decade

London, United Kingdom – Nearly 200 people packed into Edami, a small Lebanese bakery in east London, to celebrate a decade of Lajee Celtic, a grassroots sports club based in a Palestinian refugee camp in the occupied West Bank.

What began as a football project has grown into an international symbol of solidarity.

In London, the room was filled with Palestinian flags, the aroma of Edami’s freshly baked manousheh, and Lajee Celtic shirts – which have been worn by celebrities, including football icon Eric Cantona and the actor Hannah Einbinder.

Martin, a Lajee Celtic organiser, travelled down from Glasgow for the celebration in September. He first visited Aida Camp, in the occupied West Bank, more than 10 years ago, a trip he described as life-changing.

“I don’t think anyone would really have expected that the project would have been as successful as it’s been,” said Martin, who requested to be identified by his first name. “But Celtic is a unique football club with its foundation, its Irish identity, the diaspora community, its universal support and then the values, which tie so much of that together.”

The relationship between Aida Camp, where Lajee is based, and Celtic supporters developed over years.

Mohammed al-Azzeh, director of the Lajee Centre, which provides services to the youth of the camp, remembers how it all began.

“We’d built up relationships with friends from Scotland and Ireland who had visited Palestine, and then in 2012, I travelled to Glasgow for the first time. We started to have conversations about creating a football academy,” he recalled.

By 2015, the idea was taking shape when a group of footballers from the camp travelled to Belfast to play a game.

Then came the 2016 Champions League draw. Celtic were paired with Israeli side Hapoel Be’er Sheva.

Supporters ignored warnings that displaying Palestinian flags could result in a fine. As the teams emerged, the stadium was transformed into a sea of Palestinian flags, an action led by Celtic ultras, the Green Brigade.

UEFA subsequently fined Celtic.

The Green Brigade responded by launching the Match The Fine For Palestine campaign. Not to pay the fine, but to support Palestinian organisations, including with the formation of a football academy in Aida Camp.

For al-Azzeh, it was a turning point.

“The support and solidarity shown in that game was really a pivotal moment,” he said. “And that’s what ultimately led to Lajee Celtic becoming what it is today.”

The team has brought together young Palestinians from villages around Bethlehem, refugee camps and communities in Hebron and Jerusalem.

“It means a lot, for us as Palestinians, to be in one place and meeting each other,” al-Azzeh said. “It becomes about more than just playing football.”

Lajee Celtic is competing in organised football for the first time. The club had been due to enter the Palestinian league three years ago, but the competition was cancelled when Israel’s genocidal war in Gaza began. Now, despite restrictions on movement between Palestinian cities and the wider disruption to football, the club has entered the Thousand Martyrs Cup, named after the 1,014 athletes killed in Gaza since October 2023.

Bassil Mikdadi, journalist and founder of Football Palestine, said that international reach has given Lajee Celtic a significance beyond the club itself.

“Lajee Celtic is a blueprint for ways in which fans of European clubs can directly support those on the ground in Palestine. It’s connective tissue,” he said.

For Martin, the popular shirts are more than merchandise.

“When people buy these shirts, they do so knowing that the money is funding football, sports and general youth development in Palestine. And then when the same people wear these shirts, whether they’re in Glasgow or London or New York, they’re each making their own individual solidarity action.”

Lajee Celtic created a link between clubs and communities inside Palestine and supporters and campaigners abroad.

“It has this kind of cross-cultural, cross-border solidarity,” he said.

That connection has become increasingly important as Palestinian football has struggled to continue since the genocide in Gaza.

For Mikdadi, the survival of grassroots clubs is essential: They are the groundwork for the national team.

“The success of the Palestinian national team in recent years … the base of that success has always been players provided by clubs in the West Bank and Gaza,” he said.

The club’s ambitions stretch beyond football. It has expanded into sports such as boxing and table tennis, while creating opportunities for young Palestinians across Palestine and the diaspora.

“Fundraising campaigns come and go all the time. But when you create a football club and when you have that sort of tangible idea at the heart of it, then you are creating a journey,” said Martin.

