cast

She first appeared in 2017 before returning as an All Star in 2025. Now, Gabby Allen is joining the Mirror for an opening show watch-along.

She’ll be bringing a unique take on all things villa life from someone who knows it better than most.

Who will impress her and who will be an immediate red flag. The Scouse bombshell already has high hopes for her fellow Liverpudlian, Robyn.

Let’s see how this one goes… it’s nearly over to you, Maya!

In a typical midterm year, Donna Layne casts her ballot long before election day.

But this time around was different for the 75-year-old Democrat. Late-cycle controversies and fear of a “wasted vote” leading to a lockout for Democrats in the race for California governor meant she didn’t make her final decision until Friday.

California Democrats have been wringing their hands for weeks about who would emerge as front-runners in the crowded race to replace termed-out Gov. Gavin Newsom. The sudden departure of high-profile candidate Eric Swalwell amid sexual assault allegations and California’s jungle primary system, which sends the top two vote-getters to the November general election regardless of their party affiliation, added pressure for Democrats to coalesce around candidates who had the best chance of advancing.

“I was concerned,” Layne said as she slid her ballot into a drop box. “I wanted to make my ballot count and I was afraid that there might be two Republicans because they had been polling pretty high, so I wanted to be strategic about it.”

On Friday morning, voters — predominately Democrats like Layne — trickled into the Orange County Registrar of Voters in Santa Ana to turn in their ballots. A few told The Times they frequently wait to vote until the days leading up to the election so they can watch all the debates and get the most up-to-date information about the candidates.

But most said they hung onto their ballots this year for far longer than usual.

As of Friday, 19% of California Republicans had already cast their ballot, compared with roughly 16% by the same time in the 2022 primary cycle, according to data from Political Data Inc.

An election worker separates ballots from vote by mail envelopes to be tallied at the Los Angeles County Registrar-Recorder/County Clerk Ballot Processing Center on Thursday in City of Industry.

(Gary Coronado/For The Times)

Meanwhile, only 14% of the state’s far-more-numerous registered Democrats have returned their ballots, down from 17% at this point in 2022. Only 29% of Democrats age 65 years and older — generally enthusiastic voters — had returned their ballots, down from 33% in 2022, data show.

But that doesn’t mean that Democrats will stay on the sidelines. Data show Democrats have started returning their ballots in earnest over the past several days, a trend that’s likely to continue through election day, said Paul Mitchell, the vice president of Political Data Inc.

“It’s the predominance of this fear that they’ve heard in the media — and that’s largely abated — that a Democrat won’t make it to the runoff,” Mitchell said. “In fact, there’s a growing sense that we could have two Democrats make the runoff, so that fear has — for the political class — gone away, but voters are still clinging to it.”

Democrat Xavier Becerra, the former Health and Human Services secretary, has risen steadily in recent polls, positioning him well to potentially advance to November. He was the leading candidate in a poll released Thursday by UC Berkeley’s Institute of Governmental Studies that was co-sponsored by the Los Angeles Times, garnering support from 25% of likely California voters.

Former U.S. Secretary of Health and Human Services and California Atty. Gen. Xavier Becerra, a front-runner in the race for governor, shares a light moment with supporters at the UFCW Local 1167 Union Hall in Bloomington, on Friday.

(Genaro Molina/Los Angeles Times)

Slightly behind with support from 21% of likely state voters was Republican Steve Hilton, a former Fox News commentator whom President Trump has endorsed. In third place with 19% support was another Democrat: Tom Steyer, a hedge fund founder and environmental activist.

With support increasing for Becerra, Hilton and Steyer since the last Berkeley IGS/Times poll in March, the survey provided the clearest indication yet that those candidates have separated themselves from the rest of the field.

Support for Riverside County Sheriff Chad Bianco, the only other major Republican candidate in the race, dropped 5 percentage points from the March poll to last week’s, putting him in a distant fourth at 11%. Former Democratic Rep. Katie Porter saw her support drop by almost half to 7%. Other prominent Democrats — San José Mayor Matt Mahan, former Los Angeles Mayor Antonio Villaraigosa and state Supt. of Public Instruction Tony Thurmond — were all in the low single digits, the poll found.

Republican candidate Steve Hilton speaks at a news conference outside the CIF State Track Championship in Clovis, where transgender athlete AB Hernandez will be was to compete Friday.

(Tomas Ovalle/For The Times)

Roughly a dozen registered Democrats interviewed by The Times said they cast their ballots last week for the person they thought would have the best chance of making it through the state’s jungle primary, even if it wasn’t their ideal candidate.

“I love Katie Porter,” said Connie Wadsley, 78. “I really do, but I just didn’t see her as being able to pull it off. I just don’t think society is ready for a woman governor as much as that pains me to say.”

In the end, Wadsley and her husband, Victor, cast their ballots for Steyer. Becerra, she said, is too much of a career politician for her liking, but Steyer impressed her with his promise not to take corporate money and his position on social justice issues.

“I think we need to shake things up in this state — in this nation,” she said. “Yeah, [Steyer] is a billionaire and I’m not really excited about that, but he truly seems to be spending his money on things that I feel are important.”

