As Olivia Rodrigo kicked off the Unraveled Tour in support of her third album, “You Seem Pretty Sad for a Girl So in Love,” the internet had plenty to talk about—from her dissolving dress and flower-covered stage design to her custom-made, pink heart-shaped guitar.
The guitar was built by Luis Muñoz, a Mexican American guitar technician and luthier who operates out of a tiny repair shop in East L.A.
Originally from El Paso, Muñoz moved to Los Angeles in 2009 and took guitar repair classes in Hollywood, hoping to find his way into the music industry.
Music was always around Muñoz. He remembers discovering Slash after his family got cable television. Mesmerized by the Guns N’ Roses guitarist, who stole the spotlight with his top hat and searing guitar solos in videos for “Welcome to the Jungle” and “Sweet Child O’ Mine” on MTV’s Hot 100 music video countdown, Muñoz knew that was what he wanted to do.
He picked up his father’s old guitar and began learning to play, experimenting with the strings and teaching himself along the way.
His first opportunity came with singer-songwriter LP as a guitar technician. Muñoz admits he exaggerated his skill set to get his foot in the door, but he was determined to make the opportunity count.
“Once you’re in, you’re in,” he said.
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Over the years, Muñoz has toured with artists including Smashing Pumpkins, Deftones, Bush, Anthrax, Fall Out Boy and his most recent touring job was with Rodrigo, after his wife, the pop star’s former bassist, told him she was looking for a new guitar tech.
Rodrigo’s heart-shaped guitar was another opportunity to put his craftsmanship on display.
“I’m sure Olivia has every guitar company in the world in her DMs, and she still trusted a small shop in East L.A.,” Muñoz wrote on Instagram, alongside photos of Rodrigo with the guitar.
“Five prototypes before I got the body right. It had to look cool, play easy, feel comfortable, and most of all, sound good. Built completely by hand, late nights after shop hours.”
Muñoz recalled the moment Rodrigo’s team reached out to request a custom-made guitar. He knew he had one shot to get it right: “In the back of my mind, I’m like, I only got one shot and it has to be made with love.”
The guitar took several months to complete and was built entirely by hand. He later hinted that it is currently one-of-one for now. After Rodrigo shared the guitar with her fans, Muñoz’s one-of-a-kind creation quickly became part of the visual identity of the tour — but for him, the significance went beyond the instrument itself.
Now retired from touring to spend more time with his family, including his 18-month-old daughter, Rosie, Muñoz says moments like seeing young fans in the crowd are what stay with him.
“One of my favorite things being on tour was seeing all the little girls lose their minds. The power of seeing that. Immediately in their head it’s like, ‘I can do that too.’ Imagine if I’m playing a tiny little role in that, yeah … all day.”
Las Vegas Aces star A’ja Wilson said she apologized to her teammates for getting a technical foul late in an eventual 98-89 playoff loss to the Indiana Fever on Tuesday night in Indianapolis.
But the four-time league MVP is not apologizing for her actions that led to the foul being called.
With about 4 minutes left in the fourth quarter and the Aces down by 11, Wilson drew a foul against Indiana’s Sophie Cunningham. As Cunningham protested the call, Wilson walked over to a Fever fan who had been standing in front of his seat in the second row behind the basket and pointing in Wilson’s direction.
Visibly upset, Wilson stood directly in front of the fan, who had been pulled back into his seat by a woman sitting next to him, while yelling at him. She was quickly pulled away by teammate Cheyenne Parker-Tyus, but was still upset as she walked away.
Speaking to reporters after the game, Wilson said that there are “just certain things that I’m not going to allow anymore because it’s just unacceptable.”
“I don’t know if you guys know me, but I don’t really get into the bulls—. I don’t,” Wilson said. “I try to play my game, keep it pushing. But if I’m just walking, because I just got the foul, I’m chilling — and if I see a man come at me, taking steps towards me and pointing at me, I don’t give a damn what you said. I don’t give a damn how you said it, the tone. That is unacceptable.”
Online video footage shot from the stands shows that the man was standing in front of his seat as the play unfolded. He appears to take a step or two while pointing and yelling after the foul was called.
“I didn’t exactly see what happened. I kind of saw the aftermath,” Aces coach Becky Hammon told reporters after the game. “I’ve never seen A’ja Wilson go like that. So whatever was done, I can tell you she felt very disrespected in that moment. I’ve never seen her really react like that ever. So whatever it was, it doesn’t have any place, I don’t think, in an arena.”
The fan eventually was escorted out of the seating area but was allowed to return to his seat. The Fever said in a statement that arena security spoke with the man and witnesses and “determined there was no violation of the Fan Code of Conduct.”
Wilson was assessed a technical foul for unsportsmanlike conduct.
“Yeah, I’m apologizing to my team for that,” she told reporters. But, Wilson added, “you don’t have to like me. You don’t have to love me. You can hate me with all your heart. … But I guarantee you will respect me.”
The decisive Game 3 of the series is Thursday in Las Vegas.
It’s about moving on, or attempting to, after the franchise endured a nightmare offseason.
“My entire summer’s been basketball,” guard Darius Garland nonchalantly said during media day at Intuit Dome. “My main thing is to come in here and win games. So, that’s my main focus.”
The Clippers’ offseason was engulfed by the NBA’s salary-cap circumvention investigation into the team’s endorsement deals with Kawhi Leonard. The NBA fined the Clippers $30 million, stripped them of five first-round picks, dealt suspensions to owner Steve Ballmer and president of basketball operations Lawrence Frank — and the Clippers ultimately traded Leonard, who was fined merely $700,000, back to Toronto.
Garland represented his teammates in prioritizing hoops.
But for Trent Redden, the Clippers’ interim president of basketball operations, things weren’t that simple. The admittedly nervous executive started Monday’s news conferences by apologizing to the Clippers’ faithful for the aftermath of the Leonard situation.
“Our fans deserve to hear from us before this, and for that we’re sorry,” Redden said. “We’ve been listening to the thoughts, the concerns, and feeling the emotions of our fan base. They mean everything to us. … We hope to fulfill our promises to them, to build their trust and move forward through this time.
“This franchise often has done its best work with its back against the wall … We hope to represent our fans the same way we always have in dark times, by coming out fighting.”
Fighting is all the new-look Clippers can do as they enter the 2026-27 season.
Leonard is back north of the border. Other stars, such as Paul George, James Harden and the recently retired Russell Westbrook, are distant memories in L.A. For the first time in years, the Clippers aren’t entering a season with championship aspirations.
“It’s been difficult,” said Ty Lue, who enters his seventh season as the Clippers’ coach. “But I give our players a lot of credit … the leadership is great [and] the morale is great, even in these tough situations. That’s good to see, when you have your players coming in every day, giving everything they have; a lot of teams don’t have that.”
The Clippers’ league-record streak of 15 consecutive winning seasons is in jeopardy. Nonetheless, the team will still feature plenty of intrigue roster-wise, with a mix of youngsters “doing TikToks” and “old heads” trying to keep up, as Garland described it.
“I think we can surprise a lot of people,” he said.
Garland himself, 26, enters his first full season in L.A. as the team’s go-to scorer. A two-time All-Star, he’s primed to lead a promising backcourt alongside 19-year-old rookie Keaton Wagler, the Clippers’ No. 5 pick in the 2026 draft.
Wagler is one of the team’s promising young players, alongside fellow rookie Baba Miller, Kobe Sanders and the rehabbing Jordan Miller and Yanic Konan Niederhauser.
“I’m just going to do my best to stay mentally focused,” Wagler said when asked about the pressure of being the team’s first top-five pick since Blake Griffin in 2009. “Not worry about all the outside noise.”
The Clippers return key role players like Derrick Jones Jr., Kris Dunn, Bradley Beal and Brook Lopez, and sport new ones like Max Strus and Gradey Dick via trades.
