Chasing

Gary Fenton and Billy Koch have been sports fans long enough to know the cliché about Father Time being undefeated.

“I can say that about me for sure,” joked Koch, who is 56.

But the two men also know some individuals can delay the inevitable for years far beyond the norm. Someone like Kareem Abdul-Jabbar. Or Tom Brady. Or LeBron James. Or Gold Phoenix.

Wait, who?

Gold Phoenix is an 8-year-old gelding Fenton and Koch — managing partners of the Little Red Feather Racing Stable — purchased five years ago in his native Ireland. Since making his U.S. debut in January 2022, he has won a dozen races, all but one in a graded stakes, and earned more than $2.5 million. All of which puts him in great, though not exclusive company.

At about 6:40 p.m. Saturday, however, Gold Phoenix has a chance to separate himself from all but one other thoroughbred who has competed in North America. Should he win the $300,000 Del Mar Handicap, Gold Phoenix will join the legendary Kelso as the only horses to win the same major stakes race on this continent in five straight years. (Kelso, a five-time Horse of the Year, won the Jockey Club Gold Cup from 1960-64 at Aqueduct.)

“I got the chills when you said it,” Koch said. “To be even mentioned in the same breath as a horse like Kelso … that’s something that only happens once in a lifetime.”

Gold Phoenix is the 5-2 morning-line favorite, but the Grade 2 race is hardly a walkover. There are multiple stakes winners in the field, led by Test Score, the early second choice at 3-1. The 4-year-old is trained by Graham Motion, who has his own impressive streak: Seven straight summer stakes wins at Del Mar dating to 2022 — which is also the year Gold Phoenix won this 1 3/8-mile race for the first time.

Another victory would be the gelding’s seventh stakes win here, extending the record he set last month in the Eddie Read Stakes, which Koch and Fenton, in separate interviews, ranked among their favorite performances. At 1 1/8 miles, the race was shorter than Gold Phoenix prefers, and he had to beat a field that included another Del Mar specialist, Formidable Man.

“To see him come charging home just brought out all the emotions of what we’ve seen, not just from him [anywhere], but on this racetrack here at Del Mar that he absolutely loves,” Fenton said.

The victory was a close one, but that’s typical for Gold Phoenix, who has seven wins by a nose, head or neck and only one by more than 1¼ lengths. His competitiveness is apparent at any distance and under any jockey: He’s won races as short as 7 furlongs and as long as 1¾ miles, and all seven men to ride him earned at least one victory (his current rider, Hector Berrios, is four for five).

“He’s just such a cool horse,” Koch said, noting the gelding is known around the barn as “Clifford the Big Red Dog” because of his chestnut coat and a temperament Fenton describes as “sweet.”

But other horses like that, or those that are completely the opposite, don’t have Gold Phoenix’s success rate or longevity. That’s where Fenton made a human comparison.

“I’m going to say he’s like LeBron,” Fenton said, “in that as he’s been able to age, his body, his athleticism, have maintained at a very, very top level with very [few] issues. He’s been relatively sound all this time.”

Fenton and Koch are quick to credit trainer Phil D’Amato and his barn staff for their overall management, spacing out his races and giving Gold Phoenix time off each year after the Breeders’ Cup. He had a shorter break this winter — just three months until his first start of 2026 — because, Fenton said, “I think [D’Amato] just thought being at that age, to give him a break and then try to ramp him up, might be a little bit too much. So I think he rolled the dice and kept him in training for as long as he could. And, I mean, here we still are.”

For how much longer? There’s no reason to stop yet. Gold Phoenix already has three victories in 2026, matching his high for any year. And he hasn’t even run in the race he always wins.

“I just want to watch him and see him thrive at this level,” Fenton said, “and the moment he’s not at this level is where it’ll probably be time to wrap it up. But he’s showing no signs of it.”

Said Koch: “People always say, ‘Why are you still running? He’s 8.’ I’m like, what are we supposed to do? The horse might be better now than he was at 7 or he was at 6.”

Koch noted that in his role as board president for CARMA, a nonprofit that provides funding and care of retired California racehorses, he hears from many facilities offering to house Gold Phoenix.

“I tell them he’s not ready,” Koch said. “He’ll tell us. They keep asking, [but] somehow he’s managed to dodge Father Time. I don’t know how, but he has.

“We’ll figure it out. He’s going to go to a very special home. I promise you that he is going to have a great life. He deserves it.”

The bubbly laugh. The megawatt smile.

The queen of joyful gymnastics is back.

Seven years after gaining fame as UCLA’s “perfect 10 gymnast” and 13 years since last competing at an elite level, Katelyn Ohashi has returned to gymnastics with new goals and the same outlook.

