Clarke ended his seven-year reign earlier this summer after Scotland failed to progress from the World Cup group stage after a victory over Haiti was followed by defeats by Morocco and Brazil.
Former Belgium defender Pocognoli left Monaco at the end of last season and previously led Union Saint-Gilloise to their first league title in 90 years in 2024-25.
He becomes only the second foreign boss of the Scotland men’s team, after the German Berti Vogts, and believes he has what it takes to build on Clarke’s “strong foundation”.
“I’m very proud to be here,” Pocognoli said, flanked by Scottish Football Association (SFA) chiefs Ian Maxwell and Craig Mulholland at his introduction.
“It’s a very strong challenge, with a project to develop the future of Scottish football. There are the metrics, but the human aspect was also very important. I never go to a challenge where I can’t feel the connection.
“Scotland is a passionate country and I think also, regarding the strong foundation that Steve Clarke and his staff laid, that I can use this heritage to put the next accent on the style of play while also developing players for the future.
The man suspected of killing Scottish aid worker Elisabeth Jane Ross in Greece is 26-year-old Sharif Ahmadzai, the BBC understands.
He was arrested after the body of the 38-year-old was found in a suitcase in an abandoned building in the Kypseli district of Athens on 18 July, several days after she was reported missing.
Ahmadzai, who was born in Afghanistan and is a champion boxer, travelled to Greece as a refugee.
He is expected to appear in court in Athens on Wednesday.
The BBC understands Ahmadzai, who left Afghanistan after being orphaned aged 15, lives in Greece with his American wife and child.
His father, a commander in the Afghan army, was shot dead and his mother and siblings were killed by a suicide bomber in Kabul.
He travelled to Greece via Iran and Turkey, according to a video telling his story, external which was published by the International Federation of Red Cross and Red Crescent Societies (IFRC), before settling in a refugee camp on the island of Lesbos.
It is understood this is where he met his wife and converted to Christianity. The pair then set up the charity Love Every Nation Athens to help other refugees.
It is thought that he met Ross through the charity.
“Spider-Man: Brand New Day” swung into the top spot at the box office and scored one of the highest-grossing opening weekends with an estimated haul of $355 million in the U.S. and Canada, far surpassing studio and analyst expectations.
The Sony Pictures film also brought in $572 million internationally for a worldwide total of $927 million, according to studio estimates.
The movie’s haul now ranks as the second-biggest domestic and global opening ever, surpassed only by Walt Disney Co. and Marvel Studios’ “Avengers: Endgame” in 2019.
The film, which stars Tom Holland and Zendaya, is produced by Sony-owned Columbia Pictures, Marvel Studios and Pascal Pictures. Its production budget was about $225 million.
Marvel Studios President and “Spider-Man” producer Kevin Feige called the debut “truly phenomenal.”
“We are grateful to audiences everywhere for coming out and experiencing our film the way it was meant to be seen,” he said in a statement Sunday. “This debut reflects the enduring power of Marvel’s characters, and the connection they continue to have with fans around the world — and, as audiences saw, it sets up exciting things to come.”
Anticipation for the movie was building for months, as robust pre-sales indicated high interest in Spidey’s return to the big screen.
The previous film in the franchise, 2021’s “Spider-Man: No Way Home,” had one of the biggest domestic debuts on record with $260 million.
But it came during the depths of a COVID-19 surge and against very little competition at the box office. That film also reunited all three Spider-Men — Holland, Tobey Maguire and Andrew Garfield — in one time-bending, multiverse storyline, a move “Spider-Man” producer Amy Pascal described as 20 years in the making.
This time around, “Spider-Man” was up against the juggernaut holdover Universal Pictures’ Christopher Nolan film, “The Odyssey,” which came in second at the domestic box office with $51 million on its way to a global total of $911.4 million.
The strong performance of “The Odyssey,” as well as the billion-dollar-grossing “The Super Mario Galaxy Movie” and “Michael” earlier this year, helped push Universal over the $4-billion global box office mark this weekend, the first studio to do so this year.
Walt Disney Co. and Pixar’s “Toy Story 5” came in third with $6.3 million to add to its worldwide total of more than $1.06 billion. Universal and Illumination’s “Minions & Monsters” ($5.8 million) and Disney’s live-action “Moana” ($5.3 million) rounded out the top five this weekend, according to data from Rentrak.
“‘Spider-Man: Brand New Day’ is fundamentally a movie about friendship, about the balm of connection in all our lives,” Sony Pictures Motion Picture Group Chairman Tom Rothman said in a statement Sunday. He added that this theme resonates with “audiences of all ages and all around the world.”
