finding

On paper, Lauren Meyering’s debut feature “Horsegirls” sounds like it was made in a 2000s indie movie lab: It features a quirky heroine with a unique hobby, a loved one with a devastating illness and the formation of an unlikely community that rallies around our protagonist and her dream. But surprise — the events of “Horsegirls” are inspired by a true story, one close to Meyering, who based the film on her family friends Mackenzie and Sandra Breeden. Sometimes real life can be the realest indie movie of all.

“Horsegirls” might read on paper as too sickly sweet, but Meyering’s thoughtful direction and star Lillian Carrier’s performance keep it from tipping too far in that direction. Carrier stars as Margarita, a young woman with autism who lives with her cancer-stricken mother, Sandy (Gretchen Mol). The pair are inseparable, with Margarita accompanying her mother to chemotherapy treatments and their own special celebration rituals involving karaoke and sharing combo platters.

Sandy desperately wants Margarita to get a job but her first steps toward independence come when she spies a hobby horse rehearsal and becomes fixated on joining. If you’re unfamiliar with hobby horsing, it’s a sport originating from Finland that’s growing in popularity. It involves a choreographed routine involving elements of gymnastics and traditional dressage performed while using a “hobby horse” — a stuffed horse head on a stick.

For Margarita, who loves horses but isn’t allowed to interact with them due to her mother’s safety fears, it seems the perfect solution, and she persists despite the clique-ish mean girl behavior from some of the younger participants. The coach (Jerod Haynes) sees her determination and encourages her participation, so she gets a job at a Halloween store to pay for it but keeps it a secret from Sandy. As it turns out, both mother and daughter are keeping secrets from each other.

While the plot unfolds in a fairly predictable manner, it’s the character of Margarita who keeps us on our toes. Carrier, who also has autism, brings an inherent authenticity to the role as well as a sense of good humor that draws people to Margarita, a character who always says what’s on her mind, whether or not it’s polite or appropriate. But her refreshing honesty is what people respond to, and both she and Sandy know she’s going to need people in the not-so-distant future.

Meyering carefully threads the themes of parental concern and young adult independence throughout her screenplay. The anxieties are universal — any parent wants to feel assured that their child is going to be OK when they’re gone; any child wants to prove that they’re capable and free to do what they want. Characters like Margarita’s store manager Hank (Iqbal Theba) prove that strangers can “get” Margarita just as she is, without her mother’s interference or interpretation, even if it takes some time for Sandy to understand that.

Meyering and cinematographer Natalie Kingston create a naturalistic and often dark look, though “Horsegirls” is beautifully shot. The distinctive photography sets it apart cinematically from other films in this genre — just like Margarita herself, who visually stands out from the other girls.

This is a simple story executed with singular panache, and while “Horsegirls” follows expected narrative beats, it’s in the moments of surprise that it works best, often thanks to Carrier and her straightforward line deliveries, which help the tone pop. The film is a reminder that conformity is never compulsory, and that putting yourself out there is the only way to find out who’s ready to catch you.

Katie Walsh is a Tribune News Service film critic.

Guests on Channel 4 programme Four in a Bed were horrified by what they found.

Welsh Four in a Bed contestants have voiced their frustration after receiving less than the full amount on the Channel 4 show after their guests were left horrified.

In a repeat episode broadcast on Saturday, June 27, the proprietors of Tin Can Retreat in Ceredigion, Stuart and Amy, found themselves on the defensive against their rivals.

The married pair had hoped to offer their guests a taste of vintage Americana at their distinctive property, but faced criticism over cleanliness concerns.

Shortly after settling in for the night, Newquay hotel owners Oleg and Emma, Devon glampsite owners Mandy and Elly, and Devon country pub owners Steve and Mandy raised their objections.

They uncovered what appeared to be mould in the fridge, “minging” dirt, dead flies behind the sink, and even “dog hair in the fridge”. Guests also found dust and water along the windowsills, while the toilets had been left uncleaned, reports Wales Online.

Consequently, Stuart and Amy received poor scores for the cleanliness of Tin Can Retreat, prompting him to remark: “Dagger to the heart, that is.”

On payment day, Stuart and Amy faced their critics, and discovered they had been underpaid by all three other teams.

They first heard from Mandy and Elly, who complained about a smell from the diesel heater, leaving them “complaining of a headache and feeling nauseous”.

Stuart insisted the accommodation had been fitted with a carbon monoxide detector, defending: “I just have to disagree with you… I’m not wrong.”

They then heard from Steve and Mandy, after receiving a “massively disappointing” score of four for cleanliness from them.

“We did find a lot of uncleanliness, we opened up the fridge and there was lots of mould in the seal, and the window sills had a lot of dirt and mould in them,” Mandy explained. “In our bedroom, there was water, the whole place felt quite grubby.”

Emma stepped in to add: “Mandy said grubby but to me it was a little bit beyond that, it was not of a standard that I would be comfortable to ever charge people.”

She went on: “I lifted the lid on the toilet seat and there was lots of crusty residue, it’s not something that’s just been missed. There was actual dirt in lots and lots of places.”

Mother-daughter duo Mandy and Elly added: “For us unfortunately, much the same. There was quite a lot of dog hair left around, our fridge was mouldy in the seals and the side.”

