documentary

The Great ADHD Myth? sparked fury among viewers as it sought to ‘determine whether ADHD is a genuine neurodevelopmental disorder, or a social construct’

Channel 4 has been hit with hundreds more complaints over its controversial ADHD documentary.

The Great ADHD Myth? sparked fury among viewers as it sought to “determine whether ADHD is a genuine neurodevelopmental disorder, or a social construct”. Last week, the media regulator confirmed that it had received 9,656 complaints after the show aired on Tuesday, August 18.

And the rage is still ongoing, with Ofcom receiving another 561 complaints, bringing it to a jaw-dropping total of 10,217.

An Ofcom spokesperson told the Mirror: “Complaints relate to the representation of ADHD in the programme.”

It comes after charity ADHD UK filed a furious complaint to the media regulator themselves, saying: “ADHD is not a myth. It is not a social construct.”

The documentary featured a 10-year-old boy with ADHD who made changes to his lifestyle and stopped taking his medication in an attempt to see how it would affect him. At the end of the programme, his mum said that he would continue to not take his medication – however a caption later confirmed at the end that he had resumed taking the drugs and his school performance improved.

“The programme’s own end credits told you what its 60 minutes wouldn’t: the boy at its centre went back on his medication, and his schoolwork improved,” said ADHD UK. “Their experiment disproved their conclusion. They aired their version anyway. We have already complained to Ofcom.”

The NHS recently released information about the number of people affected by ADHD. Data from May 2025 reports that it is estimated that 2,498,000 people in England have ADHD, including those without a diagnosis.

Of those, an estimated 741,000 are children and young people aged between five and 24. The report also stated that in March 2025, up to 20,000 people were newly referred for an ADHD assessment to mental health services, an increase of 13.5% from the previous year.

In a statement shared after the documentary was announced, amid backlash, a Channel 4 spokesperson stated, “This documentary does not deny the lived experience of people with ADHD traits, but does hear from a group of senior medical and academic experts – many of whom work or have worked with the NHS or have held presidential roles at professional membership bodies – who seek to question whether ADHD is a neurodevelopmental disorder. They also ask whether modern living has contributed to a rise in diagnoses, and whether there may be better alternatives for children than medication.”

The documentary featured NHS psychiatrist Dr Max Pemberton, who had previously said: “As a psychiatrist, I’ve watched ADHD go from a diagnosis that was only occasionally made and after careful assessment, to one that is increasingly demanded and dispensed, and I wanted to understand why.

“There’s no doubt that the people seeking these diagnoses are genuinely struggling; that isn’t in question. What the film asks is whether ADHD is really the best explanation for that struggle and my hope is that we come away with permission to ask better questions about what modern life is doing to all of us.”

When the documentary was first announced, viewers were left appalled. One wrote: “The endless hostility toward people with ADHD, autism, and anxiety is reaching a terrifying point.”

Another wrote: “More demonising and minimising those with mental health struggles. Fabulous.” One person called it “absolutely disgusting”, while another said it was “incredibly hurtful”.

However, some viewers called the documentary “interesting”, with one writing: “Interesting programme on Channel 4 about ADHD.” Another called it “great”, while a third said: “I filled it in to say how interesting I found the programme. I have a child with a diagnosis of ADHD.”

The Mirror has reached out to Channel 4 for comment.

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A new three-part documentary series on Netflix will explore the life and struggles of Matthew Perry and feature an interview with his sister Mia Perry Bowick, along with unreleased photos and videos from the private archive of the Perry family.

“The One About Matthew Perry” will premiere on the streaming platform Oct. 27, according to an announcement by Netflix on Tuesday. The docuseries, directed and executive produced by award-winning director Mary Robertson (“Quiet on Set”), will tell the story of Perry and his journey from rising comedic star to the man behind the Emmy-nominated role of Chandler Bing on “Friends.”

“Through his many films, TV and stage performances, and his unforgettable portrayal of Chandler Bing, he made millions of us laugh, connect, and feel a little less alone,” Robertson said in a statement. “He also gave us so much more by bravely speaking about addiction. Yet the public only knew part of his story. That’s why we set out to make this series: to let the people who knew and loved Matthew reveal the person behind the public figure.”

The documentary will explore new details about Perry’s private struggles with prescription painkillers and alcohol through firsthand memories from his family and collaborators. The actor died in 2023 from acute effects of ketamine, according to the Los Angeles County medical examiner. Five people were sentenced to prison for supplying Perry with the drug, including his assistant, two doctors, a former drug counselor and a drug dealer known as the “Ketamine queen.”

Perry Bowick hopes the series gives everyone who loved him an appreciation of who he truly was and the legacy he leaves behind.

“It’s taken time for me to feel ready to share these memories and what it was like to love Matthew through all the complexity of his life — to see him as a whole person, not just as Chandler, and not just as someone who struggled with addiction,” she said in a statement.

“The One About Matthew Perry” is the latest documentary about the late actor; “Matthew Perry: An American Tragedy” was released on Peacock last year. The Netflix docuseries is produced by Maxine Productions, a part of Sony Pictures Television. Lisa Kalikow, Eli Holzman and Aaron Saidman are executive producers along with Robertson, Lora Moftah is co-executive producer and Jessica Call is producer.

Viewers couldn’t look away from their screens

A chilling documentary about one of the world’s most infamous serial killers is streaming now.

Aileen: Life and Death of a Serial Killer was originally released in 2003 and it is still captivating viewers over 20 years on. The film dives into American murderer Aileen Wuornos’ crimes and trial, which ended in her execution in 2002.

A synopsis teases: “British documentarian Nick Broomfield creates a follow-up piece to his 1992 documentary of the serial killer Aileen Wuornos, a highway prostitute who was convicted of killing six men in Florida between 1989 and 1990.

“Interviewing an increasingly mentally unstable Wuornos, Broomfield captures the distorted mind of a murderer whom the state of Florida deems of sound mind — and therefore fit to execute. Throughout the film, Broomfield includes footage of his testimony at Wuornos’ trial.”

The documentary is now available to watch on Channel 4, along with the director’s original 1992 film, Aileen Wuornos: The Selling of a Serial Killer. Those without access to Channel 4 can alternatively stream the movie on STV Player.

Both critics and casual viewers have shared glowing reviews of the film, with Rotten Tomatoes pundits giving it an impressive 85% score.

But fans have confessed they were deeply disturbed by Wuornos’ dark story and execution. One person posted: “Very bizarre and quite chilling documentary. It affected me and disturbed me in equal measure.”

Someone else agreed: “Ultimately this is a sad documentation of one woman’s mental demise on death row and one can’t help but feel empathetic towards Aileen and what her life amounted to.”

A third viewer added: “A deeply disturbing documentary of the iconic serial killer Aileen Wuornos from the most acclaimed documentary film maker in the U.K, Nic Broomfield. The documentary goes much deeper, much further than anybody could have anticipated.”

Yet another fan chimed in: “Chilling really sad story. This is one of those films that make you question your own humanity.”

Others were completely captivated by the film, with one sharing: “Really fantastic I did not regret watching it,” and another adding: “I was completely glued to the screen watching this documentary.”

