dad

Unprecedented sports feats and historical firsts are usually joyous affairs. Something to celebrate, fun trivia to tuck away for later.

On Monday in Inglewood, the history was much more fraught, and not at all trivial.

Iran’s national soccer team played on American soil — this time on SoFi Stadium’s natural turf — for the first time in 26 years. And for the first time, a country hosted a World Cup participant with which it is mired in an on-again, off-again war.

There was, in the days and hours leading up to the match, protest and pushback from portions of the large, local Iranian diaspora who didn’t think it was possible to support the country’s football team without supporting the oppressive regime.

But inside SoFi Stadium, thousands of L.A.’s Iranian supporters gave the team its full-throated support. So did many new Mexican fans who’ve adopted Team Melli, which has been staying and training in Tijuana between matches as it was barred from the United States except for game days.

Most of the near-sellout crowd of 70,108 were there cheering Iran, helping propel this team under so much pressure to an entertaining 2-2 tie with New Zealand.

And there, among the thousands of enthusiastic Iran supporters swept up in the match, was my son’s favorite soccer coach, Narbé Mansourian, with his son, 13-year-old Daniel.

Narbé’s brother got his hands on a pair of nosebleed tickets and immediately handed them over to his soccer-loving relatives.

And Narbé — a fifth- and sixth-grade social studies teacher in Hollywood — had no qualms about backing these Iranian men. There were no second thoughts about separating the players from the politics in the country with the complicated geopolitical — and personal — history.

Now, know this: Mansourian is no fan of Iran’s Islamic regime. He was 7 in 1983 when his father, a political dissident, was executed in Evin Prison, nine months after he’d been apprehended.

Narbé remembers visiting his dad, Vazgen, at the notorious prison. He remembers the long drive to get there, the long wait to see him and the game he and his mom used to play: “Today you are 4 years old.”

Narbé Mansourian, right, and his son Daniel before Monday’s World Cup match between Iran and New Zealand at SoFi Stadium.

(Mirjam Swanson / Los Angeles Times)

What started as a way to avoid paying bus fares for 6-year-old Narbé became the way to fool guards at prison, where only the small children were allowed to physically touch their imprisoned loved ones.

He remembers being allowed behind the glass, where he’d wait for his dad to emerge, blind-folded.

When his dad was killed at 37, Narbé said his mother didn’t immediately find out. And when she did, she initially told Narbé that he’d been sick. There was no funeral and when they went to visit his father’s grave, they found a dirt field. There were no markers, Narbé recalls.

He has kept Vazgen’s Coke-bottle glasses, his watch and the still-intact little LEGO house they built together before his dad was taken to prison.

Narbé has held onto so many difficult memories, including the nighttime terrors associated with bombings during the Iran-Iraq war. But there are also happier recollections. Like the stories he would make up about good guys going against the greedy. And, yes, memories of going to soccer games with his dad.

So, “absolutely, I’m going to root for the Iranian national team,” Narbé said before Monday’s match, saying that, to him, equating the Iranian national team with the country’s regime is like rooting against the Knicks because you don’t like President Donald Trump, a native New Yorker.

“It’s not like a cartoon good guy, bad guy,” Narbé said. “There’s so much gray. Because they live there. My heart goes out to them. It can’t be easy, to kind of teeter-totter like that.”

A pre-revolutionary Iranian flag is displayed before the World Cup group stage match between Iran and New Zealand at SoFi Stadium.

(Allen J. Schaben / Los Angeles Times)

I should’ve expected this outstanding youth soccer coach would be most concerned with the players on the pitch.

Some fans got into SoFi on Monday with the Iranian Lion and Sun flag, a historic Iranian national and opposition flag that was banned from the stadium because FIFA desires to steer free of politics (unless it’s steering straight into them). It was a strange sight in Los Angeles, seeing stadium workers asking attendees to discard flags in an effort to censor the expression of people here.

Some of those fans turned their backs during the national anthem, which many in the stands jeered at its start. But then, once the game took hold, so did the support.

“There were many Iranians here,” Iran coach Amir Ghalenoei said through an interpreter. “They believe in different political affiliations, different beliefs, but they all wholeheartedly encouraged us, and I think that’s a victory for all of us.”

To understand the gravitational pull toward golf, consider the sport as a sequence of problems. Aaron Singleton, a skilled player in the Dads Link Golf Club, is playing particularly well today at Palos Verdes Golf Course, having just hit two back-to-back birdies. But even on the shots that fly into a grassy oblivion, he smiles.

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“Golf is 18 different holes. 18 different chances to solve a problem,” he says. “Each hole presents a different problem. Each shot is a different problem.” According to Singleton, this wisdom that players inherit on the golf course — especially resilience and patience — translates to fatherhood.

Singleton, who has a 3-year-old son, is part of a growing group of fathers who participate in the Dads Link Golf Club. The club is part of the region’s golf boom; Southern California Golf Assn. is estimated to have one of the largest memberships in the country, with over 200,000 golfers.

Ian Davis, the founder of Dads Link and Golf Club, watches his drive.

Ian Davis is the founder of Los Angeles’ Dads Link Golf Club. Each month, he invites fathers to enjoy golf together to focus on fellowship, fatherhood and their well-being.

“This has grown in a way that I couldn’t have imagined,” says Davis, who works as a wellness coach with an emphasis in mindfulness and meditation. He started the club in 2023 on the East Coast before relocating it to Los Angeles in January 2024, where the club hosts an annual Father’s Day tournament and various golf clinics.

At the driving range, Davis leads the group through “a grounding practice” that involves stretching and deep breathing. Member Ose Akhile, a personal trainer, follows up with stretching and other warm-up exercises. For many of the men, golf has become a rediscovered hobby. Singleton returned to the sport after playing it as a teenager. “I’m looking forward to getting better,” he says.

Club member Darius Ingram, father of 3-year-old daughter, says that reconnecting with the game has allowed him to prioritize his own well-being.

“I used to play golf recreationally. Now, I do it for mental stability,” he says.

Ian Davis greets Ose Akhile as Darius Ingram stands nearby.

Ian Monteilh, who is new to the group and has two daughters ages 11 and 15, says the outing provides camaraderie that was missing from his life.

“It’s a community that I didn’t have. I’m blessed to be around like-minded men with no pressure,” he says. “Even if we’re having a rough day on a golf course, there’s camaraderie.”

Once considered a predominantly white sport, golf is now being reshaped by a new generation of Black players and other players of color, including many of the fathers in Dads Link Golf Club. In 2024, 25% of golfers across courses nationally were Black, Asian and Latino, marking the most diverse era in the sport’s history, according to the National Golf Foundation.

