dream

Peter Wiles and his wife Rogelyn Caresosa had been planning to go on a holiday to Cappadocia in Turkey, but their holiday ended at Manchester Airport where Turkish Airlines stopped them from boarding

A man was left ‘questioning his sanity’ after he and his wife missed a Turkish Airlines flight.

Peter Wiles and Rogelyn Caresosa had been looking forward to a romantic getaway in Cappadocia, a region of Turkey famous for its colourful hot air balloons and multi-level subterranean cities carved out of soft volcanic ash stone over thousands of years.

The couple married in 2024, paving the way for Rogelyn to move to the UK on a spouse visa and live with her factory worker husband. Having saved up the cash for the May 2025 getaway, Peter splashed out £973.30 for flights from Manchester Airport.

Both Peter and Rogelyn were distraught when their dream getaway ended at the airport.

“My wife was devastated, we had to get a taxi home as it was late on a Sunday and the trains had finished,” Peter told the Mirror. “This whole debacle has honestly had me questioning my sanity at times!”

Peter had booked and paid for two Turkish Airlines return flights to Turkey for himself and his Filipino wife, as part of a single booking in his name, using his Tesco Bank credit card.

They encountered a small difficulty in booking. Because Rogelyn holds a UK spouse visa, her old Biometric Residence Permit (BRP) card had technically expired at the end of 2024 under the UK’s switch to digital eVisas, although her actual immigration status remains valid until 2027.

Before applying for Turkey’s eVisa, Rogelyn called the Turkish Consulate, which advised her to use her BRP number rather than her UK “share code” as the “additional visa number” on the form.

However, once at Manchester Airport, a Turkish Airlines gate agent rejected this, insisting the share code should have been used instead. This is despite the eVisa printout they presented, which stated that “eVisas of other countries are NOT accepted as supporting documents.”

Ultimately, Rogelyn was denied boarding and so the couple were left at the airport, their plane leaving without them.

Peter has now been left fighting to get his money back, attempting to claim it back via his bank and Turkish Airlines. So far, he has been unsuccessful. He claims that Turkish Airlines refused to give a clear written explanation for the refusal, at various points citing a vague “issue” with the visa, then claiming the couple were a “no show”.

Following a request from Peter, Tesco Bank raised a chargeback, which the airline contested twice, before Tesco Bank ultimately dropped it. The bank accepted the airline’s “flight operated as scheduled” explanation, despite that not addressing why boarding was denied.

Peter would go on to report the incident to the Ombudsman, but she ruled against him on technical grounds: no valid Debtor-Creditor-Supplier agreement existed for the wife’s ticket because she, not Peter, was the one denied boarding.

The lengthy and frustrating process has left Peter doubting himself. “I’ve developed a complex about being misunderstood and feel I have to explain everything in detail,” he added.

A Tesco Bank spokesperson said: “We were sorry to hear about the experience Mr Wiles had when attempting to travel with his wife. After careful consideration, we concluded that his case didn’t meet the criteria for a successful Section 75 claim. He referred his claim to the Financial Ombudsman Service, which upheld our decision.”

Turkish Airlines did not respond to a request for comment.

EXCLUSIVE: Not wanting to risk the blazing temperatures of Sardinia, a heatwave fatigued mum wapped her dreamy Italian holiday for a milder ‘coolcation’, and has no regrets

A mum of one has shared how she swapped Mediterranean sun for a ‘coolcation’ and why she’ll do it all over again next year.

Monica Krenner and her husband, Peter, were on the brink of booking flights to Sardinia, Italy, on what was to be their young son Lewis’s very first holiday.

However, as the blistering heat took hold, the concerned parents didn’t fancy braving the 39-degree scorcher with a three-year-old, and so had a last-minute change of heart. The fatigue of parenting during the relentless London heatwaves this summer meant she couldn’t face more sweltering temps abroad.

Monica, 57, tells the Mirror: “It was the best decision we made.” Instead of dashing to the airport, the family made the five-and-a-half-hour journey from London to St Ives, Cornwall, back in June, where the relatively mild temperatures of between 16 and 24 degrees felt much more appealing.

Explaining how she came to the decision, nutritionist Monica says that after speaking with a few friends, as well as some clients from Sardinia, she began to worry about just how hot the famously beautiful Italian island would get.

“After talking with a lot of people, searching all the weather apps, I then said, ‘I cannot imagine going there, because then we have to be indoors the whole day, because it will be too hot to go outside’.

“And for the little one, the skin is very sensitive still. He’s also not an amazing sleeper yet. Then I thought, ‘Oh my God, if it’s then hot on top because the weather, and he’s not sleeping great, I’m already tired when I’m getting there, it won’t be better when we stay somewhere where it’s too hot this summer’.”

Once in Cornwall, Monica, Peter and Lewis were able to sleep comfortably at night after spending their waking hours walking in the fresh air and exploring the breathtaking Cornish coastline.

It was little Lewis’s very first time at the beach, and although Monica joked that “the seagulls didn’t make it easy”, it proved to be a very special, memorable trip.

Monica, who is originally from Vienna, Austria, says: “It was just relaxed, and in the evening, there was a nice breeze in your face. It felt like you could really breathe properly.

“We had a few drizzles, but even that was perfect. We had a very nice spacious room, so even if we didn’t want to rush out, we could stay inside and have the windows open looking at the ocean. It was just lovely.”

Monica says that the trip “completely changed” how the family now consider their summer holidays. Going forward, they’re far more interested in exploring a different options, “rather than chasing guaranteed sunshine.”

Next year, the family intend to head off on another ‘coolcation’, and they are already planning their adventures. Currently, Monica and Peter are eyeing up trips to the coast of Denmark or Sweden, while bonny Scotland is also a top contender.

And the couple aren’t the only ones looking for a crisp getaway. During the late June heatwave, Brits searches for cool-weather city breaks surged by as much as 33 percent compared to the previous week, according to online agent Opodo. Stockholm, Geneva and Gothenburg were the most coveted spots – world’s away from sunny Spain or Italy.

With four heatwaves in the UK already this summer, many holidaymakers are longing for gentle breezes rather than piercing sunbeams. So could it be that ‘coolcations’ are the new luxury in our climate change age?

Ahead of the fast-approaching August Bank Holiday weekend, Airbnb has revealed that a number of UK destinations are seeing a surge in interest this summer, with bookings in Scarborough up by 30 per cent.

Picturesque Dumfries and Galloway in Scotland, which has seen bookings soar by 29 per cent, has emerged as one of this year’s top ‘coolcation’ destinations, offering refreshing sea breezes and shady forest walks.

As for Monica, she’s noticed this trend within her own social circles and reckons it makes perfect sense, especially for parents of young children looking for an easier trip.

She explains: “People are looking for some cooler areas where they can breathe and enjoy being outside, not to cover up with 10,000 creams, and also with the little ones, not to cause them any sunburn.”

The term sunny escape has taken on a whole different meaning in recent times. Awaze, the European holiday rental brand behind cottages.com and Hoseasons, found that searches for “escape the heat” rose by 300 per cent over the last three months alone. Online searches for ‘coolcations’, they say, were up by 420 per cent.

Matthew Price, Awaze’s chief executive, notes that rising temperatures are “creating a new category of holidays”, adding that they are “increasingly seeing holidaymakers look further afield to destinations known for their cooler climate, such as Scotland, Yorkshire and the northwest of England”.

Heti Morus, Marketing Executive at StayCotswold has also picked up on this trend, telling the Mirror: “It’s no wonder ‘coolcations’ are growing in popularity here in the UK. I recently flew back from Bordeaux and saw the wildfires firsthand from the air.

“It just showed how quickly these situations can escalate, and it’s made me think twice about flying to that part of France again anytime soon. Cooler staycation destinations are certainly looking even more appealing this year.”

Do you have a story to share? Email me at julia.banim@reachplc.com

WASHINGTON — The American Dream may not be dead for many Black Americans, but it is further away than at any point since the Civil Rights Movement, warns a report by the National Urban League.

Released on Thursday, the annual “State of Black America” report grimly describes Black Americans ‘ economic and political prospects as having worsened due to policy changes from President Trump’s administration, according to a copy obtained by the Associated Press.

The report contends that the challenges it highlights for Black communities are warning signs for the prosperity of all Americans.

“It may be the focus is us, but the impact is not just us,” said Marc Morial, president and CEO of the National Urban League. “While they have targeted and focused on Black Americans, these attacks are going to impact broadly working Americans, poor Americans, aspirational middle-class Americans, and this is what this report points to.”

Tracing the arc of American history, the Urban League describes Black Americans’ struggle for emancipation from slavery and equal economic and political rights as a gruesome but optimistic part of the American story.

Now, the report says, the Trump administration is at odds with the goals and achievements of the Civil Rights Movement, citing the overhaul of the Justice Department’s Civil Rights Division and the Equal Employment Opportunity Commission, as well as the president’s focus on overhauling voting laws through the Safeguard American Voter Eligibility Act, as examples of rollbacks of long-sought civil rights policies.

The report’s authors offer policy and strategy recommendations for civil rights groups aiming to combat the Trump administration.

“The civil rights community must consolidate its legal resistance and turn courtroom wins into durable policy,” the report says. “The movement must build economic infrastructure that doesn’t depend on the goodwill of any one administration.”

The AP reached out to the White House for comment on the report.

Report contributors include a potential Democratic presidential contender

This year’s report includes contributions from members of Congress, and policy and legal experts, as well as some media personalities.

U.S. Senators Angela Alsobrooks, Lisa Blunt Rochester and Raphael Warnock all contributed to the report, as well as Maryland Gov. Wes Moore and Baltimore Mayor Brandon Scott. Minneapolis Mayor Jacob Frey contributed a video message to the report.

Moore, who is widely viewed as a potential 2028 presidential contender, submitted an essay focused on closing the racial wealth gap and Black Americans’ history of economic advancement in the face of adversity.

“With wisdom and grit, my mom was able to lift me and my family to a higher rung on the economic ladder. But too often wisdom and grit aren’t enough,” Moore wrote.

He later called closing the racial wealth gap “a matter of moral clarity” but cautioned that “government alone cannot close the racial wealth gap. It’s going to take all of us,” referencing the private sector and civil society.

Report blasts ‘economic assault’ on Black Americans

Whether corporate America and major nonprofits are still willing to participate is an open question. The report condemns the Trump administration’s efforts to roll back diversity initiatives and economic advancement projects in the private sector, and expresses frustration with companies that cooperated with an “economic assault” on Americans, especially Black Americans.