Aileen: Life and Death of a Serial Killer is available to stream on Channel 4 and STV Player.

ATOMIC Kitten are being eyed up to star in a Boyzone-style documentary which will chart their rise to fame and the drama among members over the years, The Sun can exclusively reveal. 

The girl group shot to fame in the early noughties, made up of Natasha Hamilton, Liz McClarnon and Kerry Katona. 

Kerry, 45, left a year after the release of their debut album and was replaced by Jenny Frost, with the line-up changing several times throughout the last 26 years. 

But The Sun understands that telly bosses have started to reach out to the girls to feature in a tell-all documentary – inspired by the success of Boyzone’s three-part Sky film last year – and are keen for all four members to take part. 

An insider said: “Atomic Kitten were one of the most successful girl groups of the noughties and it feels like the right time for their story to be told. 

“A production company has started reaching out to all four members to appear in a documentary to celebrate their success and of course chart the lows, including the highly publicised fall-outs among the girls. 

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“Like a lot of their all-female counterparts, line-up changes and public spats are a huge part of their history and this would be their chance to set the record straight once and for all.

“None of the girls have signed on officially yet but Kerry is top of the wish list as she’s known for not holding back.”

The Sun has reached out to representatives for Atomic Kitten and Kerry Katona for comment.

Atomic Kitten last performed as a trio in 2021 but a year later Natasha, 44, and Liz, 45, were gigging as a two-piece. 

Then in 2024 Natasha confirmed on social media that she would be stepping down as a member of the group to focus on her solo music career. 

Kerry last worked with Atomic Kitten in 2014 and earlier this year Natasha ruled out ever reuniting with her former band mate professionally.

She told the Mirror: “I wish Kerry all the best. That girl has been out there. She’s a hustler. She looks after those kids so well. Fair play to the girl.

“There’s no big thing, but when it comes to work, that isn’t going to happen.”

Meanwhile Kerry recently shared her sadness over not being in contact with the girls and urged them to get in touch.

Appearing on Unfiltered with Lucy Kennedy, she said: “No [we’re not in touch]. I’m gutted because I love the girls to bits. Tash, Liz, if you’re watching, give us a call.”

The first time that artist and filmmaker James Spooner heard Patti Smith’s song “Rock n Roll N—,” he cringed and reflected on the years of racism, microaggressions and abuse he dealt with as a young Black punk rocker in California’s high desert and later, New York.

According to Spooner’s new book, “It Starts With Anger,” this moment of reflection is a catalyst that prompts him to pursue a closer examination of the experiences and challenges Black people face in punk rock and alternative music scenes that are predominantly white.

“If there was such a thing as a ‘Rock n Roll N—’ Patti Smith wasn’t going to be the one to define it. Right then, I decided I was going to make a movie,” Spooner writes in his book.

In 2003, Spooner started working on a documentary called “Afro-Punk,” which took him across the country as he interviewed Black artists, musicians and fans to talk about their experiences in punk rock. “Afro-Punk” starts by calling out Smith’s controversial song before diving into what it means to be Black in a music scene intended to welcome outsiders, but which nonetheless alienates and projects harmful values toward people who are not white.

“I don’t think she’s a bad person, I think she’s a white person who was trying to be edgy and then just like doubled down her whole career,” Spooner told The Times. “I’m all for and have always been understanding of people who make mistakes, people should have an opportunity to correct themselves.”

The punk rock documentary is being rereleased this month after Spooner launched a successful Kickstarter campaign to remaster the film. The rerelease coincides with the publication of Spooner’s new book, “It Starts With Anger,” which covers the author’s personal history, the creation of the documentary, the larger Afropunk brand (it does not use a hyphen like the film), and the eventual demise of his brainchild at the hands of corporate ventures. “Afro-Punk” will premiere in Los Angeles and New York, with a special screening and book talk on Sunday at the Skirball Cultural Center with former S.O.A. and Black Flag vocalist Henry Rollins.

“Young people at the time needed it,” Spooner says about his documentary “Afropunk.” They needed that connection to see that there were other young Black punk rockers, they needed to hear from them and know that they had common experiences.”

(Lisa Nola )

“Before there was anything negative attached to it and before there was any corporate interest attached to it, people saw the movie and were like, ‘Oh, that’s my story, I guess I’m an Afropunk and didn’t even know it,’ and then they started calling themselves that,” Spooner said. “I helped define an experience for a group of people in the underground, I inadvertently helped to define an experience for a lot of people who feel othered and ostracized.”

Spooner, who upheld punk’s DIY ethos by shooting, producing, directing and editing the entire project himself, recently regained the rights to his film after a contentious years-long legal battle against his former business partner, Matthew Morgan, and Essence Ventures, the current owners of the Afropunk brand.

“The way that it all turned out in the end, it’s like, not everybody gets to see the long arc of justice in their lifetime, but to be so hurt and slighted and then watch karma do its thing is like, why waste time with being pissed off anymore? There are still things that I wished wouldn’t have happened, but I’m lucky in the end,” the Afropunk founder said.

After Spooner made his documentary, he realized how much the film resonated with Black punks who yearned for community and acceptance. Damon Locks, a visual artist and musician who was featured in the documentary and later worked as a publicist for the Afropunk festival, said he was “really impressed” with the film when it first came out, and that “James’ instincts were correct” when it came to the vision and execution.

“Young people at the time needed it, they needed that connection to see that there were other young Black punk rockers, they needed to hear from them and know that they had common experiences,” he said.

Eager to extend the reach of “Afro-Punk” beyond the documentary, Spooner began organizing a series of DIY underground punk shows known as “The Liberation Sessions,” with the goal of developing this concept into a major festival. He also decided to enter a business relationship with Morgan, who offered to manage Spooner’s creative affairs and help him take “Afro-Punk” to the next level.

According to Spooner, Morgan wanted to bring in corporate sponsors and feature music genres outside of punk to generate more interest and maximize profits. Spooner said he reluctantly compromised, yet after several years of working with Morgan, Spooner grew disillusioned with what Afropunk the festival became.

Maurice “Moe” Mitchell, vocalist for hardcore band Cipher and national director of the Working Families Party, was featured in the documentary and performed at several Afropunk shows and festivals. He said what happened with Afropunk is “a tale as old as time” and Morgan being outside of the movement led to “moneyed interests” altering what Spooner had created.

“At some point, those interests figure out how to co-opt, how to monetize, how to profit, how to take over this thing and it becomes a shell of itself, no longer owned or operated by the original originators, just a product or a marketing scheme for some company,” Mitchell said. “And that is rinse and repeat what happens to really good art and really good movements, and it’s what happened with Afropunk.”

By 2008, Spooner decided he wanted to walk away. He moved to Los Angeles and signed over the Afropunk rights and trademark to Morgan.

“My priority was to the kids … and I didn’t want for them to not have Afropunk just because I was over it, just because I moved on to the other side of the country, I could have just been like, ‘F— you, everything’s in my name, if you want it, sue me,’ I could have done that and I probably would have won because everything is in my name,” the punk filmmaker said. “I also was incredibly broke, I was not only broke when I moved to L.A., I was like $20,000 in debt on credit cards, so it was not like I was in a good place to continue this thing.”

