dream

CALLING all foodies – this might just be the country pub with the best food in Britain.

Here’s everything else you need to know about staying at The Freemasons at Wiswell.

Where is The Freemasons at Wiswell?

The beautiful country pub is in the heart of a pretty sandstone Lancashire village.

What is the hotel like?

Lots of nooks and crannies ensure you enjoy the buzz of a busy spot, but also have privacy to enjoy the company of family or friends.

The inn itself was once three cottages, one of which was a freemason’s lodge.

What are the rooms like?

The room we stayed in was in a property next door so we had no noise from the bar and enjoyed a peaceful sleep in the countryside.

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Our room – Mr Hare – boasted a super king bed, and a stunning rolltop bath on a mezzanine floor.

Luxury touches included fluffy towels and dressing gowns as well as a Nespresso coffee machine and premium, handmade bath and body products.

“My dream bedroom”, said my wife.

Rooms start from £125. See freemasonsatwiswell.com.

What is there to eat and drink at the hotel?

The kitchen is led by executive chef Michael Shaw who has worked for some of Britain’s best known chefs including Gordon Ramsay and Raymond Blanc.

We visited on a Thursday so Mike popped out of the kitchen and encouraged us to enjoy a six-course tasting menu (£85pp).

English asparagus, cornish crab, stuffed mushrooms, glazed duck and salted white chocolate.

Andrew, our host, allowed us to choose some wine, before choosing us a better bottle of red. An a la carte menu is also available.

The following morning we enjoyed a three-course breakfast – fresh baked pastries, smoked salmon and cured meats and a delicious cooked breakfast.

Even if not staying at the hotel, the Freemasons is a lovely place for a pint, or a celebratory meal. Sunday lunch (£39.50 for two courses) looks good too.

What else is there to do there?

Chocolate box Wiswell is lovely to stroll around before or after a meal.

A few minute’s drive away is the popular village of Whalley which features lovely little shops, wine bars and traditional pubs.

We got into the car and drove 15 minutes to nearby Barley and spent a lovely couple of hours walking up 557-metre Pendle Hill, famous as the spot where ten people were hanged during the 1612 Pendle Witch trials.

Is it family friendly?

For families, it is advisable to get in contact to discuss the needs of your stay so there’s plenty of room for everyone.

Is there access for guests with disabilities?

Freemasons at Wiswell offers disabled access rooms on the ground floor.

AN emotional Stacey Solomon has revealed that she’s sold £1.3m ‘dream home’ Pickle Cottage.

The Sort Your Life Out presenter, 36, took to her Instagram story alongside husband Joe Swash, 44, to share the news.

The pair, who tied the knot in the garden of their former home in 2022, bought the property back in 2021.

Now, five years later, they have decided to “start a new chapter” with their three kids Rex, Rose and Belle, as well as Stacey’s older children Zachary and Leighton.

Speaking to her 6.1 million followers, Stacey said: “We are leaving Pickle Cottage, we are moving out of Pickle Cottage, which I never thought I’d say, imminently.

“The reason we haven’t said anything up until this point is, anyone who has moved before knows what it is like. You don’t know if it is going to actually happen before it happens.

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“Also, leaving Pickle Cottage was a massive, massive, decision for us, we had a lot of people we needed to speak to, we needed to get the kids around to the idea and speak to all our neighbours and lovely friends in the area. There were so many people we needed to speak to before we told everybody.

“Then also, even the thought of selling Pickle Cottage would be impossible if everyone knew we were selling Pickle Cottage.

“Does that make sense? We have just waited until someone amazing come along and fell in love with the cottage.”

Stacey continued: “Pickle Cottage is our dream house, as soon as we moved here we fell in love with it and I still love it so, so, so, so much.

“It’s a really special place to us. I gave birth to both of the girls there, we got married there, it’s just so special to us.

“But for a little while we have always wanted to rescue more animals, grow more vegetables, my vegetable patch, I have got so much joy out of it, but it’s on Farmer Scott’s land. So if he decides to do something with that land, it’s gone.