“This has been a campaign of coercion and oppression directed at these institutions who have been out here working hard to, if you will, change America,” Morial said. “The important thing about companies is that every company has not bent the knee. Some may have done some cosmetic changes. Some have been in full and complete retreat.”

The DEI rollbacks are a jarring reversal for the Urban League, which held sway in the Biden White House on economic and social policies. The report lauds President Biden’s administration for signing a sweeping COVID-19 stimulus package, as well as laws supporting minority small businesses and a bipartisan infrastructure bill.

“Not every promise was kept, and the current administration is pushing to roll our wins back, but these wins serve as a blueprint for what is possible through sustained advocacy and a clear vision,” the authors write. The agenda, the Urban League declares, was “the most consequential federal investments in Black America since the Great Society.”

The organization and its civil rights allies now find themselves in a strikingly different political environment under the Trump administration.

“Looking at our current political landscape, the calls for racial healing and righting of this nation’s wrongs in the aftermath of the murder of George Floyd feel like a fever dream,” the report reads.

But the study also acknowledges that Black Americans have overcome more dire and discriminatory moments.

Latest Black America report is the Urban League’s 50th edition

The Urban League’s inaugural 1976 report on the state of Black America was described by the New York Times at the time as “a profoundly depressing document” that laid out the persistent disparities between the economic outlooks of Black and white Americans, a decade after the Civil Rights Movement’s crowning achievements were signed into law.

The report was established as a response to that year’s State of the Union address by President Ford and the Democratic response, neither of which mentioned the economic outlooks for Black Americans. The report offered policy recommendations on crime, education, housing, social services and general economic policy.

“It is a document that does not attempt to cover up the seriousness of the situation black people find themselves in,” the authors wrote at the time. Several of its recommendations were later taken up by President Carter, who was elected to the White House months after the report’s release.

This year’s 50th anniversary document echoes the frustration found in the inaugural report. While Morial acknowledged that the Urban League’s assessments may lead to pessimism, he urged Americans concerned about civil rights and economic progress to respond at the ballot box and with their pocketbooks.

“We cannot be dejected. We cannot be cynical. We must act,” Morial said. “We have to fight to make sure that those that are really trying to kill the essence of the American dream don’t win.”

Brown writes for the Associated Press.

A man was convicted Wednesday of federal terrorism charges in the 2022 stabbing of Salman Rushdie, the author who has faced a decades-old death threat over his novel “The Satanic Verses.”

A jury found Hadi Matar guilty of all the charges against him, including engaging in an act of transnational terrorism.

A message seeking comment was sent to Matar’s attorneys.

Matar, 28, is already serving a 25-year New York state prison sentence on an attempted murder conviction in the August 2022 attack on an amphitheater stage. The federal conviction carries a potential life sentence.

Rushdie, who was about to speak on writers’ safety when he was attacked, was slashed 15 times in front of a stunned audience. He was gravely wounded and lost the sight in his right eye.

Matar’s defense: No evidence of his state of mind

Prosecutors asserted that Matar was motivated by the late Iranian Supreme Leader Ayatollah Ruhollah Khomeini ’s 1989 call for Rushdie’s death because of “The Satanic Verses.” Defense lawyer Nathaniel Barone countered that the government had no proof of what was in Matar’s head.

Matar himself declined to testify. Rushdie did, telling jurors: “I can’t say what his ambitions or his aim was, but the wounds were dispersed across my body.”

Rushdie won Britain’s prestigious Booker Prize for his 1981 novel “Midnight’s Children,” about his native India. “The Satanic Verses,” a novel of magical realism about the lives and dreams of two actors who survive a plane explosion, followed in 1988.

It drew critical acclaim in the United Kingdom but engendered protests around the Muslim world over what some believers saw as blasphemous suggestions about Islam’s Prophet Muhammad, particularly in a dream sequence. In the ensuing years, at least 45 people have been killed in riots over the book, a Japanese translator was stabbed to death, an Italian translator was attacked and survived, and the book’s Norwegian publisher survived a shooting.

Rushdie, who was born into a Muslim family, has said the dream sequence was just that. But he went into hiding for years, gradually emerging after Iran’s government distanced itself in 1998 from Khomeini’s fatwa, or religious edict.

“For two decades or more, I led a public life without a hint of trouble,” Rushdie testified at the trial in Buffalo, N.Y.

Yet the fatwa was never rescinded; indeed, Khomenei’s successor, the late Ayatollah Ali Khamenei, indicated in 2017 that it remained in effect. An Iranian foundation has offered a bounty of more than $3 million for killing Rushdie.

Prosecutors: Matar’s messages showed him zeroing in on Rushdie

Matar repeatedly broached the fatwa with contacts in messaging apps in 2021 and 2022, according to exhibits shown in court. The messages showed Matar fuming that he felt Rushdie had attacked Islam and, by surviving, emboldened others to insult the faith. Matar alluded to a 2006 comment along those lines by the late Hezbollah militant group leader Hassan Nasrallah, the messages showed.

Born in the U.S., Matar also holds citizenship in Lebanon, where Hezbollah is based. Prosecutors said that photos in Matar’s New Jersey bedroom and on his computer indicated his support for Hezbollah, which the U.S. has designated a terrorist organization.

Matar aimed to fulfill the fatwa and “wanted everyone to know he was doing this for Hezbollah,” Asst. U.S. Atty. Timothy Lynch said in an opening statement July 22.

The messages showed Matar initially talked about wanting to “expose” Rushdie, then about killing him. In a private note to himself, he wrote: “We need to kill him ASAP,” according to Lynch. The prosecutor said Matar framed the planned killing as part of what he considered a jihad, or holy war.

By spring 2022, the electronic chats showed, Matar wrote that he had discerned where Rushdie lived and was tracking his public appearances, eventually pointing out his scheduled August 2022 talk at the Chautauqua Institution, a western New York arts and intellectual center.

As Rushdie was being introduced, his attacker climbed on stage behind him, then stabbed him 15 times as the audience gasped. Spectators and another speaker, Henry Reese, scrambled to aid Rushdie. Law enforcement officers, assigned to the event, arrested the attacker — soon identified as Matar — after civilians restrained him.

Rushdie published a 2024 memoir about the attack, then returned to fiction with last year’s “The Eleventh Hour.” The author, who was knighted by Britain’s late Queen Elizabeth II, received a Dayton Literary Peace Prize lifetime achievement award in November.

Peltz writes for the Associated Press.

Beth used Vinted to sell all her unwanted items – and thinks other UK households could also be sitting on thousands of pounds

A Brit woman sold her unwanted things to start a new life abroad. But while she loves it, she misses one unusual thing about British life in particular.

Beth Hackman made £3,000 selling her unwanted clothes on Vinted to fund her dream move to Australia. She sold more than 600 items, including unwanted clothes, shoes and accessories on the app.

The 25 year old used the funds to pay for a flight, visa and accommodation in Sydney in March this year. Now she has started a new life as a physiotherapist.

But despite loving her new life, she does miss one aspect of life on the UK high street you perhaps wouldn’t expect. She said: “I’m loving Australia because of the work-life balance. I’m working fewer hours here than in the UK and making the same salary equivalent. I miss my family so much because I’m so close with them but I message and call them every day. Other than that I miss a Tesco meal deal.”

She decided to sell most of her clothes after realising she had far too many things. Beth listed everything from gym wear and occasion dresses to her brother’s prom suit and even a pair of Alexander McQueen trainers, which sold for £200.

“I’d just accumulated too much and hated how much was generally fast fashion,” Beth, from Windsor, Berkshire, said. “Moving to Australia has been a dream for around three years.

“I actually got to the point just before I went travelling that I sold all of my shoes so I just had my gym and running trainers or a random pair of heels left. I’d say I’ve sold at least 600 items and that much was just sat in my wardrobe.”

She believes many households are sitting on hundreds, if not thousands, of pounds worth of unwanted possessions without realising it. Beth said: “I would 100% encourage people to declutter if they’re saving for a major life goal. People don’t realise how much they could make.

“I think we’re all over consumers. Some of my friends have obscene amounts of clothes. Also, I feel better buying things second hand and also recycling my own clothes on Vinted. I wear a dress once and then sell it rather than let it sit in my wardrobe.”

Beth believes many people miss out on making easy money simply because they don’t present their listings properly. She also believes detailed descriptions and quick postage make a huge difference, helping her build positive reviews that encouraged more buyers.

Beth said: “Taking good photos with a clean background is key. I also used a mannequin sometimes. Good descriptions are important. I had a postage locker on my way to work so always posted things quickly so got lots of good reviews.

“I think people initially put things up for way too much. People on Vinted want a bargain and won’t pay normal resell prices. I will always negotiate. I’d rather it be sold and out of my house and lose out on 50p than be set on prices. Although some people do take the p***.

“Photos and descriptions really matter to me as a buyer and I wouldn’t buy from someone who looks like they don’t put effort in so I make sure my posts looks better.” Beth first downloaded Vinted around five years ago, but not with the intention of making money.

Instead, she used the resale platform as a savvy shopping tool, searching for designer pieces to see how they looked on real people before buying them new. She said: “I started to use it as a platform to double check a product.

“If I wanted a dress from House of CB, I’d search it on Vinted to see how it looked on real bodies and to compare sizes. I like to think I’m clever for this. It’s basically picture reviews.”

Deir el-Balah, Gaza – For years, Nuha Abu Lebda dreamed of becoming a mother. But Israel’s genocidal war on Gaza has turned that dream into loss, time and time again.

As she was forcibly displaced several times across the Gaza Strip since the war began in October 2023, Abu Lebda lost three pregnancies. She says the losses came after months of air strikes, hunger, fear and living without proper medical care.

“I miscarried because of the air strikes, the displacement, the difficult conditions, the lack of clean water and malnutrition,” she tells Al Jazeera.

After each miscarriage, she hoped she could still become a mother.

“When I lost my baby, I was exhausted. I woke up hoping my baby was still inside me. But the dream I carried for 10 years was gone.”

Abu Lebda sold her gold and almost everything she owned to pay for injections of heparin, a drug prescribed to some women to prevent blood clotting during pregnancy. She hoped the treatment would help her bring her pregnancies to term, but she lost the babies despite it.

“I cried so much because I lost the baby I dreamed of every single day,” she laments.

