documentary

Music sensation – and I’m A Celeb star – Aitch will feature in a huge new Netflix documentary later this month. The show follows the star as he undertakes a monumental challenge for charity.

Rap sensation Aitch will star in a new Netflix documentary, chronicling his gruelling quest to climb Mount Kilimanjaro. The 26-year-old rapper – real name Harrison James Armstrong – took on the challenge last year with the special doc streaming later this month.

Aitch rose to fame in 2018 with his hit track Straight Rhymez – and went on to unleash his number 2 album Close to Home in 2022. While reality TV fans will recognise the rapper from Manchester thanks to his star turn in the 2025 season of ITV’s I’m a Celebrity…Get Me Out of Here! – where he finished in fourth place.

Fans will soon have a chance to see Aitch endure a trial more challenging than anything he faced in the jungle – by climbing the biggest mountain in Africa. The task was not just for fun, however; he also raised a substantial amount of money for charity in the process.

The musician took on Mount Kilimanjaro alongside his closest friends, family members, and team, and the climb was recorded on film as they undertook the monumental task. The resulting footage has been edited into a brand-new Netflix documentary titled Aitch: Don’t Be Afraid.

Directed by Aaron Fitzmaurice and Harry Tatem, the BRIT Award-winning star is shown taking on the unforgiving conditions as he makes his way up the huge mountain, which stands 19,341 feet above sea level. The Taste (Make It Shake) rapper raised over £160,000 following his challenge, with the funds going to the Down’s Syndrome Association, for which he is an ambassador.

The documentary promises emotional scenes as cameras captured every moment of the challenge. Fans will see “the physical and emotional realities of the journey”, a press release about the special stats.

“As the altitude rises and the conditions become increasingly unforgiving, viewers witness the determination, vulnerability and camaraderie that carry the group towards the summit,” it continues.

“Through candid moments on and off the mountain, the documentary explores the motivation behind the challenge, highlighting the strength of family, resilience, and the importance of raising greater awareness and creating opportunities for people with Down syndrome. More than a story of endurance, Aitch: Don’t Be Afraid, which was shot last year, shines a light on a cause deeply personal to Aitch, celebrating his younger sister Gracie’s impact on his life while encouraging audiences to support the Down’s Syndrome Association and the work it does for individuals with Down’s syndrome and their families across the UK.”

Aitch’s 16-year-old sister, Gracie, frequently features in his social media output – and his 2022 song, My G, featuring Ed Sheeran, is dedicated to her. The star has opened up about his special relationship with his younger sibling – and has previously stated he makes music to support both Gracie and her twin sister Hattie.

Opening up about their relationship at the Pride of Britain Awards last year, he said: “Gracie is my hero because she’s just an absolute soldier. Just what she’s been through and all that. She just lights up every room she walks in.”

And heaping praise on Hattie, whom he branded “the superstar in my family”, he added: “Them two are my heroes, even though they do my head in sometimes.”

Fans were touched to hear the singer open up about his sisters while in the I’m A Celeb camp last year. He gushed to fellow contestants – including Shona McGarty and Jack Osbourne: “My baby girls, my two sisters, everything I do is for them two… Bottom line, I’m on this show for them two. I make music for them two. I try to make a living for them two. Yeah, they’re my girls.”

And during a previous appearance on Made In Chelsea star Jamie Laing’s podcast, Aitch explained how Gracie had helped shape his life. He said: “I wouldn’t even be half the person I am if [Gracie] wasn’t here.

“She actually teaches you lessons that you don’t realise till after. It’s taught me, and this sounds bad, but it taught me more to treat everyone the same. And to understand that everyone is a human.”

Aitch: Don’t Be Afraid will be available to stream via Netflix from Sunday, 26 July.

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The documentary will explore the harrowing story of Dr George Kenney, the former principal at a Florida high school.

True crime fans can expect to see the documentary series airing very soon.

The limited ITV series, titled Look Into My Eyes, will delve into the chilling case of Dr George Kenney, who was once a beloved principal in a high school.

However, his reputation started to unravel when it was revealed he had been practising hypnosis on students.

A synopsis reads: “In 2011, three students died in separate incidents, prompting widespread scrutiny and a national news story.

“The series examines the events surrounding these deaths and the questions that followed, including the extent of Kenney’s influence and the debate over responsibility.

In the documentary, viewers will hear interviews from the victims’ families, along with experts, eyewitnesses and other people connected to the case.

