on the artist level.

Trombone Shorty performs at the Anaheim Convention Center in 2015.

(Jesse Grant / Getty Images for NAMM)

Trombone Shorty: The swagger, he may have created the swag.

Vince Wilburn Jr., nephew and drummer, who now co-manages Davis’ estate: He liked to catch things, that’s why the tape kept continuously rolling, because he said it was songs inside of songs.

Carlos Santana, guitarist: “I recommend that people who never heard of Miles Davis, I’ll say start with “Kind of Blue,” then move on to “Bitches Brew.” Because the thing about Miles Davis is that he teaches people who have never meditated how to stop and be coherent about absoluteness. In one note, Miles can play absoluteness. One note for Miles, like Billie Holiday, like Cindy says, that’s enough to understand all the whys and all the reasons why it’s sacred to be alive.

Was: He probably changed the face of music more than anybody did, at least four or five times. Maybe more than that. It’s a combination of mastery and an unstoppable spirit of adventure that I think make him unique. Because he was absolutely a master of harmony, rhythm, of creating a vibe. Yet he loved upsetting the cart and I think went out of his way to create friction musically, within the band, to keep things stirred up constantly and make every day an adventure. It requires tremendous courage. But also, supreme excellence to do it on the level that he did with the level of musicians that he surrounded himself with. That’s another thing, too. He wasn’t just the most innovative man on the horn. His genius was also as a curator of human chemistry.”

‘Larger than life’

Musician Wyclef Jean performs in 2023.

(Christian Petersen / Getty Images)

Jean: The main thing that I learned from Miles at a very young age is just the braveness, you can’t be scared to just go. Going doesn’t just mean learning one part of it. It means learning the entire metrics. … When it comes to Miles, he’s just a complete teacher; even on how he sees art, how he sees shapes, and also there’s a whole part of Miles that’s tough love when it comes to it. So, all of that instills character.

Bilal: As an older musician, you could see all of the building blocks are in those records. If you take some of those records out, I don’t know where jazz would be. You can see the essential building blocks.

Izzy Escobar, singer: Miles Davis made jazz feel cinematic to me. When I listen to songs like “It Never Entered My Mind” or “Flamenco Sketches,” there’s mystery, romance, restraint and tension in every note. Nothing feels overdone, yet somehow it says everything. As a songwriter, that’s deeply inspiring because the best music doesn’t just sound good … it creates an entire world you can step into. I think that’s why his influence has lasted a century. His music still feels fearless, elegant and emotionally alive — all of which never go out of style.

Jorma Kaukonen, guitarist: I had always thought of jazz as somewhat of a haughty art form. Probably because at the time many of the time signatures and chordal progressions that Miles used were over the head of a young guitar player still functioning in the blues and folk idioms. … The growing rock and art movement in the Bay Area in that era taught us to eschew boundaries and labels, and it became possible to see similarities and possibilities with jazz music that would have gone previously unnoticed. Our harmonic tendencies were nowhere near as complex, but they were rapidly becoming more sophisticated thanks to our exposure to such great improvisers as Miles! Miles knew no boundaries.

Jean: One thing that I learned from Miles is someone can have the best technique. They could be moving around. But if you can dig and play from your soul, this instrument just becomes a vessel of sound and orbit, bro, it’s over. There’s a connection with the soul. And I wouldn’t be able to do that, bro, if I didn’t have people like Miles to really teach me how to hear.

Theo Croker plays trumpet the Kennedy Center in 2018.

(Paul Morigi / Getty Images for Thelonious Monk)

Theo Croker, trumpeter: He was definitely a larger-than-life figure. And it encourages me to be a larger-than-life figure. Growing up as a kid, we sit in a room all day and play trumpet for hours. You see somebody like Miles Davis and you’re like, “Wow, I can be a rock star.” Because I couldn’t sing, otherwise, you end up being a pop star, Prince, Michael Jackson and Stevie and all that. But Miles was that for the trumpet, of course. So, it’s so much bigger than music.

Musician Mia Doi Todd performing in 2012.