However, the team’s ceiling will rest on the influence of new forwards Brandon Ingram and Rui Hachimura. Hachimura is coming off a strong playoff run and four-year stint with the Lakers.
“One thing about here … everybody talks about how they take really good care of their players,” Hachimura said of signing a two-year, $28-million contract with the Clippers this offseason.
Ingram, the centerpiece of the Leonard trade, is a solid three-level scorer and will shoulder much of the offensive load alongside Garland — when healthy.
Redden shockingly shared that Ingram is recovering from a partially torn Achilles tendon in addition to heel surgery.
“I had been dealing with some pain throughout the year with the Raptors, especially coming down crunch time with the Raptors,” Ingram said. “I didn’t quite know what it was. Near the end of the season, we figured out what it was, and surgery was the best thing to do.”
The 29-year-old Ingram, though, should make a full recovery and claims his best days are still ahead of him.
He feels the same way about his new Clippers team.
“I know [there are] little to no expectations for us this year,” Ingram said. “We have enough in the building to compete. This is what we love to do. So, we’ll go out and compete every single night, learn, go on to the next game and get better and better.”
Pro wrestler PAC, whose real name was Benjamin Satterley, died Sunday at 40 less than 24 hours after competing in All Elite Wrestling’s “All Out” pay-per-view event, AEW announced.
“All Elite Wrestling is saddened to announce the passing of Benjamin Satterley, aka Pac,” AEW said in a statement. “A native of Newcastle upon Tyne, England, Satterley began his wrestling career in 2004 and went on to perform for wrestling organizations all over the world, captivating fans with innovative high-flying moves and incredible in-ring ability. Pac signed with All Elite Wrestling in 2019 and held multiple AEW Championships and competed in some of the most memorable matches in AEW history. Our condolences go out to Satterley’s family, friends and fans.”
All Elite Wrestling is saddened to announce the passing of Benjamin Satterley, aka Pac. A native of Newcastle upon Tyne, England, Satterley began his wrestling career in 2004 and went on to perform for wrestling organizations all over the world, captivating fans with innovative… pic.twitter.com/uqzO371t2V
AEW owner Tony Khan posted a message on X honoring Satterley.
“Benjamin Satterley defined excellence, as a beloved husband & friend to his many loved ones, + in his wrestling knowledge, skill, unprecedented athleticism, professionalism, consistency + dedication to the sport that he loved & traveled the world to pursue,” Khan’s statement read. “May Ben rest in peace.”
Satterley broke into pro wrestling in 2004 and made a name for himself in the U.S. as part of the Pro Wrestling Guerilla promotion in Los Angeles. He signed with World Wrestling Entertainment in 2012 and was given the name Adrian Neville, later shortened to just Neville. He became part of their NXT promotion and won its heavyweight title before he was promoted to the main roster. He won the NXT Championship while in developmental and later made it to the main roster in 2015, winning the WWE cruiserweight title.
Considered one of the best wrestlers in the world, Satterley was was a relatively small 5 feet 8, 194 pounds and was not given a push relative to his ability in WWE. He left the promotion in 2018 and later joined AEW, where he changed his name to PAC and won the International title and the Trios title.
He was currently involved in a feud with Andrade El Idolo and challenged him for the national championship Saturday in Chicago, with El Idolo winning to retain the title.
When AEW launched in 2019, he was announced as one of the first signees, becoming the first All-Atlantic Champion and also won the Trios Championships. Since 2024, he had been a member of the Death Riders group.
Turns out Ed Sheeran, whose Loop tour became embroiled in controversy this month, won’t perform at billionaire Robert Kraft’s Gillette Stadium this weekend, either.
The “Shape of You” pop star’s Friday and Saturday shows at the Foxborough, Mass., venue have been canceled “due to severe weather warnings” in the region, Messina Touring, the Loop tour’s promoter, announced Friday in a statement shared on Instagram. The touring group said it made the “difficult decision” to cancel the upcoming shows after consulting with local officials. A powerful nor’easter is expected to bring strong winds, coastal flooding and heavy rain to much of the East Coast over the weekend, with wind gusts potentially reaching 50 to 55 mph around Boston and 35 to 40 mph farther inland, the Associated Press reported.
“The decision was made with the safety of fans, staff and everyone involved in the show as the top priority,” the statement continued, adding that fans can now receive refunds for their tickets.
Sheeran’s Loop tour hits its latest snag after weeks of turmoil. Earlier this month Sheeran and his touring team faced pressure to remove former opening act Macklemore from future shows. The Grammy-winning “Thrift Shop” rapper drew criticism from a handful of Jewish advocacy groups over his pro-Palestinian messaging during his opening sets at MetLife Stadium in New Jersey. Within days of the concerts, Messina Touring dismissed Macklemore from the shows. While Sheeran denied having a role in Macklemore’s departure, he confirmed that he spoke with Kraft, who was among the stadium owners expressing concern about Macklemore’s continued involvement in the tour.
Shortly after Macklemore’s dismissal, the remaining supporting acts for Sheeran’s tour, including Grammy winner Finneas and folk band Beoga (Sheeran’s backing band), quit the Loop tour in solidarity. Sheeran proceeded with his tour over the weekend.
News of Sheeran’s canceled shows also comes on the heels of Macklemore’s announcement of his Free Palestine tour. The rapper, who has been a vocal advocate for the Palestinian cause, revealed three concerts set to take place in late October in Dublin, Paris and London. Though additional details have yet to be revealed, Macklemore said he will be joined by artists “who have shown up and used their stages to stand in solidarity with the Palestinian people.”
Macklemore also announced that dates for U.S. tour stops will come in a later announcement and that the entirety of proceeds from his tour will go to a handful of charities supporting the Palestinians amid Israel’s war in Gaza. Macklemore announced last week he would donate all $1 million of his earnings from his time on Sheeran’s tour to numerous pro-Palestinian charities.
Sheeran is next expected to perform Oct. 3 at Mercedes-Benz Stadium in Atlanta.
Perhaps no one genre of music screams “Mexican” more than mariachi music.
Yet a close second is probably the melodic sound of British rock band the Smiths.
Many have pondered why Mexicans and Mexican Americans have such an affinity for those blokes from across the pond. Maybe it’s that lead singer Morrissey’s outsider mentality and melancholic words resonate with the demographic — or there’s something acutely relatable about the melodramatic musings of a romantic yearner.
He noted that Morrissey’s malaise mirrors the sentiment of many ranchera songs, also citing that his effeminate onstage persona is a perfect subversion of Mexican machismo. These elements make the singer an anglophone mash-up of Pedro Infante and Juan Gabriel, Arellano added.
Both the Smiths and mariachi music can drive even the most macho Mexican man to tears with their poetic lyrics and layered instrumentals.
To celebrate the special choke hold these musical stylings have on Mexican Americans in Southern California, the L.A.-based group Mariachi Tierra Mia is putting on a “Mariachi Meets the Smiths” show at the Ford amphitheater on Sunday. The show will merge not only the cultural resonance of the two in Mexican American culture, but also unite the sounds.
The idea to incorporate elements of mariachi music into a cover of a Smiths tune happened by happenstance in December 2024.
Members of Mariachi Tierra Mia were performing at a Christmas party when an attendee requested that the group perform the 1984 Smiths track “Heaven Knows I’m Miserable Now.”
Members of rock band The Last Line of Defense who will perform at The Ford as part of “Mariachi Meets The Smiths.”
(Mariachi Tierra Mia)
The ensemble’s leader, Maira Solis, didn’t know the song — but her husband and fellow bandmate Ivan Peña signaled that he did. Later on in the night, he performed the song alongside two dancing, masked luchadors.
The video of Peña belting out the song while outfitted in his mariachi regalia struck a chord with audiences online after the group posted it on social media.
