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Best friends Jude and Sherry join tonight’s episode of Gogglebox and they have opened up about their 50-years of friendship ahead of the show

Gogglebox will be welcoming two new faces to Friday night’s show.

Best friends Jude, 76, and Sherry, 77, join tonight’s episode of the hit Channel 4 series. The duo are swapping their travels around the world for the Gogglebox sofa, bringing their unique friendship and plenty of stories along with them.

Jude and Sherry first met when their sons were born and have been best friends ever since. Tragically, back in 2009, the two friends were both widowed just a year apart.

Since the devastating loss of their partners, the two friends have become inseparable and in 2017 they started travelling the world together.

The duo have been to Sri Lanka, Mexico, Bangkok, Singapore, Penang and Malacca, and Goa. They’re aiming to visit Chile for their next adventure.

The duo, who have plenty of opinions, are aiming to put their 50-year friendship to the ultimate test on the Gogglebox sofa, including their impressive supply of chilled chocolate and wine.

Talking about joining the show, Sherry said: “I am really excited to be joining the Gogglebox ‘family’ and finding out how the whole process works and which new programmes we get to watch together. We are both very positive people and it is great to be doing something completely new together.”

While Jude added: “I am looking forward to the completely new experience at this stage of my life. A challenge definitely, but an exciting one.”

Talking about their 50-year friendship, Sherry said: “We have been close friends since we met at Queen Charlotte’s Maternity Hospital on the day our sons were born.

“There have been periods when we haven’t seen so much of each other, but since we have both been widowed, we have been together much more, especially since we started travelling together in 2017.”

Meanwhile, Jude added: “As Sherry said, we met 51 years ago, on the day after our sons were born, pushing them along the hospital corridor.

“Through the childhood years as we both went on to have two daughters and then a year apart in 2009 and 2010 we were both widowed, which is when we became even closer and our travels began.”

Watch brand-new Gogglebox on Friday 2 October at 9pm on Channel 4

Hollywood is filled with book-to-screen adaptations that have ignited grumbling and spirited debates. Even before its release, Zoe Kazan’s interpretation of John Steinbeck’s sprawling 1952 masterwork, “East of Eden,” roused passionate opinions from loyalists of the text on social media.

Much of the discourse surrounds Kazan’s creative choice in how to portray the book’s infamous antagonist, Cathy Ames, in Netflix’s seven-episode limited series out Thursday.

Steinbeck’s multigenerational saga ruminates on family, the power of choice and the nature of good and evil — deeply exploring the biblical stories of Cain and Abel and the fall of Adam and Eve — through the intertwined destinies of two families, the Trasks and the Hamiltons. Cathy (later known as Kate) functions as a chilling, destructive force in the saga.

Kazan pared down much of the Hamilton family’s story for the show and centered Cathy (Florence Pugh), whose arrival alters the lives of the Trask brothers, Adam (Christopher Abbott) and Charles (Mike Faist). In doing so, Kazan dared to humanize the character who has been considered one of literature’s most definitive symbols of pure evil, described by Steinbeck to be a “psychic monster” born without a conscience or kindness.

“I’m trying to protect my mental health by not being too much online,” Kazan said in a video call from London on a recent weekday. “I do think it is not surprising to me that this character brings up a lot of strong feelings for people … I’m excited to see what people think once they actually see what we have made and aren’t just anticipating something.”

Mike Faist as Charles Trask, Christopher Abbott as Adam Trask and Florence Pugh as Cathy Ames in Netflix’s “East of Eden.”

(Netflix)

When Kazan, an actor who has expanded her creative footprint behind the camera, first pitched the series in 2019 and was asked about which actor she envisioned as Cathy, she replied: “I have one.” She had seen Pugh in “Midsommar,” “Lady Macbeth” and “Little Women,” marveling at how the actor’s ultra femininity lived alongside her masculine energy.

“The range on that girl … I was like, if anybody can do that, they can play Cathy,” Kazan says. “It allowed me to write Cathy as complicated and mysterious [as I wanted] and with so much shadow and light.”

When it came to Adam and Charles, Kazan knew Abbott and Faist could depict the psychological nuance beyond the binaries of the nature versus nurture debate: “I wanted an Adam where you felt what his true nature was and the nature that his father had pushed him into … and I knew we needed that in Charles as well.”