It’ll also look closely into the events leading up to their tragic deaths and the lasting impact it had on the community.

Directed and executive produced by Brent Hodge, the person behind the 2021 documentary Pharma Bro, ITV viewers can expect it to air on August 18.

Look Into My Eyes has been produced by Blumhouse Television and Anchor Entertainment, with Jason Blum being one of the executive producers. He’s best known for being involved in the horror films Insidious, The Conjuring and The Purge.

An investigation into Dr George Kenney was escalated after three of the students he hypnotised had died, two by suicide and one in a car crash.

Although it’s believed that hypnotised between 70 and 75 students since 2006, all of the students that died were 16 years old, with Wesley McKinley killing himself a day after being hypnotised by the former principal.

Meanwhile, Brittany Palumbo sadly took her own life a month before, with Marcus Freeman dying in a car crash a month before Brittany.

After an investigation by the Florida Department of Health, the former principal resigned in June 2012 and pleaded no contest to practising therapeutic hypnosis without a license.

While he served no jail time, Dr. George Kenney was sentenced to two consecutive sentences of six months of probation and was given 50 hours of community service.

The parents of the students who died sued the school board in December 2012 for the wrongful death of each of the teens.

In the end, each family received the maximum sum of $200,000 in October 2015 when both the families and the school board settled.

Look Into My Eyes is available to watch on ITV from August 18

The Iranian Striker: Mehdi Taremi offers a rare personal portrait of one of Iran’s most celebrated footballers during the 2026 FIFA World Cup.

Iranian team striker Mehdi Taremi reflects on the journey that shaped him – from growing up in Bushehr, to representing millions of Iranians at the World Cup.

In this Al Jazeera Originals short documentary, Taremi speaks about childhood, compulsory military service, sacrifice, criticism, national identity and why football means far more than the game itself. He also shares what it means to represent Iran before a global audience, and why he hopes football can help people better understand his country.

Chase Iron Eyes drops everything following Renee Good’s killing by ICE to join protests on the streets of Minneapolis. Chase, a resident of the Pine Ridge reservation, is a lawyer whose life and work are shaped by generations of Native American resistance.

With 3,000 federal agents deployed to the Minneapolis-Saint Paul area as part of Operation Metro Surge, Chase sees the impact of the crackdown for himself. When ICE begins targeting Native Americans in Minnesota, he works to move street-level resistance into the courtroom.

Chase, alongside other human rights lawyers, mounts a legal challenge and pursues class-action lawsuits against ICE and the Department of Homeland Security.

Native Americans Resisting ICE is a documentary film by Joi Lee and Ed Ou.

KATIE Price has made a rare sentimental remark about ex-husband Peter Andre in her new Sky documentary.

The reality TV star, 48, shared a sweet comment about ex Peter and how shy he used to make her feel in her latest series, Katie Price: Nothing To Hide.

In the documentary, Katie is sitting down watching her old I’m A Celebrity… Get Me Out Of Here! footage — the show on which she met Peter.

She then opened up about just how much she felt for Peter, calling him her “Prince”.

Katie said: “If I like someone like I liked him, I go all shy. I can’t look at them, and I go all like giddy. It’s pathetic, but that’s what I was like.

“You could see we were into each other and it is so cute to look at. By the end of it I was smitten with him.

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“Meeting Pete and being with Pete were the best times of my life, without a doubt.

“I had my prince, I knew I would be with him forever.”

Katie and Peter met in 2004 and started dating shortly after their time on I’m A Celeb ended.

They got engaged later that same year and tied the knot in 2005.

They went on to have two children, Princess and Junior, before divorcing in 2009.

Earlier this year, Katie married for the fourth time, tying the knot with self-proclaimed millionaire Lee Andrews.

The pair’s whirlwind wedding came after just a week of speaking online.

Recently Katie and Lee reunited after Lee was imprisoned in Dubai under accusations of fraud.

The Benin Bronzes are a broad term used for the carved ivory, wooden works, metal sculptures and plaques looted by British troops during the Punitive Expedition in 1897.

Scholars estimate that more than 5,000 artefacts were stolen, some of which were gifted to Queen Victoria, others sold in auctions, held in private galleries or donated to museums across Europe and elsewhere.

The call to return the art, which began in the 1930s, intensified in the recent decade, inspired by growing pressure, repatriation activism and the relentless effort of the Benin Dialogue Group, a multilateral stakeholders’ group.

