The Argentine Football Association, external has announced 15 July will be ‘National Football Teams Day’ to mark Argentina’s 2026 World Cup semi-final victory over England on that date.
Bidding for their first World Cup final since 1966, England took the lead in a tense affair in Atlanta through a 55th-minute Anthony Gordon finish.
But with Thomas Tuchel’s side sitting deep, Argentina struck in the 85th and 92nd minutes to break English hearts and claim a 2-1 win.
After Argentina’s latest win the political tensions surrounding the fixture were fuelled as some of their players celebrated while holding a banner reading “Las Malvinas son Argentinas”, which translates as “The Falklands are Argentine”.
The Falklands, a British Overseas Territory in the south-west Atlantic Ocean, remain the subject of a sovereignty dispute between the UK and Argentina.
Argentina, ruled at the time by a military junta led by General Leopoldo Galtieri, invaded the islands, situated 300 miles off Argentina’s east coast, in 1982.
The conflict, which lasted for 74 days between April and June 1982, led to the deaths of 655 Argentine and 255 British servicemen. Three people from the islands also died.
For all but one of the past 58 years, horse racing’s Triple Crown arrived at the same time on the calendar. The Kentucky Derby was run on the first Saturday in May, followed two weeks later by the Preakness and three weeks after that by the Belmont.
Three races for 3-year-olds in five weeks. Win them all and enter racing’s pantheon.
Those last two sentences remain true. But after 48 hours of upheaval this week, the times — and in particular the calendar — are changing. (The only exception since 1969 came in the pandemic year of 2020 when two of the three races were held in September.)
On Monday, Churchill Downs Inc. and the New York Racing Assn., which host the Derby and Belmont, respectively, announced a new six-race series for 3-year-olds that includes those two races on their traditional dates, but not the Preakness. The Thoroughbred Championship Series will feature a points system, with horses who compete in at least four races eligible to share a $5-million bonus pool that will pay down to the top eight finishers.
Then on Wednesday, the Maryland Jockey Club announced the Preakness would be moved back eight days, to the fourth Sunday in May. That date usually falls on Memorial Day weekend, though 2027 is an exception.
The goal is to get more Derby horses to run in the Preakness after more than 85% of the entrants in the last five years, including three winners — Rich Strike (2022), Sovereignty (2025) and Golden Tempo (2026) — skipped the Maryland race. Their trainers cited the short turnaround between the two events; very few horses these days compete in races two weeks apart.
“This extra week between the Kentucky Derby and the Preakness opens the Preakness to potential participants who use modern training methods,” said Bill Knauf, president and general manager of the Maryland Jockey Club.
“I think it’s a great idea,” Bob Baffert, the only trainer to win the Triple Crown since 1978, with American Pharoah (2015) and Justify (2018), said via text message. “Extra week and on a Sunday. Triple Crown tradition stays intact. Win-win for all because you have a choice to go for it if you think you have the right horse after winning the Derby.”
Baffert had said in a post Monday on X that the “greatest achievement in racing will always be winning the Triple Crown.”
But if horses were skipping the Preakness because of a 14-day turnaround, how many will run a week later knowing it’s just 13 days before the Belmont, especially since the latter race is part of the new series?
This year, no horse competed in all three races. Last year, there was one: Journalism, who sandwiched a win in the Preakness around runner-up finishes in the Derby and Belmont.
“As a traditionalist, sentimentally it’s difficult to see the timing and structure of the Triple Crown being adjusted,” Aron Wellman, president of Eclipse Thoroughbred Partners, which co-owns Journalism, said in a phone interview. “However, as a proponent of innovation and recognizing that the industry at large has fallen behind the times in so many respects, I applaud the innovation of Churchill Downs Inc. and NYRA.”
Did those outfits just put a dagger in the Triple Crown?
“I don’t know how much more of a dagger Churchill and NYRA should be blamed for putting into the Triple Crown when in the last two years, the winner of the Kentucky Derby has skipped the Preakness and waited for the Belmont,” Wellman said.
He also noted that Churchill Downs made an $85-million offer this spring to purchase the intellectual property rights to the Preakness, but the state of Maryland matched it.
“If anything, Churchill’s move to secure the IP [intellectual property rights] for the Preakness was a gesture on their part to try to save the Triple Crown because the daggers have already proven, if not fatal, then close to it,” Wellman said.
“So I don’t place any blame on Churchill and NYRA for the steady decline or demise of the Triple Crown. … And now knowing that they [can’t] institute whatever changes they were going to make, they’ve taken it upon themselves to try to do something positive for the industry and their respective brands. Which I applaud them for.”
The other races in the new series are the Matt Winn Stakes in July at Churchill Downs, the Jim Dandy in late July or early August at Saratoga, the Travers in late August at Saratoga, and a new “championship race” that will be scheduled in September at Churchill. Each race will have a minimum purse of $1 million (the Derby is worth $5 million; the Belmont and Preakness $2 million each).
NBC will televise the Churchill races, with Fox handling those in New York. NBC also announced a new deal to carry the Preakness through 2032, the same year its rights to the Derby expire.
CHICAGO — Dodgers third base coach Dino Ebel went directly to Shohei Ohtani’s competition for NL MVP with his gripe.
Ebel, who coached Cubs star center fielder Pete Crow-Armstrong with Team USA in the World Baseball Classic this year, gave him grief for serving as the designated hitter on Wednesday. He couldn’t play center field every day?
Ohtani and Crow-Armstrong had just traded leadoff home runs, so Crow-Armstrong told reporters that he shot back with: “Well, it took your guy 10 pitches, it only took me one.”
He was exaggerating slightly. Ohtani’s leadoff homer came on the seventh pitch of the at-bat against Cubs left-hander Shota Imanaga. And that, of course, wasn’t really how Crow-Armstrong felt.
“A [seven]-pitch at-bat to start the game and finish it off with a 110 [mph] ball at 20 degrees is pretty ridiculous,” Crow-Armstrong said.
The National League MVP race transformed into a head-to-head showdown between the frontrunners at Wrigley Field on Wednesday, as the Dodgers fell to the Cubs 7-6.
“Over the course of a season, there’s a lot of ups and downs,” Ohtani, a four-time MVP, said through interpreter Will Ireton. “It’s too early to think about that. So in a way for me it’s more important for the team to win and for me to contribute to that.”
Though Crow-Armstrong played along with the MVP talk, he came around to a similar sentiment.
“I would be crazy to say that I don’t want to win an MVP, but if we’re talking about having priorities straight, I think mine are pretty straight,” he said. “It’s not on the forefront of my mind. It’s fun to joke about and it’s fun to acknowledge and I think it’s absolutely OK to pay attention to. But it’s not following me up to the plate.
“If you guys want to talk about all this back and forth, like, I really should go get in the lab and start pitching. I really should.”
Ohtani was considered the runaway MVP favorite early in the year, while his pitching performance also put him in the Cy Young conversation. But his extended absence from the mound (left knee issue) and Crow-Armstrong’s contributions on offense and defense have made the race more interesting.
Crow-Armstrong entered Wednesday leading the majors in fWAR (7.5), followed by Ohtani (6.4).
Chicago Cubs designated hitter Pete Crow-Armstrong drops the bat after hitting his second home run against the Dodgers.
(Jessie Alcheh / Associated Press)
“Simply put, just having your name in the same conversation as someone as profound as [Ohtani] feels, it’s awesome and it’s a nice nod,” Crow-Armstrong said. “It’s cool. But … I would feel much more accomplished taking them (the Dodgers) down at some point. I want to see this group (the Cubs) in October because I think it’ll be a dangerous, dangerous group in the playoffs.”
Dodgers manager Dave Roberts irked Cubs fans a week and a half ago when, asked to evaluate Ohtani’s season overall, he said he’ll still be the NL MVP.
“I haven’t followed the race,” Roberts said before the game Wednesday. “I have followed what Pete’s doing, and he’s figured some things out with the bat. “He’s having a heck of a year. And he has rightfully made it a lot closer than most people expected. He’s had a tremendous season.”
That continued in the finale of the three-game series, for Crow-Armstrong and Ohtani.
Ohtani, struck first, notching the 32nd leadoff homer of his career and 29th as a Dodger, breaking a tie with Davey Lopes for the second-most in franchise history, behind Mookie Betts (32).
In the bottom half of the inning, Crow-Armstrong matched Ohtani with a tying blast.
The next inning, he delivered a two-run double, and in the fourth, he mashed a two-run blast off the right-field scoreboard to put the Cubs up 5-1.
Not to be outdone, Ohtani led off the fifth inning with a single, but the Dodgers failed to score. Then in the eighth, he made it his first multi-homer game of the season, with a two-run shot that trimmed the Cubs’ lead to 7-6.
“He’s a great player,” Ohtani said of Crow-Armstrong. “But I’m really focused on myself on the hitting side of things right now, really working towards hopefully getting back on the mound and working on that side of the game as well.”
Ohtani’s timeline back to the mound is nebulous at this point. Roberts didn’t have a specific day circled to resume playing catch, and Ohtani didn’t provide one, either.
“It’s getting pretty good day by day,” Ohtani said of his knee. “It’s hard to tell at this point what the schedule is going to look like. First I need to do [weighted ply balls], then go into long toss, then go into a bullpen progression. Rather than rush the progression of this I would rather make sure we’re headed in the right direction. But making sure we’re taking the right steps.”
The Dodgers’ rotation depth means he doesn’t necessarily need to build up to a full starter’s workload by the end of the year. Ohtani said he’d leave the timing of his progression up to the front office.
“Any innings we get from him are bonuses, given he’s a two-way player,” Roberts said. “Whether it’s one inning, two innings, three innings, I’m not too concerned about the timeline. … I certainly see him as a starter, but how much he could give us, to then have somebody [piggybacking] behind him, that we don’t know yet.”
Freddie Freeman pulled
Dodgers first baseman Freddie Freeman left the game in the bottom of the fifth inning after a pitch hit his right hand. But X-rays came back negative, Roberts said.
“I obviously didn’t come out of that at-bat because I knew it hit my bat as well,” Freeman said. “It hit bat, then hand and pinched my hand onto the bat. Next pitch, I swung. I could swing, and I swung again. As the adrenaline wore off, pain got a little bit more.”
Freeman said he expects to be ready to return to the lineup by the Dodgers’ next game, against the Arizona Diamondbacks on Friday.
Stellio Lestienne, chef at La Matelote in Boulogne’s harbour, shows me his shopping list as we browse the city’s daily morning fish market. He wants to pick up some crab and sole, which are in season, but his usual lobster fisher is still out on his boat, so he’ll have to wait a bit for that. Although I’ve been a regular visitor to both Boulogne and the surrounding Hauts-de-France region for about 30 years, this is my first time in the fish market. Now I’m kicking myself for all that lost time.
It’s not very big, nor is it remotely picturesque, stretching along a nondescript car park in the port. But it does have a fantastic selection of fish and seafood, both from fishers (pêcheurs artisans in light-blue stalls) and retailers (commerçants in dark blue). And it’s considerably cheaper than other fish markets I’ve seen. “People come here from the UK with cool bags to do their shopping,” Stellio says, pointing to a man doing that very thing. I spot filleted roussettes (dogfish) going for €2 each. At another stall, a man deftly slices through a grotesque-looking monkfish, cutting out the prized cheeks.
