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As a young sportswriter studying journalism at the University of Missouri, Seth Wickersham looked to Los Angeles for inspiration. At the campus bookstore, Wickersham bought his first sportswriting anthology, “The Last of the Best,” a collection of columns from the Los Angeles Times’ Jim Murray, one of four sportswriters ever to win a Pulitzer Prize.

Collections of work from Murray, Rick Reilly, Frank Deford and others offered Wickersham a road map for the career he wanted to build — and he has, with 26 years’ worth of work at ESPN meriting an anthology of his own. “Be on That Hill: Stories From the Summits of Sport,” which will hit bookshelves Sept. 22, is Wickersham’s third book. He said assembling an anthology is both “the coolest thing you could ever imagine happening” and “this weird mind warp.”

“When you’re just on a treadmill like I’ve been, the years just go,” says Wickersham, who’s been covering sports since he was hired by ESPN The Magazine straight out of college. “You don’t realize it, but then you take stock of it, and you’re like, ‘Holy cow, I’ve been doing this 26 years …’ It’s surreal to go back and look at it.”

A premier investigative and feature reporter primarily covering the NFL, Wickersham has also written “It’s Better To Be Feared: The New England Patriots and the Pursuit of Greatness,” and “American Kings: A Biography of the Quarterback.” Both books combine new, headline-generating reporting with intel Wickersham has gathered over decades covering football. With “Be on That Hill,” Wickersham selected stories that he hopes, taken together, “tell a bigger story not only about the games that we love, but the ways we consume them, and even about the country.”

Football has always been Wickersham’s first love — he weaved his journey as a high school quarterback into “American Kings” — but his latest book features stories about a college basketball coach on the job hunt and an NHL enforcer’s attempts to avoid head injuries.

“I’m trying to write about people who have a certain level of inner turmoil,” Wickersham says, “whether it’s Sean McVay after he wins the Super Bowl, or Jerry Jones when he’s threatening to sue the NFL to stop Roger Goodell from signing a contract extension.”

The sports media industry has changed dramatically since Wickersham’s career began. ESPN The Magazine no longer exists. Access to coaches and players is increasingly hard to secure. But Wickersham’s journalistic goals are the same today as they were when he bought Murray’s anthology.

“I want to be a link on a chain,” he says. “It’s hopefully an installment of a body of work that one day might help me be a link on a chain of the best who did this.”

This Q&A was edited for length and clarity.

✍️ Author Recommendations

In addition to Jim Murray’s anthology, here are some other sports books that have inspired Wickersham.

• “The Breaks of the Game” by David Halberstam: This is the Pulitzer-winning Halberstam’s first sports book, following the 1979-1980 Portland Trail Blazers. “When it comes to trying to decode a team, that’s the standard,” Wickersham says.
• “Joe Namath and the Other Guys” by Rick Telander: Namath, the Hall of Fame New York Jets quarterback, serves as an example of quarterbacks’ rising celebrity profile in “American Kings,” and Telander is one of Wickersham’s favorite sportswriters. “The portrait he gave of Joe Namath in his twilight was just so rare,” Wickersham says. “I don’t think a book like that has ever been done.”
• “When Nothing Else Matters” by Michael Leahy: Another book about an athlete in his twilight. This one documents Michael Jordan’s time with the Washington Wizards. “He worked his tail off as a reporter and really gave a brutally honest glimpse into what it was like to live and play with Michael Jordan the last few years of his career,” Wickersham says.
• “The Franchise” by Michael MacCambridge: Wickersham read this history of Sports Illustrated in college. “It really not only gave a glimpse into how so many of these great stories by my heroes … were done,” he says, “but also how those guys got hired at Sports Illustrated. It was like a job road map.”

📰 The Week(s) in Books

Our fall book recommendations answer your call for learning and discovery this season.

(Kissi Ussuki / For The Times)

Our Fall Preview includes 29 books to keep on your radar this fall, as well as television and movies we’re excited about.

Mark Athitakis reviews Marlon James’ “The Disappearers,” a Booker Prize longlisted novel that follows gay men in Jamaica across seven decades.

Can’t get enough of “The Odyssey”? Acclaimed classicist Emily Wilson, who eviscerated Christopher Nolan’s cinematic take on the epic, is translating the Greek poem for a second time.

📖 Bookstore Faves

Sons and Daughters is a new bookstore on Melrose.

(Photo from Sons and Daughters)

This week, we caught up with Raine De Leon, owner of Sons and Daughters Books, a formerly online bookstore that opened a brick-and-mortar location earlier this year. Here’s what they had to say about their IRL location, the local bookshops that inspired them and more.

This interview was edited for brevity and clarity.

Your bookstore began as an online store in 2024. What motivated you to open an online store? How did it grow from there?

