close

Longtime hopefuls Glenn Close and Ridley Scott to receive honorary Oscars

After decades spent shaping modern movies without ever taking home a competitive Oscar, actor Glenn Close and director Ridley Scott will finally receive statuettes from the Academy of Motion Picture Arts and Sciences this fall.

The academy announced Wednesday that Close and Scott will receive honorary Oscars at this year’s Governors Awards alongside pioneering animator Floyd Norman, while producers Christine Vachon and Pamela Koffler, co-founders of Killer Films, will receive the Irving G. Thalberg Memorial Award.

The annual Governors Awards, launched in 2009, recognize lifetime achievement and significant contributions to filmmaking and the motion picture industry. The Thalberg Award honors producers whose bodies of work reflect consistently high-quality motion picture production.

Unlike the competitive Oscars handed out during the telecast, the honorary prizes are presented at a separate ceremony attended by film industry figures, academy members and awards season contenders.

Close, 79, one of the most acclaimed actors of her generation, has received eight Oscar nominations over her career, including for “Fatal Attraction,” “Dangerous Liaisons,” “Albert Nobbs” and “The Wife.”

Scott, 88, the architect of “Alien” and “Blade Runner,” whose striking visual style helped define modern blockbuster filmmaking, has scored nominations for directing “Thelma & Louise,” “Gladiator” and “Black Hawk Down,” while also earning a best picture nomination for “The Martian.”

Despite their long influence on Hollywood, both have frequently appeared on lists of prominent Oscar nominees never to win a competitive Academy Award.

The 90-year-old Norman, who began working at Disney in the 1950s, became the studio’s first Black animator, contributing to films including “Sleeping Beauty,” “The Jungle Book” and “Robin Hood.” His career has spanned more than six decades.

Vachon and Koffler have been central figures in American independent cinema for decades, backing such films as “Boys Don’t Cry,” “Far From Heaven,” “Carol,” “First Reformed” and “Past Lives,” the last of which earned them their first best picture nomination in 2024.

The honors will be presented Nov. 15 at the Ray Dolby Ballroom at Ovation Hollywood during the academy’s 17th Governors Awards ceremony.

Source link

UK airport to close for good this week after 90 years

A UK airport will fully close for good this week – after 90 years in operation.

Coventry Airport originally opened in 1936 as Baginton Aerodrome.

Coventry Airport will close after 90 years in operation Credit: Alamy

During World War Two it operated as RAF Baginton before going on to start passenger flights as well as air ambulance services.

Commercial flights started in the 1950s when it took passengers from the Midlands to the Channel Islands.

Then Hards Travel began operating package holiday flights to Spain, France, and Italy in the 1980s with Thomsonfly operating jet passenger flights in 2004.

In the same year, Wizz Air flew passengers to Poland.

FLY IN

One of the cheapest family holiday spots has 89p beers & £279 all inclusive hols


IT’S A WASHOUT

UK indoor waterparks with VIP spas, mega slides and 30C tropical climates

However, passengers flights ceased in 2008 which led to the decision to close the site.

The site will officially shut its doors on June 11 to be redeveloped into a multi-billion-pound energy plant.

Most recently, the airport had been used for training and charter flights – passengers on the very final private flight into the airport were Take That.

The British pop band flew into the airport yesterday evening, having been in the city performing their Circus Live tour.

It once flew passengers to the Channel Islands and Europe Credit: Alamy
Take That were some of the very last passengers who flew into Coventry Airport Credit: Coventry Airport

The Facebook page belonging to Coventry Airport wrote: “Those nice gentlemen from ‘Take That’ flew into Coventry Airport this evening and when they found out that they were our last ever passengers on our last booked commercial flight prior to closing.”

On the post were many comments expressing disappointment about the airport’s closure.

One read: “Sad to see the airport closing down; the airshows there weres great andI had some happy times at the airport.”

Now, plans are for the site to be turned into Greenpower Park, a £2.5billion battery factory designed for electric vehicle production.

Former regeneration councillor at Coventry City Council Jim O’Boyle previously said: “What we want to see are thousands of jobs created here, giving the area an economic lift.”



Source link

I have seen what Dua Lipa and Callum Turner are REALLY like up close

THIS weekend, Dua Lipa and Callum Turner will say “I do” again in a lavish, three-day wedding in Sicily.

The world’s media is set to descend on the picture-perfect venue, alongside a guest list packed with the great and the good of the entertainment world.

The couple officially tied the knot at the Old Marylebone Town Hall last weekend Credit: Madison Phipps | instagram @dualipa
Dua looked flawless in custom Schiaparelli Haute Couture as she walked down the aisle Credit: Madison Phipps

It comes just days after the loved-up couple shocked fans by legally tying the knot in central London.

Images of the superstar singer and her hunky actor, 36, husband beaming as they left Old Marylebone Town Hall immediately went viral, with fans branding them the ultimate power couple.

Dressed in custom Schiaparelli Haute Couture, Dua, 30, looked flawless as she walked arm-in-arm with her new husband.

And while the showbiz world is no stranger to carefully curated PR moments, I know first-hand the type of man Callum really is.

After years of the singer dating the wrong guys, I know Dua has finally found Mr. Right because of how he discreetly supported me at one of my lowest moments.

Back in February 2024, I was lucky enough to attend the BAFTAs as a guest of EE at London’s Royal Festival Hall.

That year, Dua was presenting the award for Outstanding British Film, with Callum proudly by her side.

I was excited for the night ahead when, just minutes before taking to the red carpet, the guy I was seeing brutally dumped me.

I was unceremoniously blocked on WhatsApp, only to watch him put tickets we had bought for a West End show up for sale on his Instagram Stories – knowing full well I would see it.

To say it felt like a dagger to the heart would be an understatement.

Thankfully, no one was looking at me – especially as I arrived at the exact same time as Sir David Beckham – but making my way into the venue was one of the most surreal moments of my life.

I tried to hold back tears as screaming fans cheered for their favourite stars and cameras flashed all around me.

Inside the reception, Taittinger champagne was free-flowing and smiles were plastered on the faces of the rich and famous.

I quickly sank a glass of bubbles and, feeling myself getting choked up, slipped away to a secluded side corridor for a moment to myself.

I’m not entirely sure how long I stood there, staring blankly into space.

It was at this exact moment that Callum appeared, being led down my not-so-glamorous corridor to avoid the bustling crowds in the main foyer.

Realising I was unintentionally staring straight at him, I quickly apologised as we made eye contact.

Seeing how visibly upset I was, Callum stopped dead in his tracks and doubled back — leaving a member of the BAFTA press team looking thoroughly confused as to why he’d changed direction.

“Are you ok?” he asked kindly.

As I tried to mumble that I was fine, he replied: “You have tears in your eyes…”

His warmth prompted me to come clean and admit that I’d just been dumped.

By this point, Dua, surrounded by her own team, had caught up with him as they were being hurried to their seats before the live broadcast began.

“He’s not worth it,” the actor, hotly tipped to be the next 007, told me firmly, as Dua offered a warm, supportive smile.

I managed to raise a half-hearted laugh, and with that, they were whisked off into the glitzy night.

I stood there for a moment, taking stock of a brief interaction that felt like a fever dream.

While short, it made it crystal clear to me that Callum is one of the good guys.

In a self-centred, shallow industry, believe me, men like him are hard to come by.

I saw Callum a few weeks later at The O2 Arena, where our tables were located just a few spots away from each other at the BRIT Awards.

Dua was presenting the award for Outstanding British Film at the ceremony in 2024 Credit: Getty
Callum comforted Jack as he opened up to him about his breakup Credit: Getty
The Sun’s Jack at the BAFTAs moments before the heartbreaking blocking Credit: The Sun
The couple are set to welcome A lister guests to their extravagant three-day wedding bash in Italy this weekend Credit: Andrew Styczynski

I wanted to thank him for his kindness that night, but aware I would have to out myself as a tabloid reporter, and the can of worms that might open, I decided against it.

Instead, I quietly watched as he was the first on his feet to cheer on Dua as she opened the ceremony with an epic rendition of her hit Training Season.

Aptly, the track, which featured on Dua’s third album Radical Optimism, is all about her struggle to find ‘The One’ before Callum came along.

Prior to their romance, Dua dated filmmaker Romain Gavras, 44, US TV host Trevor Noah, 42, and Anwar Hadid, 26.

Dua previously revealed on The Drew Barrymore Show: “Training Season is about when I was in my singledom.

“I went on a couple of dates. All terrible.

“I went into the studio with my friends and normally every studio session starts with a little chat and a gossip about my life.

“I just went, ‘Guys, training season is over. I am done training up these boys. No more.’”

Speaking to Vogue last December, Callum was asked: “If there is an eternity, who do you wish to spend it with?”

Without a second’s thought, he decisively replied: “Dua.”

With Callum, the singer has clearly hit the jackpot.

I wish them every success as they head down the aisle this weekend.

Source link

Live Election 2026 primary results, updates: races too close to call as ballots counted

More than a day after polls closed, voters still hadn’t learned which two candidates would run off in the November general election for dozens of races.

