glam

LORENZO Alessi appears to have finally learned his lesson after making sure he liked Julia Majchrzak’s latest Instagram photo.

The Love Island winner was previously called out for “embarrassing” Julia by liking other women’s posts while ignoring hers.

But he now appears to be making up for lost time after liking a glamorous new snap of the 26-year-old posing in a black lace dress.

Lorenzo also commented: “All over my feed.”

However, not all fans were convinced by his latest display of affection, with some taking to the comments to tease him.

“Seriously?” wrote one, while another added: “You’re late, so late.”

row-mantic

Love Island’s Lorenzo snogs Julia after clashing over his likes for other girls

swiped off

Love Island’s Lorenzo FINALLY deletes dating app & Julia says she’s ‘humiliated’

Another cheekily tagged Lorenzo, writing: “@lorenzoxalessi, just tagging you in case you’re going to say it hasn’t popped up on your feed.”

A third said: “I understand you need time to figure it all out, and I genuinely hope you learn to love and treat her better as time goes on.”

Following their villa victory, Lorenzo was caught red-handed liking glamorous models’ pictures on social media.

In a joint interview last week, the Love Island winner defended his behaviour and confessed that he “didn’t think it would be picked up by the press”.

Speaking on Capital XTRA shortly after their “awkward” This Morning interview went viral, Julia said the whole furore was “not funny”.

She told the hosts: “Guys, this is not funny. He’s already embarrassed me online.

“He had no time to arrange a date in five days, but was sat in bed liking other girls’ Instagram pictures.”

Referring to her own posts, she added: “Did you even have time to like my photos? Guess what, guys, he’s not under my Instagram!”

Lorenzo later poked fun at the controversy by commenting “liked by Lorenzo” underneath Julia’s snaps.

IF I’ve learned one thing working in travel it’s this – you don’t need to drop a month’s wages on a five-star hotel to bag a five-star holiday.

In fact, some of the absolute best properties I’ve tracked down across Europe officially carry just three stars next to their name – despite thousands of guests rating them significantly higher than luxury resorts costing double the money.

The secret is simple: hotel star ratings aren’t customer review scores.

Stars are handed out based on rigid facility checklists – whether a property has a 24-hour concierge, three extra restaurants, a spa, or a lift.

They tell you nothing about whether the rooms are spotless, the breakfast is incredible, or the staff remember your coffee order by day two.

When I’m not lucky enough to be travelling in my day job, I spend my days buried in live price sheets and customer feedback – so here I’ve had a dig through my three-star database to find the absolute hidden gems, most of which I’ve sampled myself.

These aren’t sprawling mega resorts, but each one completely over-delivers for its price point.

Here are nine elite three-star properties where you can bag a week away from as little as £54 pp.

9. Yannis Hotel, Corfu

The Yannis Hotel sits among 15 acres of lush hillside gardens just above Ipsos, placing you a easy five-minute walk from the sand while keeping you away from the beachfront noise.

It officially holds three stars, but the overall footprint feels much higher end, featuring a pool deck that looks out across ancient olive groves toward the Ionian Sea – and guests rate it an impressive 4.2/5 on Tripadvisor.

You can lock in a seven-night stay here for two from £500pp, including direct flights from London Stansted on September 22 and breakfast each morning – working out at an absurd £71.43pp per night for flights, hotel, and food.

The standout feature for me at this place, weirdly, is their on-site organic vegetable patch. Trust me on this one, though.

The kitchen chef harvests fresh tomatoes, herbs, and figs directly from the hotel gardens every morning to serve up in the poolside Greek taverna, giving you proper, farm-to-table dining on a basic budget package.

8. Osiris Ibiza, Ibiza

If you assume San Antonio is wall-to-wall club noise and zero sleep, the Osiris will completely change your mind.

This family-run, adults-only gem sits quietly in San Antonio Bay right across from Es Pouet Beach.

Its minimalist white architecture and boutique pool terrace look far more high-end than budget, earning it a staggering 4.6/5 Tripadvisor rating.

I found a seven-night stay here from £525pp, with direct flights from Bristol on September 16 including breakfast. That breaks down to just £75pp per night.

The killer insider feature here though is the hotel’s private rooftop sunset deck.

