Country Music

TAYLOR Swift is used to being greeted by deafening cheers from thousands of adoring fans.

So the pop superstar was in for a surprise when she was met with a chorus of boos during a recent appearance.

The 36-year-old appeared on the big screen with a pre-recorded video message paying tribute to country music legend Alan Jackson at his farewell concert in Nashville.

But while many in the crowd cheered, others loudly booed as Taylor thanked the singer for his decades-long career.

In the message, she said: “Hey Alan, it’s Taylor. I just want to say thank you for your decades of unbelievable songwriting and your performances, and the ways that you’ve given so much to us, the fans.”

The mixed reaction was clearly audible as her message played.

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Alan, who has sold more than 75 million records worldwide, is best known for hits including Chattahoochee, Livin’ on Love, Where Were You (When the World Stopped Turning), It’s Five O’Clock Somewhere and Remember When.

Stars including Luke Bryan, Carrie Underwood, Lainey Wilson and Lee Ann Womack performed during the emotional farewell show.

Video tributes also poured in from Keith Urban, Zac Brown, Kenny Chesney and NASCAR legends Jeff Gordon and Dale Earnhardt Jr.

Alan is retiring after a 15-year battle with Charcot-Marie-Tooth disease, a hereditary neurological condition that damages the nerves connecting the brain and spinal cord to the rest of the body.

Taylor’s appearance came as rumours continued to swirl over her wedding to fiancé Travis Kelce, with the superstar believed to be tying the knot in New York on July 3.

Reports have claimed guests were asked to sign non-disclosure agreements when they received their save-the-date invitations, with the ceremony expected to take place at a huge venue such as an arena or museum.

COUNTRY legend Alan Jackson is preparing to take the stage one final time – but behind his emotional farewell has been a grueling 15-year battle with a degenerative nerve disease that has changed his life.

The music icon was diagnosed with Charcot–Marie–Tooth disease in 2011, but kept it private for a decade before publicly revealing the condition in 2021.

The hereditary disorder causes nerve damage, mostly in the arms and legs, leading to muscle weakness, loss of sensation, balance problems, and difficulty walking.

While it’s not typically considered fatal, it has led to deaths – including 911: Nashville actress Isabelle Tate, who passed away from the disease in 2025. 

Behind Alan’s final curtain call is a brutal health battle that has quietly followed him for more than 15 years.

“It’s been affecting me for years,” he said in 2021 while first revealing the diagnosis on the Today Show. 

“And it’s getting more and more obvious. I know I’m not going to be able to tour like I have.”

Alan, 67, also revealed the diagnosis runs in his family, explaining: “I have this neuropathy and neurological disease. It’s genetic that I inherited from my daddy.”

The disease affects balance, coordination, and muscle control – making even simple movement more difficult as it progresses.

For a performer known for commanding massive stages and playing live instruments, the condition has made touring especially challenging.

Alan has opened up about his struggles, saying: “I know I’m stumbling around on stage. And now I’m having a little trouble balancing, even in front of the microphone.” 

Over the years, Alan has continued performing despite worsening symptoms, though he acknowledged the disease has forced him to adjust.

“I don’t feel comfortable,” he said of performing while navigating the disorder. “It’s going to disable me eventually.”

While Charcot-Marie-Tooth does not always directly impact life expectancy, there is no cure, according to the Mayo Clinic. 

Treatment typically focuses on managing symptoms through physical therapy, braces, pain management, and mobility support.

Still, Alan said he has refused to let the diagnosis define him, pushing through multiple tours and live shows while accepting that the end of his road on stage would come in the nearer future. 

Now, the singer is set for his final full-length concert, Last Call: One More for the Road – The Finale, on June 27 at Nissan Stadium. 

The massive send-off will bring Alan back to Nashville – the city where his career first took off – and feature an all-star lineup including Luke Bryan, Eric Church, Luke Combs, Miranda Lambert, George Strait, Carrie Underwood, Lainey Wilson, Little Big Town, Thomas Rhett, Jake Owen, Jon Pardi, and Lee Ann Womack.

The sold-out show will begin in the early evening and rock on all night, with more than 50,000 fans expected in attendance.