(Paul Redmond)

Mia Doi Todd, musician and singer: Miles Davis was such an outstanding band leader, bringing together a group of musicians and seeking to break the boundaries. That is what I look to him most for as a celestial mentor, being a band leader and creating those sonic landscapes. The records that I love most of his are from that electronic jazz fusion era, which weren’t his most popular at the time. I love “On the Corner.” I’m a person of mixed race, so the records that he was bringing together, all these different musical elements, those are the ones that I really admire … “I wish I could play in that band.”

Maalouf: There’s this idea that music is not about providing something. It’s about searching. It’s about staying alive artistically. I think that strength goes far beyond music, it’s really a message for all the musicians that we are. Never stay where people expect you to stay. Every time the audience thought they understood him, he changed direction. And I think that’s definitely one of the most inspiring parts of his musical life.

Was: I never met him. But he was a heroic figure to me as a teenager, very much in the same way that simultaneously, like Bob Dylan and the Rolling Stones were, or John Lennon was, or Allen Ginsberg was.

Bilal performs in New York City in 2023.

(Roy Rochlin / Getty Images)

Bilal: That [artistic vision] is a major influence that I take from Miles. … I always approach the music in that way where you got to do your own thing. You’ve got to have something to say, and you’ve got to want to evolve and always look for ways to grow and change and with the music. Miles was quintessential at that.

Trombone Shorty: To me, Miles Davis was a real rock star. It just wasn’t the sound. When he walked on stage … he looked the way that the music sounded to him. … And as he grew, he just really embraced everything that was coming to him, and he didn’t run away from it. He wanted to have his influence and also be tremendously influenced by things that were happening. He was just the coolest; when they say cool, Miles Davis has to be next to that word.

‘Playing within the language that he created’

Nas performs in New York City in 2018.

(Bennett Raglin / Getty Images for Jenn-Air)

Nas: I think Miles’ impact on every inch of music after him is the most impressive part. Musicians from every genre speak on his influence. It has no language or cultural barriers.

Jean: I would literally tell everybody to do a deep dive and start with early Miles, start from the bebop and the blues, don’t just go in. I started my daughter with “Birth of the Cool.” Now she’s vibing and slowly working her way up.

Musician Vince Wilburn Jr. in 2011.

(Theo Wargo / Getty Images)

Wilburn Jr.: Style, creativity, forever evolving, ever looking back, unapologetic. Lenny White used to say everybody wanted to live and be like Miles, all the musicians. You have Miles, and then you have everyone else.

Santana: Miles is what I call a sacred rascal, a divine rascal, a genius. When I’ve been in the room with Herbie [Hancock], Wayne [Shorter] and Tony [Williams], and the name Miles comes up, they all stop. It has such an impact on all of them to this day it shows that Miles is Da Vinci, Stravinsky, Picasso. Collect all the geniuses of this planet, and that’s what Miles is in one note. In one note, he reveals more because in one note, he teaches an individual how to hug infinity with emotions.

Kaye: I think of him as a lodestar for someone who wants to continually move music forward into the future because that’s what music is about. When you play music, you’re moving from one note to the next and creating the future of that piece. I just find Miles a fascinating creature of transformation. Miles, for all his artistic innovation, was a pop star.

Maalouf: Miles Davis’ legacy is not only a sound, it’s a mindset. He gave all of us the permission to be many people in one lifetime. It feels to me it’s the secret and he was generous enough to do it himself and show the world and especially the jazz world that is not always easy to please that someone can be many people in one lifetime. It’s not only true for music. It’s true for everything in life.

Cohen: He’s always on the cutting edge of the next thing and the next group of musicians that he finds. The story in that is that there’s constant change, constant evolution, and to find the thread throughout is kind of the meaning of life. And to play his music is the same thing. He created a language. So, when we play his music, we’re playing within the language that he created.

Was: “That’s why he’s that cat. He’s the most rebellious musician of all time, I think. He was the complete package man, no one more innovative or influential.

THIS stunning Irish island has rugged coastal walks, homemade goat’s cheese and some of the best wildlife spotting in the country.