While thousands of tourists fight for overcrowded, expensive seats at Café Mambo down the road, guests at the Osiris can bring their own drinks up to the hotel’s elevated terrace and watch the iconic Ibiza sunset in complete peace. Bliss.

7. Oykun Hotel, Turkey

The Oykun Hotel on Calis Beach is the exact kind of property people miss out on when they lazily filter their search engines to “four stars and above.”

On paper, it’s a straightforward Turkish hotel with two pools and a traditional hamam, but it boasts a massive 4.6/5 score across 900+ reviews because the family running it treats returning guests like gold.

I tracked down a week here from £435pp, including direct flights from London Gatwick on September 2 and daily breakfast, coming in at £62pp per night.

And at the Oykun you’re incredibly close to the local water taxi jetty – which is a bit of a gamechanger on a holiday here.

Rather than paying for hot, crowded buses into Fethiye, you can step straight out of the hotel gardens onto a wooden riverboat that cruises you across the bay directly into the historic Old Town for pocket change.

6. Zephyros Hotel, Santorini

Santorini is notorious for charging eye-watering prices for cliffside cave suites, but you don’t need an infinity pool to experience the island.

The Zephyros Hotel in Kamari is a gorgeous three-star property built in traditional Cycladic style, with whitewashed walls, blue shutters, and a central pool framed by palm trees – plus it holds a brilliant 4.6/5 Tripadvisor rating.

You can grab seven nights here from £380pp, with direct flights from London Gatwick on September 30 including breakfast.

At £54pp per night with flights, it really is an unbelievable value loophole.

At this hotel you can spend your days lounging on Kamari’s black-sand beach for pennies, then, to push the savings even further, you can even hop on the local 15-minute express bus straight up to Oia for the famous caldera views, completely bypassing the hotel tax.

5. Alfagar Village, Portugal

Alfagar Village is easily one of the hardest properties on this list to believe is rated three stars.

It sits on the cliffside above the Algarve coast, featuring direct, private steps carved into the red rock that lead straight down onto Santa Eulália Beach.

It holds a 4.3/5 rating from over 1,100 reviews, which is no mean feat in Portugal.

I clocked seven nights here from £505pp, including direct flights from London Stansted on September 30.

The deal is self-catering, but the apartments come with huge ocean-view balconies and full kitchen setups.

The real trick at this place though is that guests get complete, free access to the entire neighbouring 4-star Alfagar resort complex, meaning you can use their massive sports courts, heated indoor pools, and multi-lane waterpark flumes while paying basic three-star rates.

That’s a proper three-star-price for a four-star-holiday hack.

4. Dom Jose Beach Hotel, Portugal

The Dom Jose Beach Hotel sits directly on Quarteira’s paved seaside promenade, and is home to a sleek, contemporary pool deck that looks straight out over the Atlantic Ocean.

Inside, the rooms feature modern, high-spec design, helping it bag a near-perfect 4.7/5 rating on Tripadvisor. Seriously impressive.

You can lock in a seven-night stay from £655pp, including direct flights from Bristol on September 28 and daily breakfast.

While it sits at the higher end of this list at £94pp per night, it easily outperforms the £150-a-night chain hotels nearby.

Plus, when you see the hotel’s private, wooden deck built directly on the sand – equipped with reserved wind-screened loungers – you’ll see why it’s worth that little bit extra.

You can step straight off your breakfast terrace onto your private sunbed without ever dealing with public beach crowds.

3. Hotel Abrat, Ibiza

Occupying one of the best spots in Ibiza, Hotel Abrat is tucked away on the quieter, scenic northern edge of the resort near Caló des Moro beach.

Recent refurbs have left its sea-view pool deck looking like a gorgeous five-star property, backing up its strong 4.2/5 Tripadvisor score.

I found a seven-night stay here from £470pp, with direct flights from London Southend on September 30 including breakfast.

And the best thing, for me, about staying at the Abrat is the coastal walking path directly behind the gardens.

It runs along the rocky coastline to a series of pristine, hidden swimming coves where the water is crystal clear. A real hidden gem of a find.

2. Hotel Valentina, Malta

If you want a hotel that pulls off a flawless five-star impersonation, Hotel Valentina in St Julian’s is the answer.

This place features boujee, bold contemporary interiors and a stunning rooftop pool overlooking the city skyline.