And for those who can’t make it in person, the historic farewell will be filmed for an NBC primetime special titled Alan Jackson: The Last Show, before streaming the following day on Peacock.

For the country crooner, it’s a full-circle moment – and the closing chapter of one of music’s most enduring careers.

The Georgia native has sold more than 75 million records worldwide, with a staggering 35 Number 1 hits and 50 Top 10 singles to his name. 

He’s won two Grammy Awards, 16 CMA Awards, 17 ACM Awards, and was inducted into the Country Music Hall of Fame in 2017.

The singer is also a member of the Grand Ole Opry and has long been praised for helping preserve traditional country music through hits like Chattahoochee, Livin’ on Love, Remember When, and Where Were You (When the World Stopped Turning).

Alan has long credited his family as the backbone of his decades-long career.

He has been married to his high school sweetheart, Denise Jackson, since 1979 after the pair met as teenagers in their hometown of Newnan, Georgia.

Denise famously helped launch his music career after running into country legend Glen Campbell on a flight and passing along Alan’s demo – a moment that helped change their lives forever.

Together, Alan and Denise share three daughters: Mattie Jackson Smith, Alexandra Jane Bradshaw, and Dani Grace Jackson.

Country singer Tyler Farr is recovering after he missed his weekend show.

The “Rednecks Like Me” singer was slated to perform at the Goshen Stampede in Goshen, Conn., on Saturday, but the festival announced just hours before gates opened that Farr had an accident on his Chapel Hill farm, about 45 minutes outside of Nashville.

“Due to a motor vehicle incident on his farm, Tyler Farr was taken to a local hospital and diagnosed with a severe concussion,” read the Instagram post. “Tyler Farr will no longer be able to perform at the Goshen Stampede on June 13, 2026. We appreciate everyone’s understanding and will share additional event information as it becomes available. We wish Tyler a speedy recovery.”

David Foster and the All Stars took Farr’s place in the lineup. The event featured two rodeos with bull riding and steer wrestling, monster trucks, carnival rides and country music. Farr shared Goshen Stampede’s post to his since-expired Instagram stories but hasn’t shared any further updates.

Representatives for the country musician did not immediately respond to The Times’ request for comment.

This isn’t the country music star’s first rodeo. Farr, who released “Quit Bein’ Country” last fall, stopped by Taste of Country’s podcast to promote his new EP and told the outlet that he got into a car wreck on the way there and said his truck was too high.

“There’s a big lift on it, and if it had been a normal vehicle, it’d probably been something you could have just buffed out, but the reinforced-steel, ultra off-road bumper I have broke a taillight and knocked the bumper off [the other vehicle],” he said, adding that his truck didn’t have a scratch. “Luckily the person was cool, cop was cool.”

Apparently the last time he was in an accident (before the one in December), his 2013 hit “Redneck Crazy” went to No. 1 on the charts.

The singer has also been candid about his love for country living and turkey hunting.

“When I moved to Nashville, it wasn’t to be in the Hall of Fame,” he told Land.com last year. “That wasn’t a goal … I’m a pretty simple person. My goal was literally to be on the Opry, have a hit song, little country house in the woods, some land, a tractor.”

JASON ISBELL is a song writer’s song writer. You can tell by the company he keeps.

He’ll never forget the moment some years ago when he heard a certain person singing one of his choruses back to him in unmistakeable tones.

“I’ve grown tired of travelling alone. Won’t you ride with me? Won’t you ride? Won’t you ride? ”

Isbell recalls: “At first, I thought it was somebody doing a Bruce Springsteen impersonation of singing my song. And then I realised, ‘No, that’s actually him!’

“It was a huge deal for me to meet Bruce, and for him to know who I was.”

Turned out that one of Springsteen’s sons had brought to his dad’s attention Isbell’s breakthrough 2013 solo album Southeastern, complete with the track Traveling Alone.

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To the 47-year-old born in northern Alabama, two miles from the Tennessee state line, it was validation — just like his six Grammys and the fact that Southeastern appears in Rolling Stone magazine’s list of greatest albums of all time.

“I’m a punk but I’m not that big of a punk to pretend something’s not an honour,” the one-time member of Drive-By Truckers decides in his Southern drawl.

“I met Randy Newman and it was the same kind of thing,” he continues, casting his mind back to the 2021 Newport Folk Festival when both artists were on the same bill.

