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At the opening of “The Buddhist Bug” at the Vincent Price Art Museum on Saturday, guests will see a 328-foot-long orange insect. Its body will coil around the museum’s gallery, lobby and atrium, and poke through the walls. The bug’s head, covered in a hijab, will be in one room, and its feet, which some might be tempted to tickle, will be in another.

The creature is occupied and controlled by Anida Yoeu Ali, a Cambodian-born artist who lives in Tacoma, Wash. Ali’s numerous performance-based exhibits explore her Cambodian-American identity and Buddhist and Muslim religions. The bug is her “totally humorous take on hybridity.”

As the bug, Ali doesn’t speak. She mostly stands or kneels and makes facial expressions in reaction to her surroundings and passersby. But she likes to engage with visitors, who can either touch her elaborate garment, talk to her, take pictures of her or simply observe her.

Artist Anida Yoeu Ali’s exhibit, “Anida Yoeu Ali: The Buddhist Bug,” features a 328-foot-long performance installation at the Vincent Price Art Museum in Monterey Park.

(Ariana Drehsler / For The Times)

“I get a lot of people who ask for a photo or they’ll ask for a hug,” says Ali. “There’s so many stories that get whispered into my ear. A lot happens when you can hold someone’s attention with just your eyes. There’s a vulnerability that happens when you make eye-to-eye contact without any words involved.”

Ali likes to use expansive spaces and incorporate fabrics and textiles, whether it’s a red, sequin-covered chador or a tubular-looking worm made out of polyester, Lycra and spandex. Such things make the petite artist feel “taller and larger than life.”

Ali will appear in the suit for only two hours during the show’s first and last days. But for the rest of the exhibit’s run, the museum will display the bug in its entirety, in addition to sculpture, photographs and video that document how Ali has spent the last 15 years becoming her creature alter ego.

Born in Battambang, Ali, 52, is of mixed Malay, Khmer, Thai and Cham ethnicity, and was raised Muslim in a country that’s 96% Buddhist. She and her family left Cambodia in 1979 to escape the genocide committed by the brutal Khmer Rouge regime and settled in Chicago. Ali studied at the University of Illinois Urbana-Champaign and the Art Institute of Chicago. She’s currently a senior artist-in-residence at the University of Washington Bothell.

Director of the Vincent Price Art Museum Steven Wong and Executive Director Sonia Mak of Asian Arts Initiative.

(Ariana Drehsler / For The Times)

Ali conceived one of her best-known performance-based works, “The Red Chador,” in 2014 after relocating to Cambodia for a few years. She wanted to address the rise of Islamophobia in the wake of major events happening at the time, including France’s ban on facial coverings (the country had already banned the hijab years prior) and the terrorist attacks on the French satirical magazine Charlie Hebdo. Ali also wanted to confront the politicization of Muslim women’s dress and contradict the “imagery of Muslim women as joyless and depressed.”

“It was an opportunity to put on a chador, but one of my choosing and one of my designs,” Ali says. “It was to also honor the Muslim women in my background. My mother, grandmother, aunties and cousins all covered and did so joyfully. That was never an issue for them.”

Ali wore the red sequin chador in 15 cities, including at the Palais de Tokyo in Paris in 2015, where, during a 12-hour performance, she threatened to chop off 99 baguettes. The installation was meant to challenge Muslim stereotypes while making a subversive nod to the bread as a famous French symbol. “The Red Chador” also made a stop earlier this year at the W. Keith and Janet Kellogg University Art Gallery at Cal Poly Pomona.

“The Buddhist Bug” was created in 2011, a few years before “The Red Chador,” and inspired by the pervasiveness of the saffron-colored robes worn by monks in Cambodia. The piece not only drew on the color orange but was also influenced by a collapsible play tunnel she received as a gift after giving birth to her first child.

A photo titled “Into Dreamland, The Buddhist Bug, 2015,” (photographed by Masahiro Sugano), and featured at the Vincent Price Art Museum as part of the exhibit, “Anida Yoeu Ali: The Buddhist Bug.”

(Ariana Drehsler / For The Times)

Ali wears a hijab while in the suit and uses a second person, usually a model or intern, to provide the bug’s feet — though she insists that those are the “bug’s feet.” It’s a fun, childlike interpretation of the complexities of coming from two cultures and religions.