“The relationship between Mexicanos and the Smiths needs to be studied,” Peña told The Times. “[The video] seemed like a very innocuous thing, but days later, it had 3 million views. That was the first time that ever happened to us, and to me, personally.”
The overwhelmingly positive response to Peña’s rendition of the Morrissey-penned tune let him know that people had an appetite to see the Smiths and mariachi blended together.
Born in 1991, Peña was born years after the Smiths broke up, but was introduced to the group’s catalog at age 5, while his uncle drove him around in a lowrider. The first tracks he heard from the band were “Heaven Knows I’m Miserable Now” and “Ask.”
“I don’t think the music has aged a wink. It’s just gotten better with time,” he said. “It’s clearly resonated across generations. Now you even see Gen Z getting in on it too and realizing music of the past is so substantial.”
But the fandom surrounding the Smiths, and more specifically Morrissey, has entered more complex territory in light of the Smiths frontman’s past political commentary.
“I get that he’s a polarizing guy. I know he’s notorious,” Peña said. “I [say], separate the art from the people behind it … because the piece itself is not at fault for the shortcomings or views of the people who made it.”
Sunday night’s concert will be split in two acts, with the first being a bilingual mariachi set by Mariachi Tierra Mia composed of genre standards and more modern covers. For the second act, Peña’s rock group the Last Line of Defense will perform songs by the Smiths and be joined by the mariachi group to merge the sounds.
Incorporating the mariachi to create straightforward covers of the Smiths’ material proved challenging as Peña did not want to put a spin on the songs’ composition — no added notes and no new harmonies were allowed.
“You could task a mariachi band with doing a one-for-one adaptation of the Smiths’ songs, [but] most of the tracks do not work on the mariachi setting,” he said. “Whereas the guitar is leading the charge in a rock band. The guitar and the vihuela are essentially the rhythm section, so you have to translate guitar riffs to the melody section of the mariachi, [which is the] trumpets and violins.”
According to the 34-year-old musician, very few of the English band’s song fit into that mold.
He knows that fans love the original material and he wants to respect the essence of the time-tested songs. Out of that reverence for the group’s music, Peña noted that all the Smiths covers will be performed only in English.
Peña’s final take on why Mexicans are so infatuated with the Smiths?
“Mexicans love catchy music,” he said. “It’s all of the feels. It’s the good, the bad, and a bit of longing. The lyrics aren’t lying to you. [We can all relate to] Morrissey’s angst, his rebellion, his malaise, and, on the other side of that, his optimism.”
For many celebrities, getting a Funko Pop! doll modeled after themselves is a sign they’ve made it in Hollywood. The 4-inch vinyl “Pop!” figurines, with their oversize heads and black dot eyes, symbolize being ingrained in pop culture — objects fans buy, celebrate and display.
At Funko’s flagship Hollywood store, there are thousands to choose from, ranging from NFL players to Disney princesses and characters from the Netflix period drama “Bridgerton.”
But the publicly traded company behind the popular dolls has been facing significant headwinds.
Funko Inc. last year posted a loss of $67.4 million on sales of $908.2 million, down 13% from the previous year. The company disclosed it had debts of $225 million.
The Everett, Wash.-based company warned investors in filings that there was “substantial doubt” about its ability to generate enough cash to meet its debt payments, citing the effects of tariffs in China, where most of its toys were made, canceled retail orders and loan covenants it expected to breach.
Funko Chief Executive Josh Simon, pictured at the Pokémon convention, says he took over the company at an “inflection point.”
(Carolyn Fong / For The Times)
Now the company is looking to stage a comeback.
Leading the turnaround challenge is Josh Simon, who left his job running global consumer products at Netflix to become Funko’s chief executive in September 2025 — the third person to hold the title in two years.
“Funko was at an interesting inflection point,” said 48-year-old Simon, who lives in Los Feliz. “I felt there was still a lot of really deep fandom and enthusiasm from retailers and at the same time, there were a lot of problems that had to be sorted out at the company. I thought it would be an interesting adventure and hopefully a way to help turn things around a bit and restore it back to that level of fan passion and glory that existed years ago.”
The rise and fall of Funko
Funko began in 1998 when entrepreneur Mike Becker decided bobbleheads would be the next big thing and shipped them out of his garage. After entrepreneur Brian Mariotti bought Funko in 2005, the business began licensing more characters. Sales took off with the launch of its big-headed “Pop!” figurines in 2010.
The company changed ownership over the years, added backpacks and other products, and went public in 2017. Most of its revenue still comes from making licensed characters and selling them through retailers, online and at events.
Funko survived a decline in sales with the rise of kidults — adults who collect toys.
(Carolyn Fong / For The Times)
But Funko’s sales plunged in 2025 following a global trade war.
The company overestimated demand, picked the wrong characters and made too many of dolls, said Gerrick Johnson, senior research analyst at Seaport Research Partners, which has a buy rating on Funko.
President Trump’s heavy tariffs imposed on China substantially raised the costs of making Funko dolls.
Amid lagging sales, retailers marked down the figurines, alienating collectors who want to see items appreciate in value.
“Collectors hate buying things 50% off,” Johnson said. “One of the biggest turnoffs in collectibles is a bargain bin.”
What kept the brand alive through the slump was the rise of kidults — adults who collect toys. Simon was one, picking up Pop! figurines from “Toy Story” and “Back to the Future” long before he worked there. Funko’s job, he said, is to distill what people love about a character into a stylized version of it.
“The number of inbound requests we get from musicians and athletes and celebrities — everyone is excited and pitching us they want a Funko Pop! made of themselves, because in some ways it suggests a mark of establishment in pop culture,” Simon said. “It’s like akin to getting your star on the Hollywood Walk of Fame in some way.”
Convention-goers create custom dolls at a Funko Pop! kiosk.
(Carolyn Fong / For The Times)
One expert said Funko’s job is to distill what people love about a character into a stylized version of it.
(Carolyn Fong / For The Times)
A turnaround plan
Though based in Washington, Funko has a large presence in L.A., where most of its senior leadership is based. They work out of the same offices as the flagship Hollywood store. The company also has employees in Arizona, London, Hong Kong and other markets.
Under Simon, Funko has diversified its supply chain, shifting production out of China to Vietnam and other countries. To improve cash flow, Funko renegotiated the timing of its debt payments and pushed products to market faster.
For example, Funko turned around figurines of the characters from “KPop Demon Hunters” — the Netflix film that became the streamer’s most-watched movie ever after its June 2025 release — in about four months, well ahead of Mattel, whose first items reached stores this spring.
When John Cena stepped into the ring for his final WWE match in December, there were pre-orders for a Funko figure wearing the same outfit down to the shirt reading, “The Last Time is Now,” built from an image Funko received a week earlier. The doll became a bestseller, said Scott Zanghellini, executive vice president of WWE Consumer Products.
“It’s happening in real time and his team being able to move quickly, and us always moving quickly in this world of we have seven hours of programming a week — how do you take advantage of that and give the fans what they want?” Zanghellini said.
Funko is also widening what counts as a license, making figures from “The Folk of the Air,” Holly Black’s fantasy series revived by book lovers on TikTok, as well as creating more original characters that aren’t licensed.
“We really want to make sure that we can be a part of these cultural moments while they’re happening,” Simon said.
Reaching out to fans is another priority. At PokémonXP, the first official Pokémon fan convention held last month at San Francisco’s Moscone Center, Funko ran a Pop! Yourself booth where attendees built custom figures in exclusive Trainer uniforms with a Pokémon of their choice.
“We really want to make sure that we can be a part of these cultural moments while they’re happening,” Funko’s chief executive said.
(Carolyn Fong / For The Times)
Jeff Leu, 40, of San Francisco spent about $100 there on two figures modeled after his kids. He already owns 40 to 50 “The Simpsons” Pop! figures and tracks his collection in a spreadsheet.
“I feel like there is a Funko for everything,” Leu said.
Now he feels the pull of the Pokémon ones.