“So we have always been thinking if there was ever a chance to move further out and to get a bit more land, then we would consider it.

“We saw somewhere, found somewhere, and I was like ‘Oh my God’ and I was like, we could have a massive vegetable patch and we could offer our land to animals who need it and stuff like that.

“We could bring the horses back there, the ponies, and we went to see it…”

Joe chimed in: “We fell in love. It wasn’t an easy decision, like we said, we’re leaving behind somewhere we built our lives together at Pickle Cottage but now we have find somewhere where we can see our family growing and really flourishing. And this is the place.”

Stacey ended the video with: “So it’s time to say goodbye to Pickle Cottage, which feels so weird and basically move across to our new chapter.

“It’s a project, we’re moving somewhere really, really different. And it needs a lot of love. What I can say is I loved bringing Pickle Cottage back to life.

“I had so much joy from that. I genuinely, every single thing I did there, I loved.

“I will truly miss Pickle.”

Stacey captioned the post: “A new chapter…”

Fans rushed to the comments section to share their love and support about their huge move.

One said: “Good luck on your new journey.”

Another wrote: “Can’t wait to see it!! Happy for you all!”

A third chimed in: “You did such a great job before and you will again.”

“Living the dream guys,” a fourth added.

Over the years Stacey has shared her renovations online.

Angel Reese has broken another WNBA record with her 29th double-double of the season.

The Atlanta Dream forward had 15 points and 11 rebounds in the team’s 89-81 victory against the Minnesota Lynx on Sunday, surpassing the previous mark for most double-doubles in a single season set by Alyssa Thomas in 2023. (Thomas had set that record while playing for the Connecticut Sun during a 40-game regular season.)

The three-time All Star has already broken multiple rebounding records this season. During the Dream’s 78-71 victory over the Sparks on Aug. 24, Reese grabbed 26 boards, setting a new record for total rebounds in a single game. Chamique Holdsclaw previously held the record with 24 rebounds, which she had set on May 23, 2003, while playing for the Washington Mystics.

Reese also set the records for most rebounds in a single season during that match-up. She now has 485 rebounds on the season, with four regular-season games remaining. Reigning WNBA MVP A’ja Wilson held the previous record of 451 total rebounds, which she had set during the 38-game regular season in 2024. Reese surpassed Wilson’s mark in 37 games.

“I’m just in awe watching her rebound,” teammate Allisha Gray said after Reese’s record-setting performance in L.A. “That’s a talent.”

The third-year player — also known to fans as ATL Barbie — heads into the FIBA World Cup break averaging 16.1 points and 12.4 rebounds this season. Reese has led the league in rebounds in each of her first two seasons and is on track to do so again.

Reese and Dream teammate Rhyne Howard will be among the players representing the U.S. at the 2026 FIBA Women’s Basketball World Cup in Berlin, Germany. The tournament kicks off Sept. 4 and is scheduled to conclude Sept. 13.

On Monday, USA Basketball announced that Wilson and Kelsey Plum, who had previously been announced as members of the team, will miss the World Cup for heath reasons. The pair will be replaced by All Star Washington Mystics duo Sonia Citron and Kiki Iriafen.

The announcement did not include further details about why Wilson and Plum will be missing the World Cup, but Plum has been dealing with a lower leg injury for most of the WNBA season.

“I did everything I could to be back on the court, but just ran out of time,” the Phoenix Mercury guard said in a statement posted to her Instagram story on Monday. “After careful consideration and conversations with my family, team doctors, coaching staff, and front office, the decision has been made to shut it down through [the] remainder of the season and focus on getting my body back to 100% … This is not an easy decision as I love to compete, but I know it’s the right one for the long term.”

Plum was a key piece to Team USA’s victory over France in the gold medal game at the Paris Olympics in 2024.