Many significant races are still too close to call. In the race for governor, Republican Steve Hilton and Democrat Xavier Becerra held leads, with Democrat Tom Steyer and Republican Riverside County Sheriff Chad Bianco trailing. Former Los Angeles Mayor Antonio Villaraigosa, San José Mayor Matt Mahan and former Rep. Katie Porter conceded the race Tuesday night.

The Associated Press surveys the numbers posted by local election officials and projects the winner using vote returns and other data. Races can be called within minutes of polls closing on election night. However, if a race has tight margins or an high expected volume of mail-in ballots, it can take longer to call.

In some cases, such as for L.A. mayor and state treasurer, the tight race is between second and third place.

In California’s primary, the top two vote-getters move on to the general election regardless of candidate pool size, party preference, or whether one candidate receives a majority of votes. Locally and in nonpartisan races, however, a candidate can avoid the November election if they win with a majority.

Statewide

State Senate

State Assembly

Congress

Almost half of California’s 52 U.S. House of Representatives seats had known finalists on election night. But in tight races such as the Republican vs. Republican competition in the 40th District and the Democrats’ challenging of Republican Rep. David Valadao in a redrawn 22nd District, the top two vote-getters weren’t yet known.

Local

In Los Angeles County, there were still 27 races with uncertain results. The Times considers uncertain races those where no candidate has a majority or where the vote share for the top two is between 55% and 40%. The Associated Press does not call winners for most local races, such as city councils, city officers and ballot measures. If no candidate wins with a majority, the top two will face off in November. That could be the case for the sheriff and L.A. City Council’s 3rd District.

The L.A. County registrar will continue to count and confirm mailed-in, provisional and conditional ballots until June 26. Updates to the results charts below are expected approximately once a day in the early evening.

Close city races

Voters can track their own cast ballot here.

The secretary of state will certify results in early July.

Source link

Seoul shares close at new high on tech rally, Mideast optimism

This photo, taken Friday, shows the trading room of Hana Bank in Seoul as South Korean reached a new high on AI stock gains and optimism for a Middle East peace deal. Photo by Yonhap

South Korean stocks rebounded to a fresh all-time high Friday, driven by strong gains in stocks related to artificial intelligence (AI) and renewed optimism about a potential ceasefire in the Middle East. The local currency fell against the U.S. dollar.

The benchmark Korea Composite Stock Price Index (KOSPI) added 290.86 points, or 3.55 percent, to close at 8,476.15, after hitting a new intraday high of 8,615.09.

Trade volume was heavy at 701.5 million shares worth 73.7 trillion won (US$48.9 billion), with losers outnumbering winners 686 to 205.

Foreign and individual investors unloaded local shares worth a net 1.04 trillion won and 1.4 trillion won, respectively, while institutions scooped up a net 2.37 trillion won.

The index restarted its record-breaking run after losing 0.53 percent the previous day. The KOSPI had risen for four consecutive sessions starting May 21, breaching the 8,000-point level for the first time Tuesday.

Overnight news reports that the United States and Iran had reached an agreement to extend the current ceasefire for 60 days and resume talks on Tehran’s nuclear program pushed up the index.

AI shares were boosted by the latest reports that Nvidia Corp. founder Jensen Huang plans to visit South Korea next week.

“Backed by gains in major stocks, the KOSPI rallied on news of Jensen Huang’s planned visit,” said Lee Kyung-min, an analyst at Daishin Securities. “Stocks related to Huang’s Korean visit closed in positive territory.”

Market bellwether Samsung Electronics jumped 5.84 percent to 317,000 won, and its chipmaking rival SK hynix advanced 1.92 percent to 2.33 million won.

LG Electronics shot up 29.93 percent to 293,000 won, and internet giant Naver surged 14.15 percent to 234,000 won. The two companies were reportedly on the top of Jensen Huang’s Korean schedule.

Top carmaker Hyundai Motor rose 6.79 percent to 723,000 won, and its auto parts affiliate Hyundai Mobis moved up 11.95 percent to 768,000 won.

Leading battery maker LG Energy Solution advanced 3.62 percent to 458,000 won, and pharmaceutical giant Celltrion gained 1.53 percent to 192,900 won.

However, major bank share Hana Financial Group retreated 0.17 percent to 115,100 won, and food giant Nongshim was down 0.77 percent to 385,000 won.

The Korean won was quoted at 1,507.9 won against the U.S. dollar at 3:30 p.m., down 5.1 won from the previous session.

Bond prices, which move inversely to yields, closed higher. The yield on three-year Treasurys fell 3.5 basis points to 3.731 percent, while the return on the benchmark five-year government bonds dropped 6.8 basis points to 3.924 percent.

Copyright (c) Yonhap News Agency prohibits its content from being redistributed or reprinted without consent, and forbids the content from being learned and used by artificial intelligence systems.

Source link

Florida’s ‘Alligator Alcatraz’ migrant detention centre to close | Donald Trump

NewsFeed

The US is set to shut down the federal migrant detention centre known as ‘Alligator Alcatraz,’ with detainees expected to be transferred by early June. It comes after allegations of abuse, including migrant disappearances, and restricted medical access.

Source link

Outdoor waterpark forced to close lido at short notice after temperatures hit 33C

Blackpill Lido, Swansea with water features and people relaxing.

A UK waterpark has closed suddenly as the country experiences 33C heat.

Blackpill Lido in Swansea, Wales, is a popular spot that is free for visitors – and is even more popular with the current heat the UK is experiencing and the half-term holidays.

Blackpill Lido, Swansea with water features and people relaxing.
Blackpill Lido in Swansea has closed after damage to the pool floor was found Credit: Supplied

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel.

However, Swansea Council was forced to drain the lido yesterday after the pool floor became damaged.

It is the pool’s second closure in the past month, following sprinklers being stolen from the lido earlier this month.

According to Swansea Bay News, the council revealed that they had been forced to drain the pool on Tuesday after parts of the pool flooring came away.

Read more on travel inspo

TRAVEL TIP

The £2.99 SIM hack that can save Brits HUNDREDS abroad


GO ON

All the little-known websites for cheap or FREE tickets to gigs, theatre & festivals

A spokesperson for the council said: “Sadly the Lido at Blackpill will be closed for a number of days due to a technical issue.

“Sincere apologies for any inconvenience this has caused and thank you for your understanding.”

In a later update, a council spokesperson added: “Unfortunately, the lido’s flooring has come away in some areas and we’re looking into how it happened.

“We’re aiming to get it fixed as quickly as possible over the coming days and then we’ll refill the lido.”

The council also revealed that even once repair works are complete, it could take a number of days to refill the lido, which will prolong the closure.

Currently, no expected reopening date has been announced.

Blackpill Lido underwent refurbishment in recent years, including launching new water features.



Source link

Mary Earps close to WSL return as Paris St-Germain exit nears

London City Lionesses are an ambitious club under owner Michele Kang and had a steady debut campaign in the WSL, finishing sixth after eight wins from 22 matches.

Sources at the club say an agreement with Earps has not yet been made, but they remain optimistic about their summer business.

Eder Maestre’s side have been linked with several players including Barcelona defender Mapi Leon and England winger Beth Mead, who announced her departure from Arsenal this week amid additional interest from Manchester City.

Earps is one of a number of big-name players potentially available on a free deal this summer, with Arsenal’s Mead and Katie McCabe leaving, Barcelona’s Alexia Putellas yet to sign a new contract, Sam Kerr departing Chelsea and Manchester City top scorer Khadija Shaw rejecting contract renewal proposals.

During her time in England, Earps became one of the country’s most recognised and influential players, though her book – released in November – caused controversy and dominated headlines in the media for several weeks.

Source link

Europe Vies To Close Stablecoin Gap

France pushes euro stablecoins and tokenized deposits as EU banks race to close the gap with dollar-led digital payments.

France is pressing European banks to accelerate the development of euro-denominated stablecoins, as policymakers grow concerned that the region might fall further behind the U.S. in the shift toward digital payments and tokenized finance.

Recently, French Finance Minister Roland Lescure publicly called for more euro-based stablecoins and urged banks to explore tokenized deposits, saying the limited circulation of euro-pegged tokens compared with dollar-backed alternatives was “not satisfactory,” during a pre-recorded address to a crypto industry conference.

Meanwhile, a consortium of European banks, called Qivalis, plans to launch a more competitive alternative to dollar-pegged stablecoins in the second half of this year, subject to approval from the Dutch central bank.

Qivalis, which includes banks like ING, UniCredit, and BNP Paribas, was formally unveiled in December and has received continued praise from European authorities. Referring to the initiative, Lescure said, “That is what we need, and that is what we want.” At the same time, he strongly encouraged banks to further explore launching tokenized deposits.

Enter Fireblocks

Late in April, the consortium selected Fireblocks as the technology provider for its planned MiCA-compliant euro stablecoin, a step that provides it with the tokenization, wallet, and settlement infrastructure needed to move the project from planning to a planned launch in the second half of 2026.

Around the same time, Societe Generale’s digital assets unit, SG-Forge, said it was expanding its crypto client base to 15 firms, including exchanges, brokers, and wallet providers, showing that bank-linked activity is growing but remains small.