“I was so nervous to talk to Randy but I said to him, ‘Man, your songs are very important to me as a musician, as a human being’ — and he leaned in and said, ‘I like your songs, too’.

“I knew Randy was probably not the sort of person to bulls**t you.”

I’m speaking to Isbell as he prepares to hit these shores with his ace band, The 400 Unit, for a tour of the UK and Ireland which culminates with a night at London’s hallowed Royal Albert Hall on June 11.

But on this day, the hard- working singer is in Dallas for a solo acoustic show, showcasing last year’s captivating, intimate Foxes In The Snow album, when we’re connected via video call.

“My flight was cancelled last night because of bad weather so I drove here — took me nine and a half hours,” he reports from his hotel.

It’s 10am US Central Time and 4pm UK time and, despite the previous day’s exertions, Isbell seems fresh and focused for a deep dive into his life in music — and the songs that define him.

It’s clear from talking to this thoughtful soul that his career can be divided into two distinct categories — before and after he got sober — which he describes in depth later.

But first, we go back to his early life as the son of teenage parents, the subject of his song Children Of Children, and his early introduction to music.

Mom Angela was 17 and dad Mike was 19 when he was born so “I got to spend a lot of time with my grandad, who preached in a Pentecostal church in Alabama, and played guitar, mandolin, fiddle, banjo.

“And my uncle, my dad’s little brother, played guitar in a rock band.

“When I was around four, my parents would take me to band practice in his friend’s garage, and I would fall asleep, usually when they did Neil Young’s Like A ­Hurricane.

“Though my dad and mom didn’t play music, pretty much everybody else in my family did, at least as a hobby. It was seen as a birthright thing.

“I know this sounds like down-home Southern horses**t, but my grandad would make me play gospel music with him for a ­couple of hours a day.

“Then if I could get through it without getting lazy, I could play rhythm guitar. The guitar was huge, and I was small, and it would take a lot of work.”

Isbell became “obsessed” with blues after hearing Robert Johnson’s recordings and “this little white kid from a hillbilly town” would bombard his music teacher with questions about the Mississippi Delta pioneers.

“My teacher was a big rock and roll guy who had a different Rolling Stones T-shirt for every day of the week,” he says.

“He would call me out of class on the loudspeaker in a really gruff voice, so it sounded like I was in trouble. But I knew that he had made me a mixtape.

“There were a lot of people who took an interest in me early on. I got very lucky that way.”

As a teenager in the Eighties, “radio was huge” for Isbell, who singles out Crowded House and Elvis Costello in particular.

“As my parents were not much older than me, we listened to a lot of the same music,” he says.

“In those days, it was big arena bands like Journey and Foreigner, My dad liked country music, too, so he had Merle Haggard and Hank Williams records.”

At this time, Isbell started playing bars in the Southern music mecca of Florence and Muscle Shoals, which, “because of the liquor laws”, also had to sell food.

He says: “They would check the receipts to make sure you sold more food than alcohol, which was terrible for any kind of music scene — but really good for a 15-year-old kid because they couldn’t kick me out!”

In these places, he got to see legendary session men like Spooner Oldham, Donnie Fritts and, crucially, bass player and trombonist David Hood, father of Drive-By Truckers frontman Patterson Hood.

In 2001, Isbell joined the Truckers and hit the ground running by contributing two outstanding songs to their 2003 album Decoration Day, the title track and Outfit.

He says: “I liked playing guitar and singing background vocals, but I had a lot to prove.”

He describes how his dark, Southern gothic magnum opus about a multi-generational family feud came into being: “I wrote Decoration Day on the road, in Carbondale, Illinois, I think.

“We were staying at a friend’s and everybody else was asleep in the house.

“One person always had to sleep in the van to stop people stealing our gear. That night, it was me.

“I woke up early — around eight o’clock in the morning. So I had a couple of hours before everybody else started moving and I came up with Decoration Day.”

Another memorable Drive-By Truckers effort by Isbell is Danko/Manuel, his tribute to roots rock icons The Band, which appeared on the 2004 album The Dirty South.

He says: “At the time, Rick Danko and Richard Manuel were the only two not still alive. Now, none of them are.