Cape Clear Island lies just eight miles off the coast of West Cork and is Ireland’s most southerly inhabited Gaeltacht island.

Visitors can reach the remote spot by ferry from Baltimore, with the journey taking around 40 minutes.

The island is known for its sparkling waters, dramatic coastline and wildlife-filled seas, where dolphins, whales and basking sharks can often be spotted.

And once on land, visitors can explore walking trails, visit the famous goat farm or enjoy a pint and a bite to eat before catching the ferry home.

Ferry tickets to the remote island start at just €9 for children’s tickets.

Cape Clear Island is three miles long and one mile wide.

As a Gaeltacht island, the majority of people living there speak Irish, or Gaeilge.

Adult return tickets from Baltimore to Cape Clear cost €20, while children’s tickets cost €9.

There are also special family packages, including two adults and two children, for €50 return.

The island is a popular destination during the summer months with secondary school students looking to improve their Irish language skills on immersion courses.

The hillsides are covered in heather, gorse and other wildflowers, while the water sparkles beneath.

While on the ferry, passengers have a good chance of spotting wildlife beneath the waves.

Dolphins, basking sharks and even whales are known to frequent the waters surrounding Cape Clear.

From higher ground on the island, harmless basking sharks can often be seen lazily gliding through the waters close to shore.

And a number of companies provide boat tours specifically for dolphin and whale watching.

GOAT FARM

Once you’re on the island, there’s plenty to do to keep busy — including visiting the Cape Clear Goat Farm, or Cléire Goats.

The quaint farm was established in 1979 and is located near the Cape Clear Heritage Centre.

Visitors can meet the friendly goats and try delicious homemade goat’s cheese and ice cream.

And if visitors attend the farm between 10am and 12pm, they’ll get a chance to see the goats being milked.

There’s also the main heritage centre, the Fastnet Rock Lighthouse, which can be toured, and a world-renowned birdwatching observatory to visit.

There are also plenty of places to go for a paddle in the sea, or to kayak further out.

And on land, there are a number of walking routes that allow visitors to explore every inch of the island’s beauty.

FOOD AND ACCOMMODATION

Cape Clear has a small number of restaurants and bars that provide hearty meals and drinks.

There’s a farmers’ market every Sunday, a small grocery shop and a tourist shop.

Many people who visit the island choose to do a day trip, arriving on the ferry in the morning and leaving again in the evening.

But for those hoping to stay overnight, there are some accommodation options.

There are a few apartments, cottages and houses to rent.

There is also the Chléire Haven glamping site, which is a family-friendly camping site open from April to September.

There’s the Ard na Gaoithe B&B, which provides an early breakfast for guests and encourages Irish speaking.

There’s also Cape Clear Hostel.

Whew. Sigh. LeBron!

History eluded. Embarrassment avoided. Belief restored.

The most secure legacy played with the most desperation. The most creaky veteran played with the most aggression. The winningest superstar played like he had everything to lose.

Wow. Gasp. LeBron!

So it went at Houston’s Toyota Center on Friday night when the Lakers, just two losses from becoming the first team in NBA history to blow a three-games-to-none lead, blew away the Rockets 98-78 to win their first-round series four games to two.

It was a night that prevented possibly the greatest meltdown in NBA history. It was a night that celebrated possibly the greatest player in NBA history.

“Started with LeBron,” Marcus Smart said. “The OG came out.”

When the shorthanded Lakers needed him most, their ageless 41-year wonder indeed showed up huge, James fighting down the lane, throwing in from deep, finding teammates like the sizzling Rui Hachimura and the surging Austin Reaves, leading with his entire massive being.

James wasn’t going to be on the wrong side of history. He wasn’t going to further stain his sterling 42-13 close-out record. He wasn’t going to let his final season end so early.

Wait a minute, this is not his final season? Not a chance. Bury any lingering doubt. After watching him dominate the youngest starting five in these playoffs Friday, it is impossible to imagine he’s going to call it quits.

He scored a game-high 28 points while enduring a team-high 37 minutes. He had eight assists, seven rebounds and only three turnovers. He even played defense, as the Lakers were a game-best plus-26 when he was on the court.