Even after the fighting slowed, her dream remained the same. “I dream of bringing a baby into this world. I want to be a mother and have children. Every time I see my husband playing with children, I start crying.”

Medical officials in Gaza say they are treating a surge in miscarriages, which they link directly to Israel’s genocidal war and blockade. The trend has worsened as Gaza’s health system has collapsed under bombardments and Israeli ground operations with malnutrition and psychological strain cited as key drivers.

Dr Yasser Saadeddine, the maternity director at al-Awda Hospital in Deir el-Balah in central Gaza, told Al Jazeera roughly 70 percent of pregnancy losses his team treats are linked to the war and blockade.

‘I lost my daughter during childbirth’

Abu Lebda is one of many women in Gaza who say they have lost pregnancies during the war. They describe miscarriages, premature births and losing newborns while trying to survive bombardments, displacement, hunger and the collapsing healthcare system.

Mai Zaqout tells Al Jazeera she lost her daughter because she could not access the medical care she needed.

“I lost my daughter during childbirth. She had already died inside my womb for a month, but I could not deliver her because the medical resources and support I needed were not available,” she says.

Her loss came shortly after another tragedy. “All of this happened within a very short time after my husband was killed.”

For Sara al-Awad, she had a scare when she was eight months pregnant. She says powerful explosions in Tal al-Hawa, a neighbourhood in Gaza City, caused extreme fear and stress, leading to severe bleeding.

“Because of the fear, anxiety and the power of the explosions, I started bleeding. My placenta had separated.”

Al-Awad says no ambulance could reach her, and she waited for hours before her brother took her to al-Quds Hospital in a wheelchair. “The doctors decided I needed an emergency C-section immediately.”

Her baby, Muhammad, was born weighing only 1.1kg (2.4lb) and was placed in an incubator. But as fighting continued around the hospital, Sara and her family were separated from him.

“My brother had to leave for the south while Muhammad stayed alone in the incubator. We could only check on him through messages from the medical staff,” she says.

After more than a month, al-Awad was finally reunited with her baby. “Thank God, the ceasefire came. … Muhammad left the incubator after 37 days.”

‘I witnessed horrific situations’

Across Gaza, other women have similar stories.

For Iman Badah, the loss was of the child she had waited years for.

“I am a mother who lost my only son. I waited six years to have him. I gave birth prematurely while I was being displaced,” she tells Al Jazeera.

Nuha Salameh was carrying twins during the war. “Fear and trauma caused me to lose them.”

She says doctors told her that, before the war, her babies may have survived.

“The doctor told me that if the situation had been normal, we would have placed them in the incubator, and they would have lived.”

Nidaa Seyam says she experienced her second miscarriage during the war. “I lost a baby girl, and this is the second time I have miscarried.”

She says doctors told her the war conditions affected her pregnancy. “They told me it was because of the psychological stress we are living through and malnutrition.”

She also describes surviving intense bombardment.

“I witnessed horrific situations where I was trapped under air strikes. I inhaled a lot of toxic fumes.”

‘War, blockade, malnutrition, displacement’

Palestinian doctors say these stories are becoming more common.

They report more miscarriages and pregnancy complications linked to hunger, stress, displacement and the lack of medical care.

At al-Awda Hospital, doctors say they have seen a major increase in pregnancy losses.

“During the war, there was a significant increase in miscarriage cases we received,” Saadeddine says.

He says the causes include “the war and the blockade, including malnutrition, poor hygiene, environmental contamination and continuous displacement”.

Doctors say miscarriages are only one part of the crisis. They are also seeing more babies dying in the womb, more premature deliveries and more dangerous pregnancy complications.

Many women lost their homes, medical records and access to regular check-ups during repeated displacements. Hospitals are also struggling with shortages of medicines, equipment and medical staff.

For many mothers, the war has left wounds that continue to hurt even after most of the fighting has stopped. For women in Gaza, the war has not ended with October’s “ceasefire”. It continues with every pregnancy lost, and every dream of motherhood left unfulfilled.

As the FIFA World Cup 2026 reached its final week, Gourav Roy, an Indian software engineer living in San Francisco, drove more than 9,650 kilometres (6,000 miles) across the United States to attend both the semifinals and the final.

For Roy, it was the next best thing to what he had grown up dreaming of: seeing India play in the World Cup.

But the possibility of that dream coming true is looking ever more distant as deep-rooted systemic issues and the failure to implement reforms have left the country of 1.45 billion ranked a lowly 138th in the world, failing to even qualify for the 2027 Asian Cup.

“I’ve learned to love without expectation. That’s the burden of the Indian football fan,” said Roy.

While countries with tiny populations like Curacao and Cape Verde qualified for the 2026 World Cup, India remains a prime example of wasted potential in the planet’s most popular sport.

Those working in Indian football say the problems range from poor youth development systems, a lack of popularity, and a national federation (the All India Football Federation) struggling to implement a uniform vision with a loose patchwork of state associations.

“If you ask me, to clean up the system and reorganise it will take a full cycle of four years,” Ravi Puskur, the CEO of Indian Super League (ISL) club FC Goa, told Reuters.

“Then it’s another 20-25 years to get us to the World Cup.”

Confined to pockets

In cricket-mad India, football remains popular only in a handful of states like West Bengal, Goa, Kerala, Mizoram and Manipur.

The ISL, launched in 2014 with the backing of Reliance Industries, one of India’s biggest conglomerates, tried to change that with limited success.

In 2025, the AIFF and Reliance did not renew their partnership as negotiations stalled amid a Supreme Court case to implement a new constitution for the federation.

This year, under new management led by clubs, the ISL is yet to finalise a broadcaster and announce fixtures.

NorthEast United CEO Mandar Tamhane, who previously led Bengaluru FC, said clubs alone cannot fix Indian football.

“You’re talking about the government, corporate India… it has to be a collective effort,” he said.

“The federation has to make sure the clubs, state associations, the corporates and other stakeholders all work together.”

Weak youth development

AIFF executive committee member and Mizoram’s sports minister Lalnghinglova Hmar said the government can help with infrastructure, but for Indian football to improve, the country’s youth development system needs a drastic overhaul.

“In South Korea and Japan, kids play over 40 competitive matches per season. This is missing in India,” he said.

“We start developing players too late. Most under-15 players get only 12 to 15 competitive games yearly. Some get called up to the youth national camp after playing less than 20 competitive games.

“We’re short on qualified coaches. Many states don’t even have a youth league… we just can’t compete like that.”

But India’s size, the very thing that makes it an attractive sports market and led to the huge success of cricket’s Indian Premier League, also makes it difficult for the AIFF to implement widespread reforms.

“If even half the states were doing a proper job at grassroots, things would grow,” Hmar added.

The uncertainty over the ISL, which forced some teams to suspend player salaries last year, also dealt a blow to the clubs’ development programmes.

“If you can provide stability, gradually the investment will increase,” Puskur said.

A limited window

With India bidding to host the 2036 Olympics, the government is considering the launch of a “sports passport” that allows Indian-origin athletes to represent the country.

The AIFF leadership has backed the initiative, believing it will help improve the national team’s performances. But the proposal is still far from becoming law, and Hmar said Indian football needs to act fast.

“The other nations aren’t sitting idle… if we don’t match them, even if we improve, we will remain where we are,” he said.

While Indian football hangs in limbo, fans like Roy can only live in hope.

“They are talking about a 64-team World Cup,” he said. “It won’t gift us anything, but more places mean more hope.”

On Saturday at Dodger Stadium, as the sun dipped below the horizon, Fuerza Regida took center stage for a career-defining show, delivering cinematic time-travel segments and hints of off-stage controversy.

The Mexican American band joined an illustrious list of legendary acts — Elton John, the Beatles, Michael Jackson and Beyoncé to name a few — to perform at the iconic venue built on Chavez Ravine, the shallow canyon that served as home to thousands of Mexican American families forcibly displaced in the 1950s for the sake of progress.

In June, the San Bernardino quintet kicked off its This Is Our Dream stadium tour across nine U.S. cities to close out its manifestation project “111xpantia.” The 2025 LP peaked at No. 2 on the Billboard 200 in May 2025, becoming the highest-charting Spanish language album by a duo of band ever. It also comes a year after the band sold out the Madison Square Garden and the Hollywood Bowl in consecutive nights.

But the stadium tour — which will end Aug. 7 in New York’s Citi Field — does more than showcase the band’s recent mainstream success. It honors the years of grit it took to get there.

“It’s proof that dreams are worth chasing, fighting for, even when it feels hard or impossible,” said Khrystian Ramos, the band’s rhythm guitarist.

As part of the set design, a massive prop car stereo was affixed atop the stage. Inspired by the 1985 film “Back to the Future,” it doubled as a time traveling machine. But instead of a DeLorean, the band opted for a Chevrolet 454 SS pickup truck, a car that symbolizes the American dream for lead singer Jesús Ortiz Paz, better known as JOP, and is largely associated with the group’s corrido forefather, the late Chalino Sanchez.

The first stop in Fuerza Regida‘s journey to the past was 2018, as the band performed its breakthrough hit, “Radicamos En South Central,” a song about gradually building a drug empire that went viral on YouTube. Shortly after its release, the band signed with independent label Rancho Humilde and followed up with “Sigo Chambeando,” a bouncy corrido that embodies the band’s “never stop hustling” ethos.

It’s a mindset that has served them well.

The more than a decade-long road to selling out Dodger Stadium certainly wasn’t easy for the corrido tumbado band, which formed in 2015 and first built a fan base by performing cover songs at local parties across the Inland Empire. .

Jose “Pelon” Garcia, left, Jesus Ortiz Paz and Khrystian Ramos of Fuerza Regida perform during their This Is Our Dream Stadium tour at Dodger Stadium on July 18 in Los Angeles.

(Carlin Stiehl/For De Los)

“We got kicked out of a gig one time. The guy literally told us that he didn’t like our music,” said Ramos. “That drive home was a key moment in our career.  It showed us that it’s not all stars and rainbows.”

Ramos started the band alongside the band’s 12-string guitarist, Samuel Jáimez. The two met at martial arts school as kids and kept in touch in the years that followed, jamming out together after their 9 to 5 .

The band’s name was originally Raimez — a portmanteau of Ramos and Jáimez— but was later changed to accomodate the arrival of lead singer JOP.

“I remember exactly [where we came up with the name]. We’re driving down the 10 passing Mount Vernon Avenue,” said Ramos. “Fuerza Regida, a  governing force. Wherever you step, the presence is felt.”