“I was reading [drummer] Levon Helm’s book, This Wheel’s On Fire. He talked about having to siphon gas out of cars in parking lots while the rest of them were on stage. They were a bunch of feral kids in the early days.”

In 2007, largely thanks to heavy drinking and unreliable behaviour, Isbell left the Truckers and went solo.

It’s good to report that he’s on friendly terms with his old bandmates these days and joined them on stage last year for Stephen Colbert’s The Late Show.

He says: “We were very close at one point. It’s not easy to make friends in general so I try to keep the ones that I can.

“Even after I got sober, I didn’t quite know why I’d had drinking problems to start with.

“At first, you’re just hanging on for dear life and trying to stay sober. Eventually, if you do it right, you do repair the parts of yourself that you were ignoring.

“Once that happened for me, I was able to reconnect with those guys. We were able to be friends again and they’ve continued to make really valuable music.”

When it came to Isbell making his first solo album, Sirens Of The Ditch in 2007, highlighted by a couple of fan favourites, Dress Blues and The Magician, he had a lot to learn — and fast.

“I didn’t know what the hell I was doing,” he sighs. “I know I had to argue a lot, which actually turned out to be a good thing.”

A big moment for him arrived with a yearning composition on his third album, Here We Rest (2011), his second with his band The 400 Unit and the last before he went into rehab for ­alcohol addiction.

To this day, Alabama Pines is one of his most performed live songs.

“When I wrote it, everything else in my life sucked,” he says. “It was a very dark time. I was in physical and psychological pain. Working on it was the most relief I got.”

He adds: “The complication in that song adds a lot of value to it — the fact that you’re yearning for a place that isn’t perfect.

“It’s a dynamic that finds its way into a lot of Drive-By Truckers’ work and a lot of my own. It’s very possible to miss a place that wasn’t necessarily all that good to you.

“That song doesn’t have a chorus, it never gets huge so it’s not an anthem. But it stands out in my solo work and I still like it. It has never let me down.”

Everything changed for Isbell after rehab and first notice of his sober approach is 2013’s breathtaking Southeastern with its enduring keepers, Cover Me Up, Stockholm, Elephant and the aforementioned Traveling Alone.

“I wasn’t in the same type of pain,” he says. “Recovering from addiction heavily involved dealing with myself — my life, my emotions, my situation — not postponing it.

“When I was drinking, I would write until the sun went down and then I’d think, ‘I need a drink’.

“With Southeastern, I would stay working for hours and hours at a time because I didn’t have anything else to do. It’s not like I was going to the bar.”

The record proved a big commercial success even if a song like Cover Me Up, recently covered by Morgan Wallen, is about recovering from addiction and the healing power of love, while Elephant is an unflinching study of mortality and the impact of cancer.

Today, Isbell performs such tracks from a slightly different perspective.

“With a room full of people cheering for these songs, we get to celebrate the fact that these horribly sad songs exist,” he smiles.

Next, we rattle through a few more Isbell staples like 24 Frames from 2015’s Something More Than Free with its sparkling electric ­guitar passages.

“I may have doubled up two exact same slide-guitar parts on that. It’s the old George Harrison trick from My Sweet Lord and it works every f***ing time.”

He sees guitar playing as his “hobby”. “My girlfriend paints very seriously and that’s her work,” he says by way of example.

“Lately she started working with miniatures and building doll houses, and that’s her hobby. It’s very close to painting but it’s not a commercialised part of her life.

“That’s how I look at guitar playing. Singing, songwriting, touring — that’s my job. If left alone for a couple of hours, I just sit and play guitar — that’s my hobby.”

There’s a profound Isbell song on 2017’s The Nashville Sound, If We Were Vampires, a big favourite of his friend, the late, great singer John Prine, who he describes as “thoughtful, witty, highly intelligent and emotionally open”.

“There’s some magic in that song,” he says. “Everything else on the album was written when I thought, ‘There’s so many f***ing love songs, why would I bother to do another one?’

“By the time I got to the chorus of If We Were Vampires, something hit me — the reason you love somebody, go through all that effort and pain, is because you’re going to die.

“Without death, we wouldn’t be motivated to live. It was one of those moments where I was like, ‘Wow! Thank God I weaved my way to that path’.”