As “Afro-Punk” returns to screens in Los Angeles and New York, Spooner leans into punk’s rebellious ethos, reclaiming his work and spotlighting Black liberation in loud, uncompromising ways.

(Lisa Nola )

In 2020, Spooner sued Morgan for failing to make contractual annual payments and failing to observe a clause in their 2010 agreement that mandated that if more than 50% of the company was sold, Spooner was entitled to a share of the profit. In 2020, Essence Ventures acquired the Afropunk LLC, but Spooner was not made aware of the sale. After a complicated legal battle against both Morgan and Essence Ventures, Spooner settled, successfully recovering the rights to the film in 2025, which he says was more important to him than financial compensation.

Representatives for Essence Ventures did not immediately return requests for comment.

“I didn’t start ‘Afro-Punk’ with money in mind, I wanted people to see my film,” Spooner said. “I wanted people to see my film, and then people saw the film, and then I wanted those people to stay in the room together and become friends, and all of that happened.”

Mitchell, who ended up becoming friends with Spooner after participating in the documentary, said he is “very happy” that Spooner “came out vindicated” in the legal struggle. The Cipher frontman believes “Afro-Punk” is an important documentary that shows “what it means to be a person of color in America,” and which makes visible the identity issues Black people experience beyond the punk rock community.

“That’s also the story of Black people when we lean into our liberation, right?” Mitchell said. “Like we are expressing ourselves in very loud and uncompromising ways that challenge the status quo and so I’m really happy that this film is coming out because this is a moment where we need as many people, as many Black people, to lean into who we are in loud and uncompromising ways, because we have a whole political structure that is demanding our compromise.”

As Spooner celebrates the release of his new book and the premiere of his remastered film — which he says still needs distribution — he hopes that he can continue shedding light on the Black experience and sharing the legacy of what he created as a young Black punk rocker.

“It’s wild to me that I made something when I was 25 that people still care about, and I hope that it keeps reaching another generation and proves itself to be valuable in some kind of way,” he said.

Since Myanmar’s civil war escalated following a coup in 2021 more than 150,000 Rohingya have been purged from their homes and forced to seek asylum across Asia.

Most flee to neighbouring Bangladesh, where a million other members of this persecuted minority barely survive in some of the largest resettlement camps on Earth, following a brutal military crackdown in 2017.

Caught in the crossfire between the ruling military government and rebel fighters in Myanmar, some Rohingya refugees claim members of their families have been forcibly conscripted, subjected to targeted attacks and even massacred.

These atrocities are occurring in their homeland, Rakhine State, a secretive, inaccessible corner of the country largely controlled by a local armed group called the Arakan Army.

Rohingya witnesses allege that the violence and oppression they face now from the Arakan Army, Myanmar’s most powerful rebel group, is just as brutal as ethnic cleansing by the military in 2017 that first drew global attention to their plight.

Both the military and Arakan Army deny the allegations and blame each other

Working with human rights investigators from Myanmar Witness and Rohingya citizen journalists, Al Jazeera examines what has happened to this Muslim minority during the Arakan Army’s takeover of Rakhine.

This documentary also exposes how the rebel group is connected to the human trafficking of Rohingya refugees out of Myanmar, including young children and women who are subjected to sexual violence and brutality.

The Arakan Army declined to address the allegations raised in this film.  However, its leaders have previously denied accusations of targeted attacks on civilians, including two mass killings of Rohingya villagers in Rakhine. In a written statement to Al Jazeera, Myanmar’s military alleges that the Arakan Army is inciting hatred against Rohingya Muslims and has “reportedly committed acts of genocide” against them since taking control of much of the state.

With growing violence and a transnational crisis on their doorstep, Bangladesh wants to send all the refugees back to the war-torn country through a repatriation scheme.

But increased activity by Rohingya armed groups aligned with the military government is making that harder. Rohingya rebels active in the conflict reject those allegations.  When questioned about their conduct by Al Jazeera, one armed group called Arakan Rohingya Salvation Army (ARSA) denied burning civilian homes, participating in activities that cause harm to Rohingya villagers and encouraging refugees to fight against the Arakan Army.

Using leaked documents, covertly filmed footage and exclusive interviews, Al Jazeera investigates the driving forces behind this largely forgotten humanitarian emergency.

This story is part of Myanmar Exposed, a series of reports by Al Jazeera Investigates which uncover the hidden truths of an ongoing crisis caused by the 2021 coup and civil conflict.

Despite signing a contract extension in November 2024, the series reveals how close Guardiola came to not renewing his deal.

In one scene, the manager reveals to director Kevin Macdonald that, after losing four games in a row in 2024, he told the club: “Maybe it’s over.”

In a separate scene, City chairman Khaldoon Al Mubarak says that he was not sure he was going to be able to convince the legendary manager to stay at the club.

“You know the boy that cried wolf? He is the boy that cried wolf,” the Emirati said.

“I always convince him, but last year, I knew, this time he actually saw the wolf.”

There were various mitigating circumstances for City’s disappointing campaign in 24-25, including the 115 charges for alleged breaches of Premier League financial rules hanging over the club and the long-term injury of 2024 Ballon d’Or winner Rodri.

Amid that, Guardiola’s personal life was in turmoil as he went through a divorce and there was media speculation about his mental state when the 55-year-old appeared with multiple scratches on his head and nose following a disappointing 3-3 Champions League draw with Feyenoord in November 2024.

While the coach does not admit to the idea that his personal struggles affected his ability to do his job, Manel Estiarte, a long-time member of Guardiola’s technical staff, speaks about how he had to address players who were worried by their manager’s behaviour.

“They were worried because Pep was anxious,” he says.

“He was sad. He was different. And only I knew the reason.

“And I said to the team, ‘please, you have to understand, you’re not playing with a coach who can be a bit impulsive, who can be a bit intense, who can be sometimes up and down. You’re seeing a human being. He’s getting a divorce’.”

Alongside scenes where Guardiola obsesses over tactics, there are many where he gives candid speeches and berates his team.

Following a defeat by Bayer Leverkusen in November 2025, he tells his squad: “I work for you and I leave my life, my divorce and my family is away and everything for all of you. And what do you give back?

“The performance you have done, all of you. It’s a disgrace guys.

“When I see that, I am exhausted, I’m drained, I want to quit. When you play like this, I feel alone.”

In some scenes, the Spaniard warns his team that they will “get a new manager” if performances do not improve.

In others, he speaks about using a knife to get into their hearts and insists on his squad hugging one another and himself before matches, even blaming poor performances on lukewarm goal celebrations.

Guardiola stepped down as City manager at the end of the 25-26 campaign after 10 years at the Etihad, during which time he won 20 trophies, including both the FA Cup and League Cup in his final season.

Speaking about his next steps, he says: “I don’t know even myself what I am going to do,” adding: “It will be difficult to come back. That’s my feeling today. I need to refresh many things that happened in my personal life.”

Switzerland has selected a documentary featuring testimonies from survivors in the Gaza Strip as its entry for the 2027 Academy Awards, media reports said Thursday, Anadolu reports.

