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SOUTHAMPTON, N.Y. — On the edge of the greatest collapse in U.S. Open history, Wyndham Clark held his nerve against a charge by Sam Burns and a Shinnecock Hills gallery that never gave him much love Sunday until he captured his second Open title in four years.

Six shots ahead at the start of the final round, Clark’s final act was two putts from just outside 50 feet for par that gave him a three-over 73 and a one-shot victory over Burns.

Clark, who won the 2023 U.S. Open at Los Angeles Country Club, became the first wire-to-wire winner of the U.S. Open since Martin Kaymer at Pinehurst No. 2 in 2014.

This sure didn’t feel like that. His lead was down to a single shot after just five holes, and the stress followed him the rest of the way.

The clincher for Clark was one of his worst drives of the day on the par-5 16th. He gouged that out and narrowly cleared a bunker. His eight-iron barely stayed on the back of the green. And he rolled in a 30-foot birdie putt that gave him a two-shot lead with two holes to play.

It was a signature moment with muted applause. The gallery rooted against him all day, putting all their support behind Scottie Scheffler and his bid for the career Grand Slam. Scheffler had his own share of mistakes and never got closer than three shots all day.

Clark had the highest final round of a U.S. Open champion since Graeme McDowell closed with a 74 to win at Pebble Beach. No matter. The 32-year-old American has two U.S. Open titles, and two wins in the last month.

Burns closed with a 67, his second chance in as many years to win the U.S. Open. He missed two birdie chances on the final two holes, but what hurt just as much was a three-putt bogey on the 15th when he was trying to catch Clark.

Scheffler, in his first try to get the only major he hasn’t won, was three shots back when he rammed a 30-foot birdie putt some six feet on the 14th and three-putted for bogey and a 71.

Clark capped off quite a turnaround from a year ago. He was playing poor and looking angry, throwing a driver at the PGA Championship that made a marshal flinch, and then bashing in his locker at storied Oakmont Country Club after missing the cut in the U.S. Open last year.

Oakmont banned him until he made good — which Clark did — and he set out to work on his head and his game. Both looked better than ever at Shinnecock Hills.

He finished at four-under 276.

“New York didn’t really like me — I love you guys,” Clark said at the closing ceremony, hoisting the silver trophy. “But I get it. Some of it’s self-deserved. I did some unfortunate things last year that I really regret, and I’ve been sorry multiple times and I’m still sorry, so hopefully I can win you guys over eventually.”

But it was uncomfortable at times, not only seeing a six-shot lead disappear so quickly but a crowd so badly wanting a special day for Scheffler that it turned on Clark. One fan was ejected when he shouted, “Don’t choke, Wyndham” when it was Clark’s turn to hit on the fourth tee.

And there was a loud and instant cheer on the par-three seventh, the kind normally reserved for a shot close to the pin. This was for Clark’s tee shot rolling into a bunker, leading to a short miss for bogey that again trimmed his lead to one shot.

“I get it — they were rooting for Scottie,” Clark said. “Grand Slams only happen a few times. He’s going to get it. He’s the best player in the world. But today it’s my day.”

It almost wasn’t.

But Burns never caught him — he played even par over the last 10 holes. Tom Kim, who like Scheffler celebrated a birthday on Sunday, was on the fringes of seriously contending until he fell back with a bogey on the 17th and shot 70 to finish third.

Clark hit a superb wedge that spun back to four feet for birdie on the 10th to restore the lead to two shots. But then he went long on the 13th with a pitching wedge and couldn’t save par.

Burns last year had to deal with a rain-soaked Oakmont and a couple of shots he missed badly with so much water getting between the face of the iron and his golf ball. This time, it came down to the final two holes.

He made a weak attempt at birdie from 10 feet on the 17th to tie for the lead. His 17-foot birdie chance on the 18th rolled along the right edge of the cup at perfect speed and didn’t drop. Burns let go of his putter and dropped to his knees.

“I honestly thought I made it,” Burns said. ”Just the way it goes sometimes.”

That it went Clark’s way is hard to fathom considering where he was a year ago, where he was a month ago. He was No. 75 in the world, winless in two years, when he shot 60 in the final round to win The CJ Cup Byron Nelson.

Now he goes to No. 8 in the world ranking, and the smile he wore holding that U.S. Open trophy would suggest he feels on top of the world.

Ferguson writes for the Associated Press.

AMANDA Holden has slipped into a skin-tight gold catsuit for a very sexy Father’s Day date with her husband Chris Hughes.

Amanda, 55, took to Instagram to share snaps with her fans and captioned them: “The name’s Holden. Golden Holden. Licence to shimmer.”

She jokingly added: “Permission to be subtle: denied.”

Wearing a full‑body, metallic gold outfit, the BGT judge looked simply stunning as she posed for the cameras.

In the official shoot, Amanda is posed on all fours on a large, circular, cushioned platform.

In another, she was lying face‑down on a bed with her body angled slightly to one side.

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Amanda also wore matching gold high‑heeled shoes, which addded cinematic Bond vibes to the shoot as she stood beside her husband Chris.

The TV star also shared a video which showed her posing outdoors and having her make-up spritzed.

In full glam makeup and her blonde locks flowing loosely over her shoulders – Amanda also shimmied and danced in the clip.

Her followers flocked to comment and one wrote: “Straight out of a Bond movie.”

TV Presenter Lizzie Cundy wrote: “This is epic!” Towies Sam Faiers said: “The glam!”

Another fan wrote: “Love it! Channeling Shirley Eaton in Goldfinger.”

“Midas Touch,” wrote another.

While another said: “This is epic! Obsessed with your commitment to a theme.”

VICTORIA Beckham has extended the biggest olive branch to estranged son Brooklyn yet with a touching Father’s Day tribute to David. 

The fashion designer, 52, took to social media to share a snap of David, 51, with Brooklyn, 27,  Romeo, 23, Cruz, 21, and Harper, 14, in happier times. 

It showed proud dad David posing next to Brooklyn with their arms around each other – a stark contrast to the state of their relationship these days. 

Spice Girl Victoria wrote: “David you truly are the best daddy.

“Your greatest achievement has always been our beautiful children and we love you so much.Happy Father’s Day.”

Victoria’s post comes just days after the family feud took a bitter twist when Brooklyn mocked his strained relationship with his dad in a paid collaboration with Door Dash. 

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Brooklyn, who now lives in Los Angeles with wife Nicola Peltz, was seen in a clip saying: “You’re probably wondering why I’m watching the FIFA World Cup 2026 from home…”

Smirking Brooklyn then laughed: “It’s a long story.”

He went on to throw down his tickets onto the coffee table.

The advert then said: “It’s complicated. More soon.”

It’s now been claimed that the nepo baby was paid a whopping $1 million dollars, which equates to £753k, according to Mail Online.

Beloved England player Becks famously played in three FIFA World Cups in 1998, 2002 and 2006.

The ad came after Brooklyn failed to acknowledge his dad’s Hollywood Walk of Fame honour.

Instead, he took to Instagram to share a story of himself enjoying a run in the park while in New York.

Lebanon to top the agenda as US and Iran to hold talks in Switzerland’s Burgenstock mediated by Qatar and Pakistan.

United States Vice President JD Vance has arrived in Switzerland for talks with Iran days after they signed a memorandum of understanding (MoU) aimed at ending the US-Israel war on Iran, which had sent oil prices soaring above $100 per barrel and rattled international markets.

The latest round of talks mediated by Pakistan and Qatar is scheduled on Sunday as Israel has intensified attacks on Lebanon, killing dozens of people on Saturday.

Iran’s Islamic Revolutionary Guard Corps (IRGC) announced on Saturday that it was closing the Strait of Hormuz, accusing Israel of violating the ceasefire in Lebanon. The Iranian delegation, including parliament Speaker Mohammad Bagher Ghalibaf and Foreign Minister Abbas Araghchi, has also arrived in Switzerland.

Here’s what we know about the conflict, which has entered its 114th day:

Diplomacy

• The US and Iran are to hold high-level talks in Switzerland’s Burgenstock on Sunday with the US delegation led by Vance. US President Donald Trump’s special envoy Steve Witkoff and his son-in-law Jared Kushner are also part of the US delegation. Before departing for the talks, Vance told reporters he hoped to make “progress on the nuclear issue” and “on the Lebanon ceasefire issue”.
• Iran’s delegation, led by Ghalibaf and Araghchi, said its main goal is to ensure all parties fully implement the interim deal to end the war.
• Esmaeil Baghaei, spokesperson for Iran’s Ministry of Foreign Affairs, said the Iranian delegation “will be pressing for implementation” of US commitments outlined in the MoU and “seeking clarity on how exactly the other side intends to carry out those commitments”.
• Pakistani Prime Minister Shehbaz Sharif and military chief Field Marshal Asim Munir have left for Burgenstock to take part in the talks. “Pakistan will continue to support and advance the implementation of the understandings reached between the Islamic Republic of Iran and the United States,” the Pakistani Ministry of Foreign Affairs said in a statement posted on X.
• Qatari Prime Minister Sheikh Mohammed bin Abdulrahman bin Jassim Al Thani is also expected to take part in the key talks as Israel’s Lebanon attacks threaten to unravel the deal signed electronically by Trump and his Iranian counterpart, Masoud Pezeshkian, on Thursday.
• Egypt will host a four-way meeting with the foreign ministers of Saudi Arabia, Turkiye and Pakistan amid the Iran-US talks. The group first met in Riyadh on March 18, followed by meetings in Islamabad on March 29 and Antalya on April 18, reflecting growing efforts by regional powers to address crises through regional diplomacy rather than external intervention.

In Iran

• Mohammad Mokhbar, adviser and assistant to Iranian Supreme Leader Mojtaba Khamenei, warned that Tehran will not accept a paper agreement unless Washington fully implements its commitments. In a post on X, Mokhbar said the US understood pressure in economic terms. “Americans understand the language of economics and cost-benefit better,” he wrote. “When the agreement remains just on paper, the flow of Middle East energy will also come to a halt.”

• Al Jazeera’s Mohammed Vall, reporting from Tehran, said the delegation from Tehran is going to drive home the idea that Iran is not going to move forward in the implementation of the MoU unless the Israelis abide by the agreement. “They say the Americans bear the responsibility for that and that the Americans have to guarantee that the Israelis comply,” he said.
• Iran’s ⁠oil ⁠industry will be a key testing ground ⁠for any final peace agreement ⁠with the US if Western parties remain committed to its ‌spirit, Oil Minister Mohsen Paknejad says. The ministry’s Shana news agency quoted Paknejad as ⁠saying that in a ⁠post-agreement era, Iran’s oil sector would offer the global ⁠economy significant investment ⁠opportunities and ⁠has hundreds of investment projects as well as technical ‌and operational partnership contracts ready to be ‌signed.
• Amir Ghalenoei, the coach of Iran’s national football team, has criticised increasingly difficult preparation conditions for the team before Sunday’s World Cup match against Belgium, saying “conditions have become even harder” than before their opening match with New Zealand. Iran have been based in Tijuana, Mexico, for the tournament and have been travelling to the US for Group G matches due to restrictions on their stay, an issue that has drawn scrutiny throughout the World Cup.