Mohammed al-Azzeh recalled a meaningful memory on a beach in Cape Town, South Africa, where the team played two friendlies in 2025.

Samir al-Amir, a coordinator with Lajee Celtic, had spent more than 19 years in Israeli prisons. When he travelled with the team to South Africa, it was the first time he had been able to leave the walls and checkpoints of the West Bank.

Al-Azzeh remembers watching him on the beach.

“He was acting like a young boy because it was the first time seeing the sea,” he said. “Without Lajee Celtic, I’m not sure Samir would have ever had that opportunity. That illustrates why the project is so important,” he said.

Paramount Skydance’s streaming chief Cindy Holland is exiting the studio, clearing the way for HBO Chairman Casey Bloys to claim a key role in the company once Paramount acquires Warner Bros. Discovery.

Holland announced her departure Tuesday in a memo to her staff. Her resignation is effective immediately.

She joined Paramount nearly 14 months ago as chairman of direct-to-consumer operations, in charge of Paramount+ and Pluto TV, after David Ellison’s Skydance Media took control of the media company long held by the Sumner Redstone family.

Holland, a respected former Netflix executive, was one of the few Paramount executives who lacked long ties to Ellison, who brought much of his Skydance team with him to Paramount.

Her resignation comes as Paramount is waiting for a federal judge to approve a settlement agreement that would allow Paramount to finalize its $111-billion purchase of Warner Bros. Discovery, which also includes CNN, TBS and the Warner Bros. film and television studios.

The agreement, unveiled last week, was designed to end a lawsuit brought by California Atty. Gen. Rob Bonta and 11 other Democratic attorneys general, who had argued Hollywood’s biggest merger in decades violated U.S. antitrust laws.

“As David readies for the next phase of his vision, we’ve discussed my role and the future of the combined businesses,” Holland wrote in the memo shared with her staff viewed by the Times. “David is optimizing for HBO stability as we move into this next chapter, and I fully support that.”

Ellison, in recent months, has signaled his intention to install Bloys in a pivotal role at the combined company.

Ellison months ago made a public commitment to protect HBO, which has long been a leader in prestige TV programming. The network has already undergone two ownership changes, and considerable management turmoil, during the last decade. Bloys has led HBO as its chairman since late 2022. He was one of the first Warner executives that Ellison met with this year after Paramount prevailed over Netflix in the bidding war for Warner Bros. Discovery.

The New York Times first reported Holland’s departure.

“Cindy has been a trusted partner to me and so many others, and I couldn’t be more grateful for her leadership, her relentless drive and everything she’s done for our company,” Ellison said in a statement.

WASHINGTON — China’s president issued a call from the White House on Thursday for artificial intelligence to remain “under human control” as the world’s two superpowers race for technological supremacy.

Xi Jinping’s remarks reflect growing concern within China over whether governments in Washington or Beijing will be able to contain a technology with potentially transformative capabilities, according to a U.S. official.

Lawmakers and AI industry leaders urged President Trump to use his summit with Xi this week to pursue a safety framework for AI, which researchers warn could soon surpass human understanding.

But Trump preempted the meeting with a post on social media stating he had no intention of negotiating limits on AI development.

“A big day with President Xi of China,” Trump wrote. “Super Intelligence (SI) will be a big topic of discussion, but I want to leave it exactly where it is. That is China’s position also. Our guardrail is the DOJ!”

After offering Xi a lavish welcome on the White House grounds, Trump made a passing reference to AI. “The decisions we make in these areas today can promote peace and prosperity for decades and decades to come,” he said.

But Xi gestured to substantial concerns, noting AI first among priorities to discuss between the two nations.

“Both China and the United States are leading nations in artificial intelligence,” Xi said. “We have both the capability and responsibility to develop and manage AI for good — and ensure that the development of AI is always under human control, and serves the well-being of the people.”

The two held a private meeting with aides in the Oval Office after participating in a military review in the Rose Garden and exchanging gifts in the Blue Room.