As momentum built at the peak of the homecoming of these arts, Igun Street unexpectedly found itself in the global spotlight. Diplomats, state officials, museum curators and researchers began arriving in numbers local artisans say they had never witnessed before.

This noon, Double Chief’s voice brims with pride as he points to a recently completed sculpture resting on a wooden bench. The bronze figure, a man in a suit and tie, had received its final polish only that morning after months of work.

Yet for many bronze casters, the attention has done little to solve underlying concerns.

“We are struggling to keep the industry alive,” says Oriakhi Osazee, who sits on a wooden stool at the entrance of a store in Igun. A sculptor whose mediums are clay, fibre, brass and bronze, Osazee has been in the craft for more than 35 years. He speaks with depth and conviction, drawing from vivid dates and past events to reinforce his ideas.

Efforts to recruit apprentices have stalled, he says. Young people, on whom the future of the craft depends, are increasingly leaving in search of what he calls “quick money” in other professions, cities and countries.

When their ancestors began, he recalls, their craft extended beyond bronze casting. There were, among the Iguns, men who had a gift in ivory carving. Long before the global ban on ivory trade was made official, that layer of art, without heirs and hope of continuity, had died.

For Agbonmwenre Alex, the subject of heirship within the craft is a matter of personal pain.

Alex, who was taking a tour of his workshop, began learning the craft at the age of eight under the guidance of his father. He started with errands and light tasks before progressing to kneading clay pottery. Over time, he learned every stage of the casting process, from preparing moulds to the final polishing of finished works.

Today, he is the only one of his father’s seven sons who remains in the profession. But uncertainty now hangs over the next generation.

“I would like my sons to take after me,” Alex says. “Unfortunately, I started exposing them to this craft so late. They literally see this work as outdated, archaic, and dying. The zeal, the love for the job, is dead.”

I would like my sons to take after me. They see this work as outdates, archaic, and dying. The zeal, the love for the job, is dead.

by AGNONMWENRE ALEX, BRONZE CRAFTSMAN

His first son chose to study law. His second is pursuing a degree in healthcare. Despite repeated efforts to pique their interest, including offering workshop space, raw materials and financial support to start a business of their own, neither accepted.

“The number of youths is declining drastically. It [the craft] is at risk of going into extinction. Apprentices are so scarce,” says Osazee. “We used to have a lot of apprentices in the past.”

We are living in a time of deep rupture. From Gaza to Ukraine, Myanmar to Kashmir, the United States to Europe, polarisation has become the defining rhythm of our age. Dialogue is no longer just difficult – it is risky. Leaders speak in absolutes. Humiliation and fear spur violence. In this context, the role of the mediator is more fragile, more necessary, and more human than ever.

At the centre of this episode is William Ury, cofounder of Harvard’s Program on Negotiation and one of the architects of modern conflict resolution. Through his life’s work, we trace the hidden anatomy of peace: How trust is built when no one believes in it, how negotiations survive egos, trauma, and political pressure, and how humanity is preserved when everything pushes towards dehumanisation.

Ultimately, The Possibilist reveals that peace is not the domain of diplomats alone. It belongs to all of us. In our homes, our workplaces, and our communities, we all carry a form of power. Political power may change laws – but moral power, the power of empathy, courage, and presence, can change hearts.

A film by Fatima Lianes

WASHINGTON — Jennifer Siebel Newsom has spent more than a decade cultivating an identity distinct from her husband, Gov. Gavin Newsom, as an active documentary filmmaker and gender equity activist with her own organizations, staff and salary.

The 51-year-old calls herself California’s “first partner,” a title she coined herself to signal an equal footing with the governor and gender inclusivity.

Her independent streak has generated her a steady income. She earns money from a set of organizations she founded or controls. They include the Representation Project, a nonprofit that advocates for gender equity through film and education programs; Girls Club Entertainment, a for-profit production company she owns that holds the copyrights to her documentaries; and the California Partners Project, a second nonprofit that works closely with her government office and receives donations solicited by the governor.

Since its creation in 2020, the California Partners Project has received nearly $5.1 million from so-called “behested payments,” raising alarms over the years about the influence large companies have amassed in Sacramento.

California law allows officials to solicit donations to specific charitable or governmental causes when the payments are reported within 30 days. The public donation system, however, came under scrutiny in 2020 when payments made at Newsom’s behest — to a variety of organizations, not just the California Partners Project — ballooned to an unprecedented $226 million to help fund the response to the COVID-19 pandemic.

