England will consider between six and 10 names as they seek Brendon McCullum’s successor as Test head coach and would like the person in place for August’s series against Pakistan, says ECB chief executive Richard Gould.
McCullum, 44, was sacked as red-ball coach on Sunday after seven defeats in the past nine Tests.
England’s next Test is against Pakistan at Headingley on 19 August and the team are also currently without a captain after Ben Stokes announced his retirement during the series defeat by New Zealand in late June.
Gould told BBC Sport: “It will be a targeted selection process. We often do a lot of work in terms of planning as to succession – I will always keep a shortlist going of coaches and various other positions and in truth, this position is probably one where the shortlist is no more than six to 10 names globally of a diverse nature.
“In terms of conversations, they will start to happen now and [managing director of men’s cricket] Rob Key will be leading on those.”
Gould confirmed the England and Wales Cricket Board will look to install a head coach first and that person will have a say, alongside Key and national selector Marcus North, in the appointment of a captain.
The new coach will have to work alongside McCullum, who retains the white-ball role, to balance the best interests of English cricket in a crowded cricket calendar where players manage international and franchise commitments.
McCullum’s four-year reign as Test coach has seen England adopt an aggressive style of cricket, but Gould believes his replacement does not necessarily have to mirror that.
“When you look at the skills we’ve got and the talents we’ve got within the team, it is a team that has been playing relatively aggressive cricket,” Gould said.
“But there are always options for the pattern of play to change depending on what the coach wants and where the coach believes those skillsets are.
“It’s going to have to be an individual that complements the skillsets we’ve got in the players and can bring the very best out of them.”
While England would like McCullum’s replacement in position for the three-Test series against Pakistan, Gould accepts an interim solution may happen.
“Clearly the individuals that will be within our shortlist will have other commitments – they may be international cricket, they may be county cricket, they may be franchise cricket, and we’ll need to work through those,” said Gould.
“An interim solution could be in place if it allows us to get to the best possible decision later on down the line.”
Gould added that England would also consider a model where a coach could continue their franchise commitments alongside the role.
With the 2026-27 season premiere of “60 Minutes” just two months away, CBS News leadership is getting closer to deciding who will fill the recent departures of longtime correspondents Scott Pelley, Sharon Alfonsi, Cecilia Vega and Anderson Cooper.
Seth Doane, a longtime correspondent based in Italy who is often seen on “CBS Sunday Morning,” is under consideration, along with chief investigative correspondent Jim Axelrod, who currently has a lead role in the “Eye On America” series featured on the “CBS Evening News with Tony Dokoupil.”
Trevor Phillips, a British journalist and former politician who recently joined CBS News as senior global affairs correspondent, is expected to have a role on the program, according to people briefed on the plan. Phillips had a long career in the U.K., producing and writing documentaries and most recently hosted the Sky News program “Sunday Morning with Trevor Phillips.”
Phillips received a knighthood in 2022 for his service to equality and human rights for the U.K. But he also generated controversy over his career for comments about the British Muslim community, which led to a yearlong suspension from the Labor Party in 2020.
A CBS News representative declined comment beyond saying the division is looking at a number of internal and external candidates.
Dokoupil is expected to deliver four “60 Minutes” pieces a season. Major Garrett, the network’s chief Washington correspondent, will also have a contributor role.
Matt Gutman, hired from ABC News last year as national correspondent, is under strong consideration. He is being put in front of test audiences, according to several people at the network.
Holly Williams, a foreign correspondent working out of Istanbul for CBS News since 2012, and Mariana van Zeller, a journalist for National Geographic Channel, are both said to remain in contention.
The newcomers will join Bill Whitaker, Lesley Stahl, Jon Wertheim and Norah O’Donnell, who are all returning as correspondents. O’Donnell will also continue in her role as senior correspondent for the network, occasionally anchoring specials.
The rebuild of the talent lineup comes after the upheaval at the program that has occurred since Bari Weiss joined CBS News as editor in chief in October.
Pelley was fired last month after confronting management about the May 28 dismissal of his colleagues Alfonsi and Vega along with the program’s executive producer Tanya Simon and her second-in-command Draggan Mihailovich.
