It’s never too late to go back to school. But after years of deferred admission, can a new generation of students at Hillman College score high at delivering a compelling, modern take on the groundbreaking sitcom “A Different World”?
The foundation for an updated version of the popular sitcom set at a historically Black college was set three decades ago. In the 1993 series finale, the show’s central couple — smart, bespeckled math whiz Dwayne Wayne (Kadeem Hardison) and high-maintenance Southern belle Whitley Gilbert-Wayne (Jasmine Guy) — were embarking on their next chapter as newlyweds, relocating to Japan and expecting their first child. Before their departure, a professor jokingly quips to Dwayne: “I can’t wait to have your child in my class in the year 2014.”
The only guide you need for fall entertainment.
But plans for a revival — the original series itself was a spinoff of “The Cosby Show,” centered on the Huxtables’ free-spirited daughter Denise (Lisa Bonet) — to suit that time frame were in limbo for years. Producer and director Debbie Allen, who joined the original series in its second season to help it better reflect the HBCU experience, actively pitched and tried to relaunch “A Different World” in the early 2010s, but those efforts were derailed by the highly publicized sexual assault allegations against the show’s creator, Bill Cosby.
“It’s very difficult,” Allen told The Times. “The biggest difficulty, just being totally transparent, was people’s hesitation to work with Mr. Cosby; to have anything to do with him. [But] we were so independent. He kind of put us on a boat and said, ‘Go.’ And that’s what we did. And he was happy to know that we were going on our way.”
In early 2023, another push began to revive the series while also distancing itself from Cosby. Now, its decades-long gap year finally complete, a new incarnation of “A Different World” is starting up classes this fall at Netflix. And it hopes to carry on the legacy of its predecessor, which was celebrated for its depiction of Black culture and life in a higher education setting during its six-season run on NBC, from 1987 to 1993, bringing HBCUs into the mainstream.
Rashida (Alijah Kai), left, Deborah (Maleah Joi Moon) and Hazel (Kennedi Reece) in Netflix’s “A Different World.” After years of trying to tell the story of a new class at fictional Hillman College, Debbie Allen, who returns as an executive producer and director, says the sequel arrives at the right moment: “If there’s any voice we need to hear from right now, it’s young people.”
(Daniel Delgado Jr. / Netflix)
Billed as a sequel series premiering Sept. 24, a Wayne offspring is our anchor for the freshman class at Hillman College, the show’s fictional historically Black college based in Virginia. Deborah Wayne (Maleah Joi Moon) is an aspiring artist forced to attend her parents’ alma mater on academic probation after her NYU acceptance is rescinded. As the youngest Wayne child, she continues the family’s legacy at the school: her older sister — the child Whitley was pregnant with at the end of the original series — and an older brother are both alums.
She’s joined by a mix of first-gen and legacy students: star quarterback Shaquille Johnson (Cornell Young IV), who is the only child of original character Ron Johnson (Darryl M. Bell); criminal justice major Rashida Duvall (Alijah Kai); psych major Amir Rodale (Jordan Aaron Hall); Ghanaian-Nigerian fashion merchandising student Kojo Achebe (Chibuikem Uche); and small-town pastor’s daughter Hazel Henry (Kennedi Reece).
Some of the show’s original creative team join Allen as executive producers, including Tom Werner, and original series writers Reggie Rock Bythewood and Gina Prince-Bythewood. (Mandy Summers of “That ’90s Show” is also an executive producer.) To shepherd this reimagined version of the sitcom, Allen enlisted her former “Grey’s Anatomy” colleague Felicia Pride, who was most recently part of the writing staff on “Bel-Air,” the dramatic reboot of ’90s comedy “The Fresh Prince of Bel-Air.” It was a dream call for Pride, who as a kid living in Baltimore recorded and rewatched episodes — namely, the one involving a step competition that she obsessively watched after school to learn the routine. But she was reluctant.
“I love the show so much,” Pride said, seated next to Allen inside a Netflix conference room in Los Angeles on a recent day. “I was like, ‘I don’t want to be the one to mess it up.’ But she [Debbie] was so adamant that the time was now to hear from young Black America — and that, I could get with.”
Allen remembers it this way: “I don’t have an ego. I begged her. It’s the truth. To get this show back up, we’ve tried for years. But this is the time that’s right … We had inspired all these kids, not just Black kids, all young people to go to college. This was a peep into college that had never happened before, where you saw young people being responsible and living their lives and being crazy, but still dealing with what is happening in this world. If the young people in the country don’t have a voice, that country is dead. And if there’s any voice we need to hear from right now, it’s young people.”