Boulogne harbour. Photograph: Anthony Hucks/Alamy
Boulogne-sur-Mer is France’s largest fishing port and all of this bounty is just a short jaunt across the Channel. This makes the idea of a seafood safari along the Côte d’Opale – whose chalky cliffs, sand dunes and forests stretch south from Calais to Le Touquet and beyond – impossible for me to resist.
I start in the fishing village of Audresselles, a pleasant 45-minute pootle along the coast road from LeShuttle’s terminal. La Marie Galante, run by cheerful and talented sisters Béatrice and Godeleine Cuvellier, has a cosy interior and razor clams on the menu. Accustomed to seeing empty razor-clam shells on my favourite Norfolk beach but not on restaurant menus (too much of a faff to collect, a local fishmonger told me), I pounce on these shellfish smothered in garlic and parsley. This is followed by a typical plate of fruits de mer – oysters, whelks, giant juicy prawns and half a crab. Around me echoes the sound of people studiously pounding their crab claws open, soon joined by my own. The sound of a happy restaurant.
Mary Novakovich tackles crab at La Marie Galante in Audresselles. Photograph: Adam Batterbee
One of my favourite French towns awaits a little further along the coast – Wimereux, with its wonderfully whimsical 19th-century architecture and long expanse of beach. Its art deco grande dame, Hotel l’Atlantic, has had a major makeover since I last stayed. Chef Benjamin Delpierre, co-owner with his wife Aurélie, has also since handed back the restaurant’s Michelin star, throwing off the constraints that came with it. In a relaxed yet sophisticated atmosphere, I dip prawn croquettes into a curried beetroot puree before revelling in a fillet of roast cod with an addictive celery cream and rich chicken jus. All the while, I watch mesmerised as the sun dips across the Channel.
Le Touquet, with its long sandy beaches, pine forests and golf courses loved by Channel-hopping Brits, is my next stop. But first I make a detour to its neighbour across the River Canche, Étaples-sur-Mer. This is another first for me: a visit to Maréis, an exhibition centre and aquarium telling the story of French sea fishing in the North Sea and Channel. And what an utterly fascinating story it turns out to be. What is caught in the sea and how it’s caught are vividly brought to life thanks to clever immersive and interactive exhibits (in French and English). Fish swim in an aquarium above my head, while another large tank holds enormous rays gliding through the water.
That evening in Le Touquet, the shouts of England fans from the Globe Trotter pub keep me abreast of the World Cup score while, across the lane at Pérard, I dine on a whole grilled sea bream. I can’t remember the last time I could fillet a fish so effortlessly, such was the perfection of the grilling and freshness of the fish. On the way back to my hotel, Novotel Thalassa Le Touquet, I’m treated to the same sunset spectacle as in Wimereux, the sands and the sea glowing in the warm light.
I spend an agreeable morning wandering through Le Touquet’s sprawling market, most of whose food stalls are under soaring wooden vaulted ceilings within the semicircular covered market. Not surprisingly, the fishmongers have their own section, where they’ve set up a bar à huitres so you can sit at high tables and order fruits de mer and a glass of wine. It’s tempting, but I go for a bowl of mussels covered in oozing maroilles cheese in nearby La Chope. The restaurant’s soundtrack of death metal isn’t exactly conducive to a relaxing lunch, but the food just about makes up for it.
Wimereux seafront and sea pool. Photograph: Yann Avril/Alamy
I still have an evening in Boulogne to look forward to, but first a stroll around the Old Town near the imposing basilica. My B&B is here too, the Stay Well Hôtel de Fiennes, an elegant 1732 townhouse with a courtyard made for unwinding. But the prospect of dinner at La Matelote drags me out of the comfy chairs and down to the port. Delicious flavours follow: langoustine with cauliflower cream; white asparagus with smoked salmon, caviar, basil cream and hummus; hake with pea puree and thyme-roasted carrots. And it’s all crowned by a quite stupendous lemon souffle. I’m not a dessert person, but this makes me want to applaud whoever made this divine creation.
I have a final stop before the end of my little seafood safari – back to Audresselles, but this time to my regular haunt, Chez Mimi. Trying to be sensible after days of indulgence, I opt for a small plate of crustaceans instead of my usual calorific “crabe mimi” (stuffed crab with fries). My husband orders it instead, making me wish I were less sensible. In the village square, everything is being set up for that weekend’s annual crab festival, now in its 50th year and an event I enjoyed years ago. I might be missing the party, but I have my own seafood celebration to savour.
“I would choose to be Latina in every lifetime,” Kali Uchis said from her Saturday night closing set at L.A.’s EDM music festival Hard Summer. “Where are my Latinos at?”
The crowd responded with a resounding roar.
Throughout the day, fans crossed the grounds in bright Latin American soccer jerseys, the eye-catching complementary greens and reds of Mexico and the rich blue of El Salvador dotting the crowd. They held up flags, piñatas and tall signs pasted with images of Dr. Simi and “Dragonball Z” hero Goku — used to mark one’s place in the sea of people.
“Electronic music is for the beach and for Latinos,” said Dominican dembow artist and Hard Summer act Tokischa. “It’s for us. We love to dance, to feel sexy. And electronic music does that.”
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Hard Summer attendees, like Jason, wore Mexican flags as accessories in Inglewood on Saturday, Aug. 1, 2026. (Katerina Portela / De Los)
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Latino Hard Summer ravers added a spin to festivalwear with vibrant jerseys, flags, and accessories in Inglewood on Sunday, Aug. 2, 2026. (Katerina Portela / De Los)
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Chris Mondaca couldn’t contain his excitement as he danced to Miguelle and Tons’ set at Hard Summer on Sunday, Aug. 2, 2026. (Katerina Portela / De Los)
Hard Summer first launched in downtown L.A. in 2007 — yet no Latin artists received top billing. Between Justice, Peaches and hip-hop group 2 Live Crew, the festival became a summit for English-language acts in the electronic and hip-hop genres. Yet last year’s lineup included Colombian reggaeton artist Feid as headliner, along with DJs Deorro, Funk Tribu and Sara Landry, who boosted the Latino community’s presence at the event.
This year at Hollywood Park in Inglewood, Colombian American crooner Kali Uchis headlined the main stage after a day of memorable sets by Argentine singer Six Sex, Mexican producer duo R∅z and Mexican American DJ Bolo.
“The underground DJ scene [in Southern California] is beautiful, but I will say: a few years ago, there was not a lot of Latino representation in the big festival lineups,” said Edgar Avalos, known as Bolo. “I feel like there are more opportunities for Latinos in these lineups. And I want to create an environment for Latino ravers to feel like they’re welcome in this space.”
Saray Zamora, Dafne Carbajal, Ailynn Sanchez , Cecilia Garrido and Celest Garrido decided to go to Hard Summer themed in their family’s home country flags in Inglewood on Saturday, Aug. 1, 2026.
(Katerina Portela / De Los)
The Mexican American DJ and L.A. native Deorro was an inspiration to Avalos, who describes him as “one of the first to break through on major lineups.” Following Deorro’s example, Avalos felt inspired to start his own record label Vibraza for Latino artists and to advocate for their inclusion in festivals — which includes not just onstage visibility, but career opportunities offstage too.
“I feel like there’s a huge bubble, a lot of dope emerging acts within the Latino dance community,” Avalos said. “It’s a blessing to be a part of the crew that’s putting [Latino DJs] on the map.”
According to Luminate’s 2026 data report, electronic dance music dominated the first half of 2026 as the largest growing genre in the U.S. Meanwhile, nearly 1 in 10 streams in the U.S. were songs in Spanish — and casual monthly listenership of Latin music in the States climbed to a peak of 54% of streams in the first quarter of this year.
“[Latino electronic] music makes you feel like … when you’re in the streets, you’re dancing, you feel proud, you let go of certain things or norms,” said Francisca Cuello, known as Six Sex. “Something about being Latino represents a cultural release and an understanding of fun that fits so well with electronic music at night.”
Cuello performed her new album, “Ultra,” as her pouting femme-bot persona who waxes poetic about eroticism over thumping techno beats. She said she was shocked by the number of people who sang the music back to her, despite the album having only been released earlier this summer.
“I never set out to make electronic music, but it’s what called to me,” Cuello said. “To be so far from my country and to connect with people in a country so different from mine, like the U.S., it’s such an honor.”
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Hilary Joy fans herself and jumps at one of the last Hard Summer DJ sets of the night in Inglewood on Saturday, Aug. 1, 2026. (Katerina Portela / De Los)
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Many of the Latina festivalgoers at Hard Summer wore colors of their home country’s flags or ribbons in their hair, as Alejandra Tadeo chose to do in maximalist braids on the way to Roz’s set in Inglewood on Saturday, Aug. 1, 2026. (Katerina Portela / De Los)
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Saiah Landaverde said they were most convinced to go to their first Hard Summer for the Latino artists, like Six Sex, on the lineup. They danced with their friend Josh Roque at Roz’s set in Inglewood on Saturday, Aug. 1, 2026. (Katerina Portela / De Los)
Festival attendee Azareal Hernandez-Moreno said she was most excited for the Hard Summer lineup this year because “it’s for us.”
“I feel like it’s a big moment for these artists to perform at such a big festival,” said Hernandez-Moreno. “[They] get to represent where they’re from. It means something to us as Latinos, as fans.”
Atop the Beatbox Art Car — a Hard Summer stage for emerging acts, which is approximately 20 feet tall and built to resemble a rainbow boombox — DJ Spiñorita mixed house, Latin dance and original funk for her audience. Donning a slicked-back hairstyle, Virgen de Guadalupe top and thick golden hoop earrings that reflected the penetrating rays of the sun, Spiñorita nodded and lifted her arms as ravers mouthed lyrics of “El Sonidito” back to her.
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Hard Summer attendee Angel Rosario dances along to a DJ set by VTSS in an El Salvador jersey in Inglewood on Sunday, Aug. 2, 2026. (Katerina Portela / De Los)
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Heidy Menendez dressed up in blues and whites to represent El Salvador as she held up a Spanish meme totem that reads, ‘If you know this is how I get, why do you invite me?’ at Roz’s Hard Summer set in Inglewood on Saturday, Aug. 1, 2026. (Katerina Portela / De Los)
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Latino Hard Summer ravers added a spin to festivalwear with vibrant jerseys, flags, and accessories in Inglewood on Sunday, Aug. 2, 2026. (Katerina Portela / De Los)
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Miami-based Ecuadorean Peruvian DJ Milushka in the media hub of Hard Summer on Sunday, Aug. 2, 2026. (Katerina Portela / De Los)
Spiñorita, who is Angela Ramirez by day, said that the L.A. rave scene is one of support and community among Latina artists, who run events for themselves year-round.
“We’re out here and brown and proud of it,” Ramirez said. “We’re putting in the work to make fundraisers for social issues and giving back to our community. Raving and DJing helps to heal trauma and helps us to open up.”
