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For months, current and former high school coaches have been asked to respond to my simple question:

“What’s the best lesson a player taught you?”

It’s so hard to come up with an answer that many can’t do it immediately. They’re forced to think, which means the question is very good.

Stories are always written about lessons learned by students in the classroom and on the field, but what do coaches, most of them teachers, learn from their students?

Here are some answers.

Weeks before he died last March, Venice football coach Angelo Gasca told me the story of a player who wanted to quit and what he learned. That player later became one of his assistant coaches.

“I’m not accepting your resignation today,” Gasca told him. “You need to go home and think about it.”

Venice coach Angelo Gasca showing off the City Division I title trophy in 2021.

(Cliff Kensinger)

“He said he went home and thought about it and stayed on the team and was our starting center. He taught me the best thing we can teach is come to school and you never know what connections you’ll make at the school you grew up at. He taught me there’s more to coaching than winning games and scoring touchdowns. In our lives as teachers and coaches, we do learn from players. When we stop learning from our players, it’s time to stop coaching.”

Former Edison football coach Dave White remembers suspending his team’s best player before a trip to Hawaii for a team rule violation. He had to stay home even though his parents had paid money for the trip.

Dave White speaks to a crowd, including the football team, during the official naming of the Belcher White Strength Training Facility at Edison High School in 2022.

(Scott Smeltzer / Los Angeles Times)

“He taught me that I made the right decision and it was best for the team and in the long run best for him,” White said. “I was proud how he handled things. There are consequences for bad decisions. I really enjoyed and respected him more after that.”

Granada Hills girls volleyball coach Tom Harp said he had a player with a disability. She lost sight in an eye during an accident.

“She taught me how to overcome a difficult situation with a positive attitude,” he said. “She was a shining example of how to overcome adversity. It showed me my little problems aren’t as bad as they seem if she can overcome that.”

Lorenzo Hernandez, the football coach and athletic director at Whittier and former head football coach at Garfield, said a comment from a player made him realize to change tactics.

Former Garfield coach Lorenzo Hernandez runs onto the field with his players and assistant coaches.

(Hernandez family)

“You grow up in a certain era and have to adapt,” he said. “These kids want to enjoy themselves. They taught me to keep it as fun as possible. We worked on discipline. A kid said, ‘That’s great coach, but I don’t think we’re having fun.’ It made me take a step back. We have to understand it’s a different era of athletes and they require different ways to handle things. That’s helped me build better relationships. I’ll meet you halfway.”

Former Crenshaw football coach Robert Garrett said he learned to talk to students about their personal lives to understand why they are behaving in certain ways. He discovered one of his players had nowhere to wash his clothes.

Longtime Crenshaw football coach Robert Garrett talks to De’Anthony Thomas, one of his best former players, in 2011.

(Robert S. Helfman)

“Some don’t have a stable household,” he said. “You don’t learn that until you talk to them. I knew he was intelligent and studious but until I found out his hygiene wasn’t good, I realized the environment he was up against. It wasn’t until he shared with me what he was going through I offered assistance to wash his clothes.

“He didn’t need tough love. He needed kid gloves. Every day I try to find at least one child I didn’t know and have a personal conversation, ‘What middle school he went to, where does he live, are his studies OK.’ I try to learn the child before I learn the body. Adults never talk to kids. We just assume a kid is a certain way until you have a conversation and know their background and what they are going through.”

Former Hart baseball coach Jim Ozella, retired and watching his grandson play sports, told the story of his former player, Jack Ralston, reaching the major leagues this year taught him about perseverance.

“Everyone wants instant gratification,” Ozella said. “Here’s a kid who didn’t make the major leagues until he was 29. For us, he was an outstanding pitcher. We made it to the CIF final. Then he walked into UCLA, didn’t pitch as a freshman or sophomore, pitched a little as junior, then boom as a senior. He got drafted. His lesson has been off the charts for me.

Dodgers pitcher Tyler Glasnow with Hart coach Jim Ozella, who coached him in high school.

(Eric Sondheimer / Los Angeles Times)

“You can’t expect results immediately. You’re talented, put in all the work and effort. In this case, it didn’t work. He kept plugging along. His lesson is everyone is different. His was keep plugging away and it will happen. I called him after he gave up a home run. He said, ‘Today I woke up and it’s a new day.’ What a role model. Don’t expect everything overnight. It takes time. Be patient.”

Then Ozella quoted a famous line, “The day you plant the seed is not the day you eat the fruit.”

Hall of Fame football coach Paul Knox had a situation early in his coaching days at Dorsey dealing with two brothers and figuring out what you’re supposed to do when they’re different.

“They were very close in age,” he said. “I learned by trying to coach them you can’t coach everyone the same. Whatever I tried, one was very coachable and his younger brother all the things I tried never worked with him. We went back and forth.

Dorsey coach Paul Knox celebrates a miracle win in the 2001 City championship game at the Coliseum.

(Robert Gauthier / Los Angeles Times)

“I found out I had to find a whole other way to reach him. I learned you can say how you treat everyone the same, but you approach some kids differently. You never really know precisely who’s listening to you and sometimes the satisfaction of being a teacher or mentor is delayed and you don’t know until years later.”

Match of the Day pundit Alan Shearer praises the performance of Aston Villa’s Nicolas Jackson, saying Tottenham’s centre-halves “couldn’t keep up” with the 25-year-old striker.

MATCH REPORT: Premier League – Tottenham Hotspur 2-3 Aston Villa

Available to UK users only.

Match of the Day pundit Danny Murphy praises Brighton’s “incredible” performance in their 3-0 win over Arsenal, predicting they will cause problems for Premier League teams this season.

MATCH REPORT: Premier League – Brighton & Hove Albion 3-0 Arsenal

Available to UK users only.

KIM Kardashian and Lewis Hamilton swapped luxury cars for humble Lime bikes as they enjoyed a casual day out in London.

The couple, who are estimated to be worth a combined $2.5bn, looked happy to keep it low-key as they pedalled around the capital.

Lewis, 41, might have swapped Ferrari red for lime green but he still set the pace and maintained his eye for fashion in a leopard print jacket.

While glam Kim, 45, who owns the leisurewear brand SKIMS, kept it simple in a white vest top and black leggings.

He might be a seven-time F1 world champ on four wheels, but Lewis was in no rush and swapped smiles with Kim as they cruised along.

The duo were joined by a minder who hung back and let the couple soak up the sights uninterrupted.

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Last night, Kim was more glamorous as she turned out for a SKIMS event in Regent Street in a nude figure-hugging dress.

The reality star and businesswoman was in her element waving to fans and taking pictures, before having a costume change and heading to exclusive members club Maison Estelle for the afterparty.

It followed a shock diagnosis Kim received in the latest episode of Keeping Up With The Kardashians.

Viewers watched her learn she has esophagitis, which is a condition characterised by the inflammation of the lining of the oesophagus, and is the same condition that led to her father’s death.

Robert, a top lawyer who represented O.J. Simpson, died from esophageal cancer in 2003 at the age of 59.

The revelation about her health made both Kim and her mum, Kris, tearful.

A STRIKE at a major airport in Belgium has forced Ryanair to cancel at least 30 flights, with more to follow.

The industrial action by air traffic control staff could continue well into October, affecting evening schedules.

Industrial action by air traffic control workers at Charleroi Airport started on September 16.

The strike will continue to take place during every night shift from 22pm to 8am the following morning until October 10.

It’s been reported that as a result, Ryanair has cancelled at least 30 flights so far.

Ryanair flies to Charleroi from three UK airports; Newcastle, Manchester and Edinburgh.

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Looking at today’s schedule, it’s mostly arrivals into the airport after 9.30pm that are affected.

Only two flights from the UK are affected by the strike action today.

The first is a flight from Manchester Airport to Charleroi which was scheduled for 10.55pm and has since been cancelled.

The second is a flight from Charleroi to Manchester Airport which was scheduled for 19.35pm and has also been cancelled.

Ryanair has asked passengers to monitor their Ryanair App for the latest updates regarding their flight.

In a previous statement, the airline said: “We sincerely apologise for any inconvenience caused as a result of these ATC strike delays/cancellations, which are entirely beyond airlines’ control.”

Yesterday, about 40 flights in total were cancelled at Charleroi Airport.

According to Skeyes, the Belgium‘s official national air navigation service provider, the nightly strikes are expected to affect more than 800 flights.

The countdown to Christmas is on with millions of Brits planning to make a festive escape. But if you’re heading overseas time is running out to sort out any issues with your passport

Whether it’s a Christmas market, Lapland trip, or just seeing family, millions of Brits will head overseas during the festive season. And with only 99 days to go until the big day, one thing that Brits need to be checking right now is their passport.

Passport renewals usually take about three weeks to process after being received by the passport office, so family travel experts advise checking your document now to ensure you have plenty of time to put in an application if needed.

It’s also worth remembering that while three weeks is the general time the HM Passport Office advises for a passport renewal, at busy times of year such as the run up to Christmas this timeframe can be longer.

The advice comes from family holiday firm Lapland Famille who say that the cut off for a pre-Christmas passport application should be October 16, as this gives about a month for the passport to be issued, with around 10 weeks to spare should there be any issues or delays.

As we’re now inside the 100-day countdown to Christmas, this is the best time to check your passport and ensure it meets the requirements for your trip. It also warned that travellers should follow the official GOV.UK advise and not book a trip until they have a valid passport. It’s especially important to check child passports, as these last five years rather than ten, so make sure you check each family member’s document separately.

For those visiting the Schengen area, which includes all 29 European Union member states plus Iceland, Liechtenstein, Norway, and Switzerland, a minimum of three months validity needs to be left on your passport from the day you plan to depart the zone. This means if you were planning to leave the Schengen area on December 28 of this year, your passport will need to be valid up until March 28, 2027.

Issue dates continue to catch Brits out due to post-Brexit rules. Check your issue date is within the past 10 years if you plan to visit the EU. You should also make sure you check the FCDO advice for your destination country as well airline document requirements in plenty of time before you fly.