1
2
1.The original “A Different World”: Dwayne (Kadeem Hardison), left, and Ron (Darryl M. Bell).2.Jaleesa (Dawnn Lewis), left, Freddie (Cree Summer) and Whitley (Jasmine Guy). With Netflix’s modern take, showrunner Felicia Pride wanted the series to be intergenerational: “That’s why I’m so glad that we were able to have the legacy cast in the show — I wanted it to have the heart.”(NBCUniversal via Getty Images)
The show has been credited with boosting enrollment at HBCUs. While overall HBCU enrollment rose by 26% between 1976 and 1994, according to the National Center for Education Statistics, much of that increase occurred during the stretch of the show’s run.
Pride said she rewatched the original series, paying particular attention to the shift that materialized in Season 2 when Allen was brought on to overhaul it, as a starting point. Allen had a document of ideas detailing the types of characters she wanted to see depicted, including a star athlete, the first out queer character in the show’s universe and an African student. One major detail was a nonnegotiable: Allen wanted the show to revolve around Dwayne and Whitley’s daughter. (How they arrived at the character’s name — Deborah (pronounced Deb-OR-ah), which also happens to be Allen’s first name — is fuzzy. Pride remembers the name already being set by Allen; Allen recalls being amused upon seeing it on the page, thinking Pride had chosen the name.)
And just as in college, legacy matters on TV.
“I wanted the show to feel of now,” Pride said. “I also wanted it to be intergenerational. That was important to me, and that’s why I’m so glad that we were able to have the legacy cast in the show — I wanted it to have the heart … These [characters] were like my friends. I felt comfort in them. I felt like I could be them. It was also culture in a way that I hadn’t seen before, represented by people who look like me.”
Several familiar faces from the original make their way into the sequel, some taking on the mentor role of the older characters from the original, others representing how one gives back to the community that shaped them. Hardison and Guy lead the cast from the original series who reprise their characters, along with Bell, Cree Summer as Freddie Brooks, Charnele Brown as Kimberly Reese Boyer, Ajai Sanders as Gina Deveaux, Karen Malina White as Charmaine Brown, Jada Pinkett Smith as Lena James, Jenifer Lewis as Dorothy Dandridge Davenport and Allen as Dr. Langhorne.
Several original “A Different World” cast members reprise their roles in the new version of the series, including Charnele Brown, left, Jasmine Guy, Kadeem Hardison, Darryl M. Bell and Cree Summer.
(Quantrell Colbert / Netflix)
“They were so happy to be back,” Allen said. “There was a day they were all together —”
“That was the day where I felt like, ‘Oh, this is history,’” Pride added.
“In between takes, it was just chaos,” Allen continued. “They just laughed and acted up. It was just wonderful.”
To make the new characters and their stories resonate in a deeper, more contemporary way required as large a commitment to reflecting HBCU life as the original had under Allen’s guidance. The creative team assembled two paid student councils from various HBCUs — one to advise the writers’ room on storylines and campus issues; the other worked on the show’s Atlanta set, with students hired as production assistants that had working schedules tailored to their classes. The background performers filling up scenes in the quads, classrooms and parties feature 59% HBCU students and grads. And some key characters are portrayed by HBCU alumni who bring their lived experience to the screen, including Reece, who went to Howard University.
The freshman season will explore issues that Gen Z is grappling with such as financial insecurity, learning struggles, activism in the age of social media and matters of mental health, as well as bigger systemic issues like uncertainty around funding for HBCUs and immigration enforcement. The series also doesn’t shy away from its real-world backdrop — while it doesn’t explicitly mention President Trump by name, there is reference to the state of affairs under his administration.
Actors Jordan Aaron Hall, left, Cornell Young IV, Chibuikem Uche and Dasan Frazier are part of the new class of students at Hillman College in “A Different World.”
(Eli Joshua Ade / Netflix)
But this version of “A Different World” departs from its source material in its narrative format and tone. The original series was a multi-camera sitcom taped in front of a studio audience — and Allen initially thought any sequel of it would follow that same blueprint. But when the new series found its home at Netflix, it became a 10-episode single-camera dramedy. (Allen directed three episodes in the season, including the premiere, which set the cinematic style of the series.) As if to signal this iteration hasn’t completely deviated from its roots, in the show’s opening moments, Deborah Wayne coolly flicks the iconic flip-up frames made famous by Hardison’s Dwayne. And its memorable theme song that had versions from Phoebe Snow, Aretha Franklin and Boyz II Men hasn’t gone anywhere: Brandy was tapped to give a fresh spin on it that helps straddle the line between generations.