With no limit on how much money can be donated by organizations or individuals at the behest of the governor, millions of dollars flowed in to prop up public services during the pandemic and fund Newsom’s favored programs, including an effort to address homelessness and a public safety campaign promoting the importance of wearing masks. The top donor of Newsom-behested payments in 2020 was tech giant Facebook, which gave $27 million for gift cards that went to front-line healthcare workers and for public health ads.

“It’s not illegal, but it certainly pushes the bounds of campaign finance law, and the first couple has been doing this for some time,” said David McCuan, a political science professor at Sonoma State University. “In this battle between Newsom and [President] Trump this makes their [the first couple’s] actions, these payments and the operation of the nonprofits a rich target for scrutiny.”

The Newsoms’ financial arrangements are now the subject of renewed scrutiny. The governor has accused the Trump administration — specifically, the FBI and the Internal Revenue Service — of questioning their friends and former employees about him and his wife. The governor said the probes are politically motivated, a personal vendetta because he’s considering a run for president in 2028.

Newsom said he and his wife have nothing to hide, and promised to release all of his recent tax returns — though he has not announced when.

In turn, the governor has demanded that the Department of Justice release all records pertaining to the probe.

“The American people deserve to know who ordered this abuse of power and how far it goes,” the governor wrote on social media last week.

“These are dark days in our nation’s history when the leader of the free world spews animus openly and without shame — aiming to silence and destroy not only his political opponents, but their friends, colleagues, and families,” Siebel Newsom said in a statement to The Times. ”My husband and I will continue to push back on this vindictive attack — and I certainly will not let this distract me from the important work ahead to protect the health, wealth, and safety of women and children and give California kids the best start in life. Together, we can set an example of strong leadership that protects people rather than preys on them.”

To better understand the finances, here is a breakdown of how Siebel Newsom’s company and nonprofits are working.

The Representation Project

Alongside the release of her first documentary, “Miss Representation,” in 2011, Siebel Newsom created her nonprofit, which originally shared the same name as her film. The organization licenses her films and reimburses costs to her production company.

The nonprofit earns some revenue from licensing the first partner’s documentaries for use in classrooms, college campuses and workplaces. Licensing for film screenings at schools starts at $49, while corporate licensing for her films starts at $995; purchase of screening rights also comes with curricula to facilitate discussions.

The Representation Project has earned more than $5.2 million in revenue from film screenings, licensing and speaking fees since 2011, according to a review of its tax filings.

The Representation Project is not required to disclose its donors but has received at least $2.6 million since 2014 from various charitable foundations that disclosed the gifts in their own tax filings. Several corporations that have had business before the state have donated to Siebel Newsom’s nonprofit, including Pacific Gas & Electric Co., AT&T and Kaiser Permanente.

Its past donors also include entrepreneur and progressive donor Susie Thompkins Buell, who is credited as a producer on several of Siebel Newsom’s documentaries, as well as the Marin Community Foundation and Onward Together, the political action organization founded by Hillary Clinton.

Four months after Newsom took office in 2019, the state Department of Education recommended that high schools screen two of his wife’s films, “Miss Representation” and “The Mask You Live In,” a move that has garnered criticism from conservative media outlets. The state said the films “can help facilitate a discussion about the impact of mass media and gender socialization on self-image and relationships with others.”

Though it does not specify where its films have been licensed, the nonprofit boasts in annual impact reports that its films and curricula have “reached over 2 million students” and “are being used in over 5,000 schools in fifty U.S. states.”

Since founding the Representation Project in 2011, Siebel Newsom has received more than $1.9 million in compensation from the nonprofit organization, according to a review of federal tax records. Her separately owned film production company, Girls Club Entertainment, has collected about $2.2 million in independent contracts from the nonprofit, records show.

Combined, the two streams of money total about $4.1 million flowing from the charity to Siebel Newsom personally or to entities she controls over the span of a little over a decade.

Her current annual salary is $161,250 for a 40-hour workweek, records show. Siebel Newsom earns income from both her production company and her nonprofit, according to state financial disclosures.

Jeff Tenenbaum, a nonprofit attorney with 30 years of experience advising nonprofit, tax-exempt organizations, declined to comment on Siebel Newsom’s specific case. But generally, he explained the legal framework that would apply to an arrangement like the one described in the filings.

