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THE spooks and the ghouls are gathering, and this half-term is gearing up to be spine-chillingly fang-tastic.

Superb Halloween events for all the family are being held across the UK, including in city centres, holiday parks, castles and lots of amazing attractions.

Here, Trisha Harbord shares her selection of 13 of the most magical and monstrous activities taking place in the coming weeks.

MAZE MADNESS

DO you have teenage monsters? They’ll love screaming their way through horror mazes at Blackpool Pleasure Beach.

The attraction’s Journey To Hell features three new mazes: Eternal Abyss, a network of tunnels; The Veil, a house steeped in grief; and Deadline, with its nightmarish corridors.

Other frightening encounters include riding ICON: Into The Void blindfolded, and a ghost train.

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Journey To Hell tickets, including mazes, start from £50. See blackpoolpleasurebeach.com.

Screamfest at Staffordshire’s National Forest Adventure Farm is celebrating 15 years with its most terrifying attraction. Cortex 17 is a psychic trial set in a 1960s hospital, featuring 20 weird actors.

It’s among seven chilling experiences with thrill rides and roaming characters until October 31, from £34pp. See screamfest.co.uk.

HOLIDAY PARK HELL

HOLIDAY parks across the UK have cut-price half-term deals. Butlin’s Spooktober is landing at Bognor Regis, Minehead and Skegness, with discounted three-night breaks from £66 per person.

Fairgrounds have become scaregrounds and there are special Halloween shows, eerie silent discos and crafts as well as Splash Waterworld, TV’s The Masked Singer and Maximum Pro Wrestling. See butlins.com.

If you’re in Scotland or the north of England, Verdant Parks has 11 sites in beautiful coastal and countryside locations where Halloween is being celebrated, with three-night family stays from £259.

You could choose Riverside, on the banks of Wooler Water in Northumberland, which has a pool, wellness area, soft play, arcade, entertainment, bar and restaurant.

Kids can get involved in pumpkin carving and zombie battles. See verdantparks.co.uk.

MONSTER MAYHEM

MANCHESTER’s MCR Monsters are back for their tenth anniversary. The giant, inflatable creatures will appear on famous buildings and landmarks such as The Royal Exchange and Corn Exchange from October 24 to 31.

On the first weekend, the free event features real-life characters roaming the streets, plus party games and DJs.

There’s also a new Paul Horror-wood Monster Bake-Off on New Cathedral Street, where you can win a “handshake” and pick up free party bags of sweets. Kids will love the spooky storytelling at the monsters’ library in the Arndale, too.

Dancing puppets, stilt walkers and a brass band will lead a procession to the city centre for a spectacular anniversary party.

All week, the Science And Industry Museum is holding interactive activities about Halloween aliens. See halloweenmcr.com.

PUMPKIN PICKING

GET your wellies on and hitch a ride on a tractor-trailer to pick your own pumpkin. This year, Stockeld Park near Wetherby, Yorkshire, has grown their own to add to their half-term activities from October 24 to November 1.

Enter Halloween fancy dress competitions, complete a forest trail with the help of woodland witches who will share their mischievous skills, explore the Mummy Maze, with a few surprises along the way, and battle it out in the Laser Zombie Experience.

Stockeld also has six playgrounds, a multi-storey playhouse and tree climbing. Tickets from £28pp. See stockeldpark.co.uk.

Still not had enough? There are pumpkins galore – hundreds of thousands to be precise – to be collected at Rougham Estate near Bury St Edmunds, Suffolk. You’ll also find food trucks, face painting, pedal tractors and ice cream, too! See roughamestate.com.

CHOCCIE HORROR SHOW

HALLOWEEN comes with a sweet twist at Cadbury World. The Birmingham attraction has a new gameshow-style challenge where visitors must guess the characters hiding behind a Trick Or Treat door.

And there’s Freddo’s Spooktacular, with games, songs, magic and chilling surprises, as well as chocolate pumpkins and afternoon tea. Explore 14 zones with activities and a 4D movie. Runs until November 1, tickets from £24. See cadburyworld.co.uk.

Until November 1 at Sea Life Birmingham, sea witch Serafina asks kids to become ocean defenders by following a spellbinding trail. They will tackle challenges, solve puzzles and complete Serafina’s missions to discover life under the sea.

Walk through the UK’s only 360-degree ocean tunnel to see turtles, sharks, rays and hundreds of tropical fish. From £19. See visitsealife.com.

