edge

Some people are still processing “Euphoria’s” evolution away from its roots as a gritty drama that explored highly mature and dark teenage experiences to, in its final season, a fever dream-esque look at adulthood that played like a full-blown neo-noir crime thriller. But another show’s creative transformation has taken the stage now.

The third season of AMC’s adaptation of Anne Rice’s “Interview With the Vampire” brings a reset to the captivating world of bloodsuckers. While the first two seasons adapt the original 1976 novel, relying heavily on the recollection of Louis de Pointe du Lac (Jacob Anderson) as he recounts his centuries-long life and romance with Lestat de Lioncourt (Sam Reid) to a journalist, the new season shifts narrative focus and perspective over to Lestat, who transforms into a charismatic frontman of a glam-rock band to publicly set the record straight. As such, the series has been retitled “The Vampire Lestat,” which is the name of Rice’s second novel. For this week’s Guest Spot, I spoke with showrunner Rolin Jones about the show’s rebranding and Reid’s commitment to the musical challenge.

Also in this week’s Screen Gab, TV critic Robert Lloyd steers us away from the usual streaming options to recommend a man’s video journal that documents his quest to travel the world by foot, while culture critic Mary McNamara suggests a new British comedy about codependent BFFs navigating the sort of tricky development that would end most friendships.

Speaking of endings to relationships, it was announced this week that “Doctor Who” showrunner Russell T Davies is exiting the series (again) seven months after Disney+ decided not to continue its partnership with the BBC to distribute the long-running sci-fi series. BBC also announced it will not air the show’s previously announced Christmas special this year. Lloyd, a longtime Whoverse follower, is a voice of calm through it all. He shares his thoughts on why the new questions swirling around the franchise don’t necessarily have to be cause for alarm — evolution is part of the show’s essence, he reminds us. Elsewhere in current events, if you’ve been curious (… sure, that’s the right word!) about the UFC Freedom 250 live event that will unfold in an oversize cage on the White House South Lawn in celebration of Trump’s 80th birthday and the country’s 250th anniversary — and will be streamed live on Paramount+ — check out our explainer about the controversy — and lawsuit — it has sparked.

Now if you’ll excuse me, I have another Matthew Rhys story to read so I can maintain my executive membership in the fan club. See you next week!

— Yvonne Villarreal

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Recommendations from the film and TV experts at The Times

@AlexanderCampbellOfficial (YouTube)

In February 2023, Alexander Campbell, then 27, set out from Sydney to walk west around the world. Currently he is somewhere around Albania, having traversed, among other places, Bangladesh, Nepal, Pakistan, Kazakhstan, Turkey and Bulgaria. He’s been documenting his progress on camera all along the way, but it wasn’t until Day 938, in Georgia, that he began posting the longer, “uneventful” videos that make his channel such a singular, meditative, even hypnotic, form of vicarious travel. Walking alone to the sound of his own footsteps, through sun, rain, sleet, snow and dark of night, over mountains and deserts, through forests and fields, he becomes a character in a peripatetic, nearly one-man show. The occasionally encountered friendly local will warn him about wolves or bears or the hunters who might mistake him for one, though he meets more dogs than people. (He calls them all “Buddy,” warily.) Titles include “I Slept in a Barn Full of Stray Dogs,” “I Got Caught in a Snowstorm With Nowhere to Sleep” and “Something Was Out There in the Forest.”) — Robert Lloyd

Jemaine Clement, left, and Nicola Walker in “Alice and Steve.”

(Lara Cornell / Hulu)

“Alice and Steve” (Hulu, Disney+)

What would you do if your ex-turned-longtime bestie slept with your 26-year-old daughter? Well, Alice (“The Split’s” Nicola Walker) 100% loses her mind. Sure, during a drunken convo at a bar, she did tell Steve (“Flight of the Conchords’” Jemaine Clement) that he could have any woman he wanted, but she most certainly wasn’t talking about Izzy (Yali Topol Margalith). Having just returned home after breaking up with her boyfriend, Izzy decides that Steve, now bunking down on the sofa, is “strangely hot” enough for a little rebound sex and then a romantic relationship. And Steve, though initially regretful and more than a little shell-shocked, decides this is what he wants too. “I really like her,” he says by way of sheepish explanation. It leaves Alice no choice but to hilariously alternate between screaming and scheming as she tries to put a stop to the proceedings even at the expense of her marriage, her career, her friendship with Steve and her self-respect.

Clement’s sad-sack charm successfully boosts the leap of faith required to keep Steve from becoming an oblivious creep, but the show belongs to Walker. Her Alice becomes a blazing embodiment of the emotional maelstrom inside every woman who is expected to somehow put on a supportive, understanding face no matter how outrageous or impossible the situation. The laughs she elicits are exhalations of shock, recognition and relief. We can’t all ditch the high road for pure, luxurious fury, but it’s mighty fun to watch someone who does. — Mary McNamara

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

Sam Reid as Lestat De Lioncourt in “The Vampire Lestat.”

(Sophie Giraud / AMC)

If you thought posting cryptic digs about an ex on your social media accounts as a way to cope with unresolved emotions was petty, this TV vampire may have you beat. The wild new, music-infused season of “The Vampire Lestat” (formerly “Interview With the Vampire”) revolves around Lestat de Lioncourt (Reid) on an elaborate mission to tell his side of the story after his ex-lover, Louis de Pointe du Lac (Anderson) published a scandalous memoir — with the help of journalist — that detailed their turbulent romance. In his bid to control the narrative, Lestat becomes an immortal glam rocker who launches a music tour and enlists the same journalist — newly turned into a vampire — to direct and film a music documentary about his life. The result is a flamboyant seven-episode season that blends rock-opera style performances (the season will feature 20 original songs) with personal reflections from its flashy frontman. As it enters its second week of release on AMC and AMC+, creator and showrunner Rolin Jones spoke over video call recently to discuss the show’s creative pivot and more. — Y.V.

To kick off the new season, there was an immersive premiere concert event at the historic Beacon Theatre in New York City earlier this month. Was that a surreal experience? Did you feel like a music manager?

I have a hard time talking about the work — the selling of the work, all that kind of stuff. I want to finish my edit, and then I want to like disappear at the Arctic. I knew we were doing this and I knew that there were like fans from all over the world flying in for it — some who didn’t have tickets. I knew there were people who had worked on the show from Seasons 1, 2, and 3 who got on a plane, asked for a ticket, and made a pilgrimage there. I was really moved by it. It was about as good as these things can ever be. It felt really beautiful. It felt like Vampire Church. It was pretty cool. And Sam — “surprising” is not the word because I’ve worked with him for a long time — was way better than he should have been. It’s incredible.

In this TV landscape, taking a show and giving it a new title as it enters its third season is a daring move. The series moves focus to the second book in Rice’s oeuvre. And while it continues the story of these characters, at the same time, it feels like a new show. What made you nervous about carrying out that kind of creative transformation? And what was thrilling about it?

We could start with a thrilling part because the idea to be able to go to the people who worked really hard and say, “Hey, let’s rebuild it” — that’s exciting. That part’s cool. The executing part about it is where the terror begins because most worthwhile art — you can call TV art — invariably has to have risk and danger involved in it, otherwise you’re probably performing a magic trick. No offense to magicians. But you want something that when you turn off the TV, you’re not immediately forgetting. The more risk you do, in terms of form, in terms of all that, you want to be able to feel like you can pull it off because, otherwise, they [the audience] have nothing to grasp onto. [And they say,] “You just destroyed this thing we love, how dare you!” But generally speaking, everybody — from the top of the network down to the actors who are doing it — was down for it. Mostly because, if you listen to our fandom, I think they demand it. They’re out there on a limb telling everybody “it’s the greatest TV show, and blah blah blah” and you have to deliver that for them so that they can continually confidently bombard all their friends and neighbors and say, “Watch the show.” There’s nobody who didn’t give everything [to this season]. It was a real collective leap together.

Sam undergoes quite the transformation to make this rock star vampire persona believable. What struck you about how he approached embodying Lestat this season?

I gained 20 pounds in Toronto, and that’s because I kept stuffing my face with bread, and about every three or four times I would have this big sloth of butter on bread, I’d go, “Poor Sam” because I know Sam had not touched a piece of bread. Let’s start there — 0% body fat, the dimensions on the waist. The level of dedication. He was living and breathing every second about the role and about the demands of it — sing songs, and not only sing songs, but go learn to be a musician, and go train with people who have been doing it their whole life so you can fake it. I feel very confident saying this: Anybody who watches this season and Sam’s performance will feel like, at the end, they saw one of the 10 greatest performances in the history of our medium. I think he absolutely disappeared. James Gandolfini did not sing songs, Swearengen [the “Deadwood” character played by Ian McShane] did not sing songs. Mr. White [the “Breaking Bad character played by Bryan Cranston] did not sing songs. I’ll put him [Sam] up against all of them. He’s incredible.

