Denver

When Meow Wolf’s Los Angeles location opens later this year, one of its biggest residents will be a 20-foot-tall, 1,000-pound amoeba-like creature named WoWoW.

Created by the L.A.-based multimedia collective Everything Is Terrible, WoWoW is alternately described as a “cosmic entity” and a “cartoony, root vegetable floating alien god.” The multi-eyed organism will serve as the centerpiece of “the N.E.S.T.,” an EIT-designed section of Meow Wolf’s new 26,000-square-foot immersive exhibition space.

In-progress detail of Everything Is Terrible’s WoWoW sculpture for the forthcoming Meow Wolf Los Angeles, shown with multi-color eye lighting.

(Photo by Allyson Lupovich / Meow Wolf)

That acronym has yet to be explained, and is cloaked in Meow Wolf’s intentionally mysterious messaging about its latest incarnation, which is set in an old Cinemark movie theater in West L.A. and will tackle the ephemeral joys and hardships of Hollywood’s dream factory. The L.A. location will be the Santa Fe, N.M.-based immersive art and entertainment company’s fifth outpost after Denver, Las Vegas, Houston and the Dallas suburbs.

The L.A. space boasts 45 local collaborating artists including Gabriela Ruiz, David Altmejd and more. Each is building their own unique installation featuring a variety of sculptures, dioramas and new media.

Everything Is Terrible is one of Meow Wolf’s most prolific partners, creating a variety of psychedelic characters for various installations over the years. The collective dreamed up the N.E.S.T. about two years ago as a way of paying tribute to maximalist roadside attractions like Wisconsin’s House on the Rock or New Mexico’s Tinkertown Museum. It also tells the story of the Noothies, a made-up community of former below-the-line film workers who stumbled upon a god — and a hidden truth about the nature of reality.

The installation presents a paradox by being a Hollywood idea that is completely un-Hollywood. It may wink at the industry’s unseen heroes, but who can afford to make art for art’s sake in the entertainment industry anymore? That seeming contradiction makes it a very Everything Is Terrible idea.

Founded nearly 20 years ago by a group of friends who met at Ohio University, Everything Is Terrible was launched as a found-footage website that created wild and singular art pieces using thrifted VHS tapes. It found viral success with videos about cat massage, and a dancing dinosaur who warns kids about the dangers of pedophilia, as well as its lauded quest to amass as many VHS copies of “Jerry Maguire” as humanly possible. (The group has about 45,000 at the moment, all stuffed in boxes and waiting to be unleashed on the world — perhaps as a pyramid in the desert or maybe featured in some sort of coffee table book.)

“I think our outlook on life has become, ‘look at the worlds that these people created,’” says EIT co-founder Dimitri Simakis. “No one asked them to do this. Someone just wanted to do a kids puppet show in some garage in North Carolina and now they’ve created a simulacra.”

That’s also what the collective is doing with its Meow Wolf exhibit, adds Nic Maier, another EIT member. “It’s what we’ve done for the last 20 years, really. We’re just a bunch of kooks who got together to obsessively make things in celebration of life and in appreciation of each other’s time.”

The marriage of Everything Is Terrible and Meow Wolf is a match made in heaven. The groups first met in 2009, bonded by a shared commitment to interactive art experiences that twist reality using an ornate handmade aesthetic.

A few years later, Maier was hired to work on what would become Meow Wolf’s first large-scale installation, Santa Fe’s “House of Eternal Return.” As he spent hours sculpting large, foam trees for the group, he says he fell in love.

A mystical, neon-colored forest in Meow Wolf’s Santa Fe, N.M., exhibition, “The House of Eternal Return.”

(Meow Wolf)

“We always joke that ever since then, EIT has been a barnacle on the side of the Meow Wolf ship, just hanging on but also occasionally hopping in to contribute,” Maier says.

When Meow Wolf announced it was opening two new spaces, in Las Vegas and Denver, it called on EIT for ideas. Simakis and Maier threw out a few pitches for Denver and one landed: a McDonald’s-like retro freak-out known as Pizza Pals Play Zone, which went on to become one of the attraction’s most talked about, photographed and beloved spaces.