The son of Kansas City Chiefs offensive coordinator Eric Bieniemy has been arrested and charged under suspicion of shooting a woman who is reportedly his mother in Virginia on Sunday night.
The victim was not identified by name in a Loudoun County Sheriff’s Office news release but has been reported by multiple media outlets to be Mia Bieniemy, wife of the Chiefs’ coordinator and mother of their two adult sons. She suffered multiple gunshot wounds and has been hospitalized for treatment of serious injuries but is said to be in stable condition.
Elijah Zion Bieniemy, 27, was arrested and charged under suspicion of malicious wounding, use of a firearm in commission of a felony and discharge of a firearm inside of a dwelling, the sheriff’s office said Monday. He is being held without bond at the county’s adult detention center.
This booking photo of Elijah Zion Bieniemy was released July 27 by the Loudoun County, Va., Sheriff’s Office.
(Loudoun County Sheriff’s Office Via Associated Press)
According to the sheriff’s office, deputies responded to a report of a shooting at around 7:32 p.m. on Sunday. Public records show that Eric, Mia and Elijah Bieniemy currently reside at a house with an address on the block where the incident allegedly occurred.
Eric Bieniemy, who was the associate head coach and offensive coordinator at UCLA in 2024, was with the Chiefs for the second day of training camp in St. Joseph, Mo., earlier Sunday but was not present for Monday’s practice.
Chiefs coach Andy Reid addressed the matter on Monday.
“Our hearts go out to Eric Bieniemy and his family. Thoughts and prayers are with them,” Reid told reporters. “I can’t get into details on it, but things happen sometimes, and Eric will work through it. He’s got a great support group here, as does his family as needed, and then we’ll just let time take care of it from there. Mia is stable, which is a plus.”
Reid said he has known Mia Bieniemy for a long time, as her husband served on his staff from 2013 to 2022, first as the running backs coach and then as offensive coordinator, before returning this offseason.
“She’s a saint. We all know that, the people that know her,” Reid said. “One of God’s good blessings, really a special person.”
The summer sun has set on “Love Island USA” fan favorites Olandria and Nic Vansteenberghe‘s romance, a year after their time on the hit series.
People, citing an unnamed source, reported on Wednesday that the pair of reality TV stars — known among fans as “Nicolandria” — agreed to go their separate ways. The outlet reported that the amicable split comes as “the distance between them and their busy schedules made it challenging to maintain their connection.” The “Love Island USA” Season 7 stars remain friends and “will always support one another.”
Neither of the stars have publicly addressed their separation on social media.
Olandria and Vansteenberghe entered the “Love Island USA” villa in Fiji in June 2025 and officially coupled up weeks into the production. “Love Island USA,” the American version of the U.K. series, streams on Peacock and follows a cast of singles as they search for love and test their connections. Olandria and Vansteenberghe were among a handful of day-one contestants who advanced to the competition’s final episode.
Amid their post-”Love Island USA” fame, Olandria and Vansteenberghe spoke candidly to Glamour about handling the newfound deluge of popularity, demand and fan love — and how they support each other through it.
“It’s so draining. We always have check-ins, like, ‘How’s your mental? How are you today? I’m always here,’” Olandria recalled to the magazine. “I wish we didn’t have to do that as much as we had to. Thank God we’ve got each other, because I don’t know what we would do without each other, literally, when it comes to that.”
Vansteenberghe said elsewhere in the interview: “Everything that came from [“Love Island USA”] is so beautiful and amazing. I feel like that’s why we did well. We enjoyed ourselves and had fun with it.”
“Love Island USA” crowned its latest winning couple earlier this month. Fan favorites and day-one contestants Bryce and Trinity were declared winners and won the $100,000 grand prize, after a season rocked by racial-slur scandals and with local roots in a surf and coffee shop in Mar Vista.
“The World Cup is ruining my life,” a neighbor recently said with a laugh. “I’m supposed to be working; instead I’m watching World Cup. I’m supposed to be doing chores; instead I am watching World Cup.”
I laughed in guilty recognition. We had met on the street by chance while I was walking the dog. Having just spent the last two hours watching, then celebrating Lionel Messi’s hat trick during Argentina’s first-game victory over Algeria, I had less than an hour to get back in time to watch Austria play Jordan.
That was on Day 6, and it’s only gotten worse. If I had to calculate my own ratio of work done to soccer watched … well, as I am not a sports reporter, I don’t think my editor would be thrilled. (Though I’m sure she appreciated the England/Congo updates I provided as I finished this piece.)
