Festivals and Music Tours

MOVE over revenge dressing . . .  the new celebrity break-up power move is a revenge campaign.

Maya Jama, who has just split from Manchester City defender Ruben Dias, shared her sexiest looks yet for Agent Provocateur.

She is not the only one turning heartbreak into a big-brand deal.

From multi-million-pound ads to career switches designed to overshadow an ex, the new rule of uncoupling is success.

Celebrity publicist Emma Bunning says: “We’re seeing stars turn break-ups into business opportunities, launching new ventures, signing major partnerships and embarking on career blitzes just as their personal lives hit the headlines.

“It’s savvy PR because it shifts the narrative from heartbreak to success.”

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Here, Yasmin Harisha takes a look at the other celebrities telling us they are thriving after a split.

Maya Jama

AGE: 31

SPLIT FROM: Ruben Dias

Sizzled as she modelled swimwear for Agent Provocateur after her split from the Portuguese footballer last month.

The presenter’s deal with the sexy-yet-sophisticated brand is bound to bolster her bank balance even further.

Her career move comes hot on the heels of fronting the new Love Island series, which kicked off last night, and her upcoming gig on Celebrity Traitors – together bolstering her net worth of £2million.

Miley Cyrus

AGE: 33

SPLIT FROM: Liam Hemsworth

POP rebel Miley turned her 2020 divorce from the Hunger Games actor, 36, into a Grammy-winning, multi-million-pound empire.

After releasing anthem Flowers on Liam’s birthday in 2023, it became the fastest song in Spotify history to surpass one billion streams.

And she celebrated the track reaching No1, and pushing her net worth to an estimated £118million, by sharing a sexy bikini shot.

Bella Hadid

AGE: 29

SPLIT FROM: Adan Banuelos

The model parted ways with the 37-year-old cowboy in January after two years.

She threw herself into promoting her perfume brand Orebella and filming FX science-fiction series The Beauty.

It is a classic business move for Bella, who is one of the world’s highest-paid models and rakes in millions a year.

She also capitalised on her 2017 split from singer The Weeknd by modelling for the Victoria’s Secret campaign.

Sabrina Carpenter

AGE: 27

SPLIT FROM: Barry Keoghan

THE pop pixie hit the campaign trail following her split from actor Barry Keoghan, 33, in December 2024, after a year together.

First up was her massive Netflix holiday special, A Nonsense Christmas, wearing a black and white vintage Chanel ensemble.

Then, in April last year, the singer showed off her curves in Versace’s La Vacanza campaign cementing a total fortune that has skyrocketed to an estimated £16million.

Nicole Kidman

AGE: 58

SPLIT FROM: Tom Cruise

HOLLYWOOD icon Nicole, who also divorced Keith Urban, 58, in January, gave us the ultimate blueprint for post-split success following her 2001 divorce from Tom Cruise after 11 years.

Nicole launched a relentless solo career that culminated in her winning an Oscar for The Hours in 2003 and bagging a record-breaking multi-million-pound deal as the face of Chanel No.5, which paid her £500,000 per minute for a single commercial.

Khloe Kardashian

AGE: 41

SPLIT FROM: Lamar Odom

When it comes to turning a messy split into a business empire, we certainly have to hand it to Khloe.

Following her highly publicised divorce from the former NBA player in December 2016, Khloe stepped out in skin-tight dresses for her E! series Revenge Body in 2017.

Since then, she has stripped down for her fashion brand Good American, swelling her worth to £44million.

Lily Allen

AGE: 41

SPLIT FROM: David Harbour

SINGER Lily put her career centre stage following her split from her Stranger Things husband, David, 51, after four years of marriage.

Launching her highly anticipated comeback in October 2025, just one month after she filed for divorce, Lily released her fifth studio album, West End Girl.

The record detailed their divorce, and helped to build her a sturdy personal net worth of an estimated £1.5million.

Shakira

AGE: 49

SPLIT FROM: Gerard Pique

Latin superstar singer Shakira didn’t just move on from the former Barcelona centre-back, 39, she really cashed in.

After his alleged infidelity, Shakira launched her BZRP Music Sessions diss track and reportedly raked in £24million from her heartbreak trilogy.

She also stepped out for high-fashion brands, including in a sheer, diamond-encrusted gown for Burberry.

FESTIVAL season is finally upon us and party-goers are dusting off their wellies in preparation.

But this year music lovers could have to shell out up to £700 or more for weekend-long events.

Those planning on heading to Reading Festival this year are looking at £325 to £361 for the ticket alone.

Meanwhile, First Choice has revealed that festival-goers will spend an average of £80 a day on food and drink and an additional £150 on camping gear and equipment.

The tour operator looked at festival prices in line with holiday booking data and found that for less than a third of the price, you could party just as hard at a week-long holiday at a sun-drenched beach hotel.

So would you consider swapping festivals for a getaway in the sun?

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These bargain party breaks might just persuade you . . . 

MALIA, CRETE

DITCH the muddy festival site for a lively beach club and outdoor venues with music thumping until the early hours.

Malia, in Crete, is known for being a top party spot and gives off heavy festival vibes – with the likelihood of lots more sunshine.

Check into the small and charming Aegean Sky Hotel and Suites, just yards from the main strip of bars.

The hotel hosts regular DJ sessions around the pool and lively barbecue nights, as well as cocktail happy hours.

GO: Seven nights’ self-catering in a two-person studio is from £423pp including flights from Newcastle on August 30.

Book now at firstchoice.co.uk.

SUNNY BEACH, BULGARIA

IF you’re on a budget, you won’t regret booking a break to Sunny Beach in Bulgaria where pints cost around €2.50.

You’ll be able to knock them back in bars, nightclubs and at the beach – just make sure you can keep the party going until the early hours if you’re heading to Cacao Beach.

It’s known for having some of the most spectacular sunrises in Europe and DJs will keep you dancing until dawn.

Better still, if you stay at the TUI Blue Nevis, you won’t have to shell out a penny extra for meals or drinks within the hotel, thanks to its bargain all-inclusive packages.

GO: Seven nights’ all-inclusive at the 3T TUI Blue Nevis is from £485.46pp including flights from Gatwick on June 12.

See tui.co.uk.

AYIA NAPA, CYPRUS

WHAT could be better than partying in a field? How about partying on a boat?

Those seeking daytime parties on the water and non-stop garage music will love Ayia Napa on Cyprus’ glistening south-east coast.

There are plenty of boat trips to pick from, costing around €60 for the day, that include live tunes and free food.

Or, if you’d rather kick back and relax on dry land, the 3H Senator Hotel Apartments has its own pool and is within walking distance of the beach.

Rooms also have mini kitchenettes so you can save cash by cooking your own grub.

GO: Seven nights’ self-catering is from £359pp including flights from Bristol on June 10.

To book, visit loveholidays.com.

A TIKTOK rapper has shocked fans when he revealed he is the son of a huge 90s boyband star.

The cheeky lad didn’t hold back as he roasted his famous father for his “s*** music” as he poked fun at him at one of his gigs.

The rising TikTok star in question is Phoenix JD, who is the son of James ‘Spike’ Dawbarn, 51, from 90s’ boyband, 911.

In a new post this week, the young rapper shared a video from backstage at one of his dad’s gigs.

In the clip, Phoenix was seen mocking his dad as he rehearsed with 911 bandmates Lee Brennan, 52, and Jimmy Constable, 54, who are supporting Blue on their tour.

Addressing his followers, Spike’s cheeky son said: “There’s their little soundcheck. I don’t know why they need to do a soundcheck, still sound s**t!”

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“But yeah, and then this is them on stage. There’s me dad on the right.”

Poking fun at Spike, he said: “Thankfully, I don’t get my musical ability from him, you know, I’ve got a bit about me.

“I hope he doesn’t see this now. He’ll kill me.

“But hey, this is him at 51 still trying to do back flips – and nearly decked it.

“I would’ve flipping loved it if he decked it.”

Phoenix also added he only went to the gig “to see Blue”.

Fans of 911 from back in the day went wild for the video, with one joking: “Oi your dad was a legend to us fossils!!”

Another quipped: “Lmfao! The way your roasting your dad! I’ll have you know 14-year-old me loved your dad’s band!”

This fan said: “I was obsessed with 911 still love them now! You’ve got your dad’s humour!”

Meanwhile, along with Lee and Jimmy, Phoenix’s dad Spike had a huge amount of fame in the 90s.

The band formed in 1995 when Jimmy met Spike whilst working as a dancer on the show The Hitman and Her.

The trio sold out arenas thanks to their hits like Bootyshakin’ and A Little Bit More.

Spike previously looked back on his time in the trio and joked that he was “treated like Harry Potter at the Dursley’s house”.

Appearing on the BBC’s Boyband Forever doc, the star spoke about his bizarre living arrangements when the band were in their heyday.

“Jimmy got one bedroom, Lee got another bedroom and I was in the cupboard like Harry Potter,” he explained.

“On a mattress, in a cupboard. It’s literally where you’d just throw a load of coats in there.”

“And I just didn’t care to be honest, I wasn’t bothered,” he laughed.

In their early days, the band would tour schools across the country and perform for students.

“I used to come in, press play, do your singing and dancing routines, do your bit then load yourself back in the van and go to the next school,” he said.

MUSIC star Frankie Valli has sadly cancelled his upcoming 2026 tour dates amid ongoing health issues. 

The Four Seasons frontman, 92, made the decision to end his highly anticipated farewell tour early, leaving fans devastated. 

The singer, who had been embarking on his tour The Last Encores, took to his Instagram to reveal that he would now be ‘focusing on health’ before performing again.

In a touching statement alongside a photo of him onstage, he penned: “I’m so sorry to disappoint the folks who have purchased tickets to my shows.

“But I have decided to take the rest of the year off from touring to focus on my health.”

He went on to reveal that he would hopefully will be back once his health returns. 

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“I’m looking forward to getting healthy and seeing you all again soon. Thank you for all your good wishes,” he added.

The music legend was met with floods of comments from fans sending him well wishes. 

One user said: “Stay healthy! We will work around whatever schedule keeps you going! You are a treasure.”

Another added: “Thank you for all these years of fabulous music. It’s been wonderful. Sending prayers that we will once again see you in concert next year!”

“No need to apologize. You’ve given us some of the greatest songs ever written. Take care of yourself,” wrote a third.

With a fourth commenting: “We love you, Frankie! (heart emoji)”

Valli is known as one of the founding members of the 60’s group The Four Seasons. 

The group dominated the music industry and delivered classics such as Can’t Take My Eyes Off You, December, 1963 (Oh, What a Night) and Sherry.

Valli’s rep Victoria Varela in a statement to Variety revealed the decision was made to keep fans out of ‘limbo’, as the star continues to regain his health.

She said: “Promoters want to prolong things and not give people their money back, but he needs to not keep rescheduling these shows. 

“He realized he needed to take a break and get his health in order, and that is the true issue – he wants to get better without prolonging, through the rescheduling process, the pain of people who’ve bought these tickets.” 

She also confirmed that throughout the next six months Valli will be spending time getting well and may well consider touring again in 2027.

THEY are set to release their new album Foreign Tongues in July — and it seems The Rolling Stones could also be heading to foreign shores.

After abandoning plans to hit the road on a UK and European tour this summer, I can reveal that Start Me Up hitmakers Mick Jagger, Keith Richards and Ronnie Wood are now looking into playing five nights in Buenos Aires, Argentina, next year.

A source told me: “The band are discussing options for a residency.

“They love the thrill of doing a huge stadium tour around the globe, but the physical demands are immense.

“A residency would mean they can still bring their best to the fans, without the toll that comes with travelling.”

This summer would have been the rockers’ first string of live performances since their Hackney Diamonds tour in the States in 2024 — which sold almost one million tickets.

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A US music critic has said that Keith told bandmates Mick and Ronnie he couldn’t commit to their UK and European trek’s planned shows.

The band will release their new 14-track album on July 10 after recording it at Metropolis Studios in Chiswick, West London, over four intense weeks.

It features a cover of the song You Know I’m No Good by Amy Winehouse, who Mick performed with at the Isle of Wight Festival in 2007, four years before she died aged 27.

The track Hit Me In The Head includes old recordings in LA with the late Stones drummer Charlie Watts, who died in 2021, aged 80.

In April, the band released album track Rough And Twisted on vinyl under pseudonym, The Cockroaches.

Earlier this month, at the launch in New York, Mick confirmed the newrecord spans a number of genres, saying: “We have the ability to do ballads, country and dance music.”

He added: “It’s not stuck in one ­particular style.”

I can’t wait to hear it.

FROM 10 TO THE ONE

DECEMBER 10 are the latest Gen-Z heartthrobs ­– but Danny Bretherton is set to break fans’ hearts, as I can reveal he is dating influencer Tallulah Metcalfe.

The singer has even introduced her to his family in Chorley, Lancs.

A source said: “Danny has been spending lots of time with Tallulah. He is very family-orientated so taking her to meet his family was a big deal.”

This month, Tallulah shared a TikTok of her and Danny dancing in the street to his band’s song Infinity (123), captioned: “Look who I bumped into.”

Seems Danny has a new No1.

BIOPIC BOYLE

SUSAN BOYLE is working on a biopic, I have heard.

The film will chart her rise to global fame from her humble beginnings in Scotland to appearing on Britain’s Got Talent in 2009.

It comes as the singer is planning a comeback with new music.

A source confirmed: “Susan is working on a film and is hoping that a streamer will snap it up.”

I wonder who SuBo, above, has in mind to play her?

Raising awareness

ROXY HORNER is turning her hand to documentaries.

The model, who married comic Jack Whitehall last month, is believed to be in talks with a company to make a film about living with Type 1 diabetes, which she was diagnosed with in 2021.

A source said: “Roxy has been amazing at raising awareness of living with the chronic condition.

“She now wants to delve deeper and speak to experts.”

Shakira’s miami mini break

SHAKIRA looked her very zest as she stepped out in a bright orange outfit.

The Colombian singer flaunted her toned legs in a mini dress at Miami Swim Week.

She was attending an event on Thursday for her haircare brand Isima.

We’ll soon be humming Shakira’s track Dai Dai, the official anthem for the 2026 Fifa World Cup that she made with Burna Boy.

KELLY SET FOR MIGHTY COMEBACK

KELLY OSBOURNE is preparing for her first performance since dad Ozzy died last year.