In the US

• Trump said there will be no tolls for passage through the Strait of Hormuz unless they are collected by the US. This came after the IRGC said it had closed the waterway, through which a fifth of global oil and liquefied natural gas supplies passed before the war.
• David Sacks, Trump’s technology adviser, has defended the US-Iran MoU, calling it “a tremendous achievement” and a better path than prolonged conflict. Speaking on the All-In Podcast on Saturday, Sacks dismissed calls to escalate, arguing a ground invasion of Iran would make no sense, given Iran’s size and could require as many as a million troops. He branded any such attempt a “suicide mission”.
• Members of the Democratic Party are continuing to criticise Trump over his handling of the war with Iran. Johnny Olszewski, a Democratic congressman from Maryland, said Trump’s “war of choice” was a “disaster” and argued that the agreement with Iran was already breaking down.

In Lebanon

• Five people were killed, among them a child, a woman and two elderly people, in an Israeli raid on the village of Sohmor in Lebanon’s western Bekaa Valley, according to the National News Agency (NNA), citing the Ministry of Public Health. Sunday’s report did not specify when the attack took place. Two people of Palestinian origin were killed in Rashidieh in southern Lebanon’s Tyre district, the NNA reported.
• The Times of Israel reported on Sunday that an Israeli soldier has been killed and 13 others wounded when a barrage of rockets and a drone struck the soldiers’ position in Kfar Tebnit in southern Lebanon.
• Israeli media reports said Prime Minister Benjamin Netanyahu has ordered invading troops to hold fire in Lebanon except for those engaged in a battle raging on the Ali al-Taher Hills near Nabatieh.

WASHINGTON — The paint is peeling from the Lincoln Memorial Reflecting Pool after the renovation ordered by President Trump, and he is now alleging, without substantiation, that someone damaged it intentionally.

“We’ve had some real problems with Vandalism at the beautiful Reflecting Pool,” he posted on his social media site Friday night. “Just like three days ago, they destroyed the grass outside of the Pool, they’ve also done everything possible to hurt the inside surface that was just installed.” He offered no details to substantiate his claim.

Agencies responsible for law enforcement and upkeep on the National Mall — the U.S. Park Police, National Park Service and Department of the Interior — did not immediately respond to requests for comment.

The Washington Post reported that Park Police officers arrested someone Friday who they said was peeling paint from the pool, an act that would not explain the clouds of algae in green water and swaths of loose blue paint detached from the bottom.

Trump insisted something nefarious was going on. “No different than the chemicals that were used on the National Mall, they used something similar in the Reflecting Pool to try to destroy and demean our beautiful work,” he posted.

That was a reference to the discovery of large numbers etched in discolored grass on the National Mall the week before: “86 47,” apparently advocating to “86” — get rid of, in restaurant lingo — the 47th president.

Authorities claimed the numbers may be a threat against Trump, and they are investigating. Trump’s Department of Justice has tried — unsuccessfully so far — to prosecute Trump foe and former FBI Director James B. Comey for posting a photo of seashells arranged in the numerals “86 47.”

Trump’s claims of vandalism came after days of negative attention to the state of the Reflecting Pool, which has raised concerns about the no-bid contract of more than $14 million to refurbish. The president has said the pool rehab was needed as the nation’s 250th anniversary celebrations ramp up.

The pool was swiftly beset by an algae bloom that returned its waters to the greenish color that Trump had tried to replace by having the bottom painted “American flag blue.”

Federal workers treated the pool with hydrogen peroxide to kill the algae. Now, chunks of the blue paint are gone, exposing its rocky bottom.

PARIS — There’s a present-day answer to the question that was posed in verse by the French medieval poet and street brawler François Villon: “Where are the snows of yesteryear?”

They’re right here, in high summer, on Paris’ oldest bridge, the Pont Neuf, where an enormous art installation, a trompe l’oeil inflatable snow-clad mountain range, has arisen over the river Seine.

Using about 200,000 square feet of printed fabric, Paris-born street artist JR has created “La Caverne du Pont Neuf.” It’s his version of and homage to the innovative work of groundbreaking environmental artists Christo and Jeanne-Claude.

They’re the fabled duo who first wrapped the arches of this same bridge in straw-colored fabric in 1985. Over the years, they also surrounded 11 islands in Florida’s Biscayne Bay with flamingo-pink cloth, hung saffron-colored fabric “gates” in New York’s Central Park, installed a “running fence” of billowing white material across nearly 25 miles of Sonoma and Marin counties and, in 1991, planted 3,100 yellow umbrellas, blooming like 20-foot-tall poppies, through the Tejon Pass north of L.A.

I interviewed Christo in 2011, and he was eloquent about how his and his wife’s work alters perceptions of nature, and about the deliberately transient character of the art itself. JR, an acolyte of their work, told me in an email that “an ephemeral artwork forces you to come now, and usually to come with other people. The visit becomes a shared moment … and this moment becomes a memory.”

In a city celebrated for artworks that have survived for centuries, this installation was very nearly too transient. A kooky hailstorm in late May, a heat wave in June, followed by ruthlessly ripping winds, delayed the opening by days. At last, beginning one midnight, the air pumps began and the work arose like a limestone-colored soufflé. It will be open around the clock until June 28.

Plus ça change, plus c’est la même chose. Back in 1985, Christo’s engineer on the Pont Neuf project, Ted Dougherty, pointed out that above 25 mph, “wind is not our friend.”

The piece works from two vantage points: from afar — visible from a lot of central Paris — and also from inside it, in the “cave” part. Pedestrians crossing the bridge pass through a fabricated interior, a cavern-like space printed in 3D realism and enhanced with a specially designed scent to evoke the dank, earthy aroma of humankind’s early habitations.

JR and Thomas Bangalter in “La Caverne du Pont Neuf” in Paris.

(Tara-Jay Bangalter)

JR intended it to be both. “From the start I designed two works in one. There is the silhouette — what you catch from the quais, from the bridges, from a boat on the Seine or simply walking past on your way somewhere else. That image belongs to everyone, including the people who never chose to look at art that day.”

And then, he said, “there is the inside, which is slower and more intimate, almost in the dark, hard to photograph.” That aspect is “a journey to cross the bridge, to go from darkness to light.”

When Christo and Jeanne-Claude wrapped the arches of the Pont Neuf more than 40 years ago, it took years of planning and permits to make it happen. “La Caverne du Pont Neuf” was a breeze by comparison.

JR, whose other vast outdoor works have delivered double-takes of humans’ scale and their architecture, told me that cities have come to understand “that public art brings people together and that the image travels around the world. Once Christo showed it could be done safely and beautifully, the conversation changed. It was much easier for me to have my project accepted, thanks to them. They also proved the economic positive impact to the cities they worked in. I believe there should be more large-scale, ambitious public art projects.”

It’s one thing to conceive of such a project and another altogether to make it happen — so much technology, compared to, say, mixing paints and choosing a paintbrush. But the science that “La Caverne” required “is the art, not an obstacle to it,” JR said.

“Trompe l’oeil turns adults back into children,” JR said.

(Elea Jeanne Schmitter)

All the canvas, the engineering, the meticulous assembly, the permits — “none of that is preparation for the work, it is the work. Christo taught me this. The process is visible, and even more after the storm we experienced a couple of days before opening to the public. Nature always reminds you who is in charge. When the wind tore the canvas before we opened, we took it down, re-sewed it, reinforced it,” all in full public view.

“Where I stay careful is in not letting the technology become the subject. The augmented reality by Snap’s AR Studio adds to the project, doesn’t take you away from it.”

That air should be JR’s vital collaborator — no complex and costly scaffolding for these magic mountains — is nothing new in Paris.

The first free flight of humans above the earth, on Nov. 21, 1783, sent aloft two men in a hot-air balloon crafted by the Montgolfier brothers from silk fancifully painted in blue and gold with figures of the zodiac. It wafted across Paris for about 25 minutes at about 3,000 feet. Ephemeral, yes — and unforgettable.

Artists and couturiers are fond of the whimsy of trompe l’oeil, the trick of the eye, the illusion of reality. I am a sucker for it, for fashion like that of clothing designer Elsa Schiaparelli. JR has used it often, as a massive-scale magical deception to make the Louvre Pyramid “disappear” into the old Louvre, and opening up an imaginary subterranean world below the Eiffel Tower.

“Trompe l’oeil turns adults back into children,” he told me. “You know it isn’t real, you know that ‘La Caverne du Pont-Neuf’ is not made of rock, that this is printed canvas. And yet your eye wants to believe it, and for a moment you let yourself. That gap between knowing and believing is where the play happens, and people love being inside that gap.”

THE start of summer will officially begin tomorrow with the longest day of the year – where one UK town won’t see nightfall.

Summer solstice celebrations are set to take place across the Northern Hemisphere.

Lerwick, the main town of the Shetland islands, will see almost 19 hours of daylight tomorrow (June 21) as the Northern Hemisphere celebrates the summer solstice.

Located closer to the Arctic Circle than London, night will fall for just five hours on the UK’s most northerly town.

Residents will not experience complete dark either, as the sun will remain just below the horizon, creating an effect which residents have named “da simmer dim”.

This summer twilight means that light lingers well beyond midnight, with a light blue hue visible across the sky throughout the night.

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Lerwick, translating to “Bay of Clay”, is a busy fishing town with just 7,000 residents year-round.

Despite the summer twilight, the island only sees around 1,158 hours of sunshine – around 13 per cent – a year and August remains its warmest month with an average temperature of 14° C.

On the day of the winter solstice (December 21), the town will receive just five hours and 49 minutes of daylight.

Packed with narrow winding streets, stone cottages and prehistoric settlements, the remote location can be typically reached via ferries from Aberdeen.

The summer solstice marks the Northern Hemisphere’s longest day of the year as well as the official start of astronomical summer.

It occurs when the earth’s axis is tilted at its closest point from the sun, with many countries marking the occasion with midsummer celebrations.

ONE of Europe’s most popular destinations is set to hike its tourist entry fee in the fight against swarms of seasonal visitors.

The mayor of Italian jewel Venice is pushing to raise the city’s controversial entry fee to as much as €50 (£43).

The proposal has already triggered fierce backlash, with critics branding it “barbarous” and unconstitutional.

Simone Venturini told The Times that increasing the charge is essential if Venice is to manage the growing pressure of overtourism.

He said: “The higher the ticket price, the better for us.”

Venice introduced its controversial pay-to-enter scheme in 2024, charging visitors on peak days up to €10 to access the historic city.

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Under the current system, day-trippers who book less than four days before their visit pay €10, while those who reserve more than four days in advance pay €5.

Visitors entering before 8.30am or after 4pm are exempt, as are residents, people born in Venice, students and workers.

Tourists staying overnight in hotels or rental accommodation also do not have to pay.

Tickets are purchased online and checked at key entry points, including the railway station.

Those caught without one can face fines of up to €300.

The city is also expanding the scheme, increasing the number of chargeable days from 54 to 60 this year.