For some voters, the sheer volume of gubernatorial candidates — 61 in all — was off-putting. Some even organized gatherings with politically like-minded friends to discuss the best course of action.

“I think it was really overwhelming for a lot of people, especially when they got their ballot and saw all of those names,” said Linda Verraster, co-president of the Democratic Women of South Orange County. “There was this fear of making a mistake — air quotes — that would lead to two Republicans in the runoff.”

Gov.-elect Arnold Schwarzenegger, left, and Gov. Gray Davis joke with each other as Davis shows Schwarzenegger the governor’s private office at the Capitol in Sacramento on Oct. 23, 2003.

(Rich Pedroncelli / Associated Press )

The race seems somewhat reminiscent of the 2003 recall election when 135 candidates vied to replace then-Gov. Gray Davis amid the state’s energy crisis. Actor Arnold Schwarzenegger, a Republican, won decisively with roughly 48% of the vote.

But this race differs in a few key ways, experts say.

Mainly, while all of the top candidates have impressive resumes, there’s a lack of star power that could help propel someone to the forefront. Instead, Democrats “have an option of like moderate Dem to slightly less-moderate Dem,” said Matt Lesenyie, an assistant professor of political science at Cal State Long Beach.

“There’s a lot of people, but they occupy a very similar lane and I think that’s been a lot of the problem,” he said. “They’re loathe to really critique some of the foundational problems like a real ideological opponent would.”

Verraster put it even more simply: “There’s no unicorn.”

Still, she’ll be happy if either of the two Democratic front-runners — or both — make the ballot.

Anna Maxwell Martin takes on an intimidating new role that’s miles away from Motherland in this gripping Apple TV drama

The new Cold War thriller features some very recognisable names.

Apple TV’s highly anticipated For All Mankind spin-off Star City is finally here and has received rave reviews across the board.

Taking viewers back to the 1970s in this alternate version of history in which the Soviet Union won the space-race, the series picks up with the Russian politicians, engineers, cosmonauts, and KGB agents overseeing more missions to the Moon.

While the USSR is still basking in the victory of becoming the first nation to put a man on the Moon in 1969, tensions are running high as the threat of the US still looms large during the Cold War.

The series begins today (Friday, 29th May) with six more episodes coming each Friday until a riveting finale on 10th July.

But who is in the cast of Star City? From a major sitcom star to actors from some of the most acclaimed dramas of the past few years, let’s take a closer look at where you’ve seen them before.

Star City’s main cast

Rhys Ifans – Chief Designer

Welsh film and TV icon Rhys Ifans portrays the secretive figure at the head of the Star City program, known only as the chief designer.

You’ll have seen him recently as Otto Hightower in House of the Dragon, HBO’s popular Game of Thrones spin-off, as well as portraying Xenophilius Lovegood in the Harry Potter franchise and as Curt Connors/The Lizard in The Amazing Spider-Man, a role he reprised in Spider-Man: No Way Home.

His performance as comedy legend Peter Cook in Channel 4’s Not Only But Always won him a BAFTA TV award, and he is also well-known for his role as Spike in Notting Hill opposite Hugh Grant.

Anna Maxwell Martin – Lyudmilla Raskova

Anna Maxwell Martin plays the head of Star City’s KGB surveillance department, Lyudmilla Raskova, in a performance the Guardian has described as “terrifying”.

Martin has appeared in a huge range of popular British dramas, including Line of Duty, Ludwig, and ITV’s Until I Kill You, which won her an International Emmy Award.

She has also won BAFTA TV Awards for her roles in Bleak House and Poppy Shakespeare and is well-known among comedy fans for playing Julia Johnstone in the hit BBC sitcom Motherland.

Agnes O’Casey – Irina Morozova

Irina Morozova, a recent KGB recruit at Star City, is portrayed by English and Irish actress Agnes O’Casey.

O’Casey has landed supporting roles in major dramas in the 2020s, including Dangerous Liaisons, Wolf Hall: The Mirror and the Light, and Netflix’s Black Doves.

On the big screen she has appeared in Small Things Like These with Cillian Murphy and in The Miracle Club, Dame Maggie Smith’s final film.

Alice Englert – Anastasia Belikova

Anastasia Belikova is an untested female cosmonaut in the Soviet space program and portrayed by Australian actress Alice Englert.

Previously best known for her film roles, she has appeared in Ginger & Rosa with Elle Fanning, Beautiful Creatures with Alden Ehrenreich, and Netflix’s The Power of the Dog with Benedict Cumberbatch, which was directed by her mother Jane Campion.

Englert also appeared with O’Casey in Dangerous Liaisons, as well as BBC’s The Serpent and Jonathan Strange & Mr Norrell, and made her directorial debut with the 2023 film Bad Behaviour starring Jennifer Connelly.

Solly McLeod – Sasha Polivanov

Sasha Polivanov is described as “a reckless cosmonaut who has yet to live up to his potential” and is portrayed by Solly McLeod.

McLeod is a British actor known for playing the title role in ITV’s adaptation of Tom Jones, and has also played Ser Joffrey Lonmouth in two episode of House of the Dragon with Star City co-star Ifans.