That certainly was the case on that warm July evening as the more than 56,000 fans in attendance chanted the band’s name in unison.

“Not in a thousand years, I didn’t see it until it crept up. It was like alcohol,” said Jáimez about the band’s global success.

Sousaphone player José García, also known as Pelon, never imagined that leaving behind a steady job to pursue his musical dreams would pan out like this.

“I worked in construction Monday through Friday and we had gigs with Fuerza Thursday, Friday, Saturday and Sunday. I practically had two jobs,” said García. “I had life insurance. I had benefits, 401(k), all that. So I left a really good job so I could join Fuerza Regida.”

In 2022, the band added its fifth member, Moisés López, who plays the tololoche — a small upright bass. López, who contributed to the 2020 track “Vamos Bien” as a bass player, said that JOP had asked him to learn the instrument if he wanted to stay with the group. “He bought me it. I picked it up real quick and from there it’s history.”

Jesus Ortiz Paz, left, and Moises Lopez of Fuerza Regida perform during their This Is Our Dream stadium tour at Dodger Stadium on July 18 in Los Angeles.

(Carlin Stiehl/For De Los)

At the concert, the time machine took attendees back to 2022, Fuerza Regida’s bélico era marked by the corridos “Billete Grande” and “Igualito A Mi Apá” as well as its gentler viral hit “Bebe Dame,” the first Fuerza Regida song to reach the Billboard 100, peaking at No. 25.

“We went from clubs to theaters to arenas. I’ve never thought we would get this far,” said López. “We’ve always said hard work beats talent.”

But it isn’t just drive that has shaped Fuerza Regida’s career — time and time again, the band has proved to be adaptable and experimental, always evolving its sound and drawing from a wide range of influences.

2023 saw the release of “Pa Las Baby’s y Belikeada,” a party record that fuses trap, pop and EDM, and features the player anthems “TQM” and “Sabor Fresa”; to complement the womanizer themes of the record, there was a baddie camera on stage, which panned to women in the audience.

As the band sang its 2023 ballad “Una Cerveza” — a song about getting drunk to forget a lost love— a girl across my way called her ex and lifted her phone up in the air so that he could hear its heartbreaking lyrics. Then she hung up.

The Dodger Stadium show felt like a massive celebration, not just for the band but for música mexicana as a whole. Special guest performances throughout the night included Los Gemelos de Sinaloa, Calle 24, Chino Pacas, Clave Especial and Chuyin — acts that have helped fuel the meteoric rise of the genre.

“I’m proud and grateful that la raza is finally doing it. We’re here to stay,” Jaimez said.

Though the show focused on Fuerza Regida’s past, there were also hints of what’s to come. The band’s relationship with its record label Rancho Humilde has become acrimonious and litigious. In recent months, JOP has repeatedly accused founder Jimmy Humilde of withholding royalties and sabotaging the band. In turn, the record mogul has claimed that the band is not fulfilling its contractual obligations. A bitter divorce feels imminent.

“The internet tells a lot of lies. False news. That supposedly someone won a lawsuit. But that lawsuit is still underway and we know who will win,” JOP told the audience before singing “Triston,” a track released at the start of 2026 that was immediately pulled from the streamers. “They took this song off the platform but they can’t stop us from singing the song here.”

CHICAGO — Bayou Barbie is back in Chicago. With her own Barbie, too.

Angel Reese is playing in her third WNBA All-Star Game on Saturday at the United Center. This time, she is representing Atlanta in her first season with the Dream after a messy split with the Chicago Sky.

“It’s so crazy, full circle,” Reese said, “I’m back here in Chicago, again, where it kind of all started. … Coming to Atlanta, I mean it’s been a dream come true, literally. It’s helped me in so many different ways.”

Reese, 24, is on “Team Coop” for this weekend’s showcase event, alongside Dallas Wings guard Paige Bueckers and New York Liberty forward Breanna Stewart. Indiana Fever guard Caitlin Clark and four-time MVP A’ja Wilson of the Las Vegas Aces headline “Team Spoon.”

WNBA greats Cynthia Cooper and Teresa Weatherspoon drafted the All-Star teams from players who were either voted as starters by fans, media and fellow players or chosen as reserves by the league’s coaches. Las Vegas’ Becky Hammon is coaching Cooper’s team, and Minnesota’s Cheryl Reeve is in charge of Weatherspoon’s squad.

“Honestly I’m just really happy to be here and be surrounded by so many amazing women and All-Stars and Hall of Famers and people that I’ve looked up to my entire life,” Bueckers said. “I never want to take these moments for granted and just really soak it up and enjoy building relationships with people.”

All-Stars Angel Reese, left, and Paige Buekers, right, joke around before practice at the Obama Presidential Center in Chicago on Friday.

(Paul Beaty / Associated Press)

Minnesota guard Olivia Miles, part of “Team Spoon,” is the only rookie picked for the All-Star Game in the WNBA’s 30th season. The No. 2 pick in this year’s draft is averaging 19.3 points and 5.9 assists in 26 games for the Lynx.

“It’s definitely weird being the only rookie, but I know I belong and I’m happy to be here,” Miles said. “It’s an honor. Definitely grateful, and, yeah, just soaking it all in.”

Reese starred at LSU before she was selected by Chicago with the No. 7 pick in the 2024 draft. The 6-foot-4 forward earned the nickname “Bayou Barbie” while helping the Tigers win the 2023 national championship.

Fast forward to Friday, when Mattel unveiled a Reese Barbie doll with a pink Angel No. 5 jersey and special Reebok basketball shoes.

“I remember, I think it’s been three years now, since the Bayou Barbie came about when I was in Baton Rouge, and I used to put Barbie stuff on merch and stuff, and I wasn’t really supposed to,” Reese said. “So I told them I really wanted to have a Barbie doll one day, and to have Barbie is, like, you got to be iconic.”

Reese averaged 14.1 points and 12.9 rebounds over two seasons with Chicago. But the Sky won just 23 games in during that time.

Reese was critical of Chicago’s play at the end of last season. She apologized to the team for her comments and was suspended for the first half of a game against Las Vegas.

She was shipped off to her new home in April, traded to the Dream for two first-round draft picks.

“The double-doubles, they don’t matter unless we’re winning,” Reese said. “So I’m just really happy to be with Atlanta. They have welcomed me with open arms. It feels like a really safe place for me. It’s the safest I’ve ever felt, the most loved I’ve ever felt. And I’m really happy to be with them.”

Atlanta is 16-10 at the break, and Chicago has a 9-18 record. Reese is one of three All-Stars from the Dream, joining Rhyne Howard and Allisha Gray.

While Reese is suiting up for “Team Coop,” Howard and Gray are playing for “Team Spoon.” Weatherspoon coached Chicago during Reese’s rookie year.

“I love her. Like you see her, she’s so positive,” Reese said of Weatherspoon. “She comes in every day and just is always just happy. And you just want somebody in your life like that. And she’s a legend. She’s a legend of the game. She’s done a lot of amazing things that I want to do as well.”

A MUM was left devastated after her family were forced to miss a “holiday of a lifetime” because of a common passport mistake.

Victoria Vigors, from Kent, had spent £6,500 on a two-week holiday to Egypt with her whole family.

However, the 41-year-old was left horrified after they arrived at London Gatwick, only to be stopped at the gate along with her 15-year-old son Riley and nine-year-old daughter Roxie.

When staff scanned their boarding passes at the gate, they discovered Roxie’s passport did not have the required period of validity remaining for travel to Egypt.

This was because her passport technically expired on January 4, 2027, but with Egypt requiring at least six months left on them, it meant it wasn’t valid.

Victoria told creatorzine.com: “My stomach dropped and I felt like i’d been kicked in the stomach.”

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“The kids crumpled and I burst into tears. I begged the staff but there was nothing they could do.

“We had to be escorted back to get our luggage off the flight – It was so embarrassing.”

She said not only were the kids devastated, but that Roxie thought it was her fault.

She continued: “I wasn’t aware of the rules. For people like me who don’t always travel and it’s the first time with my children, I wasn’t to know.

“I would have thought when I put her passport details in to check in that would tell me it wasn’t valid.

“That would be a simple system to install so save this agony and heartbreak.”

The family are now trying to get an emergency passport to try and enjoy the last few days of the trip they’ve paid for, as they were unable to get a refund.

She added: “I’d been saving up for two years.

“We were incredibly excited as we’d never had a two-week holiday abroad together or been to a resort like this.

“It was going to be the holiday of a lifetime.”

An EasyJet spokesperson said: “Unfortunately Ms Vigors and her daughter were unable to fly as her daughter’s passport did not meet passport validity rules.

“We remind customers during booking, check-in and by email before they travel to ensure they are aware of the travel documentation requirements for their trip, and it is customers’ responsibility to ensure they have valid documentation for travel.”

It’s not the only country with strict rules, as Turkey requires Brits to have at least 150 days left, which is around five months.

So we’ve explained two other passport rules you need to be aware of this summer.

The bubbly laugh. The megawatt smile.

The queen of joyful gymnastics is back.

Seven years after gaining fame as UCLA’s “perfect 10 gymnast” and 13 years since last competing at an elite level, Katelyn Ohashi has returned to gymnastics with new goals and the same outlook.

“I want to have fun with it,” Ohashi said on a video conference Thursday, less than two weeks after making her return to competitive gymnastics at the American Classic. “I want to see how far I can go with it, and how far I can push myself.”

Still only two competitive routines into her comeback, Ohashi said the idea of competing in a home Olympics at the 2028 Los Angeles Games is “a beautiful thing to think about.”

She is plotting her own path. The 29-year-old’s first elite meet since 2013 was on June 27, when she tied for third on beam and performed a floor routine with light tumbling passes. She will compete at the U.S. Classic on July 18 with hopes of qualifying for the U.S. championships, which determines the national team roster.

Katelyn Ohashi performs during the “Gold Over America Tour” at Crypto.com Arena on Sept. 25, 2021.

(Katharine Lotze / Getty Images)

Competing on only beam and floor, Ohashi needs to reach 26.80 points in her routines to qualify for the national championships. The meet in August would be her first U.S. championship as a senior gymnast. Gymnasts typically make senior debuts at 16 years old. More than a decade older than some of her competitors, Ohashi can’t help but giggle at how circuitous her path has been.

“It’s really funny, also,” Ohashi said through laughter, “because, like, I’m pretty much a senior citizen.”