In February, Cooper decided not to sign a new deal as a “60 Minutes” contributor, as the CNN anchor cited a desire to spend more time with his family. But Cooper has reportedly told colleagues that he does not want to work for Weiss.
The internal disruption at “60 Minutes” followed a highly successful season. In its 57th season, “60 Minutes” was the most watched news program on television with an average of 9.1 million viewers a week, according to Nielsen data. The program bucked the overall decline in traditional TV viewing by growing 9% over the previous season.
After the dismissal of his “60 Minutes” colleagues, Pelley accused Weiss of trying to “murder” the program and claimed she was putting “her thumb on the scale” for more favorable coverage of the Trump administration. He was fired with cause after confronting management at a June 1 meeting.
Weiss came to CBS when parent company Paramount acquired her digital website The Free Press, known for its criticism of progressive policies and its strong support of Israel.
Weiss was hired by Paramount Chief Executive David Ellison with a mandate to move the news division to the political center. The pronouncement has created the perception that CBS News is looking to placate the Trump administration as Paramount sought regulatory approval for its $111-billion acquisition of Warner Bros. Discovery, which will also give the company ownership of CNN.
The noise surrounding Weiss has hurt CBS News despite strong reporting that is often far from being pro-MAGA. This past weekend’s “CBS Sunday Morning” featured a segment from national security correspondent David Martin about the Department of Defense interfering with the editorial independence of Stars & Stripes, the military newspaper.
Trump complained vehemently about his last interview with O’Donnell on “60 Minutes,” — conducted the day after a gunman tried to enter the White House Correspondents Assn. dinner in Washington on April 25.
Welcome back to the Times of Troy newsletter, where USC baseball’s charmed season came to a devastating end in the bottom of the ninth of a decisive Super Regional matchup with North Carolina on Sunday. But no matter how brutal it may have been in the moment — with black-stained tears streaming down Trojan cheeks in Chapel Hill — the fact that USC was in position to have its heart broken at all is a testament to what Andy Stankiewicz has built in his four seasons at the helm.
Fight on! Are you a true Trojans fan?
Get our Times of Troy newsletter for USC insights, news and much more.
By continuing, you agree to our Terms of Service, which include arbitration and a class action waiver. You agree that we and our third-party vendors may collect and use your information, including through cookies, pixels and similar technologies, for the purposes set forth in our Privacy Policy such as personalizing your experience and ads.
It was barely a year ago that I sat with Stankiewicz in an unfinished concrete dugout at new Dedeaux Field, discussing the importance of building a foundation for a program that had lacked one for so long. The metaphor wrote itself at the time. His team was on the cusp of clinching its first NCAA berth in a decade, just as its new stadium was finally rounding into form. But as triumphant as that tournament invite would be when it finally happened, Stankiewicz was already thinking bigger.
“We want to build this thing for the long haul,” he said then. “And to build a home, you have to build a strong foundation so it can withstand the weather. The same thing applies here. I want to be here for a long time. This is where I grew up. This is where I’d love to be.”
A year later, the foundation hasn’t just been built. The house is finished. The front door is open. All that’s left is for the Trojans to walk through it.
They had their chance Sunday in Chapel Hill. Andrew Johnson twirled another postseason gem. The Trojan bats, again, delivered in big moments, with clutch solo shots from Kevin Takeuchi and Andrew Lamb. Through 8.2 innings, USC had given up just a single run.
But the bullpen, which had been one of the Trojans’ few weak points all season, couldn’t finish the job. Sax Matson came in for just a single pitch and was pulled. Adam Troy faced three batters, walked one who scored and was pulled in the middle of a 3-0 count for another. Chase Herrell faced four batters after that, walked one and gave up two other hits, including the walk-off winner.
Just two outs stood between the Trojans and a trip to Omaha. At one point, all they had to do was catch a fouled pop fly to send the game to extras.
“That was a tough one,” Stankiewicz said after. “As best we can, we’re gonna move forward. But again, I got some disappointed young men in our dugout. As the head coach, you think, ‘Dang it, what could I have done differently?’”