“It’s a lot less pretentious — more diverse, more access for all different types of people,” says Ingram, who noticed a shift in golfing culture in recent years. Despite Tiger Woods’ storied career as one of the sport’s most impactful athletes, Black men remain underrepresented in top tournaments.

Darius Ingram reacts to barely missing a putt on the 18th green as Ian Davis watches.

Ingram partly attributes Black men’s interest in golf to renewed interest from other professional athletes. Star athletes like Michael Jordan and Steph Curry — who also happen to be dads — are skilled golfers.

“There are a lot of people who play their main sport, and they play golf when they retire,” says Ingram.

Ose Akhile smiles before teeing off.

Rappers like Schoolboy Q and DJ Khalid have also become interested in the sport, adding to its cachet.

The benefits of the groups are apparent, explains Akhile, who has three daughters, ages 6, 7 and 9.

“I’m outside — fresh air, sunshine, a break for my family. I get to decompress,” he says. Describing himself as a “Caribbean baby,” he explains that the ocean waves have a hypnotic effect on him. As the golfers move along the Palos Verdes course, the ocean stretches beyond them.

“Nature helps a lot with stress relief. There’s a lot of green grass and quiet out here. I love my child, but it’s hard to hear her yell, ‘Dad!’ every three seconds,” says Singleton. During the game, he stays calm while a squirrel approaches him. “Me and nature are one with each other,” he says. Behind him, a baby coyote prances into the fog.

Singleton adds that in the chaos of fatherhood, friendships occasionally fall to the wayside.

“There’s so much to do. Everyone separated. It’s beneficial to have a group text, a fellowship like this, where you can hear someone going through the same thing as you,” Singleton says.

Akhile agrees. “These are probably the only guys that understand the day-to-day stressors and pressures of my life,” he says.

Ose Akhile, Darius Ingram, Ian Monteilh, Ian Davis, Aaron Singleton and other Dads Link and Golf members have breakfast together.

After finishing nine holes, the men enjoy breakfast burritos. They joke that they will begin ranking the golf courses in the L.A. area by the quality of their breakfast burritos. Meanwhile, Davis leads the group through a conversation about fatherhood. Each month he chooses one dad to be the focus. This morning that’s Ingram. He speaks on being a father and how it relates to golf.

“I’m not as good as I want to be, so there’s frustration there,” Ingram says, referring to the challenges of parenting. He adds that to “right things” he doesn’t like about himself, he focuses on how his efforts could result in his daughter becoming a better version of him. The men offer encouragement as birds circle above. The sun pierces through the fog.

Monteilh looks up and jokes: “The only birdies I saw today were in the sky.”

Kevin Turner is in intensive care and his family will need to pay the bill – and the cost of getting him home

A dad faces a £30,000 medical bill after falling ill on holiday because he didn’t declare a common ailment on his travel insurance. Kevin Turner flew to Alicante with his partner Joy Peck in May after feeling poorly the week before with a chest infection.

After taking antibiotics and steroids, the 63-year-old said he felt assured by his GP that he was ‘good to go’ and was prescribed more medication to account for being away. The retired painter and decorator felt ‘off’ when he landed but put it down to the journey. It was when his chest pains worsened the following day that Joy called an ambulance.

After being rushed to a hospital in Alicante, doctors discovered Kevin had a pierced lung and pneumonia and he was put in intensive care. Despite having holiday insurance, Kevin’s family says his medical bills aren’t covered as he didn’t declare his chest infection before travelling – meaning he faces bills of at least £30,000.

Kevin’s daughters Sam Turner, 44, and Natalie Fowell, 40, have set up a GoFundMe to help pay his medical bills and get him home to the UK. Sam, from Winsford, Cheshire, said: “It was really, really scary because obviously you’re helpless. You’re over here and you don’t know what’s going on.

“He did have an existing chest infection that he had visited the doctor for that week and had been given antibiotics and steroids. He did also say that he was due to go on holiday and there were no warnings or concerns around that [from the GP] so he thought he was good to go.

“They just gave him enough medication for the fact that he was going away and that was it. He’d arrived at midnight, had something to eat and drink and gone to bed, feeling a bit off but just put it down to travel. It got progressively worse from there.

“By the next day the pains were just so much that in hindsight he probably already had pneumonia when he got on the flight, but he wasn’t aware. Joy rang me from the hotel and said ‘I’ve had to call him an ambulance, he’s not good’ and we were like ‘right, ok get him to the hospital’, trying to get updates all the time.

“They [doctors] said he had a pierced lung and chest and stomach pain where it’s believed air and gases had built up and had to be drained.”

Wedding co-ordinator Sam flew out to be with her dad on May 30 to be by his bedside. After contacting the insurance company, Sam says she was told that Kevin’s medical bills wouldn’t be covered as he didn’t declare the ongoing chest infection on his travel insurance before flying.

The cost of his bills is estimated to be £30,000, but as Kevin is still in intensive care it may rise. You can donate to Kevin’s GoFundMe here: https://www.gofundme.com/f/support-kevs-recovery-and-journey-home

Sam said: “It very much looks like it’s a case of, the small print says if there are any significant health changes up to the date of travel then you must notify them. He’s still in intensive care and we’re trying to find out what the prognosis is.

“He hasn’t been out of bed, he hasn’t used his legs or feet and he’s just really worried because he’s lost all feeling in them. The insurance took about two weeks for them to decide that they weren’t going to pay out. It involved a lot of chasing from us.

“I would always say read the small print of the insurance document, make sure you go with a reputable company and look at their reviews.”

There was a time in the beginning of Sublime’s recent revival when Jakob Nowell, the son of the band’s late singer Bradley Nowell, saw himself simply as a good son trying to help his adoptive uncles — drummer Bud Gaugh and bassist Eric Wilson — restart his dad’s iconic Long Beach trio. The goal wasn’t to take the place of his frontman father who died of an overdose in 1996. “I’ll never look at it as my band. Sublime is my dad’s band, and I’m helping out, that’s all,” he told The Times in 2024. Luckily, he was wrong.

The journey of finding his own voice through his father’s sly, shambolic poetry and reggae rock anthems, along with his determination on the road with Gaugh and Wilson through a barrage of festivals and tour dates helped him eventually step into his own as a songwriter and Gen Z rock star. It’s all been done with the mission to preserving his dad’s legacy and having fun while doing it. Now it feels as natural as the trio sitting together on the waterfront in LBC’s shoreline marina within earshot of the bellowing horn of the Queen Mary earlier this year as they were finishing the recording of “Until the Sun Explodes,” the first album under the Sublime moniker in 30 years.