Stuart replied: “That’s obviously very difficult for us to hear and we are quite shocked by it. We’re not a new business, we’ve been operating for over two years and this is new news coming to light. We need to go back and work out where it’s going wrong. We needed that reality check on the cleanliness.”

He later added to the camera: “This afternoon for us was hard to take but we’re going to go away now, collate all those comments and we’ll absolutely be implementing fixes for everything that was found.”

The couple discovered they had been underpaid a total of £74 by the three teams, due to the issues raised on payment day.

And though they accepted all three payments, they admitted the money they received from Steve and Mandy was “harsh”.

“We thought the £50 underpayment from Mandy and Steve was harsh,” Stuart admitted. “We offer great value for money, although there were some cleanliness issues, I don’t think they found anything major.”

Mandy meanwhile admitted she knew the result would come as a “shock” but insisted it was “justified”.

After the feedback, and a result which saw Stuart and Amy’s Tin Can Retreat come in last place, Stuart shared: “We’re gutted we came in fourth position, I think we knew it was coming.

“We’ve obviously got some issues we need to immediately address which we will do, and then let’s see what the future holds, maybe some more sites.”

Four in a Bed is available to watch on Channel 4.

Joe Swash says discovering family history has made him complete after taking part in Who Do You think You Are? for the BBC

Joe Swash says he feels “galvanised” after learning about the Italian roots of his family. The actor and husband of Stacey Solomon appears on Who Do You Think You Are? hoping to learn more about his family tree.

Former EastEnders star Joe, 44, tells the programme he lost his own dad Ricky when he was aged 39 and Joe was just 12 which had a big impact on his upbringing.

He explained: “My house was full of life and life. And then, when my dad died, for a long time, it was a house full of sadness and grief. So, you know, a lot of the time it was just trying to get through that period. Growing up in London, I was quite vulnerable, not having a father figure, and I had dyslexia and ADHD that wasn’t diagnosed, so I do struggle when I read something, and a lot of the time I was misunderstood as being quite naughty and mischievous.”

Joe says thanks to some “strong women” in his life he stayed on track, and that he feels like he has got some “Italian traits” including wearing his heart on his sleeve. His mum Kiffy tells him that on his father’s side his great grandmother’s part of the family tree were Italian.

At this stage Joe doesn’t know anything beyond his grandad Charlie but his parents were Joe’s great grandad also called Charlie Swash and Maria Raimo. A 1921 marriage certificate shows Maria living at home in Lox Gardens in London with her parents, Giuseppe, Italian for Joseph, and Rosa, Joe’s great great grandparents.

Joe’s great great grandfather Guiseppe Raimo moved from Italy to London and worked his way up from a street performer in poor living conditions to a job crafting Street pianos. He also spoke alongside Sylvia Pankhurst in 1923 at a Communist Workers’ Movement meeting in London. A letter in his name was published in weekly newspaper The Worker’s Dreadnought, condemning the brutality of the fascist regime.

Historian Alfio Bernabei said: “Giuseppe wasn’t simply attending the meeting, he was actually speaking alongside Sylvia Pankhurst. He could see what was going on, he was following events in Italy, and everything was leading towards a catastrophe. Giuseppe would have run terrible risks had he been in Italy, and he was running terrible risks in London.”

Hearing this detail, Joe said: “It really does fill me with a great, great deal of pride to think that he was struggling through life anyway, being Italian, living where they were living, but he still was concerned about what was happening in the world and fascism, so he must have been a man with great moral compass, someone that really stood by what he thought.

“I had so much pride when I found out about him. The journey he went on, the morals and the things he stood up for, the people he rubbed shoulders with, and the way he got out and worked through poverty to make himself and make his family’s life better, just shows real tenacity. Learning about his speech was emotional, it was a total surprise. I think in that moment I felt really close to my relatives, to Giuseppe. It was such a lovely thing to find out.”

Joe also goes to Naples and traces his ancestors back to his five times great grandfather Donato who was born in 1762 and was living in the now largely abandoned but picturesque mountainous town of Senerchia. The family were peasant farmers but did have a brush with crime after being wrongly linked to the Italian brigands in 1867 during the Italian rebellion.

Back in the present day Joe also finds a ‘Raimo bar’ nearby to Senerchia, and is delighted the family name lives on in Italy. Reflecting on everything, Joe said: “For a lot of my life, I’ve never really known who I am, what I am, where my roots are. I don’t know if that’s due to losing my dad at a young age, but being on his journey, it really has sort of like galvanised who I am, where I’m from, the people that made me, how strong they are, they never give up. Hopefully a bit of that tenacity has come down the line to me.”

He added: “I think what I’ll carry with me from this experience is just the importance of where you come from and knowing who you are. As well as the things that I found out about my relatives, especially about Giuseppe. Traits and things from them that I hope I have as well, or that I’d like to introduce into my life, you know. It just made me feel a lot more attached to my heritage, which I’ve never really felt attached to. I very much knew nothing about it before, but after this journey, I feel like I’m part of something.”

* Who Do You Think You Are? With Joe Swash airs on BBC1 at 9pm on Tuesday June 9. The series is available to stream on BBC iPlayer.

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