Earlier that day, R∅z sparked crowds of fans to run to their stage as they brought out música mexicana star Peso Pluma. The artist reached out to the crowd as he rapped in Spanish, fans jumping and raising their phones to take pictures and document the moment.
“Viva Mexico!” said R∅z’s Hugo Lara, as cheers rang and flags waved before him.
“I think that because the demographic here is very Latino, we’re all supporting each other,” said Frida Mitre, a Hard Summer attendee. “It was very heartwarming when [Kali Uchis] asked if we were out here, especially because we’ve been going through a lot.
Mitre said one of the sets she was most excited for was Tokischa — “for being so herself.”
Dominican-born rapper and musician Tokischa in her green room at Hard Summer in Inglewood on Saturday, Aug. 1, 2026.
(Katerina Portela / De Los)
“I was born and raised — lived my entire life — in the Dominican Republic,” said Tokischa, just after her high-octane performance. “Where my music plays, it reaches Dominicans there. In the crowd, I saw some Dominican flags. I raise that really high. I just want to see my community having fun.”
As the sun lowered on Sunday, and most Latino artists had finished for the day, local DJ Bianca Oblivion began spinning records jubilantly in her Mexican flag corset, grinning in the afterglow of a landmark weekend.
“It’s a really cool moment to be a Latino DJ,” she said. “Whatever people’s idea of what Latino music is … is not limited. We’re constantly crossing genres and cultures. We’re on the rise.”
After just six days in theaters, Sony Pictures’ “Spider-Man: Brand New Day” has now raked in more than $1 billion in global box office revenue.
The movie is the second-fastest film ever to reach the 10-figure milestone, bested only by Walt Disney Co. and Marvel Studios’ 2019 hit “Avengers: Endgame.”
“Brand New Day” has now earned $407 million in the U.S. and Canada, with an additional $645.8 million in international box office receipts for a global total of $1.05 billion, according to studio estimates. Its $360 million domestic opening last weekend now ranks as the highest ever.
The movie was produced by Sony-owned Columbia Pictures, as well as Marvel Studios and Pascal Pictures. The film’s production budget was about $225 million.
The filmmakers, as well as box office analysts, have credited the movie’s emotional storyline and focus on the web slinger’s internal conflict for connecting with audiences and giving a fresh take on a familiar franchise and genre. It also doesn’t hurt that its stars, Tom Holland and Zendaya, are two of the most popular actors in the business, both of whom are also fresh off appearances in Christopher Nolan’s “The Odyssey.”
Together, “Brand New Day” and Universal Pictures’ “The Odyssey” powered last weekend’s three-day domestic box office total to a new best with $436.5 million, according to data from Rentrak. The summer so far stands at $3.6 billion, up 16.7% compared to last year’s middling season and running just 0.7% behind the pre-pandemic summer of 2019, according to Rentrak.
Four years ago, Knott’s Berry Farm was faced with a decision.
Its 1978 ride Montezooma’s Revenge was the first-ever coaster built with a flywheel launch system — a large, highly visible, circular drum-like mechanism with a cable attached to it — and an important piece of the theme park’s history.
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But the coaster was in need of refurbishment and they don’t make things like they used to. The flywheel design, once an advanced piece of machinery that allowed Montezooma’s to go from zero to 55 mph in less than five seconds, was no longer in vogue. Replacement parts weren’t going to be easy to come by, if possible at all.
So would they attempt to reimagine Montezooma’s Revenge, or use its footprint for another attraction?
“Nobody else really attempted a full-speed, ground-level launch until later in the ‘90s,” says Jeremy Thompson, who writes coaster analysis on his website Roller Coaster Philosophy and worked for a decade at theme park design firm Thinkwell. “It was way ahead of its time.”
It would have been a shame, roller coaster historians argue, to lose Montezooma’s Revenge. Thankfully, Knott’s Berry Farm agreed, and after four years and a $20-million investment, Montezooma’s, now rebranded as Montezooma: The Forbidden Fortress, is set to soft open in the coming days. A grand opening media event, postponed from last month, is slated for Aug. 14.
The entrance to the newly remodeled Montezooma: The Forbidden Fortress.
(Jess Boyer / Knott’s Berry Farm)
“We thought quite a bit about, ‘If we take this out, what would we put in there?’” says Knott’s Berry Farm Park President Raffi Kaprelyan. “But the answer we always came back to was, ‘Why would you do that?’ This is a perfectly unique ride.”
He adds: “An iconic ride like this, you want to maintain as long as possible.”
The coaster was planned to be named Loco Motion, but it was rebranded as Montezooma’s Revenge after a popular band with the same name that would regularly perform at the park, says Nicholas Laschkewitsch, a coaster historian and documentary producer with nonprofit American Coaster Enthusiasts. At the time of its opening, it was the tallest roller coaster in the world, thanks to 148-foot spikes. It’s also the oldest looping shuttle coaster in its original location, a shuttle coaster being a ride without a complete circuit, meaning here guests are propelled out of the launch station in a linear path through a loop and then backward through the whole course.
The loop on Montezooma: The Forbidden Fortress.
(Jess Boyer / Knott’s Berry Farm)
”A shuttle coaster is certainly not as novel as it once was,” says Laschkewitsch, who also works as a designer at experiential art firm Meow Wolf. “But I think it’s very much a part of the DNA of Knott’s Berry Farm. It’s most people’s first looping coaster who grew up in Southern California. They deserve a lot of credit for investing in [a type of] ride a lot of other parks have thrown out.”
Designed by coaster mastermind Anton Schwarzkopf, Laschkewitsch says there’s only one remaining Schwarzkopf-created flywheel coaster using its original launch system in existence, and it’s in Japan at Nagashima Spa Land. Schwarzkopf was also behind the Great American Revolution at Six Flags Magic Mountain, which opened in 1976 as the world’s first modern vertical looping roller coaster.
“He was a genius as far as how to bank track, and how to physically manufacture track,” Laschkewitsch says. “His rides were as smooth as glass. The fact that he was able to do this without computer technology is incredible.”
The Knott family rides Montezooma’s Revenge on its opening day in 1978.
(Knott’s Berry Farm)
So what’s changed in the refurbishment? Montezooma’s has been remade with new cars, enhanced thematic touches lightly inspired by Maya designs, and boasts both a brand new track as well as a refreshed launch system. It now blasts out of the station with electromagnetic propulsion, technology, says Thompson, that is found on virtually all modern launch coasters (see Disney California Adventure’s IncrediCoaster, which also jolts from zero to 55 mph in five seconds).
That means there will be a difference in “feel” at the launch. Thompson compares it to riding in a modern electric vehicle versus, say, a 1970s hot rod. “You’re losing something there,” he says.
Namely the instantaneous tension, says Laschkewitsch, which will now be smoothed out. “There’s just something special about how that flywheel launch really kicked you in the face,” he says.
A look at the reimaged Montezooma: The Forbidden Fortress.
(Jess Boyer / Knott’s Berry Farm)
The coaster in its initial form lasted just 38 seconds. That won’t necessarily change with Montezooma: The Forbidden Fortress, but Kaprelyan says the new ride system will allow the park to offer different ride profiles. The electromagnetic track, for instance, can jolt guests forward, and then tease them by reversing course, lending a linear coaster a sense of surprise.
Those changes are coming down the road, but probably not until the ride has been open for about a year. “The ride will maybe take you up to the front a little bit, and then shoot you back up the hill, and then shoot you forward again,” Kaprelyan says. “There will be different sequences.”
And overall just a different tone. When all is working properly, the coaster will launch through a haze of fog effects. And it’s blessedly no longer associated with an unsavory name that potentially had some negative cultural implications. Understandable, and the right call says Thompson, but “it kind of loses that zany ‘70s humor.” Prepare to hear fewer potty jokes at Knott’s Berry Farm.
This week in SoCal theme parks
A dementor puppet moves through the train in “Harry Potter: A Hogwarts Express Adventure.”
(David Fouts / For The Times )
‘Fast & Furious’ coaster watch, 2026. The big theme park story last week was the unexpected soft launch of Universal Studios Hollywood’s Fast & Furious: Hollywood Drift. The ride is operating in “technical rehearsals,” meaning it doesn’t yet have a formal opening date. Think of it as a final testing phase. Wait times have often stretched beyond two and a half hours, with some reporting lines closer to four hours. Heads-up, though, if you’re thinking of heading to the park this week, as according to notices given to park neighbors in Toluca Lake, the coaster is not expected to be welcoming guests Tuesday through Friday.
Take a magical train ride. The Southern California Railway Museum in Riverside County is now allowing guests to experience history with a bit of mysticism, as it has temporarily turned into Platform 9 3⁄4 to host “Harry Potter: A Hogwarts Express Adventure.” A one-hour theatrical experience, expect wands, house sorting and, instead of a drink cart, a larger-than-life demonic puppet. Like all things Potter in 2026, the event has attracted some detractors due to J.K. Rowling’s anti-trans rhetoric and political funding. The Times’ Emily Tarinelli has the details.
Changes afoot at Knott’s Soak City. The Orange County water park is welcoming two brand new attractions next year that will be replacing the current Shore Break slide complex. Look out for Coral Craze, a saucer-like attraction that boasts five riders per slide and is designed to mimic a ski course. Joining it will be Kelp Kraze, also a five-person experience, but this one more of a raft-like slide.
The ‘Prince of Darkness,’ resurrected. Universal Studios Hollywood has rounded out its haunted house lineup for Halloween Horror Nights with a maze dedicated to the late Ozzy Osbourne. Dubbed Ozzy Osbourne: Prince of Darkness, the haunt will focus on bringing to life imagery from Osbourne’s solo career. The park has previously created a house inspired by the work of Osbourne’s Black Sabbath. Halloween Horror Nights begins Sept. 3.
‘It,’ reimagined. Inglewood’s Cosm is embracing horror for its next all-encompassing, wrap-around production. The venue, which boasts a high-definition spherical screen that stretches above, below and ever-so-slightly behind viewers, will on Aug. 28 begin showing 2017’s “It,” the Andrés Muschietti film based on the novel by Stephen King. Like past Cosm screenings, the venue will create CGI imagery to complement the core film.
Tell us your stories. Ask us your questions.
Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.
Ride on,
Todd Martens
P.S.
My least favorite theme park topic to cover is price increases, as parks are already an investment to visit. Yet the Disneyland Resort keeps making affordability a story. Even more food price hikes have hit the resort, after an earlier round just a couple weeks ago. I’m sad to say they’re increasingly egregious, including, as Disney Food Blog noticed, a $3 increase to $31 on a so-so cheeseburger at Trader Sam’s Enchanted Tiki Bar. Sigh.
There’s head-scratching high prices throughout the resort, including a bump on a relatively small square of churro toffee, which now sells for nearly $10. It’s tasty, but I’m here to tell you it’s not worth it. I stopped buying the delectable when it topped $8, as it was no longer a respectable value at that price point. Instead, support a local bakery.
With the biggest global opening weekend in history, “Spider-Man: Brand New Day” is cleaning up at the box office in a manner that left “The Odyssey” spitting sand. (Relatively speaking; “The Odyssey” also had a strong worldwide debut and is on track to become the third R-rated film to hit the billion-dollar mark.)