The TV presenter and singer will join headliners Scissor Sisters at Mighty Hoopla festival in South London’s Brockwell Park today.

A source said: “Kelly is excited to get back on stage and doing it with the Scissor Sisters is a huge honour.”

Black Sabbath legend Ozzy passed away last July, with Kelly and her mum Sharon Osbourne honouring him at The Brit Awards.

Kelly and Sharon accepted the Lifetime Achievement gong for Ozzy at Manchester’s Co-Op Live arena in February.

Speaking to Biz on Sunday’s Emily at the ceremony, Kelly said: “A Lifetime Achievement award is such an honour, I couldn’t think of anyone else more deserving.

“It’s bittersweet.”

I am sure Ozzy would be proud of Kelly today.

Heidi hi, Nat & Nic

HALF of All Saints performed as Appleton at the Mighty Hoopla yesterday.

Nicole and Natalie Appleton took to the stage at the festival in Brockwell Park, South East London, in their typical cool girl style of tracksuits.

Nicole said: “Guys, you have to realise it’s been quite a long time that Nat and I have sung as Appleton.

“But we are so emotional that it’s our first festival.”

Nicole, left, and Natalie, right, were joined by their pal and ex-Sugababes member Heidi Range, centre, for a surprise performance.

Gene, Nicole’s son with ex Liam Gallagher, watched from the side of the stage along with Nat’s hubby, Liam Howlett from The Prodigy.

The duo release Ready To Begin next month, and their Appleton EP will be out in September.

Welcome back, ladies.

It’s go for pro with ex

HE failed to find The One on Channel 4’s Celebs Go Dating, but it seems Professor Green is back with his ex Karima McAdams.

I am told the couple who have five-year-old son Slimane, have been taking things slowly after their split in 2024.

Karima shared an Instagram snap of the lad with Pro Green – real name Stephen Manderson – referring to the chart star as her “partner”.

Explaining her little boy had a suspected wrist fracture after falling from a zipwire, she said: “Son is coming back in plaster and partner medium rare.”
Looks like the rapper is back in the game . . . 

WHO can blame Paul McCartney for glancing in the rear-view mirror on his latest record? 

At 83, the likely lad from Liverpool, who became a Beatle and Britain’s best-loved songwriter, is due a moment of reflection.  

He looks at it this way: “As a writer, you often write about things in the past, even if it’s just yesterday.” 

Or even, as Macca can’t resist saying, if that past “always seems so far away”.  

“That’s another nice idea. I think I might have done that one,” he adds in acknowledgment of his immortal Beatles ballad Yesterday. 

His 20th solo studio album, The Boys Of Dungeon Lane, finds him casting his mind back to innocent times before The Beatles changed his life for ever. 

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Five of the 14 tracks visit the simple pleasures of youth — As You Lie There, Days We Left Behind, Down South, Home To Us (a first ever duet with Ringo) and Salesman Saint — and, as you’ll discover, each comes with a captivating back story. 

Here, the master storyteller, whose previous character studies include Eleanor Rigby, The Fool On The Hill and She’s Leaving Home, turns the spotlight on himself for what might just be his most personal song cycle yet. 

On The Boys Of Dungeon Lane, Sir Paul makes you believe in HIS yesterdays. 

Asked why much of his latest work deals with memories, he replies: “I think writers, including me, ask themselves that. 

“When you think about, say, Charles Dickens, what’s he going to write about except stuff he knows and stuff he remembers? Then he can gussy them up.” 

And do recent Beatles and Wings reissue projects have an impact on the way he fashions a song these days? 

“No,” answers McCartney emphatically. “The thing that pulls it all together is me — it’s my brain making music.  

“I don’t think, ‘Wow, oh yeah, let’s do this. This is a Beatles idea, or this is a Wings idea’. I don’t think like that. It’s all current. It’s me. This is what I do.” 

Listen to The Boys Of Dungeon Lane and you’ll understand what he’s getting at.  

Despite first picking up a guitar nearly 70 years ago, he’s still making eclectic, freewheeling music, brimful of ideas, even if many lyrics are bathed in nostalgia. 

The album was recorded over the past five years, when time permitted between touring and other commitments, in the company of in-demand American producer Andrew Watt, known for his work with Ozzy Osbourne, Post Malone, Lady Gaga, Miley Cyrus and, ironically, The Beatles’ chief Sixties chart rivals, the Rolling Stones. 

“We just enjoyed it,” says Macca of his sessions with Watt. “We were like a couple of Boys Of Dungeon Lane — little boys in a sandpit — and we were having fun.” 

So, with the help of telling observations from the man himself, given to me by his team, let’s take a deep dive into the key tracks. 

As You Lie There begins proceedings in memorable style with an intimate spoken word passage delivered over minor key acoustic strums. 

McCartney intones: “I used to walk past your house. Every night I’d look up at your window. The light was on. I saw your silhouette on the blind. Do you think of me? Do I ever cross your mind?” 

The song, with its squalling rock refrain, recalls a teenage crush from the time Macca lived at 20 Forthlin Road in the Allerton area of south Liverpool, in the house where he and John Lennon first discovered their spark of creative chemistry. 

“Up in one of the ­windows, there was a girl I ­fancied called Jasmine,” he says of his tale of unrequited love. “But I didn’t know how to approach her. I never spoke to her. 

“The joke was, she did show up later that year and knocked on the door. I was indisposed — I was on the toilet — so I missed Jasmine.” 

Aside from the sweet story behind the lyrics, As You Lie There is important because it is the song that kickstarted the whole process, just as the world was emerging from the Covid pandemic. 

McCartney says: “The album really started when my manager said, ‘Would you like to meet Andrew Watt?’ 

“I knew he was an active young producer, and I liked some of his stuff. I said, ‘Yeah, great’. He said, ‘Well, it’s just a cup of tea. Go down to his studio’.” 

The pair hit it off and what began as that cuppa at Watt’s basement studio — located in his Beverly Hills residence once owned by Charlie Chaplin — soon turned into something much more significant. 

Macca described his songwriting process, how he would try “to find  

a really weird chord”, to give him “a little inspiration”. 

To his delight, he realised that Watt, a big guitar collector, “had figured that if I was coming down, it would be handy to have a left-handed guitar. 

“I struck this mad chord,” he continues. “I still have no idea what it is, then I changed one note, then another. Suddenly we  had a three-chord sequence and Andrew said, ‘We should record this’.” 

As the song took shape, they considered bringing in Chad Smith of Red Hot Chili Peppers on drums but Watt suggested that McCartney, a more than proficient drummer, should play them himself.  

He says: “I really enjoyed drumming to it, so I put down the drum track, then obviously the bass.  

“Then Andrew put the guitar lick down, because he’s a good guitar player. And over a few days, we made As You Lie There. That started the journey.” 

The “journey” included recordings in various LA studios as well as Macca’s own Hog Hill Mill in Sussex and his old Beatles stomping ground, Abbey Road. 

Of all the ensuing songs, first single Days We Left We Behind sets the tone — and is also significant for yielding the album title. 

“This is very much a memory song for me,” says McCartney. “I was just thinking about those days I left behind.” 

Whenever he goes to Liverpool these days, to visit the city’s Institute for Performing Arts (LIPA) for instance, he notes that “the back entrance to the airport is in Dungeon Lane”. 

He remembers trips down that lane “as a little kid, because I used to wander off, just on my own, with my little bird book”. 

It was the keen ornithologist’s gateway to stunning Mersey Shore, an area teeming with wading birds just a short distance from suburban Speke where he lived between the ages of five and 13. 

“Speke is quite working class,” says McCartney. “We didn’t have much at all but it didn’t matter because all the people were great and you didn’t notice it. 

“It’s my wife Nancy’s favourite track on the album. When we play it to people, we say, ‘You don’t need to cry’, and then you look up and see that they are.” 

When asked how he settled on the album title, Macca says you could ask the same question about Sgt. Pepper’s Lonely Hearts Club Band. 

“It’s just some words I like. We were thinking Along The Mersey Shore could be good. But then I liked The Boys Of Dungeon Lane — it’s a bit more, ‘What’s that about?’ ” 

McCartney says Days We Left Behind “involves a bit in the middle about John and Forthlin Road”. (The McCartney family moved there in 1955). 

It suggests that he and his much-missed songwriting partner in The Beatles “wrote a secret code, to never be spoken”. 

This leads us to the folkie Down South which, says Macca, is “another one about reminiscing”.  

“I often think about John and George,” he continues. “We used to hitchhike in the days before The Beatles. It was in the days when you could — now I warn my grandkids, ‘Don’t do it’, because there are too many nutters out there.” 

He remembers: “I got a tip from someone who said, ‘You start off in Chester — because that’s where all the lorries are and they’re all going straight down south. That’s a good place to get your first lift’.” 

With Harrison, seven months his junior, coming along for the ride to places like Harlech in Wales, it was a perfect chance to do some “bonding” with his future bandmate. 

And speaking of bandmates, what about the rousing Home To Us, which, for good reason, is the only track McCartney doesn’t play the drums on. 

During one of his breaks from sessions with Watt, he “talked to Ringo about Andrew”. 

“Then Ringo went round to Andrew’s studio and drummed a bit. Next time I saw Ringo, he said, ‘Well, he didn’t do anything with it.’  

“I asked what he’d expected and he said, ‘Well, you know, a track’.” 

When Macca finally heard his old mucker’s efforts, he suggested to Watt: “We SHOULD make a track and send it to Ringo. So, we did.” 

On writing the Home To Us lyrics, he reveals: “This song is done totally with Ringo in mind. I’m talking about where we came from.  

“In common with a lot of people, you come from nothing and you build yourself up. Ringo was the one who came from the most ‘nothing’ in The Beatles. 

“He was from the Dingle and that was well hard. He used to get mugged coming home from work. 

“Even though it was crazy, it was ‘home to us’ and I made the song around that idea.” At first, Ringo only sang a few lines of chorus, but Macca rang him and said he’d “love to hear him sing the whole thing”. 

“Next, we took my first line, Ringo’s second line and we had a duet — something we’d never done before.  

“We also wanted backing vocals, and I had the idea it would be nice to hear girls. Chrissie Hynde and Sharleen Spiteri are mates — and they did it.” 

The last of McCartney’s memory songs is the most poignant, Salesman Saint, which pays tribute to his midwife mother Mary who died when he was only 14 (the “mother Mary” of Let It Be) and his salesman/amateur musician father Jim. 

He says: “This song is me remembering my mum and dad. I was born in World War II and I often think, ‘Bloody hell, it’s tough enough having a baby now but imagine if we were all conscious that bombs could be falling any minute’ — and Liverpool was getting heavily bombed.  

“I was thinking about them bringing up this kid in those circumstances. My dad happened to be a cotton salesman, and my mum was a nurse. They did it. They managed it and they brought up me and my brother [Mike]. 

“Got us to doctors, got us to school and did all these things under those circumstances. At the end of the song, there’s music I’m trying to make from their era.” 

So now you’ve heard about all the songs inspired by McCartney’s youth but there are NINE more tracks to digest. So here, in Macca’s own words, are his thoughts on those: 

Lost Horizon: “This one came about when our dearly beloved and now sadly deceased studio manager, Eddie Klein, was logging some old cassettes of mine.  

“He asked me if I remembered Lost Horizon and I said, ‘No’. He said, ‘It’s good, you should listen to it’. So, we remade it faithfully to the cassette version — just with a more modern sound.” 

Ripples On A Pond: “It’s a love song. Like a few of the songs, we started this in my studio in Sussex. I said to Andrew, ‘You’re supposed to be a pop producer and we’re making all these records that don’t sound like that to me so, come on, let’s pop this one up!’ ”  

Mountain Top: “My wife is a real live music fan and if there’s anything on she’s like, ‘Can we go?’ So, we go to Glastonbury every year and I started fantasising about some young girl tripping — she’s magic mushroomed out. The things you write songs about!” (Nancy delivers the closing spoken words.)  

We Two: “A lot of Beatles records were made on a four-track Studer machine, including A Day In The Life. It’s such a classic now. I’ve got one in the studio and we use it sometimes. Andrew loves all these recording legends of the past. I showed him the Studer and he said, ‘Can we use it now?’ Luckily, it’s in full working order so we did We Two on it. It’s a little love song.” 

Come Inside: “Going to side two now. We start it off with a rocker love song. It’s straightforward — but with verve.” 

Never Know: “When I was in LA, I always liked the idea of Laurel Canyon and that scene. The days of Joni Mitchell, the Eagles — all that hanging out, getting stoned and playing guitars. So that was the vibe that started off Never Know.” 

Life Can Be Hard: “I had a little instrumental chord sequence during Covid — and there was a little baby in the house, my wife’s niece’s new baby and it was a thrill. For a lot of people, Covid was terrible if you weren’t with family.  

“Anyway, this baby used to like these chords, and it became a song. Life can be hard, but that’s when we put it together again. It’s a positive message.”  

First Star Of The Night: “I was on tour and had a day off, which was precious. We were in Costa Rica and it rained hard — all day heavy, tropical rain. I was thinking about being out by the pool, but you really couldn’t go out.  

“I thought, ‘I know, I’ll write a song’. I had my guitar with me. So, this starts out, ‘Even when it’s raining’, but then I switched it to, ‘Even when it’s raining inside’, just to give myself somewhere to go with the song.” 

Momma Gets By: “The last track on the album and it’s totally imaginary. I was thinking of Porgy and Bess’s world. It’s basically about a woman who you can see is the strength in the family.” 

Finally, Macca is asked how he hopes listeners will respond to his new album. 

He replies: “Well, I hope they fall in love with the songs and the performances. I hope it takes them to a place of joy.” 

Whether it’s Penny Lane, Dungeon Lane or Memory Lane, Paul McCartney will transport you there. 

Roll up! Roll up! He is your magical not-so-mysterious tour guide. 

PAUL McCARTNEY

The Boys Of Dungeon Lane

★★★★★

LILY ALLEN has long been a fan of Jade Thirlwall and now they’ve teamed up for a collaboration.

I can reveal she has recorded a new version of her West End Girl album track Beg For Me with the Angel Of My Dreams singer, with the new take set to drop tomorrow.

Lily teased the release of a new track on Instagram on Tuesday night – which I can confirm will be this one.

She shared a video with the caption: “Oops decided I’m not done ;)) got another song for youuu.”

The move will raise hopes that Jade could be a special guest when Lily headlines Mighty Hoopla festival in Brockwell Park, South London, on Saturday night.