Opponents argue the scheme has done little to reduce visitor numbers.

Official figures show average daily visitor numbers fell only slightly during the summer, from 16,676 in 2024 to 13,046 in 2025.

Venturini insists the goal is not to put a cap on tourism altogether.

He said: “We need to keep an eye on the total number of visitors to Venice, but we do not want to put a maximum limit on tourists, so instead we can aim to get them to spread out and avoid coming on those days when we face the prospect of 80,000 visitors.

“That means getting the Italian parliament to approve higher prices, let’s say €30 or €50.

“That will cover the cost of services for tourists, including removing the growing amount of rubbish, but we could also offer ticket holders discounts for museums.”

The idea of charging visitors even more has provoked strong opposition.

Critics argue that if Venice is serious about reducing overcrowding, it should instead focus on limiting the number of properties being rented out through Airbnb.

Former mayor Massimo Cacciari said: “There is no other Italian or European city that you have to buy a ticket to enter, as if it were a museum.

“This is barbarous, uncivil and in my opinion anti-constitutional.”

Constitutional expert Ludovico Mazzarolli also told Corriere della Sera that a €50 entry fee could conflict with the Italian Constitution’s principle of free movement within the country.

Venice is not the only city trying to manage surging visitor numbers.

In Rome, authorities have introduced a €2 charge to access the lower area around the famous Trevi Fountain.

Meanwhile, the island of Capri continues to grapple with huge summer crowds, welcoming as many as 50,000 visitors a day during July and August.

To keep its narrow streets moving, visitors are encouraged to keep right when walking uphill and left when heading down.

Tour groups are now capped at 40 people, while guides leading more than 20 tourists must use wireless earpieces instead of loudspeakers.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Recently, I don’t exactly know why, I was overtaken by a concern that because of the impending merger of Paramount and Warner Bros., Olivier Assayas’ 2022 series adaption of his own film “Irma Vep” would be removed from the HBO Max streaming platform. With no official physical release, the series — starring Alicia Vikander as a Hollywood movie star making a project in Paris — could be effectively vanished from existence.

This is sadly inevitable, though some superfans have gone to extra-legal measures to ensure otherwise (not that we would ever endorse this). Most famously it’s happened with the original “Star Wars” trilogy. Billed as the “Grindhouse Edition,” these are discs of the first three “Star Wars” films sourced from scans of original film prints before the digital fixes and polish of the more recent official releases. Reengaging with these works in this way, scratches and all, is (I’m told) a strong reminder of why they hit so hard in the first place, similar to how it might be to reread a text in the original language instead of a more recent translation.

‘Indiana Jones’ marathon

Harrison Ford and Karen Allen on the set of 1981’s “Raiders of the Lost Ark.”

(Lucasfilm Ltd.)

The same deep understanding of genre filmmaking that went into the original “Star Wars” also went into “Raiders of the Lost Ark,” the first adventure of the character of Indiana Jones. Directed by Steven Spielberg from a script by Lawrence Kasdan and story by George Lucas and Philip Kaufman, the film is playful, thrilling and self-aware. It is made with such care, attention to detail and sense of fun that I remember how disappointed I was to discover not all movies would be like this.

There have of course been diminishing returns with the more recent run of Indiana Jones sequels, but the first three installments all have a real spark. And so the Secret Movie Club will present “Raiders,” 1984’s “Indiana Jones and the Temple of Doom” and 1989’s “Indiana Jones and the Last Crusade,” all on 35mm at the Million Dollar Theater in DTLA on Sunday in celebration of Father’s Day.

In her original review of the first film, Sheila Benson described that while watching it, she felt “a rush of gratitude which almost brought tears of contagious joy and — not to be corny about this — the strength of the film’s positive vision. If this is an era in which the heroic is lacking and the mediocre threatens us from every side, then ‘Raiders,’ which has no pretensions to importance, which is unabashedly wide-eyed and exaggerated and true blue but somehow cherishes the best in life and filmmaking — is a high-water mark.”

Plenty of jokes could be made about the movies having settled into what might be thought of as part of the dadcore canon: action-adventure movies that play well on TV and maybe you can take a short nap and not miss anything. So be it.

From one master to another

Cary Grant and Eva Marie Saint in Alfred Hitchcock’s 1959 thriller “North by Northwest.”

(Sunset Boulevard / Corbis via Getty Images)

Filmmaker Guillermo del Toro has been making waves of late for his strong public stance against the use of AI in feature filmmaking. But it is worth remembering that he is also a deep and incisive thinker about older movies, a true fan, which makes his upcoming appearances at the Academy Museum a special occasion.

Del Toro will present five films by Alfred Hitchcock — 1946’s “Notorious,” 1943’s ‘Shadow of a Doubt,” 1959’s “North by Northwest,” 1953’s “I Confess” and 1972’s “Frenzy” — along with delivering a lecture on each of them. To see one great filmmaker reflect with such depth into the work of another is just remarkable. This is some genuine only-in-L.A. type stuff.

Comedy + politics = good fun

A scene from the 1976 movie “Car Wash.”

(Margaret Herrick Library / Academy of Motion Picture Arts and Sciences)

A raucous comedy set around the location of the title, “Car Wash” is also a sharp, politically minded satire about labor and money. Directed by Michael Schultz from a screenplay by Joel Schumacher, the film has an extended ensemble cast that includes Richard Pryor, Franklyn Ajaye, George Carlin and many others.

In his original review Charles Champlin compared “Car Wash” to films such as “American Graffiti” and “Nashville” and called it “light but not foolish. … The experience is exhilarating.”

A 50th anniversary screening at the Academy Museum on Saturday of a new 4K restoration will include a panel with Schultz and actors Bill Duke, Antonio Fargas, Melanie Mayron, Garrett Morris and Pepe Serna.

Collision report

James Spader in the 1996 movie “Crash,” directed by David Cronenberg.

(Jonathan Wenk / Fine Line Features)

The controversy that surrounded David Cronenberg’s “Crash” when it premiered at Cannes in 1996 and received a U.S. release in 1997 tended to overwhelm the actual movie. Shockingly explicit, the film is about a secret underground world of people who create a sexual fetish out of car crashes. An adaptation of the novel by J.G. Ballard, Cronenberg’s movie explores the cinematic obsession with sex and violence.

Over time, “Crash” has been evolving from a seemingly cursed object dogged by scandal into something that audiences can come to appreciate and admire — even if it is not a movie you can ever exactly fully understand. Part of Cronenberg’s brilliance is how enigmatic and unknowable his work can be: strange, inviting and enveloping while refusing easy or direct analysis.

The movie is playing twice locally this week, on Saturday at Vidiots in partnership with the Cinegogue, with special giveaways and exclusive merch, and again on Monday at the Academy Museum in 4K. Who will be brave (or perverse) enough to go twice?

A different view of Rio

Milton Gonçalves, center, in the 1974 movie “The Devil Queen.”

(Kino Lorber)

A drag queen (Milton Gonçalves) rules the criminal underworld of Rio de Janeiro in Antonio Carlos da Fontoura’s 1974 gangster drama “The Devil Queen,” an unlikely mix of camp aesthetics and gritty violence. Among the film’s many fans is Kleber Mendonça Filho, the filmmaker behind the recent Brazilian hit “The Secret Agent,” who referred to “The Devil Queen” as “bloody, nasty and full of personality.”

The movie is playing in a new 4K restoration at the Lumiere Cinema in Beverly Hills.

A musical melodrama returns

Raul Julia, left, and Teri Garr in Francis Ford Coppola’s 1981 movie “One From the Heart.”

(Rialto Pictures / American Zoetrope)

We have talked before about Francis Ford Coppola’s “One From the Heart,” a movie of such delirious audacity that it nearly ruined the filmmaker‘s career. A throwback musical about two lovers who break up in search of more excitement, the film stars Teri Garr, Frederic Forrest, Nastassja Kinski and Raul Julia.

On Saturday the film will screen at the American Cinematheque’s Aero Theater in a 70mm print for the first time in L.A. since 1990. The event is being dedicated to Dean Tavoularis, Coppola’s longtime production designer, who died in April. For “One From the Heart,” Tavoularis re-created the Las Vegas Strip on a studio back lot.

New this week

• Amy Nicholson is not a fan of the new “Toy Story 5,” writing in her review, “Pixar has continued adding shades to the same plot outline like a child with a box of 128 crayons (or a company clinging to its billion-dollar idea).”
• Glenn Whipp cast back into the “Toy Story” universe for a highly personal ranking of his 10 favorite “Toy Story” toys.
• Two gay teenage boys attempt to survive a supernatural entity and conversion therapy in Adrian Chiarella’s debut feature “Leviticus.” Jen Yamato spoke to the filmmaking team.
• I spoke to writer-director Michael Sarnoski about his new “The Death of Robin Hood,” starring Hugh Jackman in a subversively revisionist telling of the last days of the medieval bandit.

Patton Oswalt is an avid reader. When he thinks about his ideal Sunday in the Valley, where he has lived for more than a decade, bookstores come up more than a few times, particularly ones like the neighborhood staple the Iliad, which encourages patrons to sit and read for hours.

Currently, the 57-year-old comedian says he is rereading Mo Daviau’s 2016 time-travel/rock-nerd novel “Every Anxious Wave,” the plot to which he “truly can’t describe,” adding: “It’s about, especially for me, how does Gen X grow old? And how do they try to dodge growing old? It’s pretty f— brilliant. Imagine a day just killing two or three hours in the Iliad just reading it. Oh, it’s the best.”

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

Not that Oswalt always has time to sprawl out with a novel. Like any touring comedian of his caliber, he admits that his schedule is constantly in flux. Not only did he spend last summer and fall promoting his 10th stand-up hour, “Black Coffee and Ice Water” (out now on Audible), but he is constantly at work on new material. On June 9, he’s launching “Tea & Scotch” on YouTube, which delves into more observational comedy subjects such as ghost-seeing cats, AI paranoia and parenting a teenager. (Oswalt tells The Times that his daughter usually does her own thing on weekends, but sometimes they’ll journey to Burbank and hit the vintage shops on Magnolia, followed by poke for lunch.)

When he’s not earmarking time in his perfect Sunday for reading, Oswalt also delights in frequenting Valley small businesses that fully embrace the indie and oddball. “I like where the Valley’s going. I like how its residents are aging,” says Oswalt. “Because they’re aging into weirdness rather than safety, which is what I will always go for. Instead of just, ‘I want the nice, reliable chain restaurant, the nice, big book chain,’ I prefer smaller shops that take risks. They’re more quirky, an actual person works here, and the imperfections are what makes it amazing.”

Below, Oswalt shares his ideal Sunday in L.A., which sometimes begins later than he’d like it to.

7 a.m.: Enjoy a quiet breakfast at home

I try to be an early riser. Today I got up at 8:30, but a great day for me is getting up at 7, because I have that hour of quiet to have my breakfast, sip some tea, do some reading, and then start my day.