Four-time MVP Wilson, meanwhile, has been having another MVP-calibur season with the Las Vegas Aces. She was recently listed as questionable due to a back injury ahead of a game against the Toronto Tempo, but started both games against the expansion team last week. Wilson was named most outstanding player of the 2024 Paris Games and the 2022 World Cup.

The WNBA will resume play on Sept. 17.

A special type of indie film teaches you how to see it as you watch it — not as an instructor might a student, but as an ally would a new acquaintance. Shatara Michelle Ford’s sophomore feature, “Dreams in Nightmares,” about a road trip, a friendship and a Black queer landscape anchored by care, has that quietly confident appeal, like being invited into something intimate, then let free when your curiosity is at its zenith.

Ford made their name with the micro-indie, micro-focused “Test Pattern,” an act of upending as it dissected an interracial relationship’s fault lines in a moment of crisis. (It’s on the Criterion Channel now.) This time, with the drive of a born iconoclast, Ford sheds plot even further — save the loose construct of three besties in search of their absent fourth. What emerges, as the plot spans a North America whose inviting (or alienating) textures are attentively captured by cinematographer Ludovica Isidori, is an ode to the centering of chosen family when the realities of life, especially for people of color, always seem to demand soul-crushing acquiescence.

For creative writing professor Z (Denée Benton), recently let go from her Los Angeles-based university and uncertain about her future, a recurring dream featuring black-and-white imagery, a door and an enticing expanse of nature puts her in a journeying state of mind. Hopping to Brooklyn to connect with Tasha (Sasha Compère), a nervy consultant also recently shorn from her job, and Lauren (Dezi Bing), an emerging poet, this close-knit trio first decides to go dancing, then to seek out their celebrated artist pal Kel (Mars Storm Rucker), last heard from in the Midwest and who’s cut off all communication.

That framework, though, isn’t treated like some act-structured gauntlet in Ford’s telling. This is a road trip, after all, in that having a direction — to Pittsburgh, then Iowa City, Kansas City, Santa Fe and across the border — allows for some directionlessness, for different speeds, artful touches (conversations that become camera-facing interludes) and delicate epiphanies of feeling. The trio stops for a lively trans poetry reading. There’s a comically weird dinner with Kel’s ex, Sabrina (a scintillatingly eccentric Jasmin Savoy Brown). A stopover to see Kel’s parents (Regina Taylor and Robert Wisdom) illuminates, for better or worse, where some of these friends have come from and why moving forward matters.

In not adhering to the expected rules of conflict-based drama, “Dreams in Nightmares” can confound. But when you realize that this is exactly the point of Ford’s open-ended exploration, you begin to understand why Ford would rather create a roving, sensorial continuum that feeds intrigue (kudos to composer Ohyung) instead of cornering you. The performances bear that out, from Benton and Bing’s steady inner light to Compère’s coiled, watchful Tosha, a compelling portrait of skepticism inside this cocoon of warmth.

Yet of course, just when Tasha appears to be a fulcrum for narrative revelation, Ford re-balances everything, in waves of grace and gentleness, to remind us that sometimes the less we label, the more we’ll observe about the abiding importance of love and belonging. Ford has internalized the humanity of filmmakers like Mike Leigh, Hou Hsiao-Hsien and Jim Jarmusch. Even the most awkward parts of the film feel uniquely alive. But as “Dreams in Nightmares” wends its way to a close, it’s also easy to believe you’re witnessing a percolating virtuosity that’s all Ford’s own.

Hayley Hayes, 60, from Newport, Wales, hasn’t been on a proper summer holiday in eight years because of her husband’s love of sport – but she’s now won a trip of a lifetime to Svalbard, Norway

A woman who has gone without a proper summer holiday for eight years, due to her husband’s passion for sport, has been rewarded with the trip of a lifetime — without him in tow.

Hayley Hayes, from Newport, Wales, hasn’t enjoyed a summer getaway in almost a decade. Their summer plans have long been dictated by major sporting events, allowing husband Anthony, 66, to watch his favourite fixtures — meaning the couple typically holiday at other times of the year.