Adapting a classic is hardly a simple endeavor, particularly one that has been done before. That Kazan would choose “East of Eden,” which unpacks legacy and generational shadows is apt: Her grandfather, Elia Kazan, famously directed the 1955 film version starring James Dean. The actors of the Netflix series are eager for viewers to see her vision come to life.

“When you do an adaptation of a book, especially a seminal American novel, no matter what, you’re always going to be up against it because … whenever somebody reads a book, the budget in their heads is unlimited,” Abbott says. “I think this is such a great adaption in its own right.”

Pugh adds: “I’m excited for people to do the stuff that I’m doing now, which is [to say], ‘Oh my God, let’s read this and see how it fits against what I’ve got in my head.’”

Over a video call together, Pugh, Abbott and Faist reflected on their journey to adapting Steinbeck’s epic story, including their first experiences with it and filling in the shades of these characters who remain timeless allegories of the human condition. This conversation, which contains spoilers, has been edited for clarity and length.

Florence Pugh, left, Christopher Abbott and Mike Faist take on some of literature’s most indelible characters — Cathy Ames, Adam Trask and Charles Trask — made famous in John Steinbeck’s classic “East of Eden.” (Photographs by Sophia Spring / For The Times)

When did you first encounter the book?

Faist: My first encounter with the story was the James Dean, Elia Kazan film. That was a movie that I watched, especially when I first moved to New York and wanted to be an actor. It wasn’t until Zoe and Florence asked if I’d be interested in doing this, that I picked up the book.

Pugh: I want to say maybe my early 20s, I read the book. I only watched the movie recently to prepare myself for these kind of conversations. I’m rereading the book now while we’re heading into press, just so I can like fine-tune what I thought I knew … there’s so much love that’s being breathed into every single sentence of every chapter [in this adaptation], and that is solely down to Zoe’s fantastic brain and her ability to want to dig deeper.

Abbott: A lot of my favorite books I’ve picked up and put down numerous times before actually plowing through it — that was the case here until Zoe approached me about doing it. I was like, “Well, this is a perfect excuse to finally [finish].”

This adaptation lit up social media early on for centering Cathy. She is such a polarizing figure. Some see her solely as an evil monster. Some argue there is more nuance to what’s driving her actions. Florence, how do you see her?

Pugh: It’s tricky because I know I’m gonna get asked this again and again, and I guess I’m still trying to figure out how to word it without totally pissing people off. I love finding characters that people automatically think are villains and trying to find a way for you to love them — it’s my favorite thing to do.

I read these episodes, and I was listening to Zoe and how she was wanting this to come from Cathy’s perspective, how Cathy was her hero and how she’s just been championing Cathy ever since she first read the book — that was so f— exciting to know that we’re not gonna just point the finger and say that she’s evil. It is my job to do my skills as good as possible so that I can argue in defense of them. I believe that I can argue for her, which is terrifying but also really cool. I care for her deeply. I understand where she went and why. Does she do some terrible things? Absolutely. Is she a product of the situation that she grew up in? Totally. You can’t get raped as a child and and you be totally fine for the rest of your life.

Florence Pugh as Cathy Ames. She hopes the adaptation prompts curiosity: “I’m excited for people to do the stuff that I’m doing now, which is [to say], ‘Oh my God, let’s read this and see how it fits against what I’ve got in my head.’”

(Netflix)

That detail was not explicitly stated in the book. What were your conversations with Zoe about it?

Pugh: That’s why we ended up choosing the way that we explained it and the way that we showed it — that little girl is so tiny you can’t even imagine anything bad happening to her, and the fact that she’s holding “Alice in Wonderland,” [in her mind], there’s so many through lines through Cathy and Kate’s life that all come back to that moment. You don’t need to do much. Everybody has the sinking feeling of what might happen to a vulnerable child in that situation. In the book, I think it’s constantly playing with the themes of can we trust her? Is she already a monster as a child?

What Zoe has done is made her a real human, and has given her cause and has given her time to understand. That moment that is alluded [to in the book ] — if Cathy asked the boys to tie her down, and whatever it is that they were doing to her — it’s no longer alluded [in the series]. That [assault] happened, but maybe people didn’t believe her.