“Who Is Still Alive,” directed by Geneva-based filmmaker Nicolas Wadimoff, will compete for a nomination in the Best International Feature Film category at the 99th Academy Awards, Swissinfo reported.

The documentary places Gaza survivors in an abstract setting where they recount their experiences.

READ: Gaza’s children suffer as they fetch water amid soaring summer temperatures

The jury said the film directly addresses feelings of loss, uprooting and belonging, according to a statement by Switzerland’s Federal Office of Culture.

“Who Is Still Alive” won the Prix de Soleure, Switzerland’s most prestigious film award, at the Solothurn Film Festival earlier this year.

The Academy of Motion Picture Arts and Sciences is expected to announce a shortlist of international submissions in December. The five final nominees will be revealed Jan. 21, ahead of the Academy Awards ceremony on March 14.

READ: Iran says Switzerland talks with US focus on ending war, easing sanctions, releasing frozen assets

The show will go on for ZZ Top.

Last week, the blues rock band canceled its Hollywood Bowl concert because longtime drummer Frank Beard had health issues, Rolling Stone first reported.

That Aug. 5 Los Angeles concert was supposed to be the kickoff for the band’s the Big One tour. But a spokesperson for the band says that frontman Billy Gibbons and bassist Elwood Francis will continue the tour.

Michael Monahan will substitute for Beard for the remainder of the Big One, which will conclude its U.S. run on Oct. 9 in Port Wentworth, Ga.

The band has not said that it will reschedule the L.A. show, and all tickets, including transportation and parking passes, were being automatically refunded, according to the Hollywood Bowl.

Gibbons previously posted on Instagram that there were unexplained “insurmountable obstacles” leading to the band’s sudden cancellation at the Hollywood Bowl.

The band has released no details on Beard’s condition, although this is not the first time the drummer, 77, has faced health-related issues in his long tenure with the band. Beard joined ZZ Top in 1969, soon after the band formed, replacing founding drummer Dan Mitchell.

In March 2025, the Texan trio announced via its Instagram that Beard would temporarily step away from the band’s Elevation tour to tend to a health issue, which was later revealed to be foot and ankle problems. John Douglas — a longtime tech member, percussionist and drummer — replaced Beard in the interim, having done so previously when the veteran drummer underwent an emergency appendectomy in 2002.

In ZZ Top’s early days — following the release of the 1976 album “Tejas” — Beard dealt with issues related to substance abuse that led to the band’s three-year hiatus, which he and his bandmates opened up about in the 2019 documentary “ZZ Top: That Little Ol’ Band From Texas.”

“Frank goes all out on what he does and that includes the bad things,” bandmate Dusty Hill, who died in 2021, said in the documentary. “He was sick. If you’re a very good friend, you love a guy, you don’t want to see him die. You just want to see your brother get well.”

The Grammy-nominated band, which formed in Houston, is known for its edgy blues twang in popular singles including “La Grange” and “Tush” and across 15 studio albums. In November, ZZ Top will close out the Big One tour with eight performances across Mexico and South America.

The documentary was originally released in 2023 but is now available on HBO Max, NOW and more. It’s left many fews with “goosebumps” after watching the “haunting” ending

It can be tricky deciding which documentaries to devote your time to, especially with so much choice on offer. But an “unforgettable” documentary has earned praise for its emotional depth and “haunting”, chilling conclusion that lingers with audiences long after the final credits.

There’s an abundance of thought-provoking, powerful and compelling documentaries available across numerous streaming services like NOW, Disney+, Netflix, Amazon Prime Video, and beyond. Those seeking greater insight into our world and the cosmos can indulge in the various David Attenborough-led programmes like Life on Earth, Planet Earth and countless others.

True crime devotees have no shortage of options, with the likes of Making a Murderer, Girl in the Picture, Fred & Rose West: A British Horror Story, and plenty more capturing global audiences.

But for those yearning for something slightly different, a 2023 documentary currently streaming on HBO Max might prove the ideal solution.

Lots of telly fans head to social media while searching for their next marathon viewing session and popular TikTok content creator Luke Ecclestone, who shares content online as Eccy Reviews, has emerged as a trusted resource for many audiences.

Luke has accumulated hundreds of thousands of followers across social media where he offers his thoughts and analysis on various films and television programmes.

What is 2023’s Daniel about?

In a recent video uploaded to TikTok, he highlighted the 2023 documentary, Daniel, which chronicles the life of Daniel Northcott, who started filming his life from just seven after acquiring his dad’s video camera.

Luke began: “You need to cancel whatever you [were] planning on watching tonight because I’ve just gone and found you the perfect documentary to go and watch.

“It is emotional, it will send shivers down your spine, and you genuinely never will forget the ending.”

He continued: “The documentary you need to see is called Daniel. Now, this is available on HBO Max and if you’re someone who’s seen it, you’ll know exactly why I’m talking about it.

“[This documentary] follows Daniel, who at a young age is given a film camera. He begins to document his whole entire life into his 20s, when he begins to explore the whole world.”

However, circumstances soon shifted dramatically for Daniel.

Luke explained: “He becomes a teacher in Asia until one day, he goes into this Mayan cave, where he is drawn to this rock.

“He decides he wants to take it home, but he is advised not to because of the bad spirits, etc, etc. However, after the warnings, he begins to take the rock home.

“And three months later, he is diagnosed with leukaemia. Now, he begins to document his journey with cancer.

“It is very emotional, it is very personal, it will definitely bring a tear to your eye. When he begins to remember about this rock, he cannot find it – and it becomes a documentary that is super entertaining, but emotional.

“Genuinely, when you get towards the end of this documentary, you will never, ever forget what happens. So make sure you go and head over to HBO Max – go and check out Daniel.”

How did viewers react to Daniel?

In the comments section, fellow TikTok users were eager to voice their opinions. One person said: “It’s absolutely brilliant but very haunting.” Another said: “Best documentary.”

A third commented: “Just watched it on Sky Docs, wow! One of the most powerful documentaries I’ve seen for a long time, good shout.” While a fourth said: “Daniel documentary absolutely broke me and [I] get goosebumps every time I think of that ending.”

Someone else shared: “This was such a bittersweet watch.” And another viewer added: “I can confirm, the ending gave me the shivers. Wow!”

Daniel is available to stream on HBO Max via NOW.

Bangladeshi journalist and fact-checker Qadaruddin Shishir investigates extrajudicial killings and disinformation following the student-led protests that ousted former Prime Minister Sheikh Hasina in 2024.

As Bangladesh continues a political transition under new governance, he turns his focus towards debunking fake news and misleading narratives spreading online. Determined to safeguard his nation’s democratic integrity, he launches an independent organisation to expand his work and mentor a new generation of fact-checkers.

As Bangladesh struggles to rebuild trust after political turmoil, Shishir pins his hopes on a new generation willing to defend the truth.

CHERYL TWEEDY is set to make a huge comeback with her own documentary.

The Girls Aloud singer has kept a low profile in recent years, but remains one of the UK’s most successful female solo artists and telly stars.