Just like the band’s original recipe of shoving punk, dub reggae, hip-hop and ska into a blender, the new songs dutifully stick to the formula along with Jakob’s soulful caterwauls that sound scarily similar to his dad. But what emerges from the 21-song tracklist is the evolution of a trademark sound that gives a nod to the past while standing strong on its own, just like Jakob, despite coming to the interview on crutches while healing from a performance-related knee injury. The band members chatted with The Times about recapturing the effortless essence of their immortal beach-ready sound and looking forward to a second chance to chase an endless summer.

This interview was edited for length and clarity

It’s kind of a rare thing for all three of you guys to be in one place at the same time. What was it like working in the studio together to finish the new album?

Bud Gaugh: Magical. Things are just coming together. We showed up, Jake had an idea for another song, and he sent us a little demo and said “Hey, this is what I’ve been thinking about.” And then we get down to the studio [in San Pedro], and he’s like, “Oh yeah, so I had another idea,” and kind of changed it. We jumped in there [and by the end of our sessions, we had written] brand new songs to the list of songs that we already had.

The band’s revival has been a long time in the making. I remember when you guys had your first show together, a surprise gig a couple years ago as part of a benefit show for the Bad Brains frontman H.R. Do you feel you’ve come a long way since then?

Eric Wilson: I never thought the chemistry would be like it was with Bradley.

Jakob Nowell: Especially now that we’ve been playing together this long, the chemistry is very much there. We’re just comfortable and having fun. Jamming together is the best. We get in there to do a take for a song, and I’m always like “Let’s just do like three more!” It’s just that much fun, and that’s how it feels playing live too.

When did the idea for creating a new album come about?

Gaugh: It was pretty much just while we were playing shows, At first, the idea was that we were getting together to do this benefit for H.R. [at Teragram Ballroom in December 2023]. We went from “How’s this going to work?” and then [after the show] it was like, “Wow, this is something special. We should definitely go out and play some more shows, and get this music out there and get the opportunity to bring the music to the people in the purest form that we possibly could.” As we’re doing that, it’s like we’re seeing the reaction in the fans, and we were feeling it emotionally. We realized this is going to be bigger than we ever thought. That’s when we really decided where it was going to go.

Jakob Nowell, right, once thought Sublime was only his late father’s band; now, fronting the Long Beach trio, he’s leading a new chapter that still honors Bradley Nowell’s legacy.

(Allen J. Schaben / Los Angeles Times)

Were any of the songs on the new album mined from previously unreleased material or did you start fresh?

Nowell: There was that song we did with Stick Figure [“Feel Like That”], so I think that kind of inspired us. [We realized] “Oh s—, there really is some meat on the bone.” And then I had found some old recordings of stuff that were just like jams without even like vocals or whatever. Then it became just this thing during sound check or maybe in the middle of sets, we’d just start jamming these random progressions and stuff, and it kind of just evolved from there naturally.

The new songs that I’ve heard fit right in the vein of what people love about Sublime. What was it like putting some of those new songs in the setlist as you were building them?

Nowell: It was like magic. We were joking yesterday that sometimes we’ll play a new song for the first time just randomly and I’d see people try mouthing the lyrics and stuff and I’ll say “you’ve never even heard this before! I know you haven’t. We don’t even really know what the hell we’re saying.”

Gaugh: You frontin’! [Laughs]

Nowell: But [the new material] sounded like it was supposed to be there, so it was kind of a rad little test in a lot of ways. We almost don’t even have to think about it. That’s always going to be the guiding goal of any band trying to make fun music that’s relatable.

Wilson: What if you’re Slayer? That’s not true if you’re Slayer.

Jakob, it seems like you’ve gotten a lot more comfortable in the frontman role since joining the band. What’s it like just taking the lead, not just for the sake of your dad, but for the fans?

Nowell: Oh, dude, it’s the best. I don’t even have to think about it. We really feel like this is — we’re a band, you know?

Gaugh: It’s [Jakob’s] band too. Now it’s our band. It’s us.

Nowell: It feels like that whenever we’re hanging out, just doing stuff, or at the studio or at these shows. So, this upcoming year feels like a really rad adventure. We got all these different eras [of fans] — people who were in their 50s when [Sublime’s] first stuff dropped, who are still alive, and then their kids and their grandkids and great grandkids. Everybody finds a piece of the discography they can relate to. That’s what is most exciting. It’s not just one or two songs, people sing along to everything.

I was at Warped Tour in Long Beach last year when you guys played and —

Nowell: That was my favorite set!

To me that felt like it encapsulated what you were talking about with the multigenerational groups of fans that have enjoyed you guys and associate you with Long Beach.

Gaugh: It was like a homecoming for me. I remembered playing the Chili Cook off, you know, right over there in the same area [as Warped Tour], and it was just bringing me back 30 years. It’s so meaningful to be in our backyard playing our music again, right there. This is where it all started. It’s come full circle.

Nowell: It was like playing at a local bar in a cool way. I had this huge group of people up front, they were just talking and shouting and saying stuff, like f–ing with us and joking around. I was like “Damn this is great!”

How about you, Eric? How’d you feel playing Warped?

Wilson: [Mumbles] It was f–ing awesome.

Now that you’ve played all these festival shows, from Coachella to No Values, you’ve got your own festival going on. Can you talk a little bit about Sublime Fest and your Sublime Reef Madness Cruise and how you came up with it?

Nowell: We could put on a bunch of the bands we love, and some of our boys, like Vandals, and make it our own vibe.

Gaugh: You walk around Coachella and there’s so many different elements there. Wouldn’t it be neat if we could make like all this like a Long Beach element, a Sublime element. Looking at this thing, it’s like “Oh wow. So we can actually get some of our friends and set up like a tattoo booth, and have our idea of art and everything out there, and mix it all together — food, art, music — bringing all these different elements, and friends of ours that play music. We get to decide who’s going to share the stage with us, so it’s really neat. It’s like planning a high school party or something like that.

Nowell: The biggest backyard party ever seen.

You guys always had your own sound going on, what’s it like to see that the fans still want it?

Wilson: It took a lotta years to catch on, but it did.

Nowell: Yeah, the kids really want that, like ‘90s, Y2K kind of vibe. That was the last era of like cool authenticity and stuff. You can see it when young people make stuff to look retro … when things get so high fidelity, we’re almost losing a little element, so I think these festivals kind of seek to bring some of that back in a way that everybody can get into.