“Pizza Pals Play Zone is super character dense,” says Han Sayles, Meow Wolf’s director of artist collaboration. “It’s just one of those spaces that feels like Meow Wolf. There’s hundreds of different pieces of media framed all around, featuring all of these different characters they created. They even made a bible … that had the narrative backstory of every single character and every deliverable they wanted for that room.”

Pizza Pals Playzone, created by Everything Is Terrible, at Meow Wolf’s Convergence Station in Denver.

(Jess Gallo / Meow Wolf)

When Meow Wolf’s Los Angeles project became a possibility, Sayles says Everything Is Terrible was one of the first groups she pitched as a potential contributor. EIT ended up being offered a custom project, in which the group used Meow Wolf’s extensive production facilities and resources to create their vision for the space, weighing in on everything from the shape of their room to the merch it might inspire in the Meow Wolf gift shop.

“We had a super trusting relationship with them,” Sayles says. “We recruited them as partners and negotiated a deal without knowing what they were going to put in the room. Both Nic and Dimitri have such a beautiful, strong sense of the exact genre of whimsy that we go for and they always deliver super deeply, so we knew it would be amazing.”

Sayles says she also thought the group’s experience of Los Angeles would lend itself well to the overall theme of the venue. Shakti Howeth, a creative director at Meow Wolf, agrees, saying that while Meow Wolf attractions are typically pretty otherworldly, they’re always built around an overarching story.

At Meow Wolf’s “Omega Mart,” in Las Vegas, guests first enter a satiric take on a grocery store, where portals lead to otherworldly art exhibitions.

(Christopher DeVargas / Meow Wolf)

The N.E.S.T., Howeth teases, will relate to some of the L.A. attraction’s character groups and themes, as well as its overall story. How audiences first encounter WoWoW and the N.E.S.T. will depend on which door they use to enter the room. From there, the points of visual interest will compound upon each other.

“We’re just incorporating all the things we love,” says Maier, noting that includes roadside attractions, folk art and anything “outsider.”

“It involves everything from the importance of dirt and worms to video games to experimental film to worker uprisings to entering literal other dimensions where you can meet what might be God, all within a [553]-square-foot space,” Simakis adds. “There have been times when we’ve been in the N.E.S.T. and thought we crammed in too much … but then you realize it has to be like that, because we’re trying to tell the whole story of the universe in just that room.”

For example, Maier spent much of the last two years building 45 beautifully weird costumes for the attraction, only two of which will be physically in the N.E.S.T. The other 43, he explains, are there for “world-building” and to make the story feel lived in. Everything in the space will have been created by Everything Is Terrible and Meow Wolf, including what seems like real found footage.

Simakis calls the group’s vision for the space “unrelenting joy mixed with benevolent chaos,” as well as “a beautiful folk art museum that’s also a space rave.” He likens what the group is doing to “building a puzzle out of thousands of other puzzles, gluing it together to make a new thing.”

“It’s like we’re making a movie that’s not a movie,” Simakis adds. “It’s a video game. It’s a living space. It’s all of these things, but you get to walk around in it.”

If that’s confusing, it’s because it’s meant to be — at least a little. How each visitor absorbs or receives the space will be entirely up to them. And while that could be a bit terrifying for some artists, to pour everything into a piece only to have the public possibly misinterpret or even ignore it, Maier and Simakis say they’re open to whatever comes.

“Millions of people are going to potentially walk through our space, so it has to be really special,” Simakis says. “We’ve also thought about all the different ways people could enjoy it, whether they’re a baby or a stoner or someone who’s just really into immersive entertainment or escape rooms. Even if you just go to take selfies, great. We’re pro-that. But also, if you want to keep going back or you want to spend hours there, I promise we’ve made it worth your while.”

Meow Wolf L.A. opens later this year. You can catch both Meow Wolf and Everything Is Terrible in the Los Angeles County Museum of Art’s Art Parade on June 20, marching in some of Maier’s 45 costumes from the N.E.S.T.