Stablecoins are already widely used in crypto trading and are increasingly being explored for settlement, cross-border payments, and liquidity management, but the market remains overwhelmingly dollar-based as industry participants debate whether euro-pegged coins face demand or regulatory constraints.

Recent research from RBC Capital Markets found that two-thirds of European banks surveyed still view demand for euro-pegged stablecoins as limited. Conversely, Jean-Marc Stenger, CEO of SG-Forge, has argued that a better-regulated infrastructure remains a key condition for broader adoption.

“[There is] a very, very strong need for well-regulated, robust offering in the crypto and stablecoin space,” he said in an interview with Reuters.

Source link

Frenchie actor Tomer Capone says goodbye as ‘The Boys’ comes to a close

This article contains spoilers for the penultimate episode of “The Boys.”

There’s just one episode to go in the fifth and final season of Prime Video’s irreverent superhero satire, “The Boys.” The topical, darkly funny, whip-smart series from Eric Kripke follows a band of vigilante misfits who fight to expose the all-powerful, corrupt conglomerate Vought International and its stable of villainous superheroes.

Among the ragtag crew of antiheroes is Frenchie, played by Tomer Capone. Frenchie is the de facto chemist and inventor of the group, a former assassin for hire whose drug-addled brain is constantly concocting news ways to kill immortal Supes (superheroes). Yet he’s deeply connected with the feral Kimiko (Karen Fukuhara), who was nonverbal when he helped save her from human traffickers who sought to cash in on her Supe strength. Their bond — both are outsiders who suffered abuse as children — is one of the few emotional soft spots in the otherwise fast-moving series about America’s rotten power structure, manipulative media and the gullibility of the public.

Though fans of the show are already mourning the end of “The Boys,” they were dealt another major blow Wednesday, when in Episode 7 beloved Frenchie met his fate at the hands of the sociopathic head Supe, Homelander (Antony Starr). Israeli actor Capone talks about the scene, the end of the show and how to cope with the loss of Frenchie. This conversation has been edited for clarity and length.

OK, so the big question first. Do you actually speak French?

En vous? Moi? [Laughs] OK, a little bit, but it’s a different kind of French. But that wasn’t the difficult part. Frenchie, to me, is one of those characters for an actor, that’s a gift. It’s something I prayed for. It’s a full-on character. He’s an outsider. He’s a foreigner. The way he walks, the way he talks. We can also talk about the crop tops and the hairstyle …

He’s a full-on character, and the French aspect was only part of it. There was also the sign language with Kimiko, and the connection. For me, the emotion and connection was the bigger aspect of portraying Frenchie.

Are you ready for all the tears of your fans once they witness Frenchie’s demise? He sacrifices himself to lure Homelander away from Kimiko. She is saved, but he is killed in the process.

Oh my God, I can’t watch it. I didn’t watch it. I can’t. I’m too involved.

A man wearing dark goggles and a pink sweater stands looking a stopwatch. A white board is behind him.

Tomer Capone on the scene with his character’s demise: “Oh my God, I can’t watch it.”

(Jasper Savage/Prime)

So you really haven’t watched the scene yet?

No. It’s the longest character I ever had in my career, and I can’t. Something tells me not yet.

When you shot that scene, was there an intensity on set? How did that play out?

Intensity is always around the show because there’s so much to accomplish doing “The Boys.” But funnily enough, that specific scene was the most tranquil and quiet set I’ve experienced. I remember standing there with the amazing people of the cast and crew, and we’re talking about how the scene is going to play out. I felt this quietness, like everybody was like inside themselves, so I started to get nervous. I said, “Oh my God, they’re expecting something.”

But very quickly, I decided that I’m just going release all the [plans], thoughts or ideas that I had about the scene. I literally went into this mantra that said, “Frenchie, here’s the keys. Drive the car.” And you know what? It was the right way to go. It made sense. It felt very respectful and spiritual. Those kind of scenes come once in never, where you feel like you’re letting the character drive, and you’re just gliding behind it.

“The Boys” is based on the 2000s comic book series of the same name by writer Garth Ennis and artist Darick Robertson. But the show is unlike any comic book adaptation out there. In fact, it mocks superhero culture.

The biggest gift of working [with] Eric Kripke, the writers and this show is that even as things are moving fast and big things are happening, they’re emotionally backed up. And as a character and an actor, it’s like, OK, I understand what I’m doing. This is the world and what we’re playing. You get where it is going, and why it needs to happen.

Were you surprised when you first learned about Frenchie’s fate?

I wasn’t surprised when I heard from Eric that Frenchie was continuing on to the big field [in the sky]. I had this feeling. I didn’t want to say it out loud. It’s like, at this point, the fifth season, we all felt it. We knew where it was going,

But Frenchie is the empathy and compassion of this series. I actually cried when he was killed off. The empathy is gone, and now we’re left with soulless, terrifying Homelander.

But Kimiko lives.

True, but I haven’t seen the finale. How does Kimiko go on without Frenchie?

Well, let me tell you… [laughs]. I can’t tell, but I can say that I do think Episode 8 is going to blow the audience and fans’ minds with where it goes. That’s the only thing I can say. It evolves into something that resonates.

When it comes to pushing the envelope, “The Boys” is renowned for going where most shows won’t. It drove a speed boat into the side of a whale, imbued superheroes with powers such as toxic vomit and a giant killer penis. Then there was the flying killer sheep. Was there ever a moment too far for you?

Almost every episode has those moments … I remember they told us about the whale, and they said they were still figuring out how. It was a surprise. So I’m driving to set, and it was a sunny day on the shore of Toronto, then all of a sudden, my windshield, everything is covered with this [big shadow], and I’m like what’s going on? Clouds? Is going to rain? The day is ruined! Then I look up and see them [trucking] in a real-size animatronic whale. People that had nothing to do with the show were stopping their cars and looking at this whale moving on the Toronto shore. It was like, OK, here we go.

And there was the musical sequence [in Season 3, Episode 5, when a hospitalized Kimiko imagines her and Frenchie dancing to “I Got Rhythm.”]. Karen and I were on set, and there’s like 30 professional dancers stretching behind us, beautiful and fresh and clean. And we’re looking at each other like, what is this show? What are we doing here? As an actor, you pinch yourself. It’s an experience.

A man in street clothes and a woman in a hospital gown lead a musical number set in a hospital in Amazon's "The Boys."

Frenchie (Capone) and Kimiko (Fukuhara) in Season 3’s musical number.

(Amazon Studios)

The musical number, did you actually have to practice the choreography for that?

Oh, day in and day out. I thought I knew how to dance. Apparently I needed some work. Luckily, Karen is a total badass in terms of her commitment, and we practiced it day and night, even working on it off set between other scenes, just working in the movements, trying to get it right. But I learned something very fun about myself. Usually, I don’t like to watch myself on screen, like a lot of actors don’t. From time to time, I would watch an action scene or me fighting because I want to see if I got the choreography right. And I learned that I can watch myself dance too.

With all the fighting in that show, that’s also requires quite a bit of physical acting.

We have the best stunt teams in the business. They made our life very easy compared to the crazy stuff we had to do. Saying that, I don’t miss the harnesses that they put on us. I will not miss that

Harnesses?

I remember when we shot the first episode where Frenchie, Hughie (Jack Quaid)and Mother’s Milk (Laz Alonso) are captive in the camp. And then I think Starlight flies me off out of the camp. It was like minus 40, snowing. We’re on our harnesses, and we’re just flying away. It’s an experience.

“The Boys” has brilliantly captured the political craziness in America, but told through the world of egotistical superheroes. For example, Homelander claimed he was lord and savior around the same time President Trump posted an AI image of himself as Jesus.

How they predicted some of the stuff, it beats me. You’re going to have to ask Kripke and his writers. But I love that the show tackles all that. For me, portraying Frenchie is about humanity. About how in chaos and in fear and in the craziness of “The Boys’” world, people still choose love and compassion and that’s really the heart of “The Boys.” Or maybe that’s just from Frenchie’s perspective, where it’s all about family, loyalty and protecting the ones you love.

How did you imagine the character of Frenchie when you first learned of the show?

When I got the audition, I didn’t know about the source material. I didn’t know about the novel, or the graphic comic book. So I went online, and I started researching Frenchie. And the first picture that came in was this buzz cut, crazy, goggle-wearing character. I said, what really? Frenchie specifically is illustrated and drawn so different from volume to volume. It gave me so much space to create something in between those worlds. Then picking the brain of Eric Kripke and building a whole story and backup story for the characters. We already knew, in a way, where it was going, so we had the privilege of understanding the arc of the bigger picture for “The Boys.”

Do you have a favorite Frenchie moment?

Yeah, I do, but it’s not what you might expect to hear. It’s from Season 1. There was this scene with Frenchie and Petit Hughie. Hughie comes out of his father’s house [and he’s upset]. I say that I understand because my father was bipolar too, and [he tried to smother me with a] Hello Kitty duvet. It’s just it’s one of those moments when we couldn’t get those two lines out. We kept breaking. I think it’s the longest scene Jack and I ever had in the show. It was something like 14 takes. All the cast and crew were breaking too. It was like, should we just give it up? But I was fighting for it. No, I can do this! Now it’s a [fan] favorite quote. So that means a lot. I fought for that line!