With “Until the Sun Explodes,” Sublime’s first album in three decades, Jakob Nowell, Bud Gaugh and Eric Wilson rediscover their studio chemistry, jamming new songs that feel instantly familiar onstage.

(Allen J. Schaben / Los Angeles Times)

You guys also have the timeless iconography of the Sublime sun logo. The title of the album is “Until the Sun Explodes.” Does that title have any particular meaning to you?

Nowell: It’s almost just another way of saying “forever,” like “Oh baby I’m gonna love you till the sun blows up.” That’s gonna happen in billions of years, if at all. The fact that [Sublime’s] lasted this long and has this many fans is evidence to me that we wanna be here forever. I think that’s what everybody wants for themselves.

Jake, you’ve taken steps to advance your own aspirations and music with your label, Sunburnt Records, how does that fit into where Sublime is right now?

I was inspired by the whole Skunk Records thing [Sublime’s first label], Evan Zinger with [his lifestyle brand] SRH, and just all the local brands I grew up with when I was a kid. So just trying to do a cool, chill local thing that has that vibe of putting on small shows and kind of getting to use this new notoriety to be like, man, I have so many friends in these small bands like Strange Case and Eight Ball, and other bands up and down Southern California. Let’s put on shows and sneak them on a Sunburnt Stage at [Sublime Fest] and if people really like that Sublime sound here’s a bunch of kids who are carrying the torch like Slightly Stoopid did when they started out. Mike Watt always said “start your own band!” So the more we can inspire people to do that and be some small part of that, it’s a dream come true.

Do you feel like this version of Sublime is something Brad would be proud of?

Gaugh: We all kind of brought our own element to the music orignally. So we just kind of followed that recipe. Jake’s his own person, he’s got his own influences, and we just kind of stick with that idea. Jake brings in his feelings, and Eric brings in his and we sat there and recorded this song, and then as we were recording it, we’re coming up with ideas. It’s like, “Oh wait, we should do this here, slow that down there, stop here,” it’s all a conglomeration of ideas, everyone does their part, brings in their own spices and we mix it in a pot like gumbo.

GEMMA Collins spent years convincing the world she was living her best diva life – but behind the designer handbags and larger-than-life personality, there was a time when the empire she had worked so hard to build started crumbling around her.

Incredibly, the GC pulled herself back from the brink and banked more than £1.4 million last year. But friends say the feat would have been nearly impossible without the help of one very special man.

Those closest to Gemma have revealed the secret to the Romford-born star’s success is her dad, Alan, who is credited as the only person who can keep Gemma grounded.

A source tells us: “People see Gemma as this unstoppable force of nature, but behind the scenes, Alan has always been her rock.

“When things got difficult financially, he stepped in and took control.

“Gemma trusts him completely. There aren’t many people she would hand that responsibility to.”

For years, Gemma has openly admitted that Alan is effectively the gatekeeper to her fortune.

In one interview, she confessed: “My dad controls all my money. Seriously, I have to ask him if I want to upgrade my car.”

It’s a remarkable admission for a woman who has built a reported £4million fortune and can command up to £75,000 for a single sponsored Instagram post.

But those who know the family say it perfectly sums up their relationship.

Another source tells us: “Alan has always kept Gemma grounded.

“She’s the star, but he’s the sensible head behind the scenes.

“When she gets excited about a new project, he’s often the person asking the difficult questions.”

The latest figures suggest that the approach is paying off.

Accounts for her personal brand, Gemma Collins Ltd, show the company landed profits of around £1.4 million last year.

For fans who remember the financial turmoil of previous years, this is a huge turnaround.

Back in 2017, Gemma Collins Boutique Ltd was forced into liquidation owing around £88,000 to creditors.

The problems continued when she was disqualified from acting as a company director for three years in 2020 after repeatedly failing to meet VAT return deadlines, with HMRC pursuing claims worth more than £71,000.

A separate clothing business was later voluntarily dissolved, while her cosmetics venture, GemmaCollagen Ltd, survived for just a matter of months before disappearing altogether.

One insider tells us: “There was a period where it felt like every business venture came with a headache.

“Gemma never stopped working, but there were definitely lessons learned.

“That’s when Alan became more involved.”

It is perhaps fitting that Gemma’s biggest supporter is also somebody who understands business himself.

Alan built a successful career in shipping and has long been regarded as one of the most influential figures in his daughter’s life.

Fans caught a glimpse of their bond on her reality shows, where Alan frequently offered advice, not just about money but about life itself.

During one emotional conversation about her turbulent romance with James Argent, he told her: “You’ve just got to find some stability in your life when you find the right person.

“As much as we all like Arg, you’ve got to decide if he’s the right person.”

He later added: “For my daughter, I want somebody who’s top dollar.”

Those close to the family say that attitude explains exactly why Gemma places so much trust in him.

One source tells us: “Alan isn’t interested in celebrity.

“He cares about Gemma being secure and looked after. That’s always been his focus.”

Their relationship has only strengthened in recent years.

Gemma has spoken emotionally about her father’s devastating battle with Covid in 2020, when he spent weeks fighting for his life in intensive care.

She has also supported both Alan and mum Joan through a series of serious health scares, including Joan’s breast cancer diagnosis and terrifying hospitalisation last year after she stopped breathing.

The ordeal brought the family even closer together.

These days, Alan and Joan live with Gemma in her £1.3 million Essex home alongside fiancé Rami.

Speaking previously, Gemma said: “They live with me now. They’ve moved into my home, so we’re like one big Irish family.”

And remarkably, there appears to be very little tension under the roof.

Previously speaking to The Sun, Gemma explained: “Rami was absolutely fine with it.

“He loves my parents. They get on really well.

“You’ve got to remember, Rami has been in my family for nearly 15 years.”

The happy family dynamic comes as Gemma prepares for what insiders believe could be one of the biggest chapters of her career.

Later this year, she will return to screens with a new Sky reality series, Four Weddings and a Baby, which follows her wedding plans with Rami and her hopes of starting a family.

One insider tells us: “This show is incredibly important to Gemma because it’s the most personal thing she’s ever done.

“People know The GC, but this is about the woman behind the character.

“She’s genuinely in a really happy place.”

And for Gemma, that happiness feels hard-earned.

Perhaps that’s why those closest to her believe the latest financial success means far more than a healthy bank balance.

It’s proof that after all the setbacks, Gemma Collins is finally enjoying the stability she spent years chasing.

And standing beside her through every twist and turn has been the same man all along.

THE SIDEMEN’S Josh Bradley has revealed he’s set to become a dad for the first time as his wife is expecting a baby boy.

The streamer took to Instagram to share a series of sweet snaps and captioned them: “Mum and Dad for real this time.”