The deadline for a female gymnast’s Olympic dreams used to be 16 years old, Ohashi was told. But watching Simone Biles, Suni Lee, Jade Carey and Jordan Chiles win team gold at the Paris Olympics inspired Ohashi. The team, which also included 16-year-old Hezly Rivera, was the oldest U.S. women’s gymnastics team in the Olympics since 1952. Every gymnast who competed in the team final was in her 20s.

In 2024, the then-27-year-old Biles was the oldest U.S. female gymnast to qualify for the Olympics since 1952. When Ohashi recently called her longtime friend about her plan to return to elite gymnastics after a 13-year retirement, Biles “thought I was crazy,” Ohashi said.

“Which,” Ohashi continued, “most people, I think, might.”

Ohashi has nothing left to prove. In her first senior international competition at 15, she beat Biles for the 2013 American Cup all-around crown — the last time Biles lost an all-around title. After injuries derailed her promising elite career and the sport’s abusive culture robbed her of her joy, Ohashi reached superstar status while rediscovering her love of the sport with UCLA. She won a team NCAA title and the floor individual title in 2018. As a senior, her perfect 10 floor routine garnered 500 million views, landed her in Rolling Stone magazine and drew sold-out crowds to almost all of UCLA’s meets.

Since her final college routine in 2019, Ohashi was loving her retired athlete life. She did speaking appearances, traveled and published a book of her poetry. She enjoyed all the time and freedom she had.

She still missed the gym.

“I have not been able to replicate the feeling or the joy, sensations, adrenaline that gymnastics or competing brings,” Ohashi said.

Staying connected in the sport by participating in Biles’ “Gold Over America Tour” in 2021 and 2024, Ohashi would often joke of a comeback. Calculating her age and looking toward an Olympics in the city that helped her fall in love with gymnastics again, Ohashi knew that if the joke was ever going to become real, it had to be soon.

So Ohashi started working with a personal trainer, lifting weights for three hours a day for four days a week. In January, she moved back to her hometown of Seattle, in part to be closer to her family, and started training with Cale Robinson at Pacific Reign Gymnastics in Woodinville, Wash.

Most skills came back seamlessly, even ones she hadn’t executed in competition since she was 16. The first month felt great. Then fatigue started setting in. Ohashi loved that challenge.

Former UCLA star gymnast Katelyn Ohashi performs during the “Gold Over America Tour” at Crypto.com Arena on Sept. 25, 2021.

(Katharine Lotze / Getty Images)

Because Ohashi, who suffered a back fracture and injuries to both shoulders during her elite career, can’t do as many reps as she did as a teenager, she makes each one count more now. Between training her upgraded skills, she focuses on conditioning and religiously attends physical therapy sessions.

Still early in her comeback, Ohashi said she’s “physically getting there.” She is mentally stronger than ever.

“There are still those hard days, but it’s a lot easier when I know that I’m doing it for me, and me only,” Ohashi said. “And only I can push myself on those days.”

Ohashi wants to push past the baseline she set at the American Classic, where her two-event total was 24.65 points. The meet, which was staged in a gym with one set of bleachers and fans sitting on mats, was an intimate warm up for the arena stage Ohashi will take at the U.S. Classic in Hartford, Conn.

Ohashi walked into her first elite meet in 13 years next to Carey, who, at 26, is trying for her third Olympics. Entering the gym, Ohashi giggled that so many of the judges from a decade ago were still there. She recognized so many coaches. She was greeting everyone and waving. Carey looked at her in shock and asked what she was doing.

She was just having fun.

They were Mexican immigrants, both named Lorenzo.

They came to this country without papers as teenagers. Lack of legal status didn’t stop them from building beautiful lives — a wife, a home, a loving dog. A blue-collar job that paid the bills, weekend carne asadas with friends and family, children who followed their father’s example of hard work.

The Lorenzos enjoyed the fruits of their labor in their adopted land, even as they battled to become American citizens while politicians demonized immigrants as invaders and worse.

Lorenzo Arellano arrived in the United States in 1968 and didn’t get his citizenship until nearly 30 years later. Back then, the path to naturalization was far easier.

Lorenzo Salgado Araujo arrived in the early 1990s, when those opportunities were becoming severely limited.

Lorenzo Arellano is my father, a happily retired truck driver living in Anaheim.

Lorenzo Salgado Araujo, 52, who ran his own construction crew, was on his way to a job with his brother and two other men when an Immigration and Customs Enforcement agent shot him dead on July 7 in Houston.

When I see a photo of Salgado Araujo beaming in front of a cake with the number 52 on it at the well-kept home he built with his own hands, I’m reminded that we’ll be celebrating my father’s 75th birthday next month. When I see video of Salgado Araujo’s feet twitching on the ground with two ICE agents next to him as he bleeds out and moans for help, I weep.

Only geography, age and Donald Trump separated the Lorenzos. Even their children — he had three boys, while my father had two boys and two girls — are similar. The Salgado Araujos, like the Arellanos, are college-educated. The eldest son, Ronaldo, is a teacher like my sisters. He wears glasses like me and is now telling the story of his father to the nation, as I have for decades.

I write about my Papi as the puckish personification of immigrant America.

Ronaldo is eulogizing his dad way too soon.

“He wanted nothing else in life but to provide for his wife and see his sons become great people,” Ronaldo said proudly at a news conference the day after his father’s death — words I’ve always said about my Papi. “He did not deserve to be reduced to a headline of ‘Mexican man shot and killed by ICE’” — words I hope to never utter but can sadly see as a possibility given la migra’s unapologetic shoot-first approach and indiscriminate targeting of anyone brown.

Salgado Araujo’s killing came as part of the Trump administration’s newest deportation surge — the New York Times reported that the feds have arrested nearly 2,000 people a day since the end of June. The rate is higher than ICE’s campaign of terror last summer, yet it hasn’t drawn the same attention, fulfilling the promise of newish Homeland Security Secretary Markwayne Mullin that la migra would operate far more quietly and efficiently than under his reckless predecessor, Kristi Noem.

Those quiet times are over.

Ronaldo Salgado, son of Lorenzo Salgado Araujo, dries his tears while talking at a news conference on July 8 in Houston. His father was shot and killed by ICE agents the day before.

(David J. Phillip / Associated Press)

Vigils are popping up across the country in Salgado Araujo’s name. Stories about his life and death have replaced those about Mexico’s World Cup run on my social media timelines. They are heartbreaking, infuriating and a baleful reminder for Mexican Americans that these last five weeks of soccer, as joyful as they were, didn’t change our precarious status in this country under President Trump.

“He deserved to live a quiet life as a husband, a father and a job creator for dozens of men who also wanted the American dream,” Ronaldo said at the news conference through tears as his younger brother, Lorenzo Jr., comforted him. That their father never will — that the Department of Homeland Security is now smearing his name by claiming he “weaponized” his van by trying to run over an agent, even though video evidence proves no such thing — is the latest indictment against the Trump administration’s cruelty toward the undocumented.

Salgado Araujo wasn’t even the target of ICE’s operation. His family said he had applied for a work permit and was on his way toward finally obtaining legal status.

We should heed Ronaldo’s words about his father. As people protest and seek justice, we should also hail the life of Lorenzo Salgado Araujo the way we one day will hail the life of Lorenzo Arellano — as Mexicans who made it, challenges be damned. And we should continue to fight for immigrants who remain in legal limbo, afraid for their lives more than ever.

I called my father to ask how he felt about a tocayo — someone with the same first name — losing his life to la migra.

“I put myself in his place and lament that ese [that] Lorenzo couldn’t get the citizenship that I could,” Papi said in Spanish.

He remembered how immigration agents “did it with respect” when they caught him living in this country illegally in the 1970s and 1980s.

“They asked you for your papers, and if you didn’t have them, they put handcuffs on you, you got deported and that was that. None of these beatings or shootings that are happening now under Trump,” he said. The worst it ever got was when he said he was going to Los Angeles, and an agent snapped that he was going to L.A. but now had to return to Mexico.

Papi asked me what justification ICE has offered for killing Salgado Araujo.

“I hope they put those people who killed him in prison for many years,” he said with disgust. “Will they?”

I replied that probably wasn’t going to happen. ICE has shot and killed 11 people during Trump’s second term, both citizens and noncitizens, and scores more have died in immigration detention. No agents have faced charges for any of these deaths. The agents involved in Salgado Araujo’s killing didn’t even have dashboard cameras or body cameras, a convenient oversight that a Department of Homeland Security spokesperson blamed on “multiple government shutdowns.”

“Pues, Dios sabe que todo se paga en la vida,” my dad responded. Well, God knows you reap what you sow.

Ronaldo Salgado and Lorenzo Jr., sons of Lorenzo Salgado Araujo, hold a photograph of their father during a news conference July 8 in Houston.

(David J. Phillip / Associated Press)

Nothing can bring Lorenzo Salgado Araujo back to his loved ones. But I hope they find solace in his namesake, St. Lawrence. Tradition has it that Roman authorities roasted the Spanish deacon to death after Emperor Valerian demanded that he turn over the treasures of the Church. Instead, Lawrence presented the emperor with the city’s poor and maligned, insisting that he confront the oppression he had forced on them.

May we remember Lorenzo Salgado Araujo as a modern-day martyr, killed because our government refused to give him and so many others a chance at living in this country without fear.

May his name resonate through the ages as embodying the promise and tragedy of the American dream.

COLLEGE PARK, Ga. — Angel Reese had 23 points and 13 rebounds for her WNBA-leading 16th double-double of the season, Allisha Gray added 20 points, and the Atlanta Dream beat the Sparks 101-92 on Monday night.

Gray made Atlanta’s first field goal of the fourth quarter with 4:07 remaining to tie it at 87. Then, Reese got a friendly roll on her third made three-pointer of the season to make it 90-87 and she added two free throws on the next possession for a five-point lead. Jordin Canada capped the 9-0 run for a 94-87 lead.

Canada finished with 16 points and Rhyne Howard added 11 for Atlanta (14-10), which had lost six of its last seven games. Reese, who missed Saturday’s game against Portland, was seven for 11 from the field and made all eight of her free throws in 32 minutes.

Erica Wheeler scored 20 points, Nneka Ogwumike added 19 and Rae Burrell had 18 for the Sparks (10-12). Cameron Brink (left ankle) missed her eighth straight game and Kelsey Plum (lower left leg) missed her sixth straight.

Up next for Sparks: at Minnesota on Wednesday.