Have you thought about how you’ll console distraught fans once they’ve seen Episode 7?

Oh, my God. Do you have any tips for me, please?

Sorry, no. I’m in mourning too.

Frenchie will live forever. Viva la Frenchie.

Source link

Premiership title race: What next as Hearts close on title?

The comeback win against Rangers was a huge hurdle cleared for Hearts on an emotional Monday evening at Tynecastle.

However, playing Motherwell at Fir Park this season is among the toughest tests in the league. Only Falkirk, twice, have won there and Motherwell have conceded just nine goals in 17 home games – the fewest of any side in the division.

Hearts put in a conservative performance to get a 0-0 draw in their other visit back in November.

But even the games at Tynecastle between the sides have been keenly contested.

Motherwell were 3-0 up and cruising in August before Claudio Braga inspired a remarkable comeback to earn a draw, in a sign of things to come for the Hearts.

Then Motherwell pushed Hearts to the final few moments last month before succumbing to a 3-1 defeat. Had the visitors been more clinical, it could have been a different result.

Motherwell have already derailed Rangers’ title challenge with a 3-2 win at Ibrox a fortnight ago, and Hearts will be well aware of the threat Jens Berthel Askou’s side pose.

Given Celtic visit Fir Park on Wednesday, Motherwell could well be the kingmakers as they chase fourth place and European football for themselves.

A Hearts victory would be a giant step towards history and ensure Celtic have no room for error. So far the men in maroon have handled everything thrown at them.

Source link

One of the UK’s oldest airports that was forced to close 67 years ago

THE UK’s first international airport was forced to closed more than 67 years ago – but there is a way to visit it.

Croydon Airport in Surrey which was originally named London Terminal Aerodrome, first opened on March 29 in 1920.

Croydon Airport in Surrey has been turned into a museum Credit: Alamy
It was once the biggest airport in London until its closure in 1959 Credit: Alamy

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel. 

The airport was developed for the efforts of World War I and is known as the birthplace of the ‘Mayday’ emergency call when it was created in n 1923 by F.S. Mockford, Croydon’s Senior Radio Officer.

Croydon Airport was even Britain’s main international airport from 1920 until the outbreak of World War II in 1939.

However, Croydon Airport officially closed on September 30, 1959 as it didn’t have enough space to accommodate the larger, faster aircraft after World War II.

GO ALL IN

Turkey has crazy cheap all-inclusive holidays this summer – 7 nights from £329pp


GO GREEK

Five cheapest Greek hols islands as country lets Brits SKIP huge EU airport queues

But all of this history can now be explored at the airport site which has since been transformed into a museum inside its former terminal and control tower.

The Croydon Airport Visitor Centre is a volunteer led micro-museum which is open to the public on the first Sunday of every month.

Visitors must book in advance onto a guided tour – which takes around an hour – with free time afterwards to explore the museum without the guide later on.

On Tripadvisor, people praised the attraction, with one calling it a “gem of a place”.

They added: “Guides are very knowledgeable and friendly and the history is still kept alive. Great for young and old alike.”

The next open day will be on June 7, 2026.

The airport museum is open to the public on the first Sunday of every month Credit: Alamy

Tickets for open days are usually on sale two weeks prior to the event, and you can book in advance on the website. Tickets for adults start from £10 and children from £2.50.

The airport was once home to airlines like Imperial Airways, the predecessor to British Airways.

Passengers could fly from Croydon Airport to European cities like Paris, Amsterdam, Rotterdam, and Berlin – it then provided long-haul routes to the likes of India, Africa, the Middle East, and even Australia.

Famous faces even used the airport during its heyday including Winston Churchill, who took flying lessons there, and Amy Johnson who took the record-breaking flight to Australia in 1930.

The site was even home to the world’s first airport hotel, the Aerodrome Hotel, with the development costing around £267,000.



Source link

All of the airlines that have been forced to close this year

THREE airlines officially went into liquidation this year with many passengers having their flights affected.

Here’s everything you need to know.

Spirit Airlines ceases global operations amid fuel cost pressures
Spirit Airlines went into liquidation earlier this year Credit: EPA
Illustration of two Ecojet airplanes flying above clouds.
EcoJet had the aim of being the world’s first electric airlineCredit: Ecojet

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel. 

Spirit Airlines

Just days ago, US airline Spirit Airlines announced it was shutting down and would be cancelling all of its flights.

The budget carrier had been in talks with the US government about securing a rescue deal to save it from collapse, but in early May announced its liquidation.

The airline said on its website it had “started an orderly wind-down of our operations, effective immediately”.

GO ALL IN

Turkey has crazy cheap all-inclusive holidays this summer – 7 nights from £329pp


GO GREEK

Five cheapest Greek hols islands as country lets Brits SKIP huge EU airport queues

Spirit had filed for its second bankruptcy in recent years – but experts said rising fuel costs caused by the war in Iran had pushed it over the edge.

According to The Independent, the airline had over 4,000 domestic flights scheduled through mid-May and has refunded most of its customers.

Ascend Airways

Ascend Airways went into liquidation in late April.

The airline provided aircraft for other carriers, with previous ones including Oman Air, Air Sierra Leone and Tui Airways.

A company email suggested a combination of economic pressure, soaring UK costs and a lack of contracts was the cause of the collapse.

An insider told Sun Travel: “It’s to do with the economy, we couldn’t get contracts, the UK is a lot more expensive than Europe.

The fuel situation had a massive effect on it as well.

EcoJet 

Earlier this year, Edinburgh’s EcoJet went bust – without ever actually launching a flight.

It was founded in 2023 by entrepreneur Dale Vince and with the aim of being the world’s first electric airline.

In early May, The Herald reported that Opus Restructuring were appointed the formal liquidators for the firm. 

A spokesperson said: “EcoJet was a start-up business and has no material assets.

“The members have elected to fund the liquidation process to ensure that the company’s employees receive their full statutory entitlements.”

EcoJet had planned flights from Edinburgh to Southampton and wanted to launch other journeys across Europe – but the flights never took off.



Source link

Argentina’s Lucrecia Martel sticks close to home with first doc ‘Our Land’

On one of her previous visits to Los Angeles, Argentine filmmaker Lucrecia Martel found herself having a smoke on Hollywood Boulevard.

There, while she stepped over the famous concrete-embedded stars, an unhoused man struck up a conversation with her.

“He kept explaining to me that he was poorly dressed because he was currently living on the street after someone robbed him, but he had written a screenplay,” Martel, 59, recalls in Spanish over coffee on a morning in April at a West Hollywood hotel.

“He told me they had stolen a watch from him — not a Rolex but a known brand,” she continues. “The whole time he was trying to convince me he was a millionaire who just so happened to be on the street because of random circumstances.”

One of Latin America’s most indispensable storytellers, Martel is fascinated by how prevalent that dream still is in L.A. — that movies can change your life overnight.

“That particular fantasy is par for the course in this city,” she says, though she’s not above it. It’s the reason she’s back to promote her first documentary, “Our Land,” out Friday.

Unhurried when it comes to her output, Martel has only made four fiction features, among them 2001’s “La Cienaga” and 2008’s “The Headless Woman” (returning to theaters this month in a new 4K restoration). Her biting and formally audacious narratives examine class, politics and — a speciality — the interiority of women through enigmatic portraits of psychologically complex individuals.

“Our Land,” a piercing indictment of the enduring wounds of colonialism, chronicles the murder of Indigenous Argentine activist Javier Chocobar in 2009 and the prolonged trial of the perpetrators in 2018.

Chocobar was shot during a confrontation with armed men over land in the Tucumán province of Argentina where the Chuschagasta Indigenous community has lived for many generations. Martel explores the killing not as an isolated event in her country’s recent past but as part of a long history of dispossession.

“Racism is a foundational element,” she says of her homeland. “The only consistent thing in Argentina, from the country’s birth to the present day, is the rejection of Indigenous people.”

In Argentina, Martel explains, public education has indoctrinated the population into believing Indigenous people no longer exist. Yet many Argentines proudly claim a connection to the Europeans, Italians in particular, who arrived in the country in the late 1800s and early 1900s.

“When giving speeches, our presidents always say, ‘We are a country of immigrants,’ or ‘We came from the boats,’” says Martel. “They use metaphors like these because deep down Argentines feel much more indebted to European immigration than to our Indigenous population. But more than half of the people in Argentina have Indigenous ancestors.”

In 2020, Chocobar’s three convicted murderers appealed their guilty verdicts and were set free. “Our Land” premiered at the Venice Film Festival in September 2025, which brought renewed attention to the case. A month later, the sentence was upheld and two of the men returned to prison (one died in the interim).

Martel believes that outcome was a response to her film. “Communities wage the fight but cinema helps,” she says.

A woman with a cane leans against a leafy backdrop.

“I believe that we must use cinema for its enormous power to alter perception and not soothe the rich,” Martel says. “It’s not about delivering a message but rather about showing how an idea functions.”