Now, Allen and Pride are on the cusp of seeing how this long-gestating idea will fare in the streaming world.
“You play the cards you’re dealt,” Allen said. “It took a while, but it was right for it not to happen until now. Right now is when we need it. Young people are struggling to find hope and inspiration and guidance, connection …”
Allen’s hope is that the show will have enough seasons to let the characters evolve: “On Netflix, not too many shows go past three, maybe four [seasons],” Allen said. What’s the goal? “At least three.”
Pride isn’t thinking ahead to graduation just yet. She’s still thinking about surviving the first day of school with this different (but familiar) show made for a different world.
“I came to understand we can never re-create the original show, and … even trying to pursue that is just not the thing to do,” Pride said. “It was a different time. It was a different everything, and it should stand on its own. What I wanted to do, personally, was just [focus on]: How can we capture that spirit and hopefully have a show that young people today can see themselves in, and that people [who watched the original] can also enjoy and be proud of?”
The First Dates star was given an unexpected Father’s Day surprise during filming for his new travel series. He became emotional when staff at a luxury hotel in Singapore arranged a personal gesture for him while he was filming Fred’s Ultimate Hotels, which is set to air on Monday (August 31st).
Fred was staying at the iconic Raffles Hotel Singapore, one of the city’s most famous landmarks, when the hotel team decided to mark Father’s Day in a very special way.
Speaking about the moment, Fred admitted he was completely caught off guard when he returned to his room and discovered a surprise waiting for him.
“I arrived there on Father’s Day on the 21st of June,” he explained. “My concierge picked some pictures off the internet of my kids. They used AI to mock up a card to say happy Father’s Day. ‘We love you’, blah, blah, blah, and he put it in my room.”
The thoughtful gesture proved too much for Fred, who admitted he immediately became emotional. “Wow. Oh my God, I knew my kids are everything for me and I just saw that card there,” he said. “It was just on Father’s Day. I cried.”
Fred has two children with his former partner Alessandra Spendolini – daughter Andrea Spendolini-Sirieix, a professional Team GB diver who won a bronze medal at the Paris 2024 Olympic Games and was named the BBC Young Sports Personality of the Year in 2020, and son Lucien, who stays away from the spotlight.
The emotional moment came during Fred’s stay at Raffles, which is one of Singapore’s best-known hotels and has become synonymous with the city since opening its doors in the 19th century.
The hotel is famed for its colonial architecture, luxurious suites and its connection to the Singapore Sling cocktail, which was created at its Long Bar.
It has 115 suites spread across nine categories, with no standard hotel rooms, while its Presidential Suite costs around £12,000 per night.
During his time in Singapore, Fred also took part in a number of experiences as part of the new series. His adventures included a sidecar tour, a visit to the city’s Botanic Gardens and a trip to a hawker centre, where he explored Singapore’s famous food culture.
He also learned Tai Chi from a master at Raffles before heading out on a yacht experience around Sentosa. The Botanic Gardens provided another glimpse into Singapore’s unique landscape, with the city being one of the few places in the world where primary rainforest can be found within its city limits.
The trip forms part of Fred’s Ultimate Hotels, in which the television personality explores some of the world’s most remarkable hotels while getting to know the destinations and cultures surrounding them.
But despite the luxury and extraordinary experiences on offer, it was the simple Father’s Day gesture that left the biggest impression on Fred.
Fred’s Ultimate Hotels airs on Monday, August 31 at 8pm on Channel 4.
In 1996, Tupac Shakur was gunned down off the Las Vegas Strip. Then, less than a year later, Christopher Wallace, aka Biggie Smalls or the Notorious B.I.G., was killed in a drive-by shooting in front of the Petersen Automotive Museum on Wilshire Boulevard.
The two killings have long been tied together in popular culture.
Duane “Keffe D” Davis, a onetime Compton gang member, is accused of orchestrating the Sept. 7, 1996, killing of Shakur. Prosecutors say the killing was rooted in a war between Southside Crips-Burris Street, led by Davis, and Mob Piru, a gang long associated with Death Row Records. Shakur was closely affiliated with the record company.
Authorities say Davis was in the car with his nephew, who grabbed the murder weapon and fired the fatal bullet.
On Wednesday, former LAPD Homicide Det. Daryn Dupree said Davis set out his role in Shakur’s killing in detail in 2008 to a joint LAPD federal task force that was formed to investigate Wallace’s murder.
To force Davis’ cooperation, Dupree said investigators gathered evidence that Davis, now 63, had sold a large quantity of PCP through his home, exposing him to a potential life sentence and leaving his family open to charges.