But while Christopher Nolan’s vision of a nearly 3,000–year–old epic poem has received, with the exception of a few less-than–impressed classics experts and the usual “replacement theory” nut jobs, waves of gratitude for helping revitalize cinema, the success of “Spider-Man” has many of these same people scratching their heads.
Certainly the reviews have been mixed — some find the narrative streamlined and personal with Tom Holland giving his best-ever performance; others declare “Brand New Day” to be overstuffed with franchise teasers and/or suggest that, at 30, Holland is getting a bit old for the job.
So how is it, pundits wondered, that Spidey has vanquished the ultimate supervillain: superhero fatigue.
It’s simple really: love.
There’s a reason “Love Actually” featured a kid in Spider-Man face paint, as opposed to a Superman cape. People, especially kids (and the adults they will become), love Spider-Man with an affection that is deep and true. Unlike so many other superheroes, Peter Parker is one of us. He’s not a super-scientist or a god or an extraterrestrial or a one-percenter able to develop all manner of nifty crime-fighting gadgetry. He’s a kid who, having been accidentally endowed with superpowers that do not disfigure him, physically or emotionally (no Red Room trauma, inner rage monster, centurylong life span), remains a kid with an adolescent’s delight in all he can now do.
He’s funny, sweet and, having been raised right (in this latest iteration by Marisa Tomei’s hip and humanitarian Aunt May), extremely polite, even as he takes down all the bad guys — a cheeky bright spot in a landscape super-peopled almost exclusively with adults and all their existential whinging and regretful brooding.
But our feelings for the character is not the only, or most important, love story helping to drive the success of “Brand New Day.” Perhaps because they are closest in age to Romeo and Juliet, the complicated courtship of Peter and MJ (or Gwen), has always been the best built-in love story in the multiverse. The actors playing those roles — Tobey Maguire and Kirsten Dunst, Andrew Garfield and Emma Stone — invariably became romantic partners so when the series was revived with Holland, with Zendaya as MJ, producer Amy Pascal warned them not to date.
Mercifully, they did not listen and in Holland and Zendaya, “Brand New Day” has a real-life beloved couple (recently married) playing a fictional beloved couple, now divided by the memory-erasing spell of the previous film, “Spider-Man: No Way Home.”
Screenwriters Chris McKenna and Erik Sommers’ decision to have Peter Parker wiped from everyone’s memory, including MJ‘s and Ned’s (Jacob Batalon), was a brilliant twist that not only saved us from “Spider-Man Goes to College” but also injected a star-crossed romantic pathos that Shakespeare would envy.
I can’t have been the only person who bought an opening weekend ticket for the sole purpose of finding out if/when/how Peter and MJ would find their way back to each other.
This has been spoiled elsewhere, but we’ll leave it at they do and they don’t. Although the more jaded among us might see the ambiguity as a nakedly emotional hook for future films, including “Avengers: Doomsday,” the opportunity for both Peter and MJ to mature a bit, independent of each other, feels thematically essential and more than a little revolutionary. It certainly sparks an intriguing question about the nature of romantic love, something too often associated with “being saved” in Marvel, and many other, films.
Seeing the famously private couple playfully interact with each other and Batalon during the press tour of “Brand New Day” only amped up the already fevered anticipation of how the trio will regroup as surely they must — the love Peter has for Ned is just as strong and singular as his love for MJ. The fact that we’ve watched these actors grow up before our eyes (Zendaya and Batalon were 19 and Holland 20 when they filmed “Spider-Man: Homecoming” in 2016) makes it even more of a family affair — of course we want to know what happens to Spidey and his gang!
Given the extraordinary success of “Brand New Day,” on top of “The Odyssey,” there is a very good chance that Hollywood, in its infinite and historically flawed wisdom, will decide that superhero fatigue is a myth and that what audiences really want is spectacle. So this is a plea for those in charge to tear their eyes away from the box office returns and look at the film itself.
Yes, “Brand New Day” is full of terrific web-slinging and swinging scenes (albeit ones in which Spider-Man gets even more beat up than usual), but its power is emotional not spectacular, built more on dialogue than special effects.
Holland’s Spider-Man relates more personally to everyone — friends and foes — than any other superhero; his scenes with the Punisher (Jon Bernthal), Bruce Banner (Mark Ruffalo), Det. DeWolff (Liza Colón-Zayas) and, at the end, Jean Grey (Sadie Sink) are always less about exposition or explosive action than character revelation and connection.
He cares and so do we.
That’s how it works in love stories and, as “Brand New Day” is proving, love stories are pretty hard to beat.
You can’t keep a beloved news team down, even after more than a decade since being yanked off the air in a move that stunned fans and local TV newsrooms.
For almost 20 years, KTTV Fox 11’s “Good Day L.A.” was hosted by Steve Edwards, Dorothy Lucey and Jillian Barberie, becoming a dominant fixture in the fiercely competitive morning show arena. The show’s popularity for a time outdistanced network morning shows and crosstown rivals “The KTLA Morning News.”
The trio’s freewheeling banter spiced with humorous mayhem and mischief enchanted legions of viewers while bringing freshness to the familiar formula of news, weather and sports. The distinct personalities meshed effortlessly — veteran newsman Edwards, relentlessly upbeat co-host Lucey and fiery weather reporter Barberie, who injected the proceedings with outrageous, at times crass comments along with declarations that “my breasts are real.”
An undercurrent of friction brought an edge to the breezy vibe, with Edwards often acting as the awkward buffer between Lucey and Barberie, who did little to disguise their dislike of each other. Barberie would go on to bash Lucey on Howard Stern’s radio show, calling her “very Christian and Bible-thumpy.” Lucey was frequently distraught by Barberie’s “mean.”
But that winning combination was broken up starting in May 2012, when Lucey was fired as part of a show revamp. Barberie was let go four months later after declining a demotion. And after continuing with other co-hosts, Edwards vanished from the show in December 2017 after allegations of sexual harassment, but there was never an official explanation from him or management about the reason for his departure. The exits sparked a wave of protests from viewers and celebrities, including Suzanne Somers, Piers Morgan and Simon Cowell of “American Idol.”
Dorothy Lucey, left, Steve Edwards and Jillian Barberie in 2001 on the set of Fox 11’s “Good Day L.A.”
(Genaro Molina / Los Angeles Times)
But good days have returned for the former “Good Day L.A.” hosts. More than a decade after being let go, Edwards, Lucey and Barberie are fired up about their new venture.
The trio has reunited for “So Unanchored,” a weekly podcast fueled by spontaneous riffs on their years together, pop culture and their deep friendship. As they did on “Good Day L.A.,” they consistently interrupt one another and the chatter careens from one topic to the next without a breath. Complete sentences are rare.
“We have not missed a beat,” Edwards said as he, Lucey and Barberie relaxed in an office lounge after a recent taping. “It’s the most effortless thing. It makes us very happy when we get together. There’s an endorphin thing going on.”
“And we like each other more,” added Lucey.
They will tape a special live episode Wednesday at 11 a.m.. New episodes usually appear on Fridays.
The shattering of the “Good Day L.A.” team was particularly traumatic for Barberie, the breakout star of the trio. In addition to getting divorced after the Fox 11 job, she was later sideswiped by financial woes and a devastating health scare.
“I lost my job, got divorced and got cancer all at the same time,” said Barberie, her voice cracking as she sat near Edwards and Lucey in the lounge. “The fact that these two were a constant in my life during those 12 years when I was going through all those things is everything. I’m so grateful.”
Of course, there are major differences from their previous collaboration. While “Good Day L.A.” was broadcast at Fox 11’s massive West Los Angeles studio, “So Unanchored” is a no-frills affair staged at a Canoga Park office park.
The hosts sit in a small office, backed by nondescript office furniture and a framed poster of the vintage “Please Stand By” image broadcast by stations when there were technical difficulties.
Lucey, left, Edwards and Barberie in the Canoga Park office where they tape their podcast, “So Unanchored.”
(Annie Noelker/For The Times)
On their initial podcast, Barberie made it clear that there is no love lost when it comes to her former employer.
“I don’t want anything associated with that show,” she said. “Let’s start fresh, man. They used us and they treated us like s— at the end. Who needs them? Goodbye!”
The other major shift is the relationship between Lucey and Barberie.
“Dorothy and I love each other now,” Barberie said on one episode.
Lucey: “We do. Because the last time you saw us, we really didn’t like each other.”
Barberie: “And Steve has never been happier.”
Edwards: “You two are like sisters. You used to be like brothers — Cain and Abel.”
Barberie: “And then something happened between the three of us that got her and I close, and then I got cancer. She took me to all of my surgeries and took care of me. I’m telling you, it’s a beautiful thing.”
Lucey: “We still hate Steve, though.”
Barberie: “We have that in common.”
The burying of the hatchet is a great relief for Edwards, who was troubled by the tension between his colleagues during their time on “Good Day L.A.”
Barberie pressed Edwards on their first podcast: “Be honest, Steve. Did you like it when we didn’t get along?”
Edwards: “Sometimes it would get ugly and my stomach would turn.”
On “So Unanchored,” Barberie has revived her loose cannon role in their dynamic, raw and unfiltered. She will tear up, and moments later throw her head back with an explosive laugh that bounces off the studio walls.
She detailed her wild lifestyle during her TV days: “From 34 to 40, I was single, had five TV jobs, partied like a rock star, dated anyone I wanted and made a s—load of money.”
Though she eventually landed a talk show on KABC-AM 790 after leaving Fox 11, hard times hit in 2019 as she tried to make ends meet while raising two children as a divorced mom battling cancer.
“When I lost everything, I literally collapsed on my money manager’s table. I was bald and I started crying,” she said.
She listed her ranch-style Tarzana home, which was featured in “MTV Cribs,” for $2.5 million in 2021. She currently rents “a beautiful little apartment way out in Thousand Oaks. I love it and my life is quieter.”
Barberie was more explicit on the podcast: “I haven’t dated in 10 years. I have no tinglies down there. I’m dead from the waist down. I don’t want to date. I don’t want a man, an ape beside me at night if I’m having a hot flash. I have no nipples. I have no desire to cook, sit and talk with you. I don’t care.”
Edwards: “So you’re saying there’s a chance.”
Since leaving “Good Day L.A.,” Barberie, left, and Lucey have developed a close friendship. Edwards, standing center, said, “You two are like sisters. You used to be like brothers — Cain and Abel.”
(Annie Noelker / For The Times)
Scott Sternberg, whose production company produces “So Unanchored,” said “Good Day L.A.” was a clear standout on the morning show spectrum.
“There was something different about ‘Good Day L.A.’ from the other shows,” Sternberg said in a phone interview. “Their personalities were all different, but they could finish each other’s sentences and were not afraid to say what they wanted to say. I felt if I could bring them back together, there would be a huge audience who remembered them fondly.”
Asked to define the magic of their chemistry, Edwards said it was not instantaneous.
“At the time, there were five morning shows, including the network,” he said. “It took years for our thing to happen, but when it did, it happened big. We could do no wrong for 10 years. The ratings were crazy good. There was a run for many years when we were No. 1. We made them a lot of money.”