(Jason Armond / Los Angeles Times)

For over 14 years, Martel worked on “Our Land” on and off. This time included periods when she focused on 2017’s “Zama,” her masterful period piece following a Spanish official in 18th century Argentina “who doesn’t want to be American,” she says, referring to the continent. In her mind, both “Zama” and “Our Land” come from the same impulse to dissect colonialism.

As part of her research process, Martel and her team created a detailed archive of documents related to the case that the Chuschagasta community now has at its disposal. Over the years, Delfín Cata, one of the Indigenous men present during the attack, would call Martel. He never asked about how her film was going, but the director sensed he was tacitly checking in on her progress, hoping that she was not losing faith.

“That was a confirmation that, beyond my own interest, there were people who needed this film,” she says. “I felt the immense satisfaction of knowing I was doing something that would be concretely useful.”

For Martel, the question of whether she was the right person to make this film (one she got in Venice) seems unfair. “It’s wrong to prevent a human being from speaking about their own history because they are not a woman, because they are not Black, or because they are not Indigenous,” she says. “It’s better to make mistakes trying to understand something than not to try at all. The chances of making a mistake are enormous in a film, no matter how good your intentions are.”

A key piece of evidence in the Chocobar case, prominent in the film, is a video that one of the attackers filmed, presumably expecting the Indigenous community to react violently, to justify firing his gun at them. The Chuschagasta men that faced them weren’t armed. As used by their aggressors, the camera functioned as a weapon.

Hollywood feels incompatible with Martel’s sophisticated, confrontational movies rooted in her country’s troubles. By Martel’s own admission, it doesn’t feel like a fit for her.

“I would have to force myself to create something outside my own country, outside my own language,” she says. “And that doesn’t really appeal to me.”

Still, Marvel Studios famously asked to meet with her when seeking a director for 2021’s “Black Widow.” Martel says she was among many directors they contacted, but she was curious to take the meeting even if she knew nothing would come of it.

“They wanted to do it over Zoom and I happened to be here in Los Angeles,” she remembers. “I told them I could come in, because I wanted to see what the whole process was like.”

Martel describes the month she spent in L.A. — an eye injury prevented her from flying home sooner — as a “lot of fun in the end,” even if no blockbuster emerged from it. More recently, another Hollywood offer did tempt her, but she ultimately passed.

“It was a good book suggested to me by an actress of undoubted talent,” Martel shares, careful to avoid names. “I considered it, but you very quickly have to picture yourself spending three years or at least a year and a half living in the United States making a movie. I have a thousand things in Argentina to worry about.”

Still, Hollywood, and its significance to moviemaking, has a singular, unnerving allure on her. Two of Martel’s favorite movies set in L.A. are David Lynch’s nightmarish “Mulholland Drive” and Robert Aldrich’s psychodrama “What Ever Happened to Baby Jane?”

“There is something ruthless and utterly devoid of sanity at the heart of this film industry, and I’ve never felt that darkness as clear as in ‘Mulholland Drive,’” she says. “How can an industry that handles so many millions [of dollars] and such impeccably dressed famous people be so full of lunatics? That film captures that perfectly.”

And occasionally, she thinks, a big production breaks the mold, such as Todd Phillips’ “Joker,” which won the Golden Lion at the Venice Film Festival in 2019 when Martel served as jury president — a controversial choice.

“It certainly had an impact on me,” says Martel. “I didn’t vote for it, though. I had another favorite, a Chinese film that stood no chance of winning.”

Phillips, she thinks, created a premonition for what was to come. “For me, the real killer clowns are Trump, Milei or Orbán,” Martel says, referring to polarizing leaders. “They expose themselves to ridicule and spout all sorts of nonsense. Those are clowns. And I think that movie captured that.”

Not one to mince words, Martel elaborates on the relation of Joaquin Phoenix’s social outcast turned supervillain and President Trump.

“The origin of the Joker is social resentment,” she says. “Trump holds no resentment toward society because the system gave him everything. But he has exploited the people who do harbor resentment. That is where you see the kind of clown he is, one who knows how to use people.”

Artificial intelligence, far-right ideologies, voracious capitalism — all of it makes Martel alarmed, seeing it as pushing us collectively to the brink of collapse. But there is hope, she thinks.

“What we have invented is very dangerous but we can dismantle it,” she says. “That is the only thing I’m betting on, that, at some point, a consensus will emerge and we’ll go, ‘Let’s not do this.’”

“I believe that we must use cinema for its enormous power to alter perception and not soothe the rich,” she says. “It’s not about delivering a message but rather about showing how an idea functions.”

She points to one of her subjects in “Our Land,” an Indigenous man who told her he loves the 1959 Charlton Heston epic “Ben-Hur,” a passion she does not share but understands.

“That’s a blow for all of us who make auteur cinema,” Martel says with a laugh. “That feeling that ‘Ben-Hur’ evoked gave him the strength to continue fighting for his community’s territory.”

The night before our interview, Martel rode around L.A. on a scooter holding onto a friend. These days she uses a cane to help her with mobility. “The city has great light,” she says, still open to being surprised by it.

Source link

Last gambling resort in Primm, Nev., is set to close by July

Primm Valley Resorts, the last full-time casino among a cluster of three off Interstate 15 in Primm, at the California-Nevada border, is permanently closing, according to a termination notice sent to employees on Tuesday.

The letter, posted by Las Vegas insider publication Las Vegas Locally, noted that employees who worked at Primm Valley would be let go by July 4. It’s not known if the casino will close that day or before.

An email to Primm Valley Resorts owner Affinity Gaming was not immediately returned.

Primm Valley was the last of three operating casino resorts in Primm, formerly known as State Line. The castle-shaped Whiskey Pete’s opened in 1977, followed by Primm Valley in 1990 and Buffalo Bill’s in 1994.

In a letter to the Clark County Board of Commissioners, Erin Barnett, Affinity’s vice president and general counsel, wrote in October 2024 that “traffic at the state line has proved to be heavily weighted towards weekend activity and is insufficient to support three full-time casino properties.”

Along with Primm Valley Resorts, Primadonna Co. LLC, owned by Affinity Gaming, is closing the Primm Center gas station and the Flying J truck stop located at Whiskey Pete’s; that casino closed in December 2024.

The termination notice comes nearly a year after Affinity Gaming ended 24/7 operations at Buffalo Bill’s Resort on July 6. The casino opened on days in which its concert venue, the Star of the Desert Arena, hosted special events.

Lights glow on the Buffalo Bill's Resort and Casino sign on July 6, 2025, in Primm, Nev.

Lights glow on the Buffalo Bill’s Resort and Casino sign on July 6, 2025, in Primm, Nev.

(Bridget Bennett / For The Times)

It’s unclear what happens to music and magic acts booked until July 25.

It’s not known how long other Affinity-owned properties in the area, such as the popular Lotto Store on the California side of the border, will continue to operate. Nevadans have been known to drive for several miles and wait in long lines to buy Powerball tickets, particularly when jackpots creep into 10 figures.

The notice informed employees “this action is expected to result in the permanent termination of employment for all employees at these locations.”

As late as September, Primm Valley Resorts emailed media members promoting renovated rooms and signature experiences at its final resort.

Primm once shined as one of Nevada’s more popular gambling resorts. The three-casino complex served as a less expensive, less flashy, slightly more kitschy alternative to Las Vegas that benefited from being a good 45 minutes closer to Los Angeles than Sin City.

Several factors have contributed to Primm’s slow decline, including the COVID pandemic and increased competition from casinos popping up on tribal lands in California.

Those newer casinos are easier to get to than Primm from key Southern California population centers, reducing the value proposition.

Source link

Christine McGuinness ‘grows close’ to Strictly star & Olympian after opening up about having sex with women

CHRISTINE McGuinness is reportedly growing close to a Strictly star and Olympian after opening up about having sex with women for the first time.

Mum-of-three Christine, 38, who finalised her divorce from ex-Top Gear host Paddy, 52, in 2024, is getting close to Olympic boxing star Nicola Adams, 43, according to The Mail.

Christine McGuinness is rumoured to be dating Nicola Adams Credit: Getty
Nicola Adams is an Olympian boxer and Strictly star Credit: Getty

Christine and Nicola attended The DIVA Awards 2026 recently, which is an event which celebrates the achievements of LGBTQIA women and non-binary people.

An onlooker told the paper: “They were inseparable and looked like they were a couple.”

The pair now also follow each other on social media.

Nicola split from her partner of seven years, Ella Baig, in March 2025.

Read More about Christine

‘I KISSED A GIRL’

Christine McGuinness opens up about having sex with women for first time


racy reveal

Christine McGuinness reveals secret to ‘controlling sex drive’ & bondage romps

Christine shares three children with her ex Paddy Credit: Alamy
Nicola split from her partner of seven years, Ella Baig, in March 2025 Credit: AFP

The Sun reached out to both Christine and Nicola’s representatives for comment, but they did not immediately respond.

This comes after Christine opened up about dating women last week.

“I would love to have a wife one day,” Christine explains on new podcast It Started With A Kiss.