In the snaps, Josh and his wife Freya Nightingale brimmed with happiness as they shared their joyous news with their followers.

After smashing a pink and blue gender reveal cake, the delighted couple shared they were having a baby boy.

The happy pair also posted a sweet image of their baby scan to their family and fans.

Fans flocked to comment and one wrote: “Announcement & gender reveal in one. YUPPPPP love you both so muuuuchhhh. Coolest parents.”

main man

Truth behind KSI’s exit from The Sidemen as ‘blindsided’ crew’s next step revealed

KS-BYE

Why has KSI left The Sidemen? What the YouTube star said about leaving the group

Another said: “Yes!!! Congrats!!!”

A third added: “Amazing news.”

A fourth wrote: “Oh my god!!! Huge congratulations to you both. This is the most amazing news.”

While a fifth said: “KSI left and now Josh and Freya are having a baby, the good news can’t stop coming.”

The Sidemen appeared to take a sideswipe at KSI after he announced he was splitting from the YouTubers last week.

In bombshell news the Britain’s Got Talent judge revealed he had recorded his last video with his mates and was flying solo.

The Sidemen put up a long post on their social media which seemed to criticise the way in which KSI did it.

They wrote: “Ideally, we would have loved the opportunity to give JJ the send off he deserved, a proper farewell video, time for everyone to process it, and a chance to celebrate everything we’ve built together.

“Unfortunately JJ released the news before we had agreed on a mutual way of letting our audience know.”

In the video KSI posted he said: “This is honestly the hardest video I’ve ever had to make in my life.

“I’ve gone back and forth on this decision for a very long time. I’ve spent months trying to figure out what the right thing to do is.

“But after a lot of thought, I’ve decided that I’m no longer be doing sidemen videos. Today, 31st of May, will be my final Sidemen video.”

Japanese filmmaker Chie Hayakawa isn’t afraid to look death in the eye. The writer-director’s 2022 feature debut, “Plan 75,” imagined an unsettling future in which the elderly are offered a subsidy by the government to be euthanized. For her follow-up, she travels into her own past, drawing from memories of her father’s battle with cancer.

But while “Renoir” features no sci-fi elements, the nearness of oblivion remains just as prominent. Shorn of sentimentality, this gentle drama follows a quietly observant fifth-grader who feels the grim shadow of mortality all around her. How the character will absorb that realization is anyone’s guess — including Hayakawa’s.

Newcomer Yui Suzuki stars as Fuki, who lives in a nondescript Tokyo suburb in 1987. Her soft-spoken dad, Keiji (Lily Franky), is suffering with terminal cancer in its final stages, the emaciated man spending as much time in the hospital as he does at home. Fuki’s mother, Utako (Hikari Ishida), doesn’t seem very despondent, though: One senses an emotional exhaustion that comes from preparing so long for the inevitable that she’s now mostly numb, her anticipatory grief having given way to frayed nerves.

Fuki’s pre-mourning process is equally complicated. Outwardly, she shows no signs of being devastated by her dad’s imminent passing, happily playing with him, almost in denial of his fate. But “Renoir” subtly suggests the impressionable girl is more aware than she lets on, surrounding her with random reminders of death. Local news breathlessly reports on random domestic murders. Even when Fuki gets away from the city, the camera lingers on her watching a campfire’s dying embers. The film derives its title from the girl’s interest in “Little Irène,” a painting by influential French impressionist Pierre-Auguste Renoir. She asks if Renoir is still alive. No, he’s dead too.

Hayakawa pulls from her childhood in multiple ways for her sophomore feature, which premiered in competition at Cannes last year. “Renoir” takes place in 1987 specifically because that’s the year she turned 11, and, like her protagonist, she was infatuated with “Little Irène.” But there’s a refreshing absence of nostalgia in Hayakawa’s conception of Fuki and her quizzical processing of her father’s fatal illness.

For school, Fuki writes an essay about her wish to be an orphan. She becomes obsessed with hypnotism and mind-reading, an unorthodox strategy to create a sense of control. And, occasionally, she wanders into daydreams that Hayakawa presents so matter-of-factly that viewers may sometimes be unsure if what they’re seeing is actually happening. In “Renoir,” Fuki’s flights of fancy are as naturalistic as her everyday life — a sharp reminder that, for children, imagination and reality are often indistinguishable.

If death has been integral to Hayakawa’s two features, it’s society’s callous reaction to aging that is her primary focus. “Plan 75” eschewed dystopian-thriller conventions to ponder how Japan might one day treat its senior citizens, viewing them as little more than a drain on resources. “Renoir” makes a similar point within a memory piece. Keiji is the one dying, but it’s telling that Hayakawa centers the story on Fuki and Utako, who each, in their own way, seem more concerned about their own personal dramas.

As Keiji’s situation grows more dire, Utako enters the orbit of Toru (Ayumu Nakajima), a workplace advisor with whom she’s instantly smitten, pondering pursuing him romantically. Ironically, Toru preaches the importance of good communication skills in the office, a lesson the film’s guarded family would be wise to heed. While Utako hides her feelings for Toru, Fuki begins a secret odyssey in which she impulsively joins a phone dating service, engaging in conversations with a creepy college student (Ryota Bando) who pushes her to meet in person. This potentially traumatic subplot is the closest “Renoir” gets to traditional suspense, but even here Hayakawa adopts a muted approach, sidestepping shock value for bittersweet commentary about young people’s confusion around love. Both Utako and Fuki chase after human connections fraught with danger, each trying to insulate themselves from the tragedy waiting at home.

“Renoir” may be a delicate wisp of a film, but it’s flecked with thoughtful questioning about whether childhood’s sorrows leave permanent scars on us as adults. Suzuki exudes the fragility and buoyancy of adolescence, playing Fuki as someone constantly imbibing the world, rarely revealing what she’s doing with that stimulus. The simplest moments resonate the strongest, such as when the moody 11-year-old holds a balloon over the balcony of her family’s high-rise apartment, casually releasing her grip so that it tumbles to the ground far below. Does it speak to a desire to jump herself? “Renoir” won’t say, but the character is so poised you feel confident she’ll survive her father’s death. Who knows: Maybe years from now, she’ll even make a touching, emotionally astute movie about it.

Perched just above the Strand in downtown Manhattan Beach, this cozy studio has sliding doors that open up to a full, unobstructed view of the pier, beach and ocean only a few hundred yards away. The sound of sea waves infuses the room with nature’s original white noise, adding a sense of marine tranquility to every class.