Mike, what were you interested in excavating with Charles, this Cain archetype who’s tormented by rejection and jealousy?

Faist: What is amazing about this story is — and it’s the entire through line of the entire novel — is this idea of timshel. What happens in a person’s life, and the burdens that they carry, then the choices they make, and every single moment as they continue to live it. Charles jumped out at me. There was just something about him that I was very drawn to — and along with that pull, there’s this feeling of dread, where you say, “Oh God, I can’t believe that I’m about to jump in and do this thing.” You end up surrendering yourself to it. It is scary and deeply exciting.

Abbott: I don’t have a brother. You forget too that they’re half brothers and what that dynamic is like, what kind of Freudian s— pops up. I think the through line for Mike and I, because there’s a lot of conflict there, that it always comes from a place from love. The letters, as they [Charles and Adam] get older, that are written or the letters that he starts to write and doesn’t send, when there is hate between them, it’s because they love each other so much. Otherwise, it would just be indifference. A lot of that happens in the things that are unsaid.

1

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1. Mike Faist as Charles Trask. (Netflix) 2. Christopher Abbott as Adam Trask. He found the sibling relationship intriguing: “I don’t have a brother. You forget too that they’re half brothers and what that dynamic is like, what kind of Freudian s— pops up.” (Kirsty Griffin / Netflix)

When Zoe approached you, Chris, to play Adam, you questioned whether she actually meant for you to be Charles?

Abbott: I’m just used to being typecast, so I thought she made a mistake. Zoe’s mentioned this idea of masculine and feminine energy — what one presents and what one actually holds, and the old switcheroos of that. The very first email, I was like, “Oh, are you sure?” But I was excited to play with all the nuance of and the layers of what this is. I had seen the movie before, and it [covers] only the last 100 or so pages. It’s really gratifying to play a part where you get to see someone’s whole life and how this guy goes from being this wanderer, drifter to this to stoic, depressed, rigid older man.

What moment between these characters were you most eager or nervous to depict?

Faist: The scene that I reflect back on the most, that actively had the biggest impact on me, is the scene between Cathy and Charles, where she comes into his room and the two of them share this intimacy together. We had talked about what we were wanting to do, then on the day, none of it was really working. I remember Florence had this really specific thing she wanted to bring to the scene. And it was really powerful — there’s these very rare moments when you genuinely feel someone’s objective actively working against your own. [Pugh makes a quizzical face.] No, it’s good! It creates this friction and this tension that does exist and does live.

Abbott: That was your favorite, huh?

Faist: I’m sorry, Chris! That one was just such a visceral feeling of, I know what my character wants in this thing, and her character is very much wanting the exact opposite and the literal clash of that that moment and the feeling of that — I’ll never forget that.

Pugh: It’s such an important scene to get right because it literally is the ending moment of those two; it added so much pressure on the day of shooting. It’s actually really hard when you’re trying to do a sex scene that’s consensual, but it’s definitely not at the right time. The coolest thing about it is it wasn’t working and we had to push everyone out. Everyone was whispering and everyone was trying to figure out what they were comfortable with us doing and, eventually, Mike and I were just like: Right. Done.

Florence Pugh, with Christopher Abbott, left, and Mike Faist, says “East of Eden” endures because “every single one of these characters is struggling to survive realistically.”

(Sophia Spring / For The Times)

Chris, you have the daunting task of, in the closing moments of the series, delivering the word that’s the thrust of the whole story —timshel.

Abbott: I think that was the last scene I shot. I can’t say I was being lazy, but the character had a stroke so he was laying there. You just gotta listen [in a moment like that]. Hoon [Lee, who plays Lee] is reading from the Bible. You take in the room. I nailed it in one. [Pugh and Faist laugh.]

People have deep feelings about “East of Eden.” And it seems to have had a real resurgence recently, even outside of curiosity about this adaptation. Why do you think that is?

Abbott: That’s a big, existential [thing to think about]. There’s a ton of themes in the book that are relevant: displacement, family, love. The themes in the book aren’t specific to the time period. All great works are that.