“As they add more, there’s more pressure to buy it because I like to collect things,” Leu said. “Luckily I have a lot of room to display my toys.”
So far, the turnaround plan has yielded some positive signs.
Second-quarter sales rose 7% to $207.7 million and the company reported net income of $15.4 million, against a $40.5-million loss a year earlier. The quarter, however, included a $25.4-million benefit from expected tariff refunds, without which Funko would have lost money.
Funko’s share price closed Friday around $5.50, up about 1%. The stock has climbed 38% in the last year but is 60% below what it trade at in January 2025.
“It’s way too early to make any sort of calls on Josh at this point, but I like what he’s doing,” Johnson said. “It’s an interesting point in Funko’s history, and it’s a great opportunity for him to grow this business.”
Green Bay Packers tight end Tucker Kraft dropped two passes during an ugly 35-14 loss to the Atlanta Falcons on Thursday night at Lambeau Field.
He kind of dropped the ball again after the game.
The injury-ridden Packers did not look particularly good in their first two games of the season, needing an overtime win over the New York Jets last week to bring a 1-1 record into their home opener on “Thursday Night Football.”
Getting their first live look at the team this season, Green Bay fans did not like what they were seeing. So they let their feelings be known. The boos started late in the first half, with the Packers trailing 17-7, and got louder and more frequent as the game — and the team’s woes — continued.
Speaking to reporters after the game, Kraft expressed his frustration — with the home fans.
“That’s pretty tough. Like, everyone pictures Lambeau Field — and not boos. I don’t picture boos. I picture my home stadium,” Kraft said. “That’s tough. It’s pretty disappointing.”
Two Green Bay Packers fans can barely watch during the second half against the Atlanta Falcons on Thursday at Lambeau Field.
(Abbie Parr / Associated Press)
One reporter interjected, “Especially for a home opener.”
“Especially for a home opener,” Kraft agreed. “It’s pretty disappointing. It’s not going to help us win. Like, I don’t know what people think, that’s going to rally us or something like that.
“But we’re grown men. We’re mentally strong enough, capable enough to get back on the field and play ball. But it’d probably be much easier with the 70,000 people behind us rather than opposing us.”
Naturally, folks on social media aren’t thrilled with Kraft’s take.
“Try catching a pass once in a while, then the boos may stop,” one person wrote on Kraft’s Instagram page. “Also, grow up.”
Another commenter said: “The response you were looking for was ‘we HAVE TO PLAY BETTER’ … We love the team and the players and always support…if you can hear when you win…you can hear it when yall look god awful.”
Others are simply booing him in the comment sections of his posts.
Green Bay Packers fans had little to cheer about Thursday night against the Atlanta Falcons.
(Mike Roemer / Associated Press)
Kraft finished the game with four catches for 26 yards on eight targets. He has 122 receptions for 1,657 yards and 15 touchdowns in his four-year career, but only nine of those catches and 106 of the yards have come in the first three games this season, and he has yet to find the end zone.
The absence of star players like defensive lineman Micah Parsons (knee injury) and running back Josh Jacobs (commissioner’s exempt list) certainly has played a role in the Packers’ struggles, but it’s tough to blame fans for expressing their frustrations.
Speaking to reporters after the game, coach Matt LaFleur called it “a humbling night.”
Rookie cornerback Brandon Cisse told reporters he understands the emotions behind the boos.
“We love the fans, and any time we’re not putting a [good] product on the field, it’s very disappointing to them as well,” Cisse said. “So I understand their frustrations … These fans, they pay a lot of money to come watch us play, so we need to make sure we play better.”
Wide receiver Christian Watson told reporters “it’s tough” to hear the home fans react in such a manner, but he gets it.
“At the end of the day, it’s an entertainment business, so we have to put a better product out on the field if we want to have the fans have our back,” said Watson, who had seven catches for 96 yards and a touchdown. “I mean, obviously, we’d like to think that the fans will be there through the ups and downs, but we’ve got to put out a better performance than that.”
The Manchester United Muslim Supporters group says club co-owner Sir Jim Ratcliffe “must go” after he spoke out against immigration levels and said the country was “on the slide”.
Billionaire Ratcliffe, who is one of Britain’s richest people and founder of petrochemical giant Ineos, made the comments in an interview with the BBC on Saturday.
Ratcliffe said the UK was in decline because of a combination of high taxes and high immigration.
He has previously apologised for “offending some people” with his language after saying the UK had been “colonised by immigrants”.
At the time, in February, United responded by saying the club “prides itself” on being “inclusive”, while BBC Sport cited a source familiar with the Glazer family as understanding the club’s majority shareholders were “horrified” by his initial remarks and saw them as showing “disregard for their ownership”.
“We condemned those comments then,” said a statement of no confidence from Manchester United Muslim Supporters Club (MUMSC) in the club’s ownership, issued on Saturday.
“He [Ratcliffe] subsequently apologised for his choice of language. We hoped a lesson had been learned. Clearly, it has not.
“This week, Sir Jim has again placed immigration and people receiving benefits at the centre of his explanation for Britain’s problems, arguing that nobody is ‘tough enough’ to deal with either.
“We find these latest comments deeply disappointing and completely unacceptable.”
Ratcliffe campaigned for a Leave vote in the 2016 European Union referendum and has been a tax resident in Monaco since 2020.
He acquired a 27.7% stake in Man Utd in 2024, and has since restructured the organisation, overseeing 450 redundancies, overhauling senior management and sacking two managers.
MUMSC highlighted that United’s “players, staff, stewards, security teams and supporters come from different countries, cultures, ethnicities, religions and backgrounds”.
The group added: “Manchester United would not be Manchester United without them. That diversity isn’t a weakness of Manchester United. It is part of Manchester United.”
In the statement, the MUMSC also called on the Glazer family to go.
MUMSC said its members were among the club’s fans who hoped Ratcliffe’s arrival “would finally signal meaningful change” after the Glazer family had “presided over Manchester United’s decline”.
However, the group pointed to “higher ticket prices” and “a stadium allowed to deteriorate”, along with “a football team that continues to fall further behind where Manchester United should be”, among their concerns which “now extend beyond the pitch”.
Manchester United entered the weekend sitting 13th in the Premier League after gaining four points from their first four Premier League games, and they were knocked out of the Carabao Cup on Wednesday with a 3-2 home defeat by Brighton.
“After years of decline, broken promises and repeated failure, Manchester United Muslim Supporters’ Club has lost confidence in the current ownership structure of Manchester United Football Club,” MUMSC concluded.
“Enough is enough. It is time for change. The Glazers and Sir Jim Ratcliffe must go.”
Moments after the final rapid-fire rhythm of Anthrax’s opening number “Caught in a Mosh” fades from the open air of the Sports Illustrated Stadium in Harrison, N.J., shaggy-headed vocalist Joey Belladonna addresses the audience. “I gotta ask everybody out there right now. Who’s never seen Anthrax before?” Around half of the 6,000-or-so crowd members who showed up by 6 p.m. for the three-band bill, headlined by heavy metal legends Iron Maiden, raise their hands. “Ah, yeah! We got a lot of new friends here today. Thank you for being here.”
Some bands with a four-decade career would be disappointed by the turnout, or by the realization that many fans not wearing Maiden shirts are dressed in Megadeth merch. But for Anthrax, preaching to the unconverted is an opportunity to expand their fan base beyond the somewhat insular community of thrash metal, a style of music that took the aggression of bands like Iron Maiden and turbocharged it with the speed and fury of hardcore punk. As much as Anthrax cherish being one of the “Big Four” — Metallica, Megadeth, Slayer and Anthrax — playing a 35-minute set well before dark is a great way to reach new listeners.
