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Strictly Come Dancing contestant Graeme Hall has been forced to defend his prior dance background on It Takes Two, after it emerged that he took part in ballroom and latin competitions

Strictly Come Dancing star Graeme Hall has addressed his dance background on It Takes Two. He was the subject of online speculation after it emerged that he had entered ballroom and latin competitions in the past.

Graeme, 60, made his live Strictly debut on Saturday 26 September, when he and Lauren Oakley danced a Cha Cha Cha and surprised fans with how rhythmical he was. Soon after, fans took to the internet to share that the celebrity dog trainer did, in fact, have dance experience.

An online record was put on social media of Graeme’s dance scores from competitions, dating back to 2013 when he competed in an Over 35s Intermediate Latin contest. His most recent competition was was in 2019, when he took part in the ballroom section of the Champions of Tomorrow competition.

Graeme was asked about his dance experience on Strictly spin off show It Takes Two. Host Ellie Taylor said: “A lot of people online have been talking about the fact that you have had sort of some dance experience – do you think that’s helping you, do you think it’s something to be considered?”

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Graeme answered: “It does and it doesn’t. You’re right as a hobby I did a bit of ballroom and latin and I entered a few competitions. The problem with that is, I wasn’t very good then and that was quite a few years ago.”

He added that his dance partner Lauren had to “undo all the bad things that I was doing” and put it right and indicated with his hands that their training was very up and down.

Graeme and Lauren’s first dance was to Elvis Presley’s Hound Dog and they received 24 out 40 for their routine. Fans complimented the pair on their dancing, with one writing: “I already loved Graeme and we all know Lauren is a superstar but nothing could’ve prepared me for this! What a fabulous pairing and what a great first dance. Think I’ve found my winners already.”

Another added: “This is the only dance all night that had me smiling from beginning to end! Graeme has such an ease and quiet elegance when he dances and he’s so light on his feet! He also looks like he’s genuinely enjoying himself which translates to the viewer.

“I feel so relaxed and chill watching him and so uplifted! I can’t wait to see what him and Lauren do next. I think they will be fan favourites.”

Graeme has previously coughed up to the dance experience, saying: “I have danced it before, but I’ve had a real mental block over one particular step and my leg just keeps doing something in the opposite direction to the way it’s meant to go.

“I’m convinced it’s a bit of muscle memory from 10 years ago. So it’s as much a hindrance as a help.”

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Art as propaganda

Chavez’s eyes still gaze from walls across Caracas. So too do the eyes of other figures, like Maduro and independence leader Simon Bolivar. Some images are faded. Others are accompanied by slogans like “To doubt is treason”.

Forastero has worked on government projects, including under Rodriguez. But he is critical of some of the newer images. He remembers a time when he painted murals of Chavez playing with children or riding a bicycle, not slogans.

“When Chavez was alive, people painted Chavez because we loved him very much. It’s as simple as that,” he said.

In recent decades, he argues that Venezuela’s public art has fallen increasingly under government control, with murals commissioned to carry explicitly political messages.

“Muralism is a story told on a wall,” Forastero said. “What we really see on the walls now are propaganda posters. I’m a chavista, and I’m disgusted by it.”

Still, the removal of the artwork is another form of propaganda, in Forastero’s eyes. He believes the Rodriguez government is seeking to project a more “neutral” appearance to better appeal to the US.

He also accuses Rodriguez of abandoning ideals key to the chavismo movement: namely, anti-imperialism and revolution. He pointed to the US’s role in shaping Venezuelan policy.

“The United States is forcing our government to behave this way,” Forastero said.

Rafael Araujo, a Venezuelan activist, has a different view of the changing landscape.

To him, there was something “jarring” about seeing chavista figures plastered across city walls, especially the leaders who have caused the country so much pain.

During their time in power, Chavez and Maduro both faced allegations of overseeing human rights abuses, including through the violent suppression of dissent. Venezuela’s last two presidential elections have been widely denounced as illegitimate.

Known in Caracas as Senor Papagayo, Araujo has used colourful, handmade kites to protest against government violence and economic policy.

He sees the Chavez murals as a form of oppression, an ever-visible reminder of a repressive government apparatus.

His kites are a way of sending a different message. His favourite carries aloft a single word: “Freedom”.

“Freedom is what all countries need. Democracy is the most balanced system a citizen can live under,” Araujo said.