Pugh: It’s also about generational trauma and change in healing. One of the things I recognized immediately when I started rereading the book months ago, the first few pages about the Salinas Valley describe very quickly that this place is about growth, change and moving on. What I’ve taken from our adaption of Cathy and her generational trauma and what she’s doing to her kids is that not everybody is going to get it right. The reason I think why people keep picking it back up is every single one of these characters is struggling to survive realistically, and they are all making decisions that affect and domino-effect other people around them. Us learning about how we could have done better will always be relevant. And especially with America, and what we’re watching in terms of its constant battle against racism and immigration. It’s relevant to life and to our lives.

There were rows aplenty on ABC sitcom Modern Family, but there was an even bigger one behind the scenes and Jesse Tyler Ferguson says the rest of the cast just got used to it

Jesse Tyler Ferguson says the Modern Family set could be an awkward place after admitting a show feud made things difficult.

The long-running hit show starred the likes of Ed O’Neil, Sofia Vergara, Eric Stonestreet, Ariel Winter and Nolan Gould, before ending in 2020 after 11 years. The much-loved programme featured three different but interconnected branches of the same large family living in suburban Los Angeles.

But it seems the feel-good ABC sitcom was hiding a secret – its two creators Christopher Lloyd and Steven Levitan didn’t get on at all following a huge fall-out, and it caused uncomfortableness behind the scenes.

Things became so strained that the writers’ room was divided in two, with duties alternating on an episode-by-episode basis between the two brains behind the comedy. Jesse, who played Mitchell Pritchett for more than a decade, says the stars learned to deal with the new direction.

“Basically, we had divorced parents leading the show,” the actor said in an interview with the Independent. “Our creators just decided to go separate ways. I thought it was a big secret that no one really knew about.

“It was like we had a week with this parent, and then a week with that parent. And we all just learnt that that’s how it works.

“It gave the show a really interesting balance that I think a lot of people didn’t even notice was happening – I still can’t believe after 11 seasons that the show was as successful as it was, with that sort of division of power, really.”

The comedy ran for an impressive 250 episodes, and many of its actors have gone on to enjoy a lot of success.

Jesse enjoyed a successful theatre career before joining the cast of Modern Family, where he earned several Emmy nominations alongside his on-screen husband Cameron Tucker.

Aside from the ABC show, he has appeared as a guest judge on So You Think You Can Dance from 2011 to 2013 and hosted Extreme Makeover: Home Edition in 2020. He has also landed roles in High School Musical: The Musical: The Series and 2023 disaster film Cocaine Bear.

The star also won his first Tony for his performance in the Broadway revival of Take Me Out in 2022.

His on-screen love Cameron Tucker , played by Eric Stonestreet, tied the knot with fiancée Lindsay Schweitzer on his birthday last year.

The longtime couple announced the incredible news in a series of photos shared on Instagram.

Before the shoe Eric was known for his role as Ronnie Litre on CSI: Crime Scene Investigation. He has also appeared in films like 2011’s Bad Teacher and 2013’s Identity Thief.

Since the show, Stonestreet has portrayed Magnus Antas on Disney+’s The Santa Clauses and also took up a hosting role on the Fox competition series Domino Masters.

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LONG before Hollywood relied on CGI, making The Mummy meant dragging a crew into the depths of the Sahara Desert – and paying a brutal price for it.

From near-fatal accidents to deadly wildlife, the set was plagued with so much off-screen drama that crew claimed the ancient pharaohs had put a curse on production.

Despite the chaos, the film became a smash hit that helped launch the careers of its charismatic leads, Brendan Fraser and Rachel Weisz.

It also proved so popular that it led to two direct sequels and a hit spin-off over the next nine years.

Now, 25 years after it debuted, the beloved film is back for a fourth installment – scheduled for release in October next year – with Brendan and Rachel back at the helm.

New photos show librarian-turned-action heroine Evelyn O’Connell, played by Rachel, in character, looking as glamorous as ever at the age of 56.

A WHALEY GOOD TIME

Brendan Fraser gets Bafta nod after piling on 7stone for The Whale

BIG MOMENT

Brendan Fraser breaks down as his movie The Whale gets standing ovation

However, here are seven near-disaster stories from the original set that prove The Mummy filming was as perilous as its plot…

Brendan Fraser’s near-fatal noose

When the heroic character of Rick O’Connell is nearly executed at the start of the film, the horror wasn’t entirely just acting. 