“Because of our proximity to the ocean, we’re very connected to nature,” says owner Justin Randolph. “To be able to hear the waves and connect to that rhythm, especially during corpse pose — it’s a little slice of calm.”

In fact, calm is something of a specialty at this studio, which focuses less on high-intensity aerobic classes than on restorative, therapeutic methods. Soothing Yin classes are offered nearly every day, and Chair Yoga sessions are tailored for students who are nursing injuries — or just prefer a slower, deeper practice.

To keep your visit stress-free, it’s best to plan in advance for the challenges of beachfront parking. If you’re lucky, you might be able to snag a nearby metered space or a spot in one of the lower pier lots. Otherwise, your safest bet is the large parking structure at Metlox Plaza, about five minutes away by foot.

Single class: $30
New student offer: $59 for 21 days of unlimited in-studio, outdoor and livestream classes
Unlimited monthly membership: $149

From: The 27 best yoga studios in L.A. for stretching, sweating and spiritual awakenings

ACTRESS Mariah Ann Martin has been left devastated by discovering her husband has had an affair – resulting in a secret baby.

The Perception actress has claimed her ‘love of her life’ husband has fathered a child outside of their 13-year marriage – just months after welcoming their fourth child.

The Son of Phantom star took to social media to share her profound heartbreak – documenting her grief just an hour after the shock discovery.

According to the stunned 32-year-old, her husband Jon has recently welcomed a newborn with another woman.

The heart-breaking revelation marks a bitter conclusion for the couple who have been together over a decade.

She wrote alongside the emotive footage: “I’m usually insanely private… But I’m good at hiding my shame… my pain…

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“But I think it’s time I do something different.. I’m so embarrassed. I’m so heartbroken that I could crawl into a cave and decompose… but I won’t… I can’t…”

She added: “To my friends. Buy a plane ticket and come help me pack my house.”

A video on Instagram shows the earth-shattering aftermath as she found out about the deception.

She tearfully said: “It’s been an hour since I found out the love of my life, my college sweetheart, the father of my four children, my husband, has a baby that’s one week old. And I’m devastated.”

The star continued: “And I tend to keep these things to myself because of shame and embarrassment — but it really caught me off guard.

“And I’m so hurt. But, I’m okay. And, I’m wondering what God’s hand in this is. I’ve always believed it was something divine, but sometimes, maybe your grace runs out – for him.

“He’s never cheated on me before and when he does, he gets a baby out of it. And that’s just something I won’t be able to do…. I feel like this is a bottom I never deserved.”

Reams of followers rushed to her rescue and shared their sorrow for her.

Paloma Faith sympathised: “I feel sorry for your husband because he will probably realise too late that he squandered the greatest woman he ever or will ever meet and hopefully you will live a better life than ever before.”

Nadia Sawalha penned: “I can see you have a huge heart, a deep soul, an unshakeable moral code, the strength of a lioness, a strong faith, exquisite beauty and the ability to be vulnerable. A 360 degree woman for whom anything is possible.”

Former Towie star Georgia Kousoulou added: “Sending you so much love. Bigger things are coming for you.”

The title of Violet Grohl’s debut album, “Be Sweet to Me,” started as an inside joke.

“‘Be Sweet to Me’ is a phrase that my best friend and I say to each other when we’re play-fighting,” says the rising singer. “It’s what we do to put an end to it. Like, ‘Oh, be sweet to me!’”

The phrase might also carry a double meaning, one Grohl is still parsing. At some point in the naming process, someone in her circle asked Grohl if she was making a plea. Remembering that moment, Grohl pauses to consider.

“I guess it can be seen as a pretext for the album. Just … be sweet,” she says. “But at the same time, it’s literally just what my best friend and I say to each other when we’re calling each other idiots.”

Intentional or not, no one could blame the 20-year-old for inserting an earnest request for audiences to proceed with kindness as she readies her debut album, which finally landed Friday.

The reasons are pretty self-explanatory: Grohl is the eldest child of modern rock icon Dave Grohl, the highly decorated founder and centerpiece of Foo Fighters and onetime drummer of Nirvana, and his wife, former model and TV producer Jordyn Blum. In an age of “nepo” accusations and internet dogpiles, it would be completely understandable for Grohl to feel anxious about her album’s reception.

But if she is, it doesn’t show. On a warm day in mid-May, Grohl appears relaxed and self-assured — but not arrogant — as she idles on a sofa in a cozy Studio City ADU owned by her publicist. Encased in a long, black sleeveless dress, she’s giving a mixture of off-duty rock star and summer goth. Her arms host an array of intricate tattoos; I spot a raven, a skull and a vintage lace fan. Next to her is a bulging Balenciaga mini bag, and a pair of oversized sunglasses on her head are perched atop a mop of jet black curls. The high contrast of her pale, makeup-less skin and swept back hair makes her round, gray-blue eyes appear even more pronounced.

“Everyone wants you to be an idealized version of … not even yourself, but of what they want you to be,” she says. “Sorry, that’s just not gonna happen with me.”

(Bella Newman)

Any time spent with her reveals that Grohl is the sort of person who is ultra-sensitive to the energy of places, people and even the long-deceased. In her free time, Grohl is an avid lover of anything paranormal. “The same time I got into horror movies, I started watching ‘Ghost Adventures’ on Travel Channel,” she says. “It totally sent me down this rabbit hole of the supernatural.”

When I ask if she’d ever made contact with any ghosts, Grohl nods emphatically before describing a trip to a hunting estate near the Scottish Highlands. “It is the most haunted place I’ve ever been in my whole life,” she says. “I walked into the house, and it was like a blast of cold air, chills everywhere. It’s this instinctual feeling of, I’m not alone here … I heard footsteps and disembodied voices, I saw shadows, I had crazy f–ing dreams. It’s so eye-opening, but it’s not evil or negative.”

Chilling films and Lynchian surrealism pervade the tracklist of “Be Sweet to Me,” which relies on symbolic lyricism to illustrate coming-of-age stories. From a sonic perspective, listeners will be thrilled to know that her debut does not just make for an entertaining listen — it’s a dedicated towpath to the very squealing heart of alternative rock, built by an artist who understands her music history on a granular level. Across a tight 11 tracks, “Be Sweet to Me” careens across late-’80s and ‘90s experimental genres, from ripping alt-rock on “Bug in the Cake” to hazy dream pop on “Mobile Star” to aggro Clinton-era alt metal on “Often Others,” and even a bit of chugging hardcore on “Cool Buzz.”