Alex Dyer, managing director at Lapland Famille, said: “Four passports can look in date at a glance, and it’s easy to assume the whole family is ready to go. I’d rather parents find a problem while they’re still choosing a trip, because once you’ve booked activities and arranged time off work, one unusable passport can affect everyone’s holiday.”

Pre-Christmas passport check list

• Validity – should have at least three months remaining from your departure date if visiting the Schengen area
• Issue date – passports issued more than 10 years ago are no longer accepted in the EU
• Damage – rips, water damage, and marks can all see a passport rejected
• Blank pages – most countries require at least two blank pages for stamps

Have a story you want to share? Email us at webtravel@reachplc.com

BBC Radio 5 Live brings you more Premier League commentaries than anywhere else this season, with 209 live matches.

You can listen to selected commentaries, plus updates from around the grounds, on BBC Sounds, the BBC Sport app and website and via your smart speaker.

Saturday, 19 September

Arsenal vs Brighton (15:00) – BBC Radio 5 Live

Newcastle v Hull City (15:00) – BBC Radio 5 Live Sports Extra 2

Nottingham Forest v Coventry (17:30) – BBC Radio 5 Live

Sunday, 20 September

Bournemouth vs Liverpool (14:00) – BBC Radio 5 Live

Man City vs Sunderland (14:00) – BBC Radio 5 Live Sports Extra

Leeds v Crystal Palace (14:00) – BBC Radio 5 Live Sports Extra 2

Fulham v Man United (16:30) – BBC Radio 5 Live

BBC Sounds is the place to find every 5 Live Premier League commentary this season, with more ways to listen via the app than ever before.

Sports Extra 2 and Sports Extra 3 are new radio streams available only on BBC Sounds, offering you the chance to discover more coverage from the Premier League and listen to your team live.

The Football Fix collection now brings you every 5 Live Premier League commentary in one place, plus build-up, reaction, and all the BBC’s football podcasts. Find it here and on the BBC Sounds homepage throughout the season.

Here are ways to download the BBC Sounds app:

Apple, external

Android, external

Universal Studios Hollywood’s landscape-changing, park-altering new thrill ride, Fast & Furious: Hollywood Drift, is officially open. The coaster boasting spinning, drifting cars along 4,100 feet of track had been in a soft launch phase since late July. But as of Wednesday morning, the theme park has declared the ride fit for daily operation.

“It elevates us to a new level,” says Jon Corfino, the park’s lead creative executive. “When we first started thinking about this 10 years ago, we recognized that. It’s our first big outdoor coaster. It changes the complexion of who we are, even the visual nature of who we are. You can see this from the freeway.”

The theme park hosted a private ribbon-cutting ceremony — in this case, a metal chain cutting to better represent the action-focused, garage-like grit of the “Fast & Furious” film franchise — on Tuesday evening. Mark Woodbury, the chairman and chief executive of Universal Destinations & Experiences, and Scott Strobl, executive vice president and general manager of Universal Studios Hollywood, together sliced the cable.

‘“Fast & Furious’ has delivered 25 years of high-speed thrills and big blockbuster movie moments and it was the perfect story for us to build this incredible, one-of-a-kind innovative attraction,” Woodbury said, noting a similar coaster, set to open next year, is under construction for Universal’s Florida resort.

Universal Studios Hollywood’s Fast & Furious: Hollywood Drift towers over the theme park.

(Ronaldo Bolaños / Los Angeles Times)

The coaster reaches a top speed of 72 mph, the fastest coaster in Universal’s global portfolio, and places riders in authentic, mini-re-creations of real cars that can rotate 360 degrees to create the drifting sensation of a stunt vehicle. With four inversions that bring guests upside down, Hollywood Drift is decidedly intense.

Wait times on Wednesday were hovering around 90 minutes. “I’m a big fan of the movies, and I think this is the best coaster in Southern California, hands down,” said L.A.’s Peter Lee, 43, as he was exiting the attraction on Wednesday. Lee has ridden the coaster 10 times since late July, but wanted to attend its opening day to purchase a picture of himself on the ride on its first proper day of operations.

Phillip Lambert Duke, 42, of Orlando, came to Universal Studios Hollywood to experience the West Coast edition of Halloween Horror Nights but said Hollywood Drift will be a highlight of the trip. “It’s fantastic,” Lambert Duke said. “It’s beautiful. I love how all the cars move independently of one another. “

Yet Fast & Furious: Hollywood Drift has also attracted some unwanted attention from the neighboring community of Toluca Lake, where residents have cried foul at the sound of rider screams emanating from the coaster. “Untenable,” “disturbing” and “like someone is getting murdered” have been a few of the ways longtime Toluca Lake homeowners have described the noise of riders.

An upside down rider enjoying Fast & Furious: Hollywood Drift at Universal Studios Hollywood.

(Ronaldo Bolaños / Los Angeles Times)

A number of Toluca Lake residents sent a media alert and hosted reporters in their neighborhood on Wednesday’s opening day to showcase just how disruptive the screams could be. Standing in the backyard of a house situated near a neighboring golf course, rider screams are certainly audible, and residents said the consistency of them is destroying their quality of life.

“It’s a constant stress,” said Colby Jensen, 55, a Toluca Lake resident of 26 years. Jensen said some residents have begun exploring their legal options, citing both the emotional duress of hearing constant screams and also a fear of potentially lower property values.

“It’s not just a noise, like the freeway, which is in the background,” Jensen said. “It’ll be quiet for a minute, and then you’ll hear this cacophony of screams. It inherently raises your blood pressure and stress level and it’s unnatural to hear that.”

Sofia S., who declined to give her full last name, said she just returned home to Toluca Lake after graduating from Indiana University. The 22-year-old noted the coaster has made it difficult to work from home.

“I have a little dog, and she’s barking a lot more because she thinks people are trying to come into the house,” she said.

Fast & Furious: Hollywood Drift was designed as one of the quietest thrill rides ever constructed so as not to disrupt the working studio below and the communities nearby. Its track has been filled with pea gravel to mitigate rumbles, and multiple walls and glass-outfitted curved shields have been placed on or near its layout. Universal has even stated that it can rotate the cars so riders scream away from the nearby neighborhood at particularly extreme moments. Such measures have been welcomed by the community, but they’re not enough, say many neighbors.

Universal has scheduled a community meeting with residents for Sept. 30. The park also last month pledged to build additional sound barriers to further dampen rider screams.

Fast & Furious: Hollywood Drift has been the most anticipated theme park attraction of 2026.

(Ronaldo Bolaños / Los Angeles Times)

At Tuesday’s media event, Universal executives declined to discuss community concerns or efforts to alleviate them, but later issued a statement acknowledging that community feedback has been an important part of the process.

“Testing completed to date confirms the attraction is operating in compliance with sound ordinances applicable to Universal property, which are more stringent than city and county codes,” the emailed comment reads.

Toluca Lake residents dismiss criticisms that this comes with the territory of living next to a theme park, noting for much of its history Universal focused on indoor attractions and has previously worked with the community, such as adjusting the audio on its “WaterWorld” stunt show.

Fred Iberri, who said he’s lived in his inherited Toluca Lake home since the early ’70s, said everyone has a right to peace in their home.

“People say, ‘If you don’t like it, it’s your choice to live next to a theme park.’ That’s not true. Universal hasn’t had a coaster outside until three months ago,” Iberri said. “I’ve been here for 52 years, my family for 90, and Toluca Lake has been a peaceful neighborhood until three months ago. Anyone who says that doesn’t know us or the neighborhood. It’s not so easy for seniors to just pick up and move.”

Mr. Todd’s Wild Ride comes out every Tuesday, but we occasionally publish special editions (like this one!) when we have breaking theme park news. Make sure you’ve signed up to be the first to know.

WASHINGTON — For a third time, the U.S. House has voted to end the war in Iran, approving a war powers resolution that would halt President Trump’s ability to continue military action without congressional approval.

The roll call late Tuesday, 220-204, was similar to earlier efforts this summer, with a few more Republicans joining all Democrats voting to bring an end to the conflict. None of the resolutions have made it to the president’s desk, where Trump would almost certainly veto the measure.

“Remember when Donald Trump said that this war would last just a few weeks?” said Rep. Seth Moulton, D-Mass., who served as a Marine during the Iraq War and pushed the resolution forward.

He said it’s time for Congress to “actually ask tough questions, as the Constitution directs us to do, rather than be subservient to another warmongering administration.”

Republican Rep. Brian Mast of Florida, the chairman of the House Foreign Affairs Committee, questioned which military resources Democrats would want to remove from the region where he said Iran remains a threat.

Mast said Trump is against “forever wars, and that is what he is ending” — the decades of hostilities from Iran.

“They are a continuous ongoing threat to the United States,” Mast said. “Enough is enough.”

Last war powers vote before the midterms

The action is likely the last House vote on the Iran war ahead of the midterm elections, where the conflict overseas is playing a substantial role in the political campaigns. The war that Trump launched Feb. 28 has dragged, with on-again, off-again deadly missile strikes being exchanged and causing havoc in the region for nearly seven months.

Lawmakers are heading home at the end of the week to campaign nearly full-time, with less than 50 days to go before the elections that will determine control of Congress as Democrats try to wrest power from Republicans.

Voters are confronting high prices, particularly for gas at the pumps, as the conflict disrupts the flow of oil resources through the vital Strait of Hormuz.

The Congressional Budget Office said Tuesday that the war has cost more than $38 billion, as of Aug. 1, and is projected to be costing between $2 billion and $3 billion monthly, depending on the intensity of the fighting. The budget office projected inflation will be 0.5 percentage points higher than expected heading into 2027 due to the war.

Trump himself had promised not to involve the U.S. in foreign wars when he won a second term in the White House, and his actions against Iran are weighing on the Republican Party that controls the House and Senate. Most Americans say the war in Iran has not been worth fighting, according to an AP-NORC poll in July.

In the previous House actions, four Republicans voted to halt the war in Iran, but that number rose to seven in Tuesday’s war powers vote, including GOP lawmakers from battleground Iowa, Rep. Zachary Nunn and Rep. Mariannette Miller-Meeks, and retiring Rep. Nancy Mace of South Carolina.