The Chargers essentially lived on an airplane last season, traveling more miles than any other NFL team.

This season, they will have a long runway followed by a dramatically sharp ascent.

They open against three first-time head coaches in succession, then face four Super Bowl-winning head coaches in a row.

Their first three games are against Arizona (Mike LaFleur), Las Vegas (Klint Kubiak) and Buffalo (Joe Brady), before squaring off against Seattle (Mike Macdonald), Denver (Sean Payton), Kansas City (Andy Reid) and — after a week off — the Rams (Sean McVay).

And it’s not as if the Chargers will be homebodies, as they have four coast-to-coast trips with road games at the Bills, Baltimore, Tampa Bay and Miami. So they will still be racking up the frequent-flier miles.

The NFL made an effort to put some space between those cross-country games for the Chargers.

“We’re always being sensitive, trying to make sure we’re not pingponging a team across the country with travel to the East Coast and back,” said Hans Schroeder, the NFL’s executive vice president of media distribution. “So we try to make sure those trips are broken up where we can, and we’re not doing too much of that back and forth.”

This marks the third season under Jim Harbaugh, who has had remarkable success at every stop in his coaching career but has yet to win a playoff game with the Chargers. Same goes for quarterback Justin Herbert, who was drafted in 2020 and is still looking for his inaugural postseason victory.

SoFi Stadium will host the Super Bowl next February, and the Battle For Los Angeles in Week 8 when the Chargers play at the Rams, a rare meaningful matchup of the crosstown foes.

The Chargers will play three preseason games, all Thursday night games against opponents they will face in the regular season. They will play at Houston on Aug. 13, followed by home games against San Francisco (Aug. 20) and the Rams (Aug. 27). All will be broadcast on CBS-LA.

Here is a game-by-game look at the regular-season schedule (all times Pacific):

Sept. 13, ARIZONA, 1:25 p.m. (CBS): It’s a gentle start against the rebuilding Cardinals, who figure to have Jacoby Brissett at quarterback in place of the familiar Kyler Murray, who is now with the Minnesota Vikings. The last time these teams played was in Arizona two years ago, and the Cardinals won, 17-15.

Sept. 20, LAS VEGAS, 1:05 p.m. (CBS): Back-to-back home games for the Chargers, who opened last season in Brazil. The Chargers swept the Raiders last season. Could No. 1 overall pick Fernando Mendoza be starting at quarterback for the Silver and Black?

Sept. 27, at Buffalo, 10 a.m. (Fox): The first of four East Coast trips for the Chargers, who are stepping into a tough environment but at least won’t have to deal with a Buffalo winter. This is the start of a rugged seven-game stretch for the Chargers.

Oct. 4, at Seattle, 1:25 p.m. (CBS): The last time these teams played was 2023, so the rosters have pretty much turned over since then. Kenneth Walker III ran for 167 yards in that 37-23 win by the Seahawks. He was Super Bowl MVP last season and is now playing for Kansas City, so the Chargers will see enough of him.

The Chargers and quarterback Justin Herbert are set to play host to the New England Patriots on Thanksgiving weekend.

(Robert Gauthier / Los Angeles Times)

Oct. 11, DENVER, 1:05 p.m. (CBS): The Chargers and Broncos split last season, with each team holding serve at home. The Chargers won by three at SoFi, but the Broncos held their second-stringers to a mere field goal in the regular-season finale with Denver winning at home, 19-3.

Oct. 18, at Kansas City, 1:25 p.m. (CBS): As is the case with the Buffalo game, the Chargers are sidestepping some potentially harsh weather. They beat the Chiefs in Brazil in last season’s opener, then beat them by three points at Arrowhead in Week 15.

Oct. 25: Bye week. In recent years, the Chargers have almost always gotten their week off in the first half of the season. They had so many injuries last season, they could have used a week off every other week.