I’m told she is in early talks to create a film about her life and look back at her past successes.

The plan is to document her rise to fame auditioning on Popstars: The Rivals and being a judge on The X Factor as well as touching on her love life.

She is currently single after high-profile marriages to footballer Ashley Cole and restaur­a­teur Jean-Bernard Fernanzed-Versini plus relationships with US dancer Derek Hough and the late One Direction singer Liam Payne, who is the father of her son Bear.

A source said: “Cheryl is incredibly picky about what she chooses to do these days and spends a lot of time on motherhood, but she feels like she has a story to tell.

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“The doc could create a bidding war between all of the big streamers — Netflix, Amazon Prime and Apple.

“She would also have creative control over the project.”

Cheryl’s TV project comes after successful documentary series from David and Victoria Beckham, Robbie Williams and Katie Price.

Her PR man did not respond when I reached out for comment.

Last year it was reported that Cheryl was in talks to make a telly comeback by appearing on The Voice, and she was spotted having a low-key dinner in Italy with pal Will.i.am, who is a mentor on the ITV talent show.

Over the years Cheryl has featured in several high-profile documentaries including Access All Areas, which followed her first solo arena tour.

Speaking about the 2012 doc, she said: “I literally had a friend of mine filming so that I would not feel like I had a camera crew in my way and at times forgot myself.

“I have since regretted this decision. The number of times I cringed watching it.”

I’m sure fans would love to go behind the scenes with Cheryl.

SLIPKNOT ‘CUT TIES’ WITH SID

SID WILSON has been “kicked out” of heavy metal band Slipknot after 28 years, according to sources.

The American DJ and keyboardist, who joined the group in 1998, is understood to have been sent packing on Friday.

It comes just five months after Sid – known in the band as #0 – split from his fiancée Kelly Osbourne.

I can reveal Slipknot have also parted ways with the PR company that has represented them since 1995.

A source close to the band told TMZ, “Sid was notified late Friday afternoon that he has been permanently kicked out”.

The musician proposed to Kelly backstage at her dad Ozzy Osbourne‘s final Black Sabbath gig at Villa Park in Birmingham last July.

Just weeks later, Kelly suffered heartbreak when Ozzy passed away.

She and Sid had started dating in 2022 and had son Sidney at the end of the same year.

However, she has since sparked fresh romance rumours with her supposed new hairdresser partner Kiinicki – a Los Angeles-based barber and creative behind the brand Hella Good Hair.

Kelly shared snaps of herself with Kiinicki, who uses they/them pronouns, in April.

And the pair were spotted at an after-party following Lily Allen‘s gig at the London Palladium in March.

Sounds like Kelly has got Sid out of her hair.

JESSICA’S NETFLIX DOCU

AMERICAN singer Jessica Simpson is set to have her life made into a Netflix documentary.

It will be developed by director Joe Pearlman, who created Robbie Williams’ docu-series and Lewis Capaldi How I’m Feeling Now film.

A source said: “It will be a four-parter similar to Robbie Williams’ one. Like him, Jessica has faced her demons and been through trauma having started in the music industry aged 17.

“Filming is expected to start this year and will show Jessica talking about everything she’s been through.”

SAM THOMPSON and Pete Wicks seem to be building an empire – having joined forces on a new financial venture.

I can reveal that former Made In Chelsea star Sam and ex-Towie hunk Pete, who own Staying Relevant Productions and co-host a podcast, have set up PWST Investments Ltd.

Details lodged with Companies House show the nature of the business is “security dealing on own account”, which relates to investing in stocks and shares, futures, securities and commodities.

A source said: “Sam and Pete have become comedy gold on their podcast, but they are serious when it comes to business.”

Move over power couples, bromances are big business.

Viewers have been left furious over the Channel 4 announcement, ahead of upcoming documentary The Great ADHD Myth?

An upcoming Channel 4 documentary has been blasted by viewers for suggesting a “dangerous” message.

The broadcaster has announced a programme on ADHD, titled The Great ADHD Myth?, which has sparked immense backlash.

The documentary, according to Channel 4, “seeks to determine whether ADHD is a genuine neurodevelopmental disorder, or a social construct”.

It apparently asks: “With so many questions on what ADHD is, should we really be giving so many children powerful psychiatric drugs to medicate it?”

This comes after the NHS released information about the number of people affected by ADHD. Data from May 2025 reports that it is estimated that 2,498,000 people in England have ADHD, including those without a diagnosis.

Of those, an estimated 741,000 are children and young people aged between five and 24. The report also stated that in March 2025, up to 20,000 people were newly referred for an ADHD assessment to mental health services, an increase of 13.5% from the previous year.

The Channel 4 programme, featuring NHS psychiatrist Dr Max Pemberton, will be looking into “why” the traits of ADHD exist.

A press release for The Great ADHD Myth? States: “While the traits of ADHD undeniably exist – the question is why they exist. Is ADHD actually a neurodevelopmental disorder? Do people with ADHD have differently wired brains? Or does our world – with phones, ultra-processed food, and regimented education system – serve as the catalyst for certain responses and patterns of behaviour? And with such uncertainty around the condition, should we really be giving children mind-altering drugs to treat it?”

The documentary hears from medical experts who are questioning “the conventional narrative” around ADHD, and will follow a young family who “want to see whether holistic lifestyle changes can eliminate one boy’s use of ADHD medication”.

Dr Pemberton said: “As a psychiatrist, I’ve watched ADHD go from a diagnosis that was only occasionally made and after careful assessment, to one that is increasingly demanded and dispensed, and I wanted to understand why. There’s no doubt that the people seeking these diagnoses are genuinely struggling; that isn’t in question. What the film asks is whether ADHD is really the best explanation for that struggle and my hope is that we come away with permission to ask better questions about what modern life is doing to all of us.”

The Channel 4 announcement has left some social media users appalled, with one writing: “The endless hostility toward people with ADHD, autism, and anxiety is reaching a terrifying point.” Another said: “Who signed off on this man? I don’t even have ADHD and I’m outrageously offended.”

One person blasted: “What ableist bulls**t is this, @Channel4??” Someone else said: “More demonising and minimising those with mental health struggles. Fabulous.” One person called it “absolutely disgusting”, while another said it was “incredibly hurtful”.

Another wrote: “I don’t have ADHD, but I never thought Channel 4 would stoop so low.” Yet another echoed: “Demonising neurodivergence. What a time to be alive.” Someone else said: ““Myth? It’s not a myth if you have ADHD. What a way to frame it.”

Another person called the documentary “irresponsible and dangerous,” as someone else wrote: “As someone recently diagnosed, I am already sick and tired of ADHD being framed as “not real”. It made school utter hell for me, and impacts my day to day life. Why Channel 4 seem intent on pushing stuff like this I will never know.”

Other people expressed their interest in the show, with one saying: “I’ve been diagnosed and I wonder this too!” Someone else said: “The outrage this has caused illustrates why it is needed. No diagnostic neurodevelopmental process has ever been established as constitute of ADHD, despite what is implied and many have been led to believe. The question posed by the doc, then, is entirely legitimate.”