He is also set to appear in the major upcoming films Practical Magic 2 and Anxious People, adapted from the bestselling novel by Fredrik Backman.

Adam Nagaitis – Valya Mironov

In contrast to Sasha, Valya is a respected cosmonaut in the Star City program brought to life by British actor Adam Nagaitis. Nagaitis previously portrayed a Russian firefighter in HBO’s acclaimed miniseries Chernobyl.

He has also appeared in the film The Last Duel with Matt Damon and Adam Driver, as well as TV series The Responder, The Agency and A Thousand Blows.

Ruby Ashbourne Serkis – Tanya Mironova

Ruby Ashbourne Serkis is the actress daughter of The Lord of the Rings star Andy Serkis and will be portraying Tanya, the wife of one of Star City’s cosmonauts.

She has previously appeared in TV series Shardlake and I, Jack Wright, as well as two recent Cillian Murphy films; Netflix’s Steve and the Peaky Blinders movie, The Immortal Man.

Josef Davies – Sergei Nikulov

Josef Davies portrays Sergei Nikulov, a young engineering prodigy working at Soviet Ground Control. Davies is best known as Sören in Young Wallander and he has also appeared in Andor, Grace, and Agatha Christie’s Seven Dials, as well as the hit WWI film 1917.

Supporting cast and guest stars

Apple TV+ Annual Plan

This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more

£119.88

£89

Apple TV+

Get Apple TV+ here

Apple TV+ members can save £30.88 by paying for a year up front.

Star City also features an extensive cast of supporting stars. They include:

• David Dencik (The Assassin) as Maxim Tarasov
• Eliot Salt (Rivals) as Vika Yegorova
• Ellie Piercy as Galina
• Robin Berry as Rem Balabanov
• Chris Leaney as Viktor
• Eadie Johnson as Zoya Morozova
• Aurelijus Pocius as Zhenya

There are also some major names and rising stars making guest appearances throughout the first season. They include:

• Niamh Algar (The Iris Affair) as Yana Akhmatova
• Jenny Walser (Heartstopper) as Leonova
• Sam Strike (Outer Range) as Pavel Fetisov
• Ian Drysdale as Doctor Borovsky
• Sam Wilkinson as Alexei Leonov
• Neringa Bulotaité as Natalia Ivanovna
• Sean Gilder as Vladimir Belikov
• Jamie de Courcey as Stanislav Kalinsky
• Fadily Camara as Celine
• Michael James as Galytzin
• Šarūnas Datenis as Arkady
• Priya Kansara (Bridgerton) as Lakshmi, a gifted scientist

Star City continues Fridays on Apple TV.

A brand new comedy series is coming soon to Channel 4 with a familiar face as its star

A Last One Laughing star’s new comedy series is now just days away.

Channel 4 will soon start airing Make That Movie, which is the brainchild of Australian comedian Sam Campbell. Viewers may recognise the funnyman from his stint on the latest season of Prime Video’s Last One Laughing.

The deadpan comedian sailed through to the Season 2 finale, outlasting the show’s returning champion, Bob Mortimer. He went toe-to-toe with David Mitchell in the final episode, with neither comedian breaking as they fed each other buffet food.

It resulted in an unprecedented tie-breaker in which the person who made the most people laugh over the course of the series was awarded the crown, meaning David scooped the win while Sam was awarded the runner-up title.

Sam is set to return to TV screens again in just a few days with his brand new comedy series, but what is it about, when is it released, and who is in it? Here’s everything you need to know.

What is Make That Movie about?

The six-part Channel 4 comedy series follows a director called Sam (played by Sam Campbell) who attempts to make feature films based on the weird and wonderful ideas of everyday people. He goes on a trip around the country seeking out people to share their ideas with him, before attempting to make their movies in just three days.

While Sam appears to play himself, the series is a scripted comedy show and not real life. Alongside Sam in the cast are Michell and Webb Are Not Helping star Lara Ricote as runner Jess, and Am I Being Unreasonable’s Helen Bauer, who plays sound engineer Pat.

Meanwhile Aaron Chen (Fisk) plays intimacy coordinator Sebastian and This Country’s David Hargreaves takes on the role of cinematographer Winnie.

The series is directed and co-written by Joe Pelling who may already be known to some as the director of nightmarish comedy-horror puppet show, Don’t Hug Me I’m Scared.

Make That Movie’s release date and time

The very first 30-minute episode will air on Channel 4 on Thursday, May 28 at 10pm. The second episode will be broadcast immediately after at 10.30pm.

Announcing its release date, Sam posted: “This show is on channel 4. 28th of May ~ so pretty soon in fact. We hope it wets so many people’s whistles. Hopefully not a dry whistle left in the whole world. Hopefully. Please watch.”

A flurry of excited fans were quick to comment, with one penning: “I don’t understand any of this but that’s okay, I trust Sam,” in reference to Sam’s surreal comedy style.

“Nathan Fielder has been real quite since this dropped,” joked another. “Can’t wait for this dynamite series!” a third fan remarked.