“We have a strong base of fans that are deeply into this band, but we know there are also people that have never listened to this type of music before,” says bald-headed, gray-bearded rhythm guitarist and lyricist Scott Ian from his home office outside of L.A. a week before the show. “They’ve heard band names, but maybe they haven’t dipped their toe in the water. So, it would be great to reach them and give them something they didn’t even know they wanted and then they’ll fall in love with it.”
A full 10 years have passed since Anthrax released their last studio album, “For All Kings,” which helps explain why they’re not as well-known as some metal veterans. Instead of rushing out an album after the pandemic, Anthrax took their time writing and fine-tuning new songs before entering Dave Grohl’s Studio 606 in L.A. in 2022. Then, they wrote more songs and massaged those for another two years before finishing the recording and sending the album to be mixed in 2025.
“I nitpicked over every detail of these songs before I even sent the demos to the other guys to put their two cents in,” says drummer and main songwriter Charlie Benante, clad in a black T-shirt and blue jean shorts, and sporting cropped black hair and a slanted mustache. “I wanted them to be as good as they could possibly be. Being good enough wasn’t OK.”
The 11 tracks on “Cursum Perficio” (Latin for “I complete my journey”) encapsulate the finessed brutality, incisive melodies and experimental flourishes from Anthrax’s years with Belladonna (from 1984-1992 and 2005 to the present), during which the band wrote its fastest, most aggressive songs. As much as Anthrax were driven this time by the desire to attract new fans, they were also motivated by many popular new metal albums — and not in a good way.
Anthrax’s meticulously crafted album was recorded at Studio 606, using Iron Maiden support slots to court new listeners beyond the thrash faithful.
(Travis Shinn)
“I hear bands with new records out, and they’re horrible,” Benante says, squinting his eyes and grimacing. “The genre has gotten stagnant to the point where you see a social media post by some band mentioning they have new music coming out, and you can tell exactly how it’s going to sound just by the way they look.”
While “Cursum Perficio” may be a bit heavy for some metal fans, it’s neither dull nor predictable. The album is loaded with Anthrax trademarks — serrated, crunchy riffs, soaring lead vocals, bludgeoning beats, and scorching guitar — but there are also galactic noise effects, angular song structures and atypical chord configurations. The most striking number, “The Edge of Perfection,” starts with chiming ethereal guitars and gently tapped cymbals, then detonates in a conflagration of feral blast beats, minor-key tremolo guitar picking (redolent of black metal), and chanted tribal vocals before climaxing in a slithering riff and ebullient chorus.
“After 30 years as a band, I can honestly say that’s the best song we’ve ever done,” says Ian, the most voluble member. “I feel like it’s genre-defying and can appeal to fans of atmospheric stuff and extreme metal, and anyone who likes aggressive music or even just guitar rock.”
For such a bruising cut, the lyrics of “The Edge of Perfection” are surprisingly optimistic. “It’s about striving for perfection, which, of course, is impossible. But that doesn’t mean you can’t reach for it,” says Ian. “To me, true perfection is happiness and health, and that comes from love, and it isn’t a given. I work hard at being an empathetic person and I only do things out of love and wanting to make everybody around me feel good as well.”
Lest Ian’s Zen-like proclamation color him a romantic, the guitarist stresses that much of the energy and anger of “Cursum Perficio” stems from the political, social and economic turmoil of the last decade. The problems, he stresses, are cutthroat capitalism, rampant partisanship and mankind’s seemingly innate instinct to destroy.
“Humans are really good at one thing and that’s murder, and we’ve excelled at it over the centuries,” Ian says, shattering the good vibes that flowed like a clean mountain spring just a minute ago. “Every year, we get better at treating each other terribly, which I can’t understand. I mean, there are people on this planet who, if they wanted to, could end world hunger. But I guess there’s no money in that. They would rather make the world a s— place by draining the resources. I swear to God, it’s just like [the 1971 Dr. Seuss book] ‘The Lorax.’”
While Ian purposely scrapped any early lyrics he wrote about politics in the age of Trump (“that would have been boring”), on “Everyone’s Got a Plan” he addresses the partisan strategy of “divide and conquer,” and in the first single, “It’s for the Kids,” he writes about the ubiquity of school shootings. Neither song has stopped naysayers from characterizing Anthrax as left-wing.
“I’m not a liberal,” he plainly states. “I’m a centrist. I like skeet shooting and I enjoy going to a range and shooting at targets. But I believe in common sense. And no matter what your political leanings, I think everybody can agree that nobody wants to see an 8-year-old shot in the face, which happens all too often.”
“I love this country,” interjects Benante. “But that doesn’t mean I don’t have some problems with it…. The way we go about things in this country is just wrong, and it makes me frustrated to the point where I’m like, ‘F— it. I’ll just put my head down and write a song.’”
“Cursum Perficio” delivers classic Anthrax crunch with experimental flourishes, anchored by genre-defying centerpiece “The Edge of Perfection.”
(Travis Shinn)
Much of “Cursum Perficio” caters to neither the left nor the right. “NYC 93” is about the celebratory chaos of band life in the early ’90s, “The Long Goodbye” addresses the horrors of dementia, and the title track is about closure, whether positive or problematic. The Latin translation of the phrase, along with Benante’s past comments that he can’t imagine writing another full Anthrax album anytime soon, have led to speculation that the band is nearing the end of the line; the theory is seemingly supported by lines like, “The journey’s over/ The threads that hold it all together.” But while there are no plans now to write any new songs, and four of the members are in their 60s (lead guitarist Jonathan Donais is the baby at 47), growing too old to headbang isn’t even a notion.
“I truly believe that going out and playing shows keeps us young,” concludes Benante. “We get in a zone, and the music takes over and the energy going through our bodies is the same as it was when we were 20. Why would we ever want to give that up?”
Wiederhorn is the co-author of Scott Ian’s 2014 autobiography, “I’m the Man: The Story of That Guy From Anthrax.”
The association said Wednesday that the television tribute — titled “CMA Presents I Will Always Love You: A Celebration of Dolly Parton” — will be recorded live at the Fisher Center for the Performing Arts, on the campus of Belmont University in Nashville.
The tribute will air Oct. 21 at 6 p.m. Pacific on ABC and Disney+, and will stream on Hulu a day later.
In a news release, CMA described the special as a “joyful, emotional celebration” dedicated to Parton, the rhinestone-studded singer whose life began humbly, in a one-room cabin at the foothills of the Great Smoky Mountains.
Robert Deaton, veteran executive producer of the Country Music Awards and Billboard Music Awards, will fill that role on the Parton project.
“Dolly gave Country Music its heart, and giving some of that heart back to her is an incredible honor,” said Deaton in a news release Wednesday. “My hope is simply that we do right by her story, her music and the people who love her, so that this evening feels like the tribute my friend deserves.”
Sarah Trahern, CMA chief executive, added that the tribute is the association’s “responsibility”: “This special is our way of saying thank you, on behalf of every artist, industry member and fan who found a piece of themselves in her music.”
The tribute is in partnership with Belmont University, which hosted the 2025 world premiere of “Dolly: A True Original Musical,” a biographical production about the “9 to 5” singer that is scheduled for its Broadway debut on Jan. 19, what would have been the Parton’s 81st birthday.
The university also previously launched “Dolly U,” an immersive educational partnership designed to connect students with hands-on opportunities in entertainment, media and creative industries.
Greg Jones, president of Belmont University, welcomed the special with a statement of his own: “It is a privilege to welcome artists, friends and fans from around the world to celebrate her extraordinary life and legacy from this stage in Nashville, honoring a woman whose love for Tennessee was woven into everything she did.”
Both the CMA and Belmont University will make a donation from the proceeds to Parton’s Imagination Library, which was launched by the Dollywood Foundation in 1995 to address childhood literacy by giving millions of children the gift of a free book each month. Disney will also support the program.
News of the television tribute follows an announcement last month by Parton’s estate that revealed plans for Dollyfest, a two-day celebration in Nashville and London next year across two consecutive weekends to honor her legacy.