Nov. 1, at Rams, 1:05 p.m. (Fox): This is a home game for both teams, so the Chargers catch a break in terms of travel. It will be the third time these stadium-mates have met since the Rams returned in 2016. They split in the previous two meetings, with the Rams winning in 2018 and the Chargers in 2023.

Nov. 8, HOUSTON, 1:05 p.m. (CBS): Harbaugh’s Chargers are 0-2 against the Texans, losing by four to them at SoFi last season, and getting clobbered at Houston in the opening round of the 2024 playoffs, 32-12.

Nov. 16, at Baltimore, 5:15 p.m. (ESPN): This is a “Monday Night Football” game, and for good reason. It isn’t Harbaugh versus Harbaugh — as it would have been when brother John Harbaugh was coach of the Ravens — but Jim Harbaugh vs. Jesse Minter, his former Chargers defensive coordinator.

Nov. 22, JETS, 1:05 p.m. (Fox): Finally, something of a respite after a battering stretch of games. Of course, in the NFL, you can never breathe easy. The Chargers have beaten the Jets five times in a row, true, but those games were played over the past 14 seasons so those lopsided numbers aren’t relevant to this matchup.

Nov. 29, NEW ENGLAND, 5:20 p.m. (NBC): Back to the grind for the Chargers, who generated next-to-no offense in the playoffs last season against the eventual AFC champions. It was a low-scoring game all around, but the Patriots never looked concerned in their 16-3 victory.

Dec. 6, at Tampa Bay, 10 a.m. (CBS): The Buccaneers have beaten the Chargers four times in a row, although that’s dating to 2012, so much of that is ancient history. Baker Mayfield has revived that franchise — and his own career.

Dec. 13, at Las Vegas, 1:05 p.m. (CBS): Sure, the Chargers might face Mendoza in Week 2, but there’s an even greater likelihood they will see him the second time around.

Dec.17, SAN FRANCISCO, 5:15 p.m. (Amazon Prime): This is a Thursday night game, and Harbaugh will be facing the franchise he got to the Super Bowl in the 2012 season. If the NFC West turns out to be as competitive as expected, the Chargers could do the Rams a solid here.

Dec. 27, at Miami, 10 a.m. (Fox): The Chargers won at Miami last season on a last-second field goal by Cameron Dicker. December is a good time of year to play in South Florida.

Week 17, KANSAS CITY, TBD: This is where the schedule gets squishy and the NFL pushes games around to give the most exciting ones the most exposure. This game is TBA. It could be a good one, considering the rivalry.

Week 18, at Denver, TBD: Just like last season, the Chargers finish at the Broncos. A difficult final exam, and maybe another gateway to the postseason.

A Frontier Airlines plane has hit and killed a person at Denver’s international airport, prompting the evacuation of passengers. Authorities say the man jumped a perimeter fence and ran in front of the plane as it was taking off to Los Angeles.

LOUISVILLE, Ky. — It’s Kentucky Derby Day, also known as the day everyone waits around for eight hours to watch a two-minute horse race.

But that’s part of what makes the Derby what it is … not just a race, but an event. And maybe 8 a.m. PDT is a little early to begin your neighborhood party, but we’re not judging. Besides, if you’re reading this in the Eastern Time Zone, 11 a.m. is prime brunch time.

What you really want to know, though, is what time the horses actually will break from the gate at Churchill Downs. For the seventh straight year, the official post time is 6:57 p.m. EDT, though a timeline released Friday at the track said the horses would load into the gate at 7:01, with a start at 7:02.

To spare you the math, that’s 3:57 p.m. in Los Angeles and the rest of the Pacific Time Zone, with the race starting just after 4. (In the last six years, the race has gone off sometime between 3:59 and 4:05.)

But you don’t want to just tune into NBC at the top of the hour. There’s the walkover of the horses from the stable area to the paddock beginning at about 3:15 PDT, the call for “Riders Up” (from retired jockey Pat Day) at 3:44, the “Call to the Post” at 3:45 and the University of Louisville choir singing “My Old Kentucky Home” right after that.