Yet even then, a large chunk of their time away is still taken up by sport. A trip to India in 2024, for example, coincided with test match cricket, and when the couple — who married in 2016 — returned to India the following year, they found themselves there during the Six Nations.

Despite a four and a half hour time difference, Hayley pulled on her Wales rugby shirt and sat up with her husband for late-night and early-hour match screenings from their holiday accommodation.

Now, the 60-year-old retiree has been handed the chance of a lifetime — a journey to Svalbard, Norway, a cold weather landscape that has long captivated her — alongside her friend Rebecca, while her sports-loving husband stays home to follow his beloved fixtures.

Hayley was named the winner of giffgaff’s Fair-play Summer Fund, an initiative designed to help people break down the barriers preventing them from having a great summer and make the season feel a little more equal.

Speaking about her trip of a lifetime, Hayley said: “I was literally both bouncing up and down and crying with excitement when I found out I’d won and would be going on a cold weather summer holiday I could only previously dream about.

“I’m fascinated by the landscapes of Svalbard, and in particular the varied wildlife that calls the island home.

“Since my husband absolutely does not tolerate the cold, a wintry weather trip was never going to be on the cards for us, so this prize delivers on two fronts. Summer is turning into a whole new adventure for me.”

Juggling sports and summer holiday plans isn’t just a balancing act for Hayley and Anthony. Research revealed that more than a fifth (21%) of holidaymakers regularly check the sporting calendar before booking a trip.

A poll of 2,000 holiday-goers discovered 22% have booked, changed or adjusted their travel plans because of a sporting event, with 42% of those scheduling activities around matches.

A quarter of fans have cut their trips short to return home for a sporting event, while 14% admitted they’ve previously cancelled a holiday altogether because of sport.

Half of respondents who were still away watched or streamed live sport, according to the OnePoll findings. Of those, a quarter have tuned in from a restaurant, while 14% have followed the action poolside.

Time differences don’t stop dedicated supporters either, with 21% waking up early or staying up late to catch their favourite team in action.

And some admit to going to remarkable lengths to avoid missing a moment on holiday – with 5% of all those polled confessing they’ve watched while in the middle of sightseeing.

Others have been willing to spend extra to stay connected, with 10% paying for Wi-Fi access and nine% using mobile data despite incurring roaming charges.

giffgaff internal data backs up this demand for watching sports abroad, as it saw large data roaming surges during the football this summer with international matches seeing uplifts of up to 90% for key matches.

Kate Dohaney, CEO for the mobile and broadband provider, which is currently giving data boosts on SIMs starting from just £8 per month, said: “We launched the Fair-play Summer Fund following new data that showed many of us feel like summer doesn’t always play fair.

“From rising costs and hidden charges to missing out on experiences that matter, we wanted to help tackle some of these. This season, we’ve provided even greater value on our SIM plans so our members can stay connected for less.

“We’ve also helped 200 people solve their summer sting via our Fund, and are delighted to be sending Hayley to Norway as her fairness fix so she doesn’t have to miss out on the summer trip she’s always dreamed of.”

A WOMAN who hasn’t had a proper summertime holiday in eight years due to her husband’s dedication to sports has been treated to the trip of a lifetime – without him.

Hayley Hayes, from Newport, Wales, hasn’t been on a getaway over the summer for almost a decade, as their plans were often made around key sporting events so husband Anthony was able to watch them, meaning they have had to travel at other times of the year.

In some instances, their holiday destinations have even been determined by the sporting events taking place nearby, with one trip to India in 2024 coinciding with test match cricket.

The couple – who wed in 2016 – found themselves back in India a year later, this time during the Six Nations.

Despite the time difference, Hayley donned her Wales rugby shirt and joined her husband for late-night and early-hours match screenings from their holiday accommodation.

But now, the 60-year-old retiree has been given the chance for a trip of a lifetime to Svalbard, Norway – a cold weather landscape that fascinates her – but with her friend Rebecca, leaving sports-loving husband Anthony, 66, at home to keep up with the sports fixtures.