HIGH-SPEED THRILLS

TEENS’ hearts will be racing when they get to ride their favourite rollercoasters after dark at Alton Towers.

And new scare maze Final Exhibit will have visitors running for their lives to avoid becoming part of a creepy display.

Younger thrill-seekers will prefer a visit to Trick O’ Treat Town and Amigos In The Afterlife, where they’ll meet friendlier characters.

Scarefest runs until November 1 on selected dates, and tickets cost from £37 for day entry or £80 including all four scare mazes. See altontowers.com.

If after-dark thrills are more your thing, Thorpe Park is celebrating the 25th anniversary of its Fright Nights with more spine tingles than ever before. Its new scare maze Tenement will have adrenaline junkies looking for the exit in the pitch black. Entry from £39. See thorpepark.com.

SPOOKY WOOKEY

GET your best Halloween togs on and you could win a year of magical adventures.

The show caves at Wookey Hole, near Wells in Somerset, have been transformed into a spellbinding world of pumpkins, monsters, magic and family fun.

Every family in fancy dress who take a photo there will be entered into a draw to win a year’s membership to the attraction, including access to the new Winter Wonderland.

The Halloween event, which runs until November 1, includes a journey through the caves, where immersive projections bring the story of the Witch of Wookey Hall to life.

Vampires and monsters are taking over the circus, there’s a spooky 4D film, a pumpkin trail and surprises. Adult tickets cost from £24.64, child tickets from £19.54. See wookey.co.uk.

CASTLES IN THE SCARE

STAY in a castle and seek out characters from Horrible Histories. Performers will bring the gruesome stories from the kids’ books to life at Leeds Castle near Maidstone, Kent, until November 1.

Follow a ghost-getter’s trail, uncovering tales of royal spirits, witch trials and strange superstitions. Two nights’ B&B for a family of four in a castle bedroom costs £500, including tickets and free evening meals for kids. See leeds-castle.com.

Warwick Castle will also be full of family frights, including haunted hollows and lurking goblins from October 24 to November 1. But on selected nights, the scares are turned up a notch – with spine-tingling sleepovers including three terrifying ghostly experiences, circus acts and a silent disco. B&B and tickets cost from £85pp. See warwick-castle.com.

HOWLS AND OWLS

WANNABE Harry Potters can learn spells and meet some owls at The Welsh School Of Witchcraft And Wizardry.

It can be found at the British Bird Of Prey Centre, in Carmarthenshire, which has been transformed for a week of mischief from October 26.

Kids are encouraged to wear magical costumes for classes including wand-making, creating potions and spells. Then, they can try being a falconer and fly an owl or a red kite.

Tickets cost from £14 per adult and £8.50 per child. Flying sessions are from £10. See british birdofpreycentre.co.uk.

If you’re further south, a wizard school is also being held at Southampton’s Tudor House on October 26 and 27, costing £8. The house has a free Halloween open day on October 30, with crafts, facepainting, haunted tales and guided ghost tours. See visitsouthampton.co.uk.

THE HAUNTED WOODS

THINGS aren’t just going bump in the night down at BeWILDerwood outdoor family adventure parks in Norfolk, Cheshire and the Lake District.

There’s a whole host of spooky events in the daytime, too. The woodland attractions are asking young visitors to don their scariest outfits to enjoy the play trails and whoosh along zipwires.

There’s also a Twig Or Treat trail until November 1 – where youngsters will be tasked with uncovering characters and collecting letters to discover the scrambled word and claim their prize.

Then, stick around until nightfall to see the Glowing Light Trail twinkle. Tickets cost from £26.50 per adult and £24.50 per child over 92cm.
Families can bag 12.5 per cent off when they book online in advance. See bewilderwood.co.uk.

CREEPY CAPITAL

LONDON is crawling with creepies this half-term. Halloween characters, including the stilt-wearing Peculiar Sisters, are trailing around spookily-decorated shops and houses on Kensington High Street from October 23 to 31.

And on the last day, Holland Park will be transformed into The Playful Park Of Peculiar with live entertainment. See highstreetkensington.co.uk.

London Dungeon has the three-part immersive show Curse Of The Mummy until November 1. From £29 per adult and £23.50 per child. See thedungeons.com.

The dungeon is included in National Rail’s discounted entries to attractions, saving a third off the price. Other offers include Ghosts And Legends at the Tower of London and the Haunted Halls Of Hampton Court Palace. See daysoutguide.co.uk.