“I want to have fun with it,” Ohashi said on a video conference Thursday, less than two weeks after making her return to competitive gymnastics at the American Classic. “I want to see how far I can go with it, and how far I can push myself.”

Still only two competitive routines into her comeback, Ohashi said the idea of competing in a home Olympics at the 2028 Los Angeles Games is “a beautiful thing to think about.”

She is plotting her own path. The 29-year-old’s first elite meet since 2013 was on June 27, when she tied for third on beam and performed a floor routine with light tumbling passes. She will compete at the U.S. Classic on July 18 with hopes of qualifying for the U.S. championships, which determines the national team roster.

Katelyn Ohashi performs during the “Gold Over America Tour” at Crypto.com Arena on Sept. 25, 2021.

(Katharine Lotze / Getty Images)

Competing on only beam and floor, Ohashi needs to reach 26.80 points in her routines to qualify for the national championships. The meet in August would be her first U.S. championship as a senior gymnast. Gymnasts typically make senior debuts at 16 years old. More than a decade older than some of her competitors, Ohashi can’t help but giggle at how circuitous her path has been.

“It’s really funny, also,” Ohashi said through laughter, “because, like, I’m pretty much a senior citizen.”

The deadline for a female gymnast’s Olympic dreams used to be 16 years old, Ohashi was told. But watching Simone Biles, Suni Lee, Jade Carey and Jordan Chiles win team gold at the Paris Olympics inspired Ohashi. The team, which also included 16-year-old Hezly Rivera, was the oldest U.S. women’s gymnastics team in the Olympics since 1952. Every gymnast who competed in the team final was in her 20s.

In 2024, the then-27-year-old Biles was the oldest U.S. female gymnast to qualify for the Olympics since 1952. When Ohashi recently called her longtime friend about her plan to return to elite gymnastics after a 13-year retirement, Biles “thought I was crazy,” Ohashi said.

“Which,” Ohashi continued, “most people, I think, might.”

Ohashi has nothing left to prove. In her first senior international competition at 15, she beat Biles for the 2013 American Cup all-around crown — the last time Biles lost an all-around title. After injuries derailed her promising elite career and the sport’s abusive culture robbed her of her joy, Ohashi reached superstar status while rediscovering her love of the sport with UCLA. She won a team NCAA title and the floor individual title in 2018. As a senior, her perfect 10 floor routine garnered 500 million views, landed her in Rolling Stone magazine and drew sold-out crowds to almost all of UCLA’s meets.

Since her final college routine in 2019, Ohashi was loving her retired athlete life. She did speaking appearances, traveled and published a book of her poetry. She enjoyed all the time and freedom she had.

She still missed the gym.

“I have not been able to replicate the feeling or the joy, sensations, adrenaline that gymnastics or competing brings,” Ohashi said.

Staying connected in the sport by participating in Biles’ “Gold Over America Tour” in 2021 and 2024, Ohashi would often joke of a comeback. Calculating her age and looking toward an Olympics in the city that helped her fall in love with gymnastics again, Ohashi knew that if the joke was ever going to become real, it had to be soon.

So Ohashi started working with a personal trainer, lifting weights for three hours a day for four days a week. In January, she moved back to her hometown of Seattle, in part to be closer to her family, and started training with Cale Robinson at Pacific Reign Gymnastics in Woodinville, Wash.

Most skills came back seamlessly, even ones she hadn’t executed in competition since she was 16. The first month felt great. Then fatigue started setting in. Ohashi loved that challenge.

Former UCLA star gymnast Katelyn Ohashi performs during the “Gold Over America Tour” at Crypto.com Arena on Sept. 25, 2021.

(Katharine Lotze / Getty Images)

Because Ohashi, who suffered a back fracture and injuries to both shoulders during her elite career, can’t do as many reps as she did as a teenager, she makes each one count more now. Between training her upgraded skills, she focuses on conditioning and religiously attends physical therapy sessions.

Still early in her comeback, Ohashi said she’s “physically getting there.” She is mentally stronger than ever.

“There are still those hard days, but it’s a lot easier when I know that I’m doing it for me, and me only,” Ohashi said. “And only I can push myself on those days.”

Ohashi wants to push past the baseline she set at the American Classic, where her two-event total was 24.65 points. The meet, which was staged in a gym with one set of bleachers and fans sitting on mats, was an intimate warm up for the arena stage Ohashi will take at the U.S. Classic in Hartford, Conn.

Ohashi walked into her first elite meet in 13 years next to Carey, who, at 26, is trying for her third Olympics. Entering the gym, Ohashi giggled that so many of the judges from a decade ago were still there. She recognized so many coaches. She was greeting everyone and waving. Carey looked at her in shock and asked what she was doing.

She was just having fun.