“Not like a legalised marriage, but like a blessing, a celebration of love.

“I’ve been there, done it, spent an absolute fortune and probably aged about ten years throughout it all.

“I don’t want to do that again.

“I would love to just be saying, ‘This is my wife.’”

Elsewhere in her chat, Christine said: “I’m a sucker for a stud and a masc.

“I swear they come for me.

“This one date, well, it wasn’t a date, it was when I did the whole hotel thing and not the whole date thing.

“Because I didn’t want to ever just meet someone and it just be sex, but then kind of did find myself in a place in life where I was like, ‘Do you know what? I actually do just want to do that.’

“I’ve been married, I’ve had situationships, I was single, I was celibate for six months, and with all of that, I just had a moment of, ‘Do you know what, I wouldn’t mind just meeting up with someone and just seeing how it goes.’

“So I got to this hotel and I’m thinking, ‘This is just sex, it’s fine.’

“She was very, very beautiful, like that perfect, pretty, handsome, like masc stud type woman, really gorgeous, dark skin, like she had everything.”

Christine adds: “We’re just chatting away and she said that she was a Gold Star Lesbian.

“So I’m like, love that, love a Gold Star Lesbian.

“I went, ‘Stop . . .  because you might be a Gold Star Lesbian, but I’m a Five Star Lesbian.’”

Of her first kiss, Christine is just as open, saying: “The first time I kissed a woman, again after my husband and no disrespect to him, it had been a while.

“I remember that first kiss just being so soft and so nice and so feminine.

“I knew I always felt it and it wasn’t something that I was worried about never doing again because when I married, I married for life, genuinely.

“But I was really happy that I was doing it again.

“And I’m really happy that now I am dating women again and that I am having fun.

“I’ve got some of the best stories, some of the wildest memories, like the craziest experiences that only I and one other person would ever know.”

Christine chose to speak about wanting to date men and women after signing up to E4 TV series Celebs Go Dating in April last year.

It came after Christine and Paddy announced their separation in 2022.

Source link

US Imperialism Enters a New Stage: The Left Needs to Take a Close Look at It

The US empire has opened multiple fronts in recent months. (Edgar Serrano)

Donald Trump’s rhetoric and actions against Iran, Venezuela and Cuba over the last year have few parallels in modern history. They have to be seen as marking a new stage. As such they call for a reevaluation of analysis and strategy on the part of the Left.

Trump’s repeated threat to bomb Iran “back to the Stone Ages where they belong” is unmatched by the rhetoric of even the most notorious and brutal heads of state over the recent past. Decapitating the entire leadership of a country to compel total submission, as Washington and Tel Aviv have done in Iran, is also a novelty in war strategy. The kidnapping of Venezuela’s president and First Lady as a first step in attempting to establish a colonial relationship by taking complete control of the country’s principal source of revenue, namely petroleum, represents a throwback to practices associated with centuries-old imperial rule

These are examples of “hyper-imperialism,” a concept theorized by Samir Amin to describe the United States “as the sole capitalist superpower.” More recently, the Tricontinental: Institute for Social Research has observed that U.S. hyper-imperialism persists despite a marked erosion of its economic and, though to a lesser extent, financial power. Its military supremacy is not only unrivaled, but is complemented by hybrid warfare, most notably “hyper-sanctions” and the use of lawfare.

What needs to be added to the concept of hyper-imperialism, particularly Trump’s version of it, is its sui generis nature. To find a parallel for the kind of hegemony the United States now exercises – highlighted by the continuous indiscriminate use of force and the threat of it – one would have to look back to the Roman empire or even earlier. One of Trump’s innovations is his deployment of the military to reinforce the system of economic sanctions, examples being the interdiction of oil tankers, the quarantine of Cuban oil, and full-scale war against Iran.

Trump II’s foreign policy hardly represents a complete break from the past. The groundwork was laid by past Democratic and Republican administrations. However, his actions force the Left not only to reformulate strategies, but to reconsider past evaluations and analyses of nations of the Global South subjected to extreme forms of imperialist aggression. The resistance to U.S. aggression must be given greater weight when evaluating governments. In addition, the popular desperation and exhaustion that erode revolutionary fervor and distance people from those same governments should be understood in light of the daily trauma people endure as a direct result of imperialist actions.

What Trump’s hyper-imperialism tells us

The starting point is to recognize that since Trump’s return to the White House, Iran, Venezuela and Cuba have been in a de facto state of war, which is an escalation of the multiple forms of hostility and aggression of past years. This is key to how all three nations should be judged. While the Left’s commitment to democracy needs to remain unquestionable and unwavering, in these cases primary responsibility for democracy’s somewhat uncertain prospects lies with the siege imposed by imperialist powers. No one other than James Madison said “Of all the enemies to public liberty, war is perhaps the most to be dreaded.”

The encirclement imposed by hyper-imperialism on Iran, Cuba, and Venezuela illuminates salient features of imperialism going back in time: first, Washington has honed the sanctions regime into a powerful tool, sometimes inflicting damage comparable to armed intervention; second, imperialism is the principal driver of the pressing economic problems facing the three nations; third, the justification for the actions taken against the three nations does not hold up under scrutiny; and fourth the brutality of the sanctions system underscores the need for its complete elimination. The discussion below looks at these points.

Tehran’s response to Operation Epic Fury underscores the crushing impact of sanctions. The nation’s leaders have made clear that the lifting of sanctions – as well as “international guarantees of U.S. non-interference” in the nation’s internal affairs – is a non-negotiable condition for ending the current conflict. That is to say, the Iranian leaders place the destruction caused by the sanctions on a similar footing as the bombs.

In the case of Venezuela, the events leading up to the abduction of Nicolás Maduro and Cilia Flores on January 3, 2026 reveal the far-reaching and highly coordinated machinery underpinning the sanctions regime. The second Trump administration’s tracking of the “ghost fleet” carrying Venezuela’s sanctioned oil—and its interdiction of several of those vessels— underscores how far Washington has gone in perfecting sanctions enforcement since the early years of the Cuban Revolution.

The first Trump administration pioneered in promoting “overcompliance” in which Washington’s well-publicized monitoring was designed to assure that companies and financial institutions world-wide would shun all transactions with Venezuela, even ones not specifically targeted by the sanctions. The aim was to impose a veritable blockade. Mike Pompeyo and Elliot Abrams spearheaded a campaign – drawing on the FBI, the Treasury, U.S. embassies, and the intelligence community – to scrutinize the dealings of companies worldwide with Venezuela, in what amounted to a warning shot to companies throughout the world. Even firms that engaged in oil-for-food swaps, which were not proscribed by the sanction regime, were warned that they ran risks. Companies under investigation were likewise told that penalties could be suspended if they halted all dealings with Venezuela.

A retrospective look at the first Trump administration’s sweeping enforcement measures and their devastating impact reinforces the argument that the sanctions have been so harmful that they need to be dismantled unconditionally and entirely. This position contrasts with that of liberals such as the Washington Office on Latin America (WOLA), which criticized the sanctions against Venezuela yet called for using “negotiations to flexibilize financial and oil sanctions” as leverage to secure concessions. Indeed, power brokers in Washington also favored sanctions relief as a bargaining tool to push the Maduro government to enact market-oriented reforms to the benefit of U.S. capital.

A full grasp of the scale and severity of Washington’s “war” on Venezuela undercuts the notion upheld by some on the left who argue that the sanctions were no more to blame for the nation’s pressing problems than government mismanagement. An even harsher position on the left affirms that the sanctions “do not explain the root causes of the societal collapse we have lived through.” 

Likewise, the forcible removal of Maduro and Flores demonstrates that Washington was intent on dismantling a government whose example and policies ran counter to U.S. interests. Prior to the January 3 kidnapping, some on the left in Venezuela and elsewhere denied that Washington sought to remove Maduro from power because they were convinced that he had effectively sold out. But they were wrong insofar as Washington clearly wanted Maduro out. Pedro Eusse, a leading member of the Communist Party of Venezuela (PCV), which broke with the Maduro government in 2020, wrote in July 2025, “Everything indicates that the true intention of the US and its allies’ policy of aggression toward the Venezuelan government has not been its overthrow, but its subordination.”

In the case of Cuba, the extreme measures of the Trump II administration against the nation also shine light on the cruelty and effectiveness of the system of sanctions per se. Trump’s navy-enforced quarantine on oil shipments is a first for the nation since the October 1962 missile crisis. The result has been recurring 16-hour blackouts that have disrupted water delivery, hospital operations, food production, and garbage collection.

The quarantine spotlights Cuba’s near total dependence on oil, in contrast to nearby Jamaica and the Dominican Republic, which generate a significant share of their electricity from coal and natural gas. The dependence stems precisely from the sanctions, which impeded imports and pushed Cuba into relying almost entirely on Venezuelan oil—only for Trump to cut off that supply too.

Indeed, the quarantine underscores Cuba’s reliance on Venezuelan oil and the reciprocal solidarity that saw fuel exchanged for Cuban medical personnel. That’s a plus for Maduro. The program undercuts the claim of some on the left that Maduro’s foreign policy, in the words of the PCV, never moved beyond an “anti-imperialist rhetoric” without substance.