Make That Movie begins on Channel 4 on May 28 at 10pm.

Los Angeles voters will cast ballots in eight City Council district elections next week, including for two open seats where incumbents are leaving because of term limits.

The contests for the seats being vacated by Councilmembers Bob Blumenfield and Curren Price have drawn large fields of candidates, but the biggest spending has been in the Westside’s District 11, where incumbent Traci Park is facing challenger Faizah Malik, a public interest attorney and one of four council candidates backed by the local chapter of Democratic Socialists of America.

Park has raised $1.3 million, according to the latest campaign finance reports filed Friday, while challenger Faizah Malik reported about $520,000 in contributions. In addition, more than $3 million has been spent in the race by so-called independent expenditure committees that spend money to elect or defeat candidates but which are barred from coordinating their activities with the campaigns.

The district includes Venice, Mar Vista, Brentwood and Pacific Palisades, which was devastated by wildfire in January 2025.

Malik said Friday she is confident heading into the primary election, saying most of her donations are under $100 each, and that she hasn’t taken money from corporations.

Los Angeles City Council candidate Faizah Malik attends a canvassing event March 15 in Westchester.

(Eric Thayer / Los Angeles Times)

“This is what it means to be a grassroots candidate, and it is just more evidence that the people of CD11 believe in our vision for a Westside that is affordable for everyday people,” Malik said.

A Park campaign aide said Park’s haul is indicative of the councilmember’s record of getting results.

“But no one is taking anything for granted,” the aide said in a statement. “We’re working until the final vote is cast because this election will determine whether the Westside keeps moving forward or gets pulled backward into the same failed ideological politics Angelenos are exhausted by.”

Los Angeles City Councilmember Traci Park, center, with members of United Firefighters of Los Angeles City on May 12.

(Genaro Molina / Los Angeles Times)

Park has emphasized her advocacy for fire recovery efforts, including pushing for permit fee waivers for residents wanting to rebuild. Malik has said Park has been too focused on single-family homeowners and said she would focus more energy on renters.

They have contrasting views on policing: Malik said she opposes expanding the size of the Los Angeles Police Department and instead supports shifting more resources to the city’s unarmed crisis response program. Park said the Police Department should have about 10,000 sworn officers, up from about 8,700 currently. She voted in favor of a 2023 LAPD contract that gave raises to officers and increased salaries to new hires.

They stand in contrast of each other on the Venice Dell housing development project, which would turn a city lot into 120 housing units for low-income and homeless people. Park opposed the completion and instead wants to turn it into a “mobility hub” and move the housing project to an adjacent lot. Malik, who represented the developer that filed a suit against the city claiming Park and others sought to kill the project, said the project was a motivating factor for her campaign.

District 9

Six candidates are vying to replace Councilman Curren Price, who hit the 12-year limit, in District 9. The district includes the Convention Center, USC and communities along the Harbor Freeway.

The candidates vary on key issues, including policing and housing. Estuardo Mazariegos, co-director of the Alliance of Californians for Community Empowerment Los Angeles, is backed by the Democratic Socialists of America. He has called for reducing the LAPD budget and redirecting funds to other city departments.

Two other candidates — Jorge Hernandez Rosas, an educator, and Jose Ugarte, who previously worked for Price — said they support hiring more police officers. Another hopeful, Elmer Roldan, executive director of Communities in Schools of Los Angeles, said he believes in keeping the LAPD at its current size.

Ugarte, Roldan, Rosas and Martha Sánchez, a therapist, all support enforcing Municipal Code 41.18, which bars homeless encampments near schools and daycare centers. Mazariegos and Jorge Nuño, an entrepreneur, say the code doesn’t solve homelessness and instead just moves people around.

Ugarte has raised the most in contributions of any candidate and has been endorsed by the Los Angeles County Democratic Party in the nonpartisan race.

District 3

Three candidates are competing for an open seat in District 3, where Councilmember Bob Blumenfield has termed out of office. The district encompasses Woodland Hills, Canoga Park, Reseda, Winnetka and Tarzana.

The candidates are Tim Gaspar, who founded an insurance company, Barri Worth Girvan, district director for Los Angeles County Supervisor Lindsey Horvath, and Christopher Robert “C.R.” Celona, a tech entrepreneur.

The three candidates are similarly positioned on public safety, backing Mayor Karen Bass’ long-term goal to increase the LAPD ranks to at least 9,500 officers. All three also support enforcing Municipal Code section 41.18.

Gaspar and Worth Girvan have both scored key endorsements. Gaspar is backed by Blumenfield, billionaire developer Rick Caruso and Councilmembers Monica Rodriguez, Tim McOsker and John Lee and billionaire developer Rick Caruso. Worth Girvan has endorsements from a long list of state Democratic lawmakers, the county Democratic Party, the Sierra Club and labor unions.

Gaspar leads in campaign contributions, followed by Worth Girvan. Celona, who has promised to resuscitate the city’s entertainment industry by fast-tracking film permits and cutting red tape, trails far behind.