Just take a look yourself and it’s easy to see exactly why it boasts a massive 4.7/5 Tripadvisor rating across 2,600+ reviews (one of the highest rating-to-ratings ratios in all of Europe!)

I spotted seven nights here from £510pp, including direct flights from London Stansted on September 25 on a room-only basis (£73pp per night).

But the secret weapon at the Valentina is its partnership with the high-end Avenue Restaurant next door.

Hotel guests get exclusive priority seating and discounts at one of the best dining spots in St Julian’s, giving you a boutique, luxury lifestyle package without the luxury price tag. Total hack.

1. Velamar Boutique Hotel, Portugal

Located in Olhos de Agua just on the outskirts of Albufeira, Velamar Boutique Hotel focuses on minimum guest numbers and maximum hospitality – which is why it tops the charts on my value scoreboard.

Its gardens, modern rooms, and peaceful outdoor pool create a calm, boutique feel geared toward couples – and it holds a fantastic 4.5/5 Tripadvisor score.

You can grab seven nights here from £425pp, including flights from London on September 22 with breakfast included (less than £61pp per night!)

The hotel even runs a seamless, direct connection down to the quieter Maria Luísa beach, allowing you to spend your days on one of the Algarve’s most beautiful, sheltered coves without ever having to worry about car parking or expensive taxis.

IF you want to live like an A-lister on your next holiday without paying eye-watering French Riviera prices, you’ll want to check out this Turkish hotspot.

Dubbed the St Tropez of Turkey, Bodrum delivers boutique beach clubs, yacht-packed marinas, and turquoise bays on a budget.

The best part? Holidays here can cost you hundreds of pounds less when compared to its French rival.

According to travel experts at First Choice, holidaymakers who swap St Tropez for Bodrum can save an impressive £440 per person on their trip, which is 43% cheaper.

This is based on comparing a seven-night, all inclusive stay at the four-star Bodrum Holiday Resort and Spa with a week-long stay at the four-star Hôtel Brin d’Azur in St Tropez.

While the St Tropez holiday would cost you £951pp, the Bodrum holiday would cost just £590pp.

Read more on Turkey holidays

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Turkey has crazy cheap all-inclusive holidays this summer – 7 nights from £329pp

And if you’re on a tighter budget, you can even bag yourself a break from £313pp with First Choice.

The holiday savings don’t stop when you land, either.

A three-course meal for two in Bodrum sets you back roughly €46 (£39) compared to €68 (£58) in St Tropez.

Local beers are also more than 50% cheaper, making going out for food and drink around one third cheaper overall.

Everything you’d be looking for in St Tropez – a glamorous waterfront, celeb-spotting, fancy bars and beach clubs – can also be found in Bodrum.

Famous figures including Kate Moss and even Royal Family members have been spotted strolling its glamorous streets.

Beyond the glam beach clubs and sunset cocktails, Bodrum packs in world-class history.

Visitors can explore the ruins of the Mausoleum at Halicarnassus, which is one of the Seven Wonders of the Ancient World.

Or you could wander medieval Bodrum Castle, built using stones salvaged from the ancient tomb itself.

Late summer and early autumn are prime times to visit for prices, temperatures and beating the crowds.

Average temperatures sit around a warm 29°C in September, meaning you can soak up the sunshine long after the peak summer rush has passed.

For the ultimate day trip, you can even tick off two countries in one holiday.

Daily ferries zip across the Aegean to the Greek island of Kos in under an hour for just €35 (£30) return – meaning you could eat your breakfast in Turkey and dinner in Greece.

Alternatively, hop aboard a traditional wooden boat at the harbour to sail around hidden coves and quiet swimming spots, giving you a taste of the glitzy sailing life for a fraction of the cost.

Prices correct at the time of publication.

Some people are still processing “Euphoria’s” evolution away from its roots as a gritty drama that explored highly mature and dark teenage experiences to, in its final season, a fever dream-esque look at adulthood that played like a full-blown neo-noir crime thriller. But another show’s creative transformation has taken the stage now.