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Hayley was chosen as the winner of giffgaff’s Fair-play Summer Fund, which was designed to help people overcome the barriers standing in the way of a great summer and make the season feel a little fairer.

Speaking about her trip of a lifetime, Hayley said: “I was literally both bouncing up and down and crying with excitement when I found out I’d won and would be going on a cold weather summer holiday I could only previously dream about.

“I’m fascinated by the landscapes of Svalbard, and in particular the varied wildlife that calls the island home.

“Since my husband absolutely does not tolerate the cold, a wintry weather trip was never going to be on the cards for us, so this prize delivers on two fronts.

“Summer is turning into a whole new adventure for me.”

Juggling sports and summer holiday plans isn’t just a balancing act for Hayley and Anthony, as research found over a fifth (21 per cent) of holidaymakers regularly check the sporting calendar before booking a trip.

A poll of 2,000 holiday-goers found 22 per cent have booked, changed or adjusted their travel plans because of a sporting event, with 42 per cent of those scheduling activities around matches.

Some fans have gone even further to avoid missing out, with 24 per cent returning home early from a trip and 14 per cent admitting they’ve cancelled a holiday altogether because of sport.

Meanwhile, half of all respondents have watched or streamed live sport while away, according to the OnePoll findings.

Of those, a quarter have tuned in from a restaurant, while 14 per cent have followed the action poolside.

Time differences don’t stop dedicated supporters either, with 21 per cent waking up early or staying up late to catch their favourite team in action.

And some admit to going to surprising lengths to avoid missing a moment on holiday – with five per cent of all those polled confessing they’ve watched while in the middle of sightseeing.

Others have been willing to spend extra to stay connected, with 10 per cent paying for Wi-Fi access and nine per cent using mobile data despite incurring roaming charges.

giffgaff internal data backs up this demand for watching sports abroad, as it saw large data roaming surges during the football this summer with international matches seeing uplifts of up to 90 per cent for key matches.

Kate Dohaney, CEO for the mobile and broadband provider, which is currently giving data boosts on SIMs starting from just £8 per month, said: “We launched the Fair-play Summer Fund following new data that showed many of us feel like summer doesn’t always play fair.

“From rising costs and hidden charges to missing out on experiences that matter, we wanted to help tackle some of these.

“This season, we’ve provided even greater value on our SIM plans so our members can stay connected for less.

“We’ve also helped 200 people solve their summer sting via our Fund, and are delighted to be sending Hayley to Norway as her fairness fix so she doesn’t have to miss out on the summer trip she’s always dreamed of.”

Angel Reese broke the WNBA single-game rebounding record with 26 while also breaking the league’s season record for rebounds as the Atlanta Dream beat the Sparks 78-71 on Monday night.

Reese surpassed Chamique Holdsclaw’s record of 24 rebounds, set on May 23, 2003 for Washington.

The Dream star has 458 rebounds this season, seven more than A’ja Wilson’s mark set in 2024. Atlanta still has six games remaining in the regular season.

“I’m just in awe watching her rebound,” teammate Allisha Gray said. “That’s a talent.”

Reese finished with 11 points. She secured her WNBA-leading 27th double-double of the season on a basket with 13.9 seconds left in the game.

The Dream have won four straight games — all on the road — and have beaten the Sparks nine straight times.

Gray led Atlanta (25-13) with 20 points. Rhyne Howard added 18 points to eclipse 3,000 for her career. Gray set an Atlanta record for field goals in a season with 247.

Nneka Ogwumike had 27 points and 16 rebounds for the Sparks (13-25). Dearica Hamby and Cameron Brink each scored 15 points.

Atlanta trailed 37-36 at halftime before starting the third quarter on a 9-2 run. The Dream also began the fourth on a 9-2 run to make it 71-57 with 6:57 left.

Up next for the Sparks: host Washington on Friday.