District 1

Councilmember Eunisses Hernandez faces four challengers in District 1, which stretches from Highland Park on the northeast to University Park on the southwest. She is backed by the local Democratic Socialists of America, and her challengers claim the district has suffered under under her leadership, pointing to MacArthur Park as emblematic of the homelessness and drug addiction crisis plaguing the city.

Hernandez counters with a list of accomplishments, including helping secure a $6.3-million state grant to house homeless individuals near the Arroyo Seco riverbed and advocating for a citywide network of unarmed crisis response teams.

She faces challenges from Maria Lou Calanche, a former Los Angeles police commissioner and founder of the nonprofit Legacy LA; Nelson Grande, an executive consultant and former president of Avenida Entertainment Group; Raul Claros, founder of California Rising; and Sylvia Robledo, a small-business owner and former council aide.

Hernandez’s campaign has also faced an onslaught of accusations of “dark money” spending. A group called Neighbors First has sent mail pieces critical of Hernandez and other leftist City Council candidates.

District 5

Incumbent Katy Yaroslavsky faces two challengers for her District 5 seat, both of whom oppose her stance on housing and public safety spending. The district includes some of the city’s wealthiest neighborhoods, including Bel-Air, Westwood, Cheviot Hills and Hancock Park.

Challengers Henry Mantel, a tenants’ rights lawyer, and Morgan Oyler, an accountant, say Yaroslavsky hasn’t done enough to increase the district’s housing supply. Yaroslavsky, who holds a wide lead in fundraising, has said she supports increasing housing density near transit centers but cautioned against building more than the city can sustain.

District 13

Councilmember Hugo Soto-Martínez, who is also backed by the Democratic Socialists of America’s L.A. chapter, faces three challengers in District 13, which includes Atwater Village, Glassell Park, Elysian Valley, Echo Park, Silver Lake and East Hollywood.

The list of challengers includes Colter Carlisle, vice president of the East Hollywood Neighborhood Council, Dylan Kendall, who runs Grow Hollywood, and Rich Sarian, vice president of strategic initiatives for downtown’s South Park Social District.

While Soto-Martínez supports expanding the city’s unarmed personnel program, Carlisle and Kendall would like to expand the police force. Sarian has said he supports the unarmed personnel program and wants to examine the LAPD’s current size and resources.

District 15

Incumbent Tim McOsker is facing off against community organizer Jordan River in District 15, which covers Harbor City, Harbor Gateway, San Pedro, Watts and Wilmington. McOsker has decades of experience in the political world, having worked in the mayor’s office, and the city attorney’s office before joining the City Council in 2022. Rivers, who is unemployed, is a member of the Green Party.

District 7

Monica Rodriguez is running unopposed for the District 7 seat in the northeast San Fernando Valley.

Times staff writers David Zahniser, Noah Goldberg and Sandra McDonald contributed to this report.

After 10 days of crazed moviegoing at the Cannes Film Festival, Times film critic Amy Nicholson and Times film editor Joshua Rothkopf are all but spent. They leave with 10 recommendations (listed below in alphabetical order), including several titles you’ll be hearing about during awards season, but also, admittedly, more reservations than usual.

Amy Nicholson: There are worse ways to spend your life than watching four movies a day in the south of France. For a week and half, we ran in and out of the dark theaters, blinking at the shock of the sun and bickering about what we just saw with the highest concentration of film lovers anywhere — most of us jacked up on espresso or rosé. Yet, we’re flying home miffed that the movies themselves were mediocre. Cannes is meant to launch ambitious, prickly works by grandmasters and next-generation talents. This year, the programming looked like a party with an impressive invite list — Nicolas Winding Refn, Asghar Farhadi, Hirokazu Kore-eda — but upon arrival, all the guests felt like old acquaintances tapped out of anything interesting to say.

I’m being harsh. Cannes had good movies, too. But I needed this year’s Cannes to be great. Audiences trickling back into theaters deserve to see something fantastic. Instead, too many filmmakers took the crowd’s attention span for granted; even the strongest films in competition could delete a half-hour of dead air. Fittingly, the majority of my favorites came from Cannes’ kookier programming sections, Directors’ Fortnight and Un Certain Regard — and I suspect many of yours did, too, oui?

Joshua Rothkopf: I did find a handful of films from the main competition that impressed me, but point taken: Nobody is served if we can’t admit that this year’s edition was weaker than others. We could blame screenwriting or pacing (though paradoxically I was impressed by both the longest and the shortest movies in competition). Maybe it’s an overall lack of boldness. When a restored version of Ken Russell’s salacious 55-year-old “The Devils” eclipses virtually everything else shown at the festival, a certain timidity is hard to deny. There were too many “nice” films: perfectly respectable but not what I want Cannes to be.

Fortunately, we saw enough to sharpen up a list of favorites. Here’s what stirred us.