The third season of AMC’s adaptation of Anne Rice’s “Interview With the Vampire” brings a reset to the captivating world of bloodsuckers. While the first two seasons adapt the original 1976 novel, relying heavily on the recollection of Louis de Pointe du Lac (Jacob Anderson) as he recounts his centuries-long life and romance with Lestat de Lioncourt (Sam Reid) to a journalist, the new season shifts narrative focus and perspective over to Lestat, who transforms into a charismatic frontman of a glam-rock band to publicly set the record straight. As such, the series has been retitled “The Vampire Lestat,” which is the name of Rice’s second novel. For this week’s Guest Spot, I spoke with showrunner Rolin Jones about the show’s rebranding and Reid’s commitment to the musical challenge.

Also in this week’s Screen Gab, TV critic Robert Lloyd steers us away from the usual streaming options to recommend a man’s video journal that documents his quest to travel the world by foot, while culture critic Mary McNamara suggests a new British comedy about codependent BFFs navigating the sort of tricky development that would end most friendships.

Speaking of endings to relationships, it was announced this week that “Doctor Who” showrunner Russell T Davies is exiting the series (again) seven months after Disney+ decided not to continue its partnership with the BBC to distribute the long-running sci-fi series. BBC also announced it will not air the show’s previously announced Christmas special this year. Lloyd, a longtime Whoverse follower, is a voice of calm through it all. He shares his thoughts on why the new questions swirling around the franchise don’t necessarily have to be cause for alarm — evolution is part of the show’s essence, he reminds us. Elsewhere in current events, if you’ve been curious (… sure, that’s the right word!) about the UFC Freedom 250 live event that will unfold in an oversize cage on the White House South Lawn in celebration of Trump’s 80th birthday and the country’s 250th anniversary — and will be streamed live on Paramount+ — check out our explainer about the controversy — and lawsuit — it has sparked.

Now if you’ll excuse me, I have another Matthew Rhys story to read so I can maintain my executive membership in the fan club. See you next week!

— Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

@AlexanderCampbellOfficial (YouTube)

In February 2023, Alexander Campbell, then 27, set out from Sydney to walk west around the world. Currently he is somewhere around Albania, having traversed, among other places, Bangladesh, Nepal, Pakistan, Kazakhstan, Turkey and Bulgaria. He’s been documenting his progress on camera all along the way, but it wasn’t until Day 938, in Georgia, that he began posting the longer, “uneventful” videos that make his channel such a singular, meditative, even hypnotic, form of vicarious travel. Walking alone to the sound of his own footsteps, through sun, rain, sleet, snow and dark of night, over mountains and deserts, through forests and fields, he becomes a character in a peripatetic, nearly one-man show. The occasionally encountered friendly local will warn him about wolves or bears or the hunters who might mistake him for one, though he meets more dogs than people. (He calls them all “Buddy,” warily.) Titles include “I Slept in a Barn Full of Stray Dogs,” “I Got Caught in a Snowstorm With Nowhere to Sleep” and “Something Was Out There in the Forest.”) — Robert Lloyd

Jemaine Clement, left, and Nicola Walker in “Alice and Steve.”

(Lara Cornell / Hulu)

“Alice and Steve” (Hulu, Disney+)

What would you do if your ex-turned-longtime bestie slept with your 26-year-old daughter? Well, Alice (“The Split’s” Nicola Walker) 100% loses her mind. Sure, during a drunken convo at a bar, she did tell Steve (“Flight of the Conchords’” Jemaine Clement) that he could have any woman he wanted, but she most certainly wasn’t talking about Izzy (Yali Topol Margalith). Having just returned home after breaking up with her boyfriend, Izzy decides that Steve, now bunking down on the sofa, is “strangely hot” enough for a little rebound sex and then a romantic relationship. And Steve, though initially regretful and more than a little shell-shocked, decides this is what he wants too. “I really like her,” he says by way of sheepish explanation. It leaves Alice no choice but to hilariously alternate between screaming and scheming as she tries to put a stop to the proceedings even at the expense of her marriage, her career, her friendship with Steve and her self-respect.

Clement’s sad-sack charm successfully boosts the leap of faith required to keep Steve from becoming an oblivious creep, but the show belongs to Walker. Her Alice becomes a blazing embodiment of the emotional maelstrom inside every woman who is expected to somehow put on a supportive, understanding face no matter how outrageous or impossible the situation. The laughs she elicits are exhalations of shock, recognition and relief. We can’t all ditch the high road for pure, luxurious fury, but it’s mighty fun to watch someone who does. — Mary McNamara

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Sam Reid as Lestat De Lioncourt in “The Vampire Lestat.”