But it’s hard to have a lot of those mornings in a row, because unfortunately, I also have those nights where I’m just, like, lying awake thinking. I have those crash-out days where I’m like, “Sleep until noon today! Need it! Gotta catch up.” Anyone who says that they consistently wake up at 7 a.m., for the most part, they’re probably lying.

9 a.m.: Morning coffee with a side of people watching

What’s critical about the Valley, especially Studio City, is a lot of hipsters who have aged out of Los Feliz and Silver Lake have all moved here, and they brought the good sushi, the good bookstores and the good coffee with them. So, my perfect Sunday starts at the Studio City Farmers Market. You do this kind of roaming breakfast. Where they do the farmers market, there’s an amazing tamale stand that does these chicken and green chile tamales. You get one of those, and then you go over to Joan’s on Third, and you get yourself a really strong cup of coffee, because Joan’s is right there, part of the farmers market.

It’s almost like Joan’s is the motor on a sailboat. If you can’t find the food that you like roaming around the farmers market, you can hop into Joan’s and grab something, but that’s where the good coffee is. Then you get a thing of berries from one of the sellers, and you sit. There are musicians everywhere, and it is a really good opportunity to not start your day looking at a screen and instead actually look at beautiful and flawed and imperfect and awesome people moving around and interacting. For a comedian or writer, that is gold.

11 a.m.: Worm into a book

From there, I would go up to the Last Bookstore, which just opened a location on Lankershim Boulevard in NoHo. It’s a work in progress; you can see the beginnings of the cool building that they’re doing on the interior. It’s almost like when you watch the Talking Heads’ “Stop Making Sense” and you see them assemble the stage as the concert goes on. It’s kind of amazing. So I always drop by there and spend way too much money on a book.

1 p.m.: Catch a matinee (and a matcha)

One of my favorite things is to see a movie in the afternoon. The Laemmle NoHo 7 on Lankershim is my little ’90s throwback Sunset 5, but in the Valley. They show very cool first-run indie movies, and then they will just randomly throw in [a classic], “Oh yeah, we’re showing ‘Jules and Jim.’” I just check my Fandango, to see what they’re showing in the afternoon, then I go see a movie.

I don’t really eat lunch these days, but across the street from the NoHo 7 is a place called Horror Vibes Coffee. It’s all based around horror movies. It’s weirdly popular. All these goth kids go in there, and they make really good matchas. So I’ll go in there, I’ll get a matcha, and then take that into the movie theater, see a flick. The Laemmle NoHo 7 does make really good chicken nuggets, and they do make a really, really bad for you — but delicious — bagel dog. Listen, a bagel dog with a recent indie movie? That’s mwah. [Gestures a chef’s kiss.]

4 p.m.: Head back to the bookstore

When I’m done at the movies, I will take whatever book I’ve gotten and go back down to the Last Bookstore and just sit and read. Or if you really want to go goblin-mode reading, you go to the Iliad Bookshop on Cahuenga. They encourage you just to go in there, sit, read. There are store cats everywhere that are hanging around, and the store kitties are very friendly. The Iliad has these big, overstuffed couches and chairs with blown springs. You are encouraged to sit and lounge and read. They have no problem with you doing that. A big thing for me now is having two to three uninterrupted hours of just reading. No phone, no nothing. Don’t gotta go anywhere. Don’t do anything. [Editor’s note: The Iliad is closed Sundays.]

6 p.m.: Sit down for some sushi

I’m very spoiled living in the Valley, because I live near amazing sushi. If I really want to splurge out and have what I think is the best sushi in the Valley, then I visit Sushi Tomoki, which is on Cahuenga. I just cannot rave about this place enough. They have a black cod sushi, and the black cod is slightly seared. It’s not cold, but it’s not totally cooked. There is something about cold rice and then this slightly seared, slightly burned black cod. The flavor is so perfect, I love it.

Right now, in the Valley, I’m kind of spoiled for good restaurants. There’s OyBar on Moorpark that I could go to. I go there right at 5. Otherwise there’s a line. I go right when they open. And then there’s a place called Wood & Water, further up Ventura, kind of closer to Sherman Oaks. That place is just solid, good. Everything on the menu is great, great wine list, you know. But the word is out — it’s getting crowded. Not to be a snot rag, but I go to Wood & Water so much that they kind of know me there, and they can usually get me a table. Not that I’m a big celeb, it’s just I go there a lot because their food is so good.

Once you’re my age, when I hear, “You gotta wait in line”… like, that’s why I’ve never been to Sqirl. Because I know I can’t do that, man. If I’m gonna stand in line, I’m gonna go to All Time, but I’ll just get there when they open. I can’t do lines anymore. You can do it when you’re 20, but I just want my g— breakfast.

8 p.m.: Take an outdoor stroll, then return to your book

After dinner, if it’s summertime in the Valley, I just walk through my neighborhood. There’s really good hills and stuff to go for, like, a nice nighttime walk after dinner. Or, because I’m such a freaking bookworm, I go home and sit on my big, comfy couch and just read some more until I fall asleep. There’s nothing wrong with double-dipping — you don’t have to read just once during the day. You can go back and forth.

On this date in history:

In 1846, two amateur baseball teams played under new rules at Hoboken, N.J., planting the first seeds of organized baseball. The New York Nine beat the Knickerbockers, 23-1.

In 1856, the first Republican national convention ended in Philadelphia with the nomination of explorer John Charles Fremont of California for president. James Buchanan, a Federalist nominated by the Democrats, was elected.

In 1864, the Union sloop-of-war USS Kearsarge sank the Confederate commerce raider CSS Alabama in the Battle of Cherbourg off the coast of France.

In 1865, nearly two and a half years after the Emancipation Proclamation, freedom from slavery was announced in Galveston, Texas, the most remote area of the country where slavery was still practiced. The day came to be celebrated annually as Juneteenth, Freedom Day, Jubilee Day and Liberation Day.

In 1867, Austrian Archduke Ferdinand Maximilian, installed as emperor of Mexico by French Emperor Napoleon III in 1864, was executed on the orders of Benito Juarez, president of the Mexican Republic.

In 1905, Pittsburgh showman Harry Davis opened the world’s first nickelodeon, showing “The Great Train Robbery,” a silent Western film. The storefront theater had 96 seats, charged 5 cents and prompted the advent of movie houses across the United States.

In 1910, Spokane, Wash., had the first Father’s Day.

File Photo by Gary C. Caskey/UPI

In 1944, World War II’s Battle of the Philippine Sea began. Japanese forces tried unsuccessfully to prevent further Allied advancement in the South Pacific.

In 1953, convicted spies Julius and Ethel Rosenberg were executed by electric chair at Sing Sing Correctional Facility in Ossining, N.Y.

In 1965, Nguyen Cao Ky became the prime minister of South Vietnam, the ninth leader within the past 20 months.

UPI File Photo

In 1972, Hurricane Agnes made landfall in the Florida Panhandle, going on to kill 128 people along the eastern U.S. seaboard.

In 1987, the U.S. Supreme Court struck down a 1981 Louisiana law that required schools to teach the creationist theory of human origin espoused by fundamentalist Christians.

In 1991, Colombian drug lord Pablo Escobar surrendered to police in Medellin in the wake of the assassination of Luis Carlos Galan. Authorities convinced him to give himself up in exchange for a lighter sentence for prior criminal activity — activity which continued after his imprisonment.

In 1999, horror novelist Stephen King was hit by a car and severely injured while out for a walk in rural Maine.

In 2000, the U.S. Supreme Court ruled that prayers led by students at public high school football games aren’t permitted under the constitutional separation of church and state. In 2022, the high court ruled, however, that a school district in Washington violated a coach’s First Amendment rights when they stopped him from publicly praying on the field after games.

In 2008, U.S. Sen. Barack Obama, D-Ill., the presumptive Democratic presidential nominee, became the first candidate at that level to bypass public financing since the program was established.

In 2013, James Gandolfini, who starred in the gangster drama The Sopranos, died of a heart attack in Rome. He was 51.

In 2014, Felipe VI was proclaimed Spain’s new king after his father, King Juan Carlos, abdicated the throne.

In 2019, Joy Harjo was named the first Native American poet laureate of the United States.

In 2024, the annual Hajj pilgrimage to Mecca, Saudi Arabia, concluded after at least 1,300 people died over the five-day trek. Officials blamed a lack of cooling centers, sleeping accommodations and other critical services as temperatures soared above 125 degrees Fahrenheit.

File Photo by Mohammad Kheirkhah/UPI

Spider-Man fans have been waiting years for this moment and now it’s almost here

Marvel fans have all said the same thing after an iconic character’s long awaited return in the upcoming Spider-Man film.

Just this week, an exciting trailer was released for Spider-Man Brand New Day, which will premier in cinemas on July 31. It has been teased: “The world may have forgotten Peter Parker, but he hasn’t forgotten them.”

The latest instalment takes place shortly after the events of No Way Home – the fourth of Tom Holland’s Spider-Man movies as it follows Peter Parker (Tom Holland) in a world that no longer remembers who he is.

In the clip, it appears that trouble is just around the corner though, as Spider-Man can be heard saying: “What is happening to me?

“I’m losing my mind. I am totally out of control. I’ve got to fix whatever this is right now.”

However, there is one iconic character that has stolen the show as fans were delighted to see the return of Mark Ruffalo – but more excitingly in his savage Hulk form.

The exciting trailer shows Peter seeking out DR Bruce Banner as he says: “You found a way of suppressing mutating DNA right?”

Dr Banner then replied: “If you see me with this off, then run”, showing him the device that prevents him from mutating into the Hulk. However, later scenes show his transformation into the green mutation, right in front of Spider-Man who states: “I didn’t know you could get that big.”

Seeing savage Hulk return is a delight to Marvel fans who have not seen the character in the MCU for quite some time, somewhat completing Banner’s character arc.

But now, it appears the raging monster has made a return as the trailer teases a tense head to head. Commenting on YouTube, one person wrote: “Seeing Hulk back to his normal self genuinely made me happy.”

Another penned: “no dude literally like hulk back in the original form is like breathing nice fresh air!”

A third added: “I have friends who have had two kids since I’ve been waiting for the real hulk to come back.”

A fourth replied: “Spider-Man is depressed, Hulk is angry and Punisher is itching to tell us something… PEAK.”

A fifth echoed: “Love how Spidey did not know Hulk’s true size. He has only ever encountered Professor Hulk, not OG Savage Hulk. About time we got him back!”

One person said: “Ladies and Gentlemen, It has 8 years 1 month and 22 days since we saw Hulk. Now we’re back Baby!!”

Another commented: “Normal hulk has came .This is what every Marvel fan was wishing for.”

Spider-Man Brand New Day lands in cinemas on July 31

Actor and racing driver Michael Fassbender is returning this month as CIA Agent Martian in season two of The Agency. He talks sociopaths and obsessive preparation on set.

Leading a double life is nothing new for Michael Fassbender, who is returning as CIA agent Martian in season two of spy thriller The Agency. An actor and a professional racing driver, Michael, 49, has reached an optimum level in both careers. Yet, despite this enviable skill set, achieving success and fitting in perfectly in two very different worlds, it would not mean he would make a perfect spy.