Additional details for the CMA special, including performers and tickets, will be announced at a later date.
“This has been a very difficult time for everybody associated with the Clippers, and for that, I have sincere regrets,” Ballmer said in the statement released 11 days after the NBA first sanctioned the owner and his team. “I want to apologize to our fans, employees, and my fellow NBA team owners for the distraction and distress this matter has caused, for which I accept responsibility as principal owner.”
The investigation found Leonard received $66 million in cash and equity from four companies facilitated by Ballmer and Clippers executives at the behest of Dennis Robertson, Leonard’s uncle and then-agent. Ballmer invested $60 million in Aspiration Partners, while Boingo Wireless, Daktronics and Lockton Insurance received $22 million from the Clippers in consulting fees.
The Clippers initially protested and vowed to use all means available to contest sanctions that included banning Ballmer from all league activities for a year, fining the team $30 million and taking away five first-round draft picks in the 2029, 2030, 2031, 2032 and 2033 drafts.
Leonard previously agreed to pay a $700,000 fine and did not contest the sanctions, removing the possibility of the case going to arbitration because the mechanism only exists for players and not teams.
“We are committing to put this chapter behind us,” Ballmer’s statement read. “We have communicated to the NBA that we are complying with the penalties assessed by the league, have paid the fine and are moving forward. While there are still disagreements concerning the findings in the report, this is not where I want to focus. Team owners should support, not distract.”
Two of Ballmer’s top executives were also sanctioned, altering the way the team will have to operate moving forward.
Clippers president of business operations Gillian Zucker was suspended without pay for one year for “being primarily and directly culpable for the impermissible endorsement arrangements and for providing false and misleading statements to investigators.”
Clippers president of basketball operations Lawrence Frank was suspended without pay for six months for “his involvement with the impermissible endorsement arrangements and for approving impermissible expenses incurred by Mr. Leonard and his family.”
Ballmer, however, has assembled a deep front office staff, giving the Clippers a number of options to offset the loss of those who are suspended.
“The challenges ahead of us are significant, but so is our resolve,” Ballmer wrote. “We will continue to build our team and invest in our community. The confidence of our fans is our priority. With our talented roster, outstanding staff and clear vision, I am certain that we will compete at the highest level and be an organization our fans can be proud of.”
The decision to comply with the sanctions rather than attempting to contest them in the court could help resolve one of the biggest outstanding offseason items the Clippers face.
Leonard’s trade to the Toronto Raptors in exchange for forward Brandon Ingram, shooting guard Gradey Dick, two first-round draft picks, a pick swap and two second-round picks was put on hold while both teams awaited investigation results.
With the NBA stripping the Clippers of five future first-round picks, the package they are expected to receive when the Leonard trade is completed would have a substantial impact on their future roster-building options.
LIV Golf and its related entities have filed for Chapter 11 bankruptcy protection four years after the league’s debut as a heavy-spending, player-friendly alternative to the PGA Tour.
Rather than signal the end of LIV, though, the move is designed to help the league move into the future without Saudi funding.
“We are excited about what lies ahead and yet, there is still much to accomplish in the months ahead,” CEO Scott O’Neil said in a statement released by the league on Tuesday. “We believe deeply in LIV Golf’s future, the opportunity in front of us, and the people who will help us realize it. We will not rest until we deliver on LIV Golf’s full potential.”
After launching in June 2022, LIV once paid nine-figure signing bonuses to lure away top players from the PGA Tour. Spending had reached an estimated $6 billion by the time the Public Investment Fund of Saudi Arabia decided to end its financial support in April.
On Tuesday, LIV said it has entered a restructuring support agreement with BC Partners Advisors and voluntarily entered a court-supervised restructuring process under Chapter 11 in the United States Bankruptcy Court for the District of New Jersey.
Last month, O’Neil announced a long-term plan that would have the golfers become the majority equity holders in the league. In a letter to fans on Tuesday, he said that this week’s moves are steps toward the league’s long-term goals.
“Now it is time to enter the next phase of LIV Golf,” O’Neil said. “Today, we took an important step forward to get there. LIV Golf has entered a court-supervised restructuring process that provides us with the time and framework to address previous financial obligations and complete a transaction that will make the League’s next phase a reality. Put simply, this process is designed to build a stronger and more sustainable future for LIV Golf.”
O’Neal said the new league model will expand the field for events from 57 to 75 players, introduce a 54-hole cut and create Monday qualifiers. It will “be built around a sustainable business model and deeper alignment between players and the League, with team golf at its core,” he wrote.
“Players will have the opportunity to share directly in the value they help create, while teams will be positioned to grow into enduring global sports businesses. And fans will remain at the center of everything we do.”
In its bankruptcy filing, LIV listed estimated assests of between $100 million and $500 million and liabilities of between $500 million and $1 billion. Players Jon Rahm, Bryson DeChambeau, Dustin Johnson and Cameron Smith were listed as the four leading creditors.
The league ended its season in August. Four vendors already have filed lawsuits because they have not been paid.
Stella Parton has released a public plea as the family continues to mourn her sister Dolly Parton’s death last month at the age of 80.
Late last week in an Instagram statement, Stella Parton thanked fans for the “genuine” support, urging them to use her sister’s life as an “example for tolerance and respect towards others.”
At the same time, she asked them to “show more compassion and wisdom.”
The 77-year-old singer-songwriter says the family has been subjected to “pressure” and “insensitivity” from strangers following the death of Dolly, who died on Aug. 25 after a private battle with cancer.
“There is a tremendous amount of [artificial intelligence] and endless garbage being posted everyday and it’s been challenging to absorb and or ignore,” Stella wrote in her Sept. 4 statement. “As time passes, those who are in the business of exploiting the loss and tragedies of others on a daily basis will move on to the next stampede of endless misinformation.”
While it is not clear what AI content Stella was referring to, AI-generated images of Dolly surged online following her death.
On Aug. 27, President Trump uploaded a fake image on Truth Social of the two walking around the White House . Another online user created an AI song that has amassed over 1.5 million views since its upload on Aug. 25. The song was falsely credited to pop singer Miley Cyrus, Dolly’s goddaughter..
“She loved her fans and the public in general. That is the reason she chose not to express her opinions on a lot of things like politics, religion and individuals in the public eye,” Stella wrote in the Instagram post. “She knew as well as anyone what a negative vortex that could turn into which is nothing but a huge waste of positive energy.”
Last year, Dolly critiqued AI content when clearing rumors surrounding her health, which swirled online after sister Freida Parton asked the public for prayers in a Facebook post on Oct. 7, 2025, in which she stated that the singer “hasn’t been feeling her best lately.”
“Did you see that AI picture of Reba and me? Oh lordy, I mean, they had Reba at my death bed and we both looked like we need to be buried,” Dolly said on Instagram on Oct. 8, 2025.
Toward the end of her Instagram statement, Stella said her plea is less about the “fake AI garbage” or “snarky tweets,” and more about encouraging the community to look within: “How will you feel about yourself? It’s not about what other individuals you will never meet think of you!”
Stella Parton is best known for her 1975 hit “I Want to Hold You in My Dreams Tonight” and a country and gospel discography that spans 21 studio albums. Also known for her acting in “The Dukes of Hazzard” and “The Best Little Whorehouse in Texas,” Stella made the distinction between her and her older sister clear at the end of her statement: “I’ve always embraced my own personality and will continue to be myself and express my opinions as I deem appropriate regardless of what anyone thinks of me.”
“Dolly loved the world and everyone in it,” Stella wrote on Aug. 27 on Instagram in her first statement after her sister’s death. “I would criticize and complain about it and she would laugh and say; ‘shoot Tedda, we’ve got more important things to do than worry about their silly a—.’ She was right, and she proved it every day.”