Brendan Fraser stood on his tiptoes with a tight, real noose around his neck for a close-up shot.

When a stuntman pulled the tension a fraction too far, it instantly cut off Brendan’s airway, knocking him out cold.

He blacked out, and woke up to the stunt coordinator slapping his face back to reality. 

The crew’s comforting reaction? “Welcome to the club – the same thing happened to Mel Gibson on Braveheart.”

Oscar nominee Brendan said on the Kelly Clarkson Show: “I was standing on my toes like this with the rope and you only got so far to go. 

“Stephen [Sommers, the director] ran over and he said, ‘Hey, it doesn’t really look like you’re choking. Can you sell it?’

“And then the next thing I knew, my elbow was in my ear, the world was sideways and there was gravel in my teeth.” 

Venomous snakes

Filming in the Moroccan desert meant sharing space with some of the world’s deadliest creepy-crawlies. 

Scorpions, venomous spiders, and deadly snakes routinely slithered into tents and boots.

The danger was so severe that production kept medical helicopters on 24/7 standby, airlifting multiple victims out of the Sahara to rush them to anti-venom treatment before it was too late.

While he avoided getting bitten, Brendan shared to Entertainment Weekly: “They sent a memo out describing a type of snake. I think it had yellow dots on it. 

“They said, ‘If you see this kind of snake, do not go near it. Because if it bites you, at best, they’ll amputate your limb.’

“Anyway, there I was, pissing down a rock, and I look down and there’s the yellow-dot snake. I was like ‘f***!’ I just ran for it.”

Kidnap Insurance

Shooting near volatile border zones in Erfoud, Morocco, came with its own political challenges. 

Universal Pictures was so terrified of their stars being targeted that they took out kidnap-and-ransom insurance policies on the lead actors. 

Brendan explained: “[Producer] Jim Jacks said, ‘I took out million-dollar kidnapping insurance policies on you.’ We were like, ‘So, basically, you put a bounty on our head?’ He’s like, ‘That’s one way of looking at it.’”

On top of that, the King of Morocco provided military protection, leaving the cast to perform their scenes surrounded by soldiers carrying loaded assault rifles.

Brendan Fraser’s broken bones

Playing the action hero came at a staggering physical cost for Brendan, who insisted on doing his own stunts. 

By the time the franchise wrapped, he had sustained multiple injuries including a torn spinal disc and a cracked rib, which led to numerous surgeries over several years.  

He told Vogue: “By the time I did the third Mummy picture in China, I was put together with tape and ice – just, like, really nerdy and fetishistic about ice packs. I was building an exoskeleton for myself daily.”

Speaking about the long-term impact of his stunts on his body, he told The Telegraph: “I was doing stunts that were getting more and more demanding, and my body was just giving out… I was trying to fulfill expectations that I thought were required of me, but eventually, you hit a wall.”

Dehydration measures

The film was shot in the grueling, scorching heat of the Sahara Desert, which meant extra care had to be given for the cast and crew’s wellbeing.

To combat the threat of extreme dehydration and heatstroke, the production’s medical team provided a special, foul-tasting electrolyte rehydration drink.

Every cast and crew member was required to consume this concoction every two hours to prevent fainting, severe heat sickness, and collapse.

Apocalyptic sandstorms 

If the heat and wildlife weren’t enough, mother nature repeatedly tried to hinder filming.

The lost city of Hamunaptra was constructed inside a dormant volcanic crater, which proved challenging.

The desert weather frequently interrupted production, with unpredictable dust storms sweeping through the Sahara location, shutting down filming and forcing cast and crew to seek shelter. 

Kevin O’Connor, who played Beni Gabor, told EW: “You’d see one little black cloud and you’d think, ‘What is this?’ 

“This little black cloud would turn into a sandstorm that was blinding and threw the camera equipment around. It was insane.”

The Damned United tells an unbelievable true story that’s perfect for Ted Lasso fans.

Netflix’s The Damned United stars legends from the worlds of Harry Potter, The Good Omens and Adolescence.