They joined GOP Reps. Tom Barrett of Michigan, Warren Davidson of Ohio, Brian Fitzpatrick of Pennsylvania and Rep. Thomas Massie of Kentucky voting in favor of the war powers resolution, with all Democrats.

War powers being put to the test

Congress has tried repeatedly to alter the trajectory of the war against Iran, but efforts to limit the Trump administration’s military action remain a longshot so long as the president is able to fend off or veto the measures.

The House first approved a war powers resolution in June, and followed up with another one in July, all seeking to halt U.S. action in Iran. The Senate on its 10th try also approved a war powers resolution to end the conflict, but GOP senators quickly reversed course the next day after Trump berated them during a closed-door lunch.

While the Constitution gives Congress the authority to declare war, it also gives the president authority as the commander in chief to engage in some military actions. The War Powers Act, created in the aftermath of the Vietnam conflict, sought to put a more specific time limit on the president’s power, requiring congressional approval for sustained military actions after 60 or 90 days.

House Speaker Mike Johnson acknowledged at a press conference Tuesday the need to bring gas prices down.

But the Republican speaker said he believes the Iran conflict is entering a “new phase” as allies step up to help stabilize the region. When that happens, he said, “you’re going to see, as the president said, anytime gas prices will go down again, the cost of groceries will as well.”

Johnson said Trump expects the shift after the election, and the speaker added, “I’d love it to happen today.”

Mascaro writes for the Associated Press.

MARK Wright was caught red-handed by wife Michelle Keegan after telling porkies about his whereabouts while she was at work.

The TV star told his actress wife he would be at home looking after their daughter Palma, 1, – confident he wouldn’t be rumbled.

But Mark, 39, was actually out playing golf and was spectacularly exposed when Michelle FaceTimed him live on air.

The hilarious incident unfolded on Heart Breakfast when Michelle appeared as a guest to promote her new drama The Blame.

“Shock, he’s at golf,” Michelle, 39, remarked as the star popped up on the video call before demanding: “I’ve got a question – where’s the baby?”

A flustered Mark responded: “She’s with my mum. She’s seeing her nanny today.”

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Michelle then clapped back: “You told me you weren’t golfing today. You’re in trouble!”

Mark told the other presenters: “This is what I mean, guys. You’ve got me in the doghouse!”

The couple welcomed their first child, Palma, in March 2025 after nearly ten years of marriage.

Michelle is now gearing up for the release of six-part ITV crime drama The Blame, adapted from Charlotte Langley’s debut novel of the same name.

She plays DI Emma Crane, who investigates the murder of a young figure skater while confronting corruption and misogyny within the police force.

The series marks Michelle’s first acting role since giving birth to Palma.

She said earlier this year: “Coming back to work after having a baby is quite daunting.

“But the production were so supportive and I was so looked after. It was like working with family.”

However, the actress recently pulled out of another major ITV drama amid concerns its demanding filming schedule would keep her away from Palma for too long.

Michelle had been due to play a working-class barrister but withdrew several months before filming began, with former Doctor Who star Jodie Whittaker, 44, stepping into the role.

Although Michelle had committed to the project and filming dates had been agreed, she reportedly walked away before signing a contract.

The Blame begins on ITV and ITVX on September 20.

JJ Gabriel is already the youngest person to play for Manchester United’s Under-18 team.

He is also the youngest person to play in an unofficial game with United’s first team.

The 15-year-old striker appeared set to become the youngest person to play in an official game with United’s first team. The club plays Brighton in an English League Cup game Wednesday.

But seems unlikely to happen at this point — not after Gabriel has requested to be let out of his youth registration with the club immediately to become a free agent. Gabriel is under contract with United until the end of the current season in May.

United remains hopeful it can retain the young star, a person with knowledge of the situation but unauthorized to comment told the Associated Press.

According to the BBC, Gabriel did not train with the team late last week “amid issues in the relationship between the player’s family and United.” The publication also states that chief executive Omar Berrada and director of football Jason Wilcox “are directly involved in discussions with the player’s family, which underlines how seriously the club [regards] the situation.”

If United declines Gabriel’s request, the matter could ultimately be decided by the Premier League.

Gabriel’s father, Joe O’Cearuill, was a defender who played for Arsenal, mainly in the lower leagues, and briefly for Ireland’s national team.

Born in London on Oct. 6, 2010, Gabriel first gained wide attention — and the nickname “Kid Messi,” after global soccer legend Lionel Messi — as an 8-year-old youth player showing his skills in a YouTube video posted by SV2 in 2019. It has been viewed more than 5 million times.

After playing for youth academies such as Arsenal, West Ham United and Chelsea, Gabriel signed with Manchester United at age 11. He was 14 years, 6 months and 1 day old when he scored two goals in his U-18 debut, a 13-1 victory against Leeds on April 5, 2025.

Gabriel went on to score 20 goals in only 21 appearances and was named the U-18 Premier League player of the year. He also became the youngest player to be named Manchester United’s academy player of the year. Making his UEFA Youth League debut last week, Gabriel netted a hat trick during a 5-0 victory over Sabah.

On Aug. 1, Gabriel made his first appearance with United’s first team, playing eight minutes during a preseason game against Atlético Madrid. He was 15 years, 9 months and 26 days old. The youngest Manchester United first-team player in an official game is David Gaskell, who was 16 years and 19 days old when he first appeared for the club on Oct. 24, 1956.

The Associated Press contributed to this report.

Early in life I discovered I had a particular affliction, and that was a proclivity for spending time at theme parks. I only phrase it that way because I understand some may find such a desire peculiar, which has made me particularly attuned to many comments about theme parks, especially those that aren’t positive.

Too hot, too crowded, too expensive or simply geared only for children. And while I’m happy to discuss or debate all aforementioned topics, there’s one particular criticism that I find especially grating: Theme parks are fake.

This is the argument that they are heavily fabricated and designed to elicit an emotional response, or worse, manipulate us. And it’s one I hear time and time again from grown-up peers. Over the years, it’s cropped up from friends. “Why do you go there?” they will say. “Everything is fake.” It’s appeared in books such as Henry A. Giroux’s and Grace Pollock’s scathing “The Mouse that Roared,” which dismisses the parks as presenting an “infantilized” worldview. And I’ve heard it from people I’ve interviewed, such as the USC professor of psychology who told me that theme parks were so fake, they forbade surprises.

The criticism irks me, in part, because of what it implies. By dismissing a Disneyland or a Universal Studios park as “fake,” there’s an implication that something is “more real.” A national park, perhaps, or a dedicated art institution. I adore those types of spaces as well, of course, but there’s an ignorant snobbery to this sort of remark, a thumbing of the nose that seems to argue I should spend some of my free time elsewhere.

This has been on my mind of late for a pair of reasons. One, I recently visited the Lucas Museum of Narrative Art and have been consumed with the discourse surrounding the value of story-driven art. And two, I recently read “Floating Mountains: The Art of Imagining the Impossible” by famed Disney designer Joe Rohde. The book is many things — an impassioned dissection of creative collaboration, a look at Rohde’s 40 years with Walt Disney Imagineering — but it is also a subtle argument that theme parks are vital, artistic spaces.

A statue of Walt Disney and Mickey Mouse in front of a very real fantasy castle.

(Christina House / Los Angeles Times)

I agree, and so I decided to bring up my pet peeve while talking to Rohde at the recent all-things-Disney fan convention D23.

“It’s a very odd criticism,” Rohde says of the knock on theme parks as being fake.

“Of course they are not real,” he tells me. “Movies are not real. Theater is not real. It’s like René Magritte, ‘Ceci n’est pas une pipe.’ Of course, a picture of a pipe is not a pipe. I don’t understand why that is an issue. It is a creation. In some cases it is a photo-realistic creation. In some cases it is a stylistic creation. But it is a creation. That’s what makes it a work of art.”

In “Floating Mountains,” Rohde, the primary creative behind the stunning Disney’s Animal Kingdom (second only to the original Disneyland in my mind), documents the myriad of disciplines that must come together to create such spaces. Animal Kingdom is full of real-world details. I can spend days exploring just the Africa section of the park, reading anti-poaching signs and piecing together a story that helps inform the area’s magnificent safari ride.

This is a work of art, albeit a less understood one, for narrative place-making and environmental storytelling are borderline experimental, less common than, say, a book or a film. Place-making requires that we not just take in our surroundings but constantly analyze them for story insights.

Joe Rohde, in 2017, discussing Pandora — the World of Avatar at Disney’s Animal Kingdom in Florida’s Walt Disney World.

(Jay L. Clendenin / Los Angeles Times)

Rohde also notes the degree to which Imagineers are taking influence from real-world spaces in an effort to bring narrative details into the parks, ensuring they appear at once familiar and fantastical. In the case of Animal Kingdom, it was Africa’s Lake Manyara National Park, among many other locales, that gave that park its realistic grit. And when it came to the fully imagined floating mountains of Pandora — The World of Avatar, it was finding inspiration in the Italian Baroque art of Gian Lorenzo Bernini, as seen in the entangled vines descending from the apparently hovering mountains.

Now, I am not someone who argues that a trip to Animal Kingdom is a stand-in for a vacation to Africa. Or that visiting the World Showcase of Epcot is akin to a jaunt around Europe. Or that hanging out in Cars Land is a substitute for a drive down Route 66. And an afternoon slugging pints at Hog’s Head at Wizarding World of Harry Potter is certainly not the equivalent of a day at an authentic British pub. No, what a theme park offers is an artistic interpretation, one that filters the natural world through the stories that define our lives.

Theme parks are not so much an escape from the world but a way to make sense of it. View them with an open mind, and they are an entree into storytelling exploration. This is different to me than, say, a re-creation of the Eiffel Tower being plopped into Las Vegas, which is preying on replication as generic spectacle. Theme parks, of course, can fall victim to this, too, when they utilize signposts or characters from a film as a substitute for innovation (see much of the design of Pixar Pier at Disney California Adventure).

Cars Land in Disney California Adventure was inspired by the scenery and history of Route 66.

(Mark Boster / Los Angeles Times)

France at Epcot’s World Showcase, in contrast, aims to weave a brochure-like tale of the country, to introduce us to culinary and architectural standouts that can inspire us to dig deeper. For some, sure, that’s deeper into their wallets, but World Showcase inspired a young me to be curious about the world beyond the suburban Chicago neighborhood I grew up in.