He continued: “Success is based on the relationship between the people on the show and the audience. Once that is established, it doesn’t matter if the show is good or bad that day. I was going through a lot with these two [Lucey and Barberie], and the audience was doing it with us. But the suits don’t care about that.”
The first indication that the show was in trouble came in 2017, when a new management team initiated a revamp of the morning show.
Lucey wrote at the time in her blog “God and Gossip” that her new boss told her that her voice, which has a trace of raspiness, “made his eyes bleed. Not the crusty yucky pink eye. New guy was saying when I spoke I made his eyes bleed. I have read that can happen after you vomit. Now I could almost see my husband saying something like that to me … But from a new boss…”
But station executives did not express regrets about dismissing Lucey, saying in a statement after her ouster: “The revitalization of ‘Good Day L.A.’ has been refreshing.”
Months later, Barberie was approached about taking a reduced role as a field reporter. She turned it down. Edwards’ departure caused a bigger stir because it was so abrupt. KTTV would say only that he was no longer employed by the station.
“Fox never issued a statement, and I never issued a statement,” Edwards said. “Obviously there was not agreement on what happened.”
As they prepared to leave the lounge, the three hugged each other warmly and said they were looking forward to getting together the following week.
“There is one word for us being back together,” Barberie said. “Home.”
When Gianni Infantino was chosen to replace Sepp Blatter as president of FIFA, he was seen as a reformer, someone who would bring transparency and openness to soccer’s international governing body, which had long been mired in scandal and deceit.
A decade later the reformer has been exposed, hoisted by his own petard after a secret partnership with a member of President Trump’s family circle to sell 20% of the World Cup to private investors was exposed. It was a deal so brazen it made past FIFA transgressions seem quaint by comparison.
Less than two weeks after Infantino closed one of the most successful World Cups in history, one that brought in a record $15 billion in revenue, The Times of London revealed that Infantino had begun bribing FIFA’s 211-member associations, giving them until Sept. 19 to accept his plan to sell a stake in the commercial and tournament rights to the World Cup and other FIFA tournaments to a private equity firm headed by Joshua Kushner, the brother of Jared Kushner, Trump’s son-in-law and an inveterate White House counselor.
Sign on, the federations were told, and you’ll get $20 million. Decline, and FIFA will give you just a fraction of that.
Under pressure, Infantino announced Friday he was withdrawing the plan, known as the FIFA Forward Enterprise. But it turns out there was more to the proposal than originally thought.
Much, much more.
Which is why Infantino’s campaign for reelection to a fourth term as FIFA president next March, a campaign which had the support of more than 200 FIFA members two weeks ago, now appears doomed.
The national federations of Serbia, Sweden and Wales on Monday withdrew their support for Infantino and England’s FA is expected to do the same. UEFA, the governing body for European soccer and the largest and most powerful of FIFA’s six continental confederations, is threatening legal action while two other confederations — CONCACAF, the largest of FIFA’s two confederations in the Americans and the AFC, which manages soccer in Asia — have issued condemnations.
Those three confederations together represent nearly 140 FIFA members, meaning if they hold together there is no path for Infantino to get the 106 votes he would need to win reelection.
So how did we get here? How did Infantino go from progressive reformer, the overseer of newly transparent and accountable FIFA, to the man who literally tried to sell the World Cup? The journey may not have been as long as it seemed because Infantino may never have been the Boy Scout he was initially perceived to be.
Days after his first election as president in 2016, his name surfaced in leaked documents indicating that, while a senior legal official at UEFA, he had co-signed a broadcast deal with a company subsequently linked to a U.S. investigation into FIFA corruption. Later that same year, a FIFA committee opened an investigation into whether Infantino breached the organization’s Code of Ethics.
Infantino was eventually cleared by that probe but another pattern soon emerged, one that saw the president morph from a soccer bureaucrat into someone who believes he should be mixing with presidents and kings.
Infantino inherited World Cups that had already been awarded to Russia and Qatar, but he aggressively downplayed the human rights abuses in the two countries. Russian President Putin rewarded that by presenting the FIFA chief with the Order of Friendship medal. Qatar did better than that, giving Infantino use of a luxury Gulfstream G650 jet from its government fleet.
FIFA president Gianni Infantino, far left, takes a selfie with (from left) President Trump, Mexican President Claudia Sheinbaum and Canadian Prime Minister Mark Carney during the World Cup draw in Washington on Dec. 5.
(Andrew Harnik / Getty Images)
If Infantino, born to blue-collar Italian parents in Switzerland, had previously been driven by a desire for power and money, one former close associate told The Times of London that the FIFA president “views himself as one of the oligarchs now.”
And no government gave Infantino more access to the corridors of power than the Trump administration. Infantino rented office space in Trump Tower, attended Trump’s second inauguration, mingled with him and his guests at Mar-a-lago, accompanied him on diplomatic missions to the Middle East and was a frequent visitor to the White House.
Last October, Infantino took to Instagram to say that Trump “definitely deserves” the Nobel Peace Prize. When he didn’t get it, Infantino simply created his own award, presenting Trump with first FIFA Peace Prize last December.
But the access to the top levels of the U.S. government may have created Infantino’s Icarus moment. The beginning of Infantino’s fall may have started last year at the White House when he and Portuguese star Cristiano Ronaldo attended a black-tie dinner to honor Saudi Arabia’s crown prince Mohammed bin Salman.
Five days earlier Ronaldo had been given a red card and a three-game suspension for a serious foul, a penalty that would have forced him to miss the start of the World Cup. After the White House event, FIFA announced Ronaldo’s suspension had been lifted, allowing one of the World Cup’s star attractions to play in the tournament.
That was an incident Trump remembered last month when he personally — and successfully — petitioned Infantino to lift a red-card suspension for U.S. striker Folarin Balogun the day before a World Cup round-of-16 game with Belgium. It was just the second time in history a suspension was overturned during a World Cup.
Infantino also pushed through a number of other World Cup firsts for this summer’s tournament. He added three-minute hydration breaks each half, upsetting more than a century and a half of soccer tradition while giving six more minutes of advertising space to broadcasters; he introduced a halftime show for the final, nearly doubling the intermission break for the tournament’s most important game; and he pioneered a dynamic pricing scheme that more than doubled the cost of tickets from 2022.
Those moves were designed to boost FIFA revenues, and they did — as did Infantino’s push to expand the 2026 World Cup to 48 teams and 104 games. But his luck ran out with his plan to give outside investors a share of the tournament, a scheme known to the White House — Jared Kushner was originally involved, according to reports — but few others.
One damning part of the plan involved a potential future role for Infantino in the investment fund. As FIFA’s president, Infantino earns an annual salary of $6 million, but if reelected, he can serve just one more term, meaning he’d be out of a job in 2031. However, multiple reports, citing unnamed sources, said Infantino was positioned to be chief executive of the investment arm in his post-FIFA days, a job that pays $30 million a year.
FIFA said that idea was never discussed. It also denied reports that Infantino had been rebuffed Monday in efforts to contact Trump for help in saving his presidency. But should he be pushed aside and should his days as a private equity manager never come to pass, there is another job Trump thinks he could do.
The president is reportedly considering pushing Infantino to become the next United Nations secretary-general when António Guterres’ term expires in December.
⚽ You have read the latest installment of On Soccer with Kevin Baxter. The weekly column takes you behind the scenes and shines a spotlight on unique stories. Listen to Baxter on this week’s episode of the “Corner of the Galaxy” podcast.
“Spider-Man: Brand New Day” swung to a record $360-million domestic debut, surpassing “Avengers: Endgame” to become the film with the biggest opening weekend in box office history.
The fourth installment of Tom Holland’s blockbuster series also set records for its Thursday preview gross. Paired with another film starring newlyweds Holland and Zendaya, the earnings of “Spider-Man: Brand New Day” have helped give new meaning to the phrase “power couple.”
Here are the records “Spider-Man: Brand New Day” has broken so far:
Top domestic opening weekend
“Spider-Man: Brand New Day” surpassed “Avengers: Endgame” as the biggest opening weekend at the domestic box office. “Brand New Day” earned $360 million, exceeding the previous record set by Disney’s final movie in the Infinity Saga, which made $357 million.
Biggest debut in the ’Spider-Man’ franchise
The previous record belonged to the third film in the Holland era, “Spider-Man: No Way Home,” which earned $260 million domestically. “Spider-Man: Brand New Day” reigns supreme over nine live-action movies and two animated features.
Highest-earning Thursday previews
Since midnight showings of movies were moved up due to safety concerns after the 2012 Aurora theater shooting, “Avengers: Endgame” earned the biggest preview opening with $60 million, a record broken by “Spider-Man: Brand New Day” after it collected $72 million Thursday.
Biggest opening day (Friday)
The success continued into Friday. “Spider-Man: Brand New Day” earned $169 million — 47% of its total gross — beating out the previous record set by “Avengers: Endgame,” according to Box Office Mojo.
Fastest to $250 million
“Spider-Man: Brand New Day” became the fastest to reach $250 million domestically, hitting the milestone in two days, according to Box Office Mojo. The previous record was held by, you guessed it, “Avengers: Endgame.”
Top opening weekend of July
The buddy comedy “Deadpool & Wolverine” had its claws into July after it earned $211 million domestically in its opening weekend in 2024. It was overtaken by “Spider-Man: Brand New Day‘s” $360 million.
Top opening weekend of summer
“Deadpool & Wolverine” also held the record for the best debut weekend of any summer film. That total was no match for “Spider-Man: Brand New Day.”
The biggest collective weekend in box office history
Holland and Zendaya are taking their box office prowess to new heights after their two movies and other films currently in theaters earned roughly $430 million — the biggest collective weekend in box office history.
“The Odyssey,” which also stars Holland and Zendaya, made $51 million in its third weekend. Zendaya’s banner year will continue this winter when “Dune: Part Three” hits theaters Dec. 18 — the same day as “Avengers: Doomsday.”
The achievement is breathtaking. Recognition is growing. The fastest known time is hers.
Ultrarunner Sophie Woods will have more to say after a few well-deserved full night’s sleep. For now, consider her unvarnished secret to traversing a mountainous 1,242-mile trail network through Italy, Slovenia, Austria, Germany, Liechtenstein, Switzerland, France and Monaco in 28 days, 17 hours and 59 minutes — nearly a week faster than anyone else has been known to do so.
“Just one step. That’s all you have to do. Just one step forward,” Woods said on Instagram.
Woods earlier reported the record time as 29 days, but corrected it in an email to The Times on Monday, saying she and her husband George “were all so exhausted they hadn’t calculated correctly.”
The Via Alpina course follows the length of the Alps with elevation equivalent to climbing Mount Everest a dozen times. The length is a nice round number in kilometers — 2,000. The total elevation climbed was roughly 110,000 meters, an average of 12,000 feet of daily vertical ascent per day.
Yet another number is equally impressive: Woods is 42 years old.
Woods, who competes using her maiden name Sophie Amy Grant, set off on July 4 in Trieste, Italy, and finished on the Mediterranean coast of Monaco. She endured heatwaves, storms, wildfires and a swarm of horseflies. She ran, climbed and hiked 14 to 18 hours a day, covering 40 to 50 miles before getting a few hours of sleep in a van, tent or occasionally a hotel room.