Jade is a massive fan of the event and performed there last year, with Lily previously teasing she had surprises in store for fans at the show.

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The Smile singer rocketed back into the spotlight last October when she dropped West End Girl.

It documented, in gritty detail, the breakdown of her marriage to Stranger Things actor David Harbour.

Then in January, Lily confirmed: “I’m doing a remix version of the album, where different female artists are responsible for each of the songs.”

Getting Jade on board is certainly a strong start.

Rodrigo-go dancers

OLIVIA RODRIGO made a right song and dance on the set of her new video.

She was in New York wearing a dark jumper and knee-high boots, flanked by a troupe of ballerinas.

Olivia has unveiled the tracklist to her third album, You Seem Pretty Sad For A Girl So In Love, which will be out in a fortnight.

It will be split into two halves, with the first, Girl So In Love, featuring recent single Drop Dead.

The second half, You Seem Pretty Sad, the track The Cure.

Alfie on facing himself

ALFIE BOE delivered a magical performance at the Royal Albert Hall on Tuesday as he revealed the truth about his new album Face Myself.

The singer and musical theatre star had the crowd belting out his new songs as well as previous covers, including Leona Lewis’s Run and Bring Him Home from Les Miserables.

He said of the album: “The reason why I call it Face Myself is because I wanted to really look back at everything that has gone on for me in my life, and how I’ve got here today, got to this point, this minute, on stage at the Royal Albert Hall. I wanted to share with you the real Alfie Boe, the guy from Fleetwood in Lancashire.”

Macca: I’d be a teacher

SIR PAUL McCARTNEY has revealed what he might have been if music mega-stardom had not come calling – an English teacher.

The Beatles legend said: “Well, when I was at school, there’s always like the careers master who tells you, you know, ‘You’re no good, you’re hopeless, I see no future for you’.

“I’d done not very well in my exams.

“I had a couple of qualifications and they told me I could maybe be an English teacher.

“So I could have been your friendly English teacher.”

During a TikTok Live, Macca, who is worth an estimated £1billion and will release his 20th solo album The Boys Of Dungeon Lane tomorrow, added:

“I probably would have enjoyed that because I like that subject, and I like English literature and stuff. So that was my fallback position.”

‘Definetly a three’ says Perrie as Jesy is out of Little Mix reunion

PERRIE EDWARDS has ruled out Jesy Nelson ever returning to Little Mix – but said she is raring to go with a reunion as a three-piece .

Jesy quit the group in 2020 and then cut off all contact.

She has since spoken to the girls again, but Perrie said that a future comeback would only involve her, Leigh-Anne Pinnock and Jade Thirlwall.

Asked whether there will be a reunion, she told Attitude: “Oh, 100 per cent. I’m ready and raring.

“We always message each other and are bantering like, ‘So how long until we do a reunion? Are we going to do one? Where is it?’.

“I’m like, just give me a ballpark time. Do you know what I mean? Just let me know when.”

And pushed on whether it would be as a three or a four, she added: “A three. Definitely a three.”

For now though, Perrie – who is engaged to Celtic and former Arsenal footballer Alex Oxlade-Chamberlain – is still a solo artist and will release new single Passenger Princess on Friday.

On what the latest song is about, she said: “I love being independent, I love having my own s**t, I love doing everything for myself, being strong and a powerful woman.

“But you know, sometimes I can’t be f**ed.

“Sometimes I just want to do nothing and be like, ‘Alex, can you just help me, look after me?’, you know?”

JUDY FINNIGAN is considering a return to showbiz by launching a podcast with hubby Richard Madeley, 17 years on from their last TV series.

He said on Channel 5’s Vanessa yesterday: “We’ve had a conversation with a very good producer friend of ours, an ex-editor of This Morning, and we have kicked a few ideas around. It’s in the air.”

BAD BUNNY has joined the voice cast of new movie Toy Story 5 – as a slice of pizza in sunglasses.

The rapper has recorded his part for the film, which is out on June 19, and will arrive in the UK a week later for two sold-out shows at the Tottenham Stadium in London.

His character will be one of several items abandoned in a shed, alongside a garden gnome voiced by Capital’s Jordan North and an inflatable flamingo voiced by Sian Welby.

A HUGE British band has been forced to cancel their UK tour after one of the member’s revealed a devastating diagnosis.

Popular indie duo Seafret have scrapped the remainder of their current UK tour after the band’s lead guitarist Harry Draper was diagnosed with a debilitating eye disease that will eventually cause him to go blind.

The band, who consist of Harry alongside frontman Jack Sedman and first formed in 2011, shared the news in a statement on the band’s social media on Tuesday afternoon.

Harry explained he had been diagnosed with Stargardt, which is a rare genetic eye condition that causes progressive central vision loss.

The post read: “Hey everyone, I’m so sorry to have to do this, but I’m afraid I’m going to have to cancel the remainder of the tour.

“I’m going to be totally honest with you, I’m struggling. I’ve recently been diagnosed with an eye disease called Stargardt, which will sadly mean I’m going to go blind.”

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The musician said he was going to take some time out but thanked his fans for their support and insisted “I won’t let this stop me”.

“It’s been so much to get my head around, and I’ve really struggled to see last few nights on stage,” the statement continued.

“I just need to take a bit of time out to get my head around all of this.

“I won’t let this stop me, but I do just need a little time.

“I know you’ll understand, you’re the best fans in the world. From the bottom of my heart, I’m so sorry. Harry xx.”

The band’s fans rushed to show their support for the musician following his statement regarding his diagnosis. 

The duo kicked off their huge UK and European tour last week and were due to visit a number of cities around the UK before heading over to Europe next month. 

The band first achieved chart success in 2016 when their debut album charted on the official album charts.

They then went on to release a number of singles and EPs. Their biggest success came in 2022, when a sped-up version of their song “Atlantis” went viral on TikTok.

Following this, they released an official version of the song, leading it to chart all across Europe and pass over 400 million streams on Spotify.

While their monthly listeners on the platform increased to over 13 million.

ELLIE GOULDING has confirmed she’s about to drop her sixth album, five months after I told you she was gearing up to release it.

The pop powerhouse teased that the follow-up to 2023 No1 Higher Than Heaven will be out “soon”.

In an exclusive chat after her headline set at Radio 1’s Big Weekend in Sunderland, Ellie added: “I’ve spent the past few years working really closely with a brilliantly talented producer and multi-instrumentalist called Jack Rochon.

“I actually found him on TikTok when he was still relatively undiscovered, living in Canada.

“He’s since moved to LA and worked with Beyonce.

“I immediately connected with what he was doing creatively.

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“I have always loved discovering emerging talent and championing new voices, just like I did when I first started out and discovered Starsmith.

“We’ve recorded hundreds of songs together, and I loved the freedom of exploring different sounds, feelings, thoughts and experiences.

“It felt really organic and honest, like journaling through music.”

During her incredible set, where she was watched live for the first time by young son Arthur, Ellie debuted upcoming single Black Prada Dress.

Ellie said of the song: “There’s not one definitive experience that inspired it.

“It’s directed at that negative, critical voice bringing you down. And that voice could be your own, internal voice — that self-critical, destructive one.

“I feel like we all have one of those, just like we have different versions of ourselves.

“I love the honesty of it, the rawness, and I hope people can connect to it in their own way.”

Ellie lit up the crowd in Sunderland, kicking off with I Need You Love before hits including Still Falling For You, Love Me Like You Do and Lights.

The singer added with a grin: “It felt so, so good to be back performing at Radio 1 Big Weekend.

“The crowd was amazing, the sun was shining. Great vibes all round.

“I remember my first-ever Radio 1 Big Weekend performance back in 2010.

“My debut album had just gone to No1 and I was on cloud nine.

“It’s been four albums since then.

“So to come back to debut Black Prada Dress in the mix with some of my old favourites feels like a real full-circle moment.”

It was made all the more special for Ellie, who gave birth to her second child, Iris, in March.

She said: “It’s such a joy, my son is here today.

“I love playing music to them, especially classical music.”

With a potential record of classical music in the works, too, I wouldn’t be surprised if Ellie had already given the kids a taster.

Ra-ra Larsson

ZARA LARSSON delivered what could easily go down as her best Big Weekend performance.

The Swedish singer, wearing a light blue ra-ra skirt, pulled out all the stops during her fourth appearance at the festival on Saturday.

She opened with Midnight Sun before blasting through tracks including Can’t Tame Her, Ain’t My Fault, Lush Life and finishing with a cover of Clean Bandit’s Symphony, the No1 song she featured on in 2017.

But the standout moment came when Zara invited one lucky fan, Kayleigh, up to join her.

“This is my favourite part of the show but it’s also the hardest,” Zara said.

“Because I see so many of you are giving me the best energy ever.”

Welcoming Kayleigh on to the stage, Zara immediately recognised her from a previous show in America.

Zara then spray-painted a personalised T-shirt for Kayleigh in front of the crowds after she revealed she was flying over to LA in the coming weeks to watch her perform again.

Now that’s dedication.

EMMA’S GOT NOTHING BUT PRAISE FOR THIEVES

WEDNESDAY actress Emma Myers showed she is a Radio 1 superfan and was spotted hanging out backstage.

Presenter Greg James bought her out on stage to introduce Nothing But Thieves.

My mole told me: “Emma is a massive fan of the band and a close personal friend, so they asked her to come out on stage and introduce them. She is so down to earth and lovely. Everyone was obsessed with her.”

Emma said on stage: “I’m having so much fun, I’m seeing so many incredible artists, it’s so lovely to be here.”

Of Nothing But Thieves, she added: “They were my soundtrack when I was shooting season one of The Good Girl’s Guide To Murder, so I have them on repeat.”

NIALL LOVES A TEE PARTY

NIALL HORAN has revealed he only tours so he can play golf courses around the world.

And he ends up spending more time on makeshift greens than in the studio when writing albums.

The former One Direction singer was on stage at the Big Weekend yesterday in Herrington Country Park, right next to Wearside Golf Club.

Niall, who has a handicap of eight, said: “It’s Niall’s golf tour with music, especially in the States.

“Florida is great – there’s so much good golf in Florida, and we’ll hit random places in Ohio. If we do 30-something shows, I’ll try and get in ten rounds.”

And it doesn’t stop there.

Talking about a place he rented out with songwriter pals to work on his upcoming fourth solo album, Niall said: “When we stayed in this house in the countryside in the UK, we made up our own golf course.

“We put flowerpots in places and made our own courses and chipped balls around.

“We did this all over the world. We make up our own little golf courses in the backyard of wherever we’re playing and we do more of that than we do songwriting.

“On that trip, we wrote Dinner Party – but after a round of golf, of course.”

Now Niall’s eyeing up something entirely different.

When asked on the And The Writer Is podcast if he would pen a musical, he said: “I’d love to. I’ve often thought about that.

“That would be such a cool thing, to put some time aside to actually dig in for six months to try and write something. But I haven’t had the offer yet.”

VICKY: A FAT LOT OF GOOD

DJ VICKY HAWKESWORTH managed to catch some performances between her own sets at Big Weekend.

She said backstage: “Nothing But Thieves were amazing and Fatboy Slim was so good . . .  way better than I thought.

“Not that I thought he wouldn’t be good, but you know what I mean.

“Also, those visuals. If I was off my nut, I’d be, like, ‘I’m not well’.”

Luckily for Vicky, she was as sober as a judge.

MY one to watch from the festival is rising talent Alessi Rose.

The Skin singer smashed her set on the New Music stage and will play a run of shows at festivals this summer, as well as supporting Lewis Capaldi and Lorde at their concerts in July and August.

A STELLAR SMITH GOES EXTRA MYLES ON STAGE

★★★★★

MYLES SMITH had Sunderland belting out every word as he smashed his 30-minute set – complete with support from his Drive Safe collaborator Niall Horan.

Sprinting up and down the stage, the soulful singer powered through nine tracks yesterday, including a cover of iloveitiloveitiloveit by his friend Bella Kay.

Speaking about the US singer-songwriter, Myles told the crowd: “This is someone that I’ve been following for a little while now.

“They can’t be here this Big Weekend, but I’m sure they’re gonna be here for many more, so hopefully you can enjoy this song with me.”

His energy was off the charts as he worked his way through hits including Behind, Hold Me In The Dark and Nice To Meet You.

Myles jumped off the stage and into the pit to hug fans before singing Gold.

Out of puff as he climbed back up, he said with a laugh: “I need to go back to the gym.”

Myles finished off his belting show with the stellar Stargazing.

Fans are now counting down the days until he releases his new album My Mess, My Heart, My Life on June 19.

FREYA FRASER

FAMOUS FACES HAVE A DAY TO REMEMBER

THERE are celebrations popping off all over the place.

Not only is it looking like being a scorcher of a Bank Holiday, but famous names from television, music and sport are also coming together to take part in a national “Big Toast” tonight.

At 7pm, people across the country will raise a glass for Celebration Day in memory of people who shaped their lives.

Stephen Fry, Spencer Matthews, Prue Leith and Jake Humphrey are all taking part.

Five-time Paralympic swimming gold medallist Ellie Simmonds is also on board.

She said: “On this Celebration Day, I’m raising a cup of tea to my auntie Shirley and my grandma.

“I’ve got so many memories of them.

“When I was at my biggest events, they were always up there in the crowd, cheering me on, decked in their Team GB flags.”

ZARA McDermott looked proud as punch as she watched boyfriend Louis Tomlinson perform from the side of the stage.

The reality star stood in pride of place throughout his set at BBC Radio 1’s Big Weekend in Sunderland.

Zara, 28, kept it casual for the festival outing in a black cropped T-shirt teamed with low-rise green trousers.

The former Love Island star accessorised with a beige Miu Miu baseball cap while wearing her brunette hair loose over her shoulders.

Holding a can of Diet Coke, Zara appeared animated as she chatted and clapped from the VIP viewing area while watching Louis, 33, perform.

Their relationship was recently rocked by rumours Zara was more than just good friends with Joey Essex.

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The pair formed a tight-knit bond after meeting while starring together on ITV’s Cooking With The Stars.

In pictures taken after filming wrapped on the reality show, Zara and Joey were seen together, with him leaning in to kiss her on the cheek.

Zara was met with furious trolling despite multiple reports insisting the snaps were completely innocent.

Zara and Louis were first linked in March 2025 after fans noticed they had followed each other on Instagram, with many believing the pair were introduced through the singer’s sisters.