What if he wants to go off and be a rock star now?

He could do it.

Jacob Anderson as Louis De Pointe Du Lac in Season 3 of “The Vampire Lestat.”

(Sophie Giraud / AMC)

You have a rock band posing as vampires fronted by an actual vampire who is the focus of a documentary being directed by a vampire passing as a human. And for all this to work, the band has to be good. What was the challenge of making this fictional band’s stardom believable — the charisma, the presence on stage, the discography? It’s a tall order, in addition to making a compelling TV show.

Anytime you have seen these things, following a band, there’s so many ways it can fall flat. You can do three or four of the things you need to do, and if one of them falls apart, you’re still stuck there, going, “Eh.” We all, who are working on it, love music. We’ve all been in clubs. The first thing we did was remove the stardom for budget reasons, but also for singular storytelling — he decided to do rock ’n’ roll in the year 2025. Some basic building blocks, we need songs. So with [composer and songwriter] Daniel Hart, we bring him into the [writers’] room because it’s not only writing songs, but writing the context about when and where he’s [Reid] singing them. He has to be aware of what we’re doing in the room. We also have to be able to pivot when he has pure inspiration; he can come in with something we’ve never talked about, and go “Boom!” And it’s OK, now what do we do with this song? And quite often this year we restructured episodes because the song was beating our episode. [We had to] hire actors who can play or musicians that can act — and that’s not everybody, so that shrinks that down. Make sure when you’re in the club, or whether you’re singing the song in rehearsal, let us uglify it, embrace the mistake, make it a little dirty. We have a song this year that has some of the most beautiful orchestrations, but because of where it landed in the season and what it talked about, we ended up going with the most stripped down, bare version of it. Don’t worry, you’ll get to hear these beautiful orchestrations [at some point]. [It’s also thinking about] how do you carve out the time you need to shoot it and the playback elements of it, and what sacrifices you have to make on other set pieces that you would normally put in is a lot. But everything from the beginning was with one thing in mind: Do not suck. How can we suck less? Let’s not suck. And we just kept going over and over again with that.

At the end of the first episode we see Lestat reunited with his undead mom, Gabriella, who he has, I think it’s fair to say, an oddly intimate relationship with —

Multifaceted.

And obviously the Louis-Lestat romance is far from being over. What are you interested in exploring within those two dynamics, in particular, moving forward since they’re so central to Lestat?

It becomes immediately about him going, “Let me try to explain this … I might have just repelled 80% of you.” I’m really interested in the viewers who are really off-put by it. I want to see where they’re at by the end of Episode 7, if they trust us. And see what they’re feeling. I guess [some people feel], “Oh, you’re not allowed to do this in the TV world unless you got f— dragons and s—, but all the things that you would have thought [that the network might say], “Don’t do this,” we didn’t really have a lot of those obstacles. There was a lot of trust. The thing with the Lestat character is like it’s probably harder to cuddle up to him like you could Louis. Louis is a Faustian tale; here it’s like a Faustian tale but Elton John’s at the center of it. There’s a series of questions like “Why do you keep doing this to yourself? Why do you keep get trapped into these things?” It’s like going on odyssey, or as Jacob called it, an idiocy, with a character that is exotic and eccentric and contradictory. For us going forward, as we wrote it, every time we fell into the something that felt well-made or cool on a twist or turn level, we found we were very suspicious of it, and we were trying to make alien TV as best we could. So, what do I want? It’s less about exploring those two dynamics, although they’re richly part of this fabric. It was, how can you take them on a magic carpet ride, a very difficult one? The idea is to actually have, by the end, every single person recognize that part of themselves in him. And how can you normalize him over seven episodes? How can you deliver that to an audience?

I know you’ve been super–busy, but what’s the last thing you watched that you found yourself recommending to everyone or something that you were obsessed with right now?

A TV show I’m watching, one that I’m enjoying right now, is “Widow’s Bay” [Apple TV]— that has been very enjoyable. It’s so much fun.

Matthew Rhys’ facial expressions are so good.

Oh, he’s great, and that show just really knows what it is, and is joyfully silly, and has a great atmosphere. It’s one of the most beautifully shot things I’ve seen in a while. I’m not finished yet.

OK, before I let you go, I hope we get a concert out in L.A. at some point.

Wouldn’t that be nice? Where would you put it up? Echoplex?

Maybe the Troubadour.

What about the Greek? That would be nice.

ICYMI

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SACRAMENTO — Democrat Xavier Becerra holds a major advantage over Republican Steve Hilton as the race for California governor heads toward the November election, a new poll shows.

The two candidates topped a crowded field of gubernatorial hopefuls in the June 2 primary, earning them the opportunity to face-off in the general election.

Among registered voters in the state, 52% supported Becerra in a head-to-head matchup against Hilton, who was backed by 31%, according to a UC Berkeley Institute of Governmental Studies poll which was co-sponsored by The Los Angeles Times. The remainder were undecided.

“It looks very much like a traditional, partisan-based general election, with most of the Democrats, over 80%, behind Becerra as the campaign starts,” said IGS Poll Director Mark DiCamillo. “Even though Hilton has over 80% of the Republicans, the Democrats outnumber Republicans by 20 points in the state, and that gives the Democratic candidates a huge advantage, which Becerra is clearly taking advantage of in this election.”

The survey of California voters was conducted before the primary, from May 19-24.

The poll found that Democratic and Republican voters were extremely loyal to their party’s candidate. Among Democrats, 82% said they would support Becerra in the general election, while 84% of Republicans said the same about Hilton.

Becerra also had an edge among voters registered as no party preference or registered with other parties — who make up almost a third of the state electorate. Among those voters, 43% backed Becerra, 28% supported Hilton and 29% were undecided, the poll showed.

Along age, gender, racial and geographic lines, voters preferred Becerra to Hilton nearly across the board. The only geographic region where voters preferred Hilton to Becerra are those in the North Coast/Sierra region, which makes up about 2% of the electorate, DiCamillo said.

Hilton, who served as an advisor to former British Prime Minister David Cameron before immigrating to the United States, in April secured the endorsement of President Trump, which helped him gain enough support among Republican voters to outpace his GOP rival, Riverside County Sheriff Chad Bianco.

More than a third of Republicans, 37%, said Trump’s endorsement made them more likely to support Hilton. But while it helped Hilton consolidate the Republican vote in the primary, helping him finish in second place, it will likely hurt him in the general election, DiCamillo said. Trump remains deeply unpopular in California; the poll released Thursday showed 69% of voters disapprove of the president’s performance while 29% approve.

“A majority of Californians have a very strong negative view of the president, so Hilton’s backing by the president will not be nearly as beneficial to him in the general as it was in the primary,” he said.

A former Biden Cabinet secretary, state attorney general and longtime congressman from Los Angeles, Becerra had been wallowing in the low single-digits in public opinion polls less than three months ago. His fortunes changed when former Rep. Eric Swalwell, one of the Democratic front-runners, dropped out of the governor’s race after he was accused of sexual assault and misconduct, which he denies.

Democratic voters and interest groups quickly coalesced behind Becerra, who was seen as a steady candidate with a long resume in California politics and a record of fighting the Trump administration. In two months, he went from polling at 5% in a March IGS poll to 25% in a late May poll and finishing first in the unofficial primary vote count.

With 91% of ballots tallied as of Wednesday afternoon, Becerra led with 27.9% of the vote compared to 25% for Hilton, according to the Associated Press, which declared Becerra and Hilton the two winners. Billionaire hedge fund founder turned environmentalist Tom Steyer was in third place with 22.5% — knocking the Democrat out of contention for the November election.

DiCamillo said Swalwell’s dropping out of the race “really gave Becerra an opening and he capitalized on it.”

The poll also showed that in the end, “Becerra was the only one of the major candidates who ended the primary race with a favorable image among the overall electorate, even in the face of all the negative ads that Steyer was running” against him, DiCamillo said.

Just before the primary election, 44% of likely primary voters surveyed had a favorable view of Becerra compared to 38% who viewed him unfavorably.

Hilton and Steyer were upside down — 31% had a favorable opinion of Hilton compared to 38% unfavorable, and 39% had a favorable view of Steyer while 43% saw him unfavorably.