For that, according to a real life agent, who he spoke to while researching his role, Michael would need to be a sociopath. He says of this revelation: “That was a real gateway into the character for me.”

The Agency, starring Michael as Brandon Colby, codenamed Martian; Jodie Turner-Smith as his lover Dr Samia Fatima and Richard Gere as CIA chief James Bradley, launches season 2 on Saturday June 21 on streaming service Paramount+. A dramatic trailer for the series hears Martian saying: “I betrayed my country, did I cause harm? Yes. I lied to my friends, my colleagues. I sacrificed people. I deserve my fate. If I had to do it again, I wouldn’t hesitate.”

Season one saw CIA covert operative Martian being suddenly ordered to abandon his long-term undercover assignment in Ethiopia – where he fell in love with Samia – and return to London. In Africa he was working under the false identity – known in the world of espionage as a ‘legend’ – of Paul Lewis.

Michael picks up the story in season two, saying: “Then she [Samia] arrives in London. Then he meets up with her, which he shouldn’t do and then he compromises her. She gets captured and his new objective is to basically get her to safety. But by doing that, he becomes a double agent and betrays his country, becomes a traitor and the walls are closing in on him.”

Born in Heidelberg, Germany, Michael’s mum, Adele, hailed from County Antrim, Northern Ireland, while his dad, Josef, was a chef, who had worked at The Savoy in London. Together with his older sister, Catherine, now a neuropsychologist, the family moved to Kilarney in County Kerry when he was two, where his parents ran a local restaurant, West End House.

A Catholic altar boy when he was young, Michael says this trained him to perform to an audience. And, after initially harbouring ambitions to be a heavy metal guitarist – growing his hair and listening to thrash metal – aged 17, he appeared in a local play and changed direction.

Relocating to London, aged 19, he enrolled at the Drama Centre, but dropped out before completing his third year to start his professional career in a touring production of Three Sisters by Anton Chekhov. Launching his film career in 2001 in Steven Spielberg’s Band of Brothers, his credits since include Hunger (2008) Shame (2011) 12 Years a Slave (2013) – for which he was nominated for a best supporting actor Oscar – and X-Men (2011).

He was also nominated for a best actor Oscar for playing the Apple co-founder in the 2015 movie Steve Jobs. Married to Swedish actress Alicia Vikander, 37, the couple and their two young sons live in Lisbon, Portugal, but retain strong ties with London, where they spent many years.

Known to completely immerse himself in a role – for example, losing 40 lb to play an IRA hunger striker in Hunger – when preparing for the role of Martian, he also met up with two genuine spies. Speaking on The Arts Hour, he says: “The first guy I talked to, I felt like I wasn’t going to need dirt or negative aspects, let’s say. Then I spoke to another guy. We were going through the character and I was like ‘is this guy a sociopath?’ And he was like ‘well let’s go through the characteristics of a sociopath.’”

Clinically diagnosed as antisocial personality disorder, sociopaths have a persistent disregard for the rights, feelings and safety of others – feeling neither empathy, nor remorse. Returning to his conversation with the spy, Michael continues: “We went through the list [of characteristics] and he was like ‘we’re ticking a lot of boxes here.’ I was like ‘yes, ok, so he is.’ And he was like ‘well, it’s a good thing to be in that job.’”

In the new season of The Agency, Martian will be seen desperately trying to claw back some semblance of humanity after being out on his own, as a covert operative, for 7 years. Michael explains: “A lot of spies work in the embassy, so if the heat comes on them, they have a passport and they can get out. But a non-official covert doesn’t have that.”

Describing Martian’s relationship with Samia and with his daughter in London, who he hasn’t seen for many years, he continues: “It’s sort of his fight for humanity. He’s been in the business for about 20 years, so he’s quite jaded. He’s crossed a lot of moral lines he didn’t think he’d do at the beginning of his career.”

As for his own career, for 10 years, Michael has pursued parallel interests in racing driving and acting. Between 2019 and 2023, he stepped away from Hollywood, pursuing a serious career as a professional sports car racer. Joining a development programme with Porsche back in 2018, his greatest racing achievement has been completing the 24 Hours of Le Mans endurance classic in 2022.

The 2023 documentary Road to Le Mans follows his journey. Michael has said of racing: “My first dream has always been to go racing. Even before acting.” Someone who doesn’t do anything by halves, it is unsurprising that Michael would never have been content to keep racing as a hobby. His desire to give everything his personal best applies both to racing and acting.

Reputed to have read the script for Shame around 350 times, so he could get inside the head of a sex addict, he claims to have reined in his obsessive preparation for The Agency. He laughs, saying he read the script “150 times.” He says: “I try and do it 10 times a day.”

Explaining the need for this degree of intensity, he shrugs: “I’m a slow learner! It’s just something I’ve always done. If I keep reading it, I feel like the dialogue is seeping into the bones and I’m thinking about the character as I’m reading.”

Hugely professional, Michael adds: “I just don’t want to turn up on set unprepared. A lot of things can fall through the cracks that are out of my control, but the worst thing is if I leave set and I’m ‘oh I messed up because I didn’t do my homework.’“ An anathema to the average sociopath, this sense of duty and consideration for others would probably make Michael a lousy spy.

*This interview has been adapted from The Arts Hour on the BBC World Service, available on BBC Sounds.

Koe Wetzel brought his brawny yet soulful new country-rock album, “The Night Champion,” to the Grammy Museum in Los Angeles on Monday night. It’s the 33-year-old Texas native’s follow-up to 2024’s hit “9 Lives,” which spun off a chart-topping single in “High Road”; it’s also his first LP since the birth last year of his daughter, Woods. After the show — in which he was accompanied by his producer Gabe Simon, who’s also known for his work with Noah Kahan — I spoke with Wetzel about the album’s inspirations and about the food-court staple that rhymes with his last name.

My favorite song, you didn’t play it: “I’ll Lock Up.” That’s a song where your vocal is mournful, but you’re resigned — it’s an emotionally sophisticated song. How’d you write it?
We kind of came into it to be as realistic as possible. When people go through stuff like that — through breakups, whatever it is — no matter what it is, I’m probably still gonna take you back at the end of the day. And I think kind of being in that situation, kind of going back on past relationships, we just took a lot of past experiences from different folks and made it what it was. The scornful sadness from it, that might have came from a couple bottles of wine that I had before I got in the vocal booth.

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You write about toxic relationships, but now you appear to be in a stable relationship with the mother of your child. Have you lost the juice?
I don’t think so — I think it’s always gonna be there. Those are the easiest songs to write. It’s really hard for me to write a love song. And who knows, maybe this is the turning of the tide. I’ve got almost 12 years of toxic relationship songs, so maybe these next 10 years is the love, happy-go-lucky songs.

You’ve talked about cleaning up your act a little bit: drinking less, eating better, working out. Was there an animating head-on-the-floor moment?
I think whenever I found out that I was gonna be a dad, that was obviously a moment for me. I’d started cleaning up before she got here. And then when she got here, it was like, “All right, you got to get your s— together.” Not to say that I’m completely reformed — I still have my nights.

Back in your dark days, best bar in L.A.?
I never really went out a whole lot.

Drinking in the hotel room, huh? Dark.
That’s where all the songs come from.

You have two bar-restaurants, Koe Wetzel’s Riot Room — one in Fort Worth, one in Houston. I want to have a salad tonight. Should I have the blackened chicken Caesar or the grilled chicken Cobb?
Grilled chicken Cobb, for sure.

OK, great.
Do we serve those at the restaurant?

Biggest mess you’ve ever gotten into as a restaurateur?
I don’t know, honestly. I’m more on the party side of things, so they don’t ask me about, “Hey, we’re gonna make this tweak to the menu — what do you think about it?” It’s more like, “What are the bottle girls wearing tonight?”

One more food-service-related question: You’re at the mall, you want a pretzel. Auntie Anne’s or Wetzel’s Pretzels?
Wetzel’s Pretzels all day, man. Go get you some — I get a little royalty there.

According to Mediabase, your song “High Road” was the most-played song on country radio in 2025. In what month did you start changing the channel when it came on?
I started changing it before it even came out. We finally got the new record out, and I’m sick and tired of it, because I’ve been listening to it for a year and a half now. But that’s pretty much how it was with “High Road.” So grateful for all the success — it’s really cool that people have jived with it and listened to it the way they have. But whenever I hear it now, I kind of turn a deaf ear to it, if that’s possible.

Your friend Morgan Wallen had a viral moment recently where he tipped over a piano. What instrument have you smashed?
Quite a few. Depending how much Jack Daniel’s I drank onstage, I was definitely smashing the bottle — glass everywhere. I destroyed the drums. There was actually a shirt we had that says “Koe Destroys Everything.” My bass player and guitar players, they know that whenever I get that stare, it’s kind of like: Protect your s—, or I’m gonna come smash it.

By my count, you say “f—” nine times on this record. Is that your favorite four-letter word?
It’s a pretty good one, man. Only nine times on the record?

Seems low to you.
I’m a big Tarantino and Scorsese fan, so I don’t know. I think it’s just such a fun word.

Last one: Your current radio single is called “Hurts Like You.” I’m gonna give you three songs that have “hurt” in the title, and you have to pick your favorite.
OK.

“Hurt” by Nine Inch Nails or Johnny Cash. “Hurts So Good” by John Mellencamp. “Everybody Hurts” by R.E.M.
“Hurt,” Johnny Cash.

I’m sorry, that’s not right.
It’s not? What is it? Is there a right answer?

Your favorite song is John Coug, “Hurts So Good.”
OK. [Sings] “Hurts so good…” Is that my favorite song?

Yeah.
All right. Let’s go, Coug.

A duo for the ages is convening once again.

The Williams sisters — Venus, 45, and Serena, 44 — will bring back their doubles partnership at Wimbledon in under two weeks. The All England Club announced the doubles wild card invitation on Tuesday.

Should they win for a record seventh time, the Williams sisters would make history as the oldest Grand Slam-winning doubles combo by nearly 16 years.

The record of 74 years and 303 days is held by Hsieh Su-wei and Barbora Strýcová, who won at Wimbledon in 2023. Venus will turn 46 on Wednesday and Serena will be 45 on Sept. 26, putting their combined age by the tournament’s end at 90 years and roughly 290 days.

The Williams sisters have won six doubles titles together at Wimbledon, most recently in 2016 with the first coming in 2000. They have won 14 Grand Slam doubles titles together, the second most by any women’s team in the Open Era behind the 20 won by Martina Navratilova and Pam Shriver.

Serena recently returned to competition after almost four years away from professional tennis. She will compete in the Berlin Open doubles alongside world No. 10 singles player Karolína Muchová on Tuesday against Erin Routliffe and Giuliana Olmos.

The initial tournament in Serena’s comeback was abbreviated. Her playing partner, Canadian teenager Victoria Mboko, suffered a knee injury that ended their effort at the Queen’s Club Championship after one match, a 7-6(2), 6-2 victory over No. 3 seeds Erin Routliffe and Nicole Melichar-Martinez.