In a statement, a Channel 4 spokesperson said: “This documentary does not deny the lived experience of people with ADHD traits, but does hear from a group of senior medical and academic experts – many of whom work or have worked with the NHS or have held presidential roles at professional membership bodies – who seek to question whether ADHD is a neurodevelopmental disorder. They also ask whether modern living has contributed to a rise in diagnoses, and whether there may be better alternatives for children than medication.”

In 2011, the Philippines’ government promised to deliver one of the world’s most ambitious regreening projects.

The idea was simple: pay locals to restore forests and cultivate barren land by planting and tending millions of trees.

But 15 years on, a joint investigation by 101 East and Lighthouse Reports reveals how the National Greening Program has failed to meet most of its targets.

Satellite imagery shows that instead of being protected, some forests are being destroyed, while some Indigenous communities fear losing the land their livelihoods depend on.

101 East investigates how the Philippines is failing its forests.

CREDITS

For Al Jazeera

Natashya Gutierrez, reporter

Lee Ali, cinematographer

Badrul Hisham, picture editor

Susan Kim, digital producer

Nicole Revita, local producer

David Boyle, graphics

Liz Gooch, senior producer

Nick Olle, supervising producer

Sharon Roobol, executive producer

For Davao Today

Lucelle Bonzo, reporter/local producer

For Lighthouse Reports

Min Lawi Lun, lead data investigator

Eva Constantaras, data editor

Margot Gibbs, lead supply chain investigator

Viktoriia Maksymova, data fellow

Paul Nicholas Soriano, project manager

After a year and half of research and interviews, the BBC on Wednesday aired an explosive new documentary in which multiple women accused Oscar winner Jared Leto of sexual assault.

Directed by Alice McShane, “Jared Leto: Hollywood’s Dark Secret,” which debuted Wednesday in the U.K., revealed new claims of criminal sexual conduct by the 54-year-old actor and musician from four women, including a possible instance of statutory rape in California. In the film, a total of 10 women recount allegations of sexual assault, along with inappropriate text messages, phone calls and behavior that occurred from 2002 to 2016. Leto has denied the allegations.

To ensure the integrity of the documentary, the hour-long program was not announced ahead of time.

“Everything came out at once,” says producer Jessica Sartenaer, speaking from London over Zoom alongside McShane on Friday morning. “That was all very much part of the strategy because we didn’t want to leak anything before the investigation came out.”

McShane began working on the film after Los Angeles-based DJ Allie Teilz reshared in April 2025 her Facebook post from 2012 in which she accused Leto of trying to “force himself” onto her backstage at a concert. Teilz described the actor as “Hollywood’s most persistent predator.” About 40 women contacted Teilz with their own allegations, according to Sartenaer. In June 2025, weekly newsletter Air Mail published accusations of impropriety against Leto by nine women, which he denied.

“I began ringing around trying to find the women who’d written into Allie,” McShane says. “When I was speaking to women, I realized there were other journalists on the trail. So I did think there was going to be something published relatively quickly, which we can’t compete with because we have a whole different set of considerations. It takes a lot longer to make.”

Social media was the main resource for finding people willing to speak on the record. The filmmakers say they discovered more than 120 separate allegations online.

“But that doesn’t necessarily mean these are all women who want to speak about their experiences,” McShane says. “They’ve posted anonymously for a reason. It was a lot of hours spent digging through hundreds of people from across Leto’s life and career — people who had worked with the band, people in his acting life, his fashion life. We had an enormous spreadsheet. It was a really in-depth process.”

Ultimately, 10 women agreed to be interviewed on camera. The filmmakers offered each various options of anonymity depending on their level of comfort. None are completely anonymous, although only three used their real names. All of their real voices are heard, which McShane says is unusual.

Sartenaer adds, “The courage it takes to come forward and come up against a powerful man like Leto is immeasurable. It’s absolutely incredible what these women have done, and the anonymity decision is a very personal one. Right away, [the women had] this gut instinct about the level of anonymity that they would like.”

McShane drew on her past experiences, including making the 2023 Channel 4 documentary “Russell Brand: In Plain Sight,” which investigated comedian Russell Brand’s treatment of women, to guide the interview process.

“You really learn from a duty-of-care perspective how to best look after the women,” she says. “There’s always this balance of wanting to investigate the story, but also understanding these are people who have gone through incredibly painful experiences and they’re sharing very personal things with you. You never want to push. They are in control. You can never make these things happen. It has to come from the women.”

The initial investigation began in London and the filmmakers visited Los Angeles twice in the months that followed. The first interview was with a woman named Alex last fall. In the documentary, the former model recalls being invited to a 30 Seconds to Mars concert at London’s O2 in 2013 (Leto is the band’s frontman). She says his female assistant then brought her to an afterparty at the members’ club Shoreditch House. Although she was 19 at the time, she told Leto she was 17 to protect herself. She says the musician, then 41, replied, “Age is just a number, and, anyway, we’re in Europe.”

Alex was sent by Leto’s assistant to another afterparty at a nearby hotel, but Leto was the only one there, she says. Alex asked for a phone charger and cash for a taxi home, but was denied. When she asked if she could crash on the sofa in the hotel room, she says Leto threatened to rape her.

“Right from when we started investigating and started hearing from these women, [we were] noticing these patterns of behavior,” McShane says. “[Alex] is an extraordinary communicator. The women we were speaking to, all of them, are amazing storytellers, and resolute about telling their stories. Each time we spoke to somebody it reinforced the importance of getting it out.”

An explosive new documentary revealed new claims of criminal sexual conduct by actor and musician Jared Leto.

(Pascal Le Segretain / Getty Images)

Sartenaer says Leto’s seeming fixation with women of a young age was something “we were interested in investigating right off because of the pattern we noticed in the reposts from Allie Teilz.”

“Many of them did mention that they were teenagers at the time of the alleged offenses,” she says. “We knew that was a thread to follow right from the beginning.”

One woman, named Clara in the documentary, spoke about having sex with Leto for the first time when she was 17 and he was 34. The encounter took place at his home in California. In the film, she describes having a conversation with Leto about the age of consent in the state. “He just kind of shrugged it off, like it wasn’t a huge concern for him,” she says.

As the documentary points out, the age of consent in California is 18. An adult having sex with someone underage can constitute statutory rape. The filmmakers can’t comment on the law or whether there will be any legal repercussions for Leto. However, Mike Radford, executive producer at BBC Current Affairs, says what distinguishes “Jared Leto: Hollywood’s Dark Secret” from prior investigations is that the film showcases alleged criminal conduct.

“That’s a different level of potential wrongdoing,” Radford says, speaking on the phone from London. “From that point of view, it becomes a more serious story, and it goes beyond misunderstanding to something more worrying.”

The filmmakers sent a “lengthy right of reply” letter to Leto and gave him two weeks to respond. They followed up several times with his team to no avail. It wasn’t until after the documentary aired that Leto denied the allegations in a statement, which was shared Wednesday with The Times.

“I have never sexually assaulted anyone in my entire life,” he said. “These claims are absolutely and categorically false.”

The documentary combines the interviews with reenactments and archival footage. Sartenaer says they had a “wealth of material” to pull from.