And purely fantastical creations — at least the ones that are done well — are not just references to things we saw on a movie or television screen. I think of Guardians of the Galaxy — Mission: Breakout! at Disney California Adventure, which is specifically designed as a cartoon-like intrusion, a building meant to clash and call attention to its surroundings. It’s all an effort to heighten the concept that the modern American myth — the superhero film — is work that encroaches, with uplifting exaggeration, on real-world settings.

And even a Disneyland classic such as Pirates of the Caribbean requires deep analytical reframing to properly understand it. Sure, it’s a boat ride with singing robot pirates, but that’s not the reason it has endured for more than half a century. I’ve described the attraction as the template for the perfect theme park ride, one that invites the guest to discover a host of mini stories based upon where riders are directing their focus. It’s a huge influence, for instance, on the world of open-world video games, which allow players to pick a direction and discover a narrative path. It’s anything but fake.

Pirates of the Caribbean is a study in environmental storytelling.

(Christina House / Los Angeles Times)

The criticism that theme parks are fake is a surface one, one that fails to properly meet the medium where it’s at. It’s easy, of course, to look at the nostalgia of a Main Street, U.S.A, and the castle up ahead and to write off Disneyland as a rosy, idealized take on America. This is the undiscerning view, for Disneyland is a presentation of an America that never existed, one disrupted by a castle that also doubles as an extended hand.

Think of it as an ask to use one’s imagination and to be open to play: Theme parks are a wholly unique medium that requires a different set of criticism, one that is looking at architecture and design as a storytelling device. And when one gets on a ride, a theme park expects us to be open to a somewhat abstract form of storytelling. Theme parks are also, at their core, a form of participatory art, inviting us to take on a starring role.

The mechanization of what makes a theme park a theme park is simply too complex, too vast and involving too many people to be dismissed as fake. And let me say that there’s no shame in wanting to be immersed in a world crafted by the hands of many a skilled artist, whether that’s the new David Geffen Galleries at LACMA or the Disneyland Resort.

This week in SoCal theme parks

Concept art for Magic Mountain’s upcoming 2027 coaster Thrill Glider.

(Six Flags Magic Mountain)

• A new coaster coming to Magic Mountain. Six Flags announced that coming in 2027 to its Valencia park will be Thrill Glider, a first of its kind thrill ride designed by coaster manufacturer Vekoma exclusively for Magic Mountain. Riders will board what the park is referring to as “hoverbikes,” essentially bike vehicles designed to simulate a flying sensation by being suspended from the track.
• Scary Farm is upon us. Halloween season is officially in full swing as Knott’s Scary Farm opens Thursday. New this year are two mazes, including one that intermixes a host of vintage animation, as well as a magic show collaboration with the Magic Castle.
• Fast & Furious: Hollywood Drift officially opens. Though it’s been in a soft open phase since late July, Universal Studios Hollywood’s Fast & Furious: Hollywood Drift will be properly open as of Wednesday. This means the coaster has passed its final testing and is ready for daily operation. Here’s everything you need to know about Universal’s fancy new coaster.
• Legoland expands its Halloween event. Brick or Treat at Carlsbad’s Legoland begins on Saturday and it’s bigger than ever in 2026. The family friendly event, for which costumes are encouraged, this year has added Brick or Treat Street, with six life-size monster homes to interact with. Also, be sure to head to the park’s new coaster, the Galacticoaster, which has received a Halloween overlay.
• A Walt Disney exhibition at Forest Lawn. Head to Glendale’s Forest Lawn Museum on Saturday evening for the opening reception of “California Visionaries: The Lives and Legacies of Walt Disney and Hubert Eaton,” which explores the connection between Disney and Forest Lawn Memorial-Parks founder Eaton. The exhibition, which promises concept art, rare Disney sheet music as well as items from early Disneyland attractions, is on display until Feb. 7.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

P.S.

Attention readers who are in or near Fillmore: This Saturday is the first-ever edition of the “Time Travel Convention,” a new interactive theatrical experience from Live Action Attractions. Many veterans of the theme park industry worked to bring this event to life, including some who collaborated on the now-shuttered Star Wars: Galactic Starcruiser, colloquially known as the “Star Wars” hotel.

The story: Once a year, time travelers from the distant future head back in time to witness a historic day in small-town America. Players are cast in the role of time travelers, and throughout the day Saturday expect a series of games and costumed characters to interact with. There will be three theatrical moments staged throughout downtown Fillmore beginning at 10:01 a.m.

Register online, and you’ll receive info on where to meet. The event is highly recommended.

Seoirse Comerford owns the Comerford bar in Doonbeg. He described the tournament as “unbelievable”.

“If you look at the red double decker buses going up and down the street full of people, we never thought we would have seen the like of that.”

He said the golf course is a big employer and is keeping Doonbeg “alive”.

“Most rural villages in west Clare are all dying a death, young people going away to college, they don’t come back.

“Like there’s over 300 people employed up there at the golf course , it’s a big boost to the local economy. You’ve got big companies in Dublin, like Intel, the golf course is our Intel down here.

“I probably wouldn’t have taken over the bar business other than the golf course being up there.

“We would have had 1,000 plus through the pub on Saturday night and the same Friday night, so there’s a lot of people around the village, which is great to see.”

It’s a day and night to celebrate women in sports.

MaxPreps is hosting an 18-team flag football tournament in San Diego. No. 1 JSerra is competing.

In the evening, Nike has flown in a custom-made outdoor volleyball court so Sherman Oaks Notre Dame can host Harvard-Westlake in a 7 p.m. girls’ volleyball match played on the Notre Dame baseball field. There will be food trucks, music and other surprises.

There’s also the Venice girls volleyball tournament taking place at Venice High and the Woodbridge Classic cross-country meet at the Great Park in Irvine.

This is a daily look at the positive happenings in high school sports. To submit any news, please email eric.sondheimer@latimes.com.

Saudi Arabia on Friday announced it had to temporarily shut down the key east-west pipeline after drone attacks on Thursday from an Iranian-backed militia group in Iraq. As we have explained in the past, the Kingdom has diverted millions of barrels of oil per day through pipelines to its Yanbu port on the Red Sea in an effort to minimize the energy shortages due to hostilities near the Persian Gulf that have closed the Strait of Hormuz. 

The pipeline was shut down a day after the Houthi rebels of Yemen increased their control over the crucial Bab al-Mandab Strait (BAM), a narrow body of water separating the Red Sea from the Gulf of Aden. Combined with Iran vastly curtailing shipping through the Strait of Hormuz, this gives Tehran significant control over two of the world’s most crucial passageways for the flow of oil.

“The East-West pipeline, in the regions of Riyadh and Medina, was subjected to several attacks on Thursday morning, September 10, 2026,” Saudi Arabia’s Energy Ministry posted on X. “The line was shut down as a precaution. The attacks resulted in some injuries, and medical care has been provided to those injured.”

“Emergency teams and specialized technical teams began work immediately after the attacks occurred, and took the necessary measures to secure the line and verify its safety, in accordance with approved safety procedures and emergency plans, and in coordination with relevant authorities,” the ministry added. “Any updates will be announced in due course.”

Showing the complexity of this situation and the high degree of coordination among various Iranian-backed proxies, the Saudi Ministry of Foreign Affairs accused Iranian proxies in Iraq of carrying out the attack. The Kingdom subsequently said it would hold off on responding to “give the brotherly Iraqi government an opportunity to take the necessary measures to prevent attacks launched from Iraqi territory against the Kingdom and neighboring countries,” according to the Arab News.

Officials in Baghdad quickly responded to that request, firing a regional commander overseeing operations where the attack was launched from.

“The Prime Minister, the Commander-in-Chief of the Armed Forces, Mr. Ali Falih Al-Zaidi, directed the formation of an investigative committee regarding the Maysan Operations Command,” the Iraqi Prime Minister’s Office announced on X. “His Excellency ordered the dismissal of the Operations Commander from his position, following confirmation that the attacks targeting the brothers in the Kingdom of Saudi Arabia were launched from one of the sites within the province.”

On Friday, the Houthis acknowledged that they captured new stretches of Red Sea coast from the Saudi-backed factions they’ve been battling. This includes the port of Mokha and the key islands of Perim (also known as Mayun) and Zuqar.

In a quick recap of what’s changed, the port provides a potential new surveillance and launching point for the Houthis. From here they can deploy mines, standoff weapons, as well as uncrewed surface vessels (USVs) that can be used to attack shipping. The islands give the Houthis a presence in the middle of shipping lanes. This is especially true for Perim, which sits in the narrowest part of the BAM, less than two miles west of Yemen and about 13 miles east of Djibouti, giving the Houthis a commanding presence at the mouth of the Red Sea. Its position could even allow Houthis to launch attacks on shipping using lower-end munitions, such as anti-tank guided missiles and even rocket artillery.

However, maintaining a major military presence on these islands would be a challenge logistically, especially should the U.S. or its allies attack positions there. You can read more about how the fall of the islands unfolded in our report here.

As they swept through the coastal region, the Houthis captured a treasure trove of U.S.-made Oshkosh M-ATV mine-resistant vehicles, pickup trucks mounted with heavy weapons, artillery pieces, and large quantities of ammunition and small arms abandoned by retreating National Resistance and Giants Brigade forces.

Iran, which has held off on getting the Houthis directly involved during Epic Fury, has now played its hand and is putting the Houthis in a better position to close the strait than ever before. This was always a ‘sum of all fears’ scenario for oil exports from the Middle East and now Iran could put maximum pressure on the United States and the world to end the conflict in their favor, with oil potentially being cut off from both the Red Sea and the Persian Gulf.

Still, on Friday, the Houthis tried to allay those concerns, promising they would limit their control of the BAM to just Saudi vessels. 

“The Yemeni armed forces confirm that maritime navigation is safe for all companies, except for Saudi Arabian ships, which have previously been placed under a ban,” Houthi spokesman Brig. Gen. Yahya Saree proclaimed. “We are continuing to uphold the equation of blockade with blockade, striking enemy Saudi Arabian troop concentrations, and escalating in response to their actions, until the aggression ceases and the blockade is lifted from our dear people.”