When David Lynch moved from Philadelphia to Los Angeles in the summer of 1970, he was stunned by the sunshine that radiated onto the city — the “most beautiful light I’d ever seen in my life,” he wrote with Kristine McKenna in his 2018 memoir “Room to Dream.” In that book, he described his first morning walking out of an apartment on San Vicente Boulevard.

David Lynch in 2016.

(Wally Skalij / Los Angeles Times)

“I kept kind of moving around with my arms outstretched and I almost got hit by a car wandering into the street,” he wrote.

That light — and Los Angeles itself — continued to inspire and energize the filmmaker and artist throughout his five-plus decades of calling L.A. home, until his death last year at the age of 78. In “Room to Dream,” he wrote about the “magical street” of Mulholland Drive and all its twists and turns: “It’s really got a history, and if you’re in Los Angeles long enough you start hearing stories about things that have happened on it that get your mind going.” In an interview with the Filmographers, he told the story of how his character in “Twin Peaks” was a name plucked from Billy Wilder’s
“Sunset Boulevard,” which very well may have been inspired by Wilder’s
commute to Paramount that passed the Hollywood streets Gordon and
Cole. And the dissolve from Naomi Watts’ face in “Mulholland Drive” to rows of palm trees has become a classic shot for representing his work and his love for the city, hopeful and drenched in his beloved sunlight.

Much like L.A., the artistic legacy of Lynch is difficult to encapsulate — trying to describe his work is like attempting to explain a dream. His films so strongly defied categorization that they necessitated an eponymous term: Lynchian.

The Hollywood Sign, as seen from Beachwood Drive. (Myung J. Chun / Los Angeles Times)

Palm trees, which Lynch often used as a symbol in his films, tower above the city. (David McNew / Getty Images)

Unsettling to many, beloved by more, he refused to explain his work, allowing and challenging his audience to parse through it and imbue their own meanings and discoveries. The reward, for him, was in the doing, in taking a daydream and forming it into an idea that he could shape into something real in the world, blending the mundane and the macabre.

Here are some places around L.A. that offer a glimpse into Lynch’s world.

Note: the Lynch compound and all other residential locations mentioned are all private residences, and not to be disturbed.

Classic diners, especially Bob’s Big Boy Burbank

Lynch would often to go to Bob’s Big Boy in Burbank to meet with creative collaborators, or simply sit and think

(Jill Connelly / For The Times)

Lynch was fond of the straightforwardness of a diner, and he considered them to be ideal for creative thinking and work meetings. In his book “Catching the Big Fish,” he said: “I’d have a milkshake and sit and think. There’s a safety in thinking in a diner. You can have your coffee or your milkshake, and you can go off into strange dark areas, and always come back to the safety of the diner.”

One of the most viscerally terrifying scenes of “Mulholland Drive” takes place behind the dumpster at the abandoned Caesar’s diner in Gardena. And he liked having meals with his family at what is now the Denny’s in Gower Gulch, a place where aspiring cowboy actors once congregated. But the most significant diner in Lynch’s legacy is Bob’s Big Boy in Burbank. He spoke of going to Bob’s almost every day from the mid-’70s until the early ’80s. In an interview with Charlie Rose, Lynch claimed he saw a man at the counter who inspired the Frank Booth character in “Blue Velvet.”

Signs of Lynch at Bob’s Big Boy: His headshot displayed alongside actors Kyle MacLachlan and Laura Dern; a milkshake at the counter. (Stephanie Breijo / Los Angeles Times)

Lynch’s order included a chocolate milkshake and coffee, the cold sugar and caffeine fueling his ideas. He believed 2:30 p.m. was the perfect time to order the milkshake, specifically ”after the lunch rush when the machine had enough time to chill, the silver goblet would be frosted when it arrives at the table, and the ice cream is almost like butter, like cold butter, it’s almost solid, and it has specks of chocolate in it, and it almost gets a frost on it when it arrives,” he said in a conversation with the Filmosophers.