The Washington-crafted narrative on Cuba and the reaction to it by the mainstream media and the Left are curious. In contrast to the demonization directed at Venezuela and Iran, Washington’s condemnation of Cuba has been relatively hollow and has gained little traction in mainstream outlets or left-leaning circles. The anti-Cuba vilification—driven by hardline anti-Communism—remains largely confined to the far right, epicentered in Miami. The official rhetoric is a departure from the wording in 1982 when the State Department designated Cuba as a State Sponsor of Terrorism due to “its long history of providing advice, safe haven, communications, training, and financial support to guerrilla groups and individual terrorists.” Now the Trump administration’s justification for the same designation is that the Cuban government grants “safe harbor to terrorists” and refuses to extradite them.

As false as the narco-terrorism case against Maduro is, it nonetheless offered a rationale that undoubtedly resonated with at least a slice of public opinion. Compare that to Marco Rubio’s line on Cuba which flatly denies the catastrophic effects of the oil quarantine. Rubio claims “we’ve done nothing punitive against the Cuban regime” and adds, the blackouts “have nothing to do with us.” Instead Rubio faults the Cuban leadership on grounds that “they want to control everything.” A classic case of victim-blaming, but with few buying into it. A YouGov survey in March found that only 28 percent of U.S. adults support the U.S.’s blocking of oil shipments to Cuba, as opposed to 46 percent opposed.

In addition, Rubio’s assertion that the only novelty is that Cuba is “not getting free Venezuelan oil anymore” is blatantly fallacious. Rubio is well aware of Venezuela’s swap with Cuba involving the latter’s International Medical Brigades, which maintain a sizeable presence in Venezuela and elsewhere. This is precisely why Rubio has vigorously attempted to sabotage the program throughout the region, unfortunately with a degree of success.

If the oil quarantine demonstrates anything it’s that the hardships facing the Cuban people are rooted in Washington’s war on Cuba, now going on 65 years. Criticism of Cuban government policies, or of socialism itself, comes in a distant second place.

The Trump II disaster should be an eye opener

Trump’s bullying offensive abroad has fueled mounting opposition to interventionism and has even fostered anti-imperialist sentiment in the United States. Just one week into the 2026 Iranian bombings, 53 percent of the U.S. population opposed the strikes, in sharp contrast to U.S. military involvement in Vietnam, the Gulf War, Afghanistan, and Iraq, which enjoyed large majority support at the outset. That the former editor of The New Republic called the U.S. war on Iran imperialistic is telling. In a New York Times op-ed, Peter Beinart wrote “Donald Trump’s foreign policy vision is imperialism.”

One lesson of recent events is particularly relevant for the Left: the demonization of heads of state is a sine qua non for military intervention. In the case of Iran and Venezuela, the discrediting combines some fact with a large dosage of fake news. In the case of Maduro, the demonization which dates back to shortly after he assumed office in 2013, was taken to higher levels as a result of the controversial presidential election of July 28, 2024, which the opposition claimed was fraudulent. Subsequently the corporate media consistently tagged the word “autocrat” and “dictator” onto Maduro’s name. Six months later, Trump was in office and the vilification escalated to a new pitch. Indeed, the branding of Maduro as a narco-terrorist was an indispensable prelude to the bombing of boats in the Caribbean and the subsequent kidnappings – notwithstanding the doubts raised by some media outlets regarding the veracity of the claim.

The takeaway is that the Left needs to distinguish between criticism and demonization and take cognizance of the possible dire consequences of the latter.

The demonization of Supreme Leader Ali Khamenei and his inner circle also set the stage for imperialist actions, but, of course, his government could not be placed in the same category as those of Cuba and Venezuela.

Furthermore, as in Venezuela and Cuba, harsh sanctions have been conducive to shadow economies, clientelistic networks, and fraudulent dealings, patterns well documented in numerous studies on sanctions throughout the world.

Eskandar Sadeghi-Boroujerdi, a prolific scholar on Iran who is highly critical of the government, told JacobinWhile the Islamic Republic is paranoid, it is also very much under siege from all sides.” He also notes the intrinsic relationship between the sanctions and the nation’s pressing problems: “Sanctions and structural weaknesses of the Iranian economy feed off one another — there’s a symbiotic relationship between them.”

In short, any serious reading of Iran must foreground the role of sanctions—an approach that inevitably tempers the tendency to cast its leadership in purely demonizing terms.

The lessons of July 28, 2024

The issue of the accurateness of the July 28, 2024 election tallies in Venezuela needs to be reframed. Those elections could not have been democratic, regardless of the announced results, because Venezuelan voters had a gun pointed at their heads: reelect Maduro and the sanctions continue; elect an opposition candidate and the sanctions will be lifted.

The overwhelming majority of Venezuelans knew full well what was at stake. Luis Vicente León – the nation’s leading pollster, himself a member of the opposition – reported that 92 percent of the population believed that the sanctions negatively impacted the economy, and most characterized the effect as “very negative.” (The poll puts the lie to the State Department’s repeated claim that the sanctions only harm government officials.)

A similar scenario played out in the Nicaraguan presidential elections of 1990 when opposition candidate Violeta Chamorro upset the Sandinistas in the midst of a devastating, U.S.-promoted civil war. But there was a fundamental difference. Far from demonizing the Sandinistas, Chamorro accepted a power-sharing transition agreement with them. In contrast, for over a decade prior to the July 28 elections the opposition’s main leader, María Corina Machado, had ruled out negotiations with those who had allegedly violated human rights. She never tired of voicing the slogans “no immunity,” ”no to amnesty,” “no agreements with criminals,” often with specific reference to the Chavistas and to Maduro himself. Maduro and his followers had every reason to fear the type of repression that the opposition initiated during the two-day abortive coup it staged in April 2002 against the Chavista government. Even opposition pollster León admitted that the fear was well-founded.

Marta Harnecker, the renowned leftist theoretician, wrote that the Sandinistas erred in holding the 1990 elections amid U.S. promoted violence and sabotage. Harnecker labeled the decision to organize elections “on terrain shaped by the counterrevolution” a “strategic error.”

A reevaluation and reinterpretation of the July 28 elections is instructive. The hard-core Chavistas accept the official results which showed Maduro winning with nearly 52 percent of the vote. The opposition refutes that claim. A third position is defended by supporters of Maduro who nevertheless express skepticism and point out that because of a massive hacking attack from outside the country, it may be impossible to ever know the true count.

The debate about the accuracy of the official results of July 28 sidesteps the overriding issue of whether the elections should have been held in the first place. Indeed, the idea of conditioning elections on the lifting of sanctions was not far-fetched. A year before the elections, Maduro, in a reference to the United States, declared: “If they want free elections, we want elections free of sanctions.” Subsequently, Elvis Amoroso, the Chavista head of the nation’s electoral council, tied the participation of European Union electoral observers to its lifting of sanctions. At the same time, the Biden administration indicated its willingness to bargain with the Venezuelan government along those lines.

Carlos Ron, a former vice-minister and currently an analyst for Tricontinental, told me that the Chavista leadership ruled out delaying the elections in order to demonstrate its democratic credentials in the face of the international smear campaign. Ron said “At that moment, greater importance was placed on the need to defend the democratic character of the Bolivarian political process and its continuity, and abide by the Constitution, in the face of imperialist pressures.”

Maduro’s intentions may have been commendable. But the decision overlooked one compelling reason to suspend the electoral process. Tying the holding of elections to the removal of the sanctions would have placed the entire blame for setbacks to democracy where it belonged: U.S. intervention in Venezuela’s internal affairs.

In defense of democracy

As a rule, the Left has always championed the defense of democracy. In this sense, the Left’s vision compares favorably with U.S.-style “liberal democracy,” shaped by the influence of big money and other inherently undemocratic practices such as gerrymandering, the Electoral College and voter suppression.

Historically, however, the Left has faced formidable obstacles on this front. For instance, it has come to power in countries like Russia, China and Cuba that were lacking in democratic tradition. That, however, was the least of the problem. Its main problem has been, and continues to be, imperialist hostility which limits options.

Precisely for that reason, the Left needs to tread cautiously in the way it frames the issue of democracy in nations that are in the crosshairs of imperialism. In the three countries discussed in this article, the Left can’t deny that democracy has been infringed upon. The Maduro government, for instance, stripped the PCV – the country’s oldest political party, forged in a history of militant struggle including two periods of clandestine resistance armed struggle in the 1950s and 1960s – of its legal status, transferring recognition to a marginal breakaway faction that appropriated its name and symbols.

Nor can it deny that discontent is currently widespread in the three nations, which became most evident in the Iranian “Woman, Life, Freedom” protests and those of the first days of this year. In Cuba and Venezuela, protests reflect widespread disillusionment, even while the mobilizations have been manipulated and financed from abroad.

One troubling sign in Venezuela is that the disturbances have spread out from upper-middle class neighborhoods where they were confined during the 4-month protests (the “guarimba”) of 2014 and, albeit less so, during those of 2017. The two days following the July 28, 2024 elections, for instance, protests were registered in Caracas barrios such as Petare, the city’s largest. Reflecting on the protests, long-standing Caracas resident and international commentator Phil Gunson reported “Petare is a traditionally Chavista zone, but ever since a few years ago, people have been distancing themselves from the government.”