Their rationale is that this campaign is all about defending against attacks by the Saudis and their proxies.

The conflict between Saudi Arabia and the Houthis grew out of a civil war in Yemen that erupted in 2014. It expanded a year later when a Saudi-led coalition joined forces with the government ousted by the Houthis and raged on until the parties reached a tenuous ceasefire in 2022. Tensions, however, reignited after that conflict ended when the Houthis joined the U.S.-Iran conflict on the side of their major supporter. In addition to a blockade on Saudi shipping, the Houthis began striking Saudi refineries and other oil infrastructure, including pipelines near the coast.

Houthi assurances about their intentions have meant little in the past. In 2023, when they launched their earlier campaign against Red Sea shipping, the Houthis also claimed a narrow rationale. They said they were doing so on behalf of Palestinians being killed during the Israel-Hamas war. The reality turned out to be that the Houthis were striking even ships not connected to Israel. This ultimately led to the U.S. and allies deploying warships to protect commercial vessels, battles with the rebel group on the water and a campaign of airstrikes on Houthi land targets.

It should be noted that the Saudis held off on getting involved that fight.

Amid all this, the per-barrel price of Brent crude rose to more than $109 yesterday, but was back down to $104 today, according to OilPrice.com.

We have long suggested that the U.S. could get pulled back into a new conflict with the Houthis. Now the rebel group’s rapid defeat of the Saudi-backed forces has reportedly already led to an American role in that fight.

“More than 100 US military advisers are on the ground in Saudi Arabia providing intelligence and targeting support to the Kingdom in its military campaign against the Iran-backed Houthis in Yemen,” CNN reported on Thursday, citing multiple sources familiar with the effort. “The US military personnel are working as part of a newly-established joint forces command, which was formed in recent weeks amid signs Iran was ramping up its own efforts to aid Houthi attacks against Saudi Arabia, one of the sources, a US official, said. That official put the total at roughly 200 troops.”

Still, there are limits on the U.S. role.

“The US is sharing intelligence with Saudi Arabia — as it routinely does already — but it is not participating directly in strikes,” CNN noted. “The US is also not helping refuel Saudi warplanes or providing other operational support, as it has in past fighting with the Houthis.”

Then-Defense Secretary James Mattis ended that in 2018 during the first Trump presidency after growing concerns over the large number of civilian casualties being inflicted. The Saudi coalition’s fight against the Houthis also complicated the U.S. counterterrorism campaign against Al-Qaida in the Arabian Peninsula (AQAP).

CENTCOM commander Adm. Brad Cooper “flew to the kingdom overnight Thursday as Yemen’s Riyadh-backed forces crumbled in the face of a lightning Houthi offensive southward along Yemen’s western coast this week,” Al-Monitor reported. “He was expected to meet with top Saudi officials as they seek to consolidate the battered military effort by forces aligned with Yemen’s government.”

Trump, as we noted at the top of this story, has already declined to intervene kinetically.

“Saudi Crown Prince Mohammed bin Salman (MBS) called President Trump twice Thursday, urging him to launch strikes against the Houthis as the Iran-backed group closed in on a vital Red Sea chokepoint,” Axios reported, citing two U.S. officials. “Trump declined, and U.S. officials stressed the administration has no plans to intervene directly against the Houthis for now.”

Asked if the U.S. would take direct military action against the Houthis, a senior White House official didn’t rule it out but said it is currently relying on regional partners to carry the burden. 

“The United States is focused on protecting our core national security interests—such as ensuring freedom of navigation in the Red Sea—while empowering our regional partners to take the lead in managing and resolving regional security challenges,” the senior official told us. “We are in continuous dialogue with Saudi Arabia and the Republic of Yemen Government regarding regional stability.”

The war against Iran and the ongoing mission to try to protect freedom of navigation in the Strait of Hormuz have already strained the U.S. military. There have been 18 troops killed, more than 800 wounded and wide scale destruction of U.S. bases and equipment. U.S. commanders have warned that the ongoing conflict is unsustainable without deeply degrading America’s ability to respond to other contingencies. How much the U.S. could commit to a fight against the Houthis is an open question, especially if the Iran war spun-up again. During the Red Sea operation, at times two carrier strike groups and many other assets in the air and on the sea, were needed to sustain that operation.

“A second front potentially adds more U.S. military risk as we try to sustain a military that has been involved in a protracted deployment to support our economic pressure-focused strategy,” former CENTCOM commander Joseph Votel told us on Friday. “The U.S. can do just about anything, but it will be a choice that will impact sustainment, create longer-term deployments and impact other national security priorities.”

Contact the author: howard@twz.com 

Sept. 11, 2026 11:58 AM PT

WASHINGTON — President Trump observed Friday’s 25th anniversary of the Sept. 11 attacks at a ceremony at the Pentagon by commemorating the lives lost when Al Qaeda militants hijacked planes and killed nearly 3,000 people in three locations and upended American foreign policy and national security.

Trump and First Lady Melania Trump listened as the names of the 184 people killed at the Pentagon that day were read aloud, a bell tolling between each. In his remarks, Trump recounted the stories of several of the victims and insisted that the moment has led to a fortification of American resolve.

“We will never, ever forget,” Trump said. “That’s why we fight today. We don’t have a choice.”

Earlier, in a downpour at daybreak, Defense Secretary Pete Hegseth and top military officials stood outside and watched as a giant American flag was unfurled on the building struck by one of those planes a quarter-century ago.

It was the second year in a row that Trump observed the day at the Pentagon. The president, who is originally from New York, last attended the ground zero ceremony there in 2024.

Vice President JD Vance attended the New York observance alongside former presidents, while other administration officials took part in the ceremony in Shanksville, Pa. Vance had planned to be in New York for the anniversary last year but instead flew to Salt Lake City to be with the family of Charlie Kirk after the conservative activist was fatally shot.

Widow calls on Trump to reconsider relations with Saudis

At one point during the solemn remembrance in New York City, a woman whose husband died in the attacks criticized Saudi Arabia and called on the Trump administration to rethink the United States’ tight relationship with the kingdom.

Terry Strada, who lost her husband Tom Strada on 9/11, called on Trump to “tell the Saudis to stop lying” and accused U.S. presidents of choosing “to protect the Saudis instead of standing with the 9/11 families.”

Strada, who was one of the 9/11 family members who read aloud the names of victims at this year’s remembrance, added that the current administration should “stand with the families, stand with the survivors.”

“It has been one betrayal after another. President Trump can still change that,” she said before calling on Vance to “carry that message back” to Washington.

Strada is part of a group of family members of 9/11 victims embroiled in a long-running lawsuit against the Saudis. They allege a group of extremist religious leaders in Saudi Arabia gained influence in the Saudi government and aided the hijackers. Fifteen of the 19 hijackers were Saudis, but the Saudi government has long denied any involvement in the attacks.

Trump and Hegseth try to bridge 9/11 and Iran war

Trump began his remarks by recalling the sense of American unity following the attacks. “In those harrowing days after the attacks, we saw the authentic spirit of our nation,” Trump said. “We were all New Yorkers that day. Every one of us. We were all New Yorkers. We were all family.”

The president and his Defense secretary sought to connect the events of 9/11 to the war with Iran. Trump saluted the service members “working right now to ensure the world’s No. 1 sponsor of terror — the Islamic Republic of Iran — will never, ever have a nuclear weapon.”

Hegseth used the moment to make the case that the U.S. military had “laid waste to the world’s most prolific state sponsor of terrorism” with the war against Iran.

“Our warriors have fought an Islamic theocracy that has wished us death for nearly half a century, that cheered on 9/11, a regime that has sponsored terrorist attacks against Americans for decades, killing thousands, including our comrades in Iraq, in Afghanistan,” Hegseth added.

Officials wonder if 9/11 could have been thwarted

At Friday’s commemorations, there was also a measure of reflection about whether 9/11, the deadliest attack on the U.S., could have been prevented.

Homeland Security Secretary Markwayne Mullin at a ceremony at his agency’s headquarters said it was a moment to consider the success of his department, which was established following the attacks and has “prevented it from happening again.”

Still, Mullin noted that Osama bin Laden, architect of the attacks, had fired “warning shots” in the years prior to 9/11 about his intent to carry out a major strike on the U.S. The U.S. national security apparatus certainly had “failures along the way,” Mullin said.

Condoleezza Rice, who was serving as White House national security advisor on 9/11, participated in Friday’s commemoration at the Pentagon. In her remarks, she acknowledged that she still feels deep pain that “those of us in authority on that day did not see the nature of the danger in time to prevent the attack of 9/11.”

“I will always carry deep personal remorse for the pain that you, the families of the fallen, still feel, and for the trauma that our country endured,” Rice said.

Binkley, Madhani and Kinnard write for the Associated Press. AP writers Anthony Izaguirre and Sagar Meghani contributed to this report.

SACRAMENTO — If artificial intelligence doesn’t destroy humanity and there are actually future generations that look back, Sept. 8, 2026, may come to be known as “Coxon Day.”

That would be a reference to 27-year-old Jacob Coxon, an AI researcher and whistleblower at Anthropic (and previously OpenAI) who resigned in protest of the unchecked danger his work poses to us all. He posted a warning to the world on X that has gone viral.

“The people building AI earnestly believe that it could kill us all by the end of the decade,” Coxon wrote. “No other human activity poses this level of danger.”

Within minutes, replies starting pouring in, including one from Evan Hubinger, another guy at Anthropic charged with making sure AI doesn’t destroy everyone.

“Jacob is correct here — we really do earnestly believe AI could kill all humans!” Hubinger wrote. “I personally think it is >10% within the next decade.”

Coxon’s post has racked up more than 150 million views — including from legislators who until now have largely sidestepped the issue of regulating AI, and those within the industry who have long warned allowing it to move forward with no oversight is downright dumb.

That included Eliezer Yudkowsky, a founder of the Berkeley-based Machine Intelligence Research Institute and the co-author of “If Anyone Builds It, Everyone Dies,” which, as far as book titles go, really cuts to the chase.