Like millions worldwide, my family and I have been deeply, and in our case, weirdly, engrossed in this year’s games. “Weirdly” because we do not follow men’s soccer. The World Cup is different, of course — going in, I figured I would check out the U.S., keep an eye on Messi, then tune into the final few games. Perhaps my husband would join (but only if he at least pretended to understand the offside rule), but with our two oldest children out of the house, it is, with the exception of the Super Bowl, unheard of for our family to concurrently view any sporting event in real time.
Until this World Cup. I’m not quite sure how it happened, but suddenly we’ve got game times written onto our calendar. Entire days have been spent in front of the TV with at least one child and the others watching from their homes, our family texts studded with “are you watching…?,” “did you just see that?” and, of course, “OMG MESSI!”
(I would attempt to calculate my recent ratio of chores done to Messi videos watched if I weren’t legitimately concerned that my family would have me committed.)
The fact that my son and his girlfriend live in Kansas City certainly helped spark our newfound fascination. Yes, Los Angeles is also a host city, but L.A. hosts so many things; inevitably we were mostly concerned about what it would do to the traffic. KC, on the other hand, is the smallest and most unlikely of the host cities, and over the last few years we have seen — on visits and through my son’s accounts — all the construction, effort and can-do spirit that has gone into preparing for the event.
We were thrilled when it was announced that Argentina, England, the Netherlands and Algeria would be based in or near KC. We wanted the city to shine, and it has — from nearby Lawrence’s enthusiastic adoption of Algeria to Messi’s historic hat trick at Kansas City Stadium.
Team USA defender Mark McKenzie, left, and Turkey midfielder Baris Alper Yilmaz in the World Cup match at Los Angeles Stadium on June 25.
(Robert Gauthier / Los Angeles Times)
But it’s more than vicarious Midwestern pride. When our older daughter began texting out missives from the earliest games and our son sent pictures of fans streaming into Kansas City Stadium, we started watching as a way to stay connected.
First, as a family, and then to our country and the rest of world.
The games have been inevitably exciting, especially as now that they’re in the knockout round, but the overall sensation was unexpected relief, a soul-soothing balm.
At a time when the news cycle seems to serve up nothing but conflict, crisis and woe, the World Cup offers shelter, a truly international event in which conflict is defined by long-term sports rivalries and questionable referee decisions.
We want our national or preferred teams to win, of course, but no matter the outcome, it’s impossible not to be thrilled by the sight of phenomenal play, underdog tenacity and so many adoring and enthusiastic fans.
Soccer is called the beautiful game for many reasons, and hours/days/weeks of sustained beauty is impossible to resist. Even social media has surrendered to spectacular highlights along with tales of Japan supporters cleaning up stadiums, fans of the victorious consoling fans of the defeated and Europeans discovering the glories of free refills and ranch dressing.
None of this changes the realities we face in America and the rest of the world. Grocery and gas prices remain catastrophically high; Iran continues to contradict U.S. claims of diplomatic resolution to an unpopular war. The unnecessarily revamped reflecting pool in Washington remains a swamp of algae and tourist arrests, as the semiquincentennial struggles under the weight of our president’s self-centered hubris.
But for a few blessed weeks, the World Cup offers inspiration, escape and cultural healing.
It has also, thus far, escaped President Trump’s so often internationally insulting social-media notice and more importantly, his presence. Historically, the leaders of host countries attend the opening match; Trump has, apparently, been too busy (including planning and attending the UFC Freedom 250 cage match recently held on the South Lawn.)
Given his tendency to suck the oxygen out of any room (like his recent reception at Game 3 of the NBA Finals in New York), it’s definitely for the best. If nothing else, the World Cup has given us a chance to take a break from politics and talk instead about Messi, France’s Kylian Mbappé, England’s Harry Kane and all the amazing goalkeepers, including Cape Verde’s now-iconic Vozinha.
Never before have I so understood the therapeutic power of sport.
Who wouldn’t want to at least take a break from rising measles cases, the latest federal or Supreme Court decisions and primary tea-leaf readings to lose themselves in a game where exquisitely patient passing suddenly bursts into spectacular feats of speed and footwork? Where a well-defended ball can suddenly become a goal with a nearly undetectable flick of a foot, or a perfectly placed shot blocked by a goalie’s incredible ability to launch into space? Where an outcome that seems assured can be overturned in the final minutes to the collective roar of an international cast of thousands?
Vozinha of Cape Verde makes a save during the World Cup match between Spain and Cape Verde at Atlanta Stadium on June 15.
(Justin Setterfield / Getty Images)
Like many Americans, I have been occasionally embarrassed by the World Cup’s exposure of my world-geography ignorance — I know where Bosnia and Herzegovina lies on a map, but until recently, I couldn’t place Cape Verde, Curacao or, if I’m being completely honest, Cote d’Ivoire.