Though Steyer had aggressively courted progressive voters and secured the backing of left-wing individuals and groups like Rep. Ro Khanna (D-San Jose) and Our Revolution, a group founded by Sen. Bernie Sanders (I-Vt.), the final IGS poll before the election showed more progressive voters ended up backing Becerra.

Among those who self-identified as progressive, 39% said they would support Becerra while 29% preferred Steyer, according to the late May survey.

“It’s really one of the factors that was responsible for Steyer’s campaign not being successful,” DiCamillo said. Progressive voters were “a target audience for Steyer, but Becerra was able to have an advantage there.”

The poll was conducted online in English and Spanish among 8,578 registered California voters. The survey has a margin of error of 2% in either direction.

SEATTLE — Nneka Ogwumike scored a season-high 24 points against her former team, Kelsey Plum added 19 points and 11 assists, and the Sparks beat the Seattle Storm 88-83 on Wednesday night.

Ogwumike, who spent the last two seasons in Seattle, also grabbed nine rebounds to move into fourth on the WNBA career list, passing Rebekkah Brunson.

Cameron Brink added 15 points off the bench and Dearica Hamby grabbed 10 rebounds for the Sparks (6-6) in the Commissioner’s Cup game.

Natisha Hiedeman scored 16 points for Seattle (3-11), which has lost seven straight games. Dominique Malonga scored 15, Flau’jae Johnson added 14, Awa Fam had 12 and Jordan Horston 11 as all five Seattle starters scored in double figures.

Chance Gray made three free throws with 8:27 left in the fourth quarter to give the Sparks a lead, 72-70, they would not relinquish.

The Sparks were called for a defensive foul on a drive by Horston with 28.9 seconds left in the fourth, but it was overturned after a coach’s review. The Sparks took possession, leading 86-83, but Plum missed a long jumper and Seattle called a timeout with 12.1 left.

Seattle struggled to get off a quick shot and settled for a long three-pointer by Hiedeman that hit off the rim. Plum sealed it by making two free throws with 1.6 seconds left.

Orapa, Botswana – It is a year since Motshwegwa Rakhudu lost his job after 14 years working as an installer at Debswana diamond mining operations in northern Botswana. He says he had been on rolling three-year renewable contracts with Enabler Hires (Pty) Ltd, and expected the arrangement would continue through to 2027.

Instead, he was retrenched and made redundant without warning.

“The shock was too much,” Rakhudu, (not his real name), told Al Jazeera.

“In early 2025, I took a loan of 26,000 pula (about $1,900) to buy a car because I believed my job was secure. By mid-May, I was out of work.” He said the sudden retrenchment left him struggling with debt and household responsibilities, including school fees, with no compensation received.

“Being caught unprepared has been very difficult. Jobs are scarce, and even when work is available outside mining, the pay is much lower. I am still looking for work,” he said.

Rakhudu said he has considered farming or starting a small business, but lacks the capital. Selling his car, he added, would only cover the outstanding loan.

“I would want to go into farming, but if I sell the car, the money will only clear the loan,” he said.

Al Jazeera contacted Gaotlhobogwe Radikwata, a senior management official at Enabler Hires (Pty) Ltd, for comment on the retrenchments.

“I am not going to answer your questions even if you convince me you are from Al Jazeera. Who gave you my number? I never shared my contacts with journalists. I am not at liberty to share information,” she said.

Jobs vanish as diamond production slows

The retrenchments come as Botswana’s diamond sector, the backbone of its economy, slows sharply.

Debswana Diamond Company, a joint venture between the government and De Beers, cut production by about 27% in 2024 to 17.9 million carats amid weak global demand, and plans further reductions to around 15 million carats in 2025. The company accounts for roughly 90% of Botswana’s diamond sales.

That slowdown has rippled through the wider economy. Botswana’s output contracted by about 5.3% in the second quarter of 2025, the sharpest fall since the pandemic, driven largely by declining diamond production, according to Reuters.

Diamonds account for around 70% of export earnings and roughly a third of government revenue, according to Reuters and S&P Global Ratings, which in 2025 downgraded Botswana’s sovereign credit rating to BBB-, citing sustained pressure from the global diamond downturn and weakening fiscal revenues.

Household pressure builds across mining communities

For workers, the impact is no longer abstract.

“The diamond downturn is no longer just a business issue. It is a human issue affecting workers, families, contractors and entire mining communities,” said Mbiganyi Gaekgotswe, General Secretary of the Botswana Mineworkers Union.

He said uncertainty now defines everyday life.

“The first question on everyone’s mind is whether they will still have a job next year,” he said. “Will contracts be renewed? Will overtime be reduced? These are not abstract concerns. They affect school fees, loans, medical bills and family responsibilities.”

Even where jobs remain, pressure is rising as wages stagnate while food and transport costs increase.

Beyond diamonds: searching for new growth

Restructuring has already filtered through contractors and service providers, with more workers shifted onto short-term agreements, said Dominic Obusitse Mapoka, Chairperson of the Botswana Diamond Workers Union.

“Workers who remain employed are increasingly on short-term or temporary contracts,” he told Al Jazeera. “This makes it difficult for families to plan because they do not know whether contracts will be renewed.”

He said many earn between $190-250 a month, while the cost of living continues to increase, with knock-on effects for small businesses tied to mining activity.

Since independence in 1966, Botswana’s diamond wealth has transformed what was once among the world’s poorest countries into a middle-income economy, financing infrastructure, public services and sustained growth.

But that success has also left it heavily exposed to global shocks. The sector is now under pressure from weak demand, competition from lab-grown diamonds and reduced luxury spending in key markets, according to S&P Global Ratings.

The downturn exposes the risks of economic concentration, said Levy Ndou, a political scientist at Tshwane University of Technology.

“When citizens depend heavily on one sector, a fall in global demand becomes very damaging.”

He called for faster diversification into agriculture and beef production, alongside stronger regional trade links.

Botswana’s Minister of Labour and Home Affairs, Pius Mokgware, said the government is responding by trying to absorb job losses, including expanding copper mining and opening new projects. He added that diversification efforts are also targeting agriculture, tourism and Information and Communication Technology.

Minister of Minerals and Energy, Bogolo Joy Kenewendo, did not respond to repeated requests for comment.

Tshepo Modibedi, President of the Small Scale Miners Association of Botswana, said smaller operators remain largely excluded from the diamond value chain, which is dominated by large firms.

While not directly involved in diamonds, the downturn still spreads through households nationwide, he said.

“Lab-grown diamonds and strict regulations are challenges,” he told Al Jazeera. “But they could also be opportunities, if policy becomes more inclusive.”

For Rakhudu, however, structural shifts in the global diamond market remain distant from daily survival.

“I am still looking,” he said. “I just want another chance to work.”

SAN ANTONIO — Go crazy, New York. Or, perhaps more accurately, crazier.

The red-hot Knicks are going home, two wins away from an NBA championship that the capital of the world has been waiting to see for generations.

Jalen Brunson hit a go-ahead free throw with 9.5 seconds left after a turnover by Victor Wembanyama moments earlier, then Wembanyama missed a jumper at the end of New York’s 105-104 win over the San Antonio Spurs on Friday night for a 2-0 lead in the NBA Finals.

“What a ballgame,” Knicks coach Mike Brown marveled.

Karl-Anthony Towns had 21 points and 13 rebounds, while Brunson and Mikal Bridges each scored 20 for the Knicks. They have won 13 straight, the second-longest streak by any team in NBA playoff history.

“New York City showed up,” Towns said. “The fans showed up. The energy showed up. And we found a way to get it done.”

The Knicks are just the third team to win the first two games of a finals on the road, joining Michael Jordan and the 1993 Chicago Bulls, and Hakeem Olajuwon and the 1995 Houston Rockets.

Both of those teams won championships, the Bulls needing six games to oust the Phoenix Suns, the Rockets going home after winning those first two games in Orlando and sweeping the Magic. The Knicks, seeking their first championship since 1973, are in position to join them.

Wembanyama, after a very quiet first half, scored 29. De’Aaron Fox had 20 for San Antonio.

“We can’t change the past,” Wembanyama said, “We’re already thinking about Game 3.”

The series shifts to New York. Game 3 is at Madison Square Garden on Monday night.

New York Knicks guard Landry Shamet, left, celebrates with guard Mikal Bridges after making a three-pointer in the second half against the San Antonio Spurs in Game 2 of the NBA Finals on Friday.

(David J. Phillip / Associated Press)

President Donald Trump — a native New Yorker — plans on attending Monday. And ticket prices on the secondary market, for the worst seats at MSG, were approaching $9,000 apiece on Friday night, with Knicks fans evidently willing to pay tippy-top dollar just to be in the building as the team nears what would be its first championship in 53 years.