The couple have proved an unlikely match given the singer’s past views on Love Island, the ITV2 dating show that made her famous in 2018.

When Zara’s series came to an end, Louis publicly celebrated online, tweeting: “Can I just say, thank f**k Love Island is over!”

He later doubled down on his criticism of the programme, claiming the hit reality series was “not a good message for the younger people watching”.

IT’S the news that all Mis-Teeq fans have been waiting for – the band have announced they are reuniting.

The noughties girlband, made up of Alesha Dixon, 47, Sabrina Washington, 47, and Su-Elise Nash, 45, shared their exciting news this morning.

Announcing the news in Vogue, the trio revealed they would be doing a one-off show at Wembley Arena in September.

Revealing why they got back together, Alesha said: “We’ve been offered reunion stuff over the years, but it’s never felt right.

““This time, everything just lined up.”

The BGT star added: “It feels like it is just slotting back into place, guys.

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“It’s just like it used to be – me saying too much and them two looking at me like, ‘Oh, here she goes!’”

The band’s reunion is to celebrate the 25th anniversary of their debut album, Lickin’ On Both Sides.

The record, which came out in October 2001, peaked at No3 in the Official Album Charts and bagged them five Top Ten singles including All I Want, One Night Stand and B With Me.

The Sun revealed in January that the band would be getting back together.

A source said at the time: “Alesha has been excitedly talking about this for a while and would love a Mis-Teeq reunion with Sabrina and Su-Elise to happen.

“Fans shouldn’t expect a Girls Aloud-style comeback tour, though.

“At the minute, lots of things are being discussed and one thing that has come up is the idea of a one-off show. It could be an intimate gig for their die-hard fans or a performance on a big TV programme such as Britain’s Got Talent — which Alesha is a judge on.

“Nothing has formally been offered but nothing is off the table.

“Lickin’ On Both Sides launched Alesha, Sabrina and Su-Elise’s music careers and that record holds a really special place in their hearts.

“They want to celebrate that album with their fans.”

More on this story to follow…

OUR Spotlight On column takes an in-depth look at the best things to see and do in popular holiday destinations, as well as shining a light on the lesser-known spots.

This week we’re heading to Vilnius in Lithuania, and Travel Reporter Alice Penwill recently visited.

Travel Reporter Alice Penwill recently visited and was stunned by how cheap it was.

She said: “Eating and drinking out is such a bargain, so it makes for an insanely affordable European weekend break.

“I found bars serving beer for around £2.60, and coffee for just a few quid.

“Even cocktails like Aperol Spritzes were under a fiver – and make sure to soak it up with some ‘kepta douna’ (a local garlic fried bread that’s a popular bar snack).”

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MUST SEE / DO

Yes, Vilnius has one of Europe’s oldest and best-preserved medieval Old Towns but it’s quickly gaining a reputation as a capital of cool.

With a thriving arts scene and a vibrant coffee shop culture, it’s a great value option for a weekend break with beers from £3.50 and a traditional lunch for under £9.

It’s also just 15 minutes from the airport to the city centre.

While there’s history and amazing architecture aplenty in the Old Town, cross Vilnele River to enter the self-declared ‘Republic’ of Uzupis.

This bohemian neighbourhood has its own constitution, president, currency and anthem celebrating free spirit, art and community with lots of cafes, galleries and bars.

Don’t miss Literatų Gatvė (Literature Street), a winding alleyway decorated with more than 200 small pieces of art dedicated to famous writers.

HIDDEN GEM

Lukiškės Prison 2.0 has seen a high security prison that doubled as a filming location for the Netflix smash Stranger Things transformed into a museum and arts venue.

There are more than 250 creators working in the repurposed former cells. Take a tour to find out about its grim history then stay for a gig or a drink in the courtyard in the evening.

BEST VIEW

Take in the Old Town’s unique red-tiled roofs, church spires and narrow streets from 14th Century Gediminas Tower.

Set at the top of Gediminas Hill, it houses an interactive exhibition. Also great for panoramic views is the Hill of Three Crosses.

RATED RESTAURANT

You can’t go to Vilnius and not try its legendary Pink Soup – a cold beetroot soup.

The traditional dish is so popular there’s even an Pink Soup Festival with themed food, music and festivities to kick off summer.

This year it runs from May 29 to 31.

And you can try the soup at any time of year at Lokys in the Old Town where a bowl costs £7.50 and comes with baby potatoes.

BEST BAR

For sheer quirkiness, check out Peronas Bar, literally next to the tracks at the main train station and great for live music – don’t miss the giant statue of Tony Soprano by the al-fresco tables!

For pint professionals, head to Alaus Biblioteka – an actual Beer Library where there are 60 styles of beer with 17 beer taps and almost 500 bottled beers from around the world.

HOTEL PICK

The 4* Neringa Hotel has a great combination of historic vibes and modern touches.

Freshly revamped, there’s a restaurant and rooftop bar to admire the views and you’re within walking distance of all the main sights.

Rooms are very Scandi-chic and prices are keen.

Three nights’ room-only is from £240pp including flights from Stansted in June. See onthebeach.co.uk.

JASON ISBELL is a song writer’s song writer. You can tell by the company he keeps.

He’ll never forget the moment some years ago when he heard a certain person singing one of his choruses back to him in unmistakeable tones.

“I’ve grown tired of travelling alone. Won’t you ride with me? Won’t you ride? Won’t you ride? ”

Isbell recalls: “At first, I thought it was somebody doing a Bruce Springsteen impersonation of singing my song. And then I realised, ‘No, that’s actually him!’

“It was a huge deal for me to meet Bruce, and for him to know who I was.”

Turned out that one of Springsteen’s sons had brought to his dad’s attention Isbell’s breakthrough 2013 solo album Southeastern, complete with the track Traveling Alone.

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To the 47-year-old born in northern Alabama, two miles from the Tennessee state line, it was validation — just like his six Grammys and the fact that Southeastern appears in Rolling Stone magazine’s list of greatest albums of all time.

“I’m a punk but I’m not that big of a punk to pretend something’s not an honour,” the one-time member of Drive-By Truckers decides in his Southern drawl.

“I met Randy Newman and it was the same kind of thing,” he continues, casting his mind back to the 2021 Newport Folk Festival when both artists were on the same bill.

“I was so nervous to talk to Randy but I said to him, ‘Man, your songs are very important to me as a musician, as a human being’ — and he leaned in and said, ‘I like your songs, too’.

“I knew Randy was probably not the sort of person to bulls**t you.”

I’m speaking to Isbell as he prepares to hit these shores with his ace band, The 400 Unit, for a tour of the UK and Ireland which culminates with a night at London’s hallowed Royal Albert Hall on June 11.

But on this day, the hard- working singer is in Dallas for a solo acoustic show, showcasing last year’s captivating, intimate Foxes In The Snow album, when we’re connected via video call.

“My flight was cancelled last night because of bad weather so I drove here — took me nine and a half hours,” he reports from his hotel.

It’s 10am US Central Time and 4pm UK time and, despite the previous day’s exertions, Isbell seems fresh and focused for a deep dive into his life in music — and the songs that define him.

It’s clear from talking to this thoughtful soul that his career can be divided into two distinct categories — before and after he got sober — which he describes in depth later.

But first, we go back to his early life as the son of teenage parents, the subject of his song Children Of Children, and his early introduction to music.

Mom Angela was 17 and dad Mike was 19 when he was born so “I got to spend a lot of time with my grandad, who preached in a Pentecostal church in Alabama, and played guitar, mandolin, fiddle, banjo.

“And my uncle, my dad’s little brother, played guitar in a rock band.

“When I was around four, my parents would take me to band practice in his friend’s garage, and I would fall asleep, usually when they did Neil Young’s Like A ­Hurricane.

“Though my dad and mom didn’t play music, pretty much everybody else in my family did, at least as a hobby. It was seen as a birthright thing.

“I know this sounds like down-home Southern horses**t, but my grandad would make me play gospel music with him for a ­couple of hours a day.

“Then if I could get through it without getting lazy, I could play rhythm guitar. The guitar was huge, and I was small, and it would take a lot of work.”

Isbell became “obsessed” with blues after hearing Robert Johnson’s recordings and “this little white kid from a hillbilly town” would bombard his music teacher with questions about the Mississippi Delta pioneers.

“My teacher was a big rock and roll guy who had a different Rolling Stones T-shirt for every day of the week,” he says.

“He would call me out of class on the loudspeaker in a really gruff voice, so it sounded like I was in trouble. But I knew that he had made me a mixtape.

“There were a lot of people who took an interest in me early on. I got very lucky that way.”

As a teenager in the Eighties, “radio was huge” for Isbell, who singles out Crowded House and Elvis Costello in particular.

“As my parents were not much older than me, we listened to a lot of the same music,” he says.

“In those days, it was big arena bands like Journey and Foreigner, My dad liked country music, too, so he had Merle Haggard and Hank Williams records.”

At this time, Isbell started playing bars in the Southern music mecca of Florence and Muscle Shoals, which, “because of the liquor laws”, also had to sell food.

He says: “They would check the receipts to make sure you sold more food than alcohol, which was terrible for any kind of music scene — but really good for a 15-year-old kid because they couldn’t kick me out!”

In these places, he got to see legendary session men like Spooner Oldham, Donnie Fritts and, crucially, bass player and trombonist David Hood, father of Drive-By Truckers frontman Patterson Hood.

In 2001, Isbell joined the Truckers and hit the ground running by contributing two outstanding songs to their 2003 album Decoration Day, the title track and Outfit.

He says: “I liked playing guitar and singing background vocals, but I had a lot to prove.”

He describes how his dark, Southern gothic magnum opus about a multi-generational family feud came into being: “I wrote Decoration Day on the road, in Carbondale, Illinois, I think.

“We were staying at a friend’s and everybody else was asleep in the house.

“One person always had to sleep in the van to stop people stealing our gear. That night, it was me.

“I woke up early — around eight o’clock in the morning. So I had a couple of hours before everybody else started moving and I came up with Decoration Day.”

Another memorable Drive-By Truckers effort by Isbell is Danko/Manuel, his tribute to roots rock icons The Band, which appeared on the 2004 album The Dirty South.

He says: “At the time, Rick Danko and Richard Manuel were the only two not still alive. Now, none of them are.

“I was reading [drummer] Levon Helm’s book, This Wheel’s On Fire. He talked about having to siphon gas out of cars in parking lots while the rest of them were on stage. They were a bunch of feral kids in the early days.”

In 2007, largely thanks to heavy drinking and unreliable behaviour, Isbell left the Truckers and went solo.

It’s good to report that he’s on friendly terms with his old bandmates these days and joined them on stage last year for Stephen Colbert’s The Late Show.

He says: “We were very close at one point. It’s not easy to make friends in general so I try to keep the ones that I can.

“Even after I got sober, I didn’t quite know why I’d had drinking problems to start with.

“At first, you’re just hanging on for dear life and trying to stay sober. Eventually, if you do it right, you do repair the parts of yourself that you were ignoring.

“Once that happened for me, I was able to reconnect with those guys. We were able to be friends again and they’ve continued to make really valuable music.”

When it came to Isbell making his first solo album, Sirens Of The Ditch in 2007, highlighted by a couple of fan favourites, Dress Blues and The Magician, he had a lot to learn — and fast.

“I didn’t know what the hell I was doing,” he sighs. “I know I had to argue a lot, which actually turned out to be a good thing.”

A big moment for him arrived with a yearning composition on his third album, Here We Rest (2011), his second with his band The 400 Unit and the last before he went into rehab for ­alcohol addiction.

To this day, Alabama Pines is one of his most performed live songs.

“When I wrote it, everything else in my life sucked,” he says. “It was a very dark time. I was in physical and psychological pain. Working on it was the most relief I got.”

He adds: “The complication in that song adds a lot of value to it — the fact that you’re yearning for a place that isn’t perfect.

“It’s a dynamic that finds its way into a lot of Drive-By Truckers’ work and a lot of my own. It’s very possible to miss a place that wasn’t necessarily all that good to you.

“That song doesn’t have a chorus, it never gets huge so it’s not an anthem. But it stands out in my solo work and I still like it. It has never let me down.”

Everything changed for Isbell after rehab and first notice of his sober approach is 2013’s breathtaking Southeastern with its enduring keepers, Cover Me Up, Stockholm, Elephant and the aforementioned Traveling Alone.

“I wasn’t in the same type of pain,” he says. “Recovering from addiction heavily involved dealing with myself — my life, my emotions, my situation — not postponing it.

“When I was drinking, I would write until the sun went down and then I’d think, ‘I need a drink’.

“With Southeastern, I would stay working for hours and hours at a time because I didn’t have anything else to do. It’s not like I was going to the bar.”

The record proved a big commercial success even if a song like Cover Me Up, recently covered by Morgan Wallen, is about recovering from addiction and the healing power of love, while Elephant is an unflinching study of mortality and the impact of cancer.

Today, Isbell performs such tracks from a slightly different perspective.

“With a room full of people cheering for these songs, we get to celebrate the fact that these horribly sad songs exist,” he smiles.

Next, we rattle through a few more Isbell staples like 24 Frames from 2015’s Something More Than Free with its sparkling electric ­guitar passages.

“I may have doubled up two exact same slide-guitar parts on that. It’s the old George Harrison trick from My Sweet Lord and it works every f***ing time.”

He sees guitar playing as his “hobby”. “My girlfriend paints very seriously and that’s her work,” he says by way of example.

“Lately she started working with miniatures and building doll houses, and that’s her hobby. It’s very close to painting but it’s not a commercialised part of her life.

“That’s how I look at guitar playing. Singing, songwriting, touring — that’s my job. If left alone for a couple of hours, I just sit and play guitar — that’s my hobby.”

There’s a profound Isbell song on 2017’s The Nashville Sound, If We Were Vampires, a big favourite of his friend, the late, great singer John Prine, who he describes as “thoughtful, witty, highly intelligent and emotionally open”.

“There’s some magic in that song,” he says. “Everything else on the album was written when I thought, ‘There’s so many f***ing love songs, why would I bother to do another one?’

“By the time I got to the chorus of If We Were Vampires, something hit me — the reason you love somebody, go through all that effort and pain, is because you’re going to die.

“Without death, we wouldn’t be motivated to live. It was one of those moments where I was like, ‘Wow! Thank God I weaved my way to that path’.”

A telling Isbell insight is revealed by It Gets Easier with its line, “it gets easier, but it never gets easy”, from the 2020 album Reunions.