“There is so much content about him,” McShane adds. “And he’s so overtly sexual on the public stage. We’ve got examples in the film of him, like when he’s in the press room at the Oscars. Everything is packed with innuendo. There are examples where he’s being very inappropriate with young women on the stage. All of that placed next to these interviews can be so chilling and there were countless examples of that available to us.”

The filmmakers worked with a limited budget and a small team of three: McShane, Sartenaer and cinematographer Theo Tennant. In total, they spent a year and half working full time on “Jared Leto: Hollywood’s Dark Secret.”

Alice McShane, left, and Jessica Sartenaer interview entertainment journalist Maureen Ryan for “Jared Leto: Hollywood’s Dark Secret.”

(Theo Tennant / BBC)

The biggest challenge was the fact that “Hollywood is an impenetrable world,” Sartenaer says. The documentary features interviews with two people who worked with Leto speaking completely anonymously, but they were difficult to find and get on the record.

“It really took a very, very long time to have a breakthrough on the insider front [and] to actually get people to start talking with us,” Sartenaer says. “Hollywood is such a precarious place and it’s difficult to get into Hollywood, and I think once people are in, it’s probably a terrifying prospect. One foot stepped wrong could see them catapulted out of it again. We saw that nervousness in trying to speak with people. There’s a real culture of secrecy.”

Despite that, there are hopes that “Jared Leto: Hollywood’s Dark Secret” will encourage other potential victims to speak out.

“The investigation is ongoing,” Sartenaer says. “What these women have done by coming forward [is commendable]. We think their courage will encourage other women to speak their truth, whoever it is about.”

Radford says the BBC is continuing its investigation into the allegations surrounding Leto.

“We would hope that should our investigation continue we would have enough material to make a subsequent documentary,” he says. “We’re not working on a documentary now because I’m not commissioned to do so. But it is our intention.”

At present, the BBC doesn’t have plans to air “Jared Leto: Hollywood’s Dark Secret” in the U.S. It was offered to the U.S. market while in production, according to Radford, but not picked up for distribution.

“There was no legal reason it isn’t airing there,” Radford says. “In fact, the legal threat is much greater in the U.K. because the libel laws are tougher in the U.K. So there was no fear around putting it out in the U.S.”

McShane and Sartenaer have been heartened by the immediate response to the documentary. But they also hope the momentum will continue.

“I hope we keep seeing the reverberations and I hope the conversation doesn’t die,” McShane says. “Ten years ago at the height of #MeToo this would have really punched through. The general outrage has cooled a little bit when stories of this nature are published. But we hope the conversations stay strong because it’s really important people keep talking about this.”

Ghana is facing an opioid addiction crisis, with a flood of cheap, synthetic drugs destroying lives and communities. In the northern city of Tamale, a group of civilians, frustrated by what they see as the inaction of local authorities, are taking the law into their own hands. The ‘anti-drug task force’ patrols the streets, seeking out dealers and users and meting out its own brand of justice. Some government officials condemn the vigilantes, while others embrace them as a useful tool in the fight against illegal drugs. As word spreads about the success of Tamale’s task force, some question whether civilians can properly replace state services – and warn about the dangers of vigilante justice.

Aitch has released a brand new documentary and it can be streamed today

Manchester rapper Aitch has shared his heartwarming relationship with his family as he embarks on his toughest challenge yet.

Aitch: Don’t be afraid has today (Sunday, July 26) been released on Netflix as it chronicles the rapper’s journey up Africa’s highest peak with friends and family. Aitch has climbed Mount Kilimanjaro to raise awareness for the Down’s Syndrome Association in honour of his sister Gracie.

An official synopsis reads: “Inspired by his sister, rapper Aitch scales Mount Kilimanjaro to raise funds for people with Down syndrome and to fight for greater inclusivity.”

Already, Netflix subscribers are tuning in as one person wrote on social media: “Defo be watching @OfficialAitch netflix documentary! Such a great guy.”

Another replied: “Can’t wait to see this. Congratulations team!” As the brand new documentary airs, here’s all you need to know about Aitch’s sisters as well as the star’s incredible net worth.

Aitch’s relationship with his sisters

Aitch, whose real name is Harrison Armstrong, has an inspiring bond with his younger sisters Hattie and Gracie, often stating he makes music to support them. With a strong bond with both of his siblings, he has a publicly documented relationship with one sister, Gracie, who has Down syndrome.

In the brand new release, Aitch shares his special relationship with Gracie as he tells the cameras: “It’s just the best relationship ever. If there’s a blueprint of what a human should be, it probably is her.

“She couldn’t love the people around her more if she tried, she smothers you with love.”

Hattie and Gracie are non identical twins, but equally have a loving bond with their older brother, who worships everything they do.

Previously speaking at the Pride of Britain, the star said his sisters were his personal heroes, before paying special tribute to Gracie who he said was an “absolute soldier”.

Previously appearing on I’m a Celebrity Get Me Out of Here last year, he held pictures of his younger siblings near his camp bed as he said his sisters were his “whole heart”.

In one episode, speaking about Gracie he told his campmates: “She’s the GOAT honestly. There’s not one person that’s ever met her that’s said a bad word.”

In his 2022 song My G, featuring Ed Sheeran, there was a touching tribute to Gracie as all profits went to the DSA, which Aitch is also an ambassador for.

The star often takes to social media to share heart-warming videos, with fans loving his close bond with his siblings.

Just recently, teasing the new documentary, Aitch wrote on Instagram: “GRACIE, THIS IS FOR YOU AND THE OTHER 40,000 BEAUTIFUL PEOPLE JUST LIKE YOU DONT BE AFRAID! 26/07/26 @netflixuk.”

The support came pouring in as one person replied: “GRACIE WE LOVE YOU”, as another echoed: “You’re an inspiration . Your sisters are so lucky to have such an amazing big brother.”

Aitch’s net worth

Aitch’s net worth was estimated to be around £3.5million in 2025, which has been accumulated through his skyrocketing career as a rapper.

However, Heat’s 2025 Rich List, as reported by Bauer Media, Aitch found himself number 9 with an estimated £14.4m.

Aitch: Don’t be afraid can be streamed on Netflix now

Tuberculosis is a leading cause of death in the Philippines, killing an estimated 98 people each day.

The infectious disease is particularly grave in remote communities, where medical services are limited and delayed diagnosis and treatment can be fatal.

But a Filipino doctor is determined to change that with modern innovations.

Dr Heidi Sampang uses drones to fly samples and speed up testing.

The technology can help save lives by expediting the delivery of essential medical supplies in a country with thousands of mountainous islands.

101 East meets the medical teams using drones to fight tuberculosis in the Philippines.

The Lucas Museum of Narrative Art on Thursday announced its inaugural film programming, which will be screened nonstop during museum hours in two dedicated 299-seat theaters. Entry to the theaters is included with each general admission ticket, and visitors can enter and exit at any time, creating a free-flowing set of ancillary exhibition spaces with a goal of furthering the museum’s mission of exploring storytelling in its many forms.