“I wanted to do something that was tapping into my diasporic identity or what I call the ‘diasporic dilemma,’” says Ali. “This notion of going back and forth and constantly feeling like you’re not enough in one country or one culture. The bug is the result of that. You look at it and it’s a big orange creature. But for me it’s more of a tunnel structure that can double as a bridge, an entity that can connect two points or two locations. That’s the poetic part of the project.”

Sonia Mak, who co-curated the exhibit at VPAM with museum director Steve Wong, invited Ali to show in L.A. after catching one of her performances at the Seattle Asian Art Museum in 2024.

Photographs in the installation — some taken by Ali’s husband, Masahiro Sugano — capture Ali dressed as the bug in cities all over the world. Some are placed on a sculpture resembling the Rub el Hizb, an Islamic star shaped like an octagram. The rest are mounted on the walls and show the bug in places like Battambang and the Cambodian capital, Phnom Penh, at a restaurant, in a classroom, on a boat and a bridge.

In one image, Ali rides in a bicycle carriage. In others she stands outside a mosque while kids play with the bug’s feet and sits in an abandoned movie theater, her tail wrapped around the seats. (Angelina Jolie, whose adopted son Maddox is from Cambodia, was recently photographed visiting these cinemas and is reportedly renovating the theaters.)

Ali envisions someday performing as the bug in the desert in the Middle East and maybe building a children’s public playground as a “fun manifestation” of the project.

“I come from a country with an awful, violent history,” she says. “I have a unique set of identities and perspectives that aren’t easily explainable, which is why I make art. I want people to think about how weird and strange the bug looks, but I want them to feel happy looking at the orange. I love it when the grotesque and the beautiful sit side by side. It makes for some magical artistic moments.”

There is no free lunch in the Big Ten.

But for UCLA defensive coordinator Colin Hitschler, that’s what makes it fun.

While Maryland has not compiled a winning conference record since 2010, UCLA will face one of the most refined pure passers in the Big Ten when the Bruins and Terrapins face off Saturday at SECU Stadium in College Park, Md. If the Bruins prevail, Bob Chesney will be the first UCLA head coach to start his tenure 4-0 since Henry Russell “Red” Sanders in 1949.

Maryland signal-caller Malik Washington is the fourth consecutive returning starting quarterback the Bruins have faced, with five left on the schedule, and his play could pose problems for the UCLA defense.

“You can’t leave any stones unturned because he can make all the throws, and he’s got the ability to extend plays with his feet or make plays with his feet,” Hitschler said.

While Washington tied for third in the conference last season in interceptions with nine, the signal-caller set school records for freshman completions and passing yards, throwing for 2,963 yards and 17 touchdowns.

With new Maryland offensive coordinator and quarterbacks coach Clint Trickett at the helm, the Terrapins’ quarterback has taken a leap in Year 2 running the offense.

Through three games, Washington has thrown for 892 yards and six touchdowns with no turnovers.

UCLA defenders bring down San Diego State running back Lucky Sutton at Rose Bowl on Sept. 12.

(Ronaldo Bolanos/Los Angeles Times)

“He’s an entirely different quarterback right now,” Chesney said. “He’s an exciting-to-watch player, and he’s got some legit dudes out at receiver right now that are phenomenal. The offensive line is stout. They’ve been playing together for a little while. There’s a lot of things that they do to protect him, and he has a chance to deliver footballs. He’s getting hit sometimes, and just flicking this ball out there. He has a giant arm, and he’s as accurate as can be.”

Washington has benefited from a revamped receiver group after Maryland ranked among the national leaders in drops last season. Maryland coach Mike Locksley added Chris Durr Jr. and Na’eem Abdul-Rahim Gladding, who have become Washington’s top targets.

“Na’eem can play inside, he can play outside. He’s got the ability to separate,” said Hitschler, who faced Gladding when he played for Old Dominion last season against James Madison. “He’s got the ability to run, great routes, get in and out of breaks, and he’s got great hands. And now he’s making plays in the return game too.”

Hitschler’s secondary will be challenged by Washington, who led the conference in pass attempts last season with 473 and leads the Big Ten thus far with 116.

Maryland’s reliance on the passing game could pose problems for a secondary that was picked apart by Purdue quarterback Ryan Browne last week and is still without free safety Tao Johnson.