After dropping on Netflix at the weekend, sports drama The Damned United has soared into the streamer’s Top 10 most-watched list and continues to rise in the charts.

Originally released in 2009 and based on a novel by David Peace three years prior, The Damned United tells the turbulent tale of Brian Clough and his disastrous run as the manager of Leeds United in 1974. Only lasting 44 days in the job, Clough was quickly able to alienate the players and the board, leading to the collapse of his professional football career.

As Netflix subscribers continue to discover the classic sports film, here’s everything there is to know about The Damned United cast.

The Damned United cast in full

Brian Clough – Michael Sheen

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Arrogant and fiercely outspoken Brian Clough wasn’t quiet when it came to criticising Leeds United’s former manager Don Revie.

So it took Clough by surprise when he was asked by the team’s board to take over managing the reigning champions.

Actor Michael Sheen has starred in an abundance of hit shows and films throughout his career including The Queen, Good Omens, Masters of Sex, The Twilight Saga and Frost/Nixon.

Peter Taylor – Timothy Spall

Peter Taylor is Clough’s loyal assistant manager and best friend who helps ground the fiery manager when needed.

He is portrayed by actor Timothy Spall who is best remembered for his work in Mr Turner, The King’s Speech and in the Harry Potter franchise as the villainous Peter Pettigrew.

Billy Bremner – Stephen Graham

Billy Bremner is the hard-working captain of Leeds United who is Clough’s main antagonist, leading the resistance that brings about the manager’s infamously short 44-day run at the club.

Bremner is brought to life in The Damned United by Emmy Award-winning actor Stephen Graham, renowned for his work in Netflix’s Adolescence, This is England, A Thousand Blows and Boardwalk Empire.

John O’Hare – Martin Compston

John O’Hare is the team’s striker, known for his aggressive team spirit while playing under Clough.

He is portrayed by none other than Martin Compston, famed for starring as DI Steve Arnott in the unforgettable Line of Duty.

Before becoming a household name in the BBC crime drama, Compston was a professional footballer in Scotland and made a couple of appearances playing for Greenock Morton.

Don Revie – Colm Meaney

Don Revie is the legendary, formidable Leeds United manager who leaves to manage the England national team. It is his exit from the team that leads his rival Clough to begin his chaotic short stint at Leeds.

Don is played by actor Colm Meaney who stars in Remarkably Bright Creatures, In the Land of Saints and Sinners and Star Trek: Deep Space Nine.

Sam Longson – Jim Broadbent

Prior to Clough joining Leeds United, he was the manager of Derby County with Sam Longson acting as its chairman.

Actor Jim Broadbent is recognised for starring in the Harry Potter and Bridget Jones franchises, as well as Game of Thrones and Only Fools and Horses.

The Damned United is available to watch on Netflix.

EastEnders star Sophie Levy, who plays Priya, has left the show in an unannounced exit that left fans gobsmacked, as the BBC show’s official X account showed the cast’s emotional goodbye

The EastEnders cast have said goodbye to one of their stars in a shock exit that was not announced to fans. Sophie Levy, who played Priya Nandra-Hart, has left the show.

In tonight’s episode, Priya decided to quit Walford, terrified that Max Branning (Jake Wood) would do something drastic if he found out that she was pregnant with his child. She packs her bags and is driven off in a cab headed for Leeds.

It has now been revealed by the EastEnders’ official X, formerly known as Twitter account that these were one of Sophie’s last scenes. They shared a video of Sophie being given a huge goodbye from the cast, who chanted, “We love you Sophie, we do!”

Executive producer Ben Wadey then said: “We have just wrapped Sophie’s last scene with us on EastEnders. Congratulations, Sophie! We want to say a massive thank you on behalf of everyone at EastEnders for an extraordinary few years. It’s a really hard thing to come in and put on the shoes of a new character in the show and instantly become an icon.

“You’ve led so many amazing stories, you’ve had brilliant, unlikely partnerships with people like Martin, with Ian, with Jean most recently. I’ve been enjoying you actually driving Max Branning to have a heart attack by stressing him out so much. You’ve been extraordinary; you’re a delight to work with. You’re going to be very, very missed.”