(Sophie Giraud / AMC)

If you thought posting cryptic digs about an ex on your social media accounts as a way to cope with unresolved emotions was petty, this TV vampire may have you beat. The wild new, music-infused season of “The Vampire Lestat” (formerly “Interview With the Vampire”) revolves around Lestat de Lioncourt (Reid) on an elaborate mission to tell his side of the story after his ex-lover, Louis de Pointe du Lac (Anderson) published a scandalous memoir — with the help of journalist — that detailed their turbulent romance. In his bid to control the narrative, Lestat becomes an immortal glam rocker who launches a music tour and enlists the same journalist — newly turned into a vampire — to direct and film a music documentary about his life. The result is a flamboyant seven-episode season that blends rock-opera style performances (the season will feature 20 original songs) with personal reflections from its flashy frontman. As it enters its second week of release on AMC and AMC+, creator and showrunner Rolin Jones spoke over video call recently to discuss the show’s creative pivot and more. — Y.V.

To kick off the new season, there was an immersive premiere concert event at the historic Beacon Theatre in New York City earlier this month. Was that a surreal experience? Did you feel like a music manager?

I have a hard time talking about the work — the selling of the work, all that kind of stuff. I want to finish my edit, and then I want to like disappear at the Arctic. I knew we were doing this and I knew that there were like fans from all over the world flying in for it — some who didn’t have tickets. I knew there were people who had worked on the show from Seasons 1, 2, and 3 who got on a plane, asked for a ticket, and made a pilgrimage there. I was really moved by it. It was about as good as these things can ever be. It felt really beautiful. It felt like Vampire Church. It was pretty cool. And Sam — “surprising” is not the word because I’ve worked with him for a long time — was way better than he should have been. It’s incredible.

In this TV landscape, taking a show and giving it a new title as it enters its third season is a daring move. The series moves focus to the second book in Rice’s oeuvre. And while it continues the story of these characters, at the same time, it feels like a new show. What made you nervous about carrying out that kind of creative transformation? And what was thrilling about it?

We could start with a thrilling part because the idea to be able to go to the people who worked really hard and say, “Hey, let’s rebuild it” — that’s exciting. That part’s cool. The executing part about it is where the terror begins because most worthwhile art — you can call TV art — invariably has to have risk and danger involved in it, otherwise you’re probably performing a magic trick. No offense to magicians. But you want something that when you turn off the TV, you’re not immediately forgetting. The more risk you do, in terms of form, in terms of all that, you want to be able to feel like you can pull it off because, otherwise, they [the audience] have nothing to grasp onto. [And they say,] “You just destroyed this thing we love, how dare you!” But generally speaking, everybody — from the top of the network down to the actors who are doing it — was down for it. Mostly because, if you listen to our fandom, I think they demand it. They’re out there on a limb telling everybody “it’s the greatest TV show, and blah blah blah” and you have to deliver that for them so that they can continually confidently bombard all their friends and neighbors and say, “Watch the show.” There’s nobody who didn’t give everything [to this season]. It was a real collective leap together.

Sam undergoes quite the transformation to make this rock star vampire persona believable. What struck you about how he approached embodying Lestat this season?

I gained 20 pounds in Toronto, and that’s because I kept stuffing my face with bread, and about every three or four times I would have this big sloth of butter on bread, I’d go, “Poor Sam” because I know Sam had not touched a piece of bread. Let’s start there — 0% body fat, the dimensions on the waist. The level of dedication. He was living and breathing every second about the role and about the demands of it — sing songs, and not only sing songs, but go learn to be a musician, and go train with people who have been doing it their whole life so you can fake it. I feel very confident saying this: Anybody who watches this season and Sam’s performance will feel like, at the end, they saw one of the 10 greatest performances in the history of our medium. I think he absolutely disappeared. James Gandolfini did not sing songs, Swearengen [the “Deadwood” character played by Ian McShane] did not sing songs. Mr. White [the “Breaking Bad character played by Bryan Cranston] did not sing songs. I’ll put him [Sam] up against all of them. He’s incredible.

What if he wants to go off and be a rock star now?

He could do it.

Jacob Anderson as Louis De Pointe Du Lac in Season 3 of “The Vampire Lestat.”