BRICK OR TREAT

LEGOLAND Discovery Centres in Birmingham and Manchester have been overtaken by minifigure monsters this Halloween.

Until November 1, budding builders can join creative workshops, bringing their own creations to the Brick Or Treat mosaic boards and testing their skills with glow-in-the-dark Lego bricks.

There are also scavenger hunts, pumpkin carving and dance parties. Tickets cost £19pp or £51 per family of four. See legolanddiscoverycentre.com.

And at Legoland Windsor, half-term sees Lord Vampyre’s Creepy Crypt Trail promising treats across the park, as well as new a harbour show, Monster Rocker’s Pumpkin Trail and the Haunted House Halloween Monster Party. Tickets from £39pp at legoland.co.uk.

LORDS OF THE MANOR

GRAB yourselves a bit of luxury. Kids under 13 can stay at the five-star Celtic Manor Resort in Newport, Wales, for free.

It costs from £123 per night for a family of four, Monday to Thursday, until October 31 – and that includes use of the health club and spa. There are free Halloween crafts and games, while other activities, such as pottery painting and cupcake decorating, can be booked.

If you’re not into spooks, kids are still entertained – there’s archery, laser combat, high ropes, adventure golf, axe-throwing and swimming. And there’s lots of space for biking or walking. The resort has 2,000 acres of grounds and woodland trails.

Larger families can book self-catering Hunter Lodges, with hot tubs and saunas, sleeping up to eight adults and two children. See celtic-manor.com.

When it comes to scary movies, the motion picture academy has historically been a bit squeamish. Horror has been a cornerstone of the industry since the beginning, but Oscar voters have rarely embraced it. Only one horror film has ever won best picture: 1991’s “The Silence of the Lambs.” Even “Sinners,” which made history this year with a record 16 nominations, couldn’t close the deal.

Now, though, horror has gotten inside the house.

Opening Saturday and running through July 25, 2027, the Academy Museum of Motion Pictures’ new exhibition, “The Horror Show,” explores more than a century of horror, from silent-era landmarks “The Cabinet of Dr. Caligari” (1920) and “Nosferatu” (1922) through “Psycho” (1960) and “The Exorcist” (1973) to “Midsommar” (2019) and “Weapons” (2025). Drawn from the academy’s collection and 62 private lenders around the world, it brings together costumes, props, prosthetics, creatures and production art.

An original facehugger from Ridley Scott’s “Alien” (1979), part of the exhibition’s collection of creatures and production materials from the sci-fi series.

(Kayla Bartkowski / Los Angeles Times)

Introducing the exhibition at Thursday’s press preview, Robert Englund, who played the razor-fingered Freddy Krueger in the “Nightmare on Elm Street” films, recalled how the genre was once regarded in Hollywood. “Back when I started, we would sort of get the lousy table in the commissary by the kitchen door,” he said. Now, with the academy mounting an exhibition devoted to horror and the genre continuing to thrive at the box office, Englund added, “I think we’re getting some respect.”

Rather than a simple chronological tour through the genre’s history, the exhibition is organized into six themed “chambers” devoted to Gothic horror, psychological horror, science, slashers, religion and ghosts, with settings ranging from a shadowy crypt to a killer’s house and a haunted living room.

Storyboards from 1973’s “The Exorcist,” a clapperboard from 1976’s “The Omen” and the original Necronomicon from 1987’s “Evil Dead II” are among the artifacts in the exhibition’s religion-themed chamber.

(Kayla Bartkowski / Los Angeles Times)

Senior exhibitions curator Jessica Niebel says the idea was to walk a line between a traditional museum exhibition and a haunted-house experience.

“Horror films are about evoking an emotional response and we’re hoping the exhibition will do the same,” she says. “These are all original objects and they tell a story. We wanted to place them in an environment that brings them to life and activates them.” (The museum advises parental guidance; a smaller, family-friendly “Zombies!” exhibition is next door.)

So what’s lurking inside? Here are 10 sights worth braving. Read on, if you dare.

See Bela Lugosi’s original Dracula cape

Bela Lugosi’s original cape from 1931’s “Dracula,” on public display for the first time after undergoing an extensive restoration.