Venus, who will turn 46 on Wednesday, is in the midst of her record 33rd consecutive WTA season. She has been eliminated in the first round of singles at several tournaments while faring better in doubles.

The pairing at Wimbledon will be the first since 2022 for the Williams sisters. Serena took a long hiatus beginning that year and gave birth in 2023 to her second child, Adira River Ohanian.

Many of the sisters’ career highlights have come at Wimbledon. Serena has 14 titles on the hallowed grass court — six in doubles, one mixed doubles and seven in singles. Venus Williams has won 11 Wimbledon titles — five in singles and six in doubles.

Neither Williams sister is slated to play singles in this year’s tournament, although one women’s singles wild card has not been allocated.

When Jon Corfino was among the first to test ride Universal Studios Hollywood’s new high-speed “Fast & Furious”-inspired coaster, it was the culmination of a convoluted decade-plus journey filled with uncertainty. For before any track was laid, before the ride was even associated with “Fast & Furious” or any film franchise, Corfino, the park’s lead creative executive, didn’t know whether a coaster could even exist.

Universal Studios Hollywood is landlocked, constructed around a working film studio, meaning space is at a premium. And then there’s the problem of noise. Coasters, historically, are loud, and film productions necessitate a quiet environment. The theme park is also nestled against a neighborhood full of homes and apartments.

To make it work at all, the coaster would need to stand on a relatively steep hill, winding over, under and around escalators between the park’s upper and lower lot. It extends significantly beyond guest-accessible areas, visible even from nearby Ventura Boulevard. “It wouldn’t be your first choice,” Corfino says of the topography. “But in a way, it makes it more dynamic that we were able to do it.”

He continues, “Everything we do is a bit of invention.”

When discussion on the project first began a decade or so ago, Universal Studios Hollywood was far from a thrills park. While the Wizarding World of Harry Potter was nearing completion and would open in 2016 — a full-scale re-creation of a fictional world that would alter the tenor of the park — the vast majority of Universal rides were designed to place guests inside the world of stories they had already seen on the screen. Or to let them “ride the movies,” as Steven Spielberg once coined. The park’s portfolio was also dotted with stunt and animal shows.

Fast & Furious: Hollywood Drift will reach speeds of 72 mph and take riders through multiple inversions.

(Todd Martens / Los Angeles Times)

Universal was once heavily dedicated to pulling the curtain back on how movies were made. A coaster simply didn’t fit the vibe.

“It was never a thought,” Corfino says of his earliest days at Universal back in the 1990s. “It was a different ethos. We were going to take you behind the scenes and show you stuff. But during the epic transformation of bringing in ‘Potter,’ and immersing you in different environments, it became more of a reality.”

And so began the process of looking for a franchise to associate with the coaster, one that would still make sense with Universal’s inside-the-movies mindset. At the time, there already was a “Fast & Furious” segment on Universal’s behind-the-scenes tram tour (now shuttered, a replacement is expected to be unveiled in 2027).

“You go through a lot of ‘what ifs,’” Corfino says. “I can say, one of the earlier ‘what ifs’ was ‘what if this,’ in terms of brand. We already had one [‘Fast & Furious’ attraction] on the backlot, but we didn’t know what else we were going to be doing, so you go through a lot of different ideas. But it was early on that we said, ‘This brand speaks to it.’”

The view of Fast & Furious: Hollywood Drift from Universal Studios Hollywood’s Wizarding World of Harry Potter.

(Todd Martens / Los Angeles Times)

Fast & Furious, the street racing mega-franchise that’s celebrating its 25th anniversary this year, works in part because Universal could theme the coaster around cinematic stunts. Before guests board the ride, they will walk through a twisting queue area that will focus on prop cars with installations designed to show how movie magic is brought to life. Guests will be prodded to scan QR codes to further go behind-the-scenes, that is if they’re not distracted watching the coaster, which will launch directly above them and then go on a journey through multiple inversions on the side of a hill.

And then there was another problem: Would it be too loud? Before land was moved, Universal placed speakers on the old special effects and stunt buildings to see how noise traveled down the hill. “We did recordings all over the place and really established a baseline on which to design,” Corfino says.

Ultimately, the tracks would be complemented with multiple sound walls and shields, the latter clear structures designed to block coaster rumbles and audience screams. And because the cars can rotate 360 degrees, Universal can in theory direct rider yells away from the studio below and the neighborhood nearby. What’s more, the actual track has been filled with pea gravel, designed to minimize nose from any reverberations.

“It’s incredibly quiet,” Corfino says. “We were able to do that by putting materials inside portions of the track to deaden the sound. I’m not sure we would have needed it, but it was important to do the right thing. It’s pea gravel and rocks. It’s quieter than I ever thought it was going to be.”

VP of Universal Creative Jon Corfino, who led the creative development of the Fast & Furious coaster, photographed in 2019.

(Brian van der Brug / Los Angeles Times)

A 72-mph coaster with 360-degree rotation and multiple loops and inversions that’s relatively muffled? Perhaps. I can only say that as I watched test cars speed by me last week from an upper lot lookout, the soundtrack from the Jurassic World water ride below was certainly louder.

An opening date for the coaster has not yet been set, but it’s soon. The other week the Universal website briefly posted June 26 as a launch date, and while that was once a targeted day, it will not be the coaster’s grand opening, which is now expected after the Fourth of July holiday (the coaster will be open intermittently for tech rehearsals for some time before its official date).

But Corfino is willing to make one promise. “Given the physical realities of putting this on the side of a hill,” he says, “this is the best view in Hollywood.”

That is, if you’ll be brave enough to keep your eyes open to take it all in.

Universal Studios Hollywood first began exploring a high-speed coaster more than a decade ago.

(Todd Martens / Los Angeles Times)

This week in SoCal theme parks

• Los Angeles loves a parade. Head to the Los Angeles County Museum of Art on Saturday evening for the Art Parade, which is designed to showcase L.A.’s thriving creative community with a colorful procession down Museum Row. Of particular note: Experiential art firm Meow Wolf, which is in development on its first-ever Los Angeles installation, will be participating. Meow Wolf’s L.A. exhibit, influenced equally be sci-fi and cinema, is on target for a winter opening.
• Disneyland history is Los Angeles history. The Autry Museum of the American West has a new exhibit, “Life, Liberty and Los Angeles.” As part of the show, which highlights how SoCal reflected and contradicted our nation’s founding ideals, guests will come across a 1967 Autopia vehicle from Disneyland. Now perhaps a bit quaint, the ride once exemplified our region’s dreams of an open freeway. Autopia is due next year to be remade with electrical vehicles.
• Plan a tour of Walt Disney’s former Los Feliz home. Disney and his family in the 1930s lived in a storybook mansion. Keepers of the house have announced that it will be open on a few select Saturdays this summer for tours. Though a private residence, tours are led by Disney expert Dusty Sage, who oversees the Micechat website and fan community. I’ve been inside, and can report the house is full of unique design quirks as well as a number of only-in-SoCal historic tales.
• A lively night at Downtown Disney. Head to Downtown Disney on Friday at 5 p.m. for Yardfest 2026, an evening to honor the music and traditions of historically Black colleges and universities. Expect performances from the Texas Southern University Ocean of Soul Marching Band near the area’s live stage, which itself has a unique design paying homage to famed Black architects, as well as specialty food offerings and Mickey Mouse in his drum major outfit.

Ride report

Knott’s Berry Farm has a new show inside the Calico Saloon dubbed “Spirits and Shenanigans.” The production is part of the park’s summer offerings.

(Todd Martens / Los Angeles Times)

Today’s report is on a show. It’s summer season at Knott’s Berry Farm, which means a new storyline for its popular Ghost Town Alive!, a heavily improvised, actor-led experience that unfolds like a live-action role playing game. New this year is a hootin’ and hollerin’ good time of a show in “Spirits and Shenanigans,” which takes place in the Calico Saloon inside the park’s historic Ghost Town.

At 25-minutes, the production centers on the fictional husband-and-wife bar proprietors, who sing of leaving Illinois to open the spot, as well as its boot-tapping, can-can dancing staffers. Just ever-so-slightly risque with a bit of a patriotic feel, it’s a fast-moving ode to drinking holes and the sense of local community they provide. Expect tap dancing as well as numbers that will turn the entire stage into a drum kit. So if you’re heading to Knott’s this summer, “belly up to the bar,” as they sing, and grab a Boysenberry IPA and one of the few inside seats for this lively, can’t-miss production.

Tell us your stories. Ask us your questions.

Have a theme park tale to share? Whether it was a good day or less-than-perfect day, I would love to hear about it. Have a question? A tip? A fun photo from the parks to share? Email me at todd.martens@latimes.com. I may feature your note in an upcoming newsletter.

Ride on,

Todd Martens

The World Cup on Tuesday features tournament heavyweights Argentina and France, who are beginning their campaigns.

France, the 2018 World Cup winners, take on Senegal in East Rutherford, New Jersey, in a repeat of their famous opener in the 2002 edition while Lionel Messi’s reigning champions Argentina face Algeria in Kansas City, Missouri. In Tuesday’s other matches, Norway return to the World Cup for the first time in 28 years against Iraq, and Austria meet Jordan in the day’s final fixture.

Away from the games, Cape Verde are still celebrating their historic draw with Spain while Iraq’s return to the tournament has sparked both happiness and frustration among their supporters.

Here’s what to watch on Day 6 of the World Cup:

What is the schedule for Tuesday?

Four more teams begin their campaigns on Tuesday.

France vs Senegal at New York New Jersey Stadium is scheduled to kick off at 3pm (19:00 GMT).

Later, Norway return to the World Cup for the first time since 1998 when they take on Iraq at Boston Stadium in Massachusetts with kickoff at 6pm (22:00 GMT).

And Argentina will also play against Algeria at Kansas City Stadium at 8pm (01:00 GMT on Wednesday) before Austria meet Jordan at San Francisco Bay Area Stadium in California at 9pm (04:00 GMT on Wednesday).

What are the predictions for France vs Senegal?

France head into the tournament as one of the favourites, sitting third in FIFA’s world rankings. But African powerhouse Senegal, ranked 16th, are expected to provide a stern early test in their opening match.

The teams’ only previous World Cup meeting came in the opening match of the 2002 tournament when tournament debutants Senegal stunned defending champions France 1-0. Papa Bouba Diop’s memorable winner sparked celebrations across Dakar, and then-President Abdoulaye Wade declared a national holiday. Senegal went on to reach the quarterfinals while France exited without winning a game.

Opta’s supercomputer still gives France a clear edge at New York New Jersey Stadium, assigning Les Bleus a 64.8 percent chance of victory. Senegal’s chances of pulling off another upset stand at 14.9 percent while the probability of a draw is put at 20.3 percent.

What are the predictions for Iraq vs Norway?

Tuesday’s Group I clash will be the first meeting between Iraq and Norway, and it will be the Nordic country’s first World Cup match against a team from the Asian Football Confederation.