(Sophie Giraud / AMC)

You have a rock band posing as vampires fronted by an actual vampire who is the focus of a documentary being directed by a vampire passing as a human. And for all this to work, the band has to be good. What was the challenge of making this fictional band’s stardom believable — the charisma, the presence on stage, the discography? It’s a tall order, in addition to making a compelling TV show.

Anytime you have seen these things, following a band, there’s so many ways it can fall flat. You can do three or four of the things you need to do, and if one of them falls apart, you’re still stuck there, going, “Eh.” We all, who are working on it, love music. We’ve all been in clubs. The first thing we did was remove the stardom for budget reasons, but also for singular storytelling — he decided to do rock ’n’ roll in the year 2025. Some basic building blocks, we need songs. So with [composer and songwriter] Daniel Hart, we bring him into the [writers’] room because it’s not only writing songs, but writing the context about when and where he’s [Reid] singing them. He has to be aware of what we’re doing in the room. We also have to be able to pivot when he has pure inspiration; he can come in with something we’ve never talked about, and go “Boom!” And it’s OK, now what do we do with this song? And quite often this year we restructured episodes because the song was beating our episode. [We had to] hire actors who can play or musicians that can act — and that’s not everybody, so that shrinks that down. Make sure when you’re in the club, or whether you’re singing the song in rehearsal, let us uglify it, embrace the mistake, make it a little dirty. We have a song this year that has some of the most beautiful orchestrations, but because of where it landed in the season and what it talked about, we ended up going with the most stripped down, bare version of it. Don’t worry, you’ll get to hear these beautiful orchestrations [at some point]. [It’s also thinking about] how do you carve out the time you need to shoot it and the playback elements of it, and what sacrifices you have to make on other set pieces that you would normally put in is a lot. But everything from the beginning was with one thing in mind: Do not suck. How can we suck less? Let’s not suck. And we just kept going over and over again with that.

At the end of the first episode we see Lestat reunited with his undead mom, Gabriella, who he has, I think it’s fair to say, an oddly intimate relationship with —

Multifaceted.

And obviously the Louis-Lestat romance is far from being over. What are you interested in exploring within those two dynamics, in particular, moving forward since they’re so central to Lestat?

It becomes immediately about him going, “Let me try to explain this … I might have just repelled 80% of you.” I’m really interested in the viewers who are really off-put by it. I want to see where they’re at by the end of Episode 7, if they trust us. And see what they’re feeling. I guess [some people feel], “Oh, you’re not allowed to do this in the TV world unless you got f— dragons and s—, but all the things that you would have thought [that the network might say], “Don’t do this,” we didn’t really have a lot of those obstacles. There was a lot of trust. The thing with the Lestat character is like it’s probably harder to cuddle up to him like you could Louis. Louis is a Faustian tale; here it’s like a Faustian tale but Elton John’s at the center of it. There’s a series of questions like “Why do you keep doing this to yourself? Why do you keep get trapped into these things?” It’s like going on odyssey, or as Jacob called it, an idiocy, with a character that is exotic and eccentric and contradictory. For us going forward, as we wrote it, every time we fell into the something that felt well-made or cool on a twist or turn level, we found we were very suspicious of it, and we were trying to make alien TV as best we could. So, what do I want? It’s less about exploring those two dynamics, although they’re richly part of this fabric. It was, how can you take them on a magic carpet ride, a very difficult one? The idea is to actually have, by the end, every single person recognize that part of themselves in him. And how can you normalize him over seven episodes? How can you deliver that to an audience?

I know you’ve been super–busy, but what’s the last thing you watched that you found yourself recommending to everyone or something that you were obsessed with right now?

A TV show I’m watching, one that I’m enjoying right now, is “Widow’s Bay” [Apple TV]— that has been very enjoyable. It’s so much fun.

Matthew Rhys’ facial expressions are so good.

Oh, he’s great, and that show just really knows what it is, and is joyfully silly, and has a great atmosphere. It’s one of the most beautifully shot things I’ve seen in a while. I’m not finished yet.

OK, before I let you go, I hope we get a concert out in L.A. at some point.

Wouldn’t that be nice? Where would you put it up? Echoplex?

Maybe the Troubadour.

What about the Greek? That would be nice.

ICYMI

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