Under federal tax-exempt organization law, he said, the “private benefit doctrine” governs whether a nonprofit’s overall activities unduly benefit any single individual — including through indirect payments to entities they own. The tax law asks whether too much benefit flows to one person or entity.

This is separate and distinct from the “private inurement” doctrine, which prohibits nonprofits from paying greater-than-fair market value compensation to insiders, including founders, and which requires that such compensation arrangements be approved by individuals with no conflicts of interest.

“Theoretically, a situation like this could raise some private benefit concerns,” Tenenbaum said, when the structure of the arrangement was described to him.

The doctrine does not prohibit all private benefit, he said, only what the federal tax code calls “impermissible” private benefit.

“There has to be too much benefit compared to the benefit to the public,” he said. Whether that threshold is crossed here, he said, would require a fuller review of the organization’s finances, contracts, and other considerations, including copyright ownership issues relating to the films produced.

Girls Club Entertainment

An actress and documentary filmmaker, Siebel Newsom founded her production company to develop independent films with a focus on combating gender stereotypes and empowering girls and women. She serves as the company’s chief creative officer.

She has written, produced and directed five films exploring themes of inequality and traditional gender roles. Siebel Newsom is best known for her 2011 documentary “Miss Representation,” which focused on the few and narrow representations of girls and women in American media.

Tax records show that the production company owns the rights to “Miss Representation” and has licensed the film to the Representation Project for a minimum of seven years for the purpose of distributing and screening the film in public. Costs associated with film production — including the writer, director and producer fees — have been reimbursed by the Representation Project, tax filings show.

Her latest documentary, “Miss Representation: Rise Up,” examines “the rising backlash against women’s progress and the hostile landscape of technology designed to harass and, ultimately, silence women.” The film premiered this month at the Tribeca Film Festival.

California Partners Project

In 2020, Siebel Newsom founded the California Partners Project, a nonprofit focused on improving gender equity in the workplace and the safety and well-being of children in online spaces. She does not collect compensation from the nonprofit or serve on its board.

It hosts an annual “gender equity summit” and provides resources for parents on issues such as social media safety and child mental health.

In the fall of 2024, Siebel Newsom and the California Partners Project hosted representatives from TikTok, Meta, Pinterest and other social media platforms for an event about children’s online safety. A day before the panel, state Atty. Gen. Rob Bonta took a more forceful tack to go after the tech industry by joining with 13 other states in a lawsuit against TikTok that accused the platform of exploiting young app users with its addictive features.

In September of 2024, the governor signed a bill to prohibit internet services and applications from providing “addictive feeds,” defined as media curated based on information gathered on or provided by the user, to minors without parental consent.

The California Partners Project also does not publicly disclose its donors in its tax filings, but much of the nonprofit’s funding appears to come from behested payments. Siebel Newsom does not receive a salary from the organization.

Since its founding, the Newsoms have steered more than $5 million to the nonprofit via behested payments, according to a review of the disclosures. While many donations to the California Partners Project come from charitable foundations, it also received hundreds of thousands from companies including Silicon Valley Bank, Pinterest and the charitable arm of Blue Shield of California.

Its biggest funder is the Federated Indians of Graton Rancheria, a Sonoma County tribe that operates a casino in Rohnert Park and spends heavily in state and federal elections. The tribe has given $2.3 million to the nonprofit since 2022. In June 2023, Newsom appointed tribal Chairman Greg Sarris to the University of California Board of Regents. Newsom has also supported efforts by the tribe to block a smaller tribe from building a casino in nearby Vallejo.

Blue Shield, which has reported giving $100,000 to Siebel Newsom’s nonprofit, also has a cozy relationship with her husband. The nonprofit health insurer was an early donor to Newsom’s 2018 campaign for governor and later received a $15-million no-bid contract to distribute COVID vaccines. State regulators in 2024 also signed off on the nonprofit’s request to restructure and establish a new parent corporation out of state, a move that raised alarm among healthcare advocates.

The California Partners Project did not respond to questions about its donors and spending.

BBC fans can catch this one-off special before tuning into tonight’s World Cup match.

A BBC documentary takes a deep dive into how seven people “tragically perished”.

Fifa World Cup 2026 continues with France vs Iraq coverage kicking off from 9.30pm this evening, Monday, June 22, but there is more than just football on tonight.

At 8pm, viewers can tune into the hour-long documentary Millionaire Superyacht: Why Ships Sink on BBC Two.