In the evening, a guest list of top banking and technology leaders — including AI industry executives — were scheduled to attend a state dinner in the East Room of the White House.

“Given Trump’s statements going into the summit about not wanting guardrails, I have tepid expectations about tangible outcomes” on AI, said Aalok Mehta, director of the Wadhwani AI Center at the Center for Strategic and International Studies.

“The most likely scenario seems to be the establishment of a hotline — though how useful that will be depends on who will be staffing it, and how much each government prioritizes it,” Mehta added, “and likely some discussions about issues blocking cooperation, like distillation, with a promise to engage in ongoing dialogue.”

Earlier in the week, on the sidelines of the United Nations General Assembly in New York, Treasury Secretary Scott Bessent met with his Chinese counterpart primarily to discuss AI development, according to U.S. officials.

“What we discussed was setting up a mechanism — so it’s going to be called the U.S.-China AI Dialogue. We’ve agreed to meet again,” Bessent said Monday. “The U.S. has proposed that we have a notification mechanism between the two countries, and we want a shared vision of common goals, and common threats.”

While Trump’s team has remained divided over whether — and how extensively — to regulate AI, Bessent has favored a cautious approach, advocating modest, voluntary guardrails that have shaped administration policy in recent months.

China, too, has shown increasing willingness to open channels of communication on AI, despite deep distrust between the two sides.

President Trump and China’s President Xi Jinping meet in the Oval Office on Thursday.

(Jacquelyn Martin / Associated Press)

Two American AI companies, OpenAI and Anthropic, are widely viewed to be developing the most advanced AI models in the world, leading at the frontier of technological breakthroughs.

Both have begun to use their most sophisticated models to train the next generation, in a process known as recursive self-improvement. Researchers and industry experts believe the first company to master that process could set off an exponential cycle of progress, pulling so far ahead that competitors can no longer catch up.

But those same companies also fear what they’re creating: machines capable of continuously improving their own intelligence, pushing AI development beyond human control.

Leaders from the two companies have called on Beijing and Washington to cooperate, warning that geopolitical competition could thwart the two sides from preventing a human catastrophe.

In his remarks, Xi said that China and the United States “stand to gain from cooperation, and will both lose in confrontation.”

“We do not need to avoid mentioning competition, but our competition should be a healthy one, and should be kept within bounds,” the Chinese president said. “It should be a race of catching up with one another, not a wrestle in which one either wins or loses. China and the United States must hold the line of no conflict, and no confrontation between us.”

“Our two militaries should maintain regular dialogue, and improve mechanisms for crisis communication and prevention,” he continued, adding a historical reference to rising powers challenging established ones: “The Thucydides trap can be overcome.”

Xi’s trip to Washington follows just months after Trump traveled to Beijing for a state visit in May, where the U.S. president was greeted with a similarly imperial welcome.

The leaders emerged from that summit with few deliverables. But Trump left Beijing declaring the trip a success, emphasizing the importance of his personal relationship with Xi, China’s most powerful leader in generations.

This time, Trump himself greeted Xi on the tarmac upon his arrival at Joint Base Andrews — a rare honor reserved in recent decades only for Catholic popes — before pulling out several red carpets and draped ceremonies for the Chinese leader.

The pageantry seen during the state visit has served China’s long-standing desire for respect and dignity on the international stage, said Jessica Chen Weiss, the director of the John Hopkins SAIS Institute for America, China and the Future of Global Affairs.

“Trump is someone who loves spectacle, and right now the spectacle is working in both leaders’ favor,” Weiss said.

For Xi, the ceremonies have offered a chance to demonstrate that relations with the United States remain under control and that China is being treated as a significant global power, she argued.

The state visit comes at a time when Americans are appearing to warm up to China, according to recent polls. A survey by the Chicago Council on Global Affairs recently found that a majority of Americans say the United States should have friendly engagement and cooperation with China.

“I tend to think we focus too much on the optics,” Weiss said. “But I also think treating China as a significant player on the world stage is not a concession. It’s appropriate if we want a stable relationship and is hardly something to worry about.”