Isn’t it wonderful, though, to have a reason to reacquaint yourself with a world map that isn’t related to war, natural or man-made disaster or economic and political tension? The current U.S. administration may seem to be at odds with just about everyone, but visiting World Cup fans are here to remind us of all we share, beneath our crazy wigs and face paint, our cheers, groans and chants.
And we, as hosts, have shown them that America is so much more than the sum of our current government’s policies and posturing.
Watching all this happen, in real time, has been magical, miraculous and magnetic.
Not every moment, of course. Various visa issues created unnecessary and embarrassing drama; high ticket prices and transportation issues were blamed for empty seats at some of the early games. Members of the Iranian team and its coaching staff criticized the way they were treated (though the team left a handwritten note in the dressing room of Los Angeles Stadium, thanking L.A. for its hospitality). The controversial hydration breaks, and the extra commercials they accommodate, can be irritating (though when it’s close to 100 degrees in many stadiums, quite necessary). And though it didn’t matter in terms of standing, watching the U.S. lose to Turkey wasn’t much fun for American fans (though the Turkish exuberance was pretty infectious).
Overall, the 2026 World Cup has done exactly what it was supposed to do: create, in this country, a stage for the finest teams and players in the world’s most popular sport and, more important, carve out five weeks in which we can all spend a few hours removed from the political and cultural divisiveness that threatens to define us.
It’s space in which we can cheer, gasp and leap out of seats along with our families, friends and all the millions we will never meet but to whom we are connected all the same.
Now if you’ll excuse me, the next game is about to start.
Glaciers aren’t stationary. Immense and imposing, formed through the downward trajectory of water from mountains as it collects and freezes, they have always moved. Now, however, they’re leaving. The demise of glaciers is a fact inherent in all the bad news about the effects of climate change on what once seemed permanent. But for Icelanders, whose connection to glaciers is ancient and mythic, our human epoch has become an extended hospice for the landscape of their lives.
Somehow, though, Sara Dosa’s documentary on this matter, “Time and Water,” avoids playing like a funeral in waiting. Built around Icelandic writer Andri Snær Magnason’s voiced lamentations on a vanishing frozen world, along with archival footage of his family, it’s no simple howl of grief, even when it takes us to a publicly held memorial in 2019 for Iceland’s Ok glacier, the first such “death” diagnosis in the country’s history. Rather, Dosa’s film is a meditation on change — both the kind that we accept with a heavy heart and something more general. “Time and Water” is a curiously vibrant elegy, teeming with appreciation for the intimate majesty that is all life, generational and geologic.
Dosa has finessed this emotional-meets-elemental space before in her Academy Award-nominated 2022 documentary “Fire of Love,” about married volcanologists Katia and Maurice Krafft. That was a wonderfully eccentric romance forged in molten lava. Here, she’s in a collaboration of sorts with her subjects, both human and elemental. Magnason’s opening narration over spectacular footage of glaciers — up close and from far away — gently informs us that we’re watching a time capsule, one where the bonds of family and environment are intertwined.
We learn how Iceland’s glaciers, essentially rivers of varying pace, begat their unique ecosystems, but also how they provided the breathtaking terrain upon which Magnason’s grandparents Hulda and Árni fell in love. (Grandma Hulda was the first woman to fly in Iceland, itself a very cool fact.) The onset of dementia in Árni spurs his grandson to consider what’s lost when the markers of memory depart. “Time and Water” touches on the epic verse called rimurs, passed down via chanted song by Icelandic women, their descriptive, sorrowful tales like dispatches from previous ages.
“Tone poem” is an overused term in cinema, but the humbling “Time and Water,” graced with a playful, atmospheric Dan Deacon score, earns that distinction. Naturally, it helps that you can never tire of all the air-crisped glacier imagery, captured digitally and in 16mm. Folded into the cozy slide-show vibe of Magnason’s home videos and the carefully chosen archival footage, the movie plays like a scrapbook portrait in which home just happens to boast the grandest of backyards.
How much longer will Icelanders enjoy it? The glaciers are predicted to be gone within 200 years. That’s an eternity or a drip, depending on whose survival we’re talking about. Still, “Time and Water” collapses the notion that we are somehow separate from these ancient, essential formations: an encouraging hello to the future from inside a sobering goodbye.
‘Time and Water’
In English and Icelandic, with subtitles
Rated: PG, for some thematic elements, smoking and brief language
Running time: 1 hour, 33 minutes
Playing: Opens Friday, June 5 at Laemmle Royal and Laemmle Glendale