One of the theaters will play museum co-founder George Lucas’ student films, made between 1965 and 1969, among other rare offerings. A schedule of screenings will be provided to visitors as they enter so they can plan their day around what they’d like to see, and programming will be changed periodically through the year. The theaters will also be used for special events.

“The film program, like so much in the museum, is unique in its structure and content. It is an open-door program that runs continuously throughout the day, allowing people to come and go at their leisure,” Ryan Linkof, senior curator and head of the museum’s film programs, wrote in an email. The news was first revealed Thursday during a Hall H panel at San Diego Comic-Con. “In this way, it fits within the larger mission of the museum to allow visitors to choose their own path through the museum and discover content at their own pace. It is also a varied and diverse program that includes everything from the earliest cinema experiments to avant-garde film, documentaries and animation, providing a platform for many underrecognized and rarely seen films and filmmakers.”

Adjacent to each other on the ground floor, off the north lobby of the $1-billion museum, the theaters are named after two giants of film history: Robert J. Flaherty, whose 1922 silent film “Nanook of the North” revolutionized documentary filmmaking; and early Hollywood montagist, cinematic artist and experimental filmmaker Slavko Vorkapich, who also served as chair of the USC film department from 1948 to 1950, more than a decade before Lucas enrolled in the program.

Two 299-seat theaters will be located on the ground floor of the new Lucas Museum of Narrative Art, which opens to the public Sept. 22.

(Jason Armond / Los Angeles Times)

The Flaherty theater will be dedicated to documentaries, including those that chronicle the work and artistic process of many of the artists and storytellers featured in the museum’s opening exhibitions such as Norman Rockwell, Jim Lee, Charles M. Schulz, Maurice Sendak, Diego Rivera, J.C. Leyendecker and Weegee. The museum will also screen “Seeing Is Believing: The Story of Narrative Art,” a new documentary series it commissioned from Robin Dashwood. It will also show episodes of the 2024 television series “The Power of Film,” created by Howard Suber and directed by Laura Gabbert, and the 1988 Ron Mann-directed doc “Comic Book Confidential.”

The experience will be more avant-garde in the Vorkapich theater, which will contain programming “showcasing cinematic innovation and imagination through experimental and formally inventive short films that speak to the essence of cinema: the magic of seeing still images come to life,” wrote Linkof.

Offerings include Lucas’ student films, as well as montage sequences by Vorkapich for movies like “Mr. Smith Goes to Washington”; silent films by Georges Méliès, Émile Cohl, W.K.L. Dickson, Edwin S. Porter and more; early animations by Winsor McCay; experimental films created by Man Ray and László Moholy-Nagy; early sound animations by Walt Disney and Fleischer Studios; experimental films by Canadian animator Norman McLaren; Looney Tunes cartoons; abstract “visual music” works by Mary Ellen Bute, Oskar Fischinger, Jordan Belson and others; excerpts from Busby Berkeley musicals; experimental films from the 1960s by Stan Brakhage and Kenneth Anger; experimental animation by Vince Collins; “Cowboy Bebop”; and an episode of “Star Wars: Visions.”

The Lucas Museum opens Sept. 22. Tickets went on sale Tuesday and were going briskly, with digital wait times reported of more than four hours in queues with as many as 13,000 guests. Museum representatives declined to comment on how many sold that first day, noting, “We’re grateful for the response and early enthusiasm from our Founding Member community and first wave of visitors. We look forward to welcoming them in September.”

Lily Allen’s phenomenal musical comeback with West End Girl caused quite the stir.

Lily Allen fans will see the star as “she’s never been seen before” in a “redefining” new documentary.

Pop star Lily Allen was a cultural icon in the noughties, and was recently catapulted back into the spotlight after an eight-year break, thanks to her scandalous hit album West End Girl.

Now, the Not Fair singer is at the heart of an upcoming biographical documentary “offering an intimate portrait of the life and career of a global icon and voice of a generation”.

Set to be released on Prime Video, the film will take a deep dive into her “extraordinary journey” and why she has remained a cultural force for the past two decades.

The special will feature interviews from those closest to the star to give subscribers a real insight into the musical legend’s life away from the cameras.

The official synopsis teases: “As a pioneering woman in modern music, Lily’s sharp wit and candid storytelling directly paved the way for a generation of today’s biggest female artists.

“This is a story of resilience, reinvention, and an artist reclaiming her narrative on her own terms.

“This is Lily Allen as she’s never been seen before. Raw, real, and redefining what it means to thrive in the spotlight.”

So far, a release date for the Lily Allen documentary hasn’t been confirmed by Prime Video but it will be sometime in 2027.

Her shocking fifth studio album West End Girl was written following the collapse of her marriage to Stranger Things star David Harbour.

The famous couple first started dating in 2019, got married the following year and separated in 2025.

In her 14-track West End Girl album, she accuses Harbour of infidelity and talks about their open marriage agreement.

Harbour has since addressed the album in an interview with Variety, saying “stories are complex” and that “it wasn’t my experience”. Nevertheless, he does “respect her creation of art to channel her experience”.

The Lily Allen documentary will air sometime in 2027 on Prime Video.

The true crime documentary has everyone talking as it is available to stream now

True crime fans cannot stop talking about a “bizarre” documentary that left their jaws on the floor.

The Cult of NatureBoy is a four part documentary series that plunges viewers into the rise and fall of YouTuber Eligio Bishop, also known as ‘Nature Boy’.

Giving fans an unprecedented insight into the cult, viewers are transported back to 2016 when Eligio used social media to lure unsuspecting followers to a real-life ‘utopia’ he had founded. However, the alternative lifestyle soon turned into a cult plagued by coercion, violence and abuse.

Having first been released earlier this year on Disney Plus, the four part series follows his life and eventual trial as viewers have branded it one of the “most bizarre” documentaries they’ve ever seen.

An official synopsis reads: “The Cult of NatureBoy traces the rise of Eligio Bishop, aka NatureBoy, leader of Carbon Nation. Beginning in 2016, he used social media to attract people to a self-described Black Utopia. What began as an alternative lifestyle in the tropics became a sex cult of violence, manipulation, and coercion, ending with his 2024 trial and life sentence.”

Streaming on Disney Plus now, it comes with a strong viewer warning however, as more fans are only just discovering the relatively new watch.

Taking to TikTok this week, one true crime fan shared a video captioned: “One of the most bizarre documentaries I’ve watched.”

They said: “What on earth have I just watched? If you’ve not seen it yet, Disney Plus have brought out a four part documentary and it’s called The Cult of NatureBoy. I’m telling you now right, this is one of the most bizarre documentaries I’ve watched.”

They later added: “I’m sorry what? It baffles me that people stayed with him, it baffles me even more that people sent him money.”

However, they went on to say: “I need to warn you because some of the things you see on it….It’s one of the maddest things I’ve watched.”

One person commented: “I watched this yesterday it’s so crazy!” Another replied: “I’ve just finished it now and my jaw is still on the b***** floor.”

A third penned: “It was mind blowing how the h**l could people let them treat them like that.” Over on X, viewers previously shared their disbelief as one person said: “#TheCultOfNatureBoy is too damn bizarre.”