The Spurs were down 14 midway through the fourth and came all the way back — scoring the next 14 points to tie the game. Wembanyama’s three-point play with 57 seconds left gave the Spurs their first lead in nearly two full quarters, putting San Antonio up 104-102.

“We showed tremendous desperation, urgency and competitive response,” Spurs coach Mitch Johnson said. “Hopefully we can try to bottle that up … and try to play to that same level.”

But the Knicks got the last three, Brunson — the hero of Game 1 for the Knicks — getting them all.

Brunson scored on the next possession, just his seventh basket in 24 shots on the night, and the game was tied. Wembanyama missed a long jumper, OG Anunoby got the rebound for New York with 30 seconds left, the Knicks called time and the stage was set.

The Spurs got a stop, but Wembanyama threw the ball away. Brunson got fouled, the Knicks had the lead back and before long Spurs fans were filing out of the arena — possibly for the final time this season.

The Spurs called time with 7.5 seconds remaining. Fox took the inbound pass, then set up Wembanyama for a jumper that would have won it. The shot bounced off the rim, and it was over.

“We had to get a stop. We hadn’t gotten a stop all quarter,” Towns said.

They got their stop. Next stop: New York, where the hottest team in basketball knows an NBA title is just two wins away.

Reynolds writes for the Associated Press.

President Trump signed an executive order on artificial intelligence Tuesday, less than two weeks after postponing a White House ceremony over his concerns that a similar policy could dull America’s edge on AI technology.

The order establishes a framework for the federal government to vet the national security risks of the most advanced AI systems for up to a month before their public release. The government will be able to work with trusted partners “that will have early access to covered frontier models to promote secure innovation and strengthen the cybersecurity of critical infrastructure,” the order says.

It was not immediately clear to what extent the order differed from the one he declined to sign on May 21.

Trump canceled an Oval Office event with tech industry executives last month because he did not like what he saw in the earlier version of the order’s text. “We’re leading China, we’re leading everybody, and I don’t want to do anything that’s going to get in the way of that lead,” Trump told reporters at the time.

That directive was characterized as a voluntary collaboration with participating U.S.-based tech companies, including Anthropic, OpenAI and Google.

O’Brien writes for the Associated Press.

Far-right outsider Abelardo de la Espriella will face left-wing Senator Ivan Cepeda in the run-off for Colombia’s presidential election next month. Al Jazeera’s Teresa Bo explains what this means for Colombians.

Some of the numbers for individual players are eye-catching.

Les Parisiens’ club captain Marquinhos has started 14 of those European games – the same number of total appearances he made in the league (11 starts, three as a substitute).

From 13 February to 19 April, the decorated Brazil defender didn’t see a single minute of league action, remaining an unused sub in seven successive games. He played every minute of the holders’ six Champions League fixtures in that timeframe.

Ballon d’Or holder Ousmane Dembele completed 90 minutes in the league only once in 22 appearances. Fellow forward Khvicha Kvaratskhelia played for the duration just twice in 28 matches.

On 12 May, Dembele controversially won the Ligue 1 player-of-the-season award for the second year in a row, registering 10 goals and seven assists.

He started a mere 11 league games (nine at the time of the award), featuring in 22 out of a possible 34 overall, although a succession of injury problems did cause him to miss 10 of those.

Luis Enrique’s policy of rotation – he used 28 players in league fixtures versus Arteta’s 25 – did come at some cost, albeit not a telling one.

Three of their six league defeats – against Marseille in September, Monaco in November and Lyon in April – came immediately after Champions League ties.

Midfielder Warren Zaire-Emery played more league minutes than anyone else in the PSG squad with 2,453. Six Arsenal players clocked up more than that.

The notion that England’s top flight is the best in Europe is not purely down to Anglocentric bias; Uefa’s association club coefficients rank the Premier League as the continent’s top division, with Ligue 1 fifth.

It should be said that PSG played a mammoth 58 games last season en route to a superb four-trophy haul that included a maiden Champions League success in which they overcame Arsenal 3-1 on aggregate in the semi-final. The Ligue 1 campaign is also four games shorter than the Premier League’s, owing to its 18-team format.

Regardless, Arsenal’s key players have undoubtedly been putting a shift in. Goalkeeper David Raya had played every minute of the season until he was rested on the final day against Crystal Palace with the title already in the bag.

Declan Rice, William Saliba, Gabriel and Martin Zubimendi have also started at least 30 league games for the north London club, something only Zaire-Emery can say for their opponents (the Gunners’ Jurrien Timber, who has been injured since mid-March and remains a huge doubt for the final, still managed more minutes than him).

Of the 10 players with the most league minutes for either club this season, just two, Zaire-Emery and Illia Zabarnyi, play for the Paris outfit.

A HISTORIC lido with stunning sea views is reopening today, just in time for the good weather.

Located on the edge of a scenic area dubbed the UK’s Costa del Sol, this pool is the perfect place to cool off in the summer sun.

Dating back to the 1930s, Brightlingsea in Essex is one of the last remaining lidos in the area.

The site boasts an Olympic-size outdoor pool, along with a heated toddler pool as well as sun loungers, changing rooms, and a cafe.

Summer sessions will run from 7am until 5pm, with the first three hours allotted for relaxed lane swimming.

Aquacise and “little dipper” sessions for younger swimmers are also available.

MAKE A SPLASH

All the UK lidos opening this bank holiday weekend as temps set to hit 28C

MAKE A SPLASH

Massive new ‘floating’ lido to open in the UK next month

The lido first opened in 1932 as a tidal salt pool, eventually converting to freshwater in the 1970s.

Nowadays, the popular site is run by volunteers who saved it from closure in 2017.

General entry costs £7.50 for adults and £5.50 for children aged two to 18 and seniors over 65.

Toddlers under the age of two can enter for free.

Cheaper rates are available for lane swimming, quiet sessions, and aquacise, with more information available on the lido’s website.

The site will be open from 7.30am until 7.15pm until Monday, August 31.

Brightlingsea is much quieter than its neighbouring towns such as Clacton but is still known for its shingle beach.

The area is perhaps most recognisable for its line of colourful beach huts on the promenade.

One visitor described the area as “very unspoilt, family oriented, beautiful beach. Traditional town back in the 50’s.”

Brightlingsea is on the UK’s Sunshine Coast, which one person said is like “going back in time to seaside holiday of the past.”

Another visitor told The Sun: “I was on the Sunshine Coast of Essex, which is often compared to Spain thanks to it being one of the sunniest, driest spots in the country.

“What I really loved about exploring the Essex seaside is the sheer variety of experiences on one relatively small stretch of coast, bookended by Brightlingsea in the south and Harwich in the north.”

In Congress, Katie Porter’s blunt, combative style helped rocket her to progressive stardom. It has also become her biggest vulnerability as she campaigns to be California’s next governor.

Her brusque approach, prosecutorial instincts and suburban mom appeal fueled Porter’s rise during her three terms in the U.S. House of Representatives, where she rattled CEOs and Trump administration leaders and batted away GOP challengers in a competitive Orange County district.

Her tack, however, made her a polarizing force within her own party, where fidelity remains an essential currency of success and power. In Congress, Porter clashed with then-House Speaker Nancy Pelosi and L.A.’s Rep. Maxine Waters.

The same rough edges that endeared Porter to many voters have also alienated some Democratic insiders and interest groups whose support could prove critical in the race to replace outgoing Gov. Gavin Newsom.

Then-Rep. Katie Porter meets with parents, doctors and diabetic patients in her Irvine office in 2019.

(Mark Boster / For The Times)

“She came in [to the governor’s race] as an outsider, as a mom, as a fighter. She wasn’t pulled into the establishment,” said Lorena Gonzalez, president of the California Federation of Labor Unions. “I think that’s why she’s popular with voters, because they want somebody who’s going to fight, and sometimes that ruffles feathers.”

In the campaign for governor, Porter, a single mother of three, has struggled to convert grassroots popularity into broader institutional support. Even after former Rep. Eric Swalwell dropped out of the race amid allegations of sexual assault, she has yet to see a major surge in support or endorsements from Democratic power brokers.

A pair of embarrassing videos continue to hang over her campaign. The videos, which surfaced in October, showed Porter yelling at a staff member and threatening to walk out of a television reporter’s interview.

As former U.S. Health and Human Services Secretary Xavier Becerra has ascended and she remained stagnant in polls following Swalwell’s exit, Porter has increasingly sought to redeem her image. She poked fun at the incident with her staffer in an ad, smilingly asking a group of whiteboard-wielding supporters behind her to “please get out of my shot.”