As many references as she brought to the recording process, led by producer Justin Raisen (a known collaborator of Charli XCX and Kim Gordon, who made the introduction), Grohl is not attempting to cosplay the grunge era. Instead of simply mirroring influences, she deftly puts her own spin on each arrangement with inventive, grabby arrangements, razor-sharp production and her versatile vocals, which can bellow like Courtney Love, murmur like PJ Harvey or turn ethereal like Elizabeth Fraser.

“Justin has a crew of musicians that he works with, and they’re all close friends of his,” Grohl explains of the album’s backing band, which Raisen assembled to mimic the Wrecking Crew, a loose collective of session players who appeared on some of the most beloved albums of the 1960s and ‘70s. “They’re the coolest, most talented, genuine music lovers, and seriously talented musicians … I’d never been in that kind of recording environment before. Everyone would throw out ideas or I would share a reference, and whatever it was about the song, [we’d ask] how we can build and make it a completely new, different thing.”

Growing up in Tarzana/Woodland Hills, Grohl says she’s been singing ever since she could speak. In a baby book, her mother wrote how Grohl, at 8 or 9 months, was “babbling and singing.” She took piano lessons with a teacher who taught her any Beatles song she wanted to learn. She later picked up the ukulele, and then a guitar. Now, it’s any piece of gear, from bass to drums to a lap dulcimer. “I just love messing around with different instruments and seeing all the different sounds I can make,” she says.

Grohl also had an ideal music-taste mentor in her father, who told his eldest all about Björk and acquiesced to playing Amy Winehouse’s “Rehab” on repeat. “I think I was 4 or 5, and I remember sitting in front of his computer, and he was talking about how she was from Iceland,” Grohl says of those days. “And I was like, ‘Oh, she’s the princess of Iceland. That was my idea of Björk from a young age. Björk’s ‘Hunter’ music video was a turning point for me.”

By adolescence, while on the road with the Foo Fighters, Grohl would make herself useful by assisting the band’s tour manager. She remembers: “I had a walkie-talkie, I would hand per diems out to people, I would run the envelopes around, and bring my dad a towel after the show, stuff like that.” The live-music atmosphere may have also sparked Grohl’s curiosity in songwriting, which she says began as a way of journaling. “I have cassette demos that I made with a tiny one-track recorder,” she remembers. “Then I started learning how to use Logic right before I turned 13, and that opened up this whole new world.”

One night in May 2018, on a break from the East Coast leg of the Foos’ Concrete and Gold tour, the elder Grohl headlined a benefit concert for the UCSF Benioff Children’s Hospital, where he encouraged his daughter, then only 12, to join him onstage to sing Adele’s “When We Were Young.” A few weeks later, back on tour, Grohl jumped onstage to help sing backup on a few tracks. “It wasn’t my first time singing on a stage, but it was my first time singing on a stage with that many people in [the audience],” she says of the second experience. “I was really scared, but once it was happening, and once it was over, I was like, ‘Oh, this is what I want to do. This is my purpose.’”

Chilling films and Lynchian surrealism pervade the tracklist of “Be Sweet to Me,” which relies on symbolic lyricism to illustrate coming-of-age stories.

(Bella Newman)

From there, Grohl became something of a live fixture — a beloved Foos adjunct performer. But clearly one with her own trajectory. In pre-pandemic 2020, Grohl joined the surviving members of Nirvana at the Art of Elysium Gala, where she sang “Heart-Shaped Box.” The next year, father and daughter recorded a duet of “Nausea” by L.A. classic punk favorites X. In 2022, Grohl opened the second tribute to late Foos drummer, Taylor Hawkins, with an aching rendition of Leonard Cohen’s “Hallelujah.”

It should definitely be said that Grohl is hardly pulling a Jakob Dylan as it relates to her parentage — a detail that actually makes her appear that much more self-actualized and approachable, simply because she isn’t trying to circumvent reality or engage in a furious round of name-dropping. She freely discusses the long evening car rides around Los Angeles she’d take with her dad and two younger sisters during the pandemic, the car becoming a music-recommendation feedback loop, with older and younger generations trading off DJ duties. “My sister and I introduced him to Jockstrap,” Grohl chuckles when I ask what bands she introduced her dad to during those rides. “I’d play him old jazz standards, hip-hop. It was a constant thing.”

During those evening rides, Grohl also drank up the city’s otherworldly, vaguely haunted visage. “There’s something special about L.A. that I can’t fully describe,” she says. “There’s inspiration everywhere, so many beautiful people and historic buildings. I love art about L.A. — when people reference L.A. in their music, movies, or books. I grew up here, and I’ve lived here my whole life. I just feel that deep connection to it all.”

Like any great artist, Grohl is a product of her surroundings, and that can’t help but include a very specific, unlikely upbringing. In her own matter-of-fact way, Grohl shrugs as she acknowledges the inescapable pressure of her last name. “Everyone wants you to be an idealized version of … not even yourself, but of what they want you to be,” she says. “Sorry, that’s just not gonna happen with me. You’re not gonna convince me to change. I’m doing this because I love music, and that’s all I’ve ever known. Everyone’s gonna want me to be something, and I’m not the person that will give in to that.”

ZOE Ball has opened up about having an empty nest at home, after her daughter Nelly, 16, moved out to live with her dad, Fatboy Slim, full time.

The former Radio 2 DJ, 55, who recently lost out on the Strictly Come Dancing hosting job, is now living in a “quieter” house with her boyfriend.

Mum-of-two Zoe shares both Nelly, and son Woody, 25, with her ex-husband, Norman Cook, 62.

But, the presenter has revealed how her house is now “so quiet” after both of her children had moved out, as her son now lives in Bristol.

Speaking to Jo Whiley, 60, on their Dig It podcast, Zoe reflected on how empty her Brighton home was, in comparison to her co-host’s busy house.

“Mine’s so quiet, it’s like ugh! It’s less and less because Nel is based more at her dad’s now because I think she’s got to that point of, ‘Ah can I just be in one place?’” the star said.

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“All of her CSI revision notes are on the wall at her dads and it’s just [nice] not having to move from house to house, so she’s just spending more time there now.”

Zoe then revealed how Nelly was not far away, as Norman lived closed by.

“It’s great because it’s only around the corner and I can nip round at any time, which is great, and she can come here if she gets upset about anything like, ‘Mum, I need you’ but it’s less and less,” she said.

But Zoe isn’t on her own in her big house, as she moved her boyfriend Mathieu Weekes, 49, into the family home earlier this year.

The couple have been dating for a year now, with the pair completely smitten with each other.

Speaking about being a single mum and dating, Zoe previously told her podcast: “Introducing new partners, it’s a tricky one.

“You just have to go with the feeling of it. I think it’s okay to have a bit of a private life that isn’t part of the kids’ life for a little bit.