24 Hours in Police Custody fans have been left gutted as fan favourite Tom Hamm revealed he’s left the show.
Detective Sergeant Tom Hammhas announced he’s officially retired after more than 22 years of police service and seven years on the show.
Detective Sergeant Tom Hamm has quit the Channel 4 showCredit: channel 4Detective Sergeant Tom Hamm has been on the show intermittently for seven yearsCredit: Not known, clear with picture desk
He shared the news with his fans on social media this week, writing: “So tonight is likely to be my last appearance on #24hoursinpolicecustody.
“I hope that the episodes I have appeared in have somehow influenced people by showing the difficulties that police face when investigating crime. Thanks for the support.”
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Tom’s followers were devastated by the news.
One wrote: “Happy retirement Tom, I bet all the free time you get will be a breath of fresh air.”
Hamid was arrested but the four attackers have never been identifiedCredit: The Garden Productions
A second said: “Happy retirement Tom! Love the series, its great to see what goes on behind the scenes. Time to relax now.”
“The series won’t be the same without you working on the team. Well done to your team and everyone else who was involved,” this person posted.
The last episode featured a 17-year-old boy was left for dead under a railway bridge, suffering traumatic brain injuries.
Police originally thought he was a victim of a hit-and-run in Luton in June 2022.
They boy survived but had life-changing injuries.
Tom, who worked for Bedfordshire Police, said: “This case, for me was quite emotional because the victim was a twin and I have twin boys of similar ages to him and the parallel of how my children’s lives and the difficulties and circumstances of his life was something that played on my mind.”
“I could put myself in the position of his parents and how I would feel if I got that knock on the door from a police officer saying one of them had been hurt.
“This, by the grace of God, could be me.
“And I understand how it would affect the other twin.
“They do share a different bond than other siblings I think.
“Knowing how close mine are, if one of them is suddenly not there, it does affect them deeply.”
He had another reason to feel personally attached because of an enduring regret over the loss in quick succession of first his father and then his mother.
Tom’s personal feelings are evident in the two-part documentary,24 Hours in Police Custody, in which he and his team investigate the mystery of why a 17-year-old boy was left critically injured on the roadside after suffering catastrophic head injuries.
“Initially, we didn’t know who the victim was, and we were working hard to establish his identity,” says Tom, who has now retired from Luton CID after 22 years of service.
At first, it looked like a hit and run but as all the injuries were to his head, medics believed they were inconsistent with a car collision.
When the victim’s twin brother arrived at the police station, he told them that he believed his brother had come to Luton from London to meet a girl.
But then he learnt on social media that he had been involved in some sort of altercation,
With the victim lying in hospital in a life-threatening coma, Tom told his team their priority was to get his family by his bedside as soon as possible.
He discovered that the case was linked to a county line drugs trade, where drugs are moved between different part of the country.
Hamid was found guilty of conspiracy to cause grievous bodily harm and was sentenced to 10 years and nine months in jail.
Jasmine Aldrich was also charged with conspiracy to cause grievous bodily harm but was found not guilty.
George Lucas and Mellody Hobson want their massive spaceship of a museum to be an experience. Across 300,000 square feet and 11 acres of park space, there’s a lot to take in. Staring up at the 90-foot-diameter oculus four stories above the entrance plaza makes one feel like a speck in the galaxy.
Instead of trying to conquer everything on a first visit — there are more than 1,300 works — hit our highlights below. If you aim to walk around the striking building to view a mishmash of masterpieces, children’s illustrations, movie memorabilia that’s heavy on “Star Wars” and comic strips, you’ll have a good time. If you’re hoping to learn about what’s on display or how adjacent pieces relate, curb your enthusiasm. It’s almost as if the museum is making a statement: you don’t need some analysis to connect with the works. If you complain about the collection, the co-founders don’t care. “Is it fine art? It’s finer art because it’s actually telling a story,” Lucas said at a museum party last week.
The 90-foot-diameter oculus provides unique viewing from the fourth-floor gallery.
(Ariana Drehsler / For The Times)
The gee-whiz elevators at the entrance of the museum.
(Ariana Drehsler / For The Times)
Whoosh up in the glass-tube elevators to the massive fourth floor to begin. Best to explore the bulk of the galleries when your gas tank is full. Then head up a floor to see the murals. Take a break at the rooftop Skywalker Grill before ambling to the library and grounds. Skip the first floor’s “History of Narrative Art.” The exhibition is mostly screens, projections and reproductions, with a handful of great works from the 16th and 17th centuries and feels superficial at times. If you care about whether something is an original or a copy, check the gallery labels. Hungry for more detail? There’s a $30 exhibition catalog in the gift shop.
Prepare to get your steps in and feel a little turned around once it opens Sept. 22. Admission is $25 for adults, free for kids.
A few months after Mark Walter became the chairman and majority owner of the Dodgers, he was told a fan in one of Dodger Stadium’s upper decks was upset about a mix-up with his tickets.
On most days, that would be an issue for an usher to handle. Not on this day.
Walter and team president Stan Kasten decided to address the problem, climbing the narrow stairwell to the top level where they found the fan and listened to his complaint.
“Obviously the guy was floored just to see me, let alone to see Mark,” Kasten said. “Mark, he’s incredibly comfortable around people. Not just his peers, but average fans. Because he considers himself an average fan.”
The Dodgers’ billionaire owner, hardly an average fan, is under intense scrutiny these days, following the sale of his controlling interest in the Lakers and a federal investigation into his business dealings. The drama has come as a surprise to some who know Walter, who has earned respect for his financial acumen and, despite his purchases of high-profile sports teams, has tended to dodge publicity.
He put together the ownership group that bought the Dodgers in 2012. Since the purchase, the team has played in five World Series, winning three, and finished first in the National League West 12 times in 14 seasons. It’s the greatest sustained run of excellence in baseball in more than a generation.
Walter waves to the crowd during the Dodgers’ ring ceremony in March.
(Jessie Alcheh/MLB Photos via Getty Images)
If the Dodgers win a third straight World Series this fall, they will become the first team to three-peat this century. And much of the credit for that would go to Walter, who has funded a front office that consistently has outspent the rest of Major League Baseball, signing seven players to contracts worth more than $2 billion combined in the last six years alone.
Now Walter faces questions about his future owning the Dodgers. Last month, his companies became the focus of two federal inquiries and a Delaware insurance regulatory review.
He is helping pay off some of his companies’ loans and sold the Lakers at a record valuation of $12.5 billion, a deal Walter’s holding company, TWG Global, says was not forced by the inquiries. Still, the sale raised questions about whether he will sell his ownership stakes in other sports properties, including English soccer club Chelsea, the Cadillac Formula One racing team, the WNBA’s Sparks and the Professional Women’s Hockey League.
Walter declined to comment for this article.
Kasten insists Walter has no plans to divest from the Dodgers. “The sports portfolio is going to remain intact,” Kasten said. “It’s important to Mark. I can’t tell you how important the Dodgers are to him.”
Still, Kasten acknowledges the decision to sell the Lakers to former Disney chief executive Bob Iger and venture capitalist Joshua Kushner just 14 months after agreeing to buy the team “was not a planned thing,” either.
Walter hoists the World Series trophy next to MLB Commissioner Rob Manfred last November.
(Rob Tringali/MLB Photos via Getty Images)
Like most of the middle-class kids in the class of 1978 at Jefferson High in Cedar Rapids, Iowa, Walter worked in high school.
“He pumped gas and he played golf,” recalled Cathy Boland Polito, Walter’s date for the senior prom who is now a retired medical technologist living in Oro Valley, Ariz.
Walter hardly stood out in his graduating class of about 350 students. He was athletic but not a stud. He was a good student, especially in math, but not a nerd.
“He was friendly. He was nice,” Polito said. “Everybody sort of knew him.”
Walter talks with Dodgers president Stan Kasten during the playoffs last year. “I can’t tell you how important the Dodgers are to him,” Kasten says.