“There’s obviously plays you would love to have back, obstacles that you overcame and throughout the game they improved and started to figure it out,” Hitschler said of the UCLA defense. “But at the same time, we can’t put ourselves behind the eight ball in moments and we have to execute at a higher level. This game’s fun because you have the opportunity to lose every week. If it was easy, it wouldn’t be fun.”

Offensively, the Bruins have the chance to build off their most productive game yet, scoring 52 points and accumulating 645 yards against the Boilermakers. But, UCLA will have to work to protect senior quarterback Nico Iamaleava, who was hit often and battled multiple injuries against Purdue.

Maryland edge rushers Zahir Mathis and Sidney Stewart combined for 13 sacks last season. And though Mathis was ruled because of an injury, the Terrapins can turn to five-star edge Zion Elee, the highest ranked recruiting prospect in program history.

Given Iamaleava’s fearlessness with his legs and the Terrapins’ effective pass rush, it may be difficult to keep the signal-caller on his feet.

It’s an exciting time for Southern California coaster fans. Universal Studios Hollywood is on the verge of officially opening Fast & Furious: Hollywood Drift, and Knott’s Berry Farm this summer unveiled the refurbished Montezooma: The Forbidden Fortress. Now Six Flags’ Magic Mountain is getting in on the coaster action.

Coming in 2027 to the Valencia park will be Thrill Glider, a first of its kind thrill ride designed by coaster manufacturer Vekoma exclusively for Magic Mountain.

Magic Mountain in a release describes Thrill Glider as introducing a new coaster category, one that combines a motorbike-like seating arrangement with suspended coaster technologies. Riders will board what the park is referring to “hoverbikes,” essentially bike vehicles designed to simulate a flying sensation by being suspended from the track. Riders will be seated in a prone, face-forward position that will hang from the track above.

Concept art for Thrill Glider, which will boast bike-like vehicles and a sci-fi backstory.

(Six Flags Magic Mountain)

The ride will feature 20 different coaster elements and is slated to last 80 seconds. Speeds will reach 50 mph, and the coaster will boast five inversions that will take guests upside down. The various inversions will include a barrel roll, a zero-g roll and an overbanked stall turn, hinting at a heavily twisted track that will create drifts and swinging. There will be at least 12 moments, Six Flags promises, in which riders will experience airtime lifts.

“It is the latest milestone in Six Flags Magic Mountain’s renaissance and a reflection of the park’s enduring role as an industry innovator,” said Brian Oerding, park president of Six Flags Magic Mountain in a release.

The ride will come with a heavy sci-fi-inspired narrative. The story: The ride is a new technology from a fictional inventor, Rebecca Silva, who will introduce guests in the waiting area to what is described as a “Futurist Pavilion.” Throughout the queue, riders will encounter “holographic presentations and scientific exhibits,” culminating in the discovery of a new energy source, detailed by illuminated blue energy lines, that will power the ride.

The goal, says Six Flags, is to provide an optimistic view of the future, albeit with many sudden dives and weightless moments. The ride will feature multiple launches, reach a height of 107 feet and traverse 3,380 feet of track, which is more than a half mile.

Concept art of Magic Mountain’s new Thrill Glider, which will reach a top height of 104 feet.

(Six Flags Magic Mountain)

A specific opening window has not been detailed, but the ride is currently under construction. It will be located on the former site of the Golden Bear Theatre and will overlook the recently refurbished kiddie area, Looney Tunes Land.

Thrill Glider is arriving at a moment when Six Flags has been garnering national attention. Magic Mountain’s X2 remains shut down while state safety officials continue an investigation involving the attraction.

The ride, first opened in 2002 as X, has been the subject of controversy and at least one high-profile lawsuit stemming from a 22-year-old man’s death. Six Flags bills the ride as “a right of passage for the ultimate daredevil” that goes up to 76 mph. A CNN report recently took a look at other, more recent injuries allegedly stemming from the attraction.

SAN DIEGO — As dusk approached San Diego’s seaside enclave of Ocean Beach, its Sunset Cliffs bustled on a recent Friday evening.

Two engaged couples posed for wedding photos in between joggers, dog walkers and sightseers who clamored around Osprey Street to enjoy the day’s majestic sunset.