It addresses his sobriety and brings this reflection: “I don’t think about drinking as much as I used to, but I do sometimes, not necessarily when things are bad.

“When it is going badly, the first thing you do is you make a plan – talk to friends, talk to a therapist, go to a meeting.

“For quite a few years, the hardest times have been to not think about drinking when things are going really well.”

Isbell’s consistently fine recorded output includes 2023’s Weathervanes, with standouts like reflective acoustic ballad Cast Iron Skillet and gritty rocker King Of Oklahoma, about the downward spiral of a blue-collar worker who turns to prescription meds.

Mention of them is cue for him to offer a warning to those attending his upcoming shows.

“When I’m writing a record, I think, ‘How am I going to make these people hold their pee for four more minutes?’

“Because when the new material comes out, that’s usually when everybody heads to the bar!”

• Jason Isbell & The 400 Unit play Belfast June 2, Dublin June 3, Bristol June 5, Gateshead June 6, Glasgow June 7, Manchester June 8, Birmingham June 10 and London’s Royal Albert Hall June 11

HER last tour in 2020 was cut short thanks to the Covid pandemic but now Louise is gearing up to go back on the road.

The Borderline singer will play five live shows as part of her Naked/Confessions tour next April, taking in cities including London, Birmingham and Manchester, with tickets on sale today.

And in an exclusive interview to celebrate the announcement, ex-Eternal star Louise says she’s never felt so inspired after her last album Confessions became her fourth top ten record.

“I’m so proud of that album,” Louise tells me.

“That’s really what spurred me on to carry on writing.

“It taught me that it’s OK not to please everybody.

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“I’m enjoying the creative process of not worrying about if people might hate on it.

“Knowing that you just can’t please everyone.

“It’s all about the mindset and the confidence.

“I do think that comes with age as well.”

After saying yes to going back on the road, Louise reveals she’s learned the power of saying no — and was inspired by pop royalty Madonna.

“I am a big fan, I loved the show she did with Sabrina Carpenter. As a woman, for me, it’s about celebrating people and their achievements,” Louise says.

“I hated reading anything negative about that because for me, she is a genius. I’m at that stage where I’m trying to embrace everything and go with it, but I am also saying no.

“I just wrote a song about saying no and I love it.

“The basis of the song is when you finally learn to say, ‘That’s not for me.’

“We all live in a world where we don’t want to say no to anything for a multitude of reasons.”

The tour, which kids off in Sunderland on April 8 next year, will see Louise picking her favourite tracks from her debut album Naked — which turns 30 in 2027 — and from Confessions for the set list.

And Louise — who will play The Mighty Hoopla festival in London next weekend — has promised to throw in some brand new tunes too.

Louise, who has scored nine Top Ten solo singles including 2 Faced and Pandora’s Kiss, adds: “I get that people will want the hits. It’s about celebrating Naked and Confessions — but I definitely will do new stuff on the tour.

“I don’t want to play it particularly safe.

“The one thing I have learned in this industry is that you have to keep changing.

“You have to keep finding new ways to motivate yourself. Whether that be music, what you’re wearing, the lyrics you’re writing.

“Now I know the lane that I’m in and I know what I want to do.”

Girls single minded

THEY have been together for over a decade, represented the UK at Eurovision and performed at Wembley Stadium.

Now, British girl group Remember Monday have given Bizarre’s Howell the exclusive that they’ve just completed work on their debut album in Prague – and have today dropped the first single, Delusional.

The trio, made up of Lauren Byrne, Charlotte Steele and Holly-Anne Hull first started work on the track two years ago, but only finished it last summer with the help of McFly’s Danny Jones and Dougie Poynter, after being introduced to them at the Capital Summertime Ball.

Lauren, who posed with her bandmates for the single artwork, said: “It feels like it was the first song that started the whole new era.

“After that session, it was like, this is the kind of music that we want to be working on now.”

Holly continued: “We just wanted to kind of hone in on our sound, really solidify what we want to say moving forward.

“I don’t know if we can say, but . . . well, we’re releasing an album.

“The sound that we’re going down is quite nostalgic. Like, we really love the Nineties rom-com energy of music.”

The group will support McFly on tour this summer.

They admit their path is not always easy given that they are independent artists without the financial backing of a major record label.

Referencing the title of their single, Charlotte said: “Our whole band is run and fuelled by delusion.”

Lauren added: “It’s weird to be around. But we do just talk about things as if they are happening regardless of whether we have the funds or contacts. We just speak it into existence.

“And it actually has worked. I don’t even know how we’ve got to this stage.”

It’s working so far ladies.

Good for you.

Too pretty for this ditty

SONGWRITER Linda Perry has revealed she almost turned down Christina Aguilera’s request for her song Beautiful after admitting she thought she was too pretty to sing it.

Linda wrote the track which ended up being one of Christina’s most enduring songs from her 2002 album Stripped.

Appearing on the Zach Sang Show, Linda said she played American star Christina, pictured at the Abbey’s 35th anniversary party in Hollywood, the track and explained: “She was like, ‘ I want that.’

“And I’m thinking, ‘No, you’re like, a hot chick. I’m not giving you this song. No way. Are you kidding me?”

It was only after Christina sang the track for Linda that she changed her mind, adding: “It broke the ice between the both of us when I saw that.

“That’s when I discovered beautiful people are actually insecure and just as damaged as I am.”

Sphere come all the Girls?

THE SPICE GIRLS might fancy zig-a-zig-ah-ing their way into a Las Vegas residency, but I’m told bosses at the Sphere aren’t interested in a quick nostalgia cash-in.

Insiders have confirmed bosses will only give the green light if Victoria Beckham, Melanie C, Melanie B, Geri Horner and Emma Bunton are all on board.

My Sphere insider said: “The Spice Girls would be a massive draw, but this couldn’t be done as a one-off or a short residency.

“The costs involved in creating a Sphere show are enormous. There’s special cameras, bespoke visuals and millions of dollars in production costs before a ticket is sold.

“They’d need all five on board and would want 40 to 60 shows.”

Last month Posh Spice teased that she was keen for the shows to go ahead, saying: “How good would the Spice Girls be at the Sphere? I love the idea of it.”

The venue, which has mind-blowing wraparound screens, has already hosted U2, The Eagles and No Doubt.

TREVOR NELSON was handed a top gong at last night’s Audio Academy Arias.

Rylan Clark hosted the bash at The Roundhouse in North London, which saw Radio 2 legend Trevor honoured with a Special Recognition Award.

He was handed the gong by my pal Craig David, who spoke about Trevor’s impact on the British music scene.

It was a great night for Radio 1 DJ Greg James too, with his Breakfast show landing the top prize in its category, while BBC Radio 6 Music’s Beth Ditto was handed Best New Presenter.

LOUIS TOMLINSON reckons there’s one man who could tempt him into a collaboration – fellow Doncaster star Yungblud.

Ex-One Direction singer Louis admitted he’s not keen on teaming up with artists for the sake of it, but working with the rock wild man would feel different.

Louis explained: “I really like his music and he’s from Doncaster, my hometown, I think that would make it even more interesting.”

But he joked that their might be a slight age gap issue.

Louis laughed: “I’d be the senior one in that conversation.”

Doncaster might be running the UK music scene soon . . . 

MY fellow Spurs fan AJ Tracey has joined talkSPORT as a World Cup pundit.

The Thiago Silva rapper will join footballer-turned-Strictly star Jimmy Floyd Hasselbaink and Burnley ace Kyle Walker on the station’s line-up for the big event this summer.

CRUZ BECKHAM And The Breakers lead the new music releases today with their catchy new single, Yeah, Yeah, Yeah.

DJ Sonny Fodera also drops his new tune, Let Me Be In Your Arms, ahead of his performance at Radio 1’s Big Weekend tonight.

LEGENDARY recording studio Abbey Road has announced its fifth annual Music Photography Awards.

This year’s judging panel is packed with music industry royalty, including Raye and Nile Rodgers.

Photographer to the stars, Rankin, is also on the panel ahead of the VIP ceremony on September 24.

Rankin said: “With another stellar judging panel joining us, I can’t wait to get stuck in and review the 2026 submissions. What are you waiting for?”
Submissions are open now.

ALL aboard for a summer of family fun at Drayton Manor Resort, where Sun readers can grab up to four tickets to the UK’s best-value theme park and zoo.

There are 10,000 FREE tickets up for grabs, plus another 90,000 tickets for just £20 — that is the lowest price you will anywhere, and that’s guaranteed!

With over 50 thrilling rides and attractions, plus a 15-acre zoo all in one destination. It is the perfect place for unforgettable family adventures and shared experiences. 

Join Sun Club for just £1.99 a month — don’t miss out.

From adrenaline-filled rollercoasters to family rides designed for all ages, there’s excitement around every corner, including guests under 90cm tall.

Younger guests can explore the magical world of Thomas Land™, Europe’s only Thomas & Friends™ themed area, featuring 25 rides and attractions inspired by the beloved characters from the Island of Sodor.

Families can also explore Drayton Manor’s zoo, home to animals from around the world, where they can swap rollercoasters for unforgettable animal experiences without ever leaving the park, making it both fun and educational.

Whether you are planning a big family day out, celebrating a special occasion or simply looking for a memorable adventure, Drayton Manor Theme Park & Zoo offers epic family fun.

How to get four tickets to Drayton Manor Resort

To secure your seats, follow the steps below:

Step 1: Download the Sun Savers app or sign up at sunsavers.co.uk

Step 2: Go to the Offers section on the app or website and click Start Collecting on the Drayton Manor Resort page.

Step 3: Once you have FOUR out of 12 Sun Savers codes. We will print one daily from Saturday, May 23 to Wednesday, June 3.

Step 4: Once you have collected FOUR Sun Savers codes, enter them on Sun Savers to unclock booking from 11am Tuesday, May 26. Click the Redeem code button and get your unique code, then book tickets on the Drayton Manor website by midnight Tuesday, June 23.

Or join Sun Club at thesun.co.uk/club for just £1.99 a month. Head to the Drayton Manor Resort page on Sun Club hub. Click the Redeem code button and get your unique code, then book tickets on the Drayton Manor Resort website by midnight Tuesday, July 21.

Tickets are available from the start of June until the end of September, excluding August.

18+ UK only (exc. IoM & CI). Sun Savers multiple code collect 23/05/26-03/06/26 or subscription to Sun Club or Digital Newspaper required. Booking closes 23/06/26 (Sun Savers/Digital Newspaper) and 21/07/26 (Sun Club). Tickets available from 01/06/23 – 30/09/26 excluding August, 2026. Non-transferable & non-refundable. Subject to availability, daily allocation limits apply. Limit of 4 tickets per person (maximum 2 free tickets). New customer offer: £1.99 per month or £12 per year unless you cancel at least seven days before your next billing date. Full T&Cs apply, see sunsavers.co.uk or club.thesun.co.uk/sun-club.

Join Sun Club for just £1.99 a month — don’t miss out.

HIS love life has been almost as varied as his incredible songwriting catalogue.

Sir Paul McCartney endured the tragedy of losing first wife Linda to cancer and a catastrophic £24million divorce from Heather Mills before finally finding happiness again with American businesswoman Nancy Shevell.

But today The Sun can reveal the identity of the secret childhood crush who became Sir Paul’s “one that got away” — a pretty neighbour whose striking good looks inspired the opening track to his new album, which tells the story of his childhood in Liverpool.

The record was unveiled at a preview event in London this month, where the legendary Beatles songwriter recalled memories of a pretty neighbour called Jasmine, who lived close to his home.

Today, it has emerged she is retired mum-of-three Jasmine Howe, who left the area and resettled in Hertfordshire before retiring to the New Forest in Hampshire.

And the now 83-year-old’s ­family were stunned to learn of the £800million rock legend’s youthful infatuation — revealing she had “absolutely no idea” about his fondness for her.

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They explained: “It’s a cute story, she lived nearby and knew who he was, but she never got close to him — meanwhile, he obviously felt very differently!

“It’s an amazing story — a very long time ago now, but we’ve chatted as a family in the past about how Jasmine grew up close to Paul McCartney.
Goosebumps

“She just knew him as one of the boys in the local area. It’s enough to give you goosebumps!”

The Boys Of Dungeon Lane is Sir Paul’s first solo album in five years, and critics say it is his “most personal to date”.

The title is taken from Days We Left Behind, a wistful acoustic track that references Dungeon Lane, near the River Mersey, where McCartney played as a boy, as well as a “secret code” and mysterious promise made to John Lennon at the time, which he insists “will never be broken”.

At a special event, held at the iconic Abbey Road studios in London where the Fab Four ­produced their biggest hits, Sir Paul played tracks from the new record and explained their ­origins — beginning with opening song As You Lie There.

The lyrics recall: “Do I ever cross your mind as you lie there? As you lie across your bed, am I there inside your head?”

Revealing the inspiration to a small invited audience, Sir Paul explained: “Up in one of the ­windows, there was a girl I ­fancied called Jasmine.

“But I didn’t know how to approach her — I never spoke to her.

“The joke was, she did show up later that year and knocked on the door. I was indisposed — I was on the toilet — so I missed Jasmine!”

Turning to his wife Nancy, who he married in 2011, he grinned and quipped: “Sorry, Nancy.”

Prior to meeting his third wife, Macca famously had quite a ­colourful love life.

His first serious romance was with Dorothy ‘Dot’ Rhone, who he met at the Casbah Coffee Club in Liverpool in 1959.

The pair dated for more than two years and even got engaged, but split just before Beatlemania exploded.

In 1963, Paul met actress and model Jane Asher backstage at one of the band’s concerts.

The relationship would last five years and Paul even moved into the family home on London’s Wimpole Street.

Jane was his muse and introduced him to the avant-garde arts and classical music scene, which would inspire some of his most famous songs.

Despite being charmed by Jane’s cultured family and domestic life, Paul had secret flings with model Maggie McGivern and US writer Francie Schwartz — betrayals that ultimately shattered one of the Sixties’ most iconic romances.

He met his second wife, model and amputee activist Heather Mills, at a charity event in 1999, marrying her three years later.

Their daughter Beatrice was born the following year. However, the pair split acrimoniously three years later with a very publicly played-out divorce — one that cost the star £24million.

However, the singer enjoyed real happiness with his first wife, American photographer Linda.

They married in 1969, raised four children together, and were ­inseparable until her death from breast cancer in 1998.