Surely, the Trojans coach might be thinking all season about how close his team was to reaching that next rung as a program. The truth, though, is it’s a wonder they got here this fast in the first place. USC won 48 games, its most in a quarter century. It had to climb its way back from the loser’s bracket in its regional, then, on the road in Chapel Hill, it took one of the national title favorites to the brink.
Not only that, but USC rose to that level in a still-unfinished stadium, without anything resembling the NIL firepower that other college baseball teams, particularly in the SEC and ACC, are wielding. USC has tried to make up for that by funding more scholarships, but when other teams are handing kids hundreds of thousands more in NIL offers, it makes competing with the Joneses especially difficult.
Stankiewicz has managed to make it work, anyway. And as more talent rolls into Troy, there’s every reason to believe that we’ll look back on this moment, not as a devastating end, but the start of something particularly special for USC baseball.
“We got to the finals of the Regional last year. Now the finals of a Super Regional,” Stankiewicz said. “We’re not going away.”
Calling all questions …
With the summer here and college sports now on hold for the next two months, it’s a perfect time to answer any questions you have about the upcoming year at USC. So please send anything on your mind about Trojan sports to ryan.kartje@latimes.com. When the newsletter returns in a couple of weeks, I’ll answer the best ones in this space.
USC pitcher Andrew Johnson.
(Laura Wolff / For The Times)
—A standing ovation for Johnson, whose pitching performance through the postseason was nothing short of Herculean. Johnson spent most of the season as the Trojans’ forgotten No. 3 option in the rotation, with Mason Edwards and Grant Govel ranking among the best pitchers in the nation. But it was Johnson who came up the biggest in the postseason. Twice he pitched well in relief, only to throw seven-plus innings two days later. This felt like a breakthrough moment for Johnson, who should pair with Govel to give USC an outstanding 1-2 punch on Fridays and Saturdays next season.
—There’s been talk about alternate jerseys at USC over the last several years. The conversation about alternates actually dates back to before Jennifer Cohen took over as athletic director. But as was the case before, the conversation has been tabled for the time being. Athletic departments are always looking for added revenue these days, but the juice just hasn’t been worth the squeeze to date, considering the many fans that would surely be offended by changes to the Trojans’ classic uniforms.
Olympic sports spotlight
After going on a tear to close out the season, USC women’s golf was on the precipice of snagging the school’s second national title this year … before it ran into a buzzsaw in No. 1 Stanford.
But an NCAA runner-up finish is still a great result for a program that hasn’t won an NCAA title since 2013. The Trojans have now finished second six times in their past 38 seasons, which is to say they’ve been the runner-ups basically 15% of the time over the last four decades.
That’s a lot of years being the bridesmaid, not the bride. But there’s no reason to think that Justin Silverstein, the Big Ten’s Coach of the Year in 2026, shouldn’t have this program back in the mix as soon as next season.
What I’m Watching This Week
Matthew Rhys and Stephen Root in “Widow’s Bay.”
(Apple)
If you’re in the mood for something creepy, boy do I have the content for you. “Widow’s Bay” on Apple TV follows Mayor Tom Loftis, played by Matthew Rhys, who’s desperate to revive his struggling island community of Widow’s Bay. But the locals on the island are convinced the town is cursed, and don’t necessarily approve of bringing tourists into the mix.
As you might imagine, the locals appear to be right. And Loftis finds himself in some horrifying situations. Enough to convince me that maybe this isn’t the best show to be watching alone, late at night. But if that’s in your wheelhouse, then this is as good as it gets.
That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at ryan.kartje@latimes.com, and follow me on X at @Ryan_Kartje. To get this newsletter in your inbox, click here.
Nonfiction films and series are among some of the most-watched (and most-discussed) programming on TV. As Emmy season heats up, the directors of six notable contenders share thoughts about their projects.