SAN FRANCISCO — Jordin Canada is the only person in the world with a UCLA-inspired pair of Air Jordan 4028 PEs, and she was excited to use them to represent her Bruins when the Atlanta Dream came to California last week.

“That’s my alma mater,” she said with a smile. “Any chance I get to support them and rep them, I will.”

Canada, who was an All-American in four years at UCLA, was rocking the blue-and-yellow shoes in shootaround before her Dream took on the Golden State Valkyries. The Los Angeles native had a quiet first outing against the Valkyries but bounced back with a season-high 23 points in their next matchup, then had 10 assists against the Seattle Storm on Saturday.

She is averaging 11.5 points and a career-high 7.0 assists as the leader of the third-best offense in the WNBA. Her 30.5 minutes per game are a step up from last season.

That’s because she’s done so much to facilitate the Dream offense and run it through Atlanta’s bigs.

“She’s made my job easy,” Dream star Angel Reese said. “I mean, when you have a point guard that can score and also facilitate to me… Her and I had a talk a little bit before the season started about how I can be better for her than pick and roll, but also like coming down on the rebound, I can get the ball and push and flip, flip it to her, and she can start the offense… So she’s made it a lot easier, really easy, and she’s just a great player, she’s a great leader for us offensively and defensively.”

Canada’s 3.6 rebounds per game also are a career high as teams lock in defending Reese and the other versatile Atlanta players such as Naz Hillmon and Rhyne Howard.

Shooting 46.7% from the field, Canada has capitalized on her minutes by being the most efficient possible this season and being enough of a threat that teams have to guard her, while she also can send the ball to one of Atlanta’s top scorers.

“Being aggressive on the offensive end and trying to be more efficient, talking to Cam [Brown], who’s my position coach, and [head coach Karl Smesko], just seeing ways I could be more effective and more efficient in my position,” Canada said. “So just watching a lot of film, watching the areas where I need to improve, and just trying to make sure that I do that consistently, day in and day out, every game, and skin to my spots, and making the right decisions.

Atlanta Dream guard Jordin Canada attempts a pass against the Storm at Climate Pledge Arena on Saturday in Seattle.

(Jack Compton / Getty Images)

The Dream are fourth in the WNBA standings behind their consistent starters. With that group, Canada has become one of the most dynamic point guards in the WNBA in her ninth season.

“Her speed is pretty level,” Valkyries coach and former UCLA player Natalie Nakase said. “At UCLA, she was fast. I think now she’s like, for some reason, she looks a lot stronger, I think, from her college years, and I think she really has bought into a system under Karl of what she is doing.”

Tyler Bilodeau drafted by Nets

Former UCLA forward Tyler Bilodeau was selected by the Brooklyn Nets in the NBA draft.

(William Liang / Associated Press)

Former UCLA forward Tyler Bilodeau was selected by the Brooklyn Nets in the second round of the NBA draft with the No. 43 overall pick.

Bilodeau, a 6-foot-9 transfer from Oregon State, averaged 15.5 points and 5.1 rebounds in 64 games at UCLA. The Kennewick, Wash., nativeled UCLA in scoring in his junior and senior seasons, averaging a team-best 17.6 points in 2025-26 and finishing second on the team in rebounding (5.6). Bilodeau earned third-team All-Big Ten Conference honors both seasons. He ranked No. 1 in the Big Ten in three-point shooting as a senior, knocking down 46.4% of his attempts.

“We’re all so thrilled for Tyler to get drafted by Brooklyn,” UCLA coach Mick Cronin said in a statement released by the athletic department. “He is a tremendous young man and a tireless worker who really excelled in our program. He’s come a long way since his days at Kamiakin High School, and it’s simply a testament to the work ethic that Tyler and his family have embodied. He’s a versatile player who really improved his three-point stroke during his two years in Westwood. I can’t wait to see him take that next step with Brooklyn. All of us at UCLA are so proud of him.”

Zoey Molomo, Katelyn Ohashi Shine at American Classic

Zoey Molomo, competing at the United States Gymnastics Olympic trials in 2024, placed second on vault and floor and third in the all-around and bars at the 2026 American Classic.

(Abbie Parr / Associated Press)

Zoey Molomo, who is joining UCLA’s gymnastics program for the 2027 season, placed second on vault and floor and third in the all-around and on bars at the American Classic.

Molomo qualified for the U.S. Gymnastics Championships with an all-around total of 52.700.

UCLA alum Katelyn Ohashi, who returned to competitive gymnastics after a seven-year absence at age 29, tied for third on balance beam. In her first competition since the 2019 NCAA championships and her first elite competition since winning the 2013 American Cup, Ohashi scored 13.150 on balance beam to earn bronze.

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Have something Bruin?

Do you have a comment or something you’d like to see in a future UCLA newsletter? Email newsletters editor Houston Mitchell at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

THIS is the moment Maroon 5 singer Adam Levine got emotional as he made his late manager’s dream come true at BST Hyde Park.

The pop rock band headlined the London festival on Friday night in front of 75,000 people and dedicated a performance of Memories to Jordan Feldstein, who died suddenly in 2017.

Adam told the crowd at BST Hyde Park, which is sponsored by Vodafone: “This band playing Hyde Park was one of his dreams for us. And we’re making it true now and it’s un-f***ing-believable.

“It’s bittersweet because he’s not here tonight. So, this of course goes out to Jordan, our friend. My friend since I was born.

“I think that some of these songs mean something different to every single person that appreciates them.

“I know that you’re all thinking of someone and all that energy, it kind of comes together, especially on a beautiful night.

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“Take a look around you guys, it’s unbelievable. Look at all this, it’s crazy.”

Jordan guided the band since its launch in 1994 until his sudden death from a pulmonary thromboembolism, a blood clot in the lungs, almost nine years ago.

Memories, which was released in 2019, includes the lyrics, “here’s to the ones that we got, cheers to the wish you were here, but you’re not” and “toast to the ones here today, toast to the ones that we lost on the way”.

Speaking previously about his childhood friend and long-time manager, Adam said: “It was a tragedy foisted upon us and far and away one of the saddest moments of our lives, and personally of mine.

“This is a kid I’ve known since we were in diapers. He was one of the most important people in my life from a very early age.”

He closed out the rendition of Memories by pointing to the sky in honour of Jordan.

Adam’s emotional speech on behalf of the six-piece band was met with cheers.

It was a fitting moment during the nostalgic evening, which saw Maroon 5 perform their greatest old-time hits including Sunday Morning and She Will Be Loved.

One Republic, Jess Glynne and Ella Eyre had earlier performed throughout the day.

Argentina striker Julian Alvarez says he wants to leave Atletico Madrid to “fulfil his dream”.

The 26-year-old has reportedly drawn interest from Barcelona and Paris St-Germain, while Atletico rejected a 150m euro (£130m) offer for Alvarez from rivals Real Madrid earlier in June.

Alvarez is currently at the World Cup with Argentina and has come off the bench in their first two games after recovering from an ankle injury.

“I spoke with the people at [Atletico] I needed to speak with, and the best thing for everyone is a transfer. I want to fulfil my dream,” Alvarez said after Argentina’s World Cup win over Austria.

“It’s ‌not the time ‌to talk about this, but I also can’t ‌hide it. I try to be an honest person.”

Alvarez joined Atletico from Manchester City for £81.5m in the summer of 2024 and has scored 49 goals in 106 games, as well as providing 17 assists, for Diego Simeone’s side.

Having scored 17 goals in his first season in La Liga, the former River Plate forward managed only eight in 2025-26.

However, he excelled in the Champions League, scoring 10 goals to help Atletico reach the semi-finals, where they were beaten by Arsenal.

And yet to set foot in a WeFly cockpit is to be alternately in awe and overwhelmed. I was in a near 1:1 replica of the insides of a Boeing 737 Max. Buttons, knobs, switches and flashing lights surrounded me. And to fly a plane, I would have to let go of everything I knew about driving a car. Turning in the air, for instance, is much different than turning on a runway. And do I watch the screen, or look out the windshield? Often the former, even though I enjoyed buzzing Long Beach’s Queen Mary, flying under the Golden Gate Bridge and circling Chicago’s Wrigley Field. When it came time to land however, my palms got a little sweaty. Navigating height, winds and the steadiness of my plane was a challenge, one akin to handing a grade-schooler a calculus book, summarized Joyce. Let’s just say I needed his co-piloting skills. And I’m not great at math.

Typically, WeFly’s clientele, says Joyce, are a mix of aviation aficionados or non-commercial pilots. The space also gets a fair share of those with a fear of flight, arriving at WeFly with the hopes to conquer it. “They want a sense of control,” Joyce tells me. But WeFly is also ideal for anyone who is amazed by air flight, or those who may someday dream of being a pilot. Though it uses “Microsoft Flight Simulator,” it is no game. Sessions for 30 minutes start at $129, and WeFly’s trainers will tailor it toward one’s experience. I made sure, for instance, that crashing was turned off. But I forgot, however, to turn with the brakes when it came time to land. Yet the plane was intact, and, as Joyce reminded me, “At least you’re on airport property.”

Los Angeles, United States – Draped with a US flag, Alex Saldivar could hardly contain his broad smile as he exited the stadium after the United States beat Paraguay 4-1.

Not only did his team win their World Cup opener, they did so on home soil – and the 23-year-old got to witness it.

“This is a dream come true, a serious dream come true. I don’t know what to say,” Saldivar said, as he swayed from side to side, alternating his standing foot.

His excitement sums up the historic day for US football.

Tens of thousands of fans had descended on SoFi Stadium, putting on an eccentric display of oversized hats and US flag-themed outfits.

White and red striped dungarees, blue and white hair, star-spangled trousers, painted faces and Uncle Sam suits – supporters represented their country’s colours in every possible way.

Ryan Schellhous, who came to Los Angeles from San Jose in northern California, was dressed literally from head to toe in US flag colours, including a mask that only showed his eyes.

He told Al Jazeera it was great to have the World Cup in the US.

“There’s a lot of excitement for soccer in America right now, and this is great,” Schellhous said, adding that he expected Team USA to go deep in the tournament if players perform to the best of their ability.

For many fans, the World Cup is offering a rare opportunity to experience football at its best. And they are cherishing the moment.

Michele Churchill, who travelled from Virginia with her three children to attend the opening match, called it a “bucket list” event.

Asked about the exorbitant ticket prices, she said the experience is worth it.

Churchill also had a bold prediction for the US team’s fortunes at the tournament.