Norway have relished their return to the World Cup after a long hiatus from the tournament. Fans have drawn attention with their synchronised “Viking row” celebrations while Erling Haaland shared a Viking-themed team photo on social media, describing the tournament as “a dream 28 years in the making”. Led by Haaland and Martin Odegaard, the Norwegians arrive with high hopes.

Opta’s supercomputer expects Norway to start strongly, giving them a 77.4 percent chance of victory. A draw is rated at 14 percent while Iraq have an 8.6 percent chance of pulling off an upset.

What are the predictions for Argentina vs Algeria?

Argentina and Algeria have never faced each other at the World Cup although they did meet in a friendly in 2007 when Argentina came from behind to secure a thrilling 4-3 win at Barcelona’s Camp Nou. A teenager by the name of Lionel Messi scored the first two goals of his international career that day.

History also favours the South Americans. Argentina have won each of their last six World Cup matches against African opponents, rebounding from their shock 1-0 defeat to Cameroon in 1990. Algeria, meanwhile, have enjoyed mixed fortunes against South American sides at the tournament, beating Chile in 1982 before losing to Brazil four years later.

Opta’s supercomputer expects Argentina to make a winning start in Group J. After 25,000 simulations, Lionel Scaloni’s side emerged victorious 68.2 percent of the time. Algeria were given a 13.2 percent chance of causing an upset while a draw was the outcome in 18.6 percent of the projections.

What are the predictions for Austria vs Jordan?

Austria enter the match as the clear favourites on paper. Ranked 25th in the world, they sit 39 places above Jordan, who are 64th in FIFA’s standings, and the Europeans are widely expected to challenge for a place in the knockout rounds.

Opta’s supercomputer strongly backs Austria to open their campaign with a victory in San Francisco, giving them a 70.3 percent chance of taking all three points. Jordan have been assigned a 12.9 percent probability of pulling off an upset while the likelihood of a draw stands at 16.9 percent.

Looking beyond this match, Austria are considered Argentina’s main challengers in Group J. They have an 18 percent chance of finishing top of the group, compared with just 2.9 percent for Jordan.

What else is shaping the World Cup?

Cape Verde celebrate historic point

Cape Verde’s 0-0 draw with Spain led to wild celebrations among fans, including in Boston, home to a large Cape Verdean community. Supporters said they were proud to see their country shine on the World Cup stage.

“Everyone thought Spain would beat us,” one fan said. “We’re a small country, but we have a big heart.”

According to a report on the NBC TV network, goalkeeper Vozinha also became an overnight social media sensation with his Instagram following soaring after the game. NBC said the goalkeeper went from 50,000 followers on Instagram to 4.9 million.

Saudi Arabia deny Uruguay victory

Saudi Arabia looked set for another famous World Cup upset after Abdulelah Alamri gave the Green Falcons the lead against Uruguay, four years on from their shock win over Argentina.

But Uruguay’s Maximiliano Araujo struck 10 minutes from time to earn Uruguay a 1-1 draw. Saudi goalkeeper Mohammed Alowais then made several key saves to preserve the point, leaving Group H finely balanced after the opening round of matches.

Tunisia sack coach after heavy defeat

Tunisia have dismissed Sabri Lamouchi after their 5-1 loss to Sweden in their World Cup opener. Mondher Kebaier is set to take over on an interim basis as Tunisia try to revive their campaign before matches against Japan and the Netherlands.

Meet Merlin, Mexico’s unlikely mascot

A duck named Merlin became one of the World Cup’s first viral stars after appearing in Mexico City celebrations dressed in the national team’s colours. Fans on social media called the two-year-old a “national treasure” and even called for him to attend matches as the tournament’s unofficial mascot.

Norway embrace their Viking roots

Norway have brought Viking fever to the tournament. Fans have debuted a synchronised “Viking row” celebration in the stands while the team posed for a Viking-themed photoshoot that sparked both excitement and debate back home. The images, shared by Erling Haaland, have become one of the tournament’s early talking points.

FIFA clears VAR official Shaun Evans

FIFA said it found “no evidence” to support allegations that video assistant referee Shaun Evans breached its disciplinary code after he was accused of making a white supremacist hand gesture during Germany’s World Cup opener against Curacao. Evans, an Australian, said the gesture was an involuntary movement and denied any intent to communicate a racist message.

For many Iraqis, qualifying for the World Cup has brought a rare moment of joy after decades of conflict and hardship.

Fans said the team’s return to football’s biggest stage after more than 40 years offers people a chance to unite and move away, even briefly, from the tensions in the region.

“We haven’t felt this happy in a long time,” Ahmed Salman, an Iraqi fan, told Al Jazeera.

“This is a chance for people to come together and move away from the atmosphere of war, especially given the tense situation in the region.”

But the celebrations have also been mixed with frustration over restrictions that some said have prevented Iraqi supporters from attending the tournament in the United States.

“Banning the fans is a very negative step because sports have nothing to do with politics,” Salman said. “People are coming to celebrate.”

Another Iraq supporter described the emotions as bittersweet.

“As Iraqis, after more than 40 years, we have qualified for the World Cup,” Taha Mohamed said. “It brings a feeling of joy and comfort, … but regarding the fans, it is frustrating.”

WASHINGTON — The terms of a deal to end President Trump’s war with Iran remained a secret on Monday as both sides claimed victory and the months-long conflict reached a nebulous end.

The memorandum of understanding, providing a rough framework to conclude the war, was signed digitally Sunday, with a ceremony scheduled to take place on Friday in Switzerland, U.S. officials said.

Trump hailed the document as a breakthrough after months of negotiations. Yet its broad contours remained unclear more than a day after the deal was announced, as each side offered conflicting public messaging about what had been agreed.

Iran said it would continue regulating traffic through the Strait of Hormuz, a strategic paradigm shift from the prewar status quo that was denied by the White House. The two sides expressed disagreement over whether the status of Iran’s ballistic missile program would be addressed in future negotiations, or whether Israel’s withdrawal from Lebanon was a part of the deal.

And Trump administration officials rejected Iranian claims that the United States would provide immediate sanctions relief as misleading “spin.”

Hours later, another U.S. official suggested that Iran, in fact, might receive some relief at the front end.

“We are prepared to release frozen funds, and we are prepared to release sanctions,” a senior U.S. official told reporters on a call. “And we’ll do some small gestures of that in the beginning, if they make some small gestures to us that show they’re willing to meet their commitments as well.

“We’ll know over the next two to three weeks whether those understandings will turn into actual agreement,” the official added.

Trump started the war in February citing Iran’s nuclear program, which had expanded after he withdrew from a prior nuclear agreement negotiated by President Obama. That deal capped more than two years of intensive diplomacy but ultimately failed under the weight of political criticism from Republicans — led by Trump — over its inclusion of sanctions relief for Tehran.

Trump administration officials said the new agreement would include a commitment from Iran not to develop or purchase nuclear weapons — a vow the Islamic Republic has repeatedly made through the Nuclear Non-Proliferation Treaty, the Obama-era deal and a religious edict from the late supreme leader. Yet the enforcement mechanisms for policing Iran’s nuclear work were left to negotiate another day.

Iran could get sanctions relief

In an interview with CBS News, Vice President JD Vance acknowledged that Iran could get significant sanctions relief — and up to $300 billion in reconstruction funds — if they abide by U.S. terms, such as the full reopening of the Strait of Hormuz, one of the world’s most important commercial waterways.

“Our expectation is that the strait is going to be opened in a toll-free way for the long term, and that’s the sort of thing that we’re going to figure out in these technical negotiations,” Vance said.

In a separate interview, he described the president’s policy as “extending an open hand” to Tehran.

“The hard-liners of the Iranian system will overemphasize the benefits that Iran gets,” he added, “while underemphasizing all the things that they have to concede, and all the things that they have to provide, in order to get these benefits.”

Uncertainty across the region

The news of peace came with a sense of bewilderment and uncertainty in a region that suffered as collateral damage through months of war.

Sunni Arab states that once hoped Iran would emerge weakened from the war issued tepid support for an agreement that could ultimately leave the fate of their oil exports at the whims of an emboldened adversary. And Israeli leaders, across the political aisle, expressed deep concerns over the deal in private, warning they would not be bound by an agreement to which they were not a party.

Israel’s decisions moving forward — particularly in Lebanon— may ultimately decide whether the agreement survives over the next 60 days, when Washington and Tehran plan on ironing out its more technical details.

Hours after word of the signing came out, a stream of cars crowded the highway leading to southern Lebanon, full of displaced families desperate to check on homes and villages they hadn’t seen for more than 100 days.

They did so in defiance of Lebanese officials, who called on people to remain where they were until an official end to war in Lebanon — a secondary front in the larger U.S.-Israel war on Iran that has nevertheless seen staggering levels of destruction.

A woman and her children return to their Lebanese village Monday following the ceasefire announcement.

(Mohammed Zaatari / Ap Photo/mohammed Zaatari)

In the more than three months since the Lebanese Shiite group Hezbollah attacked Israel, nearly 3,800 people have been killed, and almost a quarter of the country’s 6 million people are displaced. Israeli troops occupy more than 10% of Lebanese territory, leaving a trail of destruction that has seen swaths of the country’s south all but razed.

‘Everything is gone’

None of that discouraged Hassan Shareef from leaving where he was staying in Beirut at 7 a.m. to head to Nabatieh, one of south Lebanon’s largest cities and a frequent target of Israeli strikes in recent weeks, to check on his tailoring business.

“I wasn’t afraid. I had to come. But what I saw would make you cry,” he said. “Everything is gone. My house, I can’t live in it. And the business is destroyed.”

Aqeel Khalaf, an herbalist, hit the road in the early morning with his brother, son and daughter-in-law. They reached Nabatieh in two hours.

Yet it was less of a homecoming than Khalaf hoped: Israeli troops were still stationed near his village, a few miles down the road from where he stood in Nabatieh’s central market. Their house was tantalizingly close, but for the moment it might as well have been on the moon.

“It’s hard for me, but the Lebanese army told us we can’t go yet. We have no choice,” Khalaf said. “Maybe in 24 hours, when things crystallize with the deal.”

He could at least check on his shop here in the central market, though he already knew there would be damage: The family regularly checked satellite images of the area and saw the building was hit about a week ago.

Standing before it, Khalaf saw how the wall of the adjacent building had toppled onto the ground floor, flooding the shop with rubble and coating everything with a film of fine gray dust. A nearby blast had collapsed the roof.

“Nabatieh was hit very hard this time,” he said. Still, he could salvage something, he said, pointing to his son as he fished out boxes of herbal treatments from under the rubble.

Two ceasefires in the last two months, forged during U.S.-led talks between the Lebanese and Israeli governments but without Hezbollah or Iran’s involved, were broken as soon as they were announced. A previous ceasefire from November 2024 saw Hezbollah stop all attacks while Israel continued military operations in south Lebanon.

This iteration of the truce appeared to have more success: On Monday, Hezbollah launched no missiles but announced an attack on an Israeli force to stop its advance; and the Israeli military mostly stayed its fire as well, barring a number of shelling incidents and a drone strike on a car in the village of Kfar Tebnit that injured a journalist and killed one person, according to Lebanese media.