Today there is a framed photo of Lynch over the door of the Burbank location, indicating that his love for the restaurant was mutual. After his death, Bob’s became the de facto location for fans needing to pay homage to the beloved director, piled high with tributes of cigarettes, cans of Coke, donuts, slices of pie and tear-stained letters of gratitude.

Franklin Canyon Park

Leaves illuminated by sunlight under a canopy of trees in Franklin Canyon.

(Blake Fagan / For The Times)

Franklin Canyon Park was once a summer retreat for the Doheny family, who built a Spanish-style home at the base of the canyon in the 1930s. The 605 acres were purchased by the National Park Service in 1981.

A frame overlooks the water in Franklin Canyon, which stood in for many interstitial woodsy scenes in “Twin Peaks.”

(Blake Fagan / For The Times)

The mysterious woods are an essential element in Lynch’s world of “Twin Peaks.” While the pilot for the TV drama and the film prequel “Fire Walk With Me” were filmed in Washington (and there’s lots of scenic footage from the Pacific Northwest throughout the series), much of the show was filmed on Southern California soundstages. And for the many interstitial scenes in the woods, Franklin Canyon and its lush forest stood in. Lynch and co-creator Mark Frost opened an esoteric window to prime-time viewers with the concept of the Black Lodge. The filming location of its entrance, known as Glastonbury Grove in the show, is in Franklin Canyon Park.

Doheny landmarks

In an interview with Charlie Rose, Lynch stated that “everybody is a detective and the unknown is a magnet.” He invited his audiences to look at a door and investigate what lurks behind it. This philosophy ties to his connections with an L.A. legacy, one that contains its own mysteries and contrasts: the Doheny family and its historic properties:

The Doheny Mansion

Glimpses of the Doheny Mansion, clockwise from left: the music room; a stained glass sky light; a sculpture adorns a table in the Pompeian Room. (Blake Fagan / For The Times)

The sprawling and opulent Doheny Mansion, now part of the Mt. St. Mary’s campus, was built in 1899 by architects Theodore Eisen and Sumner Hunt. Patriarch and oil baron Ed Doheny and wife Estelle acquired the home in 1901 and the Doheny family made it their home for nearly 60 years. Lynch used the mansion as the home for Laura Dern’s character in his 2006 film “Inland Empire,” and also filmed an Armani commercial there in the 1990s.

Greystone Mansion

The central courtyard at the Greystone Mansion.

(Blake Fagan / For The Times)

In the 1970s, Lynch was a fellow at the newly founded American Film Institute, based at Greystone Mansion at the time. He eventually took over the mansion’s stables, converting them into a production studio and occasionally (and illegally) living there while he filmed his debut feature, “Eraserhead.” He slept in the room that became the bedroom for the character Henry. “I’d lock myself in there in such a way that from the outside it looked as if no one could possibly be inside,” Lynch said in Mark Altman’s 1990 book “Twin Peaks: Behind The Scenes.” “We’d put these special blankets up on the walls to deaden the sound for shooting and it was quiet.”

Scenes from the Greystone Mansion. (Blake Fagan / For The Times)

Greystone Mansion carried an air of secrecy in itself. Built in 1928 by Gordon Kaufmann, and a gift from Edward Doheny to his son Ned and his family, the stately Tudor Revival was home to a horrific tragedy. Months after moving in, Ned and his lifelong friend and personal secretary, Hugh Plunkett, were found in a guest bedroom, victims of a murder-suicide. While their motives were never defined for certain, the accepted belief was the tragedy was tied to their involvement in the Teapot Dome political corruption scandal and Plunkett’s looming testimony that could’ve implicated the Dohenys.

The city of Beverly Hills purchased the grand manor in 1965 and installed an underground reservoir, and leased the property to the newly formed American Film Institute in 1969 for $1 a year, with the agreement that the school would maintain the property. Greystone was dedicated as a public park in 1971 and is now listed on the National Register of Historic Places.