It was a deceptively idyllic setting for what authorities say is continued lawbreaking and peril, which authorities just can’t seem to quash.

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The lawbreakers were gathered this day on a cliff and a nearby arch, a crowd of around 50 young people — 14- to 20-year-olds, mostly males. Buoyed by a youthful sense of invincibility, they dared one another to leap, waiting for another to move, like emperor penguin chicks before a first arctic plunge.

After a few minutes, there was a dive off the arch, followed by a cannonball from the next person, a backflip from a third and then other more spectacular and daring stunts from the flock.

The cliff divers, drawn to the thrills of the illicit jumps amplified by social media, reveled in dozens of leaps.

No one was injured that day, but that hasn’t always been the case.

People jump into the water at Sunset Cliffs. San Diego officials urge visitors to avoid jumping, but that doesn’t stop tourists and thrill-seekers.

At least three individuals were rescued after suffering injuries this summer at Sunset Cliffs, leading police to ramp up enforcement as locals debate the need for safety versus the merits of youthful rites of passage.

California dreaming

Back home in Iowa, Marcus English said he’d probably be hosting bonfires or hitting up local pools in mid- to late August. Instead, the 17-year-old was at the cliffs enjoying his last few days off before beginning his senior year of high school.

“There are some places to jump, some lakes in Iowa,” he said, “but nothing like this.”

English wangled a stop during a weeklong family trip to California that included national park visits to stop by Sunset Cliffs, which he saw on social media.

The vistas and cool breezes represented quintessential California to the Midwesterner, equal parts “what I saw on Instagram and a movie.”

English spread out his arms, squatted and then leaped before taking a roughly 15-foot plunge from the arch into the shallow waters. He jumped multiple times on consecutive days.

“It’s just so freeing,” he said of his leaps. “There’s nothing like it.”

‘Hopefully I can walk again’

Jumping happens at several places throughout the cliffs.

The most common launch point is from the arch, with drops ranging from 15 to 20 feet depending on the water level, said a San Diego Police Department spokesperson.

The more exotic and dangerous plunges happen from the adjacent cliffs, with youngsters jumping from 20 to 40 feet, and some as much as 50 feet.

What makes the latter leap more treacherous is a rock ledge that juts out about 10 to 15 feet from the cliffs. Jumpers have little room to run and gain momentum (unlike at the arch) and must clear that formation before hitting the water.

This summer’s safety debate reached a fever pitch in late July. A 17-year-old jumper, according to social media footage, struck the ledge with his backside and crashed into the water.

The incident was covered extensively by San Diego media and resulted in increased policing near the bluffs.

For his part, the unnamed 17-year-old said in a since-deleted social media post that he suffered six fractured vertebrae and a badly bruised tailbone and needed nine stitches in his foot. The Times could not independently reach him.

Spectators watch people jump into the water from the arch at Sunset Cliffs.

“For everyone who wants to tell me I’m an idiot for doing that, trust me, I’m aware,” he said. “Hopefully I can walk again, but I’m just trying to take it slow.”

Sunset Cliffs have attracted visitors and tragedies

Injuries and deaths from jumping at the cliffs date to the 19th century, San Diego Reader noted earlier this year.

A schoolboy named Waldham slipped off the cliffs after a scrum with friends and broke his arm in 1881. One of the earliest deaths came in 1926, when a 3-year-old wandered from his home on Narragansett Avenue and fell to his demise.

Police and lifeguards were unsure as to the most recent jumping fatality, with one official pointing to the 2019 death of 15-year-old Anthony Womack, a National City resident.

The Sweetwater High School sophomore was reported to have jumped from nearby Pappy’s Point after skipping school with friends.

Brook Hjelm, the mother of 23-year-old Brian Wilson, who died swimming at Sunset Cliffs in 2015, told the local CBS station she would like to see photos of those who had died posted along with danger signs in the area. “Put signs up of our young men and women that we lost,” Hjelm said. “Let them see the face of something that associates them with what truly is at stake.”

Tracking the action

Attention surrounding Sunset Cliffs injuries ebbs and flows much like the current, according to Frank Gormlie, a longtime San Diego County resident who tracked incidents more than a decade ago.

Gormlie, the founder and editor of Ocean Beach’s online newspaper, OB Rag, scoured media archives and spoke with residents.