Growing up, Sir Paul lived with his parents at 20 Forthlin Road in Allerton, Liverpool, while Jasmine lived with her family on the corner of neighbouring Hurstlyn Road, just 20 yards away.

Both properties still stand in the south Liverpool suburb, nestled in a series of brick-built terraces — though Sir Paul’s is now owned and maintained by The National Trust as a museum.

The Trust operates tours around Sir Paul’s home and also John Lennon’s childhood home nearby.

Inside, the three-bed property has been meticulously preserved as a snapshot of 1960s Liverpool, including some of the family’s original decor — and a blue plaque outside commemorates “The Birthplace of The Beatles” as Paul and pal John would meet there to compose their earliest songs.

Jasmine later married her boyfriend Charles, known to the family by his middle name, ­Christopher, and they had three sons — Philip, Matthew and, amusingly, Paul.

A photograph of Jasmine posted online by a family member shows her looking elegant in a navy blazer at a relative’s wedding, with carefully cropped blonde hair beneath a wide-brimmed hat.

The relative explained: “She is 83 now and lives quietly. She wouldn’t want it to become any more of a story than it is — she had no idea that Sir Paul liked her, but she’s happy to leave it as that.

“It’s a good story for our family.”

The album, released on May 29, returns the world’s greatest living songwriter to many of his early memories and experiences, with Sir Paul going on to explain more about his 18th solo collection.

He said: “This was a lot of memories of Liverpool for me, but also any days we’ve left behind.

“Everyone’s got them, school, old mates  . . . It has memories of John in the middle — that’s lovely to go back to. Someone asked: ‘What’s the secret code?’ I’m not telling.

“You make up a lot of stuff when you write songs.”

And that admission may chime with Jasmine’s family, who later jokingly insisted: “She never ­actually knocked on his door.”

On another track, Salesman Saint, Sir Paul turns to his parents. “I was born in 1942, in the war. I was too young to appreciate that, but my parents weren’t.

“My dad was a fireman, putting out fires from the bombs. My mum was a nurse and midwife. But they carried on, because they had to.

“Like people in Ukraine, Gaza and elsewhere now.”

Meanwhile, Down South, one of the album’s most nostalgic tracks, recalls a story of hitchhiking with Lennon and fellow pal and later Beatles bandmate George Harrison.

The lyrics explain: “It was a good way to get to know you before we learned Twist & Shout.”

And reminiscing about the trip, Sir Paul reveals how he and George climbed on to a milk float.

He says: “There was the driver’s seat, a battery and a passenger seat. George got the battery. His jeans had a zip on the back and it connected with the battery. Later, he showed me the big zip burn.”

The new record was unveiled in Liverpool with a series of cryptic posters around the city.

Artwork for the project was designed by Sir Paul’s nephew, Josh.

It features cameos from Ringo Starr, The Pretenders singer Chrissie Hynde and Texas frontwoman Sharlene Spiteri.

And its release coincides with a series of major Beatles retrospectives — including Peter Jackson’s seminal Get Back documentary put together from restored archive footage that details the creation of their final album, Let It Be, and the band’s break-up.

But still to come is a major new dramatisation of the band’s rise to fame directed by Sam Mendes and with Paul Mescal as Macca.

The blockbuster will be released simultaneously as a quadrilogy in 2028, with each movie focused on one of the Fab Four’s formative years, charting their coming together as the world’s greatest musical group.

Filming with Mescal as Paul, Harris Dickinson as John, Barry Keoghan as Ringo and Joseph Quinn as George has already begun.

IN the weeks before we lost The Beach Boys’ Brian Wilson on June 11 last year, he had two special visitors. 

They were the group’s surviving founder members, his first cousin Mike Love, and his best friend from college, Al Jardine. 

It was their chance to say goodbye to the man who, above anyone, brought “good vibrations” to the world and created their 1966 magnum opus Pet Sounds. 

First to venture up the drive at Brian’s Beverly Hills mansion for one last time was Jardine.  

“I last saw him at the very end,” he says. “I came up to the house and he just pointed at me. 

“He said, ‘You started the band’, and I went, ‘Wait, come on, Brian, I’m sure you had a little something to do with it!’ 

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“He was very direct at times — he could be very unfiltered — but I think our friendship meant a lot to him. 

“He was always my best friend, right from when we started out.” 

Despite Brian’s well-documented struggles with mental health, Jardine insists that his old buddy never lost his passion for music. 

“His reputation remains solid,” he adds, before supplying an answer to his own question: “What’s the term? Legend.  

“His work will be appreciated for centuries to come. He had his own style. Just listen to his arrangements and his chord changes — they’re just so unusual.  

“His brother Dennis actually said it first, ‘Brian is The Beach Boys’. He created our sound and, as Mike Love would say, he heard things we couldn’t hear.” 

Of his last visit to Brian, Love says: “A couple of weeks before he passed away, I was able to go and see him. 

“We had a great time. We sang together, actually, which was a lot of fun.” 

Love leads the latest incarnation of The Beach Boys, keeping their songs alive in concert, including Pet Sounds classics God Only Knows, Wouldn’t It Be Nice and Sloop John B.  

“Brian’s still with us every night in that music,” he affirms 

If Brian, younger brothers Carl and Dennis, Mike and Al started out by singing about surfing, girls and open-top cars in the California sun, it was the elder Wilson sibling who took things to the next level with Pet Sounds. 

A themed song cycle employing pioneering production techniques, sublime harmonies, divine melodies and darker, soul-searching lyrics, it is regarded as Brian’s masterpiece.

He had been impressed with The Beatles’ sonic adventures on Rubber Soul — now he was pushing The Beach Boys to raise the bar higher, in turn inspiring their chart rivals to make Sgt. Pepper’s Lonely Hearts Club Band. 

Paul McCartney maintains that God Only Knows is his favourite song and that Pet Sounds is among his top three albums.  

He once enthused: “The musical invention on that is, like, ‘Wow!’  

“I just thought, ‘Oh dear me, this is THE album of all time, what the hell are we gonna do?’” 

To mark its 60th anniversary, The Pet Sounds Sessions — including demos, alternate takes and outtakes — are receiving digital, CD and vinyl editions. They feature a host of a cappella tracks shining the spotlight on the breathtaking harmonies.  

Which is why I’m speaking to Brian’s bandmates via video calls that seem entirely appropriate for singers who epitomise California’s sunny beach vibes.  

As we’re connected, Love, 85, reports that he’s “driving down the Pacific Coast Highway outside of Malibu”. 

In a separate call, Jardine, 83, is sitting in his solarium under clear blue skies in Monterey, gateway to the rugged Big Sur coastal region. 

First, Love gives me insights into his Beach Boys journey, leading up to the groundbreaking Pet Sounds.  

His mother Glee was the sister of Murry Wilson, father of Brian, Carl and Dennis, “so every holiday — Thanksgiving, Christmas, New Year’s, Fourth of July — and birthday was celebrated with music. 

“When Brian and I were teens, we’d get together and sing or listen to the radio, hearing groups like The Everly Brothers.” 

When they formed The Beach Boys, the clean-cut image involving surfing, sun and girls was, he says, “environmental because we lived a few miles from the sea”. 

Love continues: “We would often go to the beach for family outings. There, you’d find people who dressed a certain way, talked a certain way and had a certain attitude.  

“They were the surfers who inspired our first song, Surfin’ [released in 1961].” 

As to whether The Beach Boys joined the craze, he adds: “Dennis, Al and I had surfboards but we weren’t the greatest athletes. We appreciated it though, and we gave it a shot. 

“I’m not sure Brian ever tried it. He could only hear out of one ear and didn’t have much balance. You need all the balance you can get when you’re surfing.” 

Love recalls how he would “sit down at the piano with Brian while he figured out chord progressions, tempos and melodies.  

“I felt it was up to me to come up with lyrics and sing lead on songs we were working on together such as Surfin’ USA, I Get Around and Fun Fun Fun.” 

Jardine, who currently fronts The Pet Sounds Band of ace Brian Wilson associates, also casts his mind back to the early days but is interrupted by “actual pet sounds”. 

“Hang on a second, we have a little dog outside and he’s barking — I gotta shut him up,” he reports.  

When calm returns, I ask Jardine how he came to form a band with three brothers and their cousin in 1961.  

He answers: “Well, Brian and I were classmates in high school but didn’t really know each other. 

“We were on the football team — he was quarterback and I was full back. He would call the plays, either pitching the ball to me or somebody else. 

“But we didn’t interact until we went to college. I’d heard him in concert and, in our second year, I bumped into him on campus and said, ‘We gotta start a band’.  

“We walked over to the music room and started playing music for each other.  

“I’d already been in a folk group and, when he heard me sing, he realised I had a gift. 

“Then he said, ‘I’ve got my little brothers and my cousin, Mike. I’ll introduce you to them. I rented instruments from a local music store but we didn’t know how to express ourselves at first, so we just sang a cappella. 

“Once we finally got around the piano, we were off and running. 

“I soon realised that Brian was a fine-tuned instrument. He had a great voice, a great knack for composition and already had a duet thing going on with Mike.” 

As for the surfer image, Jardine credits Dennis Wilson, the family rebel who played the drums. He says: “Dennis was a surfer and the rest of us were land lovers. He taught me how to surf but I sank like a stone. 

“But surfing was the craze so we put lyrics to our first song and called it Surfin’.” 

In 1964, Brian dropped the bombshell that he was stepping back from touring to concentrate on studio work.  

Love provides this insight into his cousin’s state of mind: “Brian wasn’t comfortable on the road — he got nervous and unhappy. He missed home and he missed the studio. 

“It was a drag to see him leave the live group but it was in his best interests.” 

Afforded fewer distractions, Brian applied himself to Pet Sounds and, in tandem with it, the sophisticated sonic miracle Good Vibrations — a standalone hit deemed not a good fit for the album. 

This period coincided with his experiments with LSD and marijuana.  

He once stated that drugs helped him achieve a deeper level of creativity but later expressed regrets over the damage to his mental health. 

Because of the complexity, Brian needed longer than usual to finish Pet Sounds so The Beach Boys released a stopgap party album, yielding one of their biggest hits, Barbara Ann. 

Then, after a tour of Japan in January 1966, with Bruce Johnston taking Brian’s place, Carl, Dennis, Mike, Al and Bruce returned for the momentous sessions.  

In their absence, Brian had employed lyricist Tony Asher and crack session musicians the Wrecking Crew, including, among many, Glen Campbell on guitar and banjo. 

Love says: “The tracks Brian had done were completely amazing. Our main job was to finish them vocally and we worked very hard.” 

One of the songs was God Only Knows, which he says was “sung so beautifully by my cousin Carl”. 

“We lost him many years ago to lung cancer. For concerts these days, my son Christian sings lead.” 

So what was Carl like? “He was our musical director on stage and the most proficient musician in the group,” replies Love. 

Jardine adds: “Carl could knock it out of the park. He was right in the centre of our harmonies with Mike’s baritone below and me higher, with Brian higher still.” 

And what about Dennis, who had a wild reputation and later befriended cult leader and killer Charles Manson? 

Love says: “He lived a dangerous life because of the alcohol and drugs he got involved with. He died [from drowning] in 1983.” 

Jardine adds: “Dennis was our Keith Moon. Oh boy, all he had to do was just stand up on stage and the crowd would go nuts.” 

It was self-confessed folkie Jardine who brought Bahamian sea shanty Sloop John B to Brian. He says: “I was a Kingston Trio fan. They were big Capitol Records guys, same label as us, and they wore striped shirts.  

“Learning all their songs was my musical training. When the time came to start The Beach Boys, I went out and bought striped shirts for us. 

“Sloop John B was my idea. I said, ‘Brian, if we add one major and one minor chord, it’ll sound like us instead of The Kingston Trio’. 

“He put it to good use. It became Pet Sounds’ lead single. Capitol always wanted a hit to sell an album.” 

Recalling the sessions, Jardine says that Brian’s abilities had been “growing exponentially” while they’d been away. 

“In spite of our jet lag, we were in the studio the day after we got home from Japan. We were extremely impressed with Brian’s arrangements. 

“People forget that he was a masterful producer. He knew the language. He could go into a studio and the studio became an instrument for him.” 

That said, it wasn’t all plain sailing, as Jardine explains: “Mike didn’t like the lyrics on some songs so he insisted on changing a couple around.  

“He thought a song called Hang On To Your Ego was too sophisticated for our crowd so he changed it to I Know There’s An Answer.” 

The story of Pet Sounds wouldn’t be complete without mention of the album title and cover shot of the boys among the goats at San Diego Zoo. Love says: “Brian didn’t know what to call the album.

“At the end [of final track Caroline, No], you hear a train going by and dogs are barking.  

“Those were Brian and [first wife] Marilyn’s dogs. So I said, ‘Why don’t we call it Pet Sounds? It was a double entendre, of course — and it stuck.” 

Jardine picks up the story of the photo shoot: “It was a total mystery to me.  

“We had to drive to San Diego, which was 200 miles away. We had our own zoo in Los Angeles, for God’s sake!” 

The resulting album cover has a quaint charm but it’s not exactly up there with Sgt Pepper’s iconic Peter Blake design. 

Love smiles at the memory and says: “I was in India at the Maharishi’s place when Paul McCartney and I had a conversation one night. 

“He was saying, ‘Mike, you ought to take more care with your album covers’. 

“So I told him, ‘Paul, you’re absolutely right.

We should’. 

“But we always felt that what went into the sleeve was more important than the cover itself.” 

And speaking of goats, to many including Macca, Pet Sounds is the GOAT. 

THE BEACH BOYS 

The Pet Sounds Session Highlights 

★★★★★

AN X Factor star has mysteriously pulled out of a major festival gig for “unforeseen” reasons.

The 30-year-old shot to fame on The X Factor in 2012 and went on to enjoy huge success as a musician.

The In It Together festival, which takes place this month in Wales, has announced that X Factor star Ella Henderson will not be appearing this year.

Taking to social media they said: “We’re very sorry to share that Ella Henderson has unfortunately been forced to cancel some of her upcoming appearances due to unforeseen circumstances, and as a result will no longer be appearing at In It Together Festival this year.

“We completely understand and support Ella’s decision, and we want to send our love and very best wishes to Ella and her entire team at this time.

“We sincerely hope to welcome Ella to In It Together in the near future.”