A brick-and-mortar was always the end goal, since I wanted a physical space for writers, readers and other artists to come together for events and community building. Originally, the online store was actually an online poetry journal, where I published poets from around the world, wrote reviews, and held virtual readings. I wanted to translate that into an in-person experience.

What other bookstores, in Los Angeles or elsewhere, served as inspiration for the type of bookstore you wanted to open?

Skylight Books in Los Feliz and Village Well Books and Coffee in Culver City really inspired how I wanted the store to feel: warm, inviting and dynamic enough to serve both a neighborhood and a larger L.A. audience. I took inspiration from the Painted Porch in Texas in regard to curating the selection of books in the store. City Lights in San Francisco was also a huge inspiration for not only my store, but my life in general. The place it holds in the history of its community, the history of publishing and the history of poetry are profound, and I am trying to emulate that legacy as best I can.

What inspired the name Sons and Daughters Books?

The poet Charles Olson wrote a landmark essay, “Projective Verse,” in 1950. In it, he talks about poetic lineage and influence, and he says something to the effect of “We are the sons of the poets who came before us,” and that really spoke to me. I expanded it out to “Sons and Daughters,” with that same sentiment, to be a little more inclusive.

What type of selection can people expect at Sons and Daughters Books?

Our selection is almost all new books with focus on fiction, poetry, social sciences and more. We also have a cart of used books out on the floor every day, and on Sundays I bring out two more carts of used books.

For the new books, I selected each book in the store myself. I may not have read every book on these shelves, but I went line by line in our inventory sheets to select books that I wanted people to be aware of. Even though I am the only staff member, our “Staff Rec” table features reviews and picks from those closest to me. I wanted our selection to be extremely specific to me, my loved ones and the community the store is now in.

In the time you’ve been open, what events have been the most popular? Any particular upcoming events you’re excited about?

Our two most popular events are definitely our weekly stand-up comedy open mic night and our thriller book club.

September is our fullest month yet in regard to events, and I’m very excited for a few. We have two book launch events. The one on Sept. 26 is for “Valley Girl Manifesto” by Noelle Cope, a collection of both poetry and prose. The other, on Sept. 19, is for “Anger Is a Gift,” a new poetry anthology from FlowerSong Press. Both celebrate poetry, locality and connection.

Our full events calendar, which continues to grow, also features community workshops, silent reading clubs and more.

Sons & Daughters is located at 7817 Melrose Ave., Los Angeles.

Pity the period. And the comma and the semicolon too. Punctuation is the sturdy armature of written language, yet it does its job quietly, in the background. We tend to spend far more time analyzing the written words than we do the dots, dashes and ellipses that give those words meaning, nuance and tone.

In her new book “On the Mark: From Periods to Interrobangs, How Punctuation Remade the World,” author Florence Hazrat argues for punctuation as no less than the bricks and mortar of civilization, the deceptively simple and endlessly pliable tools that made humankind. I recently chatted with Hazrat, a Berlin resident, about scare quotes, emojis and the magic of parentheses.

✍️ Author Chat

Florence Hazrat, author of the new book “On The Mark,” writes about the history of punctuation.

(Masoud Ali Shaiwani)

What sparked your interest in punctuation?

It was a long time back, when I was studying for my master’s degree. I was working with Renaissance romances, which have a lot of parentheses. I just asked myself, where does this come from? And why don’t we use parentheses like this anymore? And then I did my post doc on this very topic. So it’s the gift that keeps on giving.

Going back to the earliest cuneiform texts, we see that they consist of words bunched together like commuters on a rush-hour subway. There is no space between words and no punctuation.

Writing was just a manifestation of speech. Text was meant to be read aloud. It would have been shocking 2,700 years ago to see someone reading silently. There is an anecdote that when Alexander the Great was spotted reading to himself, people were stunned.

It took hundreds of years for punctuation to really bloom. The Renaissance, with its increased literacy rates, elevated punctuation into an art.

During the Renaissance, text needed to do more. Writing moved out of the monastery, into trade and diplomacy, science, education and so on. The humanists of the Renaissance who loved language wanted text to be able to do more than it historically had been doing. They wanted to bring more nuance and tone into writing.

And silent reading became the normal practice.

Silent reading is so interesting because it’s a kind of subversive act. It’s a private act, so you can be reading anything. There was a lot of consternation at the time that women would spend all their time reading romance stories.

You also write about punctuation as a political tool, especially the power of quotation marks to ironize or diminish the meaning of the words in between the quotes.

Quotes in and of themselves are empty signs. Which means they can be used for all kinds of political purposes. We can delegitimize an entire race of people using scare quotes or belittle something like COVID-19 simply by putting it in between quotes. We’re wresting a word used by another group and changing its meaning with quotes.