He published a list in his October 2015 article “Death and Distress at Sunset Cliffs – 2005 to 2015,” which he described as “incomplete” because of unreported incidents.

“It had gotten so bad that I wanted to chronicle what was going on,” Gormlie said.

His research documented 11 deaths and dozens of injuries during that time span. Those statistics came from jumps, along with vehicular, climbing and health incidents.

Some incidents had little to do with jumping, such a surfer smashing into the rocks. But a 43-year-old woman slipped and fell to her death in 2015, while two jumpers needed crane-assisted rescues after suffering serious injuries, according to Gormlie.

The Sunset Cliffs siren’s song

“People have been visiting the Sunset Cliffs for years because it has a beauty that shocks,” Gormlie said. “But I think social media has found its way to the next generation of adventure seekers who don’t know about the dangers.”

The Sunset Cliffs area is Instagram-ready, and social media has drawn some visitors looking to brave the leap.

Gormlie said swimming and diving are local rites of passage. He noted that Ocean Beach residents commonly “shoot the OB pier” — surfing under that the town’s pier — a risky stunt that Gormlie did as an 18-year-old before shipping off for college.

Gormlie jumped from the cliffs in 2014, shortly after turning 65.

He wrote about his experience through an anonymous post, saying he “did it for all those guys and women my age who drive by every day and secretly wish they could jump off too.”

“It’s irresistible,” he said of jumping.

Police and lifeguard efforts

The teen’s accident in July was one of three incidents and subsequent rescues over a 15-day period, according to the San Diego Union Tribune.

All rescues involved San Diego Fire-Rescue Department lifeguards and personnel. The department shares jurisdiction of Sunset Cliffs with the San Diego Police Department and rangers with the city Department of Parks and Recreation, said Candace Hadley, Fire-Rescue public information officer.

Hadley wanted to remind potential jumpers that the act of leaping from the cliffs violates a San Diego municipal code and could result in fines of $100 or more. Frequent fliers could be smacked with $1,000 fines.

“Cliff jumping isn’t just illegal in San Diego, it’s extremely dangerous,” Hadley said. “One misstep could lead to a life-altering injury or worse.”

Her office tends to offer education on the dangers of jumping, she said, while San Diego police dealout penalties.

The problem of jumpers at Sunset Cliffs has been part of achallenging summer for the lifeguards, who have made 5,480 rescues across the 17 miles of San Diego coastline they patrol from June 1 to Sept. 1. Extreme heat has driven more people to the beach, and high surf fueled by Pacific tropical storms has added to the dangers.

The rescues have mostly been of swimmers not properly judging the strong currents. In a normal year, Hadley said, the lifeguards make about 7,500 to 8,000 rescues.

Sgt. Saum Poorsaleh, San Diego police public information officer, said his department had issued more than 50 citations at Sunset Cliffs and dispensed about 350 warnings, written and oral, since mid-June.

But he said the department is short-handed, and increasing enforcement permanently is not feasible.

“There are warning signs all over the cliffs noting the dangers, but people still jump,” Poorsaleh said. “Mix in social media — which is drawing in tourists from all over the country — and a young person’s feeling of invincibility and there’s a chance for trouble.”

Visitors have been jumping at the Ocean Beach location for decades. One local said he jumped after turning 65, calling it “irresistible.”

San Diego City Councilmember Jennifer Campbell, who represents Ocean Beach, recently issued a statement reminding visitors “to prioritize safety and not jump from the cliffs.”

“The cliffs can be unpredictable,” she said, “and changing tides, strong currents, rough surf, and hidden rocks can quickly create life-threatening conditions.”

A longtime local tradition

Lyne Miller has lived all her life in Ocean Beach, where saltwater runs in locals’ veins and it’s not uncommon to see residents toting surfboard as they ride a bike or golf cart to the beach.

From a young age, Miller, 80, said she promised her mom that she “would never jump.”

Miller says the number of teens arriving at the beach, likely driven by social media, “is more than ever.”

But she acknowledged that locals had been jumping at Sunset Cliffs since at least the 1950s in surf-centric Ocean Beach.

“This is a playground for those who love the water, who love the ocean,” she said. “I hope if there’s a crackdown on jumping, it’s not harsh.

“I don’t necessarily feel negative about the jumpers,” she added. “I just wish they would be smarter and jump from safer spots at better times.”