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The statement continued: “While we know many of you will be disappointed, we’ve worked tirelessly behind the scenes at the last minute to secure a huge replacement artist and someone you absolutely do not want to miss.

“Join us on Sunday at 2PM on the Together Stage for the official reveal. Trust us… this is BIG.”

Ella found fame on the ITV talent show in 2012 aged 16 where she wowed judges with her rendition of Cher’s Believe before reaching the live finals.

But she finished in sixth place behind winner James Arthur.

Following her stint on the show, Ella went on to sign with Simon Cowell’s label Syco Music and released her first studio album, Chapter One, with the music mogul in 2014.

During her time with label, Ella scored several hits with her single Ghost, which she wrote with the American writer producer Ryan Tedder, and emotional ballad Yours.

She went on a four-year hiatus in 2015, and released her second studio album, Everything I Didn’t Say, in 2022. It became her second top 10 album in the UK.

Ella has received the Brit Billion Award, and nominations for four Brit Awards and an Ivor Novello Award.

AKON and Ne-Yo have been the soundtrack of our lives for the past two decades.

Between them, they have sold more than 55million records worldwide, thanks to a series of high-profile collaborations including Rihanna, Mariah Carey, Gewn Stefani and David Guetta.

In 2008, Akon teamed up with Michael Jackson to rework the King of Pop’s 1982 smash Wanna Be Startin’ Somethin’.

Now he tells Bizarre that he’s got his sights on teaming up with Princess of Pop Britney Spears.

Speaking to Bizarre’s Jack backstage at The O2 as he and Ne-Yo team up for a massive UK arena tour, Akon said: “Yeah, I would f***ing kill that record with Britney. I’m obsessed with her.

“I have some songs lined up, but I can’t even explain it. As for the sound, I think it needs to reflect where she’s at in her life.”

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He added: “That thing is beyond Britney. I can’t think of anyone that I haven’t worked with.

“So this is why I do a lot of collaborations with new artists, because that is what inspires me now.”

The duo have played just about every big arena in the country, including multiple nights at Manchester’s Co-Op Live Arena and four nights at London’s O2.

And fans there for their last night at the capital’s venue this Thursday are in for a treat as the show is nothing short of bonkers in the best way, with Akon crowd-surfing on a pimped-out table.

The hitmaker had kicked off the tour Zorbing over the crowd — but UK health and safety rules forced him to rethink his plans.

Akon said: “Yeah, the inflatable ball was my idea. I’ve been doing it at other places since about 2008, but the UK has got too many restrictions.”

Videos of Akon crowd-surfing have gone viral on social media, with overjoyed fans baffled and stunned at the singer’s ­daring display.

In one clip, the superstar can be heard telling ­security not to worry and to get out of the way, as his fans love him and won’t hurt him.

Admitting he has zero fears when it comes to entering the crowd, Akon said: “No, I’m not nervous about falling off at all.

“You have got to have balance, though.”

After we tell him we would need a vodka before hitting the stage, the teetotal star laughs: “That’s why you could never do it. You couldn’t balance on there.

“You would be wobbly the moment you get on top.”

In fact, the sober star says all he needs is a can of Coca-Cola and some jelly beans to get him pumped up for the two-and-a-half-hour show.

Akon said: “Back in the day I used to work out before a show, but now it comes so second nature, I just chill and relax until it’s time for me to get on. I literally have no rituals.

“I love jelly beans. I have them before my show every day. I like Coke as a nice refreshing drink, and I make fruit juices as well. Just the basic stuff — ginger and lemon teas.

“But for the show itself, it’s totally different. I turn into the Incredible Hulk. I just change when the lights come on. I turn into somebody totally different.

“I’m not exhausted by the end. I’m fully energised and ready to go again.”

While Akon is powered by jelly beans, it seems his co-headliner Ne-Yo gets his energy from Scampi Fries.

Bizarre are led through the rabbit warren of corridors in The O2, passing racks of diamond- encrusted clothes to meet the star ahead of the gig.

And when he emerges from his dressing room, he holds up two packs of the savoury snack, which can be found in most old boozers.

Clearly impressed and baffled by the quintessentially British treat, Ne-Yo says: “I’ve just discovered scampi snacks — I love them.”

Rather than bringing them with him on the road, bosses at The O2 have stocked his dressing room minibar with a ­plentiful supply.

We tell Ne-Yo that if he pops to the pub for a post-show pint, he will be able to ask for a bag of Scampi Fries alongside his Stella.

Ne-Yo, who has clocked up 20 UK Top 40 singles and five UK No1s, jokingly replies: “I’m going to invest in the company.”

Judging by their high-energy set, it seems jelly beans and Scampi Fries really are the way forward.

ZENDAYA: MY BALANCING  ACT

THEY are two of the biggest showbiz names on the planet.

But despite regularly being seen out and about together, Tom Holland and Zendaya are notoriously private when it comes to their relationship.

Now the Dune actress has revealed why she holds things back from fans – describing how she is locked in a daily battle over how much of her private life to share.

Zendaya said: “It’s a complex thing. It’s a balance of how to figure out how much to give of yourself, because I wouldn’t be in this position without the people who support me, and I want to be able to show them how thankful I am for their support.

“But then on the flip side, it is important to pour into yourself as well and hold things sacred to yourself and to your loved ones – to have those moments too and create that little healthy boundary.”

Zendaya and Tom married in secret this year after meeting on the set of Spider-Man: Homecoming in 2016.

She added: “At the end of the day, you have to fill your cup too.

“I try to find that balance. There’s really no blueprint. There’s no road map.

“We don’t know what we’re doing. We’re just figuring this out every day.”

A $570m JACKO THRILLER

THE MICHAEL JACKSON biopic, Michael, has only been out for three weeks but is already breaking records.

The film has surpassed $570million (£420m) at the global box office – making it the No1 music biopic of all time in North America.

It is only the second music biopic ever to earn more than $500million at the box office, following in the footsteps of Bohemian Rhapsody.

Released in 2018, that film saw Rami Malek play the late Freddie Mercury, while former EastEnders actor turned X-Men hunk Ben Hardy played drummer Roger Taylor.

Meanwhile, in Michael, the late King of Pop is played by his real-life nephew, Jaafar Jackson.

Michael’s daughter, Paris Jackson, has distanced herself from the project, accusing bosses of creating a “fantasy” with “full-blown lies”.

ARIANA: NEW LIFE BUDS IN PETALS

ARIANA GRANDE has continued to tease her upcoming eighth album, Petal.

The We Can’t Be Friends singer has insisted the new collection isn’t like her X-rated 2021 record Positions – despite previously referring to it as “a bit feral”.

Asked if the records will be similar, Ari simply replied: “No, but I love her [Positions] . . . I just enjoy evolving.”

The album’s lead ­single, Hate That I Made You Love Me, drops in just over a fortnight, with Petal released on July 31.

Ari’s previous album, 2024’s Eternal ­Sunshine, was all about her split from ­Dalton Gomez after three years of ­marriage, and finding love once more with her Wicked co-star Ethan Slater.

Insisting Petal will be far more uplifting than her last offering, Ariana added: “Basically, it’s about something that is full of life growing through the cracks of something cold and hard and challenging.”

Doja’s frilled to hit  town  

LOOKS like less is more for Doja Cat.

The Paint The Town Red rapper clearly doesn’t feel the cold as she steps out in New York in this tiny outfit.

Looking ready to party into the night, Doja opted for a purple metallic crop-top and a tiny frilly brown skirt – which barely measures more than some of the belts I own.

Doja completed her look with an equally minuscule pink handbag, which looks like it would only be able to fit an iPhone and a ­single lighter.

She may be from Los ­Angeles, but Doja clearly has some northern grit in her.

HELLO JAMES – WHO’S THE LITTLE GUY ON YOUR KNEE?

I’VE posed for my fair share of unflattering pictures with stars over the years.

But James Martin may have just taken the crown when it comes to photographic oddities.

The TV chef shared this picture of himself with presenter Guy Martin after he appeared on James Martin’s Saturday Morning cookery show.

Due to the angle, James appears five times the size of Guy, who is perched next to him like a ­ventriloquist’s dummy.

The Instagram comments section was ­immediately filled with fans of the duo giving them a good old-fashioned ribbing.

One wrote: “Did you have him on a boil wash?” Another added: “Love Guy. I didn’t realise he was only 2ft tall though.”

A third teased: “Faith in the British sense of humour restored by reading this ­comment section.”

Seemingly oblivious to the epic fail, James gushed over his bromance with Guy, with the caption: “I’ve interviewed many people but Guy was a top one . . .fascinating man and a massive eater. Top show – hope you liked it.”

DANCEFLOOR legend Martin Garrix has confirmed my tale that his single with Ed Sheeran is just around the corner.

Over the weekend, a billboard with a message from Martin popped up in the Dominican Republic, where Shape Of You singer Ed has just played a show.

It read: “Hi Ed. Can we please release our song? Xx Marty.”

I told last month how the duo will be releasing Repeat It.

Show support

LEWIS CAPALDI has added some huge support acts to his BST Hyde Park shows in London.

The singer will be supported by a string of top names including The Vaccines for his July 11 gig and Alessi Rose for his July 12 date.

Before he reaches the capital, Lewis will also play the brand-new Roundhay Festival in Leeds on July 4.

Jessie Murph, Kerr Mercer and Nieve Ella have all been announced to support him at the show.

Going all out

WE can always count on Rita Ora to go all out when it comes to weird and wonderful outfit choices.

The singer and actress looks like she stepped straight off the runway in this quirky blue-striped co-ord on Sunday in London.

Rita was in high spirits as she headed to the Royal Albert Hall to rehearse for tonight’s special King’s Trust Celebration concert there.

Bizarre will be backstage to bring you all the gossip from the VIP-packed night.

MUSIC fans were divided after Oli Sykes slammed them for leaving his band’s gig early.

Oli, 39, fronts the massive band Bring Me The Horizon and went on the rant at their recent gig in Nashville, USA.

Kneeling on the stage wearing a large cowboy hat with a pink feather hem, Oli angrily pointed in the direction of the crowd in a video posted to TikTok by user @professionalconcertgoer.

“Now I start seeing t***s leaving early to beat the traffic… I can see one there, that c***t and he’s a VIP one too,” Oli said looking into the audience.

“Why did you pay all that money for?”

Fans of the band explained their reasons for needing to leave gigs before they finished and also slammed Oli’s attitude.

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“I always think it’s wild when artists talk about the fans that lined their pockets like this. I thought better of Oli,” wrote one person in the comment section of the TikTok.

Another added: “Oli my brother in Christ the last bus / train home is like 10:45 we have to leave early or we’re sleeping on the street.”

But a third commented: “I’ll never understand why people leave early. I’ve done it a couple of times and have regretted it every time.”

While a fourth posted: “He said this in toronto too, i felt bad but he’s gotta take it up with go transit 😭 if i miss my train i’m stranded in the city, i don’t have money or a credit card to get a hotel for the night.”

Bring Me The Horizon formed in 2004 and have released six studio albums.

They have been nominated for two Grammys and this year won a Brit for Best Rock/Alternative Act. They’ve also scooped seven Kerrang! gongs in a career that dates back 20 years.

There was no greater sign of a mainstream breakthrough than when they collaborated with Ed Sheeran for a souped-up version of his hit Bad Habits at the Brit Awards in 2022.

Adding rocky riffs and synths to the catchy pop tune, the heavier element clearly thrilled Ed who performed the collab with a big grin.

Last year, Oli officialy became a dad after his Brazilian model wife Victoria Alissa Salles Silva announced she had given birth to twins.

In an Instagram post, she shared an image of the tots – writing, “amor infinito,” which translates to “infinite love”, adding, “grey & zélia.”

IN northern Arkansas on the banks of South Fork Spring River in the region known as the Ozarks, you’ll find a tiny settlement called Saddle.

Today, it comprises a modest Baptist church, an old timber-clad general store turned events venue (now up for sale) — and very little else.

Not so far away, out in the wilds, is the farm where country star Ashley McBryde grew up.

It is the place where she first picked up a guitar and discovered her passion for music, the starting point of her journey to the world stage.

Along the way, she rebelled against her strict preacher father, sang in biker bars, acquired the striking collection of tattoos adorning both arms and fought alcohol addiction.

Yet her inspirational climb has taken her to country music’s spiritual home, the Ryman Auditorium in Nashville and the O2 Arena in London for the C2C festival.

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And next month she will support a titan of the genre, Garth Brooks, at Hyde Park in front of 65,000 people.

Since becoming sober in June 2022, Grammy-winning McBryde is making some of the best music of her life, and she’s doing it by returning to her roots.

On one of the rousing songs on her fifth studio album, the aptly titled Wild, she sings these lines with mighty conviction…

“It’s in my throat, it’s in my bones, it’s on my boots and in my blood. That Ozark streak sureе runs deep and it sticks to me like that Arkansas mud.”

I tell her that my only experience of her childhood stomping ground is the TV series Ozark about a Chicago family who decamp to the area, for money- laundering reasons as you do, where they encounter small-time hillbilly criminals.

“Yeah, I’ve known some characters like those,” says McBryde with a knowing smile. “They did a great job on Ozark.”

She is one of a new breed who has learned to accept “the Nashville machine” while remaining true to themselves.

“I’ve done a good job, not a perfect one, of being inside the machine but also sticking to my guns,” she affirms.

“It’s an industry that asks the brunette to be blonde and the girl that’s 5ft 3in to be 6ft.”

At times, McBryde felt she was “falling short of being shinier, blonder, skinnier” but, she adds hand on heart: “You’re just not getting rid of what’s in here.”

In the same bracket, you will find two big bearded male artists keeping it real — Luke Combs and Chris Stapleton, who are among America’s biggest selling artists right now.

These are the natural successors to the original country “outlaws,” who include McBryde’s hero Kris Kristofferson, fellow Arkansawyer Johnny Cash and last man standing Willie Nelson.

She delivers kick-ass songs, drawing on rock and roll as much as anything, but she can also turn her intuitive talents to tear-stained balladry or a country-pop masterclass like recent single What If We Don’t.

I’m meeting the vivacious 42-year-old during her whistle- stop visit to London, and we find ourselves beside a picture window overlooking Kensington Gardens filled with people catching the glorious spring sunshine.

I can’t help sensing the contrast between the swish hotel suite in a teeming capital city and Ashley McBryde’s isolated upbringing that is, in part, the inspiration for her new album.

Taking my cue from the name of her album, I ask her if she was a “Wild” child.