‘All of a Sudden’

I’m not convinced that the utopian vision of end-of-life care presented in Ryusuke Hamaguchi’s drama has a fighting chance in America, but we deserve the opportunity to grapple with its compassionate turns and have that discussion. The director of “Drive My Car” continues his process-centric exploration of workplace relationships in this quietly revelatory movie, one with a centerpiece conversation that merits comparison to the long walks of Richard Linklater’s “Before” movies. Virginie Efira and Tao Okamoto let a day’s stroll linger into profundity, the twilight dimming and human connection brewing in all its possibilities. Is it too late for them? It doesn’t need to be. — Joshua Rothkopf

‘The Beloved’

Esteban (Javier Bardem), a renowned bad boy Spanish filmmaker, returns to his homeland from New York to shoot a period picture in the desert. Off-screen, he’s gifted one of the four leading roles to his estranged daughter (Victoria Luengo), an aspiring actor who hasn’t seen her father in 13 years. Esteban failed as Emilia’s dad. Can he succeed as her director, especially when her big break packs this much pressure? Not likely, especially as Emilia has inherited his disastrous boozing habits. “The Beloved’s” actual director, Rodrigo Sorogoyen, unleashes his leads to become a tag team of destruction, each blaming the other for what’s going wrong on set. They’re both mired in clashing narratives of their relationship. Sorogoyen shows us the truth, as well as the visible frustrations of the film-within-a-film’s cast and crew that risk shutting down this too-passionate passion project. — Amy Nicholson

‘Bitter Christmas’

(Iglesias Mas / Sony Pictures Classics)

Pedro Almodóvar’s self-flagellating film about his artistic process has a Charlie Kaufman-lite structure that I’d rather let audiences discover on their own. In brief: Almodovar’s avatar, a filmmaker named Raúl (Leonardo Sbaraglia), gets dragged over the artistic coals by the dramatic female characters he’s been writing for decades, one of whom dares him to simply coast on his legacy. Too many veteran filmmakers in his year’s Cannes competition seem to have accepted that bargain, so when Raúl got to the end of a new script and decided it wasn’t up to his standards, I nearly shouted “Bravo!” Navel-gazing cinema about the creative process isn’t usually my bag, but Almodóvar doesn’t take his own misery that seriously, even inserting a manic pixie dream hunk, a male stripper-slash-firefighter played by Patrick Criado, for a little bump and grind. — Amy Nicholson

‘Clarissa’

It’s been 101 years since Virginia Woolf first published “Mrs Dalloway,” a novel about persnickety party hostess Clarissa Dalloway colliding with her former lovers, one male and one female. The plot seems simple, but every glare and sigh tells a whole story about modernization, capitulation, cynicism and violence. Twin brothers Arie and Chuko Esiri have transplanted the tale to present-day Nigeria and stacked the cast with Sophie Okonedo, Ayo Edebiri, Nikki Amuka-Bird, David Oyelowo and the staggeringly talented India Amarteifio as the diva in her captivating youth before she married a tedious oilman and started bullying the help. “Clarissa” makes several smart adjustments, swapping in a traumatized Boko Haram soldier for a shell-shocked veteran of the Great War, and cocking an eyebrow at the shiny new yoga studios and coffee shops littering Lagos’ once-lush waterfront. Better still, it’s sexy as heck — the flashbacks are one swimsuit party after another. — Amy Nicholson

‘Club Kid’

The one-sentence pitch of Jordan Firstman’s debut dramedy — a gay nightclub promoter sobers up when he discovers he has a 10-year-old boy — sounded as fun as snorting a line of aspartame. I stand corrected. “Club Kid” is a blast: a spicy, surprising and irreverent comedy that rarely peddles the audience anything artificially sweet. Firstman stars as Peter, a debauched millennial aging out of a New York scene that never cared about him as a person in the first place. His business partner Sophie (Cara Delevingne) is a horror; his selfish squatter-roommate Nicky (Eldar Isgandarov) is even worse and so hilarious I’d watch a spin-off sequel just about him. Peter’s shock son Arlo (Reggie Absolom) has a casual charm that pickpockets your heart, but it’s the script’s sour quips that will have you urging people to get past the treacly set-up and go see “Club Kid” themselves. — Amy Nicholson

‘The Diary of a Chambermaid’

Art punk Radu Jude’s latest satire is about a Romanian immigrant with a burlesque double life. By day, Gianina (Ana Dumitrașcu, fantastic) is the live-in housemaid of a daft Parisian family; by night, she’s an actress in a turn-of-the-20th century slapstick farce about a housemaid whose master suckles her patent leather boots. In neither world can she openly say what she thinks (although in her native tongue, she curses her employers and their young son plenty). Fast, crisp and snide, “The Diary of a Chambermaid” gives equal weight to the monotony and the absurdity of Gianina’s grind. And Jude isn’t above including a mocking slow-motion shot of a spoiled French boy totally whiffing a soccer kick. — Amy Nicholson

‘Fatherland’

The tension at the heart of Paweł Pawlikowski’s period piece, set in a ravaged, fallen Germany after the end of World War II, is one that goes unresolved. All that’s left are defensive denials, evasions of Nazi collaboration and the faint hope that something higher has survived. I could watch this kind of guilt-ridden post-apocalyptic movie for hours; instead, this lasts a scant 82 minutes. The conclusion, a wordless moment between father and daughter set to the strains of Bach played on a broken pipe organ, was the most devastating passage of the entire festival. “Fatherland” shows off Pawlikowski’s exquisite way with black-and-white evocations of European tragedy, but he’s never summed them up as poetically. — Joshua Rothkopf