It’s a good thing Mogwai don’t seem to age — “Gremlins 3” has been delayed until 2028.

Warner Bros. on Wednesday shared a brief teaser of the upcoming movie on Instagram along with its new release date. “Gremlins 3” will now hit theaters on Oct. 8, 2028, instead of Nov. 19, 2027.

The brief social media clip features Gizmo rustling around inside a backpack in an indiscernible location.

“Uh-oh,” the adorable furry creature says while peering through the unzipped opening as the new release date appears. Hopefully he doesn’t snack on anything he isn’t supposed to while he awaits his big-screen return.

“Gremlins 3” was officially announced by Warner Bros. Discovery boss David Zaslav during an earnings call in 2025. Original “Gremlins” writer Chris Columbus will helm the feature, which is produced by Steven Spielberg’s Amblin Entertainment. Spielberg is an executive producer.

It has been decades since Gizmo’s last big-screen adventure. The Mogwai and his misbehaved progeny debuted in the 1984 holiday classic “Gremlins” and returned in the 1990 follow-up, “Gremlins 2: The New Batch.” Directed by Joe Dante, the films established three key rules for handling the mysterious, big-eared creatures: Don’t get them wet, feed them after midnight or expose them to light. Gizmo’s origin story was explored more recently in the HBO Max animated series, “Gremlins: Secrets of the Mogwai.”

The release date shift follows the recent settlement with California Atty. Gen. Rob Bonta that has cleared the way for Paramount Skydance to acquire Warner Bros. Discovery. According to Deadline, the change is unrelated to the pending merger.

This week it was announced that Bush was joining Fox News Media as a contributor covering pop culture, entertainment, and cultural issues.

Bush joins other right-leaning personalities who’ve rebuilt their careers at Fox following scandals elsewhere.

It’s not surprising that former “Today” host Billy Bush joined Fox News as a regular contributor this week. What is surprising is that it took so long.

Ten years have passed since Bush, cousin to former President George W. Bush, was caught on a hot mic giggling while then-“Apprentice” star Donald Trump boasted about grabbing women “by the pussy.” The “Access Hollywood” clip, filmed in 2005 when Bush hosted the entertainment news program, was leaked a month before the 2016 presidential election, meaning just about everyone in America saw it.

A disgraced Bush lost his job and reputation. Trump won the White House.

Once known for his boyish charm and impressive collection of cowboy boots, Bush spent a decade re-ingratiating himself to the public on the syndicated television news magazine “Extra,” a considerable step down from the “Today” show. He reported on Hollywood and celebrity culture before launching his own digital show and podcast more than a year ago.

Now he finally has gone where popular conservative public figures go following scandals, stumbles or mishaps that all but destroy their livelihoods: Fox News. Rupert Murdoch’s crown jewel has given a second chance to more than a few successful, right-leaning personalities who have been shamed by mainstream media or canceled by a public who doesn’t find sexual assault boasts particularly funny.

Jeanine Pirro’s political career was derailed in 2006 after tapped phone calls she had with former New York City Police Commissioner Bernard Kerik were revealed. She had been plotting to bug her then-husband’s yacht in an attempt to catch him in an affair. After the transcripts went public, she lost the race for state attorney general to Andrew Cuomo. The scandal marked the end of her political career in New York — but the start of her career as a Fox News contributor and host. She stayed with the network for two decades. Pirro left last year when Trump nominated her to serve as the U.S. attorney for the District of Columbia. She subsequently was confirmed by the Senate.

Pete Hegseth joined Fox News as a full-time host in 2017 after reportedly being forced out of leadership positions at two prominent veterans advocacy nonprofits, Veterans for Freedom and Concerned Veterans for America. Multiple disturbing accusations were made within the organizations about his sexual impropriety, financial misconduct and heavy drinking. Hegseth left Fox in 2024, when Trump announced him as the nominee for secretary of Defense. He subsequently was confirmed by the Senate.