Yudkowsky has tried with little luck to publicize the urgency of this technological moment for years, and he was the one who named Tuesday in honor of the tech whistleblower for breaking through to our consciousness with one bold act of defiance.

“Happy Coxon Day to all who will one day celebrate it,” he wrote, highlighting that as as bad as things are, it’s not too late to change course.

What exactly is the risk here?

“The Matrix,” “Terminator,” “War Games,” take your pick — the notion of a superintelligent machine taking over humanity is well-established in our psyches.

Current AI systems aren’t there yet, but they are on track to become smarter than humans in the next few years — if not sooner. This is mostly because AI companies are trying to create AI systems that make AI systems.

Right now, humans are in charge of creating what they have dubbed large language models. Whatever sanitizing term the industry slaps on them, the truth is, even those making them don’t understand exactly what they are.

“We know what data we put into them, but we already have very little ability to understand and control what AIs are after,” Rob Bensinger, research communications manager at the Machine Intelligence Research Institute and a colleague of Yudkowsky, told me.

That’s because, as ChatGPT explained to me, “the inner mathematical reasoning and neural pathways are so vast and complex that how it arrived at a specific conclusion is hidden and poorly understood.”

But companies are hoping that these poorly understood but powerful machines can take over creating newer, even less understood but even more powerful AI systems — leaving humans largely in the dark about what they are creating and even what these beasts can and want to do.

The idea is that, because AI systems even right now are so fast and powerful, they can do the job of creating new versions of themselves at a pace and scale humans simply can’t.

Why, you ask, would this speed-without-understanding be a good thing? Isn’t it a bit like driving a race car while blindfolded?

Yes, yes it is.

But for-profit companies like making profit, and to do that, they want the most powerful product to sell.

Many in the industry are framing this recklessness as a necessity to prevent another country, China in particular, from creating a superintelligent AI system first. The Trump administration has so far grasped on to this greedy bit of misdirection like, well, oligarchs clinging to money.

Those who would prefer not to destroy humanity have urged international cooperation in the form of a slowdown while we figure out how to proceed safely.

We have no reason to believe China would not go along with this — in fact, China has more national-level AI regulation than the U.S. And humans have successfully controlled other technologies with catastrophic power, such as biological and nuclear weapons, through cooperation.

Does it matter which country creates the AI that kills humanity? The logic here seems to be that if anyone is going to cause a mass extinction event, it had better be an English-speaking AI, because it would be a huge loss to America if the planet were destroyed by one speaking a foreign language.

Is 10% really so bad?

In truth, 10% is an arbitrary number. Some put the chance of AI destroying everyone, everywhere, all at once at around 50%. Some go all the way to 90%.

“Nobody knows how to estimate it,” Geoffrey Hinton, a Nobel Prize winner and the so-called godfather of AI, said on the BBC, calling 10% a not unreasonable estimate.

But remember, 10% was Coxon talking about the chance that AI wipes out all humans in a decade.

What about some humans next week?

The odds that a rogue AI causes something unfortunate and unexpected to happen in the near future aren’t bad, either.

There have been multiple examples recently of AI breaking free of safety restraints and doing things — like hacking into other companies and stealing stuff — that, if done by a human, would be a felony.

This shouldn’t be taken as proof they are conscious or have nefarious intent, researchers have told me. It’s more that they have been trained to be relentless in pursuing the goals we give them, but aren’t great at sticking to rules. Like their makers, they too often pursue winning at all costs.

“Which means the AIs will just get more and more kind of relentless and creative and adaptive at working around obstacles,” Bensinger said. “And unless we get exactly the right goals into the AIs, eventually humans will be obstacles.”

So if successfully completing a mission involves, say, shutting down the electrical grid or even doing something obviously deadly, like attempting to manipulate someone into suicide or releasing a bio-weapon, we can’t with any certainty say an AI system wouldn’t do it.

That might not wipe out the whole planet, but it is certainly worth avoiding.

The bright side

Which brings us back to Coxon Day, our collective chance right now to change this grim future. Bensinger said we overcomplicate regulation. Simply control the resources AI companies need — water, power, data centers — and suddenly we have leverage.

Since Coxon’s post, there has been enormous political and social momentum behind the demand for meaningful regulation. Anthropic and OpenAI, among other AI companies, have vowed to do better with safety.

Sen. Bernie Sanders (I-Vt.) has demanded a ban on superintelligent AI and a pause in global development. He’s holding a briefing for Congress with Hinton next week.

Rep. Anna Paulina Luna (R-Fla.), the most MAGA of MAGA legislators, called on House Speaker Mike Johnson to call a special session on AI. Other Republicans, including Rep. Nathaniel Moran of Texas, a longtime proponent of AI regulation, have also spoken out.

“Innovation and safety are not mutually exclusive,” Moran wrote online. “We can achieve both through deliberate, thoughtful, and prudent policymaking.”

Yes, we can. If we demand it now.

What else you should be reading
The must-read: Anthropic Researchers Raise Alarm Over A.I. Acceleration
The California angle: Jimmy Kimmel interview with Senate candidate James Talarico won’t air on ABC
The L.A. Times Special: Leaked emails reveal industry plan to kill California’s plastic and recycling laws

Stay Golden,
Anita Chabria

—
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When it comes to Shohei Ohtani‘s injury management, it’s tempting to dwell on the what-ifs.

What if the Dodgers forced him to give up pitching duties in July, when he needed a lubricant injection to alleviate irritation in his left knee?

It was clear by then that Ohtani was playing through multiple injuries. A right biceps problem popped up for the second time on July 3 — the last time he pitched in a game. The Dodgers said his knee inflammation was only aggravated by pitching and the biceps tightness was tied to hitting. And yet, they were confident that the MLB All-Star break would give Ohtani enough time to bounce back.

If the Dodgers had been more proactive, instead of starting and stopping Ohtani’s throwing program until his injuries forced a shutdown, would he be in the lineup Friday against the Miami Marlins instead of the 15-day injured list?

Maybe.

Or maybe one or both injuries were far enough along by then that they would have affected him down the stretch regardless. Maybe seeing if he could return to the mound was worth the risk.

Maybe not.

“Anyone can do that, and say, ‘What could you have done better or different?’” manager Dave Roberts said earlier this week when asked if he had any regrets about Ohtani’s injury management. “That’s something going forward we’re going to look at, absolutely. But, it’s certainly not a blame-game thing. It’s learning from what happened and getting better.”

Parsing through the alternative outcomes from decisions made months ago could take time. But the fallout from this past week is clearer.

What if instead of resting Ohtani four days, and bringing him back Monday, the Dodgers had put him on the IL right away?

“I think if we look right now, here today, I would love to go back and put him on the IL,” Roberts said. “But at that moment in time, we all felt that giving him four days was sufficient. He was agreeable. Getting him out there on Monday with the hope that he would be able to play [again Wednesday]. But where we’re at right now, sure.”

Two weeks without Ohtani is hard to swallow. As a two-way player, he’s eligible for the 15-day IL instead of the 10-day for position players.

The Dodgers tried to avoid it. But when he returned to the lineup Monday, he “didn’t feel great” on a swing, Roberts revealed.

So now the Dodgers can only backdate Ohtani’s IL stint to Tuesday, rather than Sept. 3. At minimum, Ohtani will be out until the final five games of the regular season.

“The most important thing is him being as healthy as possible, not compromising his swing, and kind of bet on that,” Roberts said.

He acknowledged that Ohtani wouldn’t be back to “100%” even with the two weeks off.

But plenty of players push through injuries in the playoffs. October becomes a test of pain tolerance before addressing ailments in the offseason.

“I want to make sure that when I look back [on] this season,” Ohtani said Monday through interpreter Will Ireton, “that I used this as an experience, a learning experience and make sure that I use that as something to improve upon for next season.”

So, does that mean Ohtani feels like he could be more up-front with the team about his physical well-being, regardless of whether he thinks he can play through aches and pains?

Dodgers star Shohei Ohtani celebrates with teammates after a win over the Reds at Dodger Stadium on Wednesday.

(Robert Gauthier / Los Angeles Times)

“It’s hard to say now with the season still going on,” Ohtani said. “It’s something that I’m going to reflect back on during the offseason. I’m just making sure that I’m focusing on the now and finishing strong.”

The Dodgers, for the first time navigating what was expected to be a full season of two-way play from Ohtani, leaned on his expertise while managing his workload. In retrospect, they might have put too much stock in his self-evaluations.

Baseball has a long tradition of players downplaying injuries, out of a desire to play and a belief in their own perseverance.

“What can I learn?” Roberts said this week. “I think that sometimes, potentially trying to get ahead of managing his workload — it always feels good to run him out there offensively as a DH. Always feels good when you pencil him in as a starter — for me, it’s just really trying to be mindful of the long season.

“And I guess it’s under the thing of, ‘you don’t know until you know,’ and it’s important to learn from experiences. And I think it’s good for all of us to kind of appreciate that he’s not supernatural, as much as we think he might be at times.”

Roberts said he didn’t learn until Tuesday night, after giving Ohtani a day off for the fifth time in six games, that a swing on Monday had bothered him.

So, Ohtani didn’t return to the lineup Wednesday as planned. And the team arranged for No. 1 prospect Josue De Paula to meet the team in Miami, called up straight from double-A for his MLB debut on Friday.

“It was more just really huddling up and saying, ‘Hey, how are you going to feel on Friday? How are you going to feel on Saturday, talking to the doctors and training staff?’” Roberts said. “There was not much certainty that he’d be in a much better place. With that, just taking it off the table seemed like the best course of action.”

De Paula wasn’t otherwise guaranteed to debut this season, although the Dodgers would have needed to eventually put him on the 40-man roster to protect him from the Rule 5 Draft.

The Dodgers see him as a major-league ready hitter, but he still has work to do on the defensive side for the team to feel comfortable playing him in the outfield regularly. An early taste of the big leagues, even with his playing time expected to come mostly in the DH spot, could be beneficial for the 21-year-old’s development.

For Ohtani, the ramp from the IL to postseason play will be short. But his recent offensive struggles emphasized the importance of having a healthier version of him in the lineup come October.

If anyone can make it work, it’s Ohtani. He may not be supernatural, but he also isn’t just any player. And if he performs in the postseason, that will drown out any lingering what-ifs.