“I am ecstatic but knackered,” she told BBC Sport. “I’m really tired.”
She ate and drank what would be expected of someone exerting herself to the nth degree. Energy gels containing carbs, electrolytes and amino acids along with a sprinkle of caffeine were essential, but Woods also splurged on McDonalds and mounds of pasta when she met up with her husband, photographer Zoe Salt and dog Nila at day’s end. She estimated that she consumed close to 7,000 calories a day.
The first week was the toughest, with Woods describing her feeling “a thousand pulled muscles,” but by halfway through the journey she told Her Sports that “things still ache now, and by the end of the day my feet are definitely ready for a rest, but I currently only have one small blister on my heel, which I’m calling a huge win. All things considered, I’m feeling really good.”
Sophie Woods runs a route on Via Alpina at Klausenpass by Hotel Meiringen on July 20.
(Zoe Salt)
The previous fastest known time in the Via Alpina was 35 days, 21 hours by British runner Jake Catterall, 34, in 2024. Tessa Caspers, 33, set the fastest women’s time for the route at 38 days, 2 hours last year.
Catterall might need to update his website, which claims not only the Via Alpina record but others including an arduous mountain trek in North Africa and a 3,500-mile mad dash across the entire length of Europe, from Norway to Andalusia, Spain.
He knew all about Woods’ effort, however. On day 20 of her journey, Catterall met her in Switzerland after she had traversed “a particularly spicy descent on a sketchy section of via ferrata,” according to Woods’ Instagram.
“Safely back at base camp, she was met by a brilliant surprise,” the post read. “Waiting to cheer her on was @jakecatterall — the current Via Alpina FKT holder — who had gone out of his way on the journey to his own adventure just to support Sophie. It was such a thoughtful gesture, and one that gave everyone a real lift.”
FKT is short for the “fastest known time” that a person or small group achieves on a particular course, usually somewhere it would be difficult or impossible to host an actual race.
To submit an FKT, the route must be at least five miles long or have at least 500 feet of climbing. Some are very short — the Manitou Incline in Colorado is less than one mile long but climbs 1,900 feet and begins at 7,000 feet of elevation. Others such as the Via Alpina and the Appalachian Trail are thousands of miles long.
For verification, GPS information must be submitted to the FKT website. The route can be linked by uploading it to Strava, Garmin Connect or another online training platform. FKT has not verified Woods’ record yet.
Woods’ mark likely will be tested by another runner, although someone else her age and gender completing the Via Alpina in fewer than 29 days would be a challenging feat.
Woods is from New Zealand and she and her husband spent a decade in London before living in their camper van for years while traveling throughout Europe, finally settling in Andorra, a tiny principality situated in the Pyrenees mountains between France and Spain.
And it is there Woods will rest for a spell.
“I’m absolutely ecstatic,” she said on Instagram a day after she completed Via Alpina. “I still can’t believe that we did it.”
Madison Square Garden. Decades before the July 3 wedding of Taylor Swift and Travis Kelce catapulted the venue into a new category of global prominence, the Manhattan arena loomed large as a symbol of success.
For the select list of comedians who have sold out the place, filling the arena is considered a pinnacle of achievement. It’s a triumph so encompassing that it inspired the central plot of the final season of “Hacks,” as Jean Smart’s veteran stand-up Deborah Vance demonstrates she’ll do just about anything to sell out the Garden — including putting herself in a glass cube above the Las Vegas Strip and almost perishing up there. “She needs a legacy-defining win, something that’s going to be the inarguable lead to her obituary,” says Paul W. Downs during a Zoom call with his “Hacks” co-creators Lucia Aniello and Jen Statsky.
“With Deborah, she likes to go big and Madison Square Garden is big,” adds Statsky. “It’s a testament to what an iconic place it is because we were like, ‘There’s one option here and it’s MSG.’”
So what does it really take to sell out MSG? Back in the day, a comedian could go on “The Tonight Show Starring Johnny Carson” and become nationally known. Now, YouTube subscribers and TikTok followers are part of the equation, along with specials on Netflix, HBO and Hulu. The road to MSG is a long one, with few shortcuts. It usually begins with years of playing club dates, then theaters and larger arenas, creating demand. But the payoff is substantial: With 15,000 to 20,000 seats depending on the configuration, a single night can gross up to $3 million in ticket sales. Then, a streaming platform might fork over $5 million to $20 million for exclusive taped performance rights. Plus, there’s the unquantifiable: “Venues often come and go,” says Aniello, “but Madison Square Garden feels like forever. The name itself has remained protected as this kind of sacred thing.”
Only about 20 comedians have ever achieved the milestone, including the likes of Eddie Murphy, Steve Martin, Chris Rock and Amy Schumer — the only woman in this elite group. The Envelope spoke to six of them to understand what it takes and how it feels to reach comedy’s Promised Land.
Max Amini
(Frazer Harrison / Getty Images)
Number of sellouts: 1 Date: Feb. 15, 2026 Max Amini Tour
“No one sells out Madison Square Garden alone. Behind every artist is an audience that believed before the rest of the world caught on, a family that sacrificed, a team that worked tirelessly. I’m incredibly proud of my team because they believed in this vision long before Madison Square Garden was even a conversation. One of the greatest lessons I’ve learned is that success is never built by one person. It’s built by people who trust one another, challenge one another, and refuse to let each other settle for less than excellence.”
Nate Bargatze
(Jason Kempin / Getty Images)
Number of sellouts: 3 Dates: Sept. 26 and 27 (two shows), 2025 Big Dumb Eyes World Tour
“I believed I could make a career out of stand-up comedy when I was in my 20s, even when it sounded like a crazy thing to do. I was just hoping somebody would come to the show. You spend so many years doing clubs it’s hard to picture anything bigger than that, until it happens. … Selling out Madison Square Garden, let alone selling it out three times, wasn’t something I ever expected, but it was the result of believing in stand-up, believing people still want to get out of the house and laugh together, and believing in hard work each and every day.”
Dane Cook
(Jesse Grant / Getty Images)
Number of sellouts: 3 Dates: Nov. 12, 2006 (two shows) and Nov. 9, 2009 Rough Around the Edges Tour,Isolated Incident Tour
“When I think of history and legendary artists selling out, it’s the greatest honor of my career. To get to experience that even once, it’s an achievement that forever changes how your career is viewed. I’m standing backstage in the hallway looking at all the photos, it’s like getting an energy massage, realizing the history of this incredible edifice. In my quiet moment pre-show, realizing I’m in rare air, I wanted to enjoy it as much as possible. It is a privilege. When I let the crowd know we got there together, I can still feel the energy in my chest.”
Jim Gaffigan
(Jamie McCarthy / Getty Images for Bob Woodruff Foundation)
Number of sellouts: 1 Date: Dec. 12, 2015 Contagious Tour
“I never thought selling out MSG was a possibility. When I started stand-up it was an unrealistic goal for any comedian. Having lived in NYC for three decades, MSG had exceeded its legendary status for me. MSG is where I brought my kids to see the Knicks and Rangers play. It’s where I saw Bruce Springsteen. Pulling off a sellout seemed like a gamble but worth it. There is something special about an audience seeing you at MSG. I think people coming to the show understand there is a special-event status to a show at MSG.”
Matt Rife
(Ethan Miller / Getty Images)
Number of sellouts: 2 Dates: July 18 and 19, 2025 Stay Golden World Tour
“MSG is the top of the mountain. It symbolizes the pinnacle of ticket-selling success as a comedian. If you can sell out the world’s most famous arena, in the toughest city in America … you’ve made it. For me it was beyond a dream come true. Growing up I always thought selling out comedy clubs was the ceiling for success for stand-up comedians. I never thought I’d be one of them. To not only sell it out twice, but to be the youngest comedian to ever sell it out … it’s still hard to comprehend. It feels like a literal dream, that I can’t remember if it actually happened or not.”
Andrew Schulz
(Bryan Bedder / Getty Images for Food Bank for NYC)
Number of sellouts: 2 Dates: May 3 and 4, 2024 The Life Tour
“I am born and raised in NYC. My dad had so much respect for MSG he would make me wear a collared shirt whenever we stepped in that building. This place had holy significance to me before I knew I wanted to be a comic. Once I decided to make comedy my life I had one goal. It was to sell out MSG … wearing a collared shirt of course. I thought about walking onto that stage every single day for 17 years straight. And then it happened. Dreams do come true.”
You don’t have to spend thousands on a week-long holiday – an extreme day trip offers all the sights for a fraction of the price.
15:26, 03 Aug 2026Updated 15:28, 03 Aug 2026
This charming city is perfect for a day trip(Image: Getty)
You might think that a European holiday requires days of leave from work, intensive planning and hundreds spent on a hotel room – but you would be wrong. There is a rising travel trend of people taking what they call an “extreme day trip” where you leave home in the morning and arrive back in the evening – but you’ve seen an entirely new city somewhere abroad in the hours between.
You don’t have to pay for accommodation, and if you choose the right city you can be in the heart of the action within half an hour of leaving the airport.
The joy of living in the UK is that we have Europe on our doorstep – and with so many great options for day trips, the hardest part is deciding where to go.
According to travel experts Transfeeroone of the best cities for a day trip from the UK, is Bologna in Italy.
Just a two and a half hour flight from England, this charming city is often overlooked for its more famous cousins of Rome and Florence.
Bologna is a foodie’s dream with half the crowds.
It’s a compact city with a walkable city centre, packed with all kinds of trattorias, cafes and bars to enjoy throughout the day.
An airport transfer to Bologna takes just 22 minutes – so you can get started right away.
You can start your day in the iconic Piazza Maggiore which was built in the 1200s and now is the perfect spot to people watch and soak up the beautiful architecture.
Then, you can wander beneath the city’s famous enclosed porches, known as porticoes.
These covered arches stretch for 40km throughout the city centre and are a UNESCO World Heritage site. You can follow these elegant converted pathways to the second iconic sight in Bologna – Le Due Torri.
These two leaning medieval towers rise up above the city and make for a stunning photo opportunity.
Of course you can’t visit Bologna without sampling the authentic tagliatelle al ragù—the rich, slow-cooked meat sauce that the rest of the world knows as bolognese.
There’s more than enough to keep you busy for the day – and the beauty of it is you can still jet home and be back home in time for bedtime.
“Spider-Man: Brand New Day” swung into the top spot at the box office and scored one of the highest-grossing opening weekends with an estimated haul of $355 million in the U.S. and Canada, far surpassing studio and analyst expectations.
The Sony Pictures film also brought in $572 million internationally for a worldwide total of $927 million, according to studio estimates.
The movie’s haul now ranks as the second-biggest domestic and global opening ever, surpassed only by Walt Disney Co. and Marvel Studios’ “Avengers: Endgame” in 2019.
The film, which stars Tom Holland and Zendaya, is produced by Sony-owned Columbia Pictures, Marvel Studios and Pascal Pictures. Its production budget was about $225 million.