You discuss the advent of digital communication, and the ways we use and abuse punctuation now. Yet, we are very sensitive to punctuation in the public sphere. I’m thinking of the use of capital letters in words that connote race, for example.

Absolutely. There are two sides of the culture that contradict each other. Texting seems to be such an informal medium and something we dash off very quickly. Nobody really expects proper grammar in a text. Yet a misplaced period or comma in certain texts, like the 2nd Amendment of the Constitution, for example, can set people off into endless arguments.

What is your feeling about emojis? I find them to be a very rich communication tool. They can have literal or figurative meaning, depending on context. And the meaning can shift over time.

I love emojis. I think they’re still quite misunderstood. They are covering so many functions, because we put them after clauses, for example. We just don’t put them anywhere. But they aren’t punctuation, because we can’t actually make them when we write manually.

Are you pessimistic about the future of punctuation with kids on ChatGPT and texting in elementary school?

Not really. Children who are texting at 9, 10 years old are still learning the rules of grammar and punctuation offline at school ideally. They still have to read books. They have to write essays by hand. So I think the human brain knows how to process different inputs and switch accordingly.

This Q&A was edited for length and clarity.

📰 The Week(s) in Books

Paris Hilton performs at the Pussycat Doll Lounge located inside Pure Nightclub in Las Vegas on Feb. 16, 2008.

(Chris Weeks / Associated Press)

“Up All Night,” Imogen Willetts’ new history of urban nightlife, devotes a chapter to the L.A. club scene of the early aughts, when Paris Hilton was a ubiquitous scenester and Perez Hilton was writing about her. “I’m born and raised in London and lived here my whole life and when I was a teenager, it was like the early 2000s era,” Willetts told Lina Lecaro. “I was like, I have to write about L.A. in the 2000s because that was what we were absolutely aspiring to at all times.”

Shortly after the trailer for the movie adaptation of her novel “Children of Blood and Bone” dropped, author Tomi Adeyemi hinted at an on-set ordeal that traumatized her, Emily St. Martin reports. “It’s a reality that I’ve had to live with for about a year and a half, and everyone involved, at least at the highest level, has been made aware of this reality, and they haven’t done anything to make it better,” Adeyemi said in a video posted to social media.

Stand-up comedian Anthony Jeselnik, an avid reader, has started an online book club that is gaining traction. “My goal was to curate and give people their best shot at enjoying reading,” he told Maddie Connors.

Ryan Murphy’s TV adaptation of Bret Easton Ellis’ novel “The Shards” is a visually vivid throwback to 1981 Los Angeles. Eloise Rollins-Fife gets the lowdown from the show’s production designer, Cat Smith, an L.A. native. “This is like time travel, but you’re traveling back to your childhood,” said Smith. “I’ve done period before, and you always feel like you’re time traveling to a certain extent, but it’s visceral when it’s yours.”

📖 Bookstore Faves

Hollywood Books is an indie bookshop started by a freelance film researcher.

(Roxanne David)

Hollywood Books is the most indie of indie bookshops. Housed in a nondescript storefront on Melrose Avenue, its only signage is a craft paper sign with bubbly pink letters. Hollywood Books was started by Rebecca Ressler, a freelance film researcher. Blond wood shelves surround the store; a round gingham couch beckons page-grazers to bide their time finding that perfect new or secondhand book before taking a short walk to Ressler’s husband’s restaurant Stir Crazy for a bite and a glass of Malbec.

I chatted with Ressler over email about her store.

What made you want to open a bookstore and how did you land upon your location?

The location, in many ways, inspired me to open the shop! I lived down the street and loved the space when it was Nonaka-Hill’s second gallery. After I had my son, I found it really hard to return to my work as a freelance researcher for filmmakers. I was originally set on figuring out a way to make the space a shared office with my husband and some friends. At some point, I had the idea of making it a bookstore and became determined!

What kind of books do you sell?

We sell both used and new books. We have small curated sections in photography, art, design, fashion, film, literature (novels, poetry, plays), nonfiction, children’s books, and cookbooks! I hope our customers find things at our shop they’ve never read or seen or a great copy of a classic they’re excited to cherish. Our books also make great gifts!

Who is shopping there? Who are your clients?

We are really lucky to be surrounded by great art and furniture galleries that people travel from all over to visit. Those customers are happily surprised when they wander into our store. We also have tons of neighbors and friends who keep coming back and help me determine what I can add to our inventory!

What genres tend to sell?

A little bit of everything! Children’s books are very consistent — even if people don’t read themselves they still want their kids to!

Why a bookstore in 2026 when The Atlantic, among other places, is decrying the end of reading?

Because I love books and think enough other people do too to keep my little store afloat!

Hollywood Books is at 6917 Melrose Ave., Los Angeles, CA.