L.A.’s Transcendental Meditation centers

After moving to Los Angeles, Lynch started visiting the Spiritual Regeneration Movement Center in Santa Monica and it altered his life. Here he learned the methods of Transcendental Meditation, developed by Maharishi Mahesh Yogi, with the focus of seeking enlightenment. His first meditation session was July 1, 1973, and from there, he practiced twice a day, every single day.

“Before I started meditating I worried that doing it would make me lose my edge, and I didn’t want to lose the fire to make stuff,” Lynch wrote in “Room to Dream.” “I found out it gives you more fire to make stuff and more happiness in the doing and way more of an edge. People think anger is an edge, but anger is a weakness that poisons you and the environment around you.”

Lynch became a staunch devotee of Transcendental Meditation and spoke about the positive effects he believed it could have for everyone, particularly veterans, those suffering from PTSD and women who have survived violence. He started the David Lynch Foundation for Consciousness-Based Education and World Peace in 2005 to offer children throughout the world the opportunity to learn to meditate. The foundation recommends several Transcendental Meditation centers in Los Angeles, including the center on Hillhurst Avenue in Los Feliz.

The Pink House, David Lynch’s compound in Hollywood Hills and his final resting place at Hollywood Forever

The historic Tower Theater, built in 1927, was converted into the Apple Tower Theatre.

(Mel Melcon / Los Angeles Times)

On screen, Lynch loved the old glamour of Los Angeles — the majestic Tower Theater in downtown Los Angeles was used in “Mulholland Drive,” “Inland Empire” and “Twin Peaks: The Return.” His characters lived in equally memorable spaces, with the women of “Mulholland Drive” going from the grandeur of the Il Borghese apartments (architect Charles Gault, 1929) to meet tragic endings in the fairy-tale-esque “Snow White” apartments (architect Ben Sherwood, 1931) that are believed to have also inspired Walt Disney. (It’s worth noting that this theater has been refurbished into an Apple store. A beautiful achievement of preservation work, but it’s hard not to see the consumer-driven sleekness and think about a theme in Lynch’s work: the terrors lurking inside a changing America.)

Personally, Lynch loved modern architecture, and experienced love at first sight with the home he purchased in the mid-’80s in the Hollywood Hills. The Pink House, as Lynch referred to it, was designed by Lloyd Wright Jr. for writer Beverly Johnson in 1963. Lynch commissioned Eric Wright (Lloyd’s son and Frank Lloyd Wright’s grandson) to add a pool and pool house in 1991. He told the Wall Street Journal that he preferred Lloyd Wright’s work over his father’s, explaining, “Lloyd Wright is more minimal. More pure. But just as beautiful.”

The house is semi-secluded against a lush hill, beneath the actual Mulholland Drive, and has a subtle chevron pattern detail that runs throughout the house, similar to the floor of the “Twin Peaks” red room. Lynch loved this house and spent much of his time in Los Angeles here, particularly in his later years. He gradually added two neighboring properties to form what would become the Lynch compound.

A “Twin Peaks” coffee cup that was gifted to David Lynch by a fan.

(Chris Pizzello / Invision / AP)

When filming began on “Lost Highway,” he struggled to find the right location for the home of the lead characters, Fred and Renee Madison. This set piece would be crucial to building their sense of dread. Lynch then had an idea: He would use the Brutalist structure in his compound. He transformed the interior and altered the exterior windows, making it difficult for the characters to see the dangers circling outside. “Some people open windows of houses, but I like interiors and don’t care about windows,” Lynch wrote in “Room to Dream.” “I like to go deeper into a house and find things underneath things.”

For the next two decades, the compound was Lynch’s dream space where he could create anything he imagined, including his 2000s-era daily weather reports for local radio stations and his website, a hobby he revived during 2020. Homebound the last few years because of emphysema, he was forced to relocate during the Sunset fire in January 2025, and died shortly after. David Lynch’s final resting place is at Hollywood Forever, across from the Fairbanks Lawn where movies are shown, under the stars.