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Paul Reubens’ larger-than-life stage presence as Pee-wee Herman carried over into the actor’s home-sweet-home — and this month, fans of the late actor can bid on 439 items from his collection.

Julien’s Auctions is hosting Paul Reubens’ Big Auction at the Groundlings Theatre in Los Angeles on Oct. 28 to celebrate the life and career of the late comedian, actor and writer. Tickets sold out within the day on Friday, but the public may participate in the auction online at juliensauctions.com. Anyone with a Groundlings show ticket can view the exhibition until Oct. 28.

The auction features Pee-wee’s iconic gray suit and other costumes, red Schwinn bicycles, dolls, puppets, claymation figures, scripts and more. The memorabilia comes from Reubens’ major features and TV shows, including “Pee-wee’s Playhouse,” “Pee-wee’s Big Adventure,” “The Pee-wee Herman Show,” “Big Top Pee-wee” and “Pee-wee’s Big Holiday.”

Reubens created the Pee-wee Herman character in 1978 while a member of the Groundlings company. “The Pee-wee Herman Show” began at the Groundlings Theatre, moved to the Roxy Theatre on Sunset Boulevard and aired as a 1981 HBO special. Reubens parlayed the show’s success into the 1985 hit film “Pee-wee’s Big Adventure.” Tim Burton’s feature film directorial debut, the movie had a $7 million budget and earned more than $40 million.

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Paul Reubens, the actor and comedian best known for portraying the character Pee-wee Herman on stage and screen, has died. He was 70.

Next came the Daytime Emmy-winning TV series “Pee-wee’s Playhouse,” which ran from 1986 through 1990 and helped kick-start the careers of now well-known stars including Phil Hartman, Laurence Fishburne and S. Epatha Merkerson. Feature films “Big Top Pee-wee” (1988) and “Pee-wee’s Big Holiday” (2016) followed. Before his death on July 30, 2023, Reubens recorded interviews for the 2025 Emmy-winning documentary miniseries, “Pee-wee as Himself.”

Here are six highlights of the auction:

“Pee-wee’s Big Holiday” Hero Pee-wee Herman Suit

“Pee-wee Herman” hero ensemble.

(Julien’s Auctions)

The iconic slate gray glen plaid suit worn by Paul Reubens in his 2016 Netflix film, complete with white shirt, red bow tie, pocket square, and white loafers. ($8,000-$10,000)

“Pee-wee’s Playhouse” Fridge Food

12 pieces of “food” found in Pee-wee’s fridge.

(Julien’s Auctions)

A collection of 12 prop food pieces from the “Pee-wee’s Playhouse” refrigerator, including a claymation red pepper and bacon with armature arms, olive barbells, frozen food boxes, and desserts. ($800-$1,000)

Pee-wee Herman 1989 JCPenney 40-Inch Limited-Edition Doll

Large Pee-wee Herman doll from the late 1980s.

(Julien’s Auctions)

The 40-inch doll made by Carousel for Reubens’ JCPenney-exclusive line in the late 1980s is one of the rarest Pee-wee Herman collectibles. Only 2,000 were made in 1989, and some were used as store displays. The doll is in its original box, with the original factory shipping carton. ($300-$500)

Paul Reubens’ “Pee Wee” Harmonica

A vintage “Pee Wee” brand harmonica, circa 1945-1951.

(Julien’s Auctions)

A vintage “Pee Wee” brand harmonica made in occupied Japan (circa 1945-1951) in its original box, personally owned by Reubens, who cited this brand as the inspiration for his character’s name. ($100-$200)

“Pee-wee’s Big Adventure” Replica Bicycle with 2011 Visionary Spike TV Scream Award

A full-scale replica of Pee-wee’s red Schwinn DX bicycle.

(Julien’s Auctions)

A full-scale replica of Pee-wee’s iconic red Schwinn DX, ridden by Reubens at the 2011 Spike TV Scream Awards where he accepted the honorary Visionary Award (also included in the auction). ($5,000-$7,000)

Production scripts and storyboards

“The Pee-wee Herman Show” 1981 production script with revision pages.