“They’re going to win. They’re going to take the cup,” she told Al Jazeera.

Law enforcement

Fans started streaming into the stadium four hours before the game. One was dressed in a Gulf-style thobe with a US flag as a headscarf. Another was in an outfit resembling George Washington, the first president of the US.

Despite concerns about logistics and organisation, everything went largely smoothly with armies of staff and volunteers ensuring safety and orderliness.

An alphabet soup of law enforcement agencies was present.

The Transportation Security Administration staffed entrances to oversee the airport-style security checkpoints. Agents from the Drug Enforcement Administration, Bureau of Alcohol, Tobacco, Firearms and Explosives, and Department of Homeland Security were also at the scene.

On the local level, heavily armed agents from the Los Angeles County Sheriff’s Department were also deployed around the stadium, as were Inglewood Police officers.

Many agents were accompanied by police dogs. Before crowds started to arrive, some had their canine companions pose for a photo next to the oversized World Cup ball outside the stadium.

Reports that President Donald Trump may attend the first game ultimately did not materialise to the apparent relief of many fans in mostly liberal Los Angeles.

Inside the stadium, it was celebrities – the likes of Tom Cruise and David Beckham – who got the cheers from the crowd.

Stadium atmosphere

It took a while for the stadium to fill out.

About an hour from kickoff, during the first part of the opening ceremony, which featured several rappers, including Future and Rema, the venue was still almost half-empty and the crowd was quiet.

But coinciding with Katy Perry taking the stage before the first whistle, the stadium started to come to life, and chants of “USA, USA” grew louder.

It was really forward Christian Pulisic who electrified the crowd with his first-half display, running straight at his markers and producing dangerous crosses or shots.

The once faint chants turned into deafening roars when the US scored their first, courtesy of a Paraguayan own goal in the seventh minute.

The distinct screams of goal celebrations would ring out three more times for Team USA at the stadium, with Folarin Balogun finding the net twice and Giovanni Reyna scoring a gorgeous curler from the edge of the box to wrap up the game.

A stadium announcer said more than 70,000 people were in attendance.

“We have a full house,” he said to the cheers of the crowd.

But the announcement did not pass the eye test.

Many seats throughout the stadium remained empty, especially in the most expensive sections overlooking the middle of the field.

It is possible that organisers FIFA did sell every seat but resellers struggled to offload some tickets.

The bottom line – ticket prices and Trump’s travel policies may be dampening the buzz around the World Cup, but the tournament is still delivering what football promises: happiness, excitement and a sense of togetherness.

USA beat Paraguay 4-1 in Los Angeles as each of the three World Cup cohosts have now staged a game in the 2026 edition.

The United States could scarcely have scripted a better start to their World Cup as a Folarin Balogun brace and a Gio Reyna curler fired the cohosts to a 4-1 drubbing of Paraguay in front of Hollywood royalty in Los Angeles.

The hosts took the lead in the tournament’s first game on US soil within seven minutes thanks to an own goal, and by the end of an utterly dominant half, the home fans were in dreamland, their side up by three.

Tom Cruise, Leonardo DiCaprio and Paris Hilton were among a sold-out 70,492 crowd as the US – cohosting the tournament with Mexico and Canada – piled wave after wave of attacks on the South Americans, with Reyna polishing off the win late in stoppage time after Mauricio had pulled one back.

The win and emphatic scoreline put the US in a favourable position already to progress from Group D, which also contains Australia and Turkiye.

The night’s only potential sour note was the half-time withdrawal of Christian Pulisic, the US attacking talisman who is carrying the hopes of the nation as they attempt a deep run into the World Cup knockouts for the first time since their quarterfinal appearance in 2002.

Paraguay could not have been more obliging guests from kickoff. In the seventh minute, Weston McKennie picked up the ball in the centre circle and drove upfield, finding Pulisic.

Pulisic darted between two defenders and returned the ball to McKennie, whose pass to striker Balogun was bundled into his own net by a hapless Damian Bobadilla.

The stadium erupted, and a US onslaught began.

The hosts oozed confidence. Both McKennie and Tillman played backheel through balls into the area, while captain Tim Ream sprayed out passes from the heart of defence.

Balogun had a goal ruled out in the 28th minute. He had strayed offside, as had Pulisic in the buildup.

But the Monaco striker had the ball in the net again three minutes later, thanks to a superb ball down the left flank by Antonee Robinson to Pulisic, whose cross to Balogun took a slight fortuitous deflection.

The US added a third on the cusp of half-time. Tillman found Balogun down the right, who evaded Omar Alderete’s challenge, skipped inside Gustavo Gomez and curled his shot perfectly into the top left corner.

It could have been four or five, with Chris Richards – returning from injury – flashing a header barely an inch wide. The US had 75 percent possession in the first half.

Now, without the dangerous Pulisic, the hosts sat back slightly in the second half.

Paraguay finally offered a threat. Their dangerous forward Julio Enciso, who started despite a hamstring injury, picked up the ball on the edge of the area and fed in Brazil-born substitute Mauricio, who pulled one back.

Reyna scored a superb fourth with the outside of his right foot that curled just inside the far post.

The game had been preceded by a Tinseltown-style opening ceremony. Katy Perry delivered the headline performance, accompanied by singers Future, Tyla, Anitta and K-pop singer Lisa.

Performers danced around a giant World Cup trophy beneath enormous “FIFA” letters in the gold favoured by US President Donald Trump – who did not attend, instead wishing the team luck via phone before kickoff.

Shrek’s abs are more defined than some might expect. Or is it that the shade of his green skin makes them appear more chiseled under bright lights? Maybe it’s just disorienting because no one anticipated gawking at his torso inside the historic downtown Los Angeles venue founded by Hollywood legends Charlie Chaplin, Mary Pickford, Douglas Fairbanks and D.W. Griffith.

These are thoughts that swirl in one’s head while attending this year’s Las Culturistas Culture Awards ceremony, held on a recent Saturday night at the United Theater. An offshoot of the popular podcast that actor-comedians Matt Rogers and Bowen Yang have hosted since 2016, the award show aims to celebrate the year’s biggest pop culture moments and plays like a fever dream more dazzling and deliciously random than a late-night scroll session on TikTok.

After launching in 2022 as a live event outdoors at Lincoln Center, the guerrilla awards show reached TV screens for the first time last year. This year’s ceremony, which will air June 17 on Bravo and stream on Peacock, coincides with the podcast’s 10th anniversary and features a kaleidoscopic array of attendees, including screen veterans like Lisa Kudrow and Will Ferrell, reality TV favorites like “Summer House’s” Ciara Miller and “The Real Housewives of Dubai’s” Chanel Ayan, and anthropomorphic icons like Miss Piggy and a certain green ogre. And the prizes? It’s the only place you can find categories like “Real Housewives Award for Best Way to Start a Confrontation,” “Pornhub Category We Would Never Click On” and “Hilary Duff Award for Millennial Excellence.”

Over lunch at the NBCUniversal lot in Universal City, Rogers and Yang discussed the show’s evolution. These are edited excerpts from the conversation.

Matt Rogers, left foreground, and Bowen Yang perform a musical number inspired by “Heated Rivalry” during this year’s Las Culturistas Culture Awards.

(Monty Brinton / Bravo)

I will probably regret starting our conversation this way, but we all have our blind spots and, to thoroughly prepare for this interview, I watched “Shrek” for the first time last night.

Yang: Oh great! The first one?

Rogers: How’d you feel?

I get it now.

Rogers: Get what, that he is attractive or …?

I’m not quite there yet. You guys reference the film a lot on your podcast and Shrek has also been a figure on the awards show, including this year. I was hoping you’d explain Shrek as a heartthrob to me as if we’re in a pop culture class. When did this idea really take shape?

Yang: Over at least a couple years, to my knowledge, there’s been this online meme culture around Shrek, where it’s like, “Oh my God, Shrek is like a sex king,” but now it’s even spilled over into like dating life. I don’t know if you’ve heard of this, but there’s a verb called Shreking in dating, where it has to do with women dating a guy that’s below their league because he will be nice to them; he will be a Shrek to their Fiona. That’s an interesting thing — you date someone slightly in another zone than you, so that you can be like, “Well, that’s my Shrek,” but meanwhile, there’s the tension between that and Shrek being someone that people are actually attracted to. This just speaks to the enduring power of Shrek as a pop culture icon.

Rogers: I think what it is, is he has an amazing accent. It’s a very powerful thing. He’s independent, he’s self-sufficient, he’s a movie star.

Yang: He said it at the awards. I mean, he’s a rich celebrity.

Rogers: We saw the real Shrek at the awards and he looks pretty f—ing good to me.

Yang: He looked good to me. I don’t know what these Gen Zers are talking about with this Shrek being below your league.

What are the calls with publicists like now to get their clients to participate?

Yang: Last year was a communication puzzle to solve. We were like, “OK, we have to really convey this the right way.” We thought, perhaps naively, now that we’ve done it, now that there’s a proof of concept, it’s going to be much clearer. I think it was clearer, but there was still that degree of, “oh, this is …” — not to like give ourselves too much credit, but this is a concentric circle outside of what is very established in the form of an award show. You’ve got publicists who are like, “Well, we would love for our client to win an award.” And you’re like, “No, that’s not really the point.”

Rogers: Presenting is just as good as winning, just as good as performing. But I think it’s weird that we have been so late to stumble on what the show really is, which is it’s a variety show. And, so, in wrapping your head around it that way, it’s actually pretty easy to get across. It just has the drag of an award show, and that’s our way in.

But I do understand the publicist hesitation because I will say, in a world where it’s your job to protect your client, you’re putting them in a situation that is like, “OK, they’re going to an award show — that’s something this town takes very seriously.” So, it’s an ask to be like, “Hey, can you come take the piss out of this concept that you’re then probably gonna spend eight months of the year trying to actually achieve?” I would be lying if I said that we didn’t want one day to win one of those awards. It’s an acknowledgment of your work, but in that, Bowen and I think the No. 1 thing that’s the funniest thing in the world is people who take themselves that seriously. It’s a healthy mix of appreciation for this thing that was actually a big element of the culture that made us say culture was for us, which was watching award shows when we were kids, and also the reality that we now know as people that are in the industry of what they really are, which is they’re just shows. We’re not condemning them, we’re having fun with it.