(Kayla Bartkowski / Los Angeles Times)

Nearly a century after Bela Lugosi first swept it around his shoulders, Dracula’s cape doesn’t need much introduction. Worn by Lugosi in Universal’s 1931 “Dracula,” the simple black cape became as inseparable from the character as his hypnotic stare and Hungarian accent, establishing the visual language of the screen vampire for generations to come. Lugosi, who had first played the Count onstage in 1927, kept the cape after filming and continued wearing it for stage and public appearances until his death in 1956. Now part of the Academy Museum’s collection, the nearly century-old garment underwent an extensive restoration before “The Horror Show.” Remarkably, this is the first time it has ever been put on public display.

Come face-to-face with Hannibal Lecter

Anthony Hopkins’ Hannibal Lecter costume and restraints from 1991’s “The Silence of the Lambs” are on display, including the serial killer’s unmistakable mask.

(Kayla Bartkowski / Los Angeles Times)

Anthony Hopkins’ Hannibal Lecter, the brilliant psychiatrist and cannibalistic serial killer at the center of Jonathan Demme’s “The Silence of the Lambs,” is unsettling enough standing perfectly still. When he has to be moved, the precautions are extreme. Hopkins wore this orange prison uniform, straitjacket and muzzle when Lecter is transported under heavy security, strapped upright to a hand truck. Costume designer Colleen Atwood devised the ensemble, while Ed Cubberly created the famous fiberglass muzzle, deliberately leaving it uncoated to evoke the look of dried, taut skin. Seeing the outfit up close is a reminder of just how little Hopkins needed to work with: Even with virtually his entire body immobilized and much of his face obscured, Lecter somehow became more frightening.

Trace the evolution of the Xenomorph

A towering Xenomorph created by Legacy Effects for 2024’s “Alien: Romulus” offers an up-close look at one of horror’s most enduring monsters.

(Kayla Bartkowski / Los Angeles Times)

Nearly half a century after Ridley Scott’s “Alien” introduced H.R. Giger’s nightmarish vision to moviegoers, the creature still looks like nothing else in science fiction. The exhibition brings together original Giger artwork depicting the alien egg and an original facehugger from the 1979 film, the spidery parasite whose method of reproduction helped make “Alien” a landmark of body horror. There’s also an original drawing by James Cameron, who took over the franchise with 1986’s “Aliens.” But the hardest thing to miss is a towering Xenomorph created by Legacy Effects for 2024’s “Alien: Romulus.” Up close, its elongated head, skeletal body and glistening double set of jaws reveal just how much unsettling detail goes into a creature often glimpsed onscreen in darkness.

See Dracula’s armor go from page to screen

Eiko Ishioka’s blood-red armor for Gary Oldman’s Count Dracula in Francis Ford Coppola’s 1992 “Bram Stoker’s Dracula.”

(Kayla Bartkowski / Los Angeles Times)

Before Gary Oldman’s Dracula became a pale, bewigged count, he was Vlad the Impaler, encased in one of the most striking costumes in Francis Ford Coppola’s 1992 “Bram Stoker’s Dracula.” Eiko Ishioka designed the blood-red battle armor with a ribbed surface evoking both exposed human musculature and an armadillo’s shell, while the pointed helmet foreshadows the wolf Dracula later becomes. Displayed alongside several of Ishioka’s original design drawings, the armor offers a fascinating look at how her ideas evolved from pencil on paper into something almost anatomical. Ishioka, a celebrated Japanese graphic designer making her first foray into Hollywood costume design, won an Oscar for her work on the film.

Log on to the original ‘Blair Witch’ website

Visitors can explore the groundbreaking viral promotional website for 1999’s “The Blair Witch Project,” which blurred the line between the film’s fictional story and reality.

(Kayla Bartkowski / Los Angeles Times)

Long before viral marketing had a name, 1999’s “The Blair Witch Project” was using the still-young internet to convince moviegoers that three student filmmakers might actually be missing in the woods. Directors Daniel Myrick and Eduardo Sánchez created the film’s promotional website in 1998, filling it with fake police reports, evidence photographs and an elaborate mythology while carefully avoiding any suggestion that their story was fictional. They posted on message boards and continually updated the site before the film’s release, helping turn a tiny found-footage horror movie into a grassroots phenomenon. Here, you can sit down at a chunky late-’90s computer and explore the original site yourself. Nearby is one of the movie’s crudely constructed stick figures — a reminder that sometimes a few twigs and some twine are all it takes to lodge an image permanently in the culture.

Meet the slashers

Costumes and props from some of horror’s most notorious killers fill the exhibition’s slasher chamber, including Candyman, Ghostface, Michael Myers, Freddy Krueger and Art the Clown.