(Julien’s Auctions)

• “Pee-wee’s Playhouse” Season 1 scripts (a collection of 13, one for each episode of Season 1 in 1986)
• “Pee-wee’s Big Adventure” script credited to Phil Hartman, Paul Reubens, and Michael Varhol, containing minor differences from the final film including a deleted magic shop scene
• “Big Top Pee-wee,” featuring barnyard and farm animal artwork
• “Pee-wee’s Playhouse” Season 4 storyboards

(each lot range: $500-$700)

For many celebrities, getting a Funko Pop! doll modeled after themselves is a sign they’ve made it in Hollywood. The 4-inch vinyl “Pop!” figurines, with their oversize heads and black dot eyes, symbolize being ingrained in pop culture — objects fans buy, celebrate and display.

At Funko’s flagship Hollywood store, there are thousands to choose from, ranging from NFL players to Disney princesses and characters from the Netflix period drama “Bridgerton.”

But the publicly traded company behind the popular dolls has been facing significant headwinds.

Funko Inc. last year posted a loss of $67.4 million on sales of $908.2 million, down 13% from the previous year. The company disclosed it had debts of $225 million.

The Everett, Wash.-based company warned investors in filings that there was “substantial doubt” about its ability to generate enough cash to meet its debt payments, citing the effects of tariffs in China, where most of its toys were made, canceled retail orders and loan covenants it expected to breach.

Funko Chief Executive Josh Simon, pictured at the Pokémon convention, says he took over the company at an “inflection point.”

(Carolyn Fong / For The Times)

Now the company is looking to stage a comeback.

Leading the turnaround challenge is Josh Simon, who left his job running global consumer products at Netflix to become Funko’s chief executive in September 2025 — the third person to hold the title in two years.

“Funko was at an interesting inflection point,” said 48-year-old Simon, who lives in Los Feliz. “I felt there was still a lot of really deep fandom and enthusiasm from retailers and at the same time, there were a lot of problems that had to be sorted out at the company. I thought it would be an interesting adventure and hopefully a way to help turn things around a bit and restore it back to that level of fan passion and glory that existed years ago.”

The rise and fall of Funko

Funko began in 1998 when entrepreneur Mike Becker decided bobbleheads would be the next big thing and shipped them out of his garage. After entrepreneur Brian Mariotti bought Funko in 2005, the business began licensing more characters. Sales took off with the launch of its big-headed “Pop!” figurines in 2010.

The company changed ownership over the years, added backpacks and other products, and went public in 2017. Most of its revenue still comes from making licensed characters and selling them through retailers, online and at events.

Funko survived a decline in sales with the rise of kidults — adults who collect toys.

(Carolyn Fong / For The Times)

But Funko’s sales plunged in 2025 following a global trade war.

The company overestimated demand, picked the wrong characters and made too many of dolls, said Gerrick Johnson, senior research analyst at Seaport Research Partners, which has a buy rating on Funko.

President Trump’s heavy tariffs imposed on China substantially raised the costs of making Funko dolls.

Amid lagging sales, retailers marked down the figurines, alienating collectors who want to see items appreciate in value.

“Collectors hate buying things 50% off,” Johnson said. “One of the biggest turnoffs in collectibles is a bargain bin.”

What kept the brand alive through the slump was the rise of kidults — adults who collect toys. Simon was one, picking up Pop! figurines from “Toy Story” and “Back to the Future” long before he worked there. Funko’s job, he said, is to distill what people love about a character into a stylized version of it.

“The number of inbound requests we get from musicians and athletes and celebrities — everyone is excited and pitching us they want a Funko Pop! made of themselves, because in some ways it suggests a mark of establishment in pop culture,” Simon said. “It’s like akin to getting your star on the Hollywood Walk of Fame in some way.”

Convention-goers create custom dolls at a Funko Pop! kiosk.

(Carolyn Fong / For The Times)

One expert said Funko’s job is to distill what people love about a character into a stylized version of it.

(Carolyn Fong / For The Times)

A turnaround plan

Though based in Washington, Funko has a large presence in L.A., where most of its senior leadership is based. They work out of the same offices as the flagship Hollywood store. The company also has employees in Arizona, London, Hong Kong and other markets.