The Left can’t turn its back on this reality. But nor can it join mainstream voices that channel dissatisfaction into blanket vilification of governments under imperial siege. Rather its line has to be basically: “What do you expect!” In the face of hyper-imperialist aggression these countries are at war, figuratively and in some cases literally speaking. Criticism needs to be framed within this context.

Lenin’s concept of democratic centralism – the principle designed to guide the internal workings of his political party – is instructive. In his writing throughout his political career, party democracy remained a constant, but the degree of centralism depended on the political climate in the nation. Along similar lines, the Left’s adherence to democracy can never be minimized. However, valid criticism of undemocratic practices in countries like Venezuela and Cuba in which the Left is in power needs to consider those actions as overreactions to imperialist aggression.

In this era of intensified hyper-imperialism, the Left is compelled to stand behind nations like Cuba and Venezuela, and recognize that the real blame for backsliding including violation of democratic norms lies with imperialism. The barbaric actions of Trump II are making this imperative clearer than ever.

Steve Ellner is a retired professor of the Universidad de Oriente in Venezuela where he lived for over 40 years and is currently Associate Managing Editor of Latin American Perspectives. He is the author and editor of over a dozen books on Latin American politics and history. In 2018 he spoke in over twenty cities in the U.S. and Canada as part of a Venezuelan solidarity tour.

The views expressed in this article are the author’s own and do not necessarily reflect those of the Venezuelanalysis editorial staff.

This article was originally posted in CounterPunch.

Source link

Spain’s outdoor terraces could be forced to close during peak summer months in strict new rules

THERE’S bad news for Brits heading to Spain this summer as they might not be able to enjoy a drink in the sun on an outdoor terrace.

Under new rules, terraces in Spain will be forced to close when the weather gets too hot.

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel.

The rules – that were campaigned for by hospitality unions – will apply when the State of Meteorological Agency (AEMET) issue an orange or red alert.

AEMET’s orange alert means there is a major risk such as severe storms, heavy snow or intense heat and then for a red alert, it is an extreme risk and includes extreme rainfall, life-threatening storms and dangerously high temperatures.

In the case of exceptionally hot weather, restaurants, bars and cafes have to close their terraces if there is not enough shade or cooling systems for staff.

Read more on travel inspo

HOLLA

Never pay full price for hols again… 25 apps, sites & clubs for huge discounts


HOL YES

I’m a travel editor & mum-of-3… my favourite family holidays from just £3pp a night

The rules are likely to apply during the hottest hours of the day.

Areas across Spain reach high temperatures, especially during July and August, with some destinations reaching over 40C.

Even though closure of outdoor spaces is a last resort measure, if a bar, restaurant or cafe does not follow the new rules then it could face a fine of more than €50,000 (£43,326) in extreme cases.

For tourists, this could mean when temperatures reach high levels they won’t be able to grab a cold drink and sit on a restaurant’s terrace.

If you do want a drink though, you can still head inside as this is a shaded area.

As a result of the new rules, businesses across Spain are being encouraged to create different schedules for staff, with more breaks so they can stay hydrated.



Source link

Smaller European airports could be forced to CLOSE due to fuel crisis and new entry rule chaos

A NUMBER of smaller European airports could face closure due to both the Iran war crisis and new entry rules being rolled out.

Experts have warned that regional airports are under threat due to mass cancellations and delays as a result of the fuel crisis and new European travel rules.

Follow The Sun’s award-winning travel team on Instagram and Tiktok for top holiday tips and inspiration @thesuntravel.

The Airports Council of Europe (ACI Europe) said that regional airports face “nothing short of an existential threat” if flights continue to be cancelled.

In a release, ACI Europe stated: “The dramatic increase in jet fuel prices in Europe – peaking at more than $1800/ton (£1332/ton) earlier this month – is resulting in air fare increases and tight capacity management by airlines.

“Regional airports are the most exposed to the fallout of these adjustments, as demand on their routes is typically much more price-sensitive and price-elastic – and thus less profitable for airlines.

Read more on travel inspo

CHEAP BREAKS

UK’s best 100 cheap stays – our pick of the top hotels, holiday parks and pubs


ALL IN

I found the best value all inclusive London hotel… just £55pp with free food & booze

“This means that when considering where to cut capacity, airlines are more likely to do so on routes serving regional airports, as shown by the recent decision by Lufthansa to shut down its regional subsidiary, CityLine.”

Olivier Jankovec, the director general of ACI Europe, added: “The current levels of jet fuel prices and the prospect of a new cost of living crisis mean that many regional airports across our continent are likely to face both a supply and demand shock.”

ACI Europe also revealed that issues could be made worse by the new Entry/Exit System (EES) that is now in place across Europe and “is set to wreak havoc at regional airports serving popular tourist destinations this summer“.

The body added that airports should be allowed to suspend the new system at any point, if airport queues become too long.

It also shared that “regional airports are part of Europe’s critical infrastructure” as they are responsible for 35 per cent of flights.

In order to ease the threat on regional airports, ACI Europe is calling to scrap national aviation taxes as well as keeping a safety net of air for smaller airports.



Source link

UK holiday company with trips across Greece and Turkey forced to close after 23 years

Sunny day on Aegean coast of Turkey

A LUXURY UK holiday company offering trips to Europe and Asia has closed down.

Salamander Voyages – which is based in Belfast – has gone into administration.

The company used to sell private boat holidays in Turkey, Greece, Italy and Croatia.

According to The Gazette, administrators were appointed on April 22.

On its website, Salamader Voyages states: “After 23 years of wonderful sailing in the Aegean Sea, we are very sad to announce Salamander Voyages has taken the difficult decision to close its doors.

“Please note that on 22 April 2026 Scott Murray and Ian Davison of Keenan Corporate Finance Ltd were appointed as Joint Administrators of the Company.

Read more on travel inspo

CHEAP BREAKS

UK’s best 100 cheap stays – our pick of the top hotels, holiday parks and pubs


ALL IN

I found the best value all inclusive London hotel… just £55pp with free food & booze

“For any creditor queries, please contact the Joint Administrators’ office by telephone (028 9023 3023) or email (info@keenancf.com).”

The luxury holidays didn’t come cheap though, with sailings costing from £3,000 per person.

Upcoming trips included a sailing of the Turkish Gulf between June 15 and 22, heading to “small villages, pristine secluded bays and less-known historical sites”.

And between October 5 and 17 there was another Turkish sailing in the western half of the Gulf.

Claudia Winkleman has even previously been a guest onboard, commenting: “The holiday was absolutely amazing. The boat is beautiful and the crew were outstanding.

“The most relaxing week of our lives. We love you Salamander.”

Source link

Rams 2026 NFL draft: A close look at their picks so far

p]:text-cms-story-body-color-text clearfix”>

Ohio State tight end Max Klare speaks during a new conference at the NFL scouting combine in February.

Ohio State tight end Max Klare speaks during a new conference at the NFL scouting combine in February.

(Eric Gay / Associated Press)

6 feet 4, 246 pounds | Ohio State | Round 2, Pick 61

Notable: Klare began his career at Purdue and played three seasons for the Boilermakers before transferring to Ohio State.

Last season: Klare caught 43 passes for 448 yards and two touchdowns for the Buckeyes, who finished 12-2.

Why the Rams drafted him: McVay at times used a tight-end heavy offense during the latter part of last season, so the Rams need reinforcements for a position group that includes veteran Tyler Higbee, Colby Parkinson, Davis Allen and Terrance Ferguson. Higbee is at the far end of his career and Parkinson is in the final year of his contract, and none of his salary is guaranteed, according to Overthecap.com.

Source link

Chargers 2026 NFL draft: A close look at their 3 picks so far

p]:text-cms-story-body-color-text clearfix”>

Florida center Jake Slaughter gets set during a game against Kentucky in 2024.

Florida center Jake Slaughter gets set during a game against Kentucky in 2024.

(Gary McCullough / Associated Press)

6-4, 303 pounds | Florida | Round 2, Pick 63

Notable: Slaughter was a finalist for the 2025 Rimington Trophy, awarded to the top center in college football. He was a two-time All-American and three-year starter at Florida.

Last season: Slaughter, 23, ranked 18th among FBS centers in pass block grade (84.1) and third in run block grade (80.2) in 2025, per Pro Football Focus. Over 748 snaps last season, he allowed four total pressures, one sack and one hit on his way to earning All-Southeastern conference honors.

Why the Chargers drafted him: Despite Slaughter playing as a center in college, the Chargers are confident he can compete with Trevor Penning for a starting job at left guard. The Chargers like his versatility at both guard positions and center, offering them a potential starter at either position and much-needed depth. After last season’s struggles to protect quarterback Justin Herbert in the wake of injuries to Rashawn Slater and Joe Alt, it makes perfect sense Harbaugh and general manager Joe Hortiz would use a Day 2 pick to extend their flexibility on the offensive line.

Source link