If you’re interested in any of the 11 races at Churchill Downs before the Derby, and there are some good ones, they begin at 8 a.m. PDT. The first two races are available on FanDuel TV (yes, it’s still in business) before Peacock and NBCSN take over at 9 a.m. That’s where the next four races, including two graded stakes, will be televised.

Then, once NBC’s coverage of the Premier League soccer game between Arsenal and Fulham ends at 11:30, the network will show the rest of the card, which features five stakes races leading up to the Derby.

The Derby does not end NBC’s sports day, however. After the trophy presentation, the network hopes much of its audience sticks around for Game 7 of the NBA Eastern Conference playoff series between the Philadelphia 76ers and Boston Celtics. Tipoff is scheduled for shortly after 4:30 p.m. PDT.

Kings coach D.J. Smith gave his team the day off Friday, but he sent his players home with a message: if they don’t show up for work Sunday, they’ll have the rest of the spring and summer off, too.

Players don’t like to call any game a “must-win” because of the pressure it brings, but there’s no other way to look at Sunday’s game for the Kings. After losing the first three games of their best-of-seven playoff series with the Colorado Avalanche, the Kings are one loss away from being eliminating in the first round for a fifth consecutive season.

“Must-win game,” agreed defenseman Drew Doughty, who hasn’t played on a winning team in a playoff series since the Kings last won the Stanley Cup in 2014. “Everyone’s going to give everything and we’ve got to win that one. And then hopefully go back to Denver.”

The most recent loss came Thursday when the Avs scored two fluky goals on pucks that bounced in off the skates of Kings players and put another one into an empty net in a 4-2 victory that pushed the Kings to the brink of elimination once again.

“You don’t like the result,” Smith said. “And it’s tough to swallow.”

For Colorado, the best team in the NHL during the regular season, it hasn’t been the most stylish of postseasons. But after a pair of hard-fought 2-1 wins at home, the Avs have a chance to sweep a playoff series for the first time since 2022, when they won their last Stanley Cup.

“All the games have been tight. We’re right there,” forward Quinton Byfield said. “Each guy, including myself, we just have to give a little bit more.

“We’re doing the right things, we just have to dig in a little bit more.”

It’s hard to say how. The Kings’ power play has been good, scoring a goal in each of the three games, and their penalty kill even better, shutting out the top-scoring team in the NHL on nine tries with a man advantage.

The Kings have been physical and fast and goaltender Anton Forsberg has been brilliant in his first career playoff series, making 90 saves in the three games. Yet none of that has paid off with a win.

“Sometimes you play real well for stretches and you don’t get the results. And then you’ll win a game you don’t deserve to win,” Smith said. “Maybe we didn’t stay with it long enough.”

“Those games are over with,” a frustrated Byfield added. “You can’t look back at those games. It’s just on to the next one, that’s our focus.”

Doughty said the Kings need to wear down the Avalanche, something they clearly couldn’t do in the two games played in Denver’s mile-high altitude. They might have a better chance Sunday at sea level.

“I don’t think we’re creating enough Grade A chances,” he said. “They’re statistically one of the best teams in the neutral zone. So for us to beat them, we’ve got to wear them down in the D zone, make them tired and score goals that way. We haven’t done that enough.”

Every team has its kryptonite and the for the Kings that appears to be the first round of the playoffs. Over the past dozen seasons, the team has gone 9-27 in the postseason, taking a series to a seventh game just once in six tries. Along the way they’ve changed general mangers twice, changed head coaches five times and even changed their opponents, facing the Avs this year after losing four straight series to the Edmonton Oilers.

None of that has changed the results.

Smith, in fact, is an interim coach, having taken over for Jim Hiller with 23 games left in the regular season. He figures to be coaching for his future Sunday since a playoff sweep won’t look good at his resume.

“There’s no quit in there,” Smith said of the Kings’ locker room. “We’ll get reset with practice [Saturday] and I think you’re going to see our best effort.

“Now we’ve got to make a few changes and see if we can spark something.”

If that works, the Kings will be heading back to Denver. If it doesn’t, they’ll be heading home for another long summer.