Under Simon, Funko has diversified its supply chain, shifting production out of China to Vietnam and other countries. To improve cash flow, Funko renegotiated the timing of its debt payments and pushed products to market faster.

For example, Funko turned around figurines of the characters from “KPop Demon Hunters” — the Netflix film that became the streamer’s most-watched movie ever after its June 2025 release — in about four months, well ahead of Mattel, whose first items reached stores this spring.

When John Cena stepped into the ring for his final WWE match in December, there were pre-orders for a Funko figure wearing the same outfit down to the shirt reading, “The Last Time is Now,” built from an image Funko received a week earlier. The doll became a bestseller, said Scott Zanghellini, executive vice president of WWE Consumer Products.

“It’s happening in real time and his team being able to move quickly, and us always moving quickly in this world of we have seven hours of programming a week — how do you take advantage of that and give the fans what they want?” Zanghellini said.

Funko is also widening what counts as a license, making figures from “The Folk of the Air,” Holly Black’s fantasy series revived by book lovers on TikTok, as well as creating more original characters that aren’t licensed.

“We really want to make sure that we can be a part of these cultural moments while they’re happening,” Simon said.

Reaching out to fans is another priority. At PokémonXP, the first official Pokémon fan convention held last month at San Francisco’s Moscone Center, Funko ran a Pop! Yourself booth where attendees built custom figures in exclusive Trainer uniforms with a Pokémon of their choice.

“We really want to make sure that we can be a part of these cultural moments while they’re happening,” Funko’s chief executive said.

(Carolyn Fong / For The Times)

Jeff Leu, 40, of San Francisco spent about $100 there on two figures modeled after his kids. He already owns 40 to 50 “The Simpsons” Pop! figures and tracks his collection in a spreadsheet.

“I feel like there is a Funko for everything,” Leu said.

Now he feels the pull of the Pokémon ones.

“As they add more, there’s more pressure to buy it because I like to collect things,” Leu said. “Luckily I have a lot of room to display my toys.”

So far, the turnaround plan has yielded some positive signs.

Second-quarter sales rose 7% to $207.7 million and the company reported net income of $15.4 million, against a $40.5-million loss a year earlier. The quarter, however, included a $25.4-million benefit from expected tariff refunds, without which Funko would have lost money.

Funko’s share price closed Friday around $5.50, up about 1%. The stock has climbed 38% in the last year but is 60% below what it trade at in January 2025.

“It’s way too early to make any sort of calls on Josh at this point, but I like what he’s doing,” Johnson said. “It’s an interesting point in Funko’s history, and it’s a great opportunity for him to grow this business.”

OLIVIA Attwood has stripped to her bra and showed off her “glossy t**s” as she compared herself to a “blow up doll.”

The former Love Island star, 35, recently jetted off to New York and has been sharing what she’s got up to on social media.

Olivia took to Instagram with a new video and captioned it: “If you also want to look like a blow up doll.”

In the clip, the TV host looked stunning in a lacy black bra as she answered a fan’s question about her glossy t**s routine.

Wearing a blue satin jacket over her bra, she said: “Sierra has the job of glossing my boobs.

“And the product is Patrick Ta in she’s on Vacation – that body balm thing.”

Fans flocked to comment and one wrote: “Stunning! Loving the hair right now.”

Another said: “Obsessed with this look.”

A third added: “Absolute stunner!”

While a fourth wrote: “Liv you absolute goddess.”

This comes days after Olivia left jaws on the floor as she rocked Margot Robbie’s iconic The Wolf Of Wall Street lingerie.

Olivia looked incredible in a blue navy La Perla slip dress with cream floral lace for a night out – which was the exact one that actress Margot, 36, wore during the 2013 blockbuster.

She accessorised with knee high boots, a silver clutch and oversized Gucci sunglasses.

It comes after Olivia almost fell out of a tiny lace bra as she glammed up for New York Fashion Week.

The ITV star recently attended her first red carpet event with her new man Pete Wicks.

The pair looked loved up as they locked lips at the National Television Awards last week.

And Pete recently opened up about huge birthday gesture from Olivia that made him cry – and her awkward reaction.