Times staff writer Kevin Baxter contributed to this report.

On Sept. 11, 2001, there were no smartphones and no social media. What the country watched that morning — a jet airliner colliding with the south tower of the World Trade Center, the ash rolling through the streets, the paper still falling in the afternoon — was through a television set and the journalists who had to deliver the unfathomable details.

The jarring images shattered the peacefulness of a sunshine-filled late summer morning in New York.

“Everything seemed so perfect,” said MS NOW’s Chris Jansing, reflecting on the moments before anchoring her network’s continuous coverage. “It was another day of doing a job I loved, living in a city I loved.”

By nightfall, nearly 3,000 people were dead in lower Manhattan, at the Pentagon and in a field outside Shanksville, Pa. The experience of covering the terrorist attacks and their grim aftermath transformed Jansing and other journalists who were there. Twenty-five years later, it’s never far from their minds.

“It’s with me in ways large and small,” said NJ Burkett, a correspondent who covered the tragedy for New York station WABC. “When I look at my phone and it says 9:11, it takes me back.”

The Times asked five of the on-air personalities who are still working today to look back on the day they were called to cover the tragedy and its lasting impact.

Bret Baier: “I just said yes to everything.”

Fox News anchor Bret Baier at the National 9/11 Pentagon Memorial in Arlington, Va., on Aug. 25, 2026.

(Jared Soares/For The Times)

On every anniversary of Sept. 11, Fox News anchor Bret Baier uses the hashtag #NeverForget. He can recall every moment of that day.

Baier, 56, was driving to the Fox News bureau in Atlanta when he first heard on his car radio that a plane had hit the World Trade Center. He was a 31-year-old correspondent for the network, covering stories throughout the southeast U.S. and Latin America. When he arrived at the office, a call came from New York headquarters telling him to book a flight to the city so he could file reports from the World Trade Center site for Fox TV affiliates around the United States.

After a second plane hit the south tower of the World Trade Center 17 minutes later, all flights in the U.S. were halted. Baier and his producer were told to get a car and start driving.

“I just remember going really fast when I was driving,” Baier said. “I remember thinking what is happening with the world, and how big this story is. How big this moment is.”

By the time the duo reached northern Georgia, their plans changed again. A jetliner struck the Pentagon while a San Francisco-bound United Airlines flight crashed in Shanksville, Pa. Fox News executives told Baier and his producer to reroute to Arlington, Va.

After the 10-hour drive, Baier started the first of 10 straight days of reporting on the recovery efforts at the site. While the World Trade Center provided the most dramatic and enduring pictures of the stunning attack, the loss of life at the Pentagon was staggering as well, as 125 people died along with the 64 passengers and crew members on American Airlines Flight 77.

Baier was eventually pulled into the larger military story that followed 9/11. Fox News, just 5 years old, did not have a full-time Pentagon correspondent. Baier was offered the job while traveling overseas with Defense Secretary Donald Rumsfeld, who was making the case for war against Afghanistan.

“I called a buddy on a satellite phone to get me an apartment in Washington,” he said. “Fox packed up my stuff in Atlanta.”

But the unplanned move changed Baier’s life. In six years on the Pentagon beat, he traveled to 74 countries. He was embedded with the military in war zones. “I just said yes to everything,” said Baier, who has anchored Fox News’ Washington newscast “Special Report” since 2009.

Baier recalled it was in the weeks after Sept. 11 that he first wore an American flag pin on his lapel. He never felt conflicted about it, even though such displays were prohibited at other network news divisions. “I thought I could report on America, ask tough questions and still be an American, pulling for us to win,” he said. “I wanted to be tough but fair, but also show that as a country we were standing together against this horrible attack.”

Byron Pitts covering the terrorist attacks in lower Manhattan for CBS News on Sept. 11, 2001.

(CBS)

Byron Pitts: “It’s the only story I think about every day.”

A newcomer to New York 25 years ago, Byron Pitts, then a CBS News correspondent, admitted it took him a few moments to understand the massive scope of what happened the morning of Sept. 11, 2001. He arrived early at the network’s headquarters on the West Side of Manhattan to screen an interview he did with entertainer and civil rights icon Harry Belafonte. Shortly after he started, a producer knocked on his door and told him there was a plane crash at the World Trade Center.

Pitts, 65, acknowledged the producer but kept working. “I thought it was a novice pilot bumping into a building,” he recalled. “I thought it would be three hours out of my day and it won’t make television.”

The producer came back shortly and said, “You need to go down there.”

An irritated Pitts hailed a cab and headed down the West Side Highway. While in the car, he learned a second plane had hit the south tower. Traffic was stopped and he had to head downtown by foot.

As Pitts got closer to the site, he tried to use his past experiences covering fires and other disasters during his career to judge the severity of the situation.

But the horrible scenes that unfolded before him were incomparable. One was a lifeless body near the lobby of the north tower. He thought it was a homeless man until he saw a uniform. He later learned it was Father Mychal Judge, the chaplain of the New York Fire Department killed by fallen debris. Judge’s body was later carried away by a group of first responders. Pitts saw a woman and a man standing at a window of one of the towers holding hands, and then jumping.

“Gravity takes over and their hands split, and he moves a little faster than she does,” Pitts said. “And we see them on the ground. That was the moment I realized something significant was going on.”

Pitts crossed paths with Mika Brzezinski, then a CBS News correspondent, now the cohost of MS NOW’s “Morning Joe.” As debris came down and smoke filled the air, they headed into an elementary school that Pitts believes was a command post for the fire and police departments. They took turns calling into CBS News on a hard-line phone, one delivering accounts of the unfolding catastrophe while the other looked outside to gather details amid the blinding smoke and dust.

Pitts said from that day forward, he never went to a story assignment without a handkerchief.

Pitts was awed not just by the enormity of the event, but also by how despite the rigid hierarchy of CBS News, he was “the new kid on the block” who had to present the story on Dan Rather’s evening newscast that night.

“My approach became almost childlike, so I would not become overwhelmed,” he said. “I tried to make it as simple as possible. I said, ‘Dan, I’ve never heard New York City this quiet.’ I was thinking — what simple thing can I say that you would understand if you’ve never been in New York.”

A few weeks later, Pitts headed off to Afghanistan to cover the U.S. military action. His evening news report on Sept. 11 won an Emmy Award and his star rose at CBS News, leading to “60 Minutes” and then ABC News in 2014, where he is currently a co-anchor of “Nightline.”

Pitts knows the good fortune he’s had in TV journalism is linked to the tragedy that started with a producer’s knock on his door 25 years ago. “I feel some measure of guilt but mostly gratitude,” he said. “It’s the only story I think about every day.”

Pitts said he uses his 9/11 experience to provide perspective. “When we’re discussing politics, a mass shooting, or the latest awful day in Iran, I know for a fact there is one guy in the room who has seen worse and who can say, ‘we’ll be OK,’ ” he said.

Chris Jansing: “You had to balance the news response with the human response.”

Chris Jansing paid her dues as a local reporter in upstate New York before she joined MSNBC (now called MS NOW) as a daytime anchor in 1998. She loved living in Manhattan, and took friends from out of town to the World Trade Center observation decks and Windows on the World, the restaurant on the 106th floor of the north tower.

“It was so iconically New York,” she said. “And I was proud to live in the city.”

Jansing, 69, had little time to process her emotions when she was told to “get in the chair” before 9 a.m. that morning at MSNBC’s Secaucus, N.J., studios after the first plane hit.

“You had to balance the news response with the human response,” she recalled.

For several hours, Jansing co-anchored the network’s coverage alongside Gregg Jarrett. The look of 24-hour cable news evolved that day, as the tsunami of information led to Fox News, MSNBC and CNN all adding running tickers at the bottom of the screen.

Jansing went to the roof of the network’s building after Brian Williams took over the anchor chair. Trauma centers in the area had been alerted, and she was told to watch for ambulances. “There was still a hope and a prayer that there would be injured folks who would overwhelm the hospitals in New York and would need to be brought to New Jersey,” Jansing recalled. She saw none.

Jansing has never watched the coverage of that day, which is now on YouTube. She had real-life reminders every day in her Manhattan neighborhood when she walked by the Rescue Company 1 firehouse that lost half its battalion at the crash site. She adopted a dog left behind by a 9/11 victim, a Dachshund named Baron. She remains friends with every producer she worked with on the story. The experience also reinforced her purpose in a career approaching its 50th year.

“I will always think that those moments are what keep you going,” said Jansing, currently chief political reporter for MS NOW. “They were an affirmation that’s kept me in the job,”

NJ Burkett, a correspondent for WABC, on the 13th floor of the Walt Disney Co. offices in Manhattan on Aug. 31, 2026.

(Roshni Khatri/For The Times)

NJ Burkett: “I put myself in increasingly dangerous situations.”

Burkett, 64, recalls how pedestrians were gathered around WABC’s windowed street level studio on the Upper West Side of Manhattan when he arrived for work on 9/11. He presumed the crowd was there for a big name guest on “Live with Regis and Kelly.” They were actually watching monitors showing news reports of the first plane that hit the north tower.

As Burkett and his cameraman Marty Glembotzky headed downtown in a truck, he already knew it was a terror attack. He recalled covering the 1993 terrorist bombing of the World Trade Center and regretted not getting footage of the firefighters’ rescue efforts. This time around he wanted to go inside the buildings and document their heroism.

A police officer stopped Burkett and Glembotzky before they could get in, likely saving their lives. A short time later, they would escape death again.

Burkett was doing a second take for a taped report that would set the scene for viewers when he heard the rumbling that “sounded like Niagara Falls.” It was the south tower of the World Trade Center coming down behind him. “A huge explosion now raining debris on us — we better get out of the way,” he said in what may be the most terrifying video clip from that morning.

Burkett and Glembotzky took cover in an adjacent building. “We open up the door and in a weird way it’s sort of providential, right?” he said. “The door is a metaphor. It’s like the door into the rest of your life. If we had to run for half a block, we’d be dead.”