(Kayla Bartkowski / Los Angeles Times)

Slasher movies have always depended on a memorable killer, and the genre has produced some of horror’s most instantly recognizable figures. Freddy Krueger, Michael Myers, Ghostface and Art the Clown are gathered here in full costume, looking less like museum pieces than a welcoming committee you’d rather not encounter. Nearby cases turn slasher movies’ grisly tools of the trade into artifacts, with masks and weapons from “Saw,” “Us,” “M3GAN,” “The Black Phone” and other films. It’s a reminder of how little a slasher movie really needs to get under your skin.

Open the Babadook’s book

The handmade “Mister Babadook” pop-up book created by illustrator Alex Juhasz for Jennifer Kent’s 2014 “The Babadook.”

(Kayla Bartkowski / Los Angeles Times)

Sometimes the scariest special effect is a pop-up book. In Jennifer Kent’s 2014 “The Babadook,” the sinister children’s book “Mister Babadook” heralds the arrival of the top-hatted creature that terrorizes a widowed mother and her young son, while giving physical form to the grief consuming them. Kent turned to illustrator Alex Juhasz to create the handmade book, drawing inspiration from the eerie silhouetted animation of German filmmaker Lotte Reiniger from the 1920s. Opened to one of its more elaborate spreads, the original prop is both beautifully crafted and deeply unsettling, its seemingly innocent children’s-book mechanics revealing a grinning black figure and the ominous command: “LET ME IN.”

Take a selfie with Norma Bates

A re-creation of the mummified Mrs. Bates from Alfred Hitchcock’s immortal “Psycho” gives visitors a chance to pose with Norman Bates’ dearly departed mother.

(Kayla Bartkowski / Los Angeles Times)

The Academy Museum wanted the original mummified Mrs. Bates head from Alfred Hitchcock’s “Psycho,” but there was one problem: She was too fragile to travel. The Cinémathèque Française, which owns the 1960 prop, declined the museum’s loan request. “I was really disappointed about that, but it’s totally understandable,” Niebel says. “We probably wouldn’t have lent her if she were in our collection.” So the museum commissioned Oscar-winning makeup artist and sculptor Mike Hill, fresh off his work on Guillermo del Toro’s “Frankenstein,” to research and create a full-body Mrs. Bates instead. Unlike the many delicate original artifacts elsewhere in the exhibition, this one was made to let visitors get close and take home their own slightly unsettling family portrait. Just don’t get too close. As a nearby sign warns, “Mother isn’t quite herself today — do not touch, she needs her space.”

Get grossed out by Monstro Elisasue

The spectacularly gross Monstro Elisasue bust, created by makeup and special-effects artist Pierre-Olivier Persin for Coralie Fargeat’s 2024 “The Substance.”

(Kayla Bartkowski / Los Angeles Times)

By the time Coralie Fargeat’s 2024 “The Substance” reaches its gloriously grotesque climax, Demi Moore’s Elisabeth Sparkle and Margaret Qualley’s Sue have effectively fused into the spectacularly deformed creature known as Monstro Elisasue. The exhibition puts designer Pierre-Olivier Persin’s bust of the creature alongside the syringes, vials and other medical paraphernalia from the mysterious Substance kit that sets the movie’s nightmare in motion. Fargeat has described body horror as a “weapon of expression” for confronting the pressures placed on women’s bodies, particularly as they age. As Fargeat puts it in the exhibition’s wall text, she wanted audiences to see that women’s “pearly smiles are made of so many horrendous things that we have to keep within ourselves.”

Make your escape through the Blood Room

The Blood Room, streaked and splattered with cinematic gore, provides the only way out of “The Horror Show.”

(Kayla Bartkowski / Los Angeles Times)

Fittingly, there is no clean getaway from “The Horror Show.” Every visitor must exit through the Blood Room, a gruesomely immersive space whose walls are streaked, smeared, splattered and practically dripping with the red stuff. To get the gore just right, Niebel turned to Oscar-winning special makeup effects artist Howard Berger, a veteran of such splatterific films as “Evil Dead II” and “Kill Bill.” Berger worked with the museum and its fabricators to create the room’s layers of fake blood, varying the colors and consistencies to suggest everything from dark, dried stains to fresh blood still running down the walls. Just when you think you’ve made it through, the exhibition has one last gruesome touch: To escape, you have to push your way through a set of bloody butcher curtains.