“I think I was a good kid but I was also in trouble a lot,” she replies.

“I asked a lot of questions that people didn’t want to answer. They didn’t care for a child who wanted to know why things had to be a certain way.

“But I was always out in the woods, dreaming up this or that. I would be one of the X-Men, making swords and guns out of sticks.”

The youngest of six, she paints a picture of her childhood that conjures up classic American literature — Little Women, Tom Sawyer or Little House On The Prairie.

In fact, every night her “angel” of a mother would read her a chapter of the latter book as well as one from the Bible.

“I didn’t own shorts until I was an adult,” continues McBryde.

“Because my legs would get so ate up with tick bites from being out in the briars and thorns. It was a very physical existence.

“We worked real hard. We had cows, chickens and horses but my favourite thing about it was I could go wherever I wanted.

“I could go out walking for a whole day. I remember one time I asked mom if I could camp out for the night.

“She said, ‘Why would you want to do that?’ And I said, ‘I just want to cook my soup on a campfire’.

“She was like, ‘Well, knock yourself out’.”

But there was a duality to life in this rustic idyll because McBryde’s farmer and preacher father, William, imposed his strict religious beliefs at home.

This perhaps explains why she has been singing the late Randall Clay’s storming Rattlesnake Preacher live for several years and why, finally, her studio version opens Wild in such uncompromising fashion.

“There was freedom even though we lived in a very, very rigid household,” says McBryde.

“It was all right as long as what you wanted to do was within the parameters of what was considered to be right.

“So there was nothing wrong with going for a walk or riding a horse or digging a hole or learning to play a guitar. Those things were totally OK.

“But it was very much a case of the man being the head of the family, the way Christ is the head of the church — and anything that went against that could go to hell. There was no break.”

Although she was generally expected to attend church on “Wednesday night, Sunday morning and Sunday night,” sometimes even that was off-limits “if they were doing something that my father deemed not in alignment with his book”.

This brings McBryde to an extraordinary revelation: “To my knowledge, my father has still not listened to my music.”

That said, she admits that he had to hear one of her songs, Bible And A .44, written about him and appearing on her debut EP in 2016, Jalopies & Expensive Guitars.

It includes the lines: “He taught me how to hunt and how to love the Lord/He carried a Bible and a .44/And they just don’t make ’em like that no more.”

McBryde says: “I sang it to him after I wrote it. He told me, ‘You painted me in an awful nice light. I wish all of it could be true.’

“And I said: ‘You don’t see what I see because you’re not looking at what I’m looking at.’

“It was a nice way to give him a break from being the villain because a lot of the time he was. There were really great qualities about him, too.”

As for her beloved mother Martha, she says: “She’s an absolute angel. I don’t think she’s ever done anything wrong.

“She can make you an outfit right now while she’s making you a casserole while she’s praying for someone who has lost a limb.”

It was in this old-school world that McBryde developed her love of making music, becoming enchanted by the songs of the rugged Kristofferson and the more polished John Denver.

“I knew I wanted to be a singer and a songwriter from a really young age, even before I was a teenager.”

She knew she was on the right path when, after leaving home, she “started making enough playing in bars not to wait tables anymore and to keep the lights on in my apartment”.

A rebel at heart, McBryde recalls playing biker dives and, like the clientele, she got tattoos, wore leather and drank heavily.

As she tried to get a foothold in the country music scene, there wasn’t much hope “for a non-blonde who was covered in tattoos”.

“I did meet a lot of friction,” she says. “Some labels were not in any way interested.”

But her irresistible talent was spotted by, among others, Eric Church, another country star who likes to say it how it is.

“He was a great champion,” says McBryde. “A great name to be associated with because of the way he makes records and the way he approaches music.

“For him to say, ‘I like this songwriter’ does open a door.”

Evidence of that door being opened arrived in 2018 when McBryde’s major label debut, Girl Going Nowhere, was released on Warner Nashville, including one of her signature songs, A Little Dive Bar In Dahlonega.

It’s about resilience in the face of a break-up and, among its references to drinking is the line, “We’ve all got a number we don’t wanna drunk dial.”

I guess it alludes to another aspect of McBryde’s life because, running parallel to her early years in the business, was a dependence on alcohol, which she’s finally coming to terms with.

One of her new album’s most captivating songs is the beautifully sung ballad Bottle Tells Me So.

“I didn’t want to have a problem with alcohol but, like it or not, it’s part of my story,’ admits McBryde. “And I didn’t want to talk about it for a long time.

“I was either drinking, drunk or hung over at all times – and that’s really tough.”

In 2022, matters came to a head when, on the advice of her team, McBryde went into rehab.

Now proudly four years sober, she says: “Writing Bottle Tells Me So was a way to acknowledge it without saying, ‘I’m sober and you should be too.’

“You don’t want to preach but life is so much better for me now that I don’t drink.

“In that song, I’m not saying I’m never going to drink again. There’s no shame involved.”

In explaining why a habit that began while “acting cool and hanging with friends”, McBryde says: “I’ve heard it said that the addicts of all types aren’t addicted to any substance.

“They’re addicted to not feeling their feelings. I would say that is spot on for me.

“Not consuming alcohol anymore is probably the simplest part of becoming sober. You have to completely re-meet yourself and rewire everything.”

McBryde says she feels “1000 per cent” better, both physically and mentally. “I look better and I feel better. Despite still feeling anxious, I’m stronger than I knew and that makes me happy.”

She recalls her first show after leaving after getting sober: “I left treatment on Tuesday, got in the bus on Wednesday and was on the stage on Thursday.

“It was my first time being more than 30 days dry and it was the most terrifying, coolest thing I will ever experience.

“I was worried and asked myself, ‘What if I can’t do this?’ But I got out there and was spot on. Bullseye! Now I’m at the top of my game.”

McBryde is undoubtedly dialled in on Wild, produced with sparkle and empathy by John Osborne of country duo Brothers Osborne.

“John’s magical, playful and curious,” she says. “When I try something, he will say, ‘If you love it, we keep it. If you hate it, we toss it.”

It’s a healthy state of affairs for an artist who is increasingly cherished by the country music establishment in Nashville.

She says: “My friends and I always joke, ‘You can never change where the machine is headed unless you climb inside the machine.’

“I want to make music that people will hear. I like being able to make your guts hurt.

‘And the only way to get it heard is to abide by certain rules.”

One her proudest achievements is becoming a member of Grand Ol’ Opry, showcase for the greats from Hank Williams (even if he did get banned) and Patsy Cline onwards.

“I love it,” says McBryde. “Just thinking about it now, I smile so big. My face is complete cheese.”

And there we have it. Ashley McBryde, force of nature, born and raised in the Arkansas Mud but reaching for the stars.

ASHLEY McBRYDE Wild

4.5 STARS

SIMON Cowell has revealed he is thinking of bringing back The X Factor, nearly eight years after the ITV talent contest was axed.

Over its 14-year run the show discovered huge acts including One Direction, Little Mix, Leona Lewis and Olly Murs.

And now the music mogul is considering a revival for the Gen Z years, following the success of his Netflix show The Next Act, which spawned rising pop stars December 10.

Simon told TV presenter Jamie East on his new podcast Tales From The Celebrity Trenches: “Do you bring it back as X Factor or do you bring it back as the Z Factor? We talk about it a lot.

“There’s still no question — the power of TV in terms of getting people to know an artist.

“It is so important if you are not writing your own material.

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“There is something about being on a big screen.

“You do hear about these artists who break online, but so rarely.

“We could have made [The Next Act] online.

“I just don’t think it would have had the same effect.

“The truth is, thank God, people like being on TV.”

Running such a huge talent show is not always plain sailing, but Simon had a distinctly New Age solution when the stresses got just too much while filming The Next Act.

He turned to crystals.

Simon recalled: “We were running out of money so I did have a little mini meltdown.

“And then I just sat with my crystals and they just comforted me.

“I can feel the energy.

“I thought it was kind of comforting having the crystals rather than everyone in my ear driving me crazy.”

He added: “I definitely believe in the powers of the universe.

“I feel that if you can harness the power of the universe to try and make your mind just calm down for a moment . . . ”

I don’t think I’ll be swapping a medicinal glass of rosé for rose quartz any time soon, but each to their own . . . 

Kylie in Michael tribute

Kylie Minogue will pay tribute to late boyfriend Michael Hutchence in her new self-titled Netflix documentary.

She confirmed yesterday that the Inxs frontman will be included.

In a first-look trailer, Kylie shared photographs of them together while they dated between 1989 and 1991.

Despite splitting, Kylie stayed close to fellow Aussie Michael until his death aged 37 in 1997,

She said previously: “He was a dark bad boy and I was the pure good girl.

“He opened up a whole new world for me.”

The three-parter will also feature Kylie’s friends and family talking about highs and lows she has faced, including her breast cancer diagnosis in 2005.

Kylie is heard saying off camera: “I felt removed from my body.

“I was so scared of what was ahead.”

Her sister Dannii can then be seen welling up as she says: “We didn’t know if she was ever going to well again.

“I just wanted to be with my sister.

“Music kept us going.”

Fans will have to wait until May 20 to watch the series in full.

Hol lotta Caity

Caity Baser was hostess with the mostess as she opened a beach club in the back garden of her seaside home.

She squeezed into a tight blue dress and posed with bunting and flowers at the party to mark the release of new single Holiday Song this Friday.

The singer’s pal Joel Corry was drafted in as DJ for the bash in Brighton.

She ordered a tonne of sand to turn her garden into a beach – but revealed to TikTok followers that she ordered builders’ sand by mistake.

She referred to her makeshift club as Ibiza Crops – a reference to Ibiza Rocks on the White Isle – but was dreading the prospect of clearing it all up afterwards.

If the release of the single goes as well as her party, she’ll have a very fun summer.

Jack Cullen began his first headline European solo tour in Bristol last night, and has a long slog in front of him.

The musician, who released single Face To Face on Friday, will play across the UK in the next few days then head to Brussels, Cologne, Amsterdam and Berlin.

He’ll then Run 22 marathons in 22 days – back from the German capital to London for the tour’s final night, headlining Oslo in Hackney on June 12.

Live gigs in Dolldrums

Pussycat Dolls, Post Malone and Zayn Malik have all cancelled North American tours in the past week – and it’s the clearest sign yet the live music economy is about to turn.

Last summer was one of the best-ever for gigs, with Oasis, Dua Lipa and Coldplay selling out stadiums, while Radiohead, Lewis Capaldi and Tate McRae played to packed arenas.

But ticket prices have only continued to rise since live shows returned after Covid, and now it’s clear punters have had enough of greedy artists taking advantage.

Shows are already hugely expensive in the UK, but over in the US, the prices are even higher.

Suki Waterhouse, Ella Mai and Logic and G-Eazy’s tours there later this year are also struggling to shift tickets, with fears they could be axed too. It’s only a matter of time before we see a similar knock-on effect in the UK.

Even some major tours here this summer are yet to sell out, after insatiable promoters added strings of dates and pushed artists into bigger and bigger venues.

As you know from this column, I love a good concert.

But at a time when everyone is strapped for cash, paying through the nose for a couple of hours of singing is just not an option for many.

So if the music industry keeps moving like it is at the moment, it’s only going to turn people off altogether.

It’s a three-horse race to the No1 album spot this Friday, with Mel C, Michael Jackson and Kneecap all battling it out for the prime position.

Just under 3,000 chart units separate third place from the top spot, so it’s all to play for.

Kneecap are currently at No1 with Fenian, closely followed by Mel’s Sweat and MJ’s 2005 compilation album The Essential, which is back in demand after the Michael biopic.

Pete aims for Kyle collab

Pete Doherty is recruiting The View’s frontman Kyle Falconer to collaborate on songs for his next solo album.

They previously worked together on Pete’s track Midas Touch, on Kyle’s recent LP Lovely Night Of Terror.

Now Kyle has revealed he visited Pete’s home in the South of France and will return soon to work with the Libertines rocker, right, again.

He said: “I was just over in France to see him, we’re talking about loads of stuff.

“It was all very arty. We were painting together, and talking about films.”

Pete’s last solo effort was 2025 album Felt Better Alive, while the last Libertines record was 2024’s All Quiet On The Eastern Esplanade.

Two years ago Kyle moved to Alicante in Spain with his wife Laura and their four kids.

He now runs songwriting camps from his La Sierra Casa studio, and said: “The camp is getting bigger and better every year, and we’ve just moved to a new place.”

Celebrity treasures on sale

War Child is back with its Spring Clean auction – packed with some of the most random and brilliant celebrity treasures going.

Fans can get their hands on Alan Carr’s Isabell Kristensen blazer from RuPaul’s Drag Race, and even a signed Devil Wears Prada 2 script donated by Stanley Tucci.

There’s a Fantastic Four script signed by Vanessa Kirby, plus one of the strangest items on offer – the infamous radish prop from Netflix’s Beef, signed by the cast.

You can also win a private film screening and lunch with Simon Pegg.

Meanwhile, sci-fi lovers can snap up a personalised photo signed by X-Files co-stars Gillian Anderson and David Duchovny.

Music lovers are also in for a treat, with signed setlists and memorabilia from Robbie Williams, The 1975 and Coldplay all among items up for grabs.

It runs until May 27, and will raise money to support children in war zones. See springclean.charitystars.com to get involved. Prize draw entries start at £10.

Liz up to sun-thing

Lizzo is lapping up as much sun as she can before she kicks off the promo for her new album, Bitch.

The Truth Hurts singer shared this snap with her 11million Instagram followers with the caption: “Best Birthday Ever”.

Lizzo turned 38 last week and used her special day to announce the record, which is the follow-up to her 2022 album, Special.

Teasing what Bitch has in store, Lizzo said: “I think it’s always going to be the Lizzo sound.

“I posted a snippet of one of my new songs that’s coming out very, very soon and somebody was like, ‘The Nineties are back’.

“I love constructing and producing and creating just well-crafted music and songs.

“I hope everyone likes it.”

As a massive Lizzo fan myself, I am sure I’m going to love it.

They are one of the most in-demand couples in ­Hollywood, so what do Gen Z heartthrobs ­Zendaya and Tom Holland do in their spare time?

The British actor, above with his other half, said: “So we have been ­crocheting at home. I absolutely love it.”

“I just find it turns my brain off. I can’t do anything else and do it. I have to be lasered in.”

I’m sure he still has Zendaya in stitches . . .