Obstacles to a durable peace

Lebanese army units, meanwhile, deployed in parts of the south, barring motorists from reaching areas near Israeli troops. Lebanon’s army remained on the sidelines during the war, but 30 soldiers, including a general, having been killed in Israeli attacks since March 2. Hezbollah attacks killed at least 30 Israeli soldiers and one civilian contractor.

Obstacles to a more durable peace remain. Israeli officials insist on freedom of action against Hezbollah, and they will create a so-called security zone in Lebanon indefinitely so to protect Israel’s northern border. For its part, Hezbollah says it will respond to any attack and will continue fighting until Israel withdraws.

Though the truce appeared to be holding for now, Khalaf, who had raced to reopen his Nabatieh shop after the 2024 ceasefire, was waiting this time. For now, he would take what stock he could and open a shop in Sidon or Beirut.

“We have to work and feed our families. But the damage is too much this time. I’ll come back when things are better,” he said. “And my home too. When I get to see it, even if it’s a mound of rubble, I’ll pitch a tent on it and rebuild.”

Wilner reported from Washington and Bulos from Nabatieh.

EXPLAINER

US President Donald Trump and Iranian leaders say a deal has been agreed to end more than 100 days of war that killed thousands.

United States President Donald Trump and Iran’s Deputy Foreign Minister Kazem Gharibabadi said on Sunday that they had reached an initial deal to end the war and to resume traffic through the Strait of Hormuz.

Trump said the deal allows for toll-free shipping through the Strait of Hormuz, which has been largely closed since the US and Israel launched an assault on Iran on February 28.

“The Deal with the Islamic Republic of Iran is now complete,” Trump wrote on Truth Social on Sunday.

The US and Iran will sign a memorandum of understanding in Switzerland on Friday, said the prime minister of Pakistan, whose country has served as a mediator.

Monday marks 108 days since the war began, with the US and Israel’s attacks on Iran. Here is what’s happening:

What we know about the deal

• The content of the agreement, which follows weeks of fraught negotiations and periodic threats from Trump of new hostilities unless Iran reaches a deal, remained unclear.
• Strait of Hormuz to reopen: Iran’s semi-official Mehr news agency said the draft deal called for reopening the Strait of Hormuz within 30 days under Iranian arrangements. Trump, who turned 80 on Sunday, said the deal allows for toll-free shipping through the Strait of Hormuz, which has been largely closed since the US and Israel launched an assault on Iran on December 28.
• Frozen assets to be released: Iran’s Mehr news agency reported that the US would release $12bn in frozen assets to Iran before the start of negotiations.
• Iran’s enriched uranium: In an interview with The New York Times on Sunday, Trump said Washington was still negotiating whether Iran would suspend its enrichment for 20 years. Trump hinted that he might settle for a 15-year suspension, but said he did not want to negotiate via the press.
• Israel has not commented: There has been no official comment from Israel about the peace agreement.

In Iran

• The secretariat of Iran’s Supreme National Security Council said on Monday that the deal with the US includes the immediate suspension of hostilities on all fronts. “Based on the agreements reached, the war and military operations on all fronts, including Lebanon, will end immediately and permanently as of tonight, and in addition, the naval blockade against Iran will end immediately and completely,” it said in a statement.

In the US

• Democrats slam Trump over war: While Democratic lawmakers welcomed the deal, they criticised the Trump administration’s decisions pertaining to the war. Senator Chris Coons of Delaware said that while the deal moves the situation in the “right direction”, several questions remain. He warned that competing interpretations of what was agreed upon could pose risks. Senator Chris Murphy, who serves on the Senate Foreign Relations Committee, said the deal is a “surrender to Iran” but that the US should be “glad about it because every day this insane, illegal war continues, we get weaker”.

In Lebanon

• Trump rebukes Israeli attack on Beirut: On Sunday, shortly before the deal was announced by Trump, Israel launched an air attack on Beirut. Trump angrily blamed Israel for delaying the deal’s signing after launching this attack. In an expletive-laden phone interview with US news outlet Axios, Trump fumed about Israeli Prime Minister Benjamin Netanyahu, saying: “I was so pissed off. I let him know.”

Global response

• Western leaders praise deal: UK Prime Minister Keir Starmer said he was ready to aid the further technical talks between the US and Iran, adding that he hopes the reopening of the Strait of Hormuz will stabilise energy markets.
• French President Emmanuel Macron also praised the deal and said Paris would support the Lebanese government.
• European Union chief Antonio Costa welcomed a deal between the US and Iran to end the Middle East war, adding that the bloc was ready to contribute to a strategy for “lasting peace”.
• UN Secretary-General Antonio Guterres said it was a “critical step” towards resolving the war in the Middle East.

Global economy

• Oil prices drop: Oil prices slipped to their lowest since March on Monday, with global benchmark Brent crude futures falling $4.08, or 4.7 percent, to $83.25 a barrel by 04:15 GMT. US West Texas Intermediate was at $80.53, down $4.35, or 5.1 percent. Both contracts fell to their lowest levels since March 10 on Monday after tumbling more than 3 percent on Friday.
• Asian markets soar: Markets in Japan soared, more than 5 percent up; in South Korea, they were up 5.3 percent; in Taiwan, they were up 2.4 percent. In Shanghai, they were up 1.3 percent; and in Hong Kong, they were up half a percent; while in Indonesia, they were up 2.07 percent; and in the Philippines, they were up 5.2 percent.

Steven Spielberg’s latest sci-fi thriller, “Disclosure Day,” topped the box office this weekend, an encouraging sign for what could be a big summer for theaters.

The film, which stars Emily Blunt and Josh O’Connor, brought in $44 million in the U.S. and Canada for a worldwide total of $92.9 million, according to studio estimates. The opening weekend totals beat box office analysts’ expectations of about $40 million to $50 million.

“Disclosure Day” is Spielberg’s latest alien-centric movie that charts a desperate race to show the world the truth about extraterrestrials.

The film, which had a production budget of about $115 million, was also scored by legendary composer and longtime Spielberg collaborator John Williams, who is now 94 years old.

Spielberg described the film in April as “way closer to truth than fiction” during a speech at the CinemaCon trade convention in Las Vegas. The veteran director of 1977’s “Close Encounters of the Third Kind,” 1982’s “E.T. the Extra-Terrestrial” and 2005’s “War of the Worlds” said at the time that he’s been curious about “what’s going on in the night” since he was a child and “been very fixated on the possibilities.”

Focus Features’ “Obsession” came in second at the box office with a domestic haul of $19 million, a continuation of the film’s strong run in theaters.

“Scary Movie,” “Backrooms” and “Masters of the Universe” rounded out the top five at the box office.

Recent box office performance — particularly with Gen Z hits “Obsession” and A24’s “Backrooms” — along with a slate of upcoming blockbuster franchise installments has buoyed the hopes of exhibitors and studio executives for a strong summer.

Next week, Walt Disney Co. and Pixar will release “Toy Story 5,” while Warner Bros.’ DC Studios has “Supergirl” landing in late June.

Universal Pictures and Illumination’s “Minions & Monsters,” Disney’s live-action “Moana,” Christopher Nolan’s “The Odyssey” and Sony Pictures’ “Spider-Man: Brand New Day” are all slated for July.

That steady cadence of new and different films is key for a healthy box office and a successful summer, said Daniel Loria, editorial director at the Box Office Co.

“We’re seeing that momentum come back on a weekend-by-weekend basis,” he said. “What we needed to get back to a healthy industry post-pandemic is consistency, and that’s the difference here in 2026.”

Ariel Atkins’ head whipped back. After taking an elbow from Indiana’s Monique Billings on May 13, the Sparks’ team doctors spotted the potential for a head injury and sent her to the locker room.

It was the second concussion of her career, but she didn’t know that at the time. All she knew was that her head hurt.

“You just don’t feel like yourself,” Atkins said. “It’s hard to even be a part of society. Luckily, this wasn’t a serious one.”

There have been eight diagnosed concussions in the WNBA already this year after just a quarter of the season. There were eight total in 2025, four in 2024 and six in 2023.

The “why” could be bad luck, better awareness in diagnosing concussions or something else. Atkins thought the lack of game flow because of new officiating standards might be making things harder.

“You would think it should be down,” Atkins said. “Maybe there is no rhythm when there are stoppages.”

Atkins got hit in the nose against the Wings three weeks after returning from her concussion. She stayed in the game after a quick check on the bench.

She didn’t have a concussion that time, but players do seem to be getting hit in the head at a higher rate. Minnesota-based sports scientist Lucas Seehafer thinks it’s too early to make a definitive declaration of why that is happening.

“Some players and coaches in the past have talked about the physicality of the play,” he said. “I know some people have talked about how the rules are kind of lax, or you’re maybe not as rigorous as what they could be in terms of like punishing blows above the shoulders and that kind of stuff. But it’s tough to say with any certainty until we get more data.”

On opening night in Seattle, Golden State forward Cecilia Zandalasini suffered her first concussion when elbowed by the Storm’s Zia Cooke.

She called the process to return a “nightmare.”

“It was so weird with the feeling of always having a headache,” she said. “I had to wait until it was gone, I couldn’t move.”

Valkyries forward Cecilia Zandalasini called working through concussion protocal a “nightmare” earlier this season.

(Ellen Schmidt / Getty Images)

Seehafer said that when it comes to women’s sports, hockey and soccer have a reputation for having higher concussion rates, but basketball can be just as physical.

“Compared to the rest of the [pro sports] leagues, the WNBA is pretty much doing exactly what the other leagues are doing, but again, is that enough?” he said. “It’s tough to say. I would say they’re not, but I don’t think they’re egregiously leaving athletes open to even more severe injuries, necessarily. My bias is just that everything can be safer.”

The WNBA follows the same concussion protocol as the NBA, by which a player must undergo a locker room evaluation after getting hit in the head. If the player is cleared by medical staff, they can return to the game.

Any player showing concussion-related symptoms, such as a headache or dizziness, must be monitored for 24 hours by the team’s medical staff. Once they are symptom-free, they go through a range of activities from light physical activity to full-contact practice. They must stay symptom-free throughout that entire process to be allowed back into games.

“Back when I played, I didn’t know what concussion meant,” said Sparks coach Lynne Roberts. “I think now we understand the science of how serious it is, and we don’t rush them back. Once they’re back, there’s really nothing you can do. It’s a contact sport, and the players just kind of play through that, but obviously we’re very cautious with not letting a player play until the doctor’s fully certain that she’s symptom-free and at no risk.”

The hardest part with concussions can be the initial diagnosis. Oftentimes, symptoms show up hours or even days later. For Zandalasini, she was originally diagnosed with a jaw injury before dealing with a headache the next day.

Atkins knew a little bit about what concussions felt like, and even this time was different. Why concussions are up this year is still a mystery, and perhaps it will even out as the season goes on.

But for now, players and medical staff are on alert.

“It’s the thing with athletes, right?” Atkins said. “We’re trying to figure out pain versus injury, like, is it something serious? Is it not? I don’t want to hurt myself further. So, yeah, it can be hard to decipher that with a head injury.”