‘Fjord’

People at the festival called this one complex; I found myself disagreeing. It’s actually a fairly straightforward story about a religious but mostly level-headed family flung into conflict with an overly sensitive branch of child protection services — and maybe with the whole of agnostic Norwegian progressivism. As reactionary as that sounds, I was totally rapt. Partly that’s due to a beautifully plotted courtroom scenario and the immersive performances of Sebastian Stan and Renate Reinsve, reuniting after “A Different Man,” as parents increasingly out of their depths. But mainly, I credit Romanian director Cristian Mungiu, who knows a good story when he sees one, crystallizing its potency with every camera choice. — Joshua Rothkopf

‘Minotaur’

The ice-chilled return of Russian filmmaker Andrey Zvyagintsev (after a multiyear battle with long COVID) is worth the wait: a condensation of everything he does well into something so purely distilled, it should come with a proof warning. The movie kicks off as a casual portrait of the vacant nouveau riche lifestyles of the mini-oligarchs: fancy dinners, divorces, bathroom gossip. Then it becomes an erotic thriller (it’s based on Claude Chabrol’s 1969 “The Unfaithful Wife,” as was Diane Lane’s “Unfaithful”). But the best comes last, as the situation gets fixed in broad daylight with breathtaking brutality. The war in Ukraine? Someone else’s problem. “Minotaur” takes on the whole of Putin’s dissociative society and puts its winners above the blackened clouds, looking down at the rest of us. — Joshua Rothkopf

‘Teenage Sex and Death at Camp Miasma’

I am growing to love Jane Schoenbrun’s exfoliation of ’80s horror obsessions, especially for the movie’s nonjudgmental embrace: Let these movies be free in all their “problematic” badness and let them work on you. The fact that “Teenage Sex” sometimes plays like a bottle episode of “Hacks” doesn’t hurt. Hannah Einbinder brings vulnerability to a project that needs her brand of self-excoriating fearlessness. Points, too, for not turning this into yet another celebration of some forgotten male director reclaimed as a genius. Rather, the opposite: It’s about an abused scream queen (Gillian Anderson, gamely campy), a liminal, wintry campground and the exhilaration of running in the woods in your pajamas. — Joshua Rothkopf

Two Weeks in August made its debut tonight with a star-studded cast

The Two Weeks in August cast have shared the significance over a hidden detail in the show’s opening scenes.

Written and created by Sally4Ever’s Catherine Shepherd, the new ‘witty and painfully relatable’ series follows a group of friends reuniting for a summer holiday. However, the idyllic getaway is soon thrown into chaos thanks to an illicit kiss.

In episode one, viewers are introduced to each of the friends with married couple Zoe and Dan, played by Jessica Raine and Damien Molony, clearly struggling as they attempt to put past events behind them.

The family of four, who have brought their children on the trip, are also struggling with money as is highlighted when Jess, played by Antonia Thomas, suggests they all put €200 each in the kitty.

Things go from bad to worse when Zoe and Dan are tasked with preparing food that evening with their lavish friends wanting seafood, which provides another tense expense for the struggling couple as they opt for store bought fish as opposed to fresh market produce.

Talking about the scenes with the Mirror, Jessica Raine and Damien Molony, who play Zoe and Dan, pointed out a significant hidden detail in the opening moments of the show.

Damien, 42, said: “We had a great opportunity to rehearse before we went out with Tom George, our director. We talked a lot about their past and about their relationship and the fact that, you know, they probably hadn’t had sex in about a year.

“That was a really kind of good starting point to go: ‘Oh, something’s really not right here.’ We would do some improvisations about the journey to the airport in England and what that must have been like.

“Jess had this incredible line in the improv about having to pack pasta in our luggage because we knew we wouldn’t be able to afford food on the island. So much so that they actually put it in the scene.

“So when Jessica opens her suitcase in that first scene on packing, there is pasta in the bag” to which Jessica, 44, added: “Three bags!”

Damien continued: “It was kind of those little details that started to kind of… because in TV, you don’t get that opportunity to rehearse or to really explore the world around the scenes.

“So that was really, really thrilling, and it really informed the rest of the kind of scenes that we shared together because this couple goes on a huge journey.”

Meanwhile, Jess said: “The journey of the fish is really good and I think that’s also a really good point to make about our show is the financial differences in the couples. I don’t think we see that very much.

“We often see a lot of very rich people going on holiday, but I love the reality. I mean, a lot of people are in that position where you’re like, I can’t afford €200 for the kitty and the look that we give each other, we’re just like: ‘Holy moly, this is, we’re way out of our depth’ and they don’t feel able to say.”

The drama is only going to get more intense for the couple and their friends as a synopsis teases: “Set in Greece, Two Weeks in August tells the story of a woman who goes on holiday with her family and friends to rediscover joy in her life. But, here in paradise, what starts with an illicit kiss quickly turns the dream vacation into a nightmare.