A telling Isbell insight is revealed by It Gets Easier with its line, “it gets easier, but it never gets easy”, from the 2020 album Reunions.

It addresses his sobriety and brings this reflection: “I don’t think about drinking as much as I used to, but I do sometimes, not necessarily when things are bad.

“When it is going badly, the first thing you do is you make a plan – talk to friends, talk to a therapist, go to a meeting.

“For quite a few years, the hardest times have been to not think about drinking when things are going really well.”

Isbell’s consistently fine recorded output includes 2023’s Weathervanes, with standouts like reflective acoustic ballad Cast Iron Skillet and gritty rocker King Of Oklahoma, about the downward spiral of a blue-collar worker who turns to prescription meds.

Mention of them is cue for him to offer a warning to those attending his upcoming shows.

“When I’m writing a record, I think, ‘How am I going to make these people hold their pee for four more minutes?’

“Because when the new material comes out, that’s usually when everybody heads to the bar!”

• Jason Isbell & The 400 Unit play Belfast June 2, Dublin June 3, Bristol June 5, Gateshead June 6, Glasgow June 7, Manchester June 8, Birmingham June 10 and London’s Royal Albert Hall June 11

HER last tour in 2020 was cut short thanks to the Covid pandemic but now Louise is gearing up to go back on the road.

The Borderline singer will play five live shows as part of her Naked/Confessions tour next April, taking in cities including London, Birmingham and Manchester, with tickets on sale today.

And in an exclusive interview to celebrate the announcement, ex-Eternal star Louise says she’s never felt so inspired after her last album Confessions became her fourth top ten record.

“I’m so proud of that album,” Louise tells me.

“That’s really what spurred me on to carry on writing.

“It taught me that it’s OK not to please everybody.

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“I’m enjoying the creative process of not worrying about if people might hate on it.

“Knowing that you just can’t please everyone.

“It’s all about the mindset and the confidence.

“I do think that comes with age as well.”

After saying yes to going back on the road, Louise reveals she’s learned the power of saying no — and was inspired by pop royalty Madonna.

“I am a big fan, I loved the show she did with Sabrina Carpenter. As a woman, for me, it’s about celebrating people and their achievements,” Louise says.

“I hated reading anything negative about that because for me, she is a genius. I’m at that stage where I’m trying to embrace everything and go with it, but I am also saying no.

“I just wrote a song about saying no and I love it.

“The basis of the song is when you finally learn to say, ‘That’s not for me.’

“We all live in a world where we don’t want to say no to anything for a multitude of reasons.”

The tour, which kids off in Sunderland on April 8 next year, will see Louise picking her favourite tracks from her debut album Naked — which turns 30 in 2027 — and from Confessions for the set list.

And Louise — who will play The Mighty Hoopla festival in London next weekend — has promised to throw in some brand new tunes too.

Louise, who has scored nine Top Ten solo singles including 2 Faced and Pandora’s Kiss, adds: “I get that people will want the hits. It’s about celebrating Naked and Confessions — but I definitely will do new stuff on the tour.

“I don’t want to play it particularly safe.

“The one thing I have learned in this industry is that you have to keep changing.

“You have to keep finding new ways to motivate yourself. Whether that be music, what you’re wearing, the lyrics you’re writing.

“Now I know the lane that I’m in and I know what I want to do.”

Girls single minded

THEY have been together for over a decade, represented the UK at Eurovision and performed at Wembley Stadium.

Now, British girl group Remember Monday have given Bizarre’s Howell the exclusive that they’ve just completed work on their debut album in Prague – and have today dropped the first single, Delusional.

The trio, made up of Lauren Byrne, Charlotte Steele and Holly-Anne Hull first started work on the track two years ago, but only finished it last summer with the help of McFly’s Danny Jones and Dougie Poynter, after being introduced to them at the Capital Summertime Ball.

Lauren, who posed with her bandmates for the single artwork, said: “It feels like it was the first song that started the whole new era.

“After that session, it was like, this is the kind of music that we want to be working on now.”

Holly continued: “We just wanted to kind of hone in on our sound, really solidify what we want to say moving forward.

“I don’t know if we can say, but . . . well, we’re releasing an album.