The pipeline from scandal to Fox News to Capitol Hill was noted when Bush, now 52, made his debut Tuesday night on “Jesse Watters Primetime.” Host Watters joked that “Trump might hire you for the Cabinet” now that he had joined Fox News. Bush suggested a role for himself as White House press secretary. Watters countered that, saying, “Trump is expected to hire a woman.”

Bush joked that he has “female energy.”

The joke was tone deaf, even if Bush does deserve a second chance for his part as the dumb sidekick to Trump’s abhorrent comments during that “Access Hollywood” segment so long ago.

In a statement about his new role at the network, Fox said Bush would host “as a contributor, where he will appear across all platforms” The press release failed to mention his 2016 hot mic leak but managed to name-check Bush’s digital talk show and video podcast, “Hot Mics With Billy Bush.”

Bush may have dashed his chances of moving into Trump’s inner, or even outer, circle when on his “Hot Mics” show he said this of the president: “I had two relatives who served in that role and both had deep, deep, deep reverence for that office. The man that’s in there now has turned it into a bordello.”

He was taking issue with Trump’s ban on CNN, Politico and MS Now. The trio of news networks was denied access to the White House complex last week and had their press badges revoked after the president took issue with their coverage of him. In an unusual display of solidarity across the industry, more than 50 media organizations called for the immediate reversal of the ban. Bush praised the networks — including Fox — for their show of support.

How will Bush navigate his dislike for Trumpian policy at a news organization that’s devoted years of coverage to propping up Trump? By walking a fine line, apparently.

“I’m excited to join FOX News Media and its loyal audience to share my perspective on the people, ideas and moments shaping today’s culture … as well as the ones trying to undo it!” Bush said about his new job shaping culture.

Or quite possibly undoing it.

A FERRY route connecting England to France is being scrapped earlier than planned after running for 13 years.

The vital transport link, which has been taking passengers across the channel since 2013, was set to be axed at the end of September.

However, the Brittany Ferries route between Portsmouth and Le Havre in France is being stopped earlier than planned.

The scrapping of the ferry route was initially given the green light due to financial challenges, with September 28 outlined as its final sailing date.

However, the service has been forced to retire early, due to technical issues with the Brittany Ferries Commodore Clipper vessel.

In a statement, the company confirmed that the final voyages would not be made and apologised to passengers.

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A Brittany Ferries spokesperson said: “We apologise to all affected customers, and are sorry that the route can’t complete its final sailings; we know many had hoped to be part of them.

“It has been a pleasure for all at Brittany Ferries to link Portsmouth and Le Havre since 2013.”

The statement continued: “The current economic context means the route is no longer viable and, sadly, we have had to make the difficult decision to close it.”

The cuts to various Brittany Ferries routes were announced back in June.

The business explained that it was having to “adapt” and “plan for a secure future” after facing a bill of €27 million in 2026.

Brittany Ferries also confirmed the end of its Poole to Cherbourg service, which will set sail for a final time on October 31.

This particular ferry route has been in operation, in either a passenger or freight capacity, for over 50 years.

The Poole to Cherbourg route is set to be replaced by a daily service from Portsmouth to Cherbourg, which will begin in November, as part of a “more efficient” schedule.

Paramount Skydance Chief Executive David Ellison faces a pivotal decision: Should he uproot his Hollywood studio — the birthplace of such film classics as “Sunset Boulevard,” “The Godfather” and “Beverly Hills Cop”?

Paramount floated shifting its home base to Tennessee or Texas in July, hoping to deter California Atty. Gen. Rob Bonta from waging a legal battle to block Paramount’s $111-billion acquisition of Warner Bros. Discovery.

Bonta rejected the tactic, calling it “blackmail.” His antitrust lawsuit, filed in collaboration with 11 other Democratic state attorneys general, has since stalled the largest Hollywood merger in decades and put Ellison in a jam.

The 43-year-old tech scion — a film aficionado who has spent two decades building his career in Hollywood — has told associates he doesn’t want to leave L.A. But he has signaled that he’s prepared to sell the historic studio lots and move Paramount’s and Warner Bros.’ operations from California if the merger isn’t finalized by next month, according to people familiar with the situation who were not authorized to comment.