The task force questioned Davis about a car he owned that was similar to the one used in Wallace’s L.A. killing. Davis was given a proffer agreement, according to Dupree, meaning he agreed to provide information in exchange for possible benefit.
Davis said he knew about the Smalls shooting and then indicated, “we did the other one,” Dupree testified. That statement, he said, shifted investigators’ focus to the Shakur killing.
“We were talking about Christopher Wallace,” Dupree said. “We didn’t ask him any questions about Tupac. He offered that on his own.”
In a second interview, Dupree testified Davis stated that his nephew Orlando Anderson had been jumped, spurring Davis and cohorts on a hunt for revenge against Shakur.
The attack on Anderson occurred at a Mike Tyson fight earlier on the night of Sept. 7 in Las Vegas, according to Clark County prosecutors. Earlier in the trial, video was shown of Shakur’s entourage attacking Anderson, allegedly in retaliation over a chain that Anderson had previously stolen.
“They went looking for Tupac, Suge and anybody who was involved basically in the beatdown of Mr. Anderson,” Dupree said. Death Row Records boss Marion “Suge” Knight was in the car with Shakur the night he was killed.
When they found Shakur, the former detective testified, Davis “had the gun at first, but they came up on the passenger side,” where Knight was seated, “so he could not shoot across the driver. So he handed a gun to Dre in the back seat.” Deandre “Big Dre” Smith was among those in the white Cadillac in addition to Davis and Anderson.
“Davis said Deandre Smith was afraid to shoot,” Dupree testified, so “Anderson grabbed the gun and shot across Mr. Smith into Mr. Knight’s car.”
Davis told the task force they used a .40-caliber handgun, according to testimony.
Prosecutors said they would begin playing all five hours of the interviews to jurors on Thursday.
Dupree said Davis was signed up as a confidential informant in March 2009. He said Las Vegas police were not aware of the secret conversations at the time.
Dupree testified that Davis told investigators that former rapper and music mogul Sean “Diddy” Combs had been involved in targeting Shakur and Knight through East Coast drug dealer Eric “Von Zip” Martin.
He testified that Davis pledged to rekindle his relationship with Martin to gather evidence. But Martin had cancer, and that was not possible, Dupree said. Martin died in 2012.
Combs was never connected to the Shakur case and has denied ever being involved. Others have questioned Davis’ credibility on this and other points.
The Times in 2008 published a story suggesting a Combs link to Shakur’s killing. But it later retracted the story, saying it was based on documents that appeared to have been forged.
Prosecutors in Davis’ trial say the motive was straight revenge for the beating of Anderson, and that Martin allegedly gave Davis a gun. But they have made no allegations against Combs, who has long denied any role or connection to Shakur’s killing.
Michael Sanft, Davis’ defense attorney, told jurors in opening statements there would be no evidence linking his client to the shooting. Sanft noted that previous investigations did not take his client’s statements seriously because they were not credible. The defense attorney, in an unusual move, repeatedly undermined his own client’s credibility, saying Davis’ memoir, “Compton Street Legend,” where he talks about the Shakur killing, was a work of fiction for money and his client wasn’t in Las Vegas.
Under cross-examination, Dupree said Davis faced a life sentence in the PCP case and that his wife and family were in jeopardy because of it, so he needed to help authorities.
He said that LAPD Det. Greg Kading, the task force leader, left the department after investigating the Shakur and Smalls cases and published a book in 2011 that revealed Davis’ interview.
Dupree said the task force was trying to determine if money was really offered to kill Shakur. He said they were trying to build a racketeering case. “This is trying to solidify that Death Row Records was built on narcotics and Bad Boy Records.”
Dupree said he personally did not doubt Davis when he talked about Anderson killing Shakur.
“I knew he loved his nephew.”
For all the notoriety of the rapper killings, neither has yet led to convictions.
Wallace was leaving a music industry party at the Petersen Automotive Museum on March 9, 1997, sitting in the front passenger seat of a Chevrolet Suburban, when his killer pulled up alongside in a dark Chevy Impala.
As the SUV idled at a stoplight, the gunman opened fire, hitting the 24-year-old four times. He was rushed to Cedars-Sinai Medical Center, where he was pronounced dead shortly after 1 a.m.
From the beginning, police said they struggled to get leads and cooperation.
As The Times reported back in 1997, “although more than 1,000 people were said to be at the party, police said they had few eyewitnesses and even fewer solid leads … Detectives said they are investigating whether Wallace’s death is linked to bicoastal tensions within the rap world, but had nothing solid to go on.”
Despite many theories and a long LAPD investigation, the case remains unsolved.