He added that Sophie, who is pregnant, was onto a “more important adventure” next. Sophie then said that the EastEnders crew were like “family” and that she loved being on the soap. Speaking directly to the camera, she added: “I just wanted to say a massive thank you to all of the fans and the viewers of the show. I’ve been so proud and happy to be part of this family for three years. I can’t believe it’s been three years, it doesn’t feel that long but it also feels like it’s been forever!

“Thank you for having me. And let’s see. Watch this space, you knows if Priya will return.” Turning to the side to show off her baby bump, she signed off with: “See ya!”

EastEnders captioned the post with: “Sophie Levy Khan’s final day on EastEnders was an emotional one. From the moment she arrived, Priya has been an unforgettable character and leaves behind a Walford legacy to be proud of. We’re not crying, you are.”

Fans were shocked in the comments as they did not think Priya’s exit was permanent. “Wait she’s left for good?” one fan asked. Another said: “Shut the f*** up???? This can’t be Priya’s actual exit!”

A third added: “Wait a minute that was her actual last scene really I thought she would be gone for a bit and be back another great Eastenders character gone.”

Others said they thought she might return in time for Christmas, so that she could still be the pregnant woman in Max Branning’s bed at New Year. One said that it was “obvious” that Sophie would return: “She even says at the end of the video let’s see if priya will return ?? Do any of you even watch any of these videos before jumping on a bandwagon ! Its obviously just a temporary leave!”

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Several Gogglebox stars were reduced to tears as they tuned into the Dolly Parton tribute at Last Night of the Proms starring Sheridan Smith and Beverley Knight

Emotional Gogglebox stars couldn’t hold back their tears during the latest episode of the Channel 4 show.

The armchair critics returns to screens on Friday (September 18) night as they offered their verdict on the latest programmes on television from Channel 4’s new reality show Apocalypse to ITV thriller Trigger Point.

However, it was Last Night of the Proms which left cast members in tears as they watched performers Sheridan Smith and Beverley Knight pay tribute to country music sensation Dolly Parton, who died on August 25 aged 80 following a brief and undisclosed battle with cancer.

The second half of the BBC concert, which aired on September 12, honoured the songstress with Sheridan singing feminist anthem 9 To 5, Beverley belting out I Will Always Love You and country-pop duo Ward Thomas performing Jolene.

Tuning into the concert from the comfort of their sofas, several Gogglebox stars including Mary Killen, Lee Riley and Jenny Newby were left sobbing as the musical stars paid tribute to Dolly.

Bryan Seaver, Dolly’s head of security and nephew announced the sad news of her passing on social media last month. In the video, he told fans: “Hey everyone. My name is Bryan Seaver, son of Cassie Parton, and I am representing the Parton and Owens family today, announcing the passing of my Aunt Dolly Rebecca Parton Dean. Sister, sis, Aunt Granny to one generation and Gigi to the next.”

Tributes from around the world were shared following the news, with Elton John saying he was: “Shocked and devastated to hear of Dolly’s passing. A giant of an artist – unique and irreplaceable, with the kindest heart.”

Sir Paul McCartney also commented: “The magnificent star Dolly Parton has died and it is so sad. She was such a wonderful woman.” It comes after Dolly was posthumously honoured with the Americana Lifetime Achievement Award at the Americana Awards & Honours Awards last week.

The Grammy winner appeared in a pre-recorded video to accept the award. She beamed in the clip where she accepted the award. “Well, hey, it’s Dolly, and I am so honoured to receive the Lifetime Achievement Award from the Americana Music Association,” she began.

“I mean, roots music, or what is now called Americana music, is what I grew up playing back in the Smoky Mountains. It’s that same music that drew me back to East Tennessee in 1997 to write and record my album, Hungry Again.”

“And that project really opened the door to a series of bluegrass and acoustic albums that changed the course of my career in so many ways,” she continued.

“Now, new fans discovered these albums, new Americana music communities embraced them, and now looking back at it all, I see this era of my career as a musical renaissance of sorts.

“I want to thank everyone at the AMA for recognising me with this award. It’s a great honor truly, and just know that I will always love you.”

Among Dolly’s many honours include a star on the Hollywood Walk of Fame, along with being inducted into the Songwriters Hall of Fame, Rock & Roll Hall of Fame, and Country Music Hall of Fame.

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