The special takes a look at the intense storms of August 19, 2024 when the 54m superyacht Bayesian mysteriously sank off the coast of Sicily where seven people onboard died.

“As search and rescue teams scoured the coast for survivors, questions were asked”, the synopsis continues.

“Why did a multimillion-pound superyacht sink when others nearby didn’t?

“This documentary investigates what went wrong and what needs to be done to keep ships safe at sea.”

When the incident was taking place, all other vessels in the area mysteriously remained afloat but in that same year, aSea Story, a Red Sea dive boat, also capsized without warning.

Why Ships Sink features interviews with experts, including Bayesian’s former captain Stephen Edwards and Dr Sarah Martin who survived the Sea Story.

This documentary is part of a wider anthology series which takes a deeper look at why certain events happen.

BBC states that it delves into the “mysteries and science behind the stories that hit the headlines”.

BBC Two has previously looked at other memorable events, including “South Korea’s deadliest aviation disaster” and the three fatal shark attacks in Egypt in 2010.

Unfortunately, the “Why…?” franchise won’t be returning next Monday night as live coverage from Wimbledon will instead be shown.

Millionaire Superyacht: Why Ships Sink premieres on Monday, June 22, at 8pm on BBC Two.

ASHLEY Cain’s axed BBC documentary is still available to watch on iPlayer.

The reality TV star, 35, came under fire this week after historic tweets were exposed, in which the reality star allegedly made degrading comments about women.

The second series of Ashley Cain: Into The Danger Zone, which was filmed earlier this year, will not air on the BBC – yet the first series remains on the channel’s catch-up service.

It’s after the BBC acknowledged that its vetting process had “clearly failed”.

The Twitter posts made in 2011 and 2013 are said to have referenced extreme sex acts and appeared to make light of consent.

He reportedly used offensive, sexualised and aggressive language about women.

VETTING FAILURE

Ashley Cain’s show axed by BBC after ‘unacceptable’ posts about women

STAR PROBE

BBC launching investigation into Ashley Cain ‘failings’ after his show is axed

Despite this, series one of Ashley Cain: Into the Danger Zone aired in April 2025.

It followed his journey to the world’s most dangerous places, interviewing young men who live on the fringes of society.

Filming for a second series took place earlier this year however, it will no longer air following The Guardian‘s report accusing Ashley of writing derogatory terms in 2014 and 2015 including “sl**s”, “b***hes” and “psychos”.

The newspaper also revealed Ashley was secretly sacked from a BBC job last year for being “drunk on set”.

After the success of his documentary, he was picked to host, Sin City: The Real Las Vegas.

Ashley was flown out to Nevada to film the show but concerns were raised about his conduct.

Appearing to be drunk during filming of the show, the production was suspended and Ashley was ultimately dropped from the project and replaced by another presenter.

Despite this, the incident went largely ignored as Ashley returned to filming with the BBC earlier this year for the second series of his Into The Danger Zone series.

A BBC spokesperson told The Sun:  “The posts by Ashley Cain, albeit from many years ago, are completely unacceptable.”

“The BBC has clear requirements around vetting and social media checks, which are undertaken by the production company.

“In this instance, the process clearly failed and we are investigating why.

“We are continuing to strengthen our processes to ensure everyone working for, and on behalf of, the BBC meets our values and standards.

“We have no plans to broadcast the new series of ‘Into the Danger Zone’, and no future projects with Ashley Cain.”

A TV critic has urged everyone to watch a new Netflix true crime documentary he claims is the best of 2026 so far and will leave viewers feeling a wave of emotions

For those who are passionate about true crime, one television critic has shone a spotlight on a brand new Netflix documentary that he insists is a “must-watch”.

Luke Eccleston went further, describing the programme as the finest of 2026 so far, and predicted it would soon become the “top trending” title on the streaming giant. “The documentary I am talking about is called Maternal Instinct,” he revealed in a TikTok video. Despite running at just 90 minutes long, Luke enthuses that it will have all viewers “hooked” from after just five minutes.

“This tells a story from back in 2020 where a young woman is driving down the highway, she gets pulled over by the police and she has a baby on her lap, which had just been born,” he continued.

Expanding on the plot, Luke explained that once the woman and baby are taken into custody by law enforcement, tests quickly reveal the pair are not related. “What comes next is genuinely insane,” he declared.