Marvel Studios President and “Spider-Man” producer Kevin Feige called the debut “truly phenomenal.”
“We are grateful to audiences everywhere for coming out and experiencing our film the way it was meant to be seen,” he said in a statement Sunday. “This debut reflects the enduring power of Marvel’s characters, and the connection they continue to have with fans around the world — and, as audiences saw, it sets up exciting things to come.”
Anticipation for the movie was building for months, as robust pre-sales indicated high interest in Spidey’s return to the big screen.
The previous film in the franchise, 2021’s “Spider-Man: No Way Home,” had one of the biggest domestic debuts on record with $260 million.
But it came during the depths of a COVID-19 surge and against very little competition at the box office. That film also reunited all three Spider-Men — Holland, Tobey Maguire and Andrew Garfield — in one time-bending, multiverse storyline, a move “Spider-Man” producer Amy Pascal described as 20 years in the making.
This time around, “Spider-Man” was up against the juggernaut holdover Universal Pictures’ Christopher Nolan film, “The Odyssey,” which came in second at the domestic box office with $51 million on its way to a global total of $911.4 million.
The strong performance of “The Odyssey,” as well as the billion-dollar-grossing “The Super Mario Galaxy Movie” and “Michael” earlier this year, helped push Universal over the $4-billion global box office mark this weekend, the first studio to do so this year.
Walt Disney Co. and Pixar’s “Toy Story 5” came in third with $6.3 million to add to its worldwide total of more than $1.06 billion. Universal and Illumination’s “Minions & Monsters” ($5.8 million) and Disney’s live-action “Moana” ($5.3 million) rounded out the top five this weekend, according to data from Rentrak.
“‘Spider-Man: Brand New Day’ is fundamentally a movie about friendship, about the balm of connection in all our lives,” Sony Pictures Motion Picture Group Chairman Tom Rothman said in a statement Sunday. He added that this theme resonates with “audiences of all ages and all around the world.”
Millions visit the Lake District every year but those who help look after the national park in Cumbria say overtourism tensions are threatening to boil over
Local residents living in the Lake District National Park have complained about visitors’ behaviour(Image: United Utilities)
Wild campers visiting the Lake District are ignoring the long-standing Countryside Code – with human excrement, fly-camping and irresponsible behaviour surging this summer, campaigners say.
Those who manage the national park, which attracts millions of tourists every year, claim some guests are making life hell for locals. They say brainless parking, inconsiderate camping and mass littering is making a mockery of the “leave no trace” government guidelines to protect the environment. Paths blocked by campervans, discarded tampons and nappies and dogs let loose are just some of the other issues reported.
Judith Derbyshire, a Westmorland and Furness councillor, has referenced a report made by patrol officers who are responsible for tackling anti-social behaviour. She says, as enforcement officers and volunteers battle to preserve the stunning national parks, problems are only increasing.
Tourists risk huge fines in Lake District
She says the council has very few officers and a round-the-clock response service is a thing of the past. Local laws were tightened earlier this year in response to resident complaints.
Those causing environmental damage such as littering, starting fires, or the inappropriate use of motorhomes can now be fined up to £100 – but according to many locals, the rules are being flouted regularly.
Ms Derbyshire, who is responsible for community safety, says since Covid there has been a huge increase in visitors with many arriving without plans for accommodation. That leads to “fly-camping” – taking spots away from designated camp sites.
‘You shouldn’t be doing that’
Reading the report, she told the BBC: “Fifty-plus members of the public engaged with, 10 overnight campers spoken to, eight bags of rubbish collected and they had the joy of seeing one man using a bush as his toilet. I’m going to lower the standard of the conversation here but the issue is to do with human poo.
“Don’t feel you can just come up, park up on a lay-by and then go and put a tent up down by the lake shore – you shouldn’t be doing that.
“Putting it bluntly, we are going to have strong cutbacks from our funding as a local authority, we’re not going to have the staff to be able to put that sort of thing in place.”
She says people can contact police if they see anyone behaving in a dangerous way – such as lighting a bonfire that could spread to a large area. Working together with residents and visitors is vital to getting the situation under control.
Ms Derbyshire added: “We want people to come to Lake District and it’s good that there’s a wider range of people coming here, it’s just that we need to get them educated so they know what they can do and what they can’t do.”
‘It really saddens me to see’
Earlier this summer, footage showed the moment dozens of cars were covered in slurry after they parked in a private field just yards away from Rydal Water, one of the country’s prettiest beauty spots.
One unhappy local wrote in this year’s survey: “Some people have no social conscience and do not care about the impact of their behaviour on the environment or other people. We see litter on the fells, on lakesides and thrown out of cars onto grass verges. We even saw someone having a BBQ sat right next to a sign prohibiting it on Ullswater last year.
Another added: “I’m from the Lakes and have always appreciated the tourism and what it does for the area. However, I feel we have now got to the stage where tourism is over capacity and negatively impacting the area and the quality of life for residents and animals. Frequent traffic jams, poorly parked cars, and most upsetting of all, litter.
“Today we came across a discarded used nappy and a tampon. My children and I frequently go out with our litter pickers. It really saddens me to see the Lake District in environmental decline.”
AMY Schumer has displayed her incredible 50lb weight loss in a bikini while soaking up the sunshine.
The 45-year-old actress andcomedian, who revealed last year that she was takingweight lossjab Mounjaro, has shown off her slender figure on a boat.
Amy Schumer has shown off her 50lb weight loss transformationCredit: amyschumer / instagramShe turned slightly to show off her peachy posteriorCredit: amyschumer / instagram
Amy looked relaxed as she soaked up the sunshine and rocked a gorgeous kimonoCredit: amyschumer / instagramShe has been on a weight loss journey in recent yearsCredit: Getty
“Sensational,” gushed a third, while a fourth said: “Yeah get it girl!”
More than a year ago, the Trainwreck star revealed she was taking Mounjaro in anInstagramvideo.
In the video she shared last March, Amy noted how the drug is not covered by insurance unless a patient has diabetes or severe obesity.
“Which most of the internet thinks I have,” she joked.
“But I’m having a really good experience with it, and I wanted to keep it real with you about that.”
Amy previously confessed to having taken Ozempic and having a “horrible experience” with it.
Speaking on The Howard Stern show, she said: “I have this gene, GDF15, which makes you extremely prone to nausea, which is why I was so sick during my pregnancy.
“So, I tried Ozempic almost three years ago and I was, like, veteran.
“I was, like, vomiting — and then you have no energy. But other people take it and they’re all good. God bless them.”
She explained how she “lost 30 pounds so quick” but noted how the nausea she experienced was awful.
Harare, Zimbabwe – Harare’s streets have been quieter than usual as residents wait to see whether a call for a nationwide shutdown against constitutional changes would lead to protests.
The first thing that stood out was the traffic.
Cars on the roads leading into the city centre on Friday were fewer than usual. The morning rush hour that normally fills the capital’s streets was missing, and the journey into Harare’s central business district was quicker than expected.
For a normal working day in Zimbabwe, the difference was noticeable.
Police were deployed across Harare as opposition groups and civil society activists called for a nationwide shutdown over constitutional changes. Critics said the amendments could extend President Emmerson Mnangagwa’s time in office until 2030.
Across the city, the security presence was difficult to miss.
Police blocked access to a popular park where people often gather, making it clear that no one would be allowed inside. Nearby, water cannon trucks were parked in an open space that has been used for previous demonstrations.
An uneasy morning
By about 8:30am (06:30 GMT), parts of Harare’s central business district were slowly coming to life.
In areas where taxis operate and small businesses line the streets, some shops had opened while others remained closed.
The heavy police presence showed that authorities were prepared for possible demonstrations, which police have banned.
In Zimbabwe, public gatherings require police approval, and opposition groups have repeatedly criticised restrictions on protests.
As the day continued, Harare remained calm.
The dispute behind the shutdown
The shutdown call followed constitutional amendments approved by Zimbabwe’s Parliament and signed into law in July.
The changes move the next presidential election from 2028 to 2030 and extend presidential and parliamentary terms from five years to seven.
They also change how future presidents are chosen, replacing a direct presidential election by voters with a system in which the president would be elected by parliament.
Mnangagwa came to power in 2017 after longtime leader Robert Mugabe was removed from office.
He won elections in 2018 and 2023 and was previously expected to leave office at the end of his second term in 2028.
The amendments have drawn criticism from opposition groups and civil society organisations that argue they could allow Mnangagwa to remain in office beyond 2028.
The government has defended the changes, saying they are aimed at reducing political tensions and creating greater stability.
A fight over the liberation legacy
For Godfrey Gurira, who fought in Zimbabwe’s liberation war, the constitutional changes represent a betrayal of the ideals he fought for.
“When we went to war, we were fighting for the people,” he told Al Jazeera.
“We were fighting for one man, one vote. That’s what we want to see happening. We were not fighting for a dynasty or anything along those lines.”
The ruling ZANU-PF party has governed Zimbabwe since independence in 1980. The party has rejected accusations that the amendments are designed to extend Mnangagwa’s time in office.
The government’s defence
Farai Marapira, the ZANU-PF’s information and publicity director, told Al Jazeera that the constitutional changes were intended to address political tensions linked to Zimbabwe’s electoral cycle.
“We have noted that there is a sequence which follows a five-year electoral cycle,” he said.
“Within the first two years, there is contestation of the previous election. In the third year, there is mobilisation for the next election.”
Marapira said the changes would reduce periods of heightened political tension before elections.
Opposition groups disagreed, saying the amendments weaken democratic accountability.
A quiet day, but the dispute continues
The shutdown call did not lead to widespread disruptions in Harare.
As the day continued, the city gradually returned to its normal rhythm.
More shops opened. Taxis returned to the streets. Traffic increased.
But the constitutional amendments that triggered the shutdown call remain contentious.
Opposition groups and activists are challenging the changes in the Constitutional Court while the government continues to defend them.
By the afternoon, Harare had largely returned to its normal weekday routine. But the dispute that brought police onto the streets and prompted the shutdown call is not over.
BRITNEY Spears bares it all while showing off her risque dance moves to fans on social media.
The toxic hitmaker, 44, stripped off to just trousers and a hat, a day after flashing her boobs on a horse riding trip.
Britney Spears dances around topless in latest social media video postCredit: britneyspears / instagramBritney was snapped performing some racy dance moves for the camera covering her modesty with just her hands and edited symbolsCredit: britneyspears / instagramOne clip saw the star twerk around on the floor while whipping her long blonde locks back and forthCredit: Instagram/britneyspearsDressed in a cropped pink T-shirt and mini black shorts Britney dances to the track Mi GenteCredit: Instagram/britneyspears
In a number of dance videos uploaded to the popstars Instagram page, Britney was snapped performing some racy dance moves for the camera.
One clip saw her twerk around on the floor whilst whipping her long blonde locks back and forth.
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Dressed in a cropped pink T-shirt and mini black shorts, Britney shows off a fast paced dance routine as she moves to the track Mi Gente.
Another video shows the star outside in a bikini as she stares into the camera lens.
Britney prances around to piano music before abruptly smacking her behind.
The series of video clips then take an even raunchier turn with Britney posting a video of her topless.