The prospect has rattled a region already reeling from steep declines in film production, heavy job losses, empty soundstages and shuttered small businesses.

“It would be devastating,” Assemblymember Rick Chavez Zbur, who represents a district that includes the Melrose Avenue movie lot and neighborhoods near Warner Bros. in Burbank, said of a Paramount move. “We need to do everything we can to protect these important jobs in California’s iconic industry.”

Paramount declined to comment.

Ellison is frustrated after securing approvals from more than 65 regulators worldwide for the mammoth merger that would bring HBO, CNN, CBS, Comedy Central, MTV and TBS under the same roof.

Bonta’s lawsuit stands in the way.

“California is the fourth-largest economy in the world and the best place to do business,” a spokesman from Bonta’s office said. “Strong antitrust enforcement is essential so everyone can benefit from a vibrant economy.”

A federal judge in Oakland temporarily blocked the deal, prompting Paramount to agree not to finalize the acquisition until after a trial or June 1, whichever comes first. Settlement talks collapsed in late August after Bonta accused Paramount of leaking and misrepresenting their discussions.

Paramount has plenty at stake. U.S. District Judge Araceli Martínez-Olguín set the trial for March, but the company urgently needs the valuable Warner assets to better compete against tech behemoths. And beginning Oct. 1, Paramount must increase its payout to Warner Bros. Discovery shareholders by $7 million a day, so-called ticking fees that will heap more debt onto the highly leveraged transaction.

Paramount asked the judge to require California and other plaintiff states, including Nevada, Oregon and New York, along with the Writers Guild of America (which also sued) to post a $1.88-billion bond that could compensate Paramount for ticking fee costs. A hearing is set for Sept. 24.

For weeks, Paramount’s most potent weapon has been its in-the-works plan to leave L.A.

Lobbying has been intense, prompting a parade of politicians led by Gov. Gavin Newsom, L.A. Mayor Karen Bass and gubernatorial nominee Xavier Becerra to urge the two sides to settle the lawsuit.

“It’s a game of chicken,” Kevin Klowden, an economist and managing director at the Melcene Advisory firm, said in an interview. “But I’m not dismissing the threat because it is very real.”

Relocating from Los Angeles would allow Ellison’s cash-hungry media company to qualify for lucrative tax incentives offered by another state. Ellison’s short list includes Tennessee, Texas and Georgia. But leaving its longtime home would be costly for Paramount too, given how much of the talent and deal-making remains concentrated around L.A.

Tennessee’s Department of Economic and Community Development declined to discuss its negotiations with Paramount, but in a statement a spokesperson said the state “remains committed to working with companies across a wide range of industries that are exploring opportunities to invest and grow in Tennessee.”

Early this month, a pro-merger group was set to hold a news conference outside Paramount, but it moved its gathering to a warehouse a few blocks away after anti-merger activists planned a counterprotest.

The pro-merger organization, Neighbors for Strong Communities, was incorporated in Washington, D.C., in June and has lobbed text messages to Californians urging them to press Bonta to drop the case.

Speakers were concerned with just one issue: What would happen should Paramount pull out?

“What are we going to do with all these people who have invested their lives and many generations into building something here?” asked Keyla Wood, who moved from Mexico to L.A. about a decade ago after getting her start in Spanish-language soap operas.

“It’s been one thing after the other: The pandemic, the strikes and then it was the fires,” said Wood, who has worked as a stand-in for Eva Longoria and Salma Hayek. “So many people never work again.”

David Ellison is deciding whether to leave Hollywood.

(Bloomberg via Getty Images)

L.A.’s very identity is at stake, added Daniela Kelly, an actor and dancer who arrived from Brazil two decades ago.

“Everyone in the world sees Los Angeles and Hollywood as the platform for their dreams,” Kelly said. “Imagine if a huge studio with 100 years of history here just leaves? What will we be?”