‘The Yogurt Shop Murders’ (HBO)
“It’s just a famous, famous story in Texas, but particularly Austin,” director Margaret Brown says of the bewilderingly complex case of four teenage girls slain at a yogurt shop in the state’s capital in 1991. “You heard about it all the time at parties. My best friend was like, ‘That story is rabbit hole upon rabbit hole upon rabbit hole — no one knows what really happened. It’s impossible to figure out.’ I liked the idea of something that was impossible to figure out. But when I started doing the interviews, I was like, ‘This is dark, this is deep trauma.’ I’d never watched or done true crime before. I didn’t realize what it would be like to sit with people who hadn’t known what happened to their siblings and children for over 30 years. I remember [thinking], ‘I’ve got to get this right. I can’t mess this up. There’s just too much pain here.’”
‘The American Revolution’ (PBS)
“Leading up to it, I said I just don’t want us drowning in fife-and-drum treacle,” director Ken Burns says of his expansive treatment of America’s origin story, which draws out the experiences of Native Americans and enslaved people as well as the era’s atmosphere of civic discord. “Clearly it’s not, because we’re so existentially challenged by the moment. But the revolution gives us a sense of perspective. Times were more challenging then. More division. More division in the Civil War. More division in Reconstruction. Yes, the threats are unprecedented, but they’re not totally unfamiliar. Mark Twain is supposed to have said history doesn’t repeat itself, but he’s [also] supposed to have said it rhymes. I love that. So like Odysseus, I tie myself to the mast and resist the temptation to put a little neon sign in the film saying, ‘Isn’t this so much like today?’”
‘Sean Combs: The Reckoning’ (Netflix)
“There was so much noise,” says director Alexandria Stapleton, who tracks hip-hop mogul Sean “Diddy” Combs’ rise and shocking fall in this series, executive produced by 50 Cent. “I’m scared for my safety, I’m scared for my career. Then there was every journalist, every giant corporation, trying to chase the same story. Because there was a feeding frenzy, there were a lot of people that were not truthful. It was making sure that we were going after the right people to speak with, and then … making sure that they felt safe emotionally. No one knew who I was interviewing while I was making it. In making a project about a man who’s very connected in media and very good at whatever he wants his narrative to be, there was a very deliberate decision to not drop this project until we literally were a week out.”
‘Ocean With David Attenborough’ (National Geographic)
(Keith Scholey / Silverback Films and Open Planet / National Geographic)
“It’s been weird, because I’ve got older, and he sort of stayed the same, like the Dorian Gray picture,” says Keith Scholey, one of the film’s directors, of the 100-year-old broadcasting legend and naturalist. “He’s still got that huge power and presence and commitment. It comes from the heart. He’s got a huge depth to him, in terms of knowledge, experience, personality … but he’s also very self-effacing. The most boring thing in the world for David Attenborough is David Attenborough. He’s interested in every aspect of the truth, and he loves uncovering that and passing that on to the world. He knows how to present in a way that it’s a performance, but it’s not a performance.”
‘Neighbors’ (HBO)
“Neighbor disputes are a great leveler,” says Harrison Fishman, who co-directs this gonzo excursion into neighborhood feuds with Dylan Redford. “If you think about class and race and politics, all that stuff gets thrown out the window when people are dealing with such small, concrete problems. You quickly start learning why people care so much about the things that they’re fighting for. It becomes a bit like a Trojan horse into learning about aspects of America and things about people that have nothing to do with the dispute. Those tangents are so valuable to us, because it gives context to the dispute. But it also helps people understand who everybody is in our country.”
‘Mr. Scorsese’ (Apple TV)
“We would get together and have these very long conversations,” says director Rebecca Miller, who interviewed American cinema’s great poet of tortured masculinity over five years. “But then in terms of the other voices, I thought, ‘Who knows him best?’ There was this wonderful movie called ‘Crumb,’ by Terry Zwigoff. He interviewed [cartoonist R. Crumb’s] ex-girlfriend at a certain point, and I felt like I got a view into the person, not in a gossipy way, but … trying to get a rounded view. If you only get the front-facing part, you’re not going to get a full sense of who they are. It was very important to me that we hear from the daughters or his wife, that there’s a sense of a person in there.”