The singer edited symbols over her breasts to conceal her modesty as they flash on and off the screen.
Britney goes on to move her arms in a rhythmic style dance sliding her hands across her breasts and stomach,
What seems to be a dance routine is met with occasional chants from the Star.
In some frames the hitmaker almost exposes herself multiple times throughout the racy display.
The singer flashed her boobs whilst on a horse riding trip sending fans into a frenzyCredit: Instagram/@britneyspearsShe pulled her red top down whilst basking in the sun covering her modestly simply with just two diamond emoji’sCredit: Instagram/@britneyspears
The Gimme More songstress turned off the comments on the post, but it has already been liked by over 60k fans.
Britney is no stranger to going topless on her Instagram page, just a day ago the singer flashed her boobs while on a horse riding trip.
The clip, which sent fans into a frenzy, showed Britney sitting on a horse as she exposed her chest.
She pulled her red top down whilst basking in the sun covering her modestly simply with just two diamond emoji’s.
Sticking her tongue out she was all smiles as she galloped through a dirt road backdrop.
Many fans took to X reeling over the video, one user said: “I really can’t believe that Britney posted her boobs on top of a horse on Instagram.”
“Brittney spears be riding horses in Malibu, top off in just a skirt I wanna be her,” penned another.
“That top was so hanging on for dear life, we all know Britney doesn’t wear a bra a lot,” added a third.
Many also came to the singer’s defence, one fan commented: “Leave her alone. Let her be naked. She’s ok.”
The Dodgers patched two-way superstar Shohei Ohtani’s absence from the starting rotation with a pseudo-bullpen day on Friday. In a 9-4 loss to the Red Sox, Ohtani did his part with his bat, but the Dodgers’ pitching wavered.
“You just can’t chase every single win, every single night,” manager Dave Roberts said. “It’s not responsible. It’s just not the right process.”
Back in the Dodgers’ lineup after a day off to address lingering soreness in his left knee, Ohtani had the Dodgers’ first hit, an opposite-field double into the gap off Red Sox left-hander Ranger Suarez in the fourth inning.
That same inning, Ohtani scored the Dodgers’ first run, crossing the plate on a single from Freddie Freeman — who extended his hitting streak to 10 games, the longest by a Dodger this season.
The next inning, Ohtani kept the Dodgers’ rally going after the Red Sox (58-51) pulled Suarez. Facing left-handed Jovani Morán, Ohtani turned on a changeup and sent it into the right-field stands for a two-run homer.
The Dodgers (69-41) used just four pitchers, thanks to left-hander Cole Irvin, who the Dodgers called up on Friday to provide bulk.
After opener Edgardo Henriquez threw a scoreless inning, Will Klein’s struggles continued. Adding to his three-week skid, during which Klein’s been fighting bad mechanics, he gave up three hits, made an errant pickoff attempt, issued a walk and hit Willson Contreras in the helmet. He was charged with three runs (one earned) over 1⅓ innings.
Irvin replaced Klein. What began as a largely efficient outing fell apart in the seventh, when Irvin gave up five runs over 10 batters. He gave up eight hits and six runs over six innings. The effort at least kept the rest of the bullpen fresh.
“Orange County kid that gets to play for one of his hometown teams is pretty special, and I’m pretty thankful for that, and happy and blessed,” said Irvin, a product of Servite High School in Anaheim. “It sucks to lose, but there’s a part of me that’s proud that I get to wear Dodger blue.”
This time of year, bullpen depth is top of mind for teams across MLB, with the trade deadline on Monday approaching.
The Dodgers jump on opportunities throughout the year to add relievers. But Andrew Friedman, the Dodgers’ president of baseball operations, noted earlier this week that the team worked over the offseason to prevent them from having an “acute need” at the trade deadline. That includes their relief corps.
“When you have an acute need, it’s really challenging, because you’re paying 150 cents, 200 cents on the dollar,” Friedman said. “So we try to do everything we can to avoid not having to do something. But when you’re able to be in a position to be a little bit more selective and opportunistic about what potentially is available, it just puts you in a better position. So as much flexibility as we can have, the better.”
Díaz’s velocity is back
Dodgers closer Edwin Díaz pitches against the Seattle Mariners on Thursday.
(Gina Ferazzi / Los Angeles Times)
Dodgers closer Edwin Díaz wasn’t perfect in his first two games back from the injured list. But after undergoing surgery to remove five loose bodies from his elbow, and a three-month process to return to a major-league mound, he wasn’t expected to be.
“My first game back, I was a little bit anxious,” Díaz said after giving up two hits and a run to the Mariners en route to recording the save on Wednesday. “But I threw strikes, I made pitches, and at the end of the day I got the W. Tomorrow, we’ll see the video to see what they were [seeing] on the fastball and make an adjustment and try the next time to make some pitches to make them chase.”
The biggest positive was his fastball velocity. Díaz’s velocity was down to begin the year, dipping to about 95.5 mph in his last two outings before landing on the injured list.
On Wednesday, his fastball averaged 96.9 mph and he touched 98.9 mph, according to Statcast.
“I thought the second day was better than the first, and it’s great to have him back,” Roberts said.
Díaz limited the Mariners to one hit in one scoreless inning Thursday and tallied two strikeouts.
After pitching back-to-back days, Díaz will be unavailable through Saturday, Roberts said.
Stewart injured
Dodgers pitcher Brock Stewart delivers against the Arizona Diamondbacks on July 12.
(Ronaldo Bolanos / Los Angeles Times)
The Dodgers put Brock Stewart (2.45 ERA) on the 15-day IL with right shoulder discomfort as the corresponding active roster move for Irvin — a hit to the Dodgers’ right-handed, high-leverage depth. They also designated right-hander Chayce McDermott for assignment to clear room on the 40-man roster.
“Should be short term,” Roberts said of Stewart’s IL stay. “He’s done a great job when he’s been active on really pitching well. So we’ve got to make sure, with the calendar on our side, we’ve got to protect him and take a couple weeks and then get him back. This is something that we are being proactive on and really try to talk through it with Brock and understanding our thought behind it, with the bullpen day just the coverage and not trying to put him or anyone else in harm’s way.”
This is Stewart’s third stint on the IL this season. He began the year recovering from the right shoulder surgery that ended his 2025 season. Then days after being activated in early May, he landed on the IL again, after aggravating a bone spur in his left foot. He returned again in late June.
“This is just more of a formality,” Roberts said. “I really believe, the training staff believes that it’s going to be short term.”
Not rushing Snell
The Dodgers had been considering bringing back Blake Snell (loose body elbow surgery) from his rehab assignment early to bridge the gap with Ohtani shut down from pitching.
They instead have decided to have Snell make another rehab start next week, when he’ll target five innings.
By utilizing a bullpen game Friday, the Dodgers built in a full week of rest for Yoshinobu Yamamoto and Emmet Sheehan, who are scheduled to start the next two games against the Red Sox. And they avoided pitching Justin Wrobleski on regular rest.
Israeli attacks across Gaza have killed at least two Palestinians and wounded at least 10 others, hours after Hamas agreed to a draft peace deal drawn up by US President Donald Trump’s Board of Peace. The agreement would have Hamas disarm in phases, matched by Israeli withdrawal from Gaza.
GENEVA — Pressure on FIFA President Gianni Infantino and his divisive plan to sell World Cup profits to private equity grew Friday as his senior adviser who sat on a White House panel resigned and Asia’s soccer body joined Europe and North America in opposing it.
An expanding crisis for soccer’s governing body reached into Infantino’s longtime inner circle when his pick to represent FIFA on the White House Task Force for the World Cup walked away calling the Joshua Kushner-backed $20 billion commercial subsidiary plan “a bad deal for football.”
Carlos Cordeiro is a former Goldman Sachs banker and officially is Infantino’s senior adviser yet revealed he said he was not involved in the secretive investment plan that has rocked the sport since media reports revealed it Tuesday.
Cordeiro’s exit — and call for other senior staff to speak out — intensified scrutiny on Infantino one day after European soccer body UEFA threatened to boycott all FIFA games and events until the plan is dropped. North America’s CONCACAF also rejected Infantino’s offer of one-off $20 million payments to each member federation by a mid-September deadline.
Cordeiro often joined Infantino on working visits to meet U.S. President Donald Trump at the White House in recent years, and took part in meetings of the administration’s World Cup task force led by Andrew Guiliani.
“Let me be clear. I had no involvement in this proposal, and I oppose it unequivocally,” said Cordeiro, the former U.S. Soccer Federation president.
Asia joins Europe and North America
On another seismic day in soccer politics, Asia’s soccer body that has been a key ally in Infantino’s 11-year presidency opposed the investor plan and said FIFA must urgently review its management style
The Asian Football Confederation said it “stands in solidarity” with UEFA and CONCACAF, the first two continental bodies to oppose Infantino whose combined 90 FIFA member countries near a majority of the 211 global total.
“Football should never have been placed in such a position,” said the Asian soccer body, which counts 46 of FIFA’s 211 members
Infantino has proposed spinning off FIFA’s commercial businesses — including World Cups and Club World Cups for men and women — into a $20 billion subsidiary with 20% owned by private investors.
The “anchor investor,” described by FIFA, is a New York-based investment firm created by Joshua Kushner, the younger brother of Trump’s son-in-law Jared Kushner.
“[T]he proposed [FIFA Forward Enterprise] cannot realistically achieve the necessary broad consensus and unity required to move forward” and must be reconsidered, the AFC said.
The statement did not name Infantino yet criticized FIFA for problems beyond the content of the private equity plan plus failing to consult about the secretive proposal.
“Rather, it has exposed fundamental weaknesses in FIFA’s consultation and decision-making processes that must now be addressed,” said the AFC, whose longtime president Sheikh Salman bin Ibrahim Al Khalifa narrowly lost the FIFA presidential election to Infantino in 2016.
“Accordingly, the AFC calls upon FIFA to undertake an urgent review of its governance and decision-making framework,” said the organization based in Kuala Lumpur, Malaysia.
Infantino’s job at risk?
Infantino had seemed — 11 days ago after the World Cup final in East Rutherford, N.J. — to have a clear path to being reelected unopposed for a fourth and final term in office through 2031.
FIFA had briefed during the tournament that Infantino had letters of support from about 200 members, despite a furor over letting U.S. forward Folarin Balogun play against Belgium even though he received a red card in his previous game. Trump acknowledged asking Infantino to review Balogun’s mandatory one-game ban.
FIFA has set a Nov. 18 deadline for potential candidates to declare in a presidential vote of the 211 members scheduled next March in Rabat, Morocco.
The Asian statement came hours after FIFA blamed the media and doubled down on pursuing the project which now seems to have a majority of the 211 in opposition.
“Our planned consultation process was disrupted by incorrect media reports,” FIFA said in a statement early Friday. “We will proceed with this consultation process to ensure that each [member] has the ability to express its vote based on facts.”
The next FIFA event that would be targeted by the threatened European boycott is within weeks — the Women’s Under-20 World Cup hosted by Poland from Sept. 5. The four British federations comprise FIFA’s only bidder to host the 2035 Women’s World Cup. That decision is due Nov. 23.