“In the past I’ve rushed that by welcoming someone in and being like ‘here’s my kids. Here’s my life. This is me.’

“And it’s all a bit much. It’s all a bit much for me. It’s all a bit much for the kids.

“Hopefully at some point there is someone where you think actually this person’s pretty cool and they’re pretty laid-back and they’re not going to come in and demand to be part of your kids’ lives.”

Meanwhile, this latest revelation comes just days after Zoe opened up to The Sun about how she REALLY feels about not getting the plum Strictly hosting job.

The star was beaten to the role by comedian Josh Widdicombe, 43, presenter Emma Willis, 50, and dance pro Johannes Radebe, 39.

The trio take over from Claudia Winkleman, 53, and Tess Daly, 57, who stepped down last year.

Zoe told The Sun: “I screen tested with Josh and he is hilarious. He is going to be so good.

“Emma is just gorgeous and I love Johannes, so they are going to ace it.

“And I don’t have to have a facelift, so I’m quite happy.”

Zoe also sent her congratulations to the trio, and thinks they will give the series a boost.

She said: “I have messaged Emma, Josh and Johannes — they are going to be brilliant.

“You know what? It needed fresh energy, and you can totally see why that’s happening.

“It’s like, move forwards, and that is great.”

LEE Andrews has been BLOCKED by the ‘biker babe’ he followed on social media – in a most recent twist to the bizarre tale.

The ‘missing’ husband of Katie Price appeared to briefly return to social media again today when a glam US Navy Veteran was no longer on his following list.

However, The Sun can reveal Marisol blocked Lee’s account.

When users block someone on Instagram, they are automatically unfollowed and removed from following them.

Fans were baffled with Lee seemed to have added Marisol — despite Katie‘s claims he’s been kidnapped.

Before then, Lee’s account only followed Katie – who says she hasn’t heard from her other half since Wednesday, May 13.

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Marisol reached out to The Sun and thanked us for making her aware of Andrews’ background.

She confirmed she does not know Andrews and has never exchanged messages with him – and has now blocked him.

Earlier today Katie clashed with Lee’s dad over her husband’s whereabouts after claims he’d been arrested.

A missing persons’ report was filed with the British Embassy in the United Arab Emirates city and three days ago Dubai police denied he’d been detained.

However, a police insider has since told the Daily Mail: “Lee Andrews has been arrested.”

His dad Peter claimed: “Lee is OK. 

“He has not been kidnapped but he is under arrest. I don’t know on what charge.

“I’m not sure where he is being held. But he will call me later today.

“He is not at my house.”

However, Katie hit back on social media hours later, insisting: “This is fake news.

“Lee is still missing. Me and his family know what’s going on and working
with the authorities involved.”

Katie’s last contact with Andrews came when he claimed he had been arrested and taken to a “black site”.

LEE Andrews’ dad Peter has broken his silence on the ‘disappearance’ of Katie Price’s husband – insisting his son HAS been locked up in a Dubai prison. 

Katie, 48, last week told how she believed Lee, 43, had been “kidnapped” as a missing persons’ report was filed with the British Embassy in the United Arab Emirates city and three days ago Dubai police denied he’d been detained.

Now Peter has claimed Lee is being held by police, telling the Daily Mail: “Lee is OK. 

“He has not been kidnapped but he is under arrest. I don’t know on what charge.

“I’m not sure where he is being held. But he will call me later today.

“He is not at my house.”

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A police insider told the publication: “Lee Andrews has been arrested.”

As part of her investigation exposing Lee as a conman, The Sun’s Clemmie Moodie reported that he is laying low in a run-down villa in Dubai and hasn’t been snatched as part of a nefarious plot which wife Katie has been led to believe. 

Last night Lee made a return to social media after eight days – following a mystery woman named Marisol.

Katie is said to be disgusted and incensed after “kidnapped” hubby Lee reappeared online.

His shock return came on worried Katie’s 48th birthday. In the early hours fans spotted Andrews had added Marisol — and they alerted Katie.

It appears Marisol previously used an online matchmaking service for millionaires.

Katie’s last contact with Andrews came when he claimed he had been arrested and taken to a “black site”.

PRINCESS and Junior Andre have stepped out to support dad Peter Andre’s exciting new role in an immersive experience.

As the brother and sister duo’s mum Katie Price desperately searches for husband Lee Andrews, Junior, 20, and Princess, 18, have been supporting their dad’s new Mama Mia! The Party role at a glitzy bash.

Heading out on Wednesday night, the Andre family put on a united display with Junior’s girlfriend Jasmine Orr, 25, and Pete’s wife Emily, 36.

The family headed to the gala night of Mamma Mia! The Party at The O2 Arena in the capital.

In the immersive experience, Peter, 53, plays the role of Nikos, a very charismatic and charming owner of the family-run Greek taverna.

The Andres attending the gala this week comes as Junior and Princess’ mother Katie, 47, continues to plead for her husband to be found.

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The self-proclaimed businessman disappeared last week, with his wife Katie claiming he had been “kidnapped” and confirming earlier today she still hasn’t heard from him in almost a week.

Katie revealed how Lee, 43, had “disappeared” last week, after he failed to fly back to the UK for a Good Morning Britain appearance.

Lee told Katie in a voicenote that he needed an “exit stamp” to leave Dubai when he was claiming to be coming back to the UK.

But after he failed to get on a plane, Katie sensationally claimed he had been kidnapped and that the last she’d heard from him, he was in the back of a van with cable ties on his arms.

A source close to the ex glamour model told us earlier this week: “Lee is officially a missing person now.

At the weekend, Katie said: “I know there is all this speculation but something really serious has happened.”

Lee’s mum, Trisha, issued a desperate plea for the return of her son this week.

Asked if she had a message for those who knew Lee’s whereabouts, Trisha, who has filed a Missing Persons report with the British Embassy, told The Sun: “Please bring my son back.”

When asked about whether he had been kidnapped, Trisha replied: “I don’t know, he could have been.

“I’ve not seen the video.

“I don’t know the laws out there but I wouldn’t have thought they’d use cables. Wouldn’t they put handcuffs on?”

Trisha, who works as a travelling medium doing readings, confirmed she had a close relationship with Lee, who was born and raised in Nottinghamshire.

With sadness, she admitted she had not heard from him since last week when he disappeared. 

Trisha continued: “He has been there [in Dubai] for 22 years.

“It’s been six years since I went to Dubai. It’s been three or four years since he’s been here.”

Lee’s whereabouts is still unknown, with his wife Katie keen to get him found as soon as possible.