(Michael Reaves / Getty Images)
Walter went to Creighton University , where he studied accounting and business while playing intramural sports and participating in the philosophy society. Three years later, he earned a law degree from Northwestern.
Walter met his wife, Kimbra, in Chicago, where they raised their daughter, Samantha.
After a decade split between a Chicago law firm and First Chicago Capital Markets, a financial services and securities brokerage, Walter founded an investment firm, Liberty Hampshire Co., in 1996. While there he met J. Todd Morley, who connected him with the Guggenheim family fortune. The introduction quickly led to the formation of Guggenheim Partners, an investment and advisory financial services firm that works with insurance services, among other assets, and one that has a Wall Street reputation for being low-key but aggressive.
Before the COVID-19 pandemic closed Guggenheim’s offices, the lobby of the firm’s Chicago headquarters on the 49th floor of the AT&T Center boasted one of Monet’s “Water Lilies” paintings, which hung behind the receptionist’s desk inside a glass case with an alarm. A Picasso brightened another office upstairs.
Walter with Guggenheim Baseball Management partners Peter Guber, left, Stan Kasten and Magic Johnson at Dodger Stadium in 2012 after the group bought the Dodgers for $2 billion.
(Damian Dovarganes / Associated Press)
A company insider not authorized to speak publicly told The Times in 2012 that Walter was a disciplined, focused and careful investor.
“He is a guy with one of the great financial minds of our time,” the person said.
For Walter, 66, who grew up playing youth baseball about 50 miles from the Iowa cornfield that became Kevin Costner’s “Field of Dreams,” that financial success was all well and good. But the longtime Chicago Cubs season-ticket holder really was a die-hard baseball fan whose dream was to own a sports franchise.
Walter first explored a purchase of the Houston Astros, who eventually were sold to Houston businessman Jim Crane for $615 million ahead of the 2012 season. So Walter pivoted and formed Guggenheim Baseball Management, a group that included Kasten, Lakers Hall of Famer Magic Johnson, movie producer Peter Guber and investors Bobby Patton and Todd Boehly, to buy the Dodgers for $2.15 billion, a record at the time, in March 2012. Part of the money Walter invested in the deal came from the insurers he controlled, although that deal was vetted by state insurance regulators.
MLB engineered the sale of the Dodgers after previous owner Frank McCourt filed for bankruptcy.
“The market drove the price,” Walter told The Times after the sale closed, calling the investment “a multigenerational thing my daughter’s granddaughters will own.” Walter’s daughter, who grew up joining family trips to Los Angeles for Dodgers games, is a marketing manager at TWG Global.
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1.WASHINGTON, DC – JULY 02: U.S. President Joe Biden (C) holds the jersey given to him by Los Angeles Dodgers Chairman Mark Walter during an event with the 2020 World Series champions in the East Room of the White House on July 02, 2021 in Washington, DC. The Dodgers defeated the Tampa Bay Rays to win the championship series at the end of an abbreviated season due to the coronavirus. (Photo by Chip Somodevilla/Getty Images)(Chip Somodevilla / Getty Images)2.WASHINGTON, DC – APRIL 07: (L-R) Los Angeles Dodgers pitcher Clayton Kershaw, U.S. President Donald Trump, and Los Angeles Dodgers Owner and Chairman Mark Walter pose with a jersey presented to Trump as he hosts the 2024 World Series champions in the East Room of the White House on April 07, 2025 in Washington, DC. The Los Angeles Dodgers defeated the New York Yankees with a 7-6 victory in Game 5. (Photo by Kevin Dietsch/Getty Images)(Kevin Dietsch / Getty Images)
Today, the team is the most lucrative in the sport and is on pace to become just the second this century to draw more than 4 million fans in consecutive seasons. The Dodgers could be sold for a valuation of $10 billion to $13 billion — at the higher end, three times as much as the record sale price for a major league team — an industry source told The Times on the condition of anonymity.
Through it all, Walter mostly has shunned attention. The exception is participating in on-field championship celebrations and joining the team for trips to the White House during the Trump and Biden administrations.
His smooth run was interrupted during the Dodgers’ run to the 2024 World Series when Walter suffered a stroke that kept him from the victory celebration. His recovery reportedly was arduous; Walter struggled to speak clearly for months and didn’t return to public view until the Dodgers’ season-opening series in Japan the following spring.
Walter didn’t publicly step down from any roles after the stroke, holding on to control of a vast portfolio. Since buying the Dodgers, he has invested in European soccer, women’s hockey and basketball, squash and auto racing. He also bought several historic buildings in the resort town of Crested Butte, Colo., where he and his philanthropist wife own a home. In 2013, the couple purchased the Wild Oak Plantation, a 17,000-acre wildlife preserve in northeast Florida, where the Walters now spend most of their time.
Kimbra has served on the boards of Chicago’s Lincoln Park Zoo, OneGoal nonprofit and Goodman Theatre and is active in the family’s charitable organization, TWF Causes, which focuses on social impact and conservation work, including owning or supporting several major conservation and private reserve properties in Africa.
The family has a limited political footprint, with Walter donating to the Democratic National Committee and the campaigns of then-presidential candidate Barack Obama and then-Chicago mayoral candidate Rahm Emanuel. The majority of their donations, however, run through their family foundation and the Dodgers Foundation.
“For us, my wife and I, and all of my partners believe that corporations have to be corporate citizens, and individuals who benefit from them, or who have built them, need to give back,” Walter told ESPN soon after buying the Dodgers. “You can’t take it with you, and you ought to do something philanthropic with it.”
But while he’s put money into charitable projects, he’s invested his heart and soul in the Dodgers, Kasten said.
“He cares deeply about it,” the Dodgers president said. “He’s living through every play, every out, every at-bat.”
However much longer Walter remains invested in the Dodgers — financially, at least — could come down to math.
Justice Department prosecutors, the Securities and Exchange Commission and a Delaware insurance regulator are investigating whether Walter funneled as much as $21 billion from the portfolios of two insurance companies he owns into private credit for loans to other companies he also controls while reporting just a fraction of the loans’ value. The Wall Street Journal and the Athletic reported Walter used billions of dollars of those insurance premiums to buy sports teams.
Such “related party transactions” are legal, within limits, but are required to be reported to guard against conflicts of interest and to protect clients.
In Walter’s case, the related-party loans f initially were reported at between $1 billion and $1.4 billion when the true total actually was between $16 billion and $21 billion. The reclassification meant the affiliated investments jumped from 2% of one insurer’s portfolio to about 40%, according to Fitch Ratings.
No formal charges have been filed, and TWG Global, the multinational holding company led by Walter, is cooperating in the investigation. Walter has declined to be interviewed or to respond to written questions about the investigation, but his representatives have strongly denied any improper behavior, describing reports of the probe as “substantial speculation and misinformation” advanced by “unnamed sources and self-serving interests.”
“It does not inspire confidence to know that this kind of wild understatement happened,” said Andrew Granato, a law professor at the University of Texas at Austin who specializes in corporate finance and insurance. “It also doesn’t inspire very much confidence in the system of insurance regulation we have, that there could be this big of a mess that was not caught for years.”
Walter hired veteran Goldman Sachs lawyer David Markowitz to be his chief legal officer and reportedly is exploring the sale of his 12.8% stake in the Chelsea soccer club to Clearlake Capital, a Santa Monica-based private-equity firm whose Puerto Rican-born co-founder, José E. Feliciano, recently bought the San Diego Padres.
A source close to Walter not authorized to discuss it publicly told The Times he has an interest in selling Chelsea if the terms are right but insisted there is no desire to sell the Sparks, the PWHL, his investment in professional squash or, more prominently, his stake in the Dodgers.
While Kasten and TWG Global officials insist the Dodgers aren’t for sale, uncertainty likely will linger at least until all investigations are completed.
Times staff writer Mirjam Swanson contributed to this report.