“Zoe begins to act on her deepest desires and the holiday she hoped for becomes a reckoning for a group of adults who refuse to grow up. When they discover they are trapped on the island, and become faced with real life-or-death situations, the group soon turn on each other to find out who is to blame.

“Is Zoe responsible for the drama and destruction around her or, as heaven turns to hell, are bigger forces at play? We are in Greece after all, the land of the ancient Gods…”

Two Weeks In August airs Saturday nights on BBC One and BBC iPlayer.

Audiences are intrigued by the star portraying the brand-new character in the Disney+ series

Rivals season two is heating up with new additions arriving in Rutshire.

The beloved Disney+ show recently returned to screens with a super-sized season two and a total of 12 episodes for audiences to get their teeth stuck into.

The new series of Rivals picked up straight off the back of the last outing as Tony Baddingham (played by David Tennant) planned to exact revenge on his Venturer TV rivals Rupert Campbell-Black (Alex Hassell) and Declan O’ Hara (Aidan Turner).

Season two also brought into the fold some new faces in the form of Maxim Ays from The Larkins and Sanditon as Sebbie Carlisle and Wolfblood actor Bobby Lockwood portraying Dommie Carlisle.

Meanwhile, Marvel’s Agent Carter and Heartstopper star Hayley Atwell took on the part of the MP’s ex-wife and mother to his two children, Helen Gordon.

But what about her husband Malise Gordon, who was also Campbell-Black’s former show-jumping coach and mentor?

Here’s the lowdown on the star playing Malise in Rivals season two.

Who plays Malise in Rivals?

Malise is played by Hollywood star Rupert Everett, who is perhaps best known for 90s romcom My Best Friend’s Wedding alongside Julia Roberts and period drama An Ideal Husband.

With a career dating back to the 80s, Everett has had roles across film and TV and various genres.

Some of his previous projects include BBC ’s The Musketeers in which he starred opposite Rivals star Luke Pasqualino, The Happy Prince, Parade’s End, My Policeman, Everybody Loves Diamond, and The Serpent Queen.

Some of his more recent roles have included appearing in Nicola Coughlan ’s Channel 4 series Big Mood, Netflix ’s Emily in Paris and Madfabulous.

Get Disney+ for £5.99

This article contains affiliate links, we will receive a commission on any sales we generate from it. Learn more

£5.99

Disney+

Get Disney+ here

A Disney+ subscribtion now starts at £5.99 per month and provides access to hit series like Rivals, Only Murders in the Building and The Bear, plus countless titles from Marvel, Star Wars, Pixar and more.

According to IMDb, Everett will be appeared in The Liar, The Resurrection of the Christ parts 2 and two and Out Late.

Speaking to the Radio Times about the dynamic between Campbell-Black and the Gordons, star Hassell teased that the couple had “really strong, fairly negative feelings” about the amorous politician and former Olympian.

Despite this, the pair were also “protective” towards Campbell-Black even though he had “really really hurt” them endlessly and they were “at the end of their tether”.

Rivals season 2 airs on Disney+ on Fridays

WASHINGTON — A teen-ager who shocked a congressional committee with her accounts of Iraqi atrocities in Kuwait was revealed Monday to be the daughter of the Kuwaiti ambassador to the United States–a fact concealed when she appeared at the late 1990 hearing, conducted as a vote loomed on America’s use of force in the Gulf.

Confirming an opinion article in Monday’s New York Times, California Rep. Tom Lantos (D-Burlingame) said Monday he knew that the 15-year-old girl, publicly identified only as Nayirah, was, in fact, the daughter of Kuwaiti envoy Sheik Saud al Nasir al Sabah.

Her identity was kept secret at her father’s request, Lantos said, because Saud feared that other family members still in Kuwait could become victims of Iraqi reprisals.

The girl’s testimony before the Congressional Human Rights Caucus, which Lantos chairs, had a major impact on lawmakers sharply divided over authorizing President Bush to use force to liberate Kuwait.

Appearing before Lantos’ panel Oct. 10, 1990, the girl testified that she had recently escaped from Kuwait, where she had seen Iraqi soldiers storm into Al Adnan hospital and remove 15 babies from their incubators, leaving them “on the cold floor to die.”

Her account, which was similar to atrocity reports provided by a Kuwaiti doctor and other medical personnel, was later cited by several lawmakers in the speeches they gave in support of their decision to authorize the use of force against Iraq.

The testimony was later called into question, however, by Amnesty International and other human rights groups. After an Amnesty International investigation in Kuwait in April of the following year, an Amnesty spokesman said: “We became convinced . . . that the story about babies dying in this way did not happen on the scale that was initially reported, if, indeed, it happened at all.”

While Lantos knew the girl’s identity at the time of her testimony before his panel, other Congress members, including the Republican co-chairman of the caucus, Rep. John E. Porter of Illinois, said they did not.

Both congressmen defended the decision to have her testify and heatedly denied the suggestion, implicit in the New York Times opinion page piece by Harper’s magazine publisher John R. MacArthur, that lawmakers may have been duped into voting to go to war against Iraq by artful propaganda.

Times staff writers William Eaton and Don Shannon contributed to this report.