Businesses like Kelly’s small Kreashen Studios USA, which provides video and podcasting space in Marina del Rey, depends on the region’s entertainment economy.

“It’s difficult financially right now to keep open,” she said. “So I’m pro having Paramount stay because this is the center, the heart of Hollywood.”

But deal opponents and some experts say the merger would actually worsen L.A.’s already bleak production picture.

Paramount has promised to cut $6 billion in expenses — a figure that doesn’t factor in the cost of ticking fees, which would add $650 million each quarter to the $81 billion that Paramount had anticipated paying Warner shareholders.

“We’ve seen from previous mergers that jobs have been lost,” L.A. City Councilmember Adrin Nazarian said at a City Hall event recently.

Combining Paramount and Warner could result in the elimination of nearly 4,500 positions over three years and put at risk an additional 5,865 jobs within businesses that serve the studios, according to an August report by the Los Angeles County Department of Economic Opportunity.

“When you look at the economic impact, it’s pretty staggering,” Kelly LoBianco, the department director, said in a recent interview. “An estimated $4 billion in economic output lost, and another $550 million lost in tax revenue at the local, state and federal level.”

The merger also could erase $79 million in tax revenue to Los Angeles County even if Paramount stays in L.A., she said.

But state and county tax revenue would plummet further should Paramount dispatch hundreds of its workers to Tennessee or some other state, Klowden said.

“If Ellison moves all the management out and all of the productions out, you’re talking about potentially tens of thousands of jobs,” Klowden said. “That, bluntly, isn’t just devastating to L.A. That becomes devastating to everybody.”

A report commissioned by Paramount from Los Angeles Economic Development Corp. predicted even steeper losses of at least 28,000 jobs should the studio move its entire operation out of state, according to a draft report given to Politico.

Under a less dire scenario, Paramount could shift its corporate headquarters to another state to qualify for incentives but still maintain large staffs in the creative hubs of Los Angeles and New York, where the company has its legal headquarters.

When the Ellison family acquired Paramount from the Sumner Redstone family last year, Ellison shifted operations to L.A., where he and other key executives work on the Melrose Avenue lot.

The threat to pull up stakes has created a disconnect after Ellison has spent more than a year touting how his family’s growing collection of media properties would strengthen traditional Hollywood.

The relocation campaign echoes a tactic used by software giant Oracle Corp., co-founded by Ellison’s billionaire father, Larry Ellison. For three decades, Oracle thrived in Redwood City, Calif., but in 2020, the company moved its headquarters to Austin, Texas, joining other California tech firms leaving in protest of the state’s high taxes.

The elder Ellison announced in 2024 that Oracle would be moving again, this time to Nashville, although that relocation hasn’t been finalized.

Paramount would risk leaving behind a skilled talent pool filled with experienced production workers and entertainment executives, Klowden said.

Fleeing L.A. could prompt “a talent bleed-out,” Klowden said. “Creative types are like: ‘Would I feel comfortable moving there?’ And, ‘What if I move there and something goes wrong? There would be nowhere else for me to go.’”

He pointed to Nissan’s 2006 U.S. headquarters move to the Nashville area from Gardena in L.A.’s South Bay, which dramatically reset the automaker’s workforce as fewer than half of its Southern California employees made the trek to Tennessee.

On Friday, a magistrate judge told both sides to identify dates in late October to meet for court-ordered settlement talks.

Each has motivations to settle — including avoiding a years-long court fight. Bonta has said Paramount must be willing to part with assets to alleviate market concentration, which could lead to a sale of Warner’s New Line Cinema, which has rights to “The Lord of the Rings” and “The Conjuring” franchises, and potentially cable channels such as CNN, Food Network or Cartoon Network.

Paramount, as part of a settlement, could abandon plans to leave L.A.

“All of the parties need to understand what this [issue] means to workers and small businesses,” Zbur, the local Assembly member, said. “I’m hopeful for a settlement that assures that Paramount and Warner Bros. will maintain their operations and remain a significant economic and employment force in Los Angeles.”

Times staff writer Cerys Davies contributed to this report.