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1. Scenes from the 2025 Las Culturistas Culture Awards: Jeff Goldblum, left, accepting the award for Most Amazing Impact in Film for his appearance in “Jurassic Park,” alongside presenter Patti Harrison. (Griffin Nagel / Bravo) 2. Allison Janney was a guest of honor, receiving the Lifetime of Culture award. (Jordan Strauss / Bravo)

Have you been asked to tweak the name of a category or punch it up even more?

Yang: Last week was the window when our producers could be very honest with us and say if something may not be working. Back to the Shrek [bit in this year’s show], actually, that ended up being much dirtier and bluer than it was on stage.

Really? I already knew I wouldn’t be able to include the award category because of Times standards. So the actual bit was raunchier?

Yang: It was even raunchier. It went for it.

Rogers: But it’s also a testament to how much freedom they give us to make our show. If they were concerned at all about us desecrating the image of Shrek, we certainly did not feel that way. I am really shocked and grateful that we get to do something that it feels like we’re getting away with something.

Take me back in time with young Bowen and young Matt. What do you remember about your enthusiasm for award shows growing up?

Yang: It was watching Billy Crystal at the Oscars do song and dance numbers, zing these things in for a laugh that we’re referencing the year, being in these video packages where he was in the movies. That it was live television and just this pageantry of people congratulating themselves, congratulating each other. I would tune in live every single year to all the award shows and I would follow the host changes. I remember Whoopi’s first year [hosting the Oscars]; I remember Ellen’s first year. I was really obsessive. It opened the door for all these things that I currently love, and that I’ve somehow had a fortunate experience in, which is live television, song and dance numbers — everything that Billy Crystal was doing. It keyed me in on how show business works, down to production elements and how filmmaking comes together.

Rogers: I just remember, I looked at the screen and I was like, “Oh, that’s where I belong. I belong with them. I don’t belong out here.” I was one of those Gold Derby kids — I would be on the forums; I still sometimes look at the odds and rankings and stuff. It was like gay sports, particularly with the best actress and best supporting actress races. And then obviously the Grammys, and all of that. One year I was watching, I think it was the People’s Choice Awards or the American Music Awards or something, and Shania Twain lost to LeAnn Rimes, and I cried for a day. I took it so seriously and my mother turned to me and said, “You need to stop.” But you couldn’t tell me it didn’t matter at the time. [Reporter’s note: Twain lost the favorite country new artist award to Rimes at the 1997 American Music Awards.]

As the profile of Bowen Yang and Matt Rogers’ variety-style award show has risen, getting stars on board is an interesting puzzle: “You’ve got publicists who are like, ‘Well, we would love for our client to win an award,’” Yang says. “And you’re like, ‘No, that’s not really the point.’”

(Jason Armond / Los Angeles Times)

What do you remember about your first experience at a major awards show?

Rogers: He was nominated as writer for “SNL” and took me as his date. We were sitting there — the “Queer Eye” guys were sitting like three rows behind us.

Yang: We watched Phoebe Waller-Bridge sweep with “Fleabag.”

Rogers: We watched Michelle Williams win for “Fosse/Verdon.” It was funny because we had gone to the bar and were double-fisting drinks back to the seats and I said to Bowen, “Oh my God, I’m like the Busy Philipps to your Michelle Williams.”

Yang: And who shows up behind us?

Rogers: Busy Philipps taps on our shoulders and goes, “You guys are killing it with those drinks.” And I’m like, she doesn’t even know I’m her. Cut to minutes later, Michelle walking up and giving a banger of a speech.

Yang: That was like our first brush with it. Even now we go to these, and we’re like, this is really something; it’s incredible. We were at the Oscars last year, front row, witnessing all of it go down, witnessing the moment where upsets would happen, feeling the vibe in the room shift. The benefit of our show is that the vibe is pretty high throughout; it does not decline as soon as there are losers in the room.

Las Culturistas Culture Awards took place in late May and is being telecast roughly two weeks later. Do you see it ever going the live route?

Yang: We don’t know. That is my not so secret dream, is to do it live one day. There’s just something about doing it live — and it occurs to me now that I’ve been very lucky and fortunate to have have my reps in. There’s just something so wonderful about it being this event where everyone is tuning in, enjoying it the same time you are. That is really something special.

Rogers: If he’s down, I’m down.

I’m sure this changes each year, but who’s your dream person to snag for an appearance?

Rogers: I would say the people that make it very apparent that they have sketch comedy and impression skills, and maybe you wouldn’t necessarily know that they do until they show that.

Yang: Ariana Grande.

Rogers: Our dream was for Ariana to come do an original character. We actually floated to her the idea — there was going to be like a Banksy reveal of MsMojo, and it was going to be revealed that it was Ariana Grande was MsMojo. But she actually was in rehearsals for the Eternal Sunshine World Tour. Little did we know she also was recording “Petal.” She was a bit too busy to play MsMojo, I guess, this time.

Yang: These two are forever paired in my head, but it’s because she’s another sketch performer: Cher. And sometimes the dream guests are not big names, it’s the people that we came up with in comedy. And actually one of the consumer research reports that we got back before we started writing this year’s show was that the thing that people loved about the Culture Awards was this crossover of reality talent, A-listers and Oscar winners, and comedy people — that mix, those three [types of] people mingling together is what the viewers want.

Rogers: I’m just so proud in every single way of the diverse array of talent that we were able to bring together. I looked out in the audience and it was just a party of so many friends and people we’ve met in the business — people that I didn’t even get to meet that night, but I was just gagged they’re there, especially in the edit, which you’ll see. This is Bowen’s first year in the edit, he had to miss it last year, but that’s what’s so cool about going through the footage, is you’re like, “Oh my God, there’s someone I’ve loved my entire life next to my cousin.” We were saying to each other that it ended up being like a weird love letter to our younger selves, having Mandy Moore and singing “Only Hope” with her and doing the “Pokémon” theme song and getting to hang out with Pikachu.

Do you worry about it ever getting too big?

Rogers: If it ever gets to a point where it couldn’t be funny, that wouldn’t work. We want it to always stay true to what it is, which is it’s our comedy special together. As long as it doesn’t feel like it’s selling out — and I can understand people watching it and being like, “Oh, they obviously had to have Nintendo characters because it’s NBCUniversal or obviously they had to include “Summer House” — none of that is true.

Yang: There’s no mandate.

Rogers: This is genuinely what we would want the show to be, and so as long as it’s that, we’re good.

So what’s your “I don’t think so, honey” on awards shows?

Rogers: I don’t think so, honey — 10 nominees for best picture at the Oscars. Why?

Yang: Totally. Tea.

Rogers: I actually think it helps things that are weirder win because it’s too many. And the way that they ranked choices. I’m a popular-vote person anyway.

Yang: I need us to really get on the same page about play-off music. Sometimes people are encouraged to go on, sometimes we turn against that. Let’s stop innovating, let’s stop trying to break the mold on them. Let’s just respect that as much as we can, unless it’s egregious.

And it’s always a bit within the show.

Yang: This is what I was about to get to. The hosts now are always trying to bitify that; it’s more of a practical thing to keep the show moving. Don’t try to put a hat on top of a hat by making it a comedic moment too. We’ve never really played with that trope, even though we could, and maybe should. For now, my attitude towards play-off music is, these people might not ever be on this stage again.

How soon do you start planning the next one?

Rogers: Hopefully, they give us the green light.

Ana Gasteyer, left, Jamie Lee Curtis and Patti Harrison at the 2025 Las Culturistas Culture Awards.

(Jordan Strauss / Bravo)

How did you go about deciding which categories would return this year and which you invent along the way?

Yang: We did an audit this year of all the categories from the last few years of doing this.

Rogers: Less made it back last year.

Yang: I think maybe about 30 max previous categories [returned] — that’s a decent ratio, 70-30 is nice. From there, we just kind of molded the clay on the table a little bit. We have the benefit of making this a recursive reinvented show every year; the categories itself are the premise, it’s the micro-premise within the segment or the element. The jokes are the nominees. Why not create new opportunities at every turn.

“Las Culturistas” expanded into a video podcast last year. How do you feel about this evolution we’re seeing to the format?

Rogers: It’s not that when I’m on camera with Bowen doing the podcast, like, “Oh, I wish I could be more relaxed,” I just wish the whole industry hadn’t gone this way because I feel like when you’re on camera, you can’t help but be a little bit more self-conscious, and that is going to come through in the podcast product. If I had my druthers, none of them would be on film. I can understand that it helps a lot and I can note a marked difference in the amount of times I get recognized now that we are on social media. It absolutely “helped” our podcast get bigger. That being said, I don’t think it was a good thing for podcasting that they all became TV shows.

Yang: It changes the register and the tone by nature. You cannot help but be motivated by different things, by the appearance of it, by the presentation of it, beyond what it was, which is just radio, which is a really important American form.

As two people who grew up being connoisseurs of pop culture, what is it like to be on the other side of it, to feel the intensity of it — I’m talking about what happened with the Jasmine Crockett comments — to become part of the conversation? What lesson came from that?

Yang: We are experiencing something in an acute way that I think everyone is experiencing, which is we are seeing ourselves in the third person. Everyone is kind of modulating their behavior based on how they are appearing out of body. It’s the way we all move through the world now, which can be snapshot and projected very widely out into the world for whatever reason.

Rogers: When you’re talking candidly, you can never know what piece of what you’re saying is going to be the piece that gets scrutinized again and again and again and again by what feels like the entire internet. And if you did, you would, of course, be more specific, and you would be able to really clearly say why you are saying what you are saying. We have had learning experiences with that, and so what we can do going forward is be more clear about the things that we do believe and stand by. That is something that even 10 years in the game we are learning how to do.

Yang: And I think on a very large scale, what is going to happen is that we are all going to adjust for the fact that we have behaviorally changed because of this idea that we’re seeing ourselves in the third person constantly. For me, personally, I’ve had to wrestle with this idea after being on “SNL” for seven years and having to evaluate myself and having an audience evaluate me every week. I’ve changed behaviorally; I need to get over this fear of being seen. I need to get better about listening to my own voice.

Rogers: The internet is a very weird place and the thing is, it deliberately ignores nuance. It willfully tries to make something seem lowest common denominator, so that there can be a community based around that thing. And that is not good for the world. It’s not good for discourse. It’s not good for our politics. It’s really bad for our politics. Until we can all get on the same page about the ways in which we are willfully misunderstanding each other and calling it discourse, it won’t get better.

Yang: The misunderstandings are about people’s tones, and not necessarily about the things that people are pointing toward.