His night ended with him appropriately surrounded in the locker room by teammates who were bleating like goats. Because he’s the, well, you know.

Lakers forward LeBron James shoots over Rockets forward Jabari Smith Jr. during the first half of Game 6.

(Ashley Landis / Associated Press)

“It speaks to his greatness,” Lakers coach JJ Redick said, and, yeah, somebody must be great if they can induce grown men to imitate farm animals. “To me he’s had the greatest career of any NBA player … for him to do it again and answer the bell again, it’s … baffling in some ways.”

From the frying pan to the fire, the Lakers now travel to Oklahoma City to face the defending champion Thunder in the Western Conference semifinals beginning Tuesday.

This could get real ugly, real quick.

The Lakers won’t have injured leading scorer Luka Doncic for the foreseeable future. They will be playing a Thunder team that drubbed them in the regular season, including a 43-point stomping just last month.

The Lakers don’t stand a chance. They’ll be lucky to avoid a sweep. They should quit while they’re ahead.

Which is exactly what everyone said about them before this Rockets series, before they took advantage of a Kevin Durant injury and Reaves’ return from injury, before they revealed a sense of focus and connection completely unexpected from this disjointed group.

Before James decided he wouldn’t let them lose.

“We had some obstacles obviously and I know they were without guys as well, but I thought we answered the call,” James said. “I thought we answered the challenge, and for them to allow me to lead them, that means a lot to me.”

Truly, lost in all the criticism over the last two Lakers losses was the truth that they never should have been in this position in the first place.

Consider this near miss one of James’ greatest postseason achievements. Consider his first playoff series win a huge endorsement for Redick as coach. Consider any positivity that comes from the Oklahoma City series as pure gravy.

Lakers forward LeBron James scores on an uncontested layup after blowing past the Rockets defense during the first half of Game 6.

(Ashley Landis / Associated Press)

“For us to be written off a few weeks ago and to win a playoff series is a big deal,” Redick said. “And it speaks to the character of our team and the leaders of our team that they didn’t let go of the rope.”

James led the Lakers to a five-point lead in the first quarter, then absolutely dominated with a 14-point second quarter in which he outscored the entire Rockets team and gave the Lakers an 18-point halftime lead that never was challenged.

See if you can follow along …

James hits a fallaway. Jake LaRavia races down for a layup. Smart draws a charge. James hits a three. James hits a spinning layup. LaRavia connects on a fastbreak jam. James sinks another layup.

For those breathlessly keeping score, the Lakers began that second quarter with a 9-0 run that, dating to the first quarter, was an incredible 21-2 smackdown. At one point the Rockets missed a dozen straight shots. At another point they were 0 for 15 in the quarter.

The Rockets momentarily stopped the bleeding with six consecutive points late in the half, but on James’ last-minute trey, the Lakers finished the quarter on a 7-0 run to take a 49-31 halftime lead.

”He just has this ability to set the tone for the entire group,” Redick said. “He did that again tonight and the guys responded.”

James scored on a jump shot just seconds into the third quarter and the rout continued. Houston, which made only six baskets in the quarter, mounted a bit of a surge late in it, but Smart ended any momentum by drawing his third charge of the night.

“I love charges,” Smart said. “They’re demoralizing.”

Redick angrily called a timeout with 6:28 remaining in the game after a defensive lapse with the Lakers leading by 19. James fittingly scored on a layup immediately after the timeout, and the game was formally finished.

The Lakers’ defense was astounding, holding the Rockets to 13 points below their season low. The Lakers’ rebounding was astonishing, nearly doubling the offensive rebounds of the NBA’s best offensive rebounding team.

The Lakers offensive collective also was cool, Hachimura hitting five of seven treys, Reaves scoring 15 points with three blocked shots, and Deandre Ayton finishing a fine series with 16 rebounds.

But this was about the OG, who noted that he is finally comfortable celebrating small victories and said, “I think we should be proud of the way we handled this.”

The way he handled this.

Bleat … bleat … bleat.