Keen not to discourage his followers from watching, Luke pressed on: “The more you learn about the story, this woman and what happened… it is one of the most brutal, heartbreaking, emotional and horrible stories you will ever come across.

“Everyone is going to be talking about this documentary – I guarantee it.”

Netflix’s Maternal Instinct synopsis states: “In a small East Texas town, a young woman from a wealthy family falls for a local hog trapper. Their relationship appears perfect, and within months she’s pregnant and proudly showing off her baby bump all over social media.

“But when a state trooper pulls her over and discovers she has just given birth in her car, her story quickly falls apart, exposing the truth behind a terrifying and unthinkable crime.”

Helmed by Jessica Dimmock, Maternal Instinct chronicles the lives of Jessica Brookes, her boyfriend Wade Griffin, Taylor Parker and Reagan Simmons-Hancock.

On IMDb, the documentary has garnered an impressive rating of 7.4 out of 10 from almost 2,000 reviews.

One viewer confessed in a recent review: “I was not prepared! I went into this documentary completely blind, with no idea where the story was headed. It begins with a mystery. Something seemingly impossible has happened.

“But how? As the pieces slowly fall into place, the story takes an increasingly dark turn, far darker than I ever expected. And I have seen my share… the reveal is a complete and utter gut punch and at one point brought tears to my eyes. And I will have to leave it at that.”

And a second added: “I had never read anything about this case, so I went into this doc knowing nothing of the background or repercussions. I was horrified at how one person could destroy so many lives.

“The documentary pursues the whole journey of the perpetrator extraordinarily well, piecing together her journey for the past 10 or so years of her life where her lies keep getting worse.”

The award-winning journalist takes centre stage one last time in an extraordinary new film made for Channel 4

Former newsreader Jon Snow Is now “living a quieter life” months on from filming a documentary with Channel 4 about having Alzheimer’s disease.

The 78-year-old cancelled a planned appearance on a panel at the Sheffield Documentary festival on Friday which coincided with a screening of Jon Snow : A Last Big Story which shows him navigating life with Alzheimer’s.

The film, which shows the beginnings of his memory fading, actually finished filming last year. Asked how he was now, the Executive Producer Ben de Pear who also worked with Jon for many years on Channel 4 News said: “He has been in Zimbabwe(on holiday) and I spoke to him recently. He was his usual self, he was feisty, funny and really excited about the film coming out. Jon is living a quieter life but I think he is still interested and engaged in the world and still fascinated by people. When he goes to the supermarket he still ends up speaking to people for 20 minutes each.”

On the original plan of him being at the event in person, Ben added: “To be honest some days it is good and he could have been on stage, we could have had a discussion and some days it’s worse. That is the nature of the disease.” He told the audience that Jon “sent his love” before the screening began.

Ben and director, Laura Warner also spoke about the unusual circumstances around making the emotional film and then showing it to Jon and his wife, Dr Precious Lunga.

Laura said she would start each day explaining who she was and what film she was making to make sure Jon was still happy. She added: “Every day we would have to re-consent Jon and he would ask why there were cameras and we would explain.

“He was extremely engaged and leading the story. But there would come a time every day, around about sort of sunset, I think it is called sundowning where Jon would really start to struggle. The cameras went down at that point every day and we would look after him.”

On the final edit, Laura recalled: “Jon and Precious watched it several times in terms of giving it send off. It was really important to Precious that he viewed it by himself the first time, so he wasn’t influenced by her reaction too it or anyone else’s.

“He had a really emotional reaction to it because I think it was the first time he had seen himself with the condition.”

Ben added: “Precious loves the film, she thinks it is really important.”

The film also sees Jon discover a news story whilst on holiday in 2025, which leads an investigation into a Zambian community whose land and water were impacted by a mining disaster.

As the Mirror previously reported, he speaks in the film about his own mortality, and seems happy with the life he has.

Jon says: “A strange old business life. I had a good innings of it. It’s understandable, you can be worried about death, but to be worried about growing older is irrelevant. It’s absurd. How old is older? You’re going to die tomorrow or the next day. Stop worrying and get on with it.”

His wife Precious says of the film: “I want it to be a story of love, laughter, acknowledging that times are hard. I don’t shy away from the fact that it’s hard caring for someone with Alzheimer’s. But we can also be on the lookout for opportunities that would lessen that burden. And yeah we do that by having our little adventures.”

* Jon Snow: A Last Big story will be available to watch and stream on Channel 4 on Sat June 20 at 8pm.

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