In recent debates, Porter has sought to play up the qualities that made her a standout among resistance-era progressives, needling former hedge fund executive Tom Steyer over his past investments in private prisons and the pressing Becerra for a “yes” or “no” on statewide single-payer healthcare. Porter emphasizes her support for single-payer healthcare, providing free child care and college tuition and making wealthy corporations pay their “fair share” in taxes.

Porter said she wants to increase taxes on the state’s wealthiest residents but doesn’t support the proposed billionaire’s tax ballot measure because it is a “one-time tax” that won’t solve the state’s underlying budget issues.

During a particularly chaotic debate last week, she scolded her opponents’ incessant interruptions and called out what she considered a double standard over her behavior.

“I can’t believe, with [the] interrupting and name-calling and shouting and disrespect for everyone up here who’s stepping into public service that anyone wants to talk about my temperament,” she said during the May 5 debate on CNN.

Though she acknowledged she mishandled both caught-on-tape situations and said she apologized to the staffer, the videos hindered her early momentum and have undercut her efforts to make inroads with potential allies in the race.

Porter speaks at a gubernatorial candidates forum on Sept. 28, 2025, in Los Angeles.

(Carlin Stiehl / Los Angeles Times)

Influential lawmakers, labor groups and party insiders have coalesced behind Becerra and Steyer, her top Democratic rivals.

Porter has scored some key endorsements. She is one of three candidates backed by the California Federation of Labor Unions, along with Steyer and former Los Angeles Mayor Antonio Villaraigosa. She also has support from Teamsters California, the National Union of Healthcare Workers and progressive groups such as Emilys List and California Environmental Voters, which dual-endorsed her and Steyer.

Union support is pivotal for Democratic candidates in California, sending a clear signal that they support the priorities of working-class voters. For Porter, who has proudly refused to accept corporate donations throughout her political career, the labor endorsements also help her attract the small-dollar donations that are essential to her campaign.

While in Congress, Porter proved to be a prodigious fundraiser. In her last reelection campaign for the House of Representatives in 2022, she raised more than $25.6 million in contributions — the second-most in Congress, behind only Bakersfield’s Rep. Kevin McCarthy, who was then the House Republican leader.

Still, her backing from elected Democrats remains comparatively thin. Along with her mentor, Sen. Elizabeth Warren (D-Mass.), just three members of Congress have endorsed her gubernatorial bid: Reps. Robert Garcia of Long Beach, Dave Min of Irvine and Derek Tran of Huntington Beach. She also picked up an endorsement from Assemblywoman Cottie Petrie-Norris (D-Irvine) after Swalwell dropped out.

Though none would speak publicly, multiple sources who work in and around the state Capitol expressed concerns about Porter’s temperament and her willingness to work collaboratively with people she disagrees with.

“Katie Porter hurt herself big time because she needs anger management and she doesn’t have the temperament” to be governor, Democratic former Sen. Barbara Boxer said during a recent interview with NewsNation’s Leland Vittert.

Through her campaign spokesperson, Porter’s declined to be interviewed for for this story.

Porter questions Tim Sloan, president and chief executive officer of Wells Fargo, during a House Financial Services Committee hearing in Washington in 2019.

(Andrew Harrer / Bloomberg)

Defenders argue the backlash reflects a double standard for women in politics — a salient point in a state that, despite its liberal reputation, has never elected a woman as governor.

“Sacramento sizes up every gubernatorial candidate the same way: Can they win, and is this someone I actually want to work with?” said Elizabeth Ashford, a Democratic consultant who is not working with any of the candidates running for governor. “The videos showed an angry woman, and for a lot of people that translated to ‘I don’t want her as my boss.’

“It’s a double standard that dogs women in politics. Jerry Brown was famous for his loud, unfiltered outbursts and nobody questioned whether he was up to the job,” said Ashford, who served as the former governor’s deputy press secretary.

Gonzalez agreed, arguing that women who stand up for themselves “are often labeled as ‘difficult.’ Probably a lot of people think I’m difficult,” the labor leader added with a laugh.

Born in Iowa, Porter often connects her politics to her family’s financial struggles after losing their farm during the 1980s farm crisis. She earned degrees from Yale and Harvard, where she studied bankruptcy law under Warren. In 2012, while working as a law professor at UC Irvine, Porter was appointed by then-Atty. Gen. Kamala Harris to oversee California’s $18-billion mortgage settlement.

After defeating Republican incumbent Rep. Mimi Walters in 2018, Porter quickly emerged as one of the Democratic Party’s most recognizable progressives. Armed with a whiteboard and other visual aids in congressional hearings, she confronted banking and pharmaceutical executives over drug prices, consumer debt and corporate profits.

The props, theatrical at times, seemed to aggravate Waters, then the Democratic chairwoman of the Financial Services Committee. On several occasions, Waters sided with Republicans who challenged Porter’s use of visual and audio aids during hearings.

“Please do not raise your board. We’ve talked about this before,” the chairwoman scolded when Porter tried to hold up a “Financial Services Bingo” card during a 2019 hearing on debt collection. (She later got to show the board on “Late Night with Seth Meyers.”)

Eager to force change they campaigned on, Porter and other freshmen, including members of “The Squad,” at times clashed with Pelosi and other Democratic leaders.

Porter speaks to volunteers while campaigning in Mission Viejo in 2018.

(Victoria Kim / Los Angeles Times )

Porter has slammed lawmakers, including Democrats, for stock trading and funneling earmark funding to their home districts, arguing that such practices breed corruption and mistrust in Congress. The critiques irked Pelosi, a powerful force in California politics.

In her second term, the Orange County Democrat lost her coveted spot on the Financial Services Committee after she listed it as her third choice and requested a waiver to stay on it. Typically, members prioritize such high-profile committees and request waivers to serve on lesser ones in addition. The move was seen as a risk, the result a check on Porter’s ambition.

“So many of us, regardless of ideology, run on ‘shaking up Washington.’ But then when you actually come here, there’s a lot of consequences for doing that,” Rep. Alexandria Ocasio-Cortez (D-N.Y.) told The Times after Porter lost the committee position.

Porter’s willingness to buck party norms also raised eyebrows during her Senate campaign, when she entered the race for Sen. Dianne Feinstein’s seat before Feinstein had announced retirement plans in early 2023. Although then-Rep. Adam Schiff also launched an early campaign, he did so only after privately seeking Feinstein’s blessing. She ultimately finished third in the primary.

Her decision to run for Senate did not ingratiate her with Washington’s Democratic leadership. The party was forced to spend millions to ensure another Democrat was elected to her contested Orange County congressional seat, and Schiff, her top rival in the race, was a close ally of Pelosi — who endorsed him — and helped lead the first impeachment effort against President Trump.

Controversy surrounding Porter’s personal relationships have also surfaced during previous campaigns. In 2024, she obtained a five-year restraining order against a former boyfriend who she said bombarded her and her children with threatening messages.

When a whisper campaign about the end of her marriage threatened her first House run, Porter shared details of her 2013 divorce with the Huffington Post, including that her ex-husband, Matthew Hoffman, physically intimidated and verbally abused her. Hoffman also claimed to be the victim of abuse, including an incident in which Porter allegedly threw hot mashed potatoes at him. Both filed for restraining orders and sought anger management during the divorce.

Former employees have also rallied to her defense. In an open letter last month, 30 former staffers described Porter as a “workhorse” who “asked of us what she expected of herself.”

“She demanded a lot, but she also fought for us, mentored us, and stood by us when life got hard,” the former aides wrote. “We believe the public should understand the full person we know, not a caricature built from a few clips on a bad day.”

Porter has argued that voters are looking for someone willing to challenge powerful interests rather than accommodate them.

Katie Porter is interviewed after the California Gubernatorial debate at Skirball Cultural Center on Wednesday.

(Jason Armond/Los Angeles Times)

“It’s on me to keep campaigning and keep demonstrating that,” she told reporters after a recent gubernatorial debate in San Francisco. “It’s also not lost on me that the last time the Democratic Party had a woman nominee for governor was 1994, when I was in college.”

The affordability crisis is at the forefront of the race to replace term-limited Newsom. As a single parent, Porter argues she is acutely aware of gas and grocery prices — as well as higher-stakes consequences.

She described feeling shocked when, during a recent conversation with her 17-year-old son, he asked if she would visit him if he moved to another state.

“I said, ‘Paul, you love California, why would you leave California?’ And he said, ‘Well, I’m thinking I might want to have a family and I might want to have a house, and I know that means I’ll have to leave California,’” Porter recounted at a March forum hosted by the California Assn. of Realtors. “We need to be a state that doesn’t just retain people like my son … but welcomes new families.”