“The sound that we’re going down is quite nostalgic. Like, we really love the Nineties rom-com energy of music.”

The group will support McFly on tour this summer.

They admit their path is not always easy given that they are independent artists without the financial backing of a major record label.

Referencing the title of their single, Charlotte said: “Our whole band is run and fuelled by delusion.”

Lauren added: “It’s weird to be around. But we do just talk about things as if they are happening regardless of whether we have the funds or contacts. We just speak it into existence.

“And it actually has worked. I don’t even know how we’ve got to this stage.”

It’s working so far ladies.

Good for you.

Too pretty for this ditty

SONGWRITER Linda Perry has revealed she almost turned down Christina Aguilera’s request for her song Beautiful after admitting she thought she was too pretty to sing it.

Linda wrote the track which ended up being one of Christina’s most enduring songs from her 2002 album Stripped.

Appearing on the Zach Sang Show, Linda said she played American star Christina, pictured at the Abbey’s 35th anniversary party in Hollywood, the track and explained: “She was like, ‘ I want that.’

“And I’m thinking, ‘No, you’re like, a hot chick. I’m not giving you this song. No way. Are you kidding me?”

It was only after Christina sang the track for Linda that she changed her mind, adding: “It broke the ice between the both of us when I saw that.

“That’s when I discovered beautiful people are actually insecure and just as damaged as I am.”

Sphere come all the Girls?

THE SPICE GIRLS might fancy zig-a-zig-ah-ing their way into a Las Vegas residency, but I’m told bosses at the Sphere aren’t interested in a quick nostalgia cash-in.

Insiders have confirmed bosses will only give the green light if Victoria Beckham, Melanie C, Melanie B, Geri Horner and Emma Bunton are all on board.

My Sphere insider said: “The Spice Girls would be a massive draw, but this couldn’t be done as a one-off or a short residency.

“The costs involved in creating a Sphere show are enormous. There’s special cameras, bespoke visuals and millions of dollars in production costs before a ticket is sold.

“They’d need all five on board and would want 40 to 60 shows.”

Last month Posh Spice teased that she was keen for the shows to go ahead, saying: “How good would the Spice Girls be at the Sphere? I love the idea of it.”

The venue, which has mind-blowing wraparound screens, has already hosted U2, The Eagles and No Doubt.

TREVOR NELSON was handed a top gong at last night’s Audio Academy Arias.

Rylan Clark hosted the bash at The Roundhouse in North London, which saw Radio 2 legend Trevor honoured with a Special Recognition Award.

He was handed the gong by my pal Craig David, who spoke about Trevor’s impact on the British music scene.

It was a great night for Radio 1 DJ Greg James too, with his Breakfast show landing the top prize in its category, while BBC Radio 6 Music’s Beth Ditto was handed Best New Presenter.

LOUIS TOMLINSON reckons there’s one man who could tempt him into a collaboration – fellow Doncaster star Yungblud.

Ex-One Direction singer Louis admitted he’s not keen on teaming up with artists for the sake of it, but working with the rock wild man would feel different.

Louis explained: “I really like his music and he’s from Doncaster, my hometown, I think that would make it even more interesting.”

But he joked that their might be a slight age gap issue.

Louis laughed: “I’d be the senior one in that conversation.”

Doncaster might be running the UK music scene soon . . . 

MY fellow Spurs fan AJ Tracey has joined talkSPORT as a World Cup pundit.

The Thiago Silva rapper will join footballer-turned-Strictly star Jimmy Floyd Hasselbaink and Burnley ace Kyle Walker on the station’s line-up for the big event this summer.

CRUZ BECKHAM And The Breakers lead the new music releases today with their catchy new single, Yeah, Yeah, Yeah.

DJ Sonny Fodera also drops his new tune, Let Me Be In Your Arms, ahead of his performance at Radio 1’s Big Weekend tonight.

LEGENDARY recording studio Abbey Road has announced its fifth annual Music Photography Awards.

This year’s judging panel is packed with music industry royalty, including Raye and Nile Rodgers.

Photographer to the stars, Rankin, is also on the panel ahead of the VIP ceremony on September 24.

Rankin said: “With another stellar judging panel joining us, I can’t wait to get stuck in and review the 2026 submissions. What are you waiting for?”
Submissions are open now.