Glembotzky was so shaken by the experience, he stepped away from his career as a cameraman and became a wine seller before eventually returning. But Burkett took on more dangerous assignments in the Middle East, heading to Israel to cover the Palestinian uprising known as the Second Intifada. He later headed to Iraq to cover the run-up to the U.S. invasion in 2003.

Burkett won a George Foster Peabody Award for his work on 9/11. In retrospect, he believes he took on assignments in war zones to avoid dealing with the trauma of the day.

“I would put myself into increasingly dangerous situations,” he said. “Looking back, I was running from 9/11. That was my way of coping. Sometimes I wonder did I allow myself feel it enough. Or did I just run too far and too hard and it will all come down and crash on me one day?”

Occasionally he worries about 9/11-related illnesses. “If I start to cough — the slightest little cough — I’ll think ‘is this it?’” he said.

But as a New York TV fixture since 1989, Burkett still feels the appreciation from viewers for his efforts. “To this day, almost 25 years later, people will come up to me on the street and ask to hug me and say ‘NJ Burkett I’m glad you’re alive,’ ” he said.

Carson Daly at NBC’s “Today” show studio at Rockefeller Plaza in Manhattan on Sept. 3, 2026.

(Roshni Khatri/For The Times)

Carson Daly: “I remember how motionless the room was.”

As continuous news coverage of the Sept. 11 attacks saturated television for days, the makers of entertainment shows had to decide when it would be appropriate to go back to work. Carson Daly and the MTV executives mulled over the situation as their wildly popular program “Total Request Live” remained off the air for three days since the attacks.

“We had such a massive audience that the question was raised, ‘do we have a responsibility to simply show up?’ ” Daly, 53, recalled in a recent interview.

Daly, now a feature anchor on NBC’s “Today,” was not a journalist by trade. But he understood the trust that young viewers had in him and “TRL,” a live show that counted down the most popular music videos of the moment. The show had dealt with tragedy a few years before after the high school shooting in Columbine, Colo.

But 9/11 happened on the home turf of “TRL,” which aired from New York City’s Times Square. With the bridges and tunnels closed, getting a crew to the studio was a challenge.

“Everybody wore multiple hats,” said Daly, who also served as an executive producer.

By Sept. 14 of that week, the MTV studio on Broadway was filled with young “TRL” fans, but lacked the energy viewers were used to seeing on the screen. “They were frozen,” Daly recalled. “That was in such stark contrast to what the show was every day. I remember how motionless the room was and feeling like, ‘What am I doing on television?’ ”

Carson Daly shows a tattoo he got after the 9/11 attacks in New York.

(Roshni Khatri/For The Times)

Daly leaned on the MTV News team to update the audience on the 9/11 story developments. Music stars including Jay-Z, Justin Timberlake and Kid Rock called into the program to share their thoughts with Daly. Instead of music videos, the screen showed email messages from viewers expressing their feelings about the tragedy.

MTV News personality Sway delivered a music news report that noted how two new CD releases — “Party Music” by the American hip-hop group The Coup and Dream Theater’s “Live Scenes from New York” — were delayed because both used cover artwork that depicted the destruction of the World Trade Center.

Daly has a permanent remembrance of the week. When he arrived at the MTV offices the day before “TRL” returned, the building was evacuated after it received a bomb threat.

“I remember walking around Hell’s Kitchen,” he said. “I ended up getting a tattoo. A red, white and blue NYC on my right wrist.”

Throughout his 40 years in Los Angeles, one piece of advice on where to live still rings true for Jimmy Smits, known for starring in “L.A. Law,” “NYPD Blue” and “Sons of Anarchy.” Long ago, producer Steven Bochco, who helped launch Smits’ TV career, encouraged the native New Yorker to stick around.

“He said, ‘I think you’re going to be working at Fox or around here for a while,’” Smits recalls. “‘Don’t be a schmuck. Stay near, so you can get to work on time. Get the s— house in the best ZIP Code you can.’”

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

And so, from West Los Angeles to Santa Monica to Brentwood, Smits and his wife, actor Wanda De Jesus, have made the Westside their home base.

“Even when I lived in Brooklyn, we were near water,” Smits says. “It’s not Coney Island, but it’s the Santa Monica Pier. We have this New York-L.A. thing.”

When he’s not working, Smits prioritizes relaxation and his spiritual life. Most Saturday evenings, there’s a Mass to attend. All physical activities are done near water.

Beyond acting, the Emmy and Golden Globe winner is an advocate for education and the arts. This year is the 30th anniversary of the National Hispanic Foundation for the Arts, which he co-founded to support emerging talent in the performing arts.

Here’s a look at his ideal Sunday, with a bit of a New York-L.A. state of mind.

This interview was edited for length and clarity.

6:30 a.m.: First, the news

I still love reading the newspaper, tactile-wise. I keep the entertainment sections for weeks at a time for both the L.A. Times and New York Times. I recently had to go digital with the New York Times because my wife was like, “we can’t have all these newspapers around here!”

8 a.m.: People watching over breakfast

We’re not real foodies. Food is more like fuel for me. I love to experiment with different types of cuisines, but going to restaurants is more about the atmosphere. For breakfast, we’ll go to the Brentwood Farmers Market off San Vicente or the Coast Beach Café at Shutters on the Beach. You can people watch there. Or, they have an enclosure in the back that’s more chill. You can feel the ocean breeze on the water. If I’m really hungry, I’ll have the brioche French toast with some scrambled eggs and turkey bacon. But most of the time, it’s a pressed juice, English breakfast tea with warm milk and honey and a blueberry muffin.

9:30 a.m.: Beachside workouts

Part of the day will always have some kind of physical thing, and it’ll always relate to the water. Biking, brisk walking or wogging on the beach is ideal. If we’re biking, we’ll go up to where Will Rogers State Park is. It’s much quieter around there. We’ll start there and go towards the Santa Monica Pier and do laps back and forth. We’ll make stops along the way, at the Annenberg Community Beach House in Santa Monica or the bluffs at Palisades Park in Santa Monica, where they have a rose garden, [the California Incline roadway] and a lot of ways to get physical activity.

11:30 a.m.: What’s for lunch? Pasta

For lunch, it’s Divino, which is an Italian place in Brentwood. I’d order a light pasta and salad.

1 p.m.: Head to the playhouse for a matinee

My main go-to theaters are the Geffen Playhouse, which is close to us on the Westside; the Center Theatre Group, with the Ahmanson Theatre or the Mark Taper Forum, the Pasadena Playhouse or the Latino Theater Company Center at the Los Angeles Theatre Center, which specializes in Latino and multicultural productions. I get my New York theater fix by going to see plays at one of those places.

4 p.m.: Family time

At some point in the day, there would always be an East Coast call that winds up lasting way too long. With FaceTime, wherever we’re at, we can talk with the family, who are mostly in New York.

6 p.m.: Longtime faves for dinner

One of our favorite restaurants is Carlitos Gardel Argentine Steakhouse on Melrose Avenue, which has been around since the ‘90s. Italy plays big in Argentinian food, so you can get wonderful pastas there. I’ll usually have the entraña, which is a wood-grilled skirt steak, and the gnocchi is off the hook. The place reminds me of my college buddy-celebrity chef Michael Lomonaco, and his [former] restaurant Porter House in New York, where we’d go after the theater.

If not there, we’ll go to the restaurant we’ve been going to since I first got here. One of my first jobs was at then-MGM, which is now Sony, in Culver City. In ’86, I was working on “L.A. Law” and had a lunch break. I just wanted to walk around and found a Cuban restaurant called Versailles. I thought it was the closest I was going to get to the way Mom cooked. I developed a great relationship with the owners, the Garcia family. They have great Cuban food. I’ll have their arroz con pollo, which is chicken and rice.

8:30 p.m.: TV catch-up time

After dinner, we’d go home and get ready for the week. Depending on whether we go to a matinee or evening play, we would DVR stuff, like whatever sports that were on during the day that I missed. We’d definitely watch “60 Minutes,” “John Oliver” and pop in a movie or watch a stand-up comedy show. If we’re shooting something, I have to study for the next day. If not, we just relax, watch TV and go to bed between 10 p.m. and 11 p.m.

BIRMINGHAM, England: Pakistan’s new-look team was unable to shake off old problems as it was bowled out for a paltry 133 after being put into bat by England in the third and final cricket test at Edgbaston on Wednesday, before Emilio Gay and Harry Brook carried the hosts further into the ascendancy.

Josh Tongue claimed 4-42 while Ollie Robinson and Jofra Archer shared six wickets as Pakistan’s shake-up since going 2-0 down in the three-match series had minimal impact.

Gay and Brook then made fifties to lift England to 156-4 at stumps on day one, leading by 23 despite captain Joe Root being out lbw for the 10th time in 13 innings.

Robinson conceded just 15 runs in 11 overs, as he went from 99 to 102 test wickets, while his average of 19.1 is the best post-war of any bowler with more than 100 dismissals.

England claimed a first breakthrough when the recalled Saim Ayub was trapped lbw for a duck to give quick bowler Robinson his 100th test wicket.

Jofra Archer then forced Azan Awais into offering mid-on fielder Josh Tongue a low, diving catch off a leading edge.

Abdullah Shafique was next to go, caught low down by Dan Lawrence at third slip off Robinson.

Shan Masood became the fourth wicket to fall when he lobbed the ball to mid-wicket off fast bowler Archer following a poor cross-bat stroke.

Fellow paceman Tongue then removed Pakistan captain Babar Azam before dismissing debutants Ghazi Ghori and Imran Randhawa, lbw and clean bowled respectively, before lunch.

Razaullah Khan, another debutant, fell for 11 in the afternoon session. Saud Shakeel, who made a fighting 97 in a losing cause at Lord’s, was the one shining light for Pakistan as he top-scored with 43 before being clean bowled by a sharp inswinging delivery from Tongue.

Archer took the final wicket when he had Mohammad Abbas caught in the slips for 21 to finish with figures of 3-25. Robinson picked up 3-15 in a miserly 11-over stint and Tongue 4-42.

Then, in England’s first-innings reply, Ben Duckett was removed by Mohammad Ali for 11 before Jordan Cox fell to Abbas for 4.

England took an unassailable 2-0 lead in the series after beating Pakistan by 194 runs at Lord’s.