The centerpiece of her proposed “affordability solutions” are free child care, free tuition at UC and CSU schools for students who complete two years of community college, and ending income taxes for those who earn less than $100,000 — an idea she acknowledges she “stole” from Republican candidate Steve Hilton. “I will take a good idea anywhere I can get it,” she said at a recent forum.

To pay for it, Porter would impose a progressive corporate tax, meaning more profitable businesses and corporations would pay a higher rate. A less than 1% tax hike on businesses that earn hundreds of millions in profit would bring in around $8 billion, according to her website.

“I think she deeply and personally understands the everyday struggles that so many Californians are grappling with right now,” said Petrie-Norris, who last month became the first state legislator to endorse Porter.

While Petrie-Norris describes herself as more politically moderate than Porter, the Irvine assemblywoman praised her as a “pragmatic problem-solver” and “proven fighter” who has taken on corporate interests and the Trump administration.

For a while, Porter was one of four women among the major candidates running for governor. One by one they have dropped out of the race, citing difficulties raising money and support.

After sharing the debate stage with five men recently, Porter was asked whether California is ready for a female governor.

“I sure as hell hope so,” she said.

Not too long after Star Wars: Galaxy’s Edge opened at Disneyland in 2019, the land brought me to tears.

It was a summer weekend evening, and I was strolling the 14-acre area, mainly to people watch. I caught a commotion in the crowd out of the corner of my eye, and decided to follow the activity.

There, crouched along one of the walls of the fictional town of Black Spire Outpost, was an actor playing the role of Rey, the hero of the most recent trilogy of “Star Wars” films. Behind her was a crowd of more than a dozen, many of them young children. Rey turned to tell them to be quiet. They followed her as she shuffled along the walls, decoratively designed to look decades old and scarred with blaster fire and cracks.

They turned a bend and came upon two Stormtroopers, who jumped in surprise, and signaled that Rey was the person they were after. That’s when Rey held out her hand, palm up, to the troopers. She instructed those with her to do the same and to repeat after her. She and the crowd, now quickly growing, were collectively using the Force.

The “Star Wars” character of Rey leads guests in using the Force at Disneyland in the summer of 2019.

(Todd Martens / Los Angeles Times)

The Stromtroopers turned, muttered that there was nothing to see here, and walked away. Rey faced her audience and begin hugging and shaking hands with those closest to her. This is when I welled up.

The promise of Galaxy’s Edge was tremendous. Audiences were invited to pretend, to become a hero or perhaps a rogue in a land designed to facilitate interactivity, and most importantly play. That a crowd was able to become a little silly, be a bit vulnerable and share a collective moment with a gaggle of strangers reinforced to me the importance of theme parks as communal spaces, ones that can get us out of our head, our struggles and our stressors.

As of last week, Galaxy’s Edge forever changed. I still love the land, and believe it one of the triumphs of Walt Disney Imagineering. But I mourn what it once was and never came to be.

A change in the Force

Leia and Han are now meeting with guests at Disneyland’s Star Wars: Galaxy’s Edge in an effort to infuse more classic characters into the land.

(Christian Thompson / Disneyland Resort)

Galaxy’s Edge has shifted its timeline. Out is Kylo Ren, and in is Darth Vader. Also new to Galaxy’s Edge are Han and Leia. Luke is there, too, returning after a limited run last year. The arrival of the so-called “classic” “Star Wars” characters will in fact breathe new life into Galaxy’s Edge. Already, they are pleasing crowds, as the Disneyland faithful last week cheered Vader’s entrance, heard now to a score of John Williams’ ominous “Imperial March.”

Rey still makes appearances, but when she does she is stationed near showcase attraction Star Wars: Rise of the Resistance. Ahsoka Tano, as well as the Mandalorian and Grogu, are among the other characters who will meet with guests in various spots throughout the area.

Galaxy’s Edge will now become what it was never built to be: a hodgepodge of “Star Wars” characters and nods to past works rather than undiscovered tales. While many saw the absence of the most recognizable “Star Wars” figures as a flaw, it was part of its intended design. For the land’s creators, it was a tradeoff they were willing to make, a bet guests would be active archetypal “Star Wars” tourists rather than spectative consumers. It was a grand theme park experiment.

“It was not an immediately intuitive decision,” Scott Trowbridge, the key Imagineer behind the land’s ideals, told me in 2022 when asked about the choice to set the land in the timeline of the most recent “Star Wars” films.

Said Trowbridge: “Luke’s story, or Leia’s story, that we saw 10, 20, 40 years ago, we know those stories. We love those stories. But there’s not room for us in that world. We wanted to make sure we were leaving room for you and your friends.”

When Galaxy’s Edge opened, we heard the roar of spaceships and musings of war. Traditional theme park trappings — character meet-and-greets, passive rides and musical scores — weren’t found. It was instead designed as an invitation, a new, unknown location filled with lesser-known characters like rebel spy Vi Moradi, meant to serve as a living playset for guests to create their own tales. I saw this happen, too. Once, when strolling the land with my former partner, she turned to me and lightly punched me in the arm, saying, “What’s a respectable guy like you doing with a scoundrel like me?” That was the moment I knew I would fall in love with her, and it was facilitated by Galaxy’s Edge.

A failed dream

The centerpiece of Star Wars: Galaxy’s Edge is the Millennium Falcon.

(Allen J. Schaben / Los Angeles Times)

If I’m being honest, I am aware that Galaxy’s Edge seldom lived up to this promise. Imagineers teased many characters — a bounty hunter, for instance, who would hang in the cantina — who never appeared. In order to play, we need people to play with, and this playland often felt empty. Droids, for instance, would show up, but often only for a limited time. Teased features, such as Bluetooth technology that would allow the land to track a guest’s reputation, courtesy of missions they completed in the Play Disney Parks mobile app, never reached their fruition. That game itself, which is still available, thus lacks any meaningful payoff.

Galaxy’s Edge was a theme park risk, asking how deeply guests would want to engage in physical spaces. But it came with challenges, namely that as these lands grow, the level of activity needed to maintain the illusion increases. A promised dinner theater was never built, and a stage for a special effects-laden stunt show has largely sat barren. Disney also relied not on actors but its retail staff — cast members, in park parlance — to do the heavy lifting when it came to performing.

I wrote in 2019 that Galaxy’s Edge may, in fact, be too ambitious for the Walt Disney Co. I’m bummed that I was right.

Many on social media are musing that Disney is now fixing Galaxy’s Edge. Let’s be clear, Galaxy’s Edge was never broken. It just needed Disney to be a better steward and to fully support the ambitions of its Imagineers.

Last week at Disneyland, when Darth Vader walked on a Galaxy’s Edge stage through a smattering of smoke, the crowd erupted as if at a sporting event. It was fun, and clearly something some fans had been craving.

So bring on Darth Vader and the rousing music of Williams, I reluctantly say. Disney should do what it does well, and that is to create memorable character experiences. Operationally, the park had abandoned the initial goals of Galaxy’s Edge long ago, and the presence of Han, Luke and Leia will excite guests and at last give attendees more characters to interact with. It will be a busy, bustling place, and that I do applaud.

The week in SoCal theme parks

Changes have been reported at Roger Rabbit’s Car Toon Spin.

(Christian Thompson / Disneyland Resort)

• You can now get a “Star Wars” ID card in Downtown Disney. Located inside the Star Wars Trading Post shop is a plastic ID-making machine (similar to the fake driver’s license one can get in the queue for Autopia) that will take your photo and allow you to pick a role in the “Star Wars” universe (bounty hunter, fighter pilot, etc.). It looks neat. I want one, even though I don’t know what I would do with it, but so far, lines have averaged 90 minutes to two hours or more.
• Roger Rabbit’s Car Toon Spin has lost its spin. Disneyland removed the ability for guests to twist and turn their cars, an operational-driven-tweak, as the ride now allows for lap seating for younger guests and will allow for more to experience the attraction. While I can see how some may miss the spinning feature, I often tried to keep the car steady to soak up the environment, so my initial reaction leans positive, especially if it improves a family’s Disneyland day.
• Celebrate the 25th anniversary of the first “Harry Potter” film in an all-encompassing environment. Inglewood’s Cosm isn’t a theme park, but its dome-like screen offers a theme park-like experience (think the golden days of Circle-Vision). Opening Thursday is a re-imagined “Harry Potter and the Sorcerer’s Stone” with newly added environmental effects. The core film remains untouched, but the screen surrounding you aims to come alive with enchanting movement.
• Magic Bands will soon disappear from Disneyland shelves. Disney reporter Scott Gustin, a friend of Mr. Todd’s Wild Ride, recently noted that Disneyland will not be replenishing its stock of the Magic Band+ once it sells through the remaining inventory. Those who have them (hand raised) needn’t worry, according to Disneyland officials, as Magic Band+ functionality, including the game Batuu Bounty Hunters in Galaxy’s Edge, won’t cease. But Magic Band+ has limited use cases at Disneyland, and never quite caught on here in the same way the wristbands have at Walt Disney World.
• Happy birthday to the Great American Revolution. Magic Mountain’s classic coaster turns 50 this week, having opened on May 8, 1976. As part of the anniversary festivities, the park has restored its original name of the Great American Revolution (it was recently operating as the New Revolution). The ride is known for being the first modern looping coaster with a tubular steel track, earning it landmark status from American Coaster Enthusiasts.

The best thing I ate at the parks

A scallop appetizer at Carthay Circle. Go easy on me, I’m not a food photographer.

(Todd Martens / Los Angeles Times)

No churros or treats for me this week. I hadn’t had a chance yet to check out the spring menu at the lounge at Carthay Circle, Disney California Adventure’s fine dining restaurant, so I made my way there Friday afternoon. Carthay Circle is always a welcome respite, a calming, relaxing environment where the theme park day tends to slow down.

I was after the scallops appetizer. Now, priced at $16, I knew this wouldn’t be a large portion, but I was longing for something light and breezy and this plate of six small scallops in a sea shell delivered. Drizzled with macadamia nuts, the citrus-forward dish is designed to bring out contrasts in texture. Overall, it’s a little zesty, a little nutty, and as a seafood person I’m happy an affordable, delicate dish exists at the resort. If you’re really hungry, though, you’ll need a second item.

Ride report

Space Mountain has begun its yearly, temporary overlay as Hyperspace Mountain.

(Todd Martens / Los Angeles Times)

It’s “Star Wars” season at the Disneyland Resort, which means Space Mountain has been remade into Hyperspace Mountain. Now, generally speaking, this is my rule when it comes to ride overlays: The original is almost always better. That’s the case for Space Mountain as well, as the 1977 classic still thrills, its near pitch-blackness keeping you guessing while its uplifting score seems to capture the exhilaration and optimism of space flight.

But Hyperspace Mountain has its charms. The projections of lasers and X-wings look great in the darkness, and the sudden dips and turns work well for the dogfight atmosphere. The John Williams score brings the energy, and there’s the right amount of chaos and shifts in direction to make us feel as if we’re in a “Star Wars” battle. I’m just relieved, however, it doesn’t stick around too long, as the original is such a magnificent coaster.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Love Soarin’ Over California? Then I point you to this piece from former Times staffer Sammy Roth, an environmental reporter who also appreciates Disney theme parks. Here, Roth goes scene-by-scene, looking at how Soarin’ represents a snapshot in time and analyzing how its locations have been touched by climate change.

LAS VEGAS — T-Mobile Arena sits just off the Las Vegas Strip, not far from a faux Manhattan skyline, a pyramid and a casino made to look like a castle.

The line separating illusion from reality can be a thin one in Sin City, where the Ducks opened the second round of the Stanley Cup playoffs Monday intent on proving their first-round victory over the Edmonton Oilers was more than a facade. It didn’t go well, with Brett Howden’s goal early in the second period and Ivan Barbashev’s tie-breaking tally late in the third period giving the Vegas Golden Knights a 3-1 victory in the best-of-seven series.

Mitch Marner added an empty-net goal with six seconds to play to end any hope of a Ducks comeback. Mikael Granlund scored for the Ducks with six minutes left in the game. Game 2 is in Las Vegas on Wednesday.

The Ducks were a shadow of the team that eliminated Edmonton. After averaging a playoff-high 4.33 goals a game, the Ducks were stymied by Vegas goalie Carter Hart, who turned away 33 shots. And after converting eight of 16 power-play opportunities against the Oilers, the Ducks were shut out in four chances against the Golden Knights.

Although the Ducks played their best defensive game of the postseason, giving up just 21 shots, the balanced Knights gave them few good scoring opportunities, especially on the power play.

The Ducks, who needed to use their superior speed to counter the Knights’ edge in experience, pushed the pace in the opening period but got nothing to show for it. The Knights took the lead less than four minutes into the second period when Howden made a dash to the edge of the crease to deflect in a pass from Marner for his fifth goal of the playoffs.

Vegas defenseman Rasmus Andersson celebrates after Mitch Marner’s empty-net goal in the final seconds of a 3-1 win over the Ducks on Monday.

(Ethan Miller / Getty Images)

Howden had a chance to double the lead less than six minutes before the second intermission, but he whiffed trying to bat a loose puck in an open net from the right side.

Mark Stone had an opportunity to score on the power play with less than nine minutes left, but Ducks’ goalie Lukas Dostal made a spectacular save to keep it a one-goal game. And that paid off when Granlund put the puck through Brayden McNabb’s legs 2½ minutes later.

The tie was short-lived, however, with Barbashev redirecting in a pass from Pavel Dorofeyev for the go-ahead goal. Ducks players and coaches vehemently protested, believing officials missed an icing call before the goal.

The Ducks mounted a furious rally after pulling Dostal with about two minutes to play, but that ended with Marner clearing the puck the length of the ice into the empty net.

Not every crowd will gleefully applaud and cheer a known notorious villain. But the Disneyland faithful certainly will, as when Darth Vader set foot in the park’s Star Wars: Galaxy’s Edge on Wednesday morning and the audience erupted in approving hollers.

Kylo Ren has officially been evicted from the fictional “Star Wars” town of Black Spire Outpost. Vader has instead taken up residence, and he will appear multiple times daily in front of the land’s militaristic TIE fighter before stalking the area on the prowl for Luke Skywalker.

In Vader’s first two appearances Wednesday, he spoke of his quest to hunt down the young Jedi. He was flanked by two classic Stormtroopers, who had different dialogue in each showing — one time critiquing Black Spire Outpost and later talking of a run-in with a Jedi.

Vader isn’t the only new addition to the area. Leia, Han and Luke, the latter of whom previously appeared in the land for a limited time last year, are also now regularly appearing in Galaxy’s Edge.

Their presence marks a major shift in direction for the 14-acre theme park land. When Galaxy’s Edge opened in 2019, it was set at a fixed point in the “Star Wars” timeline, namely one in the middle of the latest films in the series.

This was done in part to promote the new cinematic works, but to also facilitate interaction, placing guests on an unknown adventure rather than one with a fixed outcome. It was a theme park experiment to see how much Disneyland attendees would lean in and role play.

But Disneyland wisely hasn’t completely pivoted on the Galaxy’s Edge mission. The characters appear out in the land and on a quest rather than simply standing and posing for photos.

Leia, for instance, spent the bulk of one appearance working with the furry Chewbacca to fix up the starship Millennium Falcon. Later, she joked around with Luke and asked young fans if they wanted to train to learn the ways of the Force.

We’ll have more on the changes to Galaxy’s Edge and what they mean for the future of Disneyland in our theme park newsletter, Mr. Todd’s Wild Ride.

ULSAN, South Korea, April 29 (UPI) — Founded in 1974, Korea Zinc began to churn out 50,000 tons of zinc in 1978 at its Onsan smelter about 250 miles southeast of Seoul. Over the next five decades, it expanded annual zinc capacity by more than 11-fold to 560,000 tons.

In addition, Korea Zinc added lead and copper into its production portfolio, a diversified smelting model it says underpins the competitive edge of the world’s largest non-ferrous metal manufacturer.

“In other smelters making just one substance, they have to deal with waste. But we take advantage of them to retrieve other materials,” Korea Zinc engineer Kang Ki-tae said. “That’s why our Onsan smelter is both competitive and environmentally friendly.”

That approach is evident on-site. Korea Zinc is reclaiming a former byproduct storage pond for the construction of a germanium plant targeted for operation in 2028, showing its reduced need for such storage facilities.

As a result, the company’s product portfolio extends beyond the three base metals of zinc, lead,and copper to include such precious and critical metals as gold, silver, indium, bismuth, antimony, gallium and germanium.

Among its customers are Hyundai Motor, Posco, Samsung Electronics, SK hynix and Lockheed Martin. In August, Korea Zinc signed a memorandum of understanding with Lockheed Martin to supply germanium.

Kang said the company aims to replicate those competitive strengths in its U.S. facility to support the efforts of Washington in securing a stable supply chain of critical minerals.

Late last year, Korea Zinc laid out plans to develop an integrated smelter in Clarksville, Tenn., in cooperation with the U.S. government. Called Project Crucible, it will cost up to $7.4 billion.

Groundbreaking is scheduled for next year at a 160-acre site, with the plant targeted to come online in 2029. The complex is slated to produce 13 materials, including 11 designated as critical minerals.

At full ramp-up, Korea Zinc expects the facility to generate about 300,000 metric tons of zinc annually, in addition to 200,000 tons of lead and 35,000 tons of copper, as well as such strategic metals as antimony, indium, bismuth, tellurium and gallium.

China holds a dominant position in the production of rare earths and other critical minerals, often facing criticism for using export controls as leverage in trade tensions, including with the United States.

Amid those concerns, the Trump administration has pushed to develop alternative supply chains for rare earths and other critical minerals beyond China’s influence.

Korea Zinc engineer Lee Sung-jung said that the company also has focused heavily on the environment and automation.

“Autonomous forklifts have already been deployed, and last week we introduced a dozen of fuel-cell forklifts at our facilities,” he said.

Win-win initiative

Korea Zinc Executive Vice President Jimmy Kim said the U.S. investment could also help improve the Onsan smelter.

“We plan to incorporate more advanced technologies, including AI automation and digital twin systems developed by our core engineers, to build an even more sophisticated facility in the United States,” said Kim, who oversees the Onsan plant.

“If AI transformation proves successful there, it could also accelerate AI transformation at our factory here. We believe this could become a win-win opportunity for both countries while helping upgrade Onsan, as well,” he said.

Kim also welcomed the initiative’s selection last week for FAST-41, a federal fast‑track program that accelerates environmental reviews and permitting for major infrastructure projects.

“It shows the project is being highly valued by the U.S. government. We hope that by 2029, this will become an opportunity to further contribute to Korea-U.S. cooperation in technology security and mineral security,” he said.

According to the U.S. Permitting Council, FAST-41 participants have secured federal approvals about 18 months faster on average than comparable developments not covered by the program.

The tense series features an A-list cast and left viewers hooked by the tense plot.

A gripping thriller that left viewers on the edge of their seats is free to binge.

The Widow is available to watch on ITVX, and stars Kate Beckinsale in a tense role.

It follows the Underworld actress as Georgia Wells, who has believed her husband died in a plane crash.

However, three years later, having lived as a recluse and grieving widow, she sees him in a news report following a riot in the Democratic Republic of Congo and hunts to find him, travelling to Kinshasa for the truth.

As she looks for answers, she’s left questioning why her husband may have faked his own death.

The synopsis teases: “Kate Beckinsale leads as a grieving woman in this gripping drama.”

It adds: “A woman’s search to uncover the mystery of what happened to her husband leads her to the Congo, where she’s forced to seek the truth about what happened to the man she loved.”

The series first aired on Amazon Prime Video in 2019, before being added to the free streaming service.

Parts of The Widow were filmed in South Africa, with Kate suffering from the heat and later revealing she “fainted” while filming because it was “really, really, really hot”.

The cast also included Game of Thrones star Charles Dance, Strictly star Alex Kingston, Olafur Darri Olafsson, Matthew Le Nevez, and Shetland actress Louise Brealey.

Viewers were left hooked by the programme, with one admitting they were “glued to this show”, while several others echoed that they “binged” it.

Another person said: “It kept me on the edge of my seat each show. I really enjoyed the series.”

Reflecting several fans’ pleas for a second season, one person said: “The acting and cinematics are phenomenal. I cannot wait to see season 2!!”

“It was thrilling and entertaining,” someone else said, as another called it “nail-biting”.

Someone else called it “absolutely magnificent”, adding: “The setting was breathtaking and the dialogue was phenomenal.”

Yet another hailed Kate’s “outstanding” performance, while one person added: “A bit slow to start but a gem of a series.”

Despite fans begging for a second season, writers Harry and Jack Williams previously told Express.co.uk that they have no plans to take it forward.

They explained: “By the time we get to the end, it’s a one-off. It’s very satisfying. There’s no secret pilot. There’s no following season.

“It’s really exciting for the eight parts, it’s almost like a movie really.”

The writing duo and brothers behind The Missing and Liar continued: “I think there isn’t scope for more.”

The Widow is available to watch on ITVX

Published on 21/04/2026 – 12:14 GMT+2•Updated
12:16

Oil prices edged slightly higher, European indices traded flat, while Asian markets surged on Tuesday morning as investors monitored potential US-Iran negotiations and the final 48 hours of the current ceasefire.

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At the time of writing, US benchmark crude was up 8.5% from last Friday’s low to around $86.3 a barrel, while Brent crude, the international standard, was around 9.5% higher at roughly $94.5 a barrel.

As for European markets, the Euro Stoxx 50 and the broader pan-European Stoxx 600 were trading within a 0.2% range.

The UK’s FTSE 100, Germany’s DAX 30, France’s CAC 40 and Italy’s FTSE MIB were all similarly trading within a 0.3% range.

On Wall Street, US futures were also all trading within a 0.3% range with the tech-heavy Nasdaq leading. The S&P 500 closed marginally lower by 0.2% on Monday at 7109 points.

Despite US representatives, including special envoy Steve Witkoff and senior adviser Jared Kushner, travelling to Islamabad as part of renewed efforts to secure an agreement, no concrete progress on US-Iran negotiations has been announced.

The Strait of Hormuz remains closed and the current ceasefire ends on Wednesday keeping markets in a state of uncertainty.

US President Donald Trump has asserted that the deal currently being negotiated will be better than the Joint Comprehensive Plan of Action (JCPOA), which was signed by US President Barack Obama in 2015 and from which Trump withdrew in 2018.

Latest on US-Iran negotiations

Following the arrival of US representatives to Islamabad there has been no developments on the negotiations with Iran.

Even though US President Donald Trump confidently declared that there is a historic deal in the works, public statements from major Iranian figures seem to indicate otherwise.

Mohammad Ghalibaf, the speaker of Iran’s parliament and the person previously heading the talks with the US, made sweeping declarations via X on Monday stating that the country will “not accept negotiations under the shadow of threats” and “has prepared to reveal new cards on the battlefield”.

Previously, other Iranian representatives have also described US demands as “excessive”.

For the time being, markets eagerly await developments and are highly sensitive to any headlines about the situation.

Associated British Foods and Primark demerger

Although European markets are trading flat, major news in the retail consumer sector has come out of the UK.

Associated British Foods (ABF) is poised to announce the outcome this week of a strategic review into demerging its fast-fashion retail arm Primark, from its diversified food business.

The conglomerate, controlled by the billionaire Weston family, has been working with advisers from Rothschild & Co to assess whether the split would maximise long-term shareholder value.

Analysts argue the move makes sense because of the limited operational synergies between the two divisions: the food arm generates steady cash flows from brands such as Twinings, Patak’s, Jordans cereals and Allied Bakeries, while Primark has pursued aggressive international expansion in a fiercely competitive retail sector.

The decision comes as ABF faces tough trading conditions, with the group warning in January of flat annual sales and declining profits, further pressured by rising costs and the fallout from the Iran conflict, including potential increases in petrochemical prices.

A NEW £15million train station is set to open this summer in a pretty English market town, making it easier than ever to reach a stunning national park.

Excitement is already building ahead of its launch, with a brand new billboard unveiled, teasing a summer opening.

The new Okehampton Interchange station is currently under construction in Okehampton, right on the edge of Dartmoor National Park.

Posting online, Devon & Cornwall’s Great Scenic Railways said: “Hurrah! Shiny new billboard in Okehampton to promote the town’s second station, which opens this summer.”

They added the sign will be updated once the official opening date is announced.

Rail bosses say the long-awaited addition will make it far easier for visitors to reach the scenic beauty spot and surrounding countryside.

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Thanks to its vicinity to the National Park, the scenic town is the perfect place for anyone who enjoys outdoor activities such as riding, swimming, fishing and golf.

It’s also home to the second oldest Norman Castle in the county. It lies in ruins now but is still a place to marvel at for any history buffs.

The £15million project forms part of wider upgrades to the Dartmoor Line, linking the town with Exeter and beyond.

Once open, the new station is expected to boost tourism by improving access to Dartmoor’s rolling hills, walking trails and outdoor activities.

It will sit close to the A30 and aims to serve the growing eastern side of the town, while easing traffic in the centre.

The interchange will also help reduce pressure on parking at the existing Okehampton station, which will remain open.

Plans for the site include cycle parking, electric vehicle charging points, and better walking and bus links to encourage greener travel.

Construction is well underway